#better book titles

[betterbooktitles]

"I’m certain I’m not the only millennial who feels we as a nation have taken a dizzying turn when it comes to drugs. I remember a uniformed police officer showing up once a week in 5th Grade (a year before Sex Ed) to explain how to avoid buying and taking drugs. Luckily, I already knew the dangers of the drug trade because I had seen The Usual Suspects. I knew cocaine was a bad thing to buy, sell, or steal, especially from a drug kingpin. The D.A.R.E. program, however, let me know how important it was to say no to anything fun, including alcohol. At least until I understood a little algebra first. We did role-playing exercises where we walked one by one toward the portly police officer and he casually asked if we wanted to hit a mimed joint with him. All we had to do was say “no” and walk to the other side of the room, defying the only rule I knew about improv. We wrote essays about how important it was to preserve our pristine bodies and minds, obviously unsullied since we had yet to take the class teaching us how puberty was going to defile them both. I’m still mad that my friend Nicole’s essay beat mine in a contest, and she got to read hers in front of the whole school all because she had the benefit of an older brother who took too much acid and sat in her room all night talking about why the existence of light proved God was real. My essay about a time I saw my friend’s dad drink a beer and then drive his truck somewhere was also good! We signed pledges to enter the new millennium drug-free. We took the red pencils that said “Friends Don’t Let Friends Do Drugs” and sharpened all of them down to say “Let Friends Do Drugs,” “Friends Do Drugs,” “Do Drugs,” and simply “Drugs.” Despite that little rebellious act, my friends and I spent a solid six months swearing we’d never put any harmful substance into our bodies besides every form of candy available.

Imagine how I feel now as a D.A.R.E. graduate becoming my dad’s drug dealer. It’s less thrilling than I thought it would be. Between my father’s warning not to hang around one specific neighborhood in Cleveland as a kid and nearly every TV show about drugs, I thought I’d always be buying marijuana from an intimidating dude who definitely had a gun and would use it immediately if he thought I was wearing a wire. Instead, I now buy marijuana from a well-lit storefront that looks like the Apple Store. I’ve even gone to a place where a guy with an iPad explained what each available strain would do to me. I buy what sounds good with all the confidence of a man pointing at items on a menu written in a language he can’t read. I put it all in a cardboard box. I place a book on top. I mail the box to my dad from my local post office. I tell myself the book is to hide the contraband crossing state lines, but in truth, the book is what clears my conscience. I want to send my dad something edifying while also sending him the drug that all of America worried would make me unable to read if I tried it once. The unrequested book is a red herring to distract from the vice, like when you were young and didn’t want to buy condoms outright at the store so you cushioned them between a pack of peanut M&Ms and a magazine. Hmm, what else did I need, — right, while I’m here — might as well pick up a few condoms.

Right as marijuana becomes legal in most states, I’m about done with the drug. I’ve had three good times on edibles, and one of them was when I felt nothing and fell asleep at 9:30 PM. I’m flabbergasted that my dad likes edibles. He seems to be a man free of anxiety. Case in point, I once brought him some THC lozenges to our summer holiday in Chautauqua, and around dinner time I told him “You might want to only take half of what I gave you” to which he replied, “I took it hours ago.” He was stoned and no one noticed.

While I’m stuck in my head, stoned or sober, wondering why I didn’t take some acting gig 15 years ago, wondering if I’ll ever make enough money, worrying I’m doing everything wrong including in this moment as I write this sentence, my dad is enjoying himself.

Judith Grisel, the author of Never Enough: The Neuroscience And Experience of Addiction, describes using marijuana as throwing “a bucket of red paint” on your brain. She was approaching the stimulant clinically in terms of how it differed from the laser focus of other drugs (THC reacts with many receptors in the brain, cocaine focuses on one), but now every time I smoke, I think of the red paint metaphor. While other people seem able to crank an entire joint and do insanely complicated stuff like function at their jobs, I am reduced to a gelatinous blob, on top of which my eyes and brain are navigating a dream state that, like many dreams, isn’t all that interesting the next day. Mostly, I get high and can’t decide what I want to watch on TV or what video game I want to play, I realize how hungry I am, and then I fall asleep with cereal still stuck to my teeth. Pot, for me, is like the squid ink hitting the screen in Mario Kart: I can still see where I’m going, but everything gets a little harder to do, and the panicked half-blindness makes everything slightly more chaotically fun."

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Other articles include:

An essay on Claire Dederer's book Monsters and movies made by monsters.

Writing inside a Toyota Service Center.

Writing mistresses.

[ambivalentalumna]

The Most Powerful Motherboys of the 1940's

[kingcael]

A Marvellous Light by @fahye

Rebind by me

[oddishblossom]

We got something going on. Sail away with me to another world

BANANA FISH Episode 18: Islands in the Stream

[vertia-the-green]

What is the most cursed title for a book that you can think of?

[bonefall]

(dif anon) So is Ashfur grooming Shadowsight a plotline you would keep/rework in BB? I'm not so keen on the way canon used it to retcon his epilepsy, but I do think a plotline examining how clerics can be vulnerable to abuse from StarClan spirits is kinda compelling

Shadowsight's epilepsy is staying in BB, the Erins can try and take it away again over my dead body

Yes, that's staying and BB!StarClan was reworked with unfairness in mind.

This time around, I'm considering the idea that Ashfur didn't work completely alone. After the events of Squirrelflight’s Horror, Silverpelt's divisons are starting to crackle the stars.

Skystar and the other more traditional spirits are losing patience with the peace that Fire Alone brings, and the ways that the code has been bent.

They feel that honor is being lost in their descendants.

Even angels disrespect the collective; see how Skypelt has its own heaven? With a demon in its midst? There is blasphemy even in the skies.

Firestar and the more modern pantheon are ferociously defensive of the choices of the living. StarClan exists for them; not the other way around.

Meanwhile, Mousefur has gone missing. Others start to blink out, too. This is causing panic... and Ashfur keeps it quiet that he's the only one who knows where they've gone.

The angels that plan action probably were a small group to begin with, radical spirits. Skystar and Ashfur are two of them, and Ash is the "youngest." So when he comes down to the mortal plane and betrays them, very few other angels knew what had happened.

(I might even have a few angels be doing the various supernatural things in that first book, but slowly, Ashfur is wittling down their numbers until it's just him.)

I'm still working out specifics, but the other angels that Ashfur has consumed are giving him a massive power boost. He can use this to jump between planes freely, and he's able to do some whacky things like weave dreams and pull nightmares out of the Dark Forest.

The most important unique power he has, which he can do ALL on his own once he's absorbed enough starpower, is blast Shadowpaw with a bolt of lightning. The electric current runs through Shadowpaw's brand new scar, giving him a connection to StarClan like he's a little radio tower.

Thing is... when StarClan is blocked off, the only signal he receives is Ashfur's.

So, Shadowpaw.

From the time he was very young, Shadowkit has had an unhealthy relationship to life and death

He watched a lot of cats die before he was old enough to really understand it, and the only one who came back was Heartstar.

His epilepsy was so severe it would have been terminal. He was prepared to die as a kit.

Tawnypelt took him to the Tribe to learn more about treatments, bringing back a method of refining chamomile to manage the convulsions.

When people come back from death, it was to serve "a purpose."

He feels like he needs to be special, like he needs to find the great meaning in his life. The reason why he's still here.

In BB, there can be guardian angels. Cats you knew in life who decide to watch out for you in the afterlife. Moleflight is Jayfeather's, Shrewface is Squirrelflight’s. Ashfur poses as Shadowpaw's.

THAT is how I plan to address my criticism. Ashfur DOES build a very personal, trusting relationship with Shadowpaw, pretending to be the one who's here to give him the destiny he craves. Pretending like he's someone looking out for him.

I actually LIKE how desperate the situation was in-canon and I want to stress how none of this was Shadow's fault, so I also plan to keep that they had very little choice. Shadowpaw trusts his angel completely, and Ashfur coaches him on saying all the right things.

The older Clerics are suspicious, but... what else can they do?

Also, instead of framing this all as something Shadowpaw needs to "atone" for, I'm going to make certain cats unfairly scapegoat him for bringing the Impostor into the forest. Shadowpaw himself agrees with them, blaming himself, but he has to learn it wasn't his fault.

He DIDN'T let anyone down by failing to live up to great expectations, and there's no way he could have known that Ashfur was using him. This never happened before, he always made the choice he thought was right and tried to make up for harm done, and he's not responsible for what his abuser made him do.

I actually want to have him figure out some of this by talking to DF demons, towards the end. Cats faaaar more responsible for what they did in life than him.

Ravenwing in particular, who was also mislead by a rogue StarClan spirit, but... ultimately decided that if StarClan was right in their judgement.

He was told (by Birchface, but he still doesn't know who it was in particular) to make three kittens unsafe by revealing their parentage. His choice killed three innocent children, and lead to the Queen’s Rights.

And StarClan was furious that he'd ever believe they'd want something so CRUEL.

And even if they DID want something so cruel... "Then they wouldn't have been ancestors worth following. And that's why I believe it's right that I'm here."

As a Cleric, he had authority on their behalf. And if they would misuse it through him, he wishes he could have just given it right back.

And Shadowsight's lightbulb goes Ding!

The very last thing Ashfur does in TBC, when the jig is up and he's about to be killed by the Lights in the Mist and a bunch of Demons who have come to defend their home, is swallow a Founder-- Skystar.

He takes the level of a true god, and reaches a nearly undefeatable level of power. Instead of black water, he's so large, malicious, and has a gravitational pull so massive it starts destroying the afterlife. It shatters the purgatory (Meadow of Young Stars) into floating cosmic fragments, and Heaven and Hell are set to collide.

Shadowsight confronts Ashfur, politely explaining that he's, well... done a lot of thinking, and, he doesn't really want what he gave him. "You can, uh, have this back!"

And blasts the lightning from his scar right back at him, like a chain, holding the screeching eldrich horror in place. Every ally he's made, here in the DF, come down from StarClan, and as Lights in the Mist, jump to his side. They can't hold down Ashfur, but they can hold SHADOWSIGHT

While they're all supporting him, Bristlefrost sees the one chance to get rid of him, once and for all. A clear shot. She bolts, pounces, and SHOOTS right into Ashfur like a falling star, knocking them both off the edge of the heaven he destroyed, burning up in orbit with a monster a hundred times her size.

And after that, Shadowsight has to go home and live with this.

He gave up the very connection that made him so special, and now he has to go back to being a Cleric without StarClan.

but the other Clerics accept this. They have to. They were all complicit in the choices that allowed the Impostor to rise.

What Shadowsight learns is... everyone was part of this. From those who made the follies with him, to the supporters and rebels against the impostor, to those who helped him realize his worth, to Bristlefrost who ultimately killed Ashfur.

He is valuable because living is valuable.

Everyone, and everything, matters. All cats have a role to play, and he was never alone.

I want to close him out in BB!TBC on a tea scene that parallels the various points in his life. Others used to prepare his chamomile treatments FOR him, in careful doses, because it is a very serious medicine. Now, at the end, he's the one brewing it.

A fully fledged Cleric, who realizes he's never been alone. Cats who love him were around him the whole time, making his medicine, and they'll love him even after he's given up his powerful gift. So now he's at the stage in his life where HE can make that medicine, share his wisdom with others, and find fulfillment in the skills he's acquired over a hard life brightening.

[kara-zor-els]

Re: Trinity titles since Dawn of DC

[eewtp]

Chalice of the Gods, Wrath of the Triple Goddess…

Nico and Will I’m sorry you two go stuck with the title that you ended up with

[starswallowingsea]

I made another Enstars vs Literature quiz based on the original Russian lit quiz, but this time with Hispanic/LatAm lit

[pricetaglover]

Silly blunt rotation doodle

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[betterbooktitles]

[frances-baby-houseman]

I have noticed a TRICK lately on a lot of new, extremely hyped books

which is that for the first 24 hours of checking out your libby hold, the book is libby-only. Many people do not like libby-only books, bc you have to read them on your phone/tablet and cannot read them on your kindle, so perhaps maybe you will go to Amazon and just buy the kindle version!

but then sure enough the next day the kindle version shows up in your libby. This just happened with Intermezzo! I am betting it also might happen on books for which our license is by number of checkouts rather than duration, bc I think people are more likely to return the book early without reading it if it's libby only and then the library is forced to buy a new copy bc it's been checked out 25 times or whatever. A TRICK.

Do not be tricked by Amazon and their grip on the big publishing houses! The Kindle version will come to you! Do not buy a kindle version and do not return it!

If it's an old book and libby-only, I'm sorry, you're probably stuck with it.

[giantkillerjack]

Uh-oh! You are like, SOOO awkward!!

You're so awkward that it is occasionally mildly uncomfortable for people!

You're so awkward that sometimes people are confused by you and then there are awkward silences!

You're so awkward ...... that ultimately no one is harmed!!

Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!

Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!

So you better absolutely hate yourself for it.

Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!

You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.

Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!

Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.

Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.

Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*

Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...

Better not show yourself even a little kindness a little bit at a time.

Better not make a habit out of it after all that practice.

Better not get confident.

Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)

Better not be confident and awkward because then you might confuse and delight people

- you might accidentally end up making other people feel less shame for their social difficulties

- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations

- you might even make them feel they can be themselves around you

- you might start loving the effect you have on a room

- you might enjoy conversations more

- you might forgive yourself and bounce back from shame more easily and frequently

- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations

- you might stop apologizing so much.

- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.

Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!

Why, it would be carnage!!

In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!

If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:

- You might realize that it was never your fault that it took so long to like yourself.

- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.

- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.

- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.

You might discover that you were always deserving of kindness, first and foremost from yourself.

So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.

[iamyounicorn]

actually I will say this. it fucking SUCKS that the devil to pay in the backlands only ever got the one very mediocre translation. it's a really good book, and a big part of why it was so groundbreaking is that it's written like the main character (a now old "cowboy") is talking to you, with all the slang and the colloquialism and even the made up words. and then this translation just fucking. NOT does that???

for example the very first word in the book is "nonada", a made up word meant as a mash of "não é nada" (it's nothing) all into one word. in the very first word you can see that this is a guy with a strong accent and very little formality in how he speaks to the listener/reader. in the translation, it's just "it's nothing". no localization, no informality, no effort in translating the experience. sure you got the literal meaning translated right, but you threw away an entire side of the narrator's characterization!!

also it literally skipped a sentence where the narrator says he thought about holding and kissing his (guy) best friend when they were arguing. mediocre AND homophobic

[bonefall]

Since you mentioned only cats and a few other distant animals are sentient, does this mean foxes are getting their sentience removed? Midnight can talk to foxes in the books and even convinces some foxes to leave a patrol of cats alone (the foxes are WEIRDLY violent and talk about eating the cats too lmaoo).

I assume Hollyleaf's changes mean the Fox Cub Incident is either being moved or just removed entirely, I always found that small plot point interesting in face of all those "Non-cat in clan" AUs. Seems like something that could be interesting if an "us vs them" argument was formed from it, especially if it was targeted against Midnight and calling her unholy yknow?

Yeah, that sapience is gone completely. In this universe, language is limited only to humans, cats, and some distant animals that are far outside the range of Albion (elephants, bottlenoses, some parrots, etc)

And Hollyleaf's story especially. Ngl to you, I don't like that fox idea. Or anything about Hollyleaf's Story. I think it was the worst possible route to take.

"Hollyleaf will be a mother to this evil creature to learn what it's like to love something that hates you. It is so sad to be your mom Leafpool (Squirrel-who?). Don't you feel like a shitty daughter now, Holly? Let's not ask any questions about the code btw, or how you were already filled with crushing shame from it. Or how it made you so disgusted about the idea of pregnant nuns that you flipped your shit and ruined the lives of your entire family. No, what really mattered about this situation was maternal empathy. Also here take the nearest male character we can find to ship you with, we accidentally made Cinderheart too gay when she was upset about your death lmao"

But, digressing, putting my distaste of that novella aside,

WC is profoundly xenophobic already with just the cats, and I think it was a CATASTROPHIC mistake to make it so every animal is secretly intelligent but speaks animal language. Now every conflict between cats and their predators is an ethnic dispute! You're chasing out groups of people perfectly capable of reasoning if you bridged the language barrier, but they're also ACTUAL PREDATORS.

AT BEST; It's the same uncomfortable situations that Zootopia and Lion King ends up tripping over. In Zootopia, predators are used as an allegory for oppressed groups... but predators are MADE to eat prey. A rabbit is RIGHT to be terrified of a fox, twice its size with a jaw made for catching bunnies. In Lion King, lions have divine authority to rule over their dinner/subjects, and chase out any animal based on their personal ideology... which just so happens to only be leveraged against rival predator species.

(Nerd preemption: yes i know about lion guard. I do not think diverse Lion Cops were the solution you think it is.)

Carelessly adding sapience to "natural systems" often ends up accidentally justifying bigotry. Bigotry doesn't MAKE SENSE, it's bullshit we made up and perpetuate through culture, but food webs are completely logical. The rabbit fears the fox because the fox eats rabbits. The lion hates the hyena because they compete for the same food. Gazelles don't happily submit to an overlord who is divinely capable of deciding who should live and who should die, it's just nature.

But it gets even worse-- because it's actually WORST CASE; the Erins saw that complicated moral problem and went, "don't worry! They're actually born evil! Foxes just talk about food and killing things :)"

like... my brother in cats, YOU gave them language in the first place! What was the fucking point if they were just going to be evil barbarians anyway?!? For ONE scene where Midnight could show off her Duolingo streak???

So to summarize,

It was an awful idea to start with

It was executed in the worst possible way

In a series that is already plagued with xenophobic sentiment, this somehow made it even worse and more direct

If it was completely nuked it from the story, the series would be immediately better with minimal change. Holly caring for what is essentially the clan cat-equivalent of an exotic animal like a chimp or a tiger cub would have done the same thing

There is not even a glimmer of an idea here that justifies the poison that full sapience does to the wider implications of the series.

Don't even get me started on the Badger Debaucle in TNP, which is actually in my top 5 for most vile things in WC

So if I don't explicitly say that a species in BB is capable of true language, assume it is non-sapient. Talking animals like Midnight and Rat Leader are magical individuals-- gods, curses, etc.