Don't wanna be here? Send us removal request.
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你說你總在一星期/有一天真的不想返工/我說這並不稀奇/亦符合人性的一種
反而我有一種想法/常被朋友指摘/我說要每個星期/找一天搭的士返工
搭的士返工/讓你減輕傷痛/即使已很窮/但這個世界已經失控/既然你的錢最後亦被剝削在每月的人工/為何不改善在一天的交通?
(my little airport, 搭的士上班去)
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oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
(excerpt of Steps by Frank O’Hara, 1961)
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Gnomic Verses, Robert Creeley
Toffee
Little bit patted pulled
Stretched set let cool.
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Andy Goldsworthy. Leaning into the wind. Scotland. 2015
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Sontag explaining things to me
“More plausibly, Arbus’s photography - with their acceptance of the appalling - suggest a naïveté which is both coy and sinister, for it is based on distance, on privilege, on a feeling that what the viewer is asked to look at is really other. Buñuel, when asked once why he made movies, said that it was ‘to show that this is not the best of all possible worlds’. Arbus took photographs to show something simpler - that there is another world.”
- Susan Sontag. America, Seen Through Photographs, Darkly. 1973
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cubicles
1. Playtime, Jacques Tati, 1967
2. Untitled (1980-84) by Donald Judd on the grounds of the Chinato Foundation; concrete 98 1/2 x 98 1/2 x 194 (each cube). Photo by Åke E:Son Lindman
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Yoko Ono. Morning Piece. 1964-65
Narrator: Ono first presented Morning Piece on the roof of the Naiqua Gallery in Tokyo. She sold pieces of glass from a broken bottle. Each specified a date and a particular period of the morning.
Yoko Ono: And I liked that idea that we created something out of a sharp nothing, that’s a dangerous thing. It was beautiful like a jewel, actually, for me. And I thought, “I just want to make something out of it, you know.”
Narrator: Back in New York in 1965, she presented the piece on the roof of her apartment in the West Village, where she sold pieces of sea-worn glass labeled with past and future mornings.
Yoko Ono: And it was a cold morning, and it was very early morning. We did it, like, when the sun was coming up. And on a table I had a thing that I made – which was all the worn glasses on it. And underneath the worn glass, I would have then a date. Some dates were from the past, and some dates were in the future. Maybe that particular date meant something to them, or maybe not.
But you know, some people come to me and say, “Did you know that was my birthday?” or, “Did you know that we got married that day?” or something, without knowing it or whatever. And it seems like every date means something to somebody.
Source: moma.org
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Walter De Maria. New York Earth Room. Installed in 1977.
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glacier mice, microecosystems that thrive on glaciers and roll around in a controlled herdlike manner
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works of lead by Richard Serra
1. lead rolled up
2. lead unfolded
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covers of three our legacy playlists
covers of Yeezus and Yandhi by Kanye West
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Edward Hopper of solitude
1. Automat (1927)
2. Room in Brooklyn (1932)
3. Compartment Car (1938)
4. Eleven A.M. (1926)
5. Excursion into Philosophy (1959)
6. Morning Sun (1952)
7. Summer Interior (1909)
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