#better writing I mean

[elina-sakura]

So after watching a YouTube video yesterday, I finally realized why I have such an issue with Derision, or more specifically the backstory it provided: it just doesn’t fit.

Let’s say that the Miraculous narrative is a set of puzzles, and we’re getting the full picture of the backstory before the series, or more specifically, the characters like Marinette and Chloé. We’ve already been established that the two girls have a history with each for at least three-four years, that Chloé has been a bully towards Marinette, and that in results worsens her anxiety. Yet it has never been shown anything more than Chloé being petty against Marinette, and eventually becoming a rival that clash because of their beliefs and personalities.

Then Derision comes along, and reveals that Chloé has actually been more an abuser who did harmful pranks, isolated her from her peers, ruined her reputation to be made out as a bad kid, and masterminded a prank that could have literally killed Marinette and caused everlasting trauma for her. Now let me be clear, what happened was terrible and Chloé is a terrible person for it. If this is the narrative they have been trying to paint, that is the truth we unfortunately accept.

But it is hard to accept it, because this goes against the narrative we’ve seen for the past years, and contradicts a lot of stuff in both backstory and character interactions, again focusing on Chloé and Marinette. If Chloé has been so terrible this whole time as shown in Derision, why is Marinette just more annoyed with Chloé and able to take her on so easily?You could say it may have been the words of encouragement from Socqueline, but Marinette should still be anxious and scared of Chloé still. Chloé has tormented Marinette for years, Marinette has no support to help back her up, and now that she doesn’t have Socqueline by her side to defend her, she’s on her own (at least that should be her thought process the whole time before meeting Alya).

Also, we have seen multiple times Marinette and Kim interacting with each other, and it’s always been at least friendly with each other. Marinette has never been shown to be uncomfortable around him, especially in Dark Cupid where they most interacted. If they had a bad history this whole time with each other, then why are they acting like nothing happened. I know people are going to say “maybe she subconsciously repressed the memories,” and that might be the case, especially with Kim. It seemed to imply she tried to forget it. But I’m not sure if that is the case in real life, so please take what I said with a grain of salt and I’m sorry if it was offensive.

However, it still doesn’t explain the very different dynamic relationship with Marinette and Chloé. Chloé has done much more things besides the prank/near-death experience she masterminded in, and that should have Marinette more apprehensive and scared of Chloé. Heck, it would make her willing to give Chloé a second chance all the more weirder because why would she ever give back the Bee Miraculous to Chloé, and always keep opening her mind to thinking “maybe she’ll change.”

In conclusion, Derision is like a puzzle piece that the writers are trying to fit into Marinette’s and Chloé’s backstory. However, it does not fit as it contradicts with the narrative they already set up. But instead of trying to move this backstory idea somewhere else like for another story, they forced it in, not caring that it’ll upset the picture they were putting together.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[elina-sakura]

While I am bias that I want Chloé to have some form of redemption arc and become an anti-hero of sorts because I am bias, I generally wouldn’t mind if she became a villain as well. Heck, what happened to her in seasons 2-4 would have been a good villain origin story for her and a challenge for both Marinette and Adrien to face externally and internally if the writers actually committed to Chloé’s downfall.

Redemption arc. Damnation arc. I don’t care anymore. Both arcs can work if executed well. All I wish is that Chloé remains a great character, who still grows as a person (whether worse or better) and is still a human being and is acknowledged that she lives in a messed up home environment because even kids reacting differently than the “good kid victims” (as the writers would no doubt imply) are still victims in the end. They just need help alongside punishments.

But somebody wants us to only look at her as evil incarnate instead, who has no human qualities, who is apparently “not an abused child,” and that’s 🤬 up.

I am curious where people see this going! Please no leak discussions or salt!! :)

[bunnieswithknives]

OH MY GOD??? HAS IT SERIOUSLY BEEN A MONTH????? I am so sorry guys

Prev | Next

[hyakunana]

"My friend, my partner… my Guardian."

[legobiwan]

"First, let's get something out of the way: a human's ability to grasp reality is painfully limited. You don't even have free will! Don't believe me? Okay, rip a dollar in half right now. Didn't do it? Didn't think so!"

~~~~~~~~~~~~

"PS: Look what I just ripped in half! Suck it!"

~~~~~~~~

I love Stan so, so much for this.

[elina-sakura]

I agree, I do like Marinette as a protagonist. The problem is how she’s written ends up making her not a great protagonist.

The way with how the writers tried to implement Marinette into the Agreste Arc and create a connection with the main villain felt forced, honestly. Especially with how Gabriel seems to have such an animosity towards Ladybug, and only Ladybug. Not the other permanent holder who defeats his Akumas and plans alongside Ladybug (for the most part but that’s a whole separate writing issue in of itself). Who, we the audience, knows that the villain and the hero are father and son AKA setting up a personal confrontation and connection without either characters knowing that and doing absolutely nothing about them except in what if episodes. Whereas the only personal connection Marinette and Gabriel had was that Gabriel was Marinette’s favorite fashion designer and then forgetting about it later in the show. And then came up with a new way to connect the two by having them both come from a similar background (middle-class family in the food business aspiring to be fashion designers and falling in love with an upper class love interest) all the way in season 5, and their love for Adrien (which completely backfires with how they end things in season 5).

To me, it looked like the writers were trying to set up how the two are similar and Marinette could grow into being like Gabriel, especially since there are some similarities to the two besides their backgrounds (being perfectionists, control freaks, obsess with their love interests). Which, and this is just my opinion you are free to disagree, I find interesting and would have liked to see an arc like that since I’ve seen something similar in Amphibia with Anne and King Andrias. I had thought if they go down that route, they would be having Marinette’s arc be that while Marinette is in a flawed position, she would overcome the flaws and become a better person while Gabriel would double down on his flaws and that would become his downfall (again this is just my idea and interpretation; you are free to disagree with me). However, the writers boggled the idea in a lot of ways by having Marinette too similar to Gabriel and make the main ship be painted in a bad light, like Adrien is dating someone much like his father (who is an abusive father mind you). It is especially shown in the season 5 ending that Marinette has ended up becoming like Gabriel 2.0, with her not telling Adrien that he is a sentibeing, that his father was Monarch, etc, and deciding what is best for him out of love for Adrien, which is both controlling what Adrien knows, respecting Gabriel’s (his abuser) wishes, and making her no better than Gabriel.

This unfortunately makes her unlikeable and not a great protagonist. We’re supposed to be rooting for her as the main character. The audience are suppose to see her as a role model to children. But the writers messed up what they were trying to accomplish and end up making Marinette looking like a bad person. Now you could say the writers maybe plan to have Marinette get called out and go through a character arc for what she did last season. But again, there’s a lot of problems with that direction. 1) We had the same belief that the writers would do something about giving Marinette a character arc after the Ladynoir conflict in season 4, but we clearly see in the ending of season 5 that is not the case, and 2) this character arc would only serve Marinette at the cost of other characters, especially one character of interest: Adrien. He was removed from the finale and his final confrontation with his father (without ever learning that his father was Monarch while he was lied about his origin and the truth of his family). And now Adrien would have to react to the truth of the Final Battle, but there would no emotional confrontation impact he could have had if his father was still alive. And with how the writers tend to have Adrien gloss over his feelings to hype up Marinette and make her feel better, I honestly am afraid that is going to be the case if they do this arc (and even go as far as to say Adrien is the one in the wrong for being (rightfully) mad at Marinette/Ladybug for not telling him the truth).

As you guys stated, this is what we see for a majority of the show: Marinette being in the spotlight for too much of the time, and not enough focus with the other characters. To the point she ends up taking over various character arcs that should be for other characters. Prime example: Adrien Agreste with the Agreste Arc. In the canon timeline, we have Marinette who learns about Adrien’s origin, Gabriel’s identity as Monarch, be the one who tries to talk him down and supposedly change him (keyword supposedly). When that kind of stuff should have gone to, oh I don’t know, Adrien Agreste himself! The sentibeing himself whose existence is the catalyst for the entire Agreste Arc. The son of the main villain who he had been fighting for canonically almost a year. Heck, he is more in-character to be the one to try to talk down his father than a complete stranger who has nothing to do with the Agreste Arc personally. But instead, the outsider who has no personal connection to the Agreste Arc is the one who resolves the arc (and fails while doing so).

These kind of stuff is why people would get turn off with Marinette as the main protagonist. As you guys stated, Marinette takes too much attention from the story that she takes the other characters’ places, especially the secondary protagonist Adrien Agreste. It’s like having the same food over and over again. At first you like/love it, but overtime, you get tired of it and you want something else or perhaps a smaller portion alongside the other foods you want to have. That’s how I feel is the case for Marinette. The writers put her in the spotlight so many of the times, she takes away the focus from other characters who need the spotlight, like Adrien, Alya, and Nino. And this is not Marinette’s fault I would say. The writers are the ones that are trying to get Marinette to be the one to carry the show on her back, but that is only making Marinette suffer as well with the other characters.

Am I selfish for wishing Marinette wasn't the protagonist? She doesn't really connect to the plot besides her love arc and I don't find it that interesting. Like a lot of female protagonists like the cast of Totally Spies the girls force to work for Jerry, or Bloom finding she's a fairy and has the dragon flame or Iris from lolirock who finds out she's Princess of Ephedia. Like you have all these ladies who's arc isn't just connected to just love like it's part of it but romance isn't central to their character they have more to them.

Like it's so weird honestly because I never really knew of a protagonist who just didn't connect with the story instead the secondary character has. His father the villain, he has fans and many who crush on him, he's a model but he's secretly also the famed ChatNoir, he's an abused child who want their parent attention, rich, and a little behind when it comes to social cues. Like? Are we sure he's not the protagonist is that why the show gives him such little contributions and makes others take what he's deserves. Like the book from early on s2, felix finding out his mother in the basement, Kagami learning early on the whole agreste situation and doing a whole play in front of Ladybug with Felix to convey the situation.

She's in every episode most MC's aren't always there sometimes they leave for an episode or two or have someone take the spotlight but she is there 24/7. Like I kinda want to know another character for a chance because I already gauged enough of her character to know romance is all there is to her lol. I don't know can't we have an Adrien central episode, Alya, Kagami, hell even Luka?

No wonder I think the cast are so bland to me because they just appear we don't really know them personally besides if they get akumatized.

Marinette to me is like if we're seeing the blushing female girl and the entire show from a Hinata perspective in Naruto just there to pine for a boy who aren't even that close.

You're not selfish for that, anon. We all have our different tastes. Personally, I like Marinette as the protagonist, but we all have different likes and dislikes.

I will say that the writing for Marinette as a protagonist is pretty lacking though. She doesn't have any connection to the main plot on her own and can only have any relevance in the final battle of her show by taking the place of some other character. The show is literally allergic to taking the focus off her for more than five seconds. Plenty of shows that have a single character as their main lead also devote few episodes to the developing the side characters.

For example, a superhero show like Miraculous would usually have an episode where Ladybug is incapacitated, and Chat Noir has to do the saving. But Miraculous can't handle not having Marinette be the one to save the day at all times, so Chat Noir is just always reduced to being the sidekick or the one who gets caught and has to have Ladybug save him. Like, even in episodes where it seems like Chat Noir will have a larger role to play, the writers can't help but have it be Ladybug who saves the day in the end. Even in episodes that seem like they are going to focus on Adrien, Marinette will have some B plot shoehorned in that will take over the entire episode until it seems like Adrien's conflict is the actual B plot.

Like you said, it's not wrong for the protagonist to take a step back in a few episodes and let the supporting characters shine. Miraculous' habit of shoving Marinette into the resolution for every other conflict but her own is detrimental to both her own character and every other character. It's just bad writing, honestly.

Thank you for your ask!

[secretidentie]

Bruce finally feels settled in his role as batman. Dick just went to college, the Justice league is doing well and he's got a new Robin. So he decides it's finally time he made his parents proud and finish medical school (and totally not because he wants to be in college at the same time as dick, that's ridiculous Alfred).

Obviously since he's the prince of Gotham he can't really go to Gotham U without being recognized or harassed and since he owns half the buildings he knows he won't be treated fairly so he decides to study in Metropolis.

This is how he ends up in a communication and ethics elective class with a Clark kent, a journalist for the daily planet who is getting his PhD. They slowly develop from strangers to study buddies and maybe even more while Bruce balances academic pressure, with being batman and a dad to dick 2.0 jason.

As the year goes on and he has to deal with assignments, group projects, literal teenagers and not always being perfect Clark's apartment slowly becomes a safe space as he learns to ask for help and accept change.

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[wasabi-gumdrop]

oh

i am. unwell.

[babymillennial]

for the purpose of my own writing i have a design for Leola as an adult, that thing she would've become if the Court of Stars weren't such dicks

[vaguely-concerned]

'my cousin is all stomach and no heart' is such a funny thing for illario to tell rook if he maybe is picking up on a little bit of a Vibe going on there. the 'LMAO. well good luck with that friend. better hotties than you have tried and failed and dashed themselves against the legendarily unamorous cliffs of my cousin's complete obliviousness and lack of interest to no avail. (optional 'may I suggest a more hah-hem *undoes another few buttons on his shirt that thing is open almost to his navel now it's borderline obscene* available dellamorte for your consideration. I mean if you're like in the market for one anyway' devious undertone as you see fit)' energy is off the charts.

(illario is above all a funny petty bitch and that's why I love him so indescribably. no no lucanis is right we need him around to drop shade like this he is in fact also an essential crow. we all contribute in our own ways)

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[flwrkid14]

A Love That Hurts: Tim and Danny’s Toxic Tango

It didn’t start like this.

In the beginning, their love had been easy. They found comfort in each other—a soft place to land when the rest of the world felt too sharp. Tim loved Danny’s laugh, the way it lit up a room even when everything else felt dark. Danny adored Tim’s quiet strength, the way he always seemed to know how to pick up the pieces.

For a while, they were each other’s saving grace. Tim helped Danny feel grounded, giving him the stability he hadn’t known since Amity Park became more battlefield than home. Danny made Tim feel alive, like he wasn’t just another cog in the Bat-machine—like he was someone worth loving.

But that kind of love is hard to hold onto when you don’t know how to nurture it.

------------------------

The cracks started small: an offhand comment here, a tense silence there. They chalked it up to stress, but the arguments began to escalate, unraveling the love they’d built. Neither of them knew how to fix it, so they didn’t try.

One fight bled into another. Danny’s voice was sharp. “They’re my friends, Tim. Something you’d know about if you still talked to yours. When was the last time you even answered Cassie or Steph? You’re too busy trying to fix things that don’t need fixing.”

Tim didn’t hesitate. “And when was the last time Val actually came through for you? She’s got her own problems—why does she need to patrol with you? Are you just keeping her around for the nostalgia? Or are you afraid of letting her go?”

Danny’s lips curled into a bitter smile. “Right, because you’re the expert on letting go. How many of Kon’s clones are you going to try to ‘save’ before you realize it’s never going to bring him back?”

Tim flinched, his voice low and venomous. “At least I don’t run back to my exes when I feel like I’m losing control. What’s next, Danny? You calling Sam and Tucker to bail you out?”

Danny laughed, hollow and sharp. “You really think I need them? I’m here, Tim. With you. Maybe if you spent less time in your spreadsheets, you’d see that.”

The fights always ended the same: one of them storming off, slamming doors, followed by hours of silence. When they apologized, it wasn’t about fixing anything—just avoiding another explosion.

Neither could admit the truth: they weren’t protecting each other—they were just too afraid to let go

------------------------

Danny didn’t just distance Tim from his friends; he actively cut them out. He deleted Cassie’s texts before Tim could see them, until eventually, she stopped trying. When Tim noticed, Danny shrugged. “She’s probably busy,” he said casually, though his tone left no room for argument.

Tim didn’t push. After all, he wasn’t innocent. When Val invited Danny to patrol with her, Tim was quick to sow doubt. “You really think Amity Park can’t survive one night without you? Or is it just about her? Seems like you don’t trust me to be enough.”

Danny hesitated, his frustration visible, but he stayed. Over time, Val’s invitations stopped, and Danny didn’t ask why.

------------------------

Sam and Tucker’s visit to Gotham was no different. Danny had been excited to see them, but when the weekend came, Tim hit a low point.

“Do you really need to see them right now?” Tim asked, his voice soft but pointed. “It’s been rough lately. I thought you’d want to focus on us.”

Danny faltered, guilt creeping in. “They already planned the trip…”

“And what about me?” Tim pressed, his voice taking on an edge. “Am I supposed to just sit here and wait while you run back to them? Is that what this is?”

Danny canceled the plans. He didn’t explain, just sent Sam a curt text: Can’t make it. Something came up. He ignored the flood of concerned messages that followed, shoving his phone into a drawer.

When Tim noticed the tension, he didn’t comment. Instead, he doubled down. “You’re better off without them. They don’t understand this life. Not like I do.”

Danny nodded, even as the distance from Sam and Tucker grew into something he didn't know how to bridge.

Tim wasn’t immune to Danny’s tactics either. Bruce invited Tim to family dinner, but Danny’s reaction was immediate. “You’re seriously going to leave me here? After everything?” he asked, his tone more accusation than question.

“It’s just dinner,” Tim said weakly, but Danny’s narrowed eyes stopped him.

“Right. And how long before you’re ‘just’ staying overnight at the Manor? Before Bruce drags you back into his plans? You think they care about you? They care about what you can do for them.”

Tim stayed, sending Bruce a quick excuse. When Dick called the next day, Tim brushed him off with a clipped, “Busy.” Danny noticed the tension but said nothing, a smug satisfaction flickering in his eyes when Tim didn’t bring up the family again.

When Damian later referred to Tim as “too busy playing house,” Danny felt a pang of guilt that he quickly buried under pride. At least Tim was his, now.

------------------------

They were each other’s shields against the world, but it came at a cost.

Danny missed Sam and Tucker fiercely but couldn’t bring himself to reach out, not when Tim would undoubtedly notice. Tim felt the growing distance from the Bats like a weight he couldn’t shake, but he didn’t try to repair it—not when Danny so clearly needed him more.

The truth was simple and ugly: they weren’t protecting each other. They were controlling each other.

Danny missed the Tim who made him feel safe. Tim missed the Danny who didn’t flinch at “I love you.” But neither of them could stop. Because if Sam and Tucker weren’t there for Danny, and the Bats weren’t there for Tim, they only had each other.

And maybe that was the point.

[yeonjune]

Yeonjun about the strain he felt while preparing for his debut solo project ✙ "GGUM" MAKING FILM