#best tv series 2021

[fideidefenswhore]

can anyone who favors the wolf hall portrayal of AB > the tudors like...explain themselves?

[beneathsilverstars]

Tell me about The Character.

it’s a book by tiffini johnson about a 10 yr old girl named anna overcoming a life of tragedy and pain <3

[dashiellqvverty]

god 2022 had some killer tv huh

[doyoulikethissong-poll]

Tenacious D - Tribute 2002

"Tribute" is a song by American comedy rock duo Tenacious D, and the second single from their self-titled debut album (2001). The song is a tribute to what Kyle Gass and Jack Black refer to as "The Greatest Song in the World" (often confused as the song's title). Upon its release, "Tribute" failed to make a commercial impact in the US, but it became a hit in Australia and New Zealand, peaking at number four on the Australian Singles Chart and number nine on the New Zealand Singles Chart. In Europe, the single reached number 25 on the Dutch Top 40, and number 84 in the UK. The single was re-released in 2021 as part of the band's "Super Power Party Pack", commemorating the twentieth anniversary of the band's debut album.

"Tribute" was the first song Black and Gass played live as Tenacious D. The song, like many other songs that were recorded on Tenacious D, was originally performed on their short-lived HBO TV series. During earlier performances of this song Kyle Gass played the opening to "Stairway to Heaven". In the 2006 film Tenacious D in The Pick of Destiny, it is implied that the climax of the movie, a rock-off challenge between Satan and Tenacious D told through the song "Beelzeboss (The Final Showdown)", is the incident chronicled in "Tribute", and that the portion of "Beelzeboss" performed by Tenacious D is the song receiving tribute.

The music video shows Black and Gass walking down the "long, lonesome road" and their encounter with the demon, played by Dave Grohl, who also plays drums and rhythm guitar on the song. Passersby include cameos from Ben Stiller and video director Liam Lynch. The policeman is played by JR Reed, who played "Lee" in the band's television series. "Tribute" was nominated for two Music Video Production Association Awards: "Alternative Video of the Year" and "Directorial Debut of the Year". In addition, it was a nominee for best video in the 2002 Kerrang! Awards.

"Tribute" received a total of 77,7% yes votes!

[akajustmerry]

anyways, instead of focusing all your energy on calling out Succession and the Last of Us for being anti-palestinian, here's some of my favourite media made by Palestinians 🇵🇸 and their allies...

Salt of this Sea (2008). Dir. Annemarie Jacir. Heist film set in Palestine about 2 Palestinians who help a Palestinian American woman rob a British bank who refused to give her the money her grandfather left her.

Netflix original series, Mo, created by Mo Amer. Dramedy about Mo, a Palestinian American without papers, trying to stay out of trouble until his US citizenship is approved (he's already been waiting for 12 years). This just got renewed for a second season!!!!

Farha (2021). Dir. Darin J. Sallam. Coming of age story about a 14 year old girl trying to survive the Nakba in 1948. Tw: settler colonial violence.

In Between (2016). Dir. Maysaloun Hamoud. A film about 3 Palestinian women, one of whom is queer, in their 20s living under occupation. Heart-warming story about friendship, solidarity and revenge. Tw: sexual assault.

In Vitro (2019). Dir. Larissa Sansour. Breathtaking short scifi film set in a future where Bethlehem has been destroyed by an ecological disaster and two scientists from different generations are trying to remember what happened. This film is pure poetry and I think about it constantly.

It Must Be Heaven (2019). Dir. Elia Sulieman. A charmingly absurdist film about Elia Sulieman seeing parallels to Palestine everywhere he goes as he tries to make a film about his homeland.

The Crossing (2017). Dir. Ameen Nayfeh. Short film about Palestinian siblings trying to cross an Israeli checkpoint to visit their grandparents.

Ramy. Episode 3 of season 3: 'American Cigarettes'. Far and away the best episode of TV of 2022, and also directed by Annemarie Jacir. Ramy goes to occupied Palestine to make a diamond deal with some Israeli brokers, but his horniness takes him to The Other Side. I think about this episode almost everyday, it's unlike anything I've ever seen.

Freedom Is A Constant Struggle by Angela Davis. A book of interviews and essays conducted by Angela Davis on how systems of racism and colonial violence are all connected, and how solidarity between communities of colour are vital, using the long-standing allyship between Palestinians, Aboriginal peoples and Black Americans as case studies.

As fine and good as it is to call out Zionism in media, rmr to also support Palestinians, their work and their art. Feel free to suggest more ❤️

[my-extremely-geeky-corner]

Hi @neil-gaiman it's unlikely you will see and read this, but I wanted to try anyway. Bear with me, this might be a bit long but it's extremely important for me.

In 2021, Andrea, one of my best friends passed away. Some time before she did, she bought me this beautiful hard cover edition of Death's comics you wrote.

I'm not much into comics, I admit,but she bought it for me because she loved them and thought I would as well

I slowly started to read them, and got a bit lost as I'd never read Sandman before either. But what I read, I enjoyed. I liked how different Death was described in it.

After she passed away I couldn't make myself continue reading it for a long time. And then, last year, the Sandman tv series was launched

So I decided to watch it, maybe learn more about the universe and go back to finish the comics after.

But when I saw Death... All I could think about was Andrea. Death's character was beautiful. The way you envisioned death and translated into your work really moved me. And it helped me a great deal with dealing with my friend's passing. And I want to thank you for that.

Last year on Brazil's comic con (CCXP) I got the chance to briefly see the amazing Kirby Howell-Baptiste who kindly signed my book for me from the stage.That meant a great deal to me.I hope to, one day,also get a chance to meet you and have this same book signed by you. Thank you

[genericpuff]

So I watched ChattyMia's Lore Olympus video which was great and everyone should watch it. It seems most people who do series reviews of the Lore Olympus don't like the comic for obvious reasons. Then I was reminded by the end that the comic is expecting a TV series which is in development hell. It made me think that Rachel might be better off not having a Lore Olympus TV show. Most praise for the series died awhile ago as the story became an utter mess. If it did get a TV show, people will see the early red flags like the age gap, the treatment of Minthe, trying to excuse cheating, Hades horrible behavior to workers, nymphs being discriminated with no pushback, etc. If some of them read the comic for spoilers they would later see the other big red flags of the series. Excusing slave labor, Persephone threatening the lower class, Hera getting with Echo a 'trash nypmh' as she once called Minthe, Apollo gets community service, the continued mistreatment of Demeter etc. Which I feel will cause everyone to go 'wtf is this series? 50 Shades of Grey mixed with Keeping Up with the Kardashians?'. Then you have to wonder if some of them will do a deep dive and find the stuff about Rachel's tie to Lolita. It would be especially bad if a bigger content creator talked about it. And we already know Rachel doesn't handle criticism the best (i.e. the struggle street tweet, the Minthe cosplay situation or even the merch). So I could only imagine how much worse it would be for her if Lore Olympus got a TV show and more eyes got drawn to it and her. It would no longer be just confided to the web comics fanbase but the much larger TV one. Unless Rachel seriously considered rewriting the TV script (or rekindling it lol) I don't see how a TV adaptation of her show would be good press for her.

Yess I've seen that video, it's great! She did a great job summarizing a lot of the biggest core issues with LO's story and art without getting too lost in the sauce (though god knows the rabbithole of LO's issues runs INCREDIBLY deep in an equally fascinating and "oh god what the fuck did I just read' kind of way), her video editing was very entertaining and her Persephone cosplay was a great touch 😎

That said, regarding the thought of "most people who do series reviews of LO don't like the comic", there is an amount of bias we have to acknowledge there - there's often a lot more to say in the negative rather than the positive. By extension, people who simply enjoy LO and don't participate much in the online discussion surrounding it or the discourse concerning it are less likely to make 2 hour videos analyzing it. So while the popular opinion of LO has shifted more towards a negative point of view, that doesn't mean that fans of the comic don't exist - it's just that most of those fans are blissfully enjoying the comic and can only sum it up as "it's very pretty and the plot is great", whereas many people who didn't enjoy it are more likely to voice their opinions as to why in far more explicit detail (though on the flipside of that, it also goes to show that there's a lot more to analyze in LO's flaws than its strengths - it's ironic that the fans often don't have much to say beyond "it's cute" or "I relate to Persephone" and anything further than that is relegated to pure headcanon pieced together by assumption and best guesses to make up for Rachel's lack of writing).

All that aside though, regarding the TV adaption, at this point it's less a matter of reception and more a matter of relevancy. The perfect time to release or at least show us proof of the LO TV show was years ago, when the comic was at its peak between 2020-2021. The second best time was at last year's NYCC when Rachel was a headlining guest. The fact they still had nothing to show for it at this year's NYCC, with Rachel nowhere to be seen and instead focusing more on the Freaking Romance adaption with Snailords filling the role as their featured guest (an equally if not even more problematic creator), is astounding, but unsurprising.

To me, LO feels like a real life case of "Tortoise and the Hare". Back at the start of it all, in 2017-2018, it was doing what no other comic on the platform was doing, presenting us a retelling of the Hades and Persephone story - which was very popular on Tumblr at the time - through a modern setting and with art that was incredibly unique for the platform. That, paired with WT's aggressive marketing, propelled it far ahead every other comic on the platform, creating a gap so massive that even the comics in second place on the trending tabs still weren't even close to LO's lead in terms of stats and money.

But then it got complacent. Quality of the comic's writing and art dropped, it was becoming increasingly obvious that LO had become no more than a marketing grift akin to the likes of Harry Potter - easily turned into books, t-shirts, socks, coloring books, figures, etc. - and that gave way to an increase of criticism towards it, criticism that had always somewhat existed even as far back as its days on Tumblr, but was now amplified by the existing ongoing proof that LO was never all it was cracked up to be.

Now, at best they shill $200+ figurine pre-orders, but the show is nowhere to be seen and, with the comic now finished and locked behind Daily Pass, its relevancy is dying out. "Rachel Smythe Presents" still has nothing to show for itself, Rachel's IG and Twitter seem to be purely for merch-pushing by the Inklore team, and Rachel has, at best, two new series that she suddenly announced but, in her words, don't even have anything written or planned for them yet beyond the taglines that were thrown together for her socials.

Meanwhile, the rest of the Greek myth retelling industry is in a renaissance. Hades is still a massively popular game, with its sequel now in early access; Epic: The Musical has been making waves on Spotify and TikTok far exceeding that of LO's in terms of audience reach, and even has more to show for itself in the way of official animations than LO ever has; and now Kaos has recently launched its first season after being in production since 2018 - yes, you read that right, it got commissioned around the exact same time LO became an Originals series which suggests the idea for it was already floating around and being pitched prior to LO - and, frankly, has beaten LO at its own game by achieving everything LO set out to do - weaving a Greek epic-style story in a modern setting, balancing romance with prophecies and world-ending stakes. It took a while, but Kaos made it past the finishing line, while LO has been dragging itself behind it, still making empty promises that a TV show is "still in the works" and "coming soon", with not a single thing to show for itself.

LO may have gotten a head start in being the "sleek, modern, sexy Greek myth retelling" by the virtue of being a weekly webtoon, but slow and steady wins the race - the productions that have taken their time cooking in the oven are now coming out as beautiful and delicious as we, the guests at the table, were told would be, while LO is simply the short-term gratification junk food that bombards us with gimmicks but sits like a rock in our stomachs and leaves us unfulfilled and wishing for a better meal.

Those better meals are here now and they were absolutely worth the wait.

[stvrl0st]

☆INTRO POST☆

(updated)

.ABOUT ME.

HIII I'm star/stvrl0st !! my blog is mainly a shifting one !! I'm 16, so DNI FREAKS. my pronouns are she/her & I'm bi & ace !! ANYONE IS WELCOME TO MY PAGE ESPECIALLY IF YOU HAVE ANY QUESTIONS ABOUT SHIFTING I WILL DO MY BEST TO ANSWER THEM !!

.MY MAIN DRS.

tangled the series

wicked

both of my fame drs<3

MY LITTLE PONYY

harry potter

stranger things

911 (no. not 9/11. 911 the tv show)

hazbin/helluva (DO NOT JUDGE ME. I DO NOT SHIFT FOR ALASTOR. I LIKE THE PLOTS.)

SUPERNATURAL.

.DNI LIST.

shifters who think "race changing" is a thing. (istfg if anyone is gonna say something in the comments I'm literally gonna block you.

racists, homophobes, transphobes, TRUMP SUPPORTERS, anti shifters, ect ect. (I will answer any questions if you would like to learn about shifting tho<3)

THOSE shifters who shame other shifters for what their drs are & s/o is.

shifters who spread misinformation.

shifters who think that nobody else can have the same s/o (yeah I didn't rly wanna put this in but I've actually had like a really bad experience w/a girl who threatened me so😭)

people who force their religion aka saying shifting can't be a thing bc of God & stuff.

.INT LIST.

SHIFTERS. OBVIOUSLY.

ANYONE WHO SHARES THE SAME DRS AS ME.

short but idc.

DMS/MESSAGES ARE OPEN FOR ANYONE BTW !!

I found out about shifting in late/early 2021/2022 & I have not shifted yet !!

my favorite color is dark navy blue/dark blue😻🫶

also im sry but pls dni if you hate taylor swift&swifties😭 if you do just stay quiet abt it w me pls

I'll probably update this later idk

9-1-1, the american television series.

[ponett]

Bobby's 2023 Media Wrap-Up

So! Like I said before, this past year I kept a running list of everything I watched, every game I finished, every new album I listened to, etc., and wrote one-paragraph blurbs with my thoughts on every single one. Please enjoy this journey through everything I liked, or didn't like, in 2023, with my favorites of the year listed at the bottom.

(Yes! This is long!!)

Some notes:

I mainly only included things I finished. Exceptions are marked with an asterisk.

I included some YouTube stuff as "TV shows" - mostly particularly long, high effort video essays and documentaries.

I was a bit less adventurous than I'd like to have been this year. Part of this was just that I felt like I was constantly playing catch-up with Big Releases I felt obligated to check out, and part of this was just executive dysfunction from burnout. Wait until you see how long it took me to beat Mario Wonder lmao

Yes, I need to read more books. I don't read a lot of books these days. I need to get back to Discworld.

COLOR KEY

Video Games • TV / Web Video  •  Movies  •  Comics  •  Music

January

1/15: Final Fantasy XIV: A Realm Reborn (MSQ) - Very slow at times, the Primal shit is generally extremely lame to me outside of the boss fights themselves, but god if the quality of life improvements over WoW, the JRPG energy, and the fact that it Actually Has A Story carry it pretty hard.

1/18: Sonic the Hedgehog: Scrapnik Island miniseries - One of the most creative and compelling uses of the Sonic IP… ever? Fantastic little self-contained arc about the struggles of Eggman’s abandoned creations that gracefully weaves between heartfelt optimism and moody horror with some of the best art ever seen in a Sonic comic.

1/18: Mega Man X4 - Glad I finally actually beat this after never even beating any of the Mavericks as a kid! I can see why it’s a lot of peoples’ favorites. The gameplay has very little of that X series bloat and is just fun, especially after getting X’s armor upgrades. (But the story really is a long series of missed opportunities.)

February

2/2: Donks - Felix Colgrave continues to be an exceptional artist. The sound design on this is fantastic and really sells this short as something unique. Had to go back and watch his older stuff again after this.

2/4: Final Fantasy XIV: Heavensward (3.0 - 3.3 MSQ) - I get it now. I get why people say this is just a proper mainline Final Fantasy game built into the framework of an MMO. That shit ruled. Not even walking back the drama in Ul’Dah from the end of ARR can sour me on it because the main storyline was so strong.

2/8: Disneyland's Forgotten Sci-Fi Rock Band - Live From the Space Stage - A nice and honest tribute to a group of artists who could have easily been forgotten. In hindsight this feels like a precursor to Kevin’s Disney Channel jingle video, a tribute to the unsung artists pouring their hearts into “lesser” art for a megacorporation, art that was designed to be transient but sticks with people nonetheless.

2/9: Metroid Prime Remastered* - Not gonna finish because I just played through the Wii version in 2021, but still. Very, very pretty remaster.

2/16: Theatrhythm Final Bar Line - It’s more Theatrhythm. What more could I want

2/17: JoJo’s Bizarre Adventure: Stone Ocean (anime) - Probably the best part of the anime so far (assuming they continue on to SBR). A near perfect mix of the more structured plot of part 5 with the goofiness of parts 3 and 4 that crescendos into a fantastic, bombastic, emotional, bittersweet ending. The use of footage from the original opening and the new ending set to Roundabout in the finale were perfect, and made me intensely nostalgic for the early days of my JoJo fandom between seasons 1 and 2 of the anime.

2/22: Aggretsuko Season 5 - I don’t really know what to make of this one. Once you get past the agonizing initial arc all about Haida where Retsuko has to be his overbearing mommy GF who flips out and starts spying on him when she’s left on read and chides him when he misbehaves, it feels like an improvement over the previous seasons. But I don’t know how much of that is due to the extremely low bar set by season 4. And then the ending is extremely rushed and anticlimactic. They got legally married and the only acknowledgement was a shot of them signing the paperwork in a montage partway through the final episode?????????

2/24: Double Fine PsychOdyssey - God, what a journey the making of this game was. I already loved 2 Player’s past efforts at documenting Double Fine’s process, but this takes it to a whole new level. This feels culturally significant. The depth and honesty with which they depict not just the nitty gritty of making a game, but also the inherent struggles of working on a collaborative creative work for years at a time, is astounding. Not to mention that they were there to capture the shift from office life to remote work as COVID hit. So much of this would have been nightmarishly stressful to watch if I didn’t already know how successful the game was, but that’s just because they really didn’t sugarcoat it. And yet even after all that, it leaves me feeling optimistic about video games as an art form in a way that the constant headlines about cynical live service games don’t. There are still people out there pouring their hearts into making real art, and this is their story. Everyone who plays video games should watch this.

2/25: Cracker Island (Gorillaz) - New Gorillaz albums feel like less of an event these days, but after Humanz it feels like they’re just more chill with the project and their ambitions with it. Every couple years we get some more laid back jams from Damon along with some fun new collabs. Hard to complain. Favorite track: New Gold

2/25: Pool Kids (Pool Kids) - I discovered this band because Derek knows them and was excited when they got a song added to Fortnite through the Bandcamp collab. Always down to find more cool indie rock bands I can vibe with. The mix of dreamy vocals and energetic riffs on some of the tracks here almost fill the Crying-shaped hole in my heart. Almost… Favorite track: Conscious Uncoupling

2/25: Insane in the Rain (insaneintherainmusic) - I thought it was really funny timing when Carlos announced that his first original project would be a jazz fusion album inspired by acts like T-Square and Casiopea right as I was getting into those two specific bands. The final product does not disappoint. Favorite track: Insane in the Rain

2/26: Get Up Sequences Part Two (The Go! Team) - I’ve never been one to believe that a band’s sound has to remain exactly the same forever, but it really does hit you hard that the first two tracks here sound like classic The Go! Team. Their more recent cleaner sound is still here too, though, for a nice mix of old and new. Favorite track: Divebomb

2/28: Mobile Suit Gundam: The Witch From Mercury (Season 1) - Oh my god. Oh my god. I got distracted around the time I was finishing SLARPG, but finally catching up now, wow. My assumption that the seemingly lighter tone of the series compared to the prologue was there to lull us into a false sense of security before twisting the knife when war finally breaks out was spot on. This is peak Gundam.

March

3/4: Pizza Tower - One of the best platformers I’ve played in a long time. It transcends its blatant Wario Land inspirations with the sheer speed at which Peppino can move and the way things like the level design, his wall running, and even the hidden ability to do a second lap around the level reward getting into a flow state where you’re just constantly moving. This is the type of game that wants to turn you into a speedrunner. My only real complaint is a few iffy enemy designs that I wish would get patched.

3/6: Bloons TD 6 * - I bought this before bed one night on a nostalgic whim and then the next morning woke up and saw the Steam receipt email on my phone in one of the most “what did I do last night” moments of my life. I like when the monkeys pop the balloons.

3/7: The Book of Boba Fett - I put off finishing this show for a very long time but finally caved upon the release of The Mandalorian season 3. This show spends four episodes failing to make me give a shit about Boba Fett trying to be “the daimyo” and drive the drug trade off of Tatooine, then just gives up and becomes season 2.5 of Mando, which in turn feels like it undercuts the main series. It fails as both its own story and as a spinoff. I know that finishing this after Andor did it no favors, but WHOOF.

3/12: Obi-Wan Kenobi - Some interesting ideas in the first half hinting at a more introspective show, but it’s mostly swept aside in the back half so it can become a generic Star Wars adventure remixing things from A New Hope and Rebels (and apparently Jedi: Fallen Order). Action scenes have zero stakes because you know nothing can happen to any of the returning characters and none of the new ones are particularly interesting. Why there’s a second climax hinging on a Luke Skywalker death fakeout eludes me. Obi-Wan throwing the rocks at Vader is one of the funniest things in Star Wars history. But it was still better than Book of Boba Fett, I guess.

3/19: The King of Braves GaoGaiGar - Wow, cool robot indeed… GaoGaiGar isn’t going to blow anyone away with its writing, but sometimes you just need a really fun monster of the week mecha show with great action and lovably goofy characters. This is a show where like 20% of every episode consists of recycled transformation, combination, and signature attack sequences and I ate it up every time because they look fucking cool as hell. I don’t care. I’d watch Final Fusion another 49 times.

3/21: The Last of Us (HBO) * - Watched the first two episodes out of curiosity, but I’m not sure if I’ll continue because I don’t give a shit about The Last of Us. It’s definitely a well done adaptation, though, even if I know it’s inevitably going to devolve into miserable torture porn with questionable politics if they adapt Part II faithfully. The ending of episode 2 also lines up perfectly with where I stopped in the game in 2013 lmao

3/27: The Future is a Dead Mall - Decentraland and the Metaverse (Folding Ideas) - Another banger from Dan Olson. This time the premise inherently gives him more time to just show off a bunch of stupid ugly bullshit made by crypto guys, which is fun. My main complaint was that I wished he would’ve brought up Second Life more as a point of comparison (a thing I basically always want out of discussion of “the metaverse”), but he at least did touch on it in the last section.

3/31: The Murder of Sonic the Hedgehog - I can’t believe after years of begging for the supporting cast to get more and better material in a Sonic game I got my wish in the form of a freeware murder mystery VN released for April Fools. This kicked ass.

April

4/7: Berserk - Completed Miura’s run and caught up on the chapters that have been released posthumously. It’s hard to say anything that hasn’t been said about Berserk, universally agreed upon as one of the greats of manga and fantasy fiction as a whole. What begins in its first few volumes as a nihilistic and edgy action comic built to facilitate as much sex and gore as possible quickly evolves into something deeply human and vulnerable and beautiful, both figuratively and in terms of its lavish art. The world sucks and is immeasurably cruel, and you will see that cruelty illustrated in graphic, sickening detail repeatedly throughout the series. (Perhaps a little too often throughout the Golden Age, where it feels like Miura never misses an opportunity to threaten Casca with sexual assault mid-battle.) But the point isn’t to wallow in that misery. It’s the story of a victim of horrific abuse learning to slowly open up to others, having those people he cares about torn away from him in the worst night of his life, hardening himself into a cold killing machine, and then slowly learning to open back up again, even if it means leaving himself vulnerable to more hurt. Anyone who says that the series peaked with the eclipse and went downhill in the “Guts’ JRPG Party” era is missing the point. Guts needed to find new people in his life to care about, to begin to find happiness again. Because no matter what unspeakable things Guts has gone through, it’s still possible for him to heal and to be loved. It takes time, but eventually you stop and realize that life has moved on.

4/8: Dedede’s Drum Dash Deluxe - Skipped it upon release because I didn’t particularly care for the minigame in Triple Deluxe, and I didn’t miss much. It’s fine as a little distraction, but not as a standalone rhythm game with only seven songs. If you don’t bother with the hard modes or chase after high scores this game is 15 minutes long. Oh how I yearn for Kirby to get the Theatrhythm treatment.

4/10: The King of Braves: GaoGaiGar FINAL - Eh… It was okay. Lots of cool robot fights, but said fights are stitched together with a mediocre plot that tries too hard to be more “mature” than its unabashedly schlocky kids’ show predecessor. Not crazy about the ending, either, which tries to be a bittersweet farewell closing off the series once and for all while also teasing that maybe there’ll be ANOTHER sequel after the OVA series they literally called “FINAL.” Ah well.

4/11: The Owl House - Sad to see this one go, but it’s hard to imagine them doing a better finale than this, even if they had gotten the six seasons they deserved. I’m not as obsessed with The Owl House as I probably would’ve been had it come out when I was, like, 20, but it’s a really fantastic show for all the reasons people always say. Great characters, great world, great story. I love that this starry-eyed fantasy story about a teenager finding love and a place where she belongs is also set on the rotting corpse of a titan with Hieronymous Bosch-inspired scenery and freaky monsters everywhere. What a great mix. If anything, I just wish I would’ve watched the first season as it aired so I could’ve had more time with it.

4/29: Mega Man Battle Network 3: Blue Version - FINALLY beat this via the new collection, 20 years after playing it as my first Mega Man game. (Technically my first was White, not Blue, but whatever.) There are more annoyances than I remember - lots of really really bad forced backtracking sections where you have to revisit every previous part of the internet, low chip drop rates, some really aggravating bosses like BubbleMan and KingMan, etc. But it’s still a great time overall. It’s Battle Network. In the back half the story gets surprisingly emotional, too. I was always under the assumption that the Hub stuff never came back up much in the story after 1, so I was pleasantly surprised with how relevant it was to the emotional arc of 3.

4/30: Mega Man Battle Network 4: Red Sun * - Yeah I’m not playing through the whole thing lmao. I just wanted to play the first couple hours for nostalgia’s sake, and as a baseline for how much better the rest are. Even before getting deep in the game and having to deal with all the shit gated between doing two new game+ playthroughs, it’s immediately obvious how much of a downgrade this one is. Tons of glaring errors and typos all over the script, blander music, a way more boring aesthetic for the internet, and a premise that mostly just recycles the tournament idea from 3.

May

5/14: The Venture Bros. - Glad I finally sat down and watched all of this with Anthony after having seen one (1) episode as a teenager and a bunch of random clips in the years since. Great show. Some jokes in the early seasons haven’t aged gracefully, but what the show grows into over time... man. Hank and Dean go from being the butt of the joke to being characters you actually sympathize with - while still also being funny little goofballs. And the journey Henchman 21 goes on throughout the show. Man. Amazing that a comedy like this could run for 20 years and maintain its level of quality. Can’t wait for the movie.

5/18: Future Me Hates Me (The Beths) - Okay yeah I’m now just discovering bands through Fortnite lmao. I can’t complain really, they pick some really great indie artists for the in-game radio stations. Anyway: It’s very easy to win me over with a combination of energetic power pop, catchy guitar riffs, and earnest lyrics like this. One of those albums where three or four tracks in I know I have to buy it. Favorite track: Not Running

5/18: Jump Rope Gazers (The Beths) - Ditto. Favorite track: Dying to Believe

5/18: Expert In A Dying Field (The Beths) - Another good album. (I’m listening to these in release order.) I’ve been a bit slower to warm up to this one, initially thinking it was a little too mellow overall, but it might be my favorite after a few listens. Some real high highs. Interestingly, the lead singer’s New Zealand accent is also coming out more in her singing? Favorite track: Your Side (or maybe Head in the Clouds)

5/19: The Super Mario Bros. Movie - As a Mario fan, I think I enjoyed it? As a movie, less so? It was decent, in spite of feeling like they came up with a list of fun action setpieces first and then wrote the absolute bare minimum possible for the story scenes tying it all together. Full thoughts here. (This is the first movie I’ve seen this year, huh? I really don’t watch a lot of movies.)

5/23: Don't Know What You're In Until You're Out (Gladie) - I feel like I don’t like Gladie as much as I should. Their style of noisy indie rock is very much in my wheelhouse, and I do enjoy listening to them, but I dunno. Maybe it’s that the particular style of vocals makes it more monotonous to me. A good album nonetheless, if not 100% my thing. Favorite track: Nothing

5/24: City Slicker (Ginger Root) - Yes I am still making my way through Bandcamp artists I heard on Fortnite don’t @ me. Any excuse to get me to listen to some cool city pop-inspired funk like this is a good excuse. Favorite track: Loretta

5/24: Rikki (Ginger Root) - Favorite track: Why Try

5/25: Spotlight People (Ginger Root) - Favorite track: The Classic

5/29: Succession - A good dramedy series that increasingly focuses more on the drama than the comedy as it progresses, but it’s hard to complain about that since the drama is so compellingly produced. I enjoyed it. That being said, I kind of rankle at the claims that it’s The Greatest TV Show Of All Time. It’s great, don’t get me wrong. Amazing performances all around. But the show LOVES to spin its wheels, to repeat itself, and to let most of its interesting dramatic developments fizzle out before anything really comes of them, almost as if the show is constantly getting bored with its own ideas. To some extent this is intentional - Logan Roy is the untouchable billionaire, his kids fail at everything (but will nonetheless remain billionaires), and in the long run none of them really give a shit about anything other than their own status. But it’s not like things tend to visibly impact anyone else, either, be they supporting characters or the world at large. Even the Big Scary Election, where the Roy siblings are directly responsible for plunging the nation into chaos, ultimately has zero impact on the finale a mere two episodes later. Certain Other Things do have an impact in the last season, though, allowing things to meaningfully change for the cast and for the show to sit with the ensuing drama, which has stopped me from souring on Succession more. There was finally a payoff for something. But it does still kind of feel like a show that goes in circles until it’s ready to call it quits, even if those circles did contain a lot of great acting and music along the way.

5/29: Kipo and the Age of Wonderbeasts - I’d watched the first 12 episodes when they originally released, but I guess the Netflix binge release and the fact that all three “seasons” came out in one year led to me waiting until it finished… and then I just never got around to finishing it. Glad I fixed that! Really fun and stylish cartoon with an art style reminiscent of Teen Titans, a hip hop-filled soundtrack, dynamic fight scenes, and a colorful post-apocalyptic world filled with mutant (mostly anthropomorphic) animals. I’ll admit that at times I do kinda roll my eyes at Kipo’s unshakeable belief that everyone can be friends in a way that I don’t necessarily with similar shows like Steven Universe, and not every joke lands, but I dunno. It’s a kids’ show. That’s to be expected. It doesn’t detract from the overall package for me.

June

6/1: Craig of the Creek (Season 4) - It’s been years and I’m still processing the fact that kids can turn on Cartoon Network and hear Jeff Rosenstock. Anyway! Craig continues to be one of the best cartoons on TV, consistently funny and creative and way more engaging than a show about a bunch of kids LARPing in the woods has any right to be. This season turned into One Piece with the gang effectively hunting down the Poneglyphs in search of a legendary treasure. The kids think it’ll be magic. It isn't. An increasing number of cartoon logic gags aside, this show is firmly set in the real world. Does that make it any less interesting? Hell no. Season 3 turned a game of capture the flag into an all-out five episode war between the heroes and villains, filled with dramatic turnabouts and a climactic guest appearance from Del the Funky Homosapien. I’m sure however they wrap things up in the (sadly shortened) final season, it’ll be great. (Also? I would watch a whole show based on that “what if” episode that jumped forward to everyone’s 20s.)

6/6: Barry - Holy shit, what a show. I ended up binging it in less than a week in a cycle of “okay, just one more episode.” The way this show is able to swing between tones and genres while still feeling like a cohesive whole is truly masterful. It’s a layered character drama, a tragic crime thriller, a farcical comedy, an understated action series, a surrealist morality play, and a scathing satire of Hollywood, all in one. Even within the criminal underworld subplots the show ranges in tone from Breaking Bad to Paddington 2. And it works! While the show naturally gets bleaker over time as it confronts the repercussions of Barry’s murders, it never completely loses sight of its comedic roots. My favorite episode was easily season 2’s “ronny/lily,” a mostly self-contained episode that somehow manages to keep throwing the perfect curveballs to escalate its dark comedy.

6/12: The Lord of the Rings: The Fellowship of the Ring (Extended Edition) - Y’all heard of this movie? Pretty good, it turns out. (I’d seen the theatrical cut before, but this was my first time watching the extended edition. I’ve also only seen parts of the other two movies, so it’s time I finally watch all the extended cuts. The Gollum game pushed me to this.)

6/13: The Lord of the Rings: The Two Towers (Extended Edition) - give it to us RAW and WRIGGLING

6/17: The Lord of the Rings: Return of the King (Extended Edition) - I’m not crying YOU’RE crying

6/22: Clone High (Season 2) - While the first episode being about “cancel culture” (or, more accurately, a teenager from 2003 being transported to 2023 and putting his foot in his mouth a lot) put a lot of people off, I ended up enjoying the new season of Clone High. The new clones grew on me as the season went on and their roles in the web of teen romance melodrama crystalized, and it made me laugh a lot, and Cleo/Frida is galaxy brained. Also they played one of my favorite Antarctigo Vespucci songs like a minute into the first episode. I don’t think I could really ask for much more.

6/28: The Mandalorian (Season 3) - I'd been watching this weekly but put off the last episode for no real reason. Responses to this season have been all over the place, but my blistering hot take is… it was fine. Is it as good as the first season? Probably not. But Mando no longer needs to carry the whole franchise on its shoulders and set the bar for how good the live action Disney Star Wars shows can be, because Andor exists, and it’s never gonna top Andor. The Mandalorian is free to just be a pulpy space adventure show where Giancarlo Esposito plays a scenery-chewing cartoon villain and a little puppet does wire stunts. These are things Andor cannot and should not do, but that’s Star Wars, baby. It’s delightful. I could watch Grogu get underhand tossed like a sack of flour all day.

July

7/2: Mobile Suit Gundam: The Witch from Mercury (Season 2) - LOVE WINS. (More nuanced take from way later: It definitely feels like a lot of the more messy political conflicts in this show got swept aside by the big final battle where some more easily resolved family conflicts take center stage. I’m not sure the ending is the most satisfying. But also this show only got half the episode count that damn near every other Gundam show ever made got, so that might be a factor here. Idk. Still one of my favorite Gundams.)

7/4: Final Fantasy XVI (watched Anthony play) - I had to write my longest Medium article ever about this one because I was so frustrated

7/10: Home Movies - “Things I like that I’ve never seen in full” has certainly been a recurring theme this year. Home Movies remains an all-time classic of animated comedy that went out on a high note before things got stale or the characters became parodies of themselves. While it’s mostly known for its funny improvised banter, throughout the last season you can really see the arc where Brendon no longer enjoys making movies, yet he feels obligated to keep using them to escape from the real world. In that light, the ending where the nature of their dysfunctional makeshift family is cemented, Brendon’s camera suddenly breaks, and life moves on really does feel like the perfect note to end on. Truly one of the best to ever do it.

7/15: The Legend of Zelda - Tears of the Kingdom - Wow. Just… wow. I had serious doubts about TotK in the months leading up to release due to how close Nintendo was playing their cards to their chest. I didn’t want this to be a Saints Row IV, where the game is fun enough but the recycled map makes it feel like a rehash. Instead, I found a game that made me look at BotW’s map in a whole new light, brimming with so many more things to do and people to meet. Add on a better, more versatile set of tools, more varied dungeons and bosses, and a story that I felt was told somewhat better and we’ve got a real contender for my new favorite Zelda game. It was hard to tear myself away, but as this list shows, it’s been basically the only game I’ve played since it came out.

7/16: Sonic Prime (Season 2) - I liked the parts with Shadow and Chaos Sonic, but I’ve come to the sad conclusion that most of this show is just mediocre. More thoughts here.

7/18: We ♥ Katamari Reroll + Royal Reverie - “I’m a dog, but I love Katamari Damacy.” Truer words have never been spoken.

7/19: Transformers: Rise of the Beasts - Pretty good! It didn’t blow me away, but after how bad the Bay movies got I’m just thankful to have a decently cohesive Transformers movie where the human story is okay and I like the bots (although half of them needed more screen time), even if it is just another Hollywood blockbuster about two sides fighting over a macguffin that devolves into a big CGI battle against an army of nameless monsters in the third act. This is basically a mid-tier MCU movie but with Transformers, which won’t do much for most people, but again: the bar was underground.

7/22: The Venture Bros.: Radiant is the Blood of the Baboon Heart - God DAMN. A phenomenal ending for the series. While I would have loved to see a full final season to get some more one-off episodes in there, this doesn’t feel creatively compromised in any way–either due to the time constraints, or due to a desire to make it more marketable as a movie. It really does feel like they just took their outlines for the canceled final season and gently massaged them into the shape of an 84-minute movie, and I mean that in the best possible way. It’s completely on par with the previous seasons. A hilarious and fitting sendoff for one of the greats of adult animation.

7/23: Beautiful Katamari - This was one of my first Xbox 360 games, but a frustrating temperature-based level made me put it down for 16 years. “Maybe it won’t be as bad now that I’ve beaten the first two games and am better at Katamari,” I thought. Nope! Still an absolutely dogshit level. But also, turns out the whole game is only like two hours long lmao. It’s still Katamari, so it’s still fun - the final level in particular, which seamlessly takes you from ground level all the way to space, feels like a logical endpoint for the series - but beyond that it just doesn't have the same soul without Keita Takahashi's input.

August

8/4: Doom Singer (Chris Farren) - I’ve been waiting so long for Chris and Jeff to do another Antarctigo Vespucci album, but god damn. This is the best of Chris’s solo work, and a contender for his best record, period. Every track’s a banger, with more energy than some of his previous solo work but also a good deal of variety. Favorite tracks: First Place, Cosmic Leash

8/4: Transformers Earthspark (Season 1) - This show had a bit of an uneven start, unsure if it wanted to have the emotional maturity of a more serious action cartoon or a preschool cartoon where the characters have little kid mood swings and outbursts and learn basic lessons. It also felt like it was speedrunning its Wholesome Found Family Dynamic with characters who just met, which didn’t feel earned. While these problems never completely go away (see: the cheap and corny way the otherwise very dark season finale suddenly resolves), the show improves quickly, and the positives outweigh the negatives. It’s so great to have a Transformers cartoon that feels fresh, giving us a post-war setting with a bunch of new characters and new dynamics between the Cybertronians and the humans. The returning characters are also uniformly great as the old veterans overseeing the new generation. (Reformed Megatron! Danny Pudi as Bumblebee! Steve Blum returning as Starscream! Keith David as Grimlock!!!) And those super dynamic action scenes! I can nitpick, but Earthspark’s a ton of fun, and easily the best new Transformers cartoon since Prime and Animated.

8/5: Ghost Trick: Phantom Detective (remaster) - Everyone who told me this game was a masterpiece was right. I had played the first chapter when it dropped as the demo for the iOS version years ago, but never went further than that until now. What a game. Absolutely incredible through and through. Great story, great twists, great characters, great puzzles, great art direction. Everything comes together so perfectly to form a totally unique, unforgettable package, a top tier video game murder mystery. Everyone should play this, preferably going in as blind as possible.

8/15: It’s Always Sunny in Philadelphia (Season 16) - Wow! Recent seasons of Sunny have been kind of up and down, with some interesting experiments (Mac Finds His Pride, the Ireland arc, etc.) paired with some comedic duds. Most of this latest season is standard fare for the series with fewer big creative swings, but it’s just hit after hit in terms of comedy. Not a single dud, whether we’re seeing Mac and Dennis try to start a rental business for inflatable furniture or watching the gang meet Bryan Cranston and Aaron Paul, believing the entire time that the latter is Malcolm from Malcolm in the Middle. Even the attempts at topical comedy landed better. Easily the funniest season in years.

8/16: One Piece Film Gold - It’s easy to see why this one has kind of been forgotten in the wake of Stampede and Film Red, which revolve around established fan favorite characters, but this was still pretty fun. Perhaps a little too long, but it’s fun to see the Straw Hats fool around in a giant casino and do a heist. They definitely cranked the fanservice up even more than usual in this one, though, as I probably should have expected for a movie made alongside the anime’s adaptation of Dressrosa.

8/17: One Piece: Stampede - This one goes for a different kind of fanservice. While most One Piece movies are isolated from the ongoing plot and its expanded cast of characters, Stampede instead asks “What if we just put damn near every active character on the same island and had them fight?” The answer: a fun time! It would get old if all of the movies were like this, but after a bunch of movies that are just like “the Straw Hats are gonna land on another new island and fight some more weird guys” it’s fun to see characters like Law and Buggy and Smoker get in on the fun. It’s also nice to get a movie with the Wano era art style, and Usopp surprisingly gets some really good character moments in here.

8/18: One Piece Film Red - This really is the best of the One Piece movies, huh? (Baron Omatsuri is a close second.) It really feels like a change of pace after the last four with the most interesting and emotionally engaging story out of any of them. And even if the events of these movies are never canon, it still feels significant in my understanding of Shanks as a character as we move into the final phase of the manga.

8/21: Pikmin 4 - The opening hour of the game made me really question if they’d changed too much, with all the focus on your new dog unit over your Pikmin and the extremely dull, drawn out dialogue scenes with your new companions back at the base. But once I got into the swing of things I had a blast. This is probably my new favorite Pikmin game. There’s a great mix of activities here to keep things fresh. I also really ended up liking Oatchi’s role as basically your second captain who can also serve as your tank or a rideable mount. The Dandori stuff and nighttime missions in particular show off how useful Oatchi is for your multitasking without necessarily overshadowing the Pikmin.

8/22: Never Get Tired: The Bomb the Music Industry! Story - I literally backed this on Kickstarter eight years ago (my name is in the credits!) and then never got around to watching it for no reason. It’s on YouTube now, and Jeff’s got a new album out next week, so now feels like the perfect time to watch it. And man… what a great documentary. Obviously I’m just a fan of the band, but this also really spoke to me as an artist. Jeff wanting to stick to his principles and give out his music for free and play cheap all ages shows, his discomfort over the idea of selling merch, and the struggles that come with not playing the game like that… It's hard. They readily admit that Jeff is an idealist, that people fight him on this stuff, that he’s missed out on some big opportunities because of these stances, and that he’s had to compromise a bit on some of these things over time. But that incredible climax with their final show, including a full opening performance of the slowly building “Campaign for a Better Next Weekend” and the closing performance of “Future 86” where the whole audience is singing along as the members of the band are hugging and crying… it’s beautiful. This may have been a band where the members had to go back to their shitty day jobs after every tour because they weren’t selling out arenas, but their art meant something to people, and that makes it all worth it.

8/25: Nimona - I haven’t read the original comic (yet), so I can’t compare them too much, but it’s nonetheless pretty apparent that some things were softened and easy kids’ movie jokes were added by the studio to squeeze this graphic novel for teens into a PG animated movie. Regardless, the emotional throughline hits REALLY hard, particularly the very blatant trans allegory and the climax. (It’s no wonder Disney was afraid of this movie seeing the light of day lmao.) The animation is also very squishy and fun to watch throughout. Great movie.

8/26: Puss in Boots: The Last Wish - Spider-Verse really has done so much for animation, huh? This one was as good as everyone said. Beautiful use of stylized color and lighting throughout, and every time this movie very conspicuously shifted to different framerates for a flashy fight scene it owned. Very cute and heartwarming story, too, which thankfully gave its second act plenty of time to explore the cast and let them go on their journey, unlike a certain plumber movie that came out a few months later. Also I would let Death [redacted]

8/28: Holocure: Save the Fans! - This isn't really something I can beat, but I've been addicted to Holocure lately. I don't even watch VTubers aside from maybe seeing a funny Korone animation every now and then, this is just a really, really good freeware Vampire Survivors clone with a huge roster of varied characters to pick from.

8/31: HELLMODE (Jeff Rosenstock) - A new album from Jeff is always a major event for me. If there were any worries that he was starting to go soft at 40 (because one of the three singles off this album was a gentle acoustic piece), the frantic opening of this album put those worries to rest. The first two tracks are Jeff screaming out for help as he’s pulled in a million directions by the chaotic state of the world, a theme that becomes the thesis of the album. I’d say it lags slightly in the middle, but overall this is another extremely well-rounded record full of bangers that’s unapologetically Jeff, with possibly my favorite closing track he’s ever done. Favorite tracks: I WANNA BE WRONG, 3 SUMMERS

September

9/3: One Piece (live action, Season 1) - They did it. I can’t believe it, but they did it. While I have my nitpicks (Usopp and Sanji don’t get enough big moments to shine), this is an extremely solid and faithful adaptation of the first few arcs of One Piece with a great cast. For the most part the changes feel smart and logical, and the big emotional beats of the story are all there and executed very well. I doubted it a little in episodes 2-4, where the Orange Town and Syrup Village arcs saw some major changes to shift the action indoors, and the increased focus on the drama in favor of repeating every gag and battle from the manga 1:1 took a bit of getting used to, but by the end I was having a blast. It’s a different take on One Piece, but it still feels like One Piece. Genuinely very excited for season 2.

9/4: Pseudoregalia - A great little N64-style 3D Metroidvania focused on platforming and very satisfying movement. I always love entries in the genre that are less prescriptive in what order you have to tackle areas in, a la Symphony of the Night or Hollow Knight, and this one’s great in that regard. While there are a number of new moves to find, most of the map is open to you very early in the game, and smart use of your moveset can allow you to “sequence break” without even realizing it. (You would not believe how long I went without getting the wall run.) I do wish it had a map, but that’s already being patched in.

9/6: Bomb Rush Cyberfunk * - Not a bad game at all, but I quickly remembered how bad I am at skating games, so like… eh? Not sure I have much desire to play past chapter 2. Also the soundtrack is sadly kinda hit or miss for me outside of the obvious Naganuma tunes.

9/9: The History of the Minnesota Vikings (Dorktown) - Jon Bois never misses. Even as someone who doesn’t actively follow sports, Jon Bois is a master storyteller, using graphs and statistics and funny anecdotes to explore these deeply human stories. He can convey why people care so much about these teams, these people, and sports in general, and how our popular sports reflect on American culture. He could tell the story of just about any team or player in any sport and I just know I’ll come out the other side a misty-eyed fan. And what a fascinating cast of characters we have this time, with origin stories for everything from the Hail Mary pass to a Minnesota state supreme court judge to the Griddy. Nine hours well spent.

9/10: Timespinner - A fun and highly polished Metroidvania that maybe doesn’t quite have enough of its own identity in its quest to replicate Symphony of the Night…but also, like, this was pitched as a Symphony throwback on KickStarter in a pre-Bloodstained, pre-Hollow Knight world, so I can’t really blame ‘em! Stopping time to avoid boss attacks is fun, the pixel art is gorgeous, and I liked the dark science fantasy story about warring empires and meddling with time a lot more than I thought I would - lore journal text dumps and all.

9/14: The Decay of Sam & Cat (Quinton Reviews) - All the stuff at the end with Matt Bennett (the actor who played Robbie on Victorious and Sam & Cat) in this was really good and sweet. It’s that kind of thing that makes these videos feel like they’re still worthwhile on some level. But the padding and the things Quinton chooses to spend the colossal runtime on does drive me more and more insane with each passing Nick sitcom video. I don’t know how much longer he can keep this schtick up. I hope he’s able to move on to other things before too terribly long instead of continuing to extend this “miniseries.”

9/19: Marvel’s Spider-Man: Miles Morales - AKA Insomniac’s Marvel’s Spider-Man 1.5. It’s fun for the same reasons Peter’s first game was fun. I had a good time swinging around New York again in preparation for the sequel, and there’s a lot of cute stuff with Miles becoming Harlem’s neighborhood hero, but WOW did the Underground v. Roxxon conflict fall flat for me.

9/20: I Think You Should Leave with Tim Robinson - I understand so many posts now.

9/25: Spider-Man (2002) (rewatch) - It’s you who’s out, Gobby! OUT OF YOUR MIND!

9/25: Futurama (Season 8) - I was ready to be a hater, recalling the fact that Futurama has already had three “perfect endings” with the show getting a little weaker with every revival. Then I watched the first new episode on a whim and thought it wasn’t bad, so I was like, eh, sure, I’ll watch the rest. Overall Hulurama is hit or miss. There are chuckles to be had, and it sure as hell beats modern Simpsons, but almost every episode is either a belated take on an overplayed Topical Issue (the pandemic, Amazon, cancel culture, etc.) or a direct sequel to an old episode people liked. Or both! It’s also really noticeable that certain voice actors sound way older - Billy West is struggling with the Fry voice in particular, and it hurts his comedic timing. But just when all hope seemed lost after the nigh-incomprehensible toy-themed anthology episode, possibly the worst episode of the entire series… the last episode, where the Planet Express crew explores whether or not the universe could be a simulation, was really, really solid. Great note to end on to make me not regret my time with this season as a whole.

9/26: Spider-Man 2 (2004) (rewatch) - Once the GOAT, always the GOAT.

9/27: Spider-Man 3 (rewatch) - Revisiting this movie for the first time since I saw it in theaters… it’s not bad. It’s fine! It continues to have the heart and sincerity that make the first two movies work. It’s just not as concise with three villains vying for the spotlight, but I also wouldn’t cut any of them, necessarily. I guess Eddie/Venom would be the easiest, but Peter getting the black suit and giving in to his resentment feels too central to cut. (Yes, even with Emo Peter becoming a meme.)

9/28: Adventure Time: Fionna and Cake - I wasn’t really sure what to expect with this one, especially since I was never really a fan of the genderbend episodes in the original show. (At the time they mostly just felt like an excuse to crank up the teen romance stuff to 11.) But MAN. This was a fantastic coda to the original series. It made me care about Fionna and Cake and their friends as their own characters separate from their original counterparts, it gave the Simon/Betty arc a much more satisfying (if no less bittersweet) resolution than the original finale had time to do, and it even managed to be a multiverse story that didn’t make me roll my eyes in 2023. A+ all around. Makes me wanna rewatch the original show again. [spoiler: I did]

9/29: Meanwhile (aivi & surasshu) - It’s been a whole decade–they were busy with, you know, all the music in Steven Universe, among other things–but we finally have a new aivi & surasshu album! Their chiptune/piano fusion style is familiar, but they’ve definitely grown as composers in subtle ways. Favorite track: Time Travel

October

10/1: This is Financial Advice (Folding Ideas) - A lot of the nitty gritty finance law stuff turned into white noise for me, but still, great video. I had no idea that the GameStop stock craze devolved into this bizarre cult that thinks they’re going to crash the global economy and rise from the ashes as the new kings with the value of their GME stocks. Glad this video exists to try and balance out the narrative.

10/5: Sonic Frontiers: The Final Horizon DLC - Good ideas, absurdly frustrating and tedious execution. Full thoughts here.

10/10: Spider-Man: Into the Spider-Verse (rewatch) - I didn’t plan this, but very fitting that I would end up rewatching this on 10/10.

10/12: Half-Life Alyx but the Gnome is Self-Aware (wayneradiotv) - ha he! (Seriously though, that finale was a fucking masterpiece. The RTVS crew has an incredible knack for using the framing device of video game livestreams to blur the lines between comedy and horror, or ironic anti-humor and complete sincerity. I’ve never seen anything else like this.)

10/15: Spider-Man: Across the Spider-Verse - Not sure how much I can say that hasn’t already been said. The most visually creative movie I’ve ever seen, grounded by some really excellent storytelling about Miles (and now Gwen) that’s probably better than his actual comics. But it also does feel like it’s about to end and then the movie just keeps going like ten times over lmao. Can’t wait to watch this a second time on a better TV.

10/20: Sonic Superstars - A mostly really solid and fun 2D Sonic game that’s unfortunately dragged down by an extremely hodgepodge soundtrack and some overly drawn out boss fights. I spent HOURS trying to beat the final boss of the bonus scenario (which is required for the true ending in this one) before giving up. Really a shame that that’s the note I’m leaving the game on, because I otherwise enjoyed it, but ah well. More thoughts here.

10/27: Marvel’s Spider-Man 2 - Another good Spider-Man game from Insomniac. Liked the story more than the one in Miles Morales, but maybe not as much as the first game. Extensive thoughts here.

10/28: Venom - Was in the mood for more Venom after the game. As expected this was not a very good movie, but the dynamic between Eddie and Venom made it a fun watch. Tom Hardy is constantly about to shit his pants in this movie. It’s great.

10/28: Venom: Let There Be Carnage - I had a way better time with this one. Is this a good movie? No. But it cranks the insanity of the first movie up to 11. Goofy as fuck in an extremely watchable way.

November

11/5: Pluto - An absolutely masterful series that anyone interested in sci-fi needs to watch. The anime adaptation was great, and I immediately understand why people who’ve read the manga speak so highly of it. Really makes me want to get into Astro Boy more, and also read some of Urasawa’s other works.

11/18: Scott Pilgrim Takes Off - Wow, just wow. When news of a Scott Pilgrim anime broke I was cautiously curious to see if we’d get a more direct adaptation of the comics, and instead it veered off in the exact opposite direction in the best way possible. This is almost entirely a different story, one that’s in conversation with the previous versions (sometimes in very meta ways), and I think it’s really valuable to see O’Malley revisiting these characters with new things to say about them. The major story divergence gives us a chance to examine the characters from a new angle - particularly Ramona, who’s the real protagonist of this version, and the evil exes, who completely steal the show. This was a great reminder of why I fell in love with this series as a teenager. I now genuinely hope we get more Scott Pilgrim.

11/22: Void Rivals (Issues #1 - #6) - The first arc of the new Robert Kirkman series that kicked off Skybound’s new “Energon Universe” is now complete, and I’m left thinking Void Rivals is… okay? I thought the first issue was a decent (if not particularly original) sci-fi comic with an appealing art style, which just so happens to also briefly have a Transformer in it so there can be a Big Surprise. And the series still hasn’t quite shaken that feeling to me. It’s an okay sci-fi series that arbitrarily dedicates a couple of pages of every issue to something from Transformers, but I’m not really sure what the shared universe stuff adds to Void Rivals, or what Void Rivals adds to Transformers and GI Joe. I guess we’ll have to wait and see.

11/22: Journey to EPCOT Center: A Symphonic History (Defunctland) - Yeah, gotta be honest, I only got halfway through this one. It seems like Kevin just 1) really wanted to push himself creatively and 2) make a love letter to Epcot, and while I respect that, I think it suffers as a historical documentary. It’s Fantasia but for the creation of Epcot. That might be very impressive on a technical level, but it feels more like a piece of Disney propaganda than prior Defunctland videos due to a lack of context and nuance. 

11/24: Aperture Desk Job - A short, sweet, and funny little tech demo for my new Steam Deck set in the Portal universe. More effort was definitely put into this than was strictly necessary.

11/26: ESCHATOS - I am not good at bullet hell games, but I enjoy them from time to time and I really love this one’s FM synth soundtrack, so I picked it up on a whim in the Steam sale. I only beat it on Easy, but still, I had a lot of fun with it! It’s straightforward but very flashy, with the camera dynamically zooming around from set piece to set piece at ridiculous speeds and each level segueing directly into the next. The lack of a powerup system on the main mode in favor of just needing to know when to use your different shot types makes it feel very approachable.

11/27: Lunistice - A great little 3D platformer with a good soundtrack that I had fun hunting down all the secrets in. This is an easy recommendation for fans of games like Kirby or Klonoa - whimsical games set in colorful dream worlds where the underlying story can get a bit more somber. (Although the story in this one is mostly told through mildly cryptic lore dumps, so your mileage there may vary.)

11/28: Spark the Electric Jester 2 - The leap from 2D to 3D here is impressive, but this is very clearly a rough draft for Spark 3. Very, very fun Sonic-style 3D platforming, but the combat is lacking and the storytelling is just kinda bad. More extensive thoughts on this and the above two games here.

December

12/2: Fortnite (Chapter 4) - This was my first full chapter of Fortnite, after having been roped into the game by the siren songs of Zero Build mode and Goku during Chapter 3. This means it’s harder for me to compare this chapter to previous ones, but still, Fortnite remains a genuinely very well made Battle Royale shooter that’s a blast with friends. If I have any complaint about this Chapter, it’s that they would regularly introduce zany ideas and then slowly reel them back in, whether it was the Augment system or the increasingly mundane movement items. It also felt like it was a little too easy to get the perfect loadout in every match, meaning the final showdown would almost always be against players with Slurp Juice and gold shotguns. And I missed the smaller mid-season map updates of Chapter 3. But overall I still had a really good time, and look forward to playing more for the foreseeable future.

12/4: Plagiarism and You(Tube) (HBomberguy) - This will get written off by many as “YouTuber drama,” but this really is an excellent video essay that feels like the kick in the pants that YouTube needs. If video essayists are gonna be a major source of information for so many, then they gotta have standards. I also think it does a good job of highlighting the people that have been plagiarized and trying to drive more attention their way in an attempt to right those wrongs.

12/6: Transformers (Skybound comic) - We only got the first three issues of this in 2023, but I just HAVE to say something about how incredible this series is here. Daniel Warren Johnson is knocking it out of the park. This is the new bar for Transformers. The hand-inked art is extremely dynamic and full of character, and the story is using the familiar beats of G1 Transformers but doing very new things with them. You can tell this from the very first page, but the emotional scene of Optimus accidentally crushing a deer in the forest and realizing how fragile life is on Earth sealed the deal for me. And yet in the very same comics Optimus can do suplexes and clotheslines and lord knows how many other wrestling moves on Decepticons, and it doesn’t feel like tonal whiplash? These comics just fucking rule, and anyone with even the slightest interest in Transformers should be reading them.

12/8: What We Do in the Shadows (Season 5) - [spoilers] WWDITS has very much settled into being a status quo show. Every season has its own little arc where one or two things change to keep things interesting, but then everything returns to normal by the end. Guillermo finally becoming a vampire, only to become a human again in the end, might just be the most egregious example of this yet. But also… the show’s still really funny? And I continue to be happy that Kristen Schaal has stuck around as a series regular as the Guide. So it’s hard to complain. I could see the show running out of steam over the next few seasons, but it’s still hitting for me right now.

12/12: Pony Island - Finally got around to this since the trailer for the sequel dropped. I feel like playing this years later in a post-Inscryption world where Pony Island is a known quantity kind of lessens its impact, but still, it’s a fun and funny puzzle game where you try to hack your way out of a possessed arcade machine. I’m not sure I found it particularly scary, but I’m not sure it’s supposed to be? The way the game messes with you during the Asmodeus “boss fight” was probably the highlight for me. I also like being able to say things like “The part where you have to not kill Jesus was so hard. I kept getting terrible butterfly patterns.”

12/16: Breaking Bad VR but the AI is Self-Aware (wayneradiotv) - As always, Wayne and co.’s commitment to the bit is unrivaled. This kind of got interpreted as just a way to troll HLVRAI fans, but so many moments in this genuinely made me laugh out loud.

12/18: Soul of Sovereignty Prelude - As someone who would list Cucumber Quest as a big creative influence, I was naturally very excited for this first chapter of GGDG’s new visual novel. Their mentality of both scaling things back in terms of labor while also going more shamelessly self-indulgent in terms of storytelling after burning out on making webcomics has really spoken to me, and WOW, the end result of that new process of theirs is shaping up to be something really special. The art and music are sparse but extremely evocative, giving you the rough sketch of the world and letting your mind fill in the rest. The story blends literary high fantasy vibes with the style of fantasy seen in ‘90s JRPGs (you can definitely tell this came from an idea for an RPG), but rather than constantly winking at the audience and making self-aware video game references it plays these storytelling ideas extremely sincerely, giving them real dramatic weight while still indulging in fun tropes to their fullest extent. While it’s a far cry from their most famous work with much more mature content, GGDG always excels at creating characters and worlds that immediately grab me. I can’t wait for the rest.

12/18: Barbie - I’m only… what, five months late for the whole Barbenheimer thing? Perfect timing. Anyway! On the one hand, I get the critiques saying that this movie is just a major corporation funding a self-aware feminist critique of their own product as a marketing ploy. And I kinda agree with that. And the movie is a little too long, and I don’t really know what to think of the way the Barbie/Ken conflict plays out. Anthony asked me to summarize what the story ended up being about, and I had no idea what to even say. But also… I did still like the movie? We don’t get a lot of cartoonish, absurdist, fourth wall breaking comedies like this anymore, and this is a good one of those. Also the whole cast is great, the set design is kind of stunning, and the cinematography is consistently appealing. I wouldn’t say it’s a revolutionary work of feminist filmmaking by any stretch, but it’s a good comedy movie.

12/21: Dr. Stone: New World - Man, Dr. Stone is great. I’ve said this many times, but I just love that this series uses all the trappings of shounen that would normally be used to hype up the protagonist learning a new move to instead hype up things like the protagonist building a loom or a hot air balloon. It’s shounen Bill Nye. I didn’t completely love everything about the Treasure Island arc this season, but it all built towards a really fun climax with a lot of satisfying turnabouts where the heroes use their ingenuity to just barely win.

12/23: The History of Mike Tyson’s Punch-Out World Records (Summoning Salt) - Truly one of my favorite Summoning Salt videos ever, even with how repetitive Punch-Out can get to watch. It’s just so hard to beat “and that runner… was me.”

12/24: Super Mario Bros. Wonder - What more can be said that hasn’t already been said? It’s the best and most creative 2D Mario game since the ‘90s. The only real flaws are that it’s a little easy, the Search Party stages are annoying in singleplayer, and I wish that every boss prior to the final boss wasn’t just some form of Bowser Jr. fight. But those aren’t nearly enough to drag the whole experience down. It was a blast.

12/24: Do a Powerbomb! - Got this from Anthony as a birthday present. This is the previous series by the creative team currently doing the new Transformers comics I was gushing about a few entries ago. Even with the high bar set by those comics, Do a Powerbomb! exceeded my expectations. Holy shit. An absolutely entrancing fantasy wrestling miniseries full of dynamic, energetic action and tons of heart. These comics where a guy wrestles a giant talking orangutan almost made me cry. Twice. An instant favorite.

12/25: Adventure Time (rewatch) - We ended up finishing our rewatch of Adventure Time (the main series, anyway) on my 30th birthday, which feels appropriate. I already kinda knew this, but this rewatch has truly confirmed that Adventure Time is my favorite TV series of all time. The entire show is even better on a full series rewatch. In hindsight, even parts that annoyed me when they aired end up being important parts of the beautiful tapestry that is this series. The many low points of Finn’s adolescent love life are important stepping stones in his growth as a person, which leaves him in an extremely satisfying place by the end. Jake having kids didn’t get to be a huge status quo change because they grew up instantly, but then they did a bunch of fun episodes about Jake’s relationships with his adult children that deepened him as a character. And most of the big lore questions they kept teasing over the years (“Where’d the humans go?” “Who are Finn’s parents?” “When’s Finn gonna get a robot arm?” etc.) ended up getting satisfying and creative answers, because the show left itself the room to figure those things out later. This is a truly special, one-of-a-kind series, one that lasted nearly 300 episodes and yet still seems like it was over too soon. And yes, I did in fact cry during the final montage, like I knew I would. I will always cherish this show with all of my heart.

12/25: Olive the Other Reindeer (rewatch) - Haven’t seen this one since I was a kid! It was a favorite of mine back then, and while it might not be quite as funny as I remember it’s still very cute, with a 2D/3D hybrid art style that remains very unique and appealing. As an adult I can also appreciate the cast they got for this, with like half the cast of Futurama bolstered by guests like Michael Stipe from REM and The Sopranos’ Joe Pantoliano.

12/26: Guillermo Del Toro’s Pinocchio - Anthony and I capped off our Christmas with the most jolly and festive stop motion movie of all! Jokes aside, man, what a beautiful movie. The animation is immaculate, and we really just don’t get children’s animated films like this anymore. Ones that overtly feature real world politics and religion and so many other dark themes in a way that doesn’t talk down to kids or sugarcoat things. This one hits hard. We need more movies like this.

12/31: Oppenheimer - This was an interesting one. Despite being three hours, the way that first hour jumps around in time makes it feel like Oppenheimer is constantly being propelled forward through life at a breakneck pace, swept up by the rising tide of nationalism in spite of his personal left wing politics, never really reflecting on what he’s doing until it’s too late. Then when he’s no longer useful to the empire, he’s chewed up and spat out, only to eventually be honored as a national hero as a symbolic gesture. It’s a compelling story. However, I’m a little torn on how certain aspects of history were framed. Does the abstraction of the bombings detract from the true weight of those events, in favor of sympathizing with the man who built the bomb? Or is it clever a way to show how the realities of the war were compartmentalized away by people who were complicit in its most heinous acts of violence? One minute a bunch of physicists are talking theory, thousands of miles away from the theaters of war, and the next they’ve killed 200,000 people. So which is it? Eh, probably somewhere in the middle, I guess. But I liked it overall.

12/31: Kirby’s Return to Dream Land Deluxe - I’ve been really surprised by how good this rerelease is. It kind of flew under the radar for me. I liked the original game, but at the time it also almost felt like the New Super Mario Bros. of Kirby. It was a straightforward throwback game where you went through a grass world, then a desert world, then a water world, etc., and also they added four player co-op. But returning to this one after the kinda mid Star Allies has made me appreciate just how solid RtDL is as a Kirby game. I really like the updated graphics, too - yes, even the new cel shaded outlines around the characters - even though I didn’t think it looked that great in screenshots. Also the two new copy abilities (Sand and Mecha) are fun, the minigame collection is shockingly fleshed out to the point that they could’ve sold it as a standalone eShop game, the collectible character masks are fun, and the new epilogue mode where you play as Magolor is one of the coolest bonus modes they’ve ever done. This is a top tier Kirby remake any fan of the series should check out.

Ongoing things I followed in 2023 that don't have a blurb:

Halo Infinite multiplayer

IDW Sonic the Hedgehog (main series + specials)

One Piece

Chainsaw Man

My Hero Academia (not caught up)

The JOJOlands (not caught up)

Things I started in 2023 that I still need to finish:

Freedom Planet 2

Hi-Fi Rush

Live A Live

Super Monkey Ball: Banana Mania

Star Wars Jedi: Fallen Order

Picross 3D Round 2

Rhythm Heaven MegaMix

Mega Man Battle Network 5: Team ProtoMan

Ratchet & Clank: Rift Apart

Spark the Electric Jester 3

Sonic Dream Team

One Piece (Wano arc, anime)

Jujutsu Kaisen season 2 (I’ve already read the Shibuya arc already in the manga, though)

Astro Boy (2003 anime)

Futurama (original run rewatch)

One Piece (manga reread)

The Amazing Spider-Man (Lee/Ditko era)

Scott Pilgrim series (reread)

And finally... my favorites of 2023!!!

Overall favorite game: The Legend of Zelda: Tears of the Kingdom

Favorite indie game: Pseudoregalia

Games remastered in 2023 that are now among my all-time faves: Ghost Trick: Phantom Detective, We Love Katamari

Most pleasant surprise in gaming: The Murder of Sonic the Hedgehog

Favorite film: Spider-Man: Across the Spider-Verse

Favorite live action show: Barry

Favorite anime: Pluto

Favorite anime written by a Canadian guy and an American guy based on the Canadian guy's old graphic novel series: Scott PIlgrim Takes Off

Favorite live action adaptation of an anime that I still can't believe they didn't fuck up: One Piece

Favorite Western cartoon: Adventure Time: Fionna & Cake

Favorite older cartoon I only got around to watching in its entirety this year: The Venture Bros.

Favorite documentary: Double Fine PsychOdyssey

Favorite semi-improvised semi-scripted absurdist comedy/horror/tragedy Twitch livestream performance art thing: Half-Life Alyx but the Gnome is Self-Aware finale (wayneradiotv)

Favorite manga: Chainsaw Man

Favorite older manga that I only read this year: Berserk

Favorite Western comic book: Daniel Warren Johnson's Transformers

Favorite album: HELLMODE (Jeff Rosenstock)

And that's a wrap!!!!! Happy new year, everyone! Here's to me maybe actually reading a goddamn book this year

[daughterofheartshaven]

A Virgin New Adventures reading guide

I told @gotyouanyway that I'd give them my reading guide for the Virgin New adventures that I made for a friend a while back and posting it publicly was easy and also means other people can use this too. I wrote this back in 2021, but stand by it from what I remember. It has been like 5-6 years since I read some of these books, so if I rated your favorite too low lemme know and I'll give it a re-read.

This might not be that helpful if you want to pick just a few books - I designed it more to streamline VNA experiance

The key:

1 - I'd recommend skipping

2 - Eh. You can skip, but there is at least something to be gained by reading it

3 - I would recommend reading this. It's not plot-critical, but it is a good read or useful setup

4 - Read this for sure. It's either plot-relevant, or just that damn good (or both).

Timewyrm: Genesys - 4 (introduces the timewyrm and the series; unfortunately it's also not great.)

Timewyrm: Exodus - 3 (continues the timewyrm story, and is a fairly straightforward but interesting story)

Timewyrm: Apocalypse - 2 (eh. Not much for or against it either way)

Timewyrm: Revelation - 4 (concludes the timewyrm arc with style)

Cat's Cradle: Time's Crucible - 3 (Good if you can wrap you head around it)

Cat's Cradle: Warhead - 2 (depressing as all get out, but very well written)

Cat's Cradle: Witch Mark - 3 (just plain weird. Does finish the current arc and sets up Return of the Living Dad)

Nightshade - 2 (kinda weird. Notable as the first Mark Gatiss story)

Love and War - 4 (plot-relevant. Also awesome)

Transit -4 (Introduces important recurring character. Hard to follow but really good even if you can't follow it)

The Highest Science - 3 (good story, but ultimately not amazingly important)

The Pit - 1 (I did not enjoy)

Deceit - 4 (Not a great read, but important to the plot)

Lucifer Rising - 4 (Amazing, with important character development for our protagonists)

White Darkness - 2 (first David A. McIntee novel, but not especially gripping)

Shadowmind - 3 (good demonstration of where Ace and Benny are as characters, vaguely interesting plot)

Birthright - 3 (good character piece for Ace and Benny, shows a darker side to the Doctor without being dumb about it)

Iceberg - 2 (plot is messy and weird. Only read if you need the Doctor's half of the story from Birthright)

Blood Heat - 4 (starts alternate universe arc, important developments for the Tardis)

The Dimension Riders - 2 (gonna be honest here - I don't remember a thing about this one either way)

The Left-Handed Hummingbird - 3 (first Kate Orman novel. Pretty good, although a little weird and hard to follow)

Conundrum - 3 (Be prepared for weirdness. And superheroes. Helps setup for No Future and Head Games)

No Future - 4 (concludes the alternate universe arc with style, establishes Ace from here on out)

Tragedy Day - 3 (dark, but good. Worth a read)

Legacy - 3 (Kinda dark, but it works. Be prepared for over-continuity)

Theatre of War - 4 (Pulls off one of the best plot twists I've seen anywhere, and introduces Braxieatel to the Whoniverse)

All-Consuming Fire - 4 (Not plot-relevent at all, but is very good, especially if you are a Sherlock Holmes fan)

Blood Harvest - 4 (Major plot point in the Whoniverse)

Strange England - 2 (takes strangeness to an art form. Can be freely skipped)

First Frontier - 4 (plot relevant for spoiler-y reasons)

St Anthony's Fire - 2 (dark and weird, but well written)

Falls the Shadow - 1 (Just... no)

Parasite - 1 (Written by Jim Mortimore, therefore depressing as all get out)

Warlock - 2 (I did not read. Sequel to Warhead, so only read if you liked it)

Set Piece - 4 (major plot developments for multiple characters)

Infinite Requiem - 2 (like The Dimension Riders, I remember nothing)

Sanctuary - 3 (a pure historical. Not really great on its own, but helps set up Human Nature)

Human Nature - 4 (The story that was adapted to TV. One of the best New Adventures by itself, becomes even better by having fun comparing it to the TV version)

Original Sin - 4 (plot-relevant)

Sky Pirates! - 2 (Only if you like Douglas-Adams-esque dark humor)

Zamper - 3 (Somewhat interesting follow-up to The Highest Science)

Toy Soldiers - 2 (Adds pretty much nothing, but not painfully bad) 

Head Games - 4 (a worthwhile look at where the Doctor has been going and who he is)

The Also People - 4 (probably my favorite New Adventure, although Theatre of War and Human Nature are also up there. Also resolves a recurring character's arc)

Shakedown - 3 (Fun, but ultimately fluff)

Just War - 2 (Weird and ultimately unimportant)

Warchild - 2 (Same situation as Warlock. Starts Psi arc, but can be skipped)

SLEEPY - 4 (Generally good story, sets up Psi arc if you skipped Warchild)

Death and Diplomacy - 3 (only worthwhile as setup for Happy Endings)

Happy Endings - 4 (Plot relevant. Ultimately fluff, but plot-relevant)

GodEngine - 4 (not plot-relevant, but an excellent story)

Christmas on a Rational Planet - 2 (part of Psi arc, and lays groundwork for Faction Paradox stuff, but I couldn't really follow it)

Return of the Living Dad - 4 (cleans up old plot threads, and is a great story in its own right)

Cold Fusion - 4 (Not plot relevant, but an excellent, gripping story)

The Death of Art - 2 (part of Psi arc, but not great)

Damaged Goods - 2 (Russel T. Davis's first Who work, but very dark and nasty)

So Vile a Sin - 4 (finishes Psi arc and has other plot relevance)

Bad Therapy - 2 (deals mostly with repercussions of previous story, but not great in and of itself)

Eternity Weeps - 1 (Jim Mortimore's writing is too depressing for me. Technically plot relevant in that Benny and Jason get divorced but not worth it)

The Room With No Doors - 4 (setup for Lungbarrow, good story in its own right)

Lungbarrow - 4 (concludes the new adventures of the seventh doctor in a surprisingly meaningful way)

The Dying Days - 4 (a nice little coda to the series that sets up Benny's adventures as well)

[whatdoeseverybodywant]

You're the Only Girl for Me - Chapter 29

I do NOT give permission for my work to be translated or reposted on here or any other site, even if you give me credit. DO NOT REPOST MY FICS

❤ Reblogs, comments, likes, and feedback ALWAYS appreciated ❤ 

All OC Characters belong to me

Series Masterlist

Main Masterlist

Character List

TBH! At this point, this is a joint collab with @paigereeder 😭. GOAT!

Thursday, September 2nd 2021 

Airielle’s peaceful slumber was interrupted by her phone ringing. Groaning, she snatched her phone off the floor next to her and squinted at the screen to see who was calling her. “Oh my god.” She muttered before accepting the call. 

“Hello?” 

“Why in the fuck didn’t you tell me Christopher popped the fuck back up. I knew I should’ve killed that motherfucker when I had the chance.” Her older brother Isaiah seethed over the phone and Airielle sighed closing her eyes as she pinched the bridge of her nose. “Airielle!” He shouted into the phone when she didn’t respond. 

“Because I had it under control.” Airielle looked behind her as Josh started to shift in his sleep, sighing she threw the covers off of her and walked into the living room to finish her conversation. 

“Uh-huh, sure you do. He broke into your spot -” 

“And I moved, problem solved.” She shrugged, eyes glancing around the living room just taking in how much he had actually gotten rid of. “Shouldn’t you be working?” 

Isaiah snorted. “I took the day off.” 

“Hmm,” Airielle hummed. “And that’s why you’ll never be Dad’s favorite” 

“Eat my - “ Airielle hung up before her brother could finish his statement. Rolling her eyes she threw her phone on the island. She looked up when she heard Josh shuffling into the living room. 

“Everything Aight?” Josh mumbled as he walked closer to Airielle and kissed her cheek. 

“Yeah, my brother being a pain in my ass.” She replied, rolling her eyes when he chuckled. “What you got going on today?” 

“Nothing. I gotta do some laundry and gotta pack. Got Smackdown and the House show this weekend.” 

“You wanna go get some breakfast first?” She asked, tapping the screen on her phone to see what time it was. “I’m kinda craving waffles.” 

“You already know the answer to that.” Airielle rolled her eyes with a smile as she wrapped her arms around his waist and leaned her head on his chest. 

“Can you believe it’s about to be a year since we met?”  It's crazy to think about all the ups and downs they went through in a year! If she could go back and change anything it would definitely be breaking up with him after he asked her to move in with him. That would have saved them months of heartbreak. 

“You wanna hear somethin’ wild?” He waited until she lifted her head from his chest to continue. “That wasn’t the first time we actually met.” 

Airielle furrowed her eyebrows together and tilted her head a little. 

“Huh?” 

“We actually met back in 2019. Me and twin had a meeting with Hunter, down at the PC and I saw you there. I mean I was looking, respectfully, but I was still looking.” He laughed when Airielle rolled her eyes again.  “Hunter told us he was taking us off TV after Jon’s latest arrest but he still had - 

“Y’all cut a promo for us.” She whispered as the memory of their first meeting came rushing back. “I remember y’all looking so pissed but still came and cut like one the best promos I ever heard.” 

“Mmhmm.” Josh hummed while nodding his head. “I remember trying to come talk to you, but you weren’t even trying to give ya boy the time of day. I mean I understand why now but shit, back then I thought you were like this stuck up bi-” He stopped himself when she narrowed her eyes at him. He cleared his throat. “You know what I mean.” 

“I mean I was a bitch to you when I came to the main roster.”  Josh nodded his head in agreement and Airielle sucked her teeth, pulling away from him. 

“What? you said it, not me.”  Just as she went to smartass him, his stomach released the loudest grumble she had ever heard. They both stared at each other before bursting into a fit of laughter. “You the one who brought up waffles, I mean you already know how I get down.” Airielle sucked her teeth and pushed him away from her before walking back towards his room so she could grab her clothes to shower. 

“I feel like they just need to go ahead and sponsor your greedy ass Uce.” She chuckled, her back to him as she shuffled through her bag looking for something to wear to breakfast. She stood up straight and gasped as she turned and bumped into Josh. 

“Whatchu’ just call me?”  Airielle bit her lip to stop herself from smiling at the look he was giving her. “Airielle, stop playing with me.” 

“You wanna go get waffles or not?”  Josh tilted his head as he stared at her. He was really contemplating on not going to the Waffle House with her because who the fuck did she think he was. Uce, had she lost her damn mind? He wasn’t her damn Uce. He went to tell her that they weren't going to breakfast but his stomach growled again making her smile. “That’s what I thought.” 

AirielleJones

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AirielleJones: Me and UCE out to eat! ❤️🤭

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“You gon glare at me throughout breakfast or what?”  Airielle asked him as the waitress walked away to put in their orders. “Why can’t I call you Uce?” She pouted. 

“Cause I don’t fuck my family Airielle.” 

“Boy –” 

“Oh my god. Look at you! You’ve gotten so big.” A new voice interrupted their conversation. Both Airielle and Josh both turned towards the new voice. Josh narrowed his eyes as he looked at the woman. She was older than both of them, with dark brown skin; for some reason, her facial features reminded him of Airielle. Josh turned to look at Airielle to ask if she knew who the hell this lady was but he stopped short once he saw the look on Airie’s face. He had only seen that look one time before. 

A couple weeks before she broke up with him she had this same look when he had tried to initiate sex but she wasn’t in the mood for it. That’s the same day he found out Christopher used to force her to have sex with him. He remembers her telling him that her old therapist called it dissociating. Josh immediately stood up and stepped in front of this lady, blocking Airielle, who was still sitting in the booth, from her view. 

“You good?” Josh asked the woman, straightening his shoulders so he was standing at full height. 

“Are you her bodyguard or something?” Another voice piped up from behind the older women and Josh definitely knew that they had to be related to Airielle in some sort of fashion because this girl and Airielle could pass off as twins. 

“Yup. Now answer my question, Y’all good?”  

“You must be Joshua.” The older woman said. Holding her hand out to him. “I’m Abigail and this is my daughter Janelle.” 

“Cool, y’all can leave now.” He said eyeing her hand with disgust. Whoever this woman was made Airielle uncomfortable and he wanted her away from them ASAP. Abigail’s hand hung in the air awkwardly for a moment before she withdrew it and cleared her throat, forcing a smile on her face. 

“Airielle please tell this man that I am your mother and I just want to talk to you.” Josh’s eyebrows shot up at the news. “Please solèy –” 

“Don’t call me that,” Airielle spoke up. “You have no right to call me that.” Airielle stood up from the booth and grabbed Josh’s hand. “I want to leave.” Josh nodded his head immediately. Breakfast forgotten, he ushered Airielle back to his car. 

“You okay?” Josh asked as he pulled out of The Waffle House parking lot. 

“No,” Airielle said. “Pull over.” As soon as the car came to a stop, Airielle threw open the passenger door and threw up nothing but stomach acid. “Fuck!” she cried out. 

Josh handed her a bottle of water and she thanked him, swishing it around in her mouth before spitting it out.  “That was–” 

“If you don’t want to talk about it, we don’t gotta talk about it.” 

“I know.” Airielle smiled and grabbed his hand, stroking the back of it with her thumb. “But I wanna be more open and honest with you.” Josh bit his lip and nodded. “That was my birth mom and her daughter I guess.” 

“Y’all not close. I take it.” 

“Nah,” Airielle shook her head. “She left when – well right after she gave birth to me. She never wanted me, never wanted a daughter, but I see a lot has changed in the past thirty years. I remember growing up, she would always send my brother’s gifts and cards on their birthdays but never mine. I didn’t really care because I didn’t remember her anyway. But um- one day I was just curious as to why she seemed to ignore my existence so I got her address off of one of the packages she sent my brothers and wrote her a letter.” 

Airielle quickly wiped away her tears. She hated crying over this woman. Josh squeezed Airielle’s hand gently. “She wrote me back. Which kinda shocked me but I was happy that she did. I was thinking she was just gonna tell me that she was just feelin' guilty about leaving me but, she said the complete opposite. She wrote me 4 pages, front and back, telling about how many times she unsuccessfully tried to abort me. How she tried to give me up for adoption without my father knowing. How she had a plan to tell my dad that I had died during childbirth.” 

Josh’s jaw was damn near on the floor as he listened to Airielle. No wonder she’s so emotionally challenged  He thought. 

“She blamed me for the fact that she couldn’t see her boys grow up, she blamed me because my dad chose to raise me instead of be with her. The final thing she wrote to me was, I wish you would have died. Do not contact me again. So I didn’t, I ripped the letter up and burned it. Never told my dad or my brothers about it and obviously neither did she.” 

“What the fuck.” Josh whispered, his hand tightened into a fist on his thigh. Abigail or whatever her name is better than her lucky stars that Josh didn’t put his hands on women. 

“Yeah I mean, I just wanted my mom, but she didn’t want me..” Airielle shrugged as she tried to stop the tears but it was too much. She had pushed Abigail and her hurtful words into the back of her mind in the folder with Chris and her unborn baby. Seeing her today just opened up a wound that Airielle thought had semi-healed. 

Josh pushed his seat back and pulled her over the center console so she could sit in his lap. He held her tightly as she cried into his shoulder. Josh gently stroked her back, his voice low and soothing. “It’s alright. I’m right here, okay? We gon’ get through this.”

As her crying eased, Josh kept her close, feeling her heart slow against his. He didn’t let go, knowing she needed this more than anything. He wasn’t just comforting her; he was vowing to stand up for her in every way he could.

Whew.. Miss Abigail is a trip!

What do y'all think about this chapter??

❤ Reblogs, comments, likes, and feedback ALWAYS appreciated ❤ 

Abigail Noelle Roy

Janelle Noelle Roy

🏷️: @christinabae @southerngirl41 @reci1996 @jeyusos-girl @empressdede

@harmshake @paigereeder @li-da-savage @nbanenefrmdao @alyyaanna

@theninthwonder @raya-hunter01 @abadbitchblogs @jaethaone @black-yn

@mzv11 @shantinextdoor @sheydnni @zillasvilla @thatone-girly

@xmonetsworld @bebesobrielo @kill-the-artiste @yana3sworld @bookuce

@sageispunk @amandairene88 @rianasixx @vebner37 @mindairy

@trashbin-nie @saintaquarius @adoreesun @shayaaaaaaa @sayyestoheav3nn

@xbriexx @edtomh @princess-saki1 @kat3457 @queeny23

@privateeyed95 @rebelrel0987

[mydaddywiki]

Ned Beatty

Physique: Average/Stocky Build Height: 5'8 " (1.73 m)

Ned Thomas Beatty (July 6, 1937 – June 13, 2021; aged 83) was an American actor who appeared in over 160 films. Throughout his career, Beatty gained a reputation for being "the busiest actor in Hollywood". His film appearances included Deliverance, White Lightning, Network, Superman, Superman II, Back to School, Rudy, Shooter, Toy Story 3, and Rango. He also was a series regular on the first three seasons of the hit NBC TV drama Homicide: Life on the Street. Beatty was nominated for an Academy Award, two Emmy Awards, an MTV Movie Award for Best Villain, and a Golden Globe Award; he also won a Drama Desk Award.

Stocky, genial looking, Beatty is most remembered and lusted after as one of the four main stars in the backwoods thriller Deliverance. Forever immortalized in the notorious 'squeal like a pig' rape scene. I wonder how many wanted his ass, and then how many wanted the roles to be reversed?

Born in Louisville, Kentucky, Beatty graduated from Eastern High School and subsequently received a scholarship to sing in the a cappella choir at Transylvania University in Lexington, Kentucky, without graduating, then spent his early career performing with regional theatre companies. For eight years, he was a resident player at the Arena Stage in Washington. After "Deliverance" (1972) introduced him to American film audiences, Beatty quickly became one of Hollywood's most rock-steady supporting everymen.

Beatty was married four times. He and his first wife were married from 1959 until 1968 and had four children. In 1971 he married his second wife with whom he had two children. He married his third wife in 1979 and with her he had more two children. He married his fourth wife in 1999 until his on June 13, 2021 of natural causes, at the age of 83.

RECOMMENDATIONS: Shooter (2007) Superman (1978) Network (1976) Deliverance (1972)

[malliluvs]

bloodied lips

rhea ripley x f!reader

After losing her fight, she seeks her girlfriend out to blow off some steam.

word count: 1.8k

(incomplete bc idk if its good)

18+!!

warnings : rhea taking her anger out on you, mean-ish rhea, cursing, smoking, mommy rhea, pure smut, oral r!recieving and r!giving, fingering r!recieving, teasing, edging, slight sadism/ masochism, thigh riding, bad girl good girl type, degredation/ praise kink, rough fucking, strap usage, cowgirl, mirror stuff, somewhat bratty reader, idk what else just really slutty

note: this is about the summer slam 2021, rhea ripley vs. nikki a.s.h vs. charlotte flair, also this is my first time writing smut that wasn't a jokey joke so erm!!! and theres barely any plot, mostly just smut bc.

if you asked me a year ago, i never would have imagined myself front row at the summer slam, but yet i was here.

i watched rhea walk into the ring, she practically demanded respect with her presence. and god knows i would give it to her. i couldn't believe i was watching my girlfriend walk into a ring.

of course, i've seen it plenty of times, but i could never get enough of it. and the best part was that she was always the most riled up after winning a good match.

but, what i didn't expect was the complete opposite. not only did she not win, she failed miserably. i winced at every blow she suffered, nikki and charlotte were not holding back.

everytime rhea looked at me in the crowd i blew her a kiss, that would usually pick her spirits up. but she was far too angry to care about me, or anyone for that matter, all she cared about was winning this fight.

after the fight, i waited back in her dressing room for rhea. i was sitting at her vanity, watching the next fight on the tv in the corner of the room. she walked in fuming.

curses spilled out of her mouth.

"that fucking bitch , using those cheesy ass moves , fucking bitch!" she yelled, her australian accent booming through the room. she kicked one of the chairs, before glaring at herself in the mirror.

i jumped as she kicked the chair, i furrowed my eyebrows. "rhea?" i said, my voice calm as i tried to hopefully calm her down.

she looked at me, but it wasn't the normal, loving look she gave me before the match, it was a death glare.

i gulped, before taking a deep breath. "lets calm down, okay? i mean... it cant be that bad." i smiled sheepishly. "there's always next ti-"

"no, there isn't a fucking next time y/n!" she yelled. " i spent fucking months training for this fight and i couldn't do shit, so don't tell me about next time, i don't need a fucking pep talk." rhea clenched her fists, running her hands over her head as she paced around the room.

i stayed quiet, looking down.

"get over here." she told me, i just looked up at her.

"i said, get the fuck over here, y/n. im not in a good mood." she said, wiping the blood off her lips as she stared at me, her voice eerily calm.

i got up from the vanity that i sat in, i looked up at rhea, she could be terrifying when she was pissed. i took small steps towards her, before she grabbed me by the back of my neck.

my eyes widened as she pulled me into a kiss. my face flushed a deep crimson as she bit my lip harshly. i was used to rhea being a bit rough, but i couldn't help but be surprised when i felt a sharp, burning pain on my lip, and blood trickled from my lip onto her own.

she pulled back, rubbing her thumb over my bottom lip, smudging the blood on my lips. she licked the blood of her lips, her eyes filled with anger and lust. almost as a warning of what was to come if i didn't obey her.

"take your clothes off." rhea demanded. my eyes widened. we had never done anything like this in such a public place, nevermind outside our bedroom. even if it was her dressing room, we both knew that her coach would be in here any minute now to reprimand her.

"rhea you can't be seri-"

"off. now."

i looked down, it was clear i wasn't gonna get a word in. "but-"

she grabbed me roughly. "y/n, im not in the fucking mood right now for your bratty shit. just do as i say, now take. it. off." i knew i should be scared of her, but the wetness in my panties were telling me otherwise.

i knew i shouldn't tease her, but i couldn't help myself. i turned my head to the side and crossed my arms.

"no."

rhea's eyes turned a dark shade of red, she growled. "what the hell do you mean, 'no'?!" she yelled. my eyes widened at her tone, gosh she was such a turn on when she was angry.

"i said no! i don't wanna, i wanna finish watching the fight." i huffed, before sitting down on a nearby couch, ignoring rhea entirely. i could practically feel her staring at the back of my head, her eyes like lazers.

i heard her breathing increase, i was surprised steam wasn't coming out of her ears. i knew she wasn't gonna let this behavior slide, and that only excited me more.

i heard rhea walk out, slamming the door behind her. she was pissed.

by the time we got back into her car to leave, rhea couldn't keep her eyes off of me, she was practically begging for my attention, and i didn't listen to her.

"y/n. look at me." she demanded, she was still pissed about her fight, and even more pissed that i wasn't paying her any mind.

"you know what? okay." that was all rhea said. my eyes widened and i looked at her, but rhea was already pulling out of the parking space.

did i fuck up? no.

i looked at the smirk that adorned her face, she had something planned, and i was completely unprepared.

the second we got back to her apartment, she pushed me up against the wall and gripped my hair, pulling my head to look at her. she gripped me tight, i winced in pain, her large hand was a blessing and a cruse. i felt her hand unbuckle my belt and unzipping my jeans. she roughly stuck her hands into my jeans, her large, calloused fingers tracing me through my panties.

i let out a shaky breath. "rhea..." i whined, i couldn't ignore her when her hands were on me, it was impossible.

"shut the fuck up." rhea glared at me. "you wanted to be a fucking brat? i'll treat you like a brat." she scoffed, a smirk played at her lips. if i weren't so turned on i probably would have punched her.

she wrapped her large hands around my waist, and picked me up like i weighed nothing. she threw me over the shoulder and took me to our bedroom.

she pushed me into the room, standing me in front of the large closet mirror.

"look at me." her voice caught me off guard and my eyes caught hers in the mirror, i felt a shiver run down my back as she glared at me.

she smirked, and started unbuckling my jeans, pulling them down roughly. they pooled at my feet as she forced a hand in my underwear, her calloused fingers running over my slit.

"god, fucking slut..." she cooed. i closed my eyes, and she bit my ear roughly. "you've been acting like such a bitch all day, you wanted this didn't you?"

i looked at her in the mirror, pleading for her to touch me. every touch of hers felt like heaven, and i needed more.

she scoffed. "what do you want?" she raised her chin up, tilting her head. god, i loved when she did that.

my words caught in my throat, i felt her thumb slowly graze my skin, and I felt my knees become weak.

"use your words." her voice was husky and demanding.

"i... i..." my words didn't seem to want to come out of my mouth.

rhea began to get frustrated, she pulled her hand out of my underwear, and gripped my waist, pulling it towards her. she roughly pushed me against the mirror, her hands the only things holding me up as my cheek smushed against the glass.

my heavy breath fogged up the mirror, as I looked back towards rhea, whos grinded her hips against me. "tell me what you want." she repeated, her hand inching up my shirt before roughly gripping one of my breasts.

i let out a surprised yelp. "rhea... i... i want you... please..." i begged, my voice was hoarse and whiny, i wasn't proud of it but at this point i couldn't care less.

"im pissed, y/n." she growled. "i wanted you to help me, and instead you gave me back talk then completely ignored me. do you really expect me to touch you?" she said, her voice was mocking, i could practically hear her smirk.

i should be mad, but i couldn't help the wet spot that formed on my underwear.

rhea let out a groan of frustration, sitting on the bed. she was manspreading as she glared at me, leaning back on her arms.

"so do it yourself."

my breath hitched at her words. "rhea... please i can't-"

"do it. you really wanna keep pissing me off?" she threatened.

i let out a small sigh, my eyes glazed over. she pulled me down on her leg, looking up at me.

i bit my lip, looking at her. her words repeated in my head

do you really wanna keep pissing me off?

my cooter wooter ached at her words. i moved my hips, moving them back and forth on her thigh.

i bit my lip and let out a soft moan.

she sat there watching me, clearly amused by the predicament she put me in.

I held onto her shoulders, rutting my hips on her thigh, the feeling of her denim jeans drove me crazy. god, and that look in her eye. it made me feel so powerless.

i felt that familiar knot in my stomach, i hid my face in the nook of her neck. i rocked my hips, they began to ache as i tried to chase my high.

"rhea... please... im so close... im gonna-" i was suddenly knocked off balance by rhea bouncing her leg, my orgasm fading away from me.

"i don't think you deserve it." rhea said, glaring at me.

i looked up at her, my lip trembling. "rhea please... i'll do anything!" i cried into her chest.

rhea sighed, pulling out a pack of cigarettes from her back pocket and lighting it, she took a drag and blew it in my face, her black lipstick staining the paper casing.

"go get it." she said, before taking another drag, the tip of the cigarette lighting a bright red as she did.

i felt relief at those words, was she gonna finally give me what i wanted?

i got up from her lap, my legs shaky from my previous denial, my core still aching from the loss. i opened the closet, and picked up a box. i opened it, pulling out a large, black, 7inch strap-on.

i practically drooled at the thought of rhea ruining me with it.

i walked back over to her, she snatched it out of my hand, before pulling down her jeans, she put it on and looked at me.

she grabbed me by my hair, pushing me down between her legs. she pushed it against my lips, practically growling at me.

"suck it."

-

i cant finish this just take this i dont know if it's good or not so erm!

[medievalandfantasymelee]

COME ONE, COME ALL to the MOSTE ILLUSTRIOUS TOURNAMENT of the FINEST, the MOSTE PUISSANT and HOTTEST MEN MEDIEVAL MEDIA HAS TO ITS CREDIT.

Be it known that we shall accept submissions of the hottest men OF THE PEOPLES’ CHOOSING from any live-action* TV or movie media property set between the years AD 500 – 1550 (Tudors WELCOME!!), and any fantasy properties which emulate said period!

KNOW ALSO that we, by the grace of this fine hellsite and with the counsel of the moste honorable and illustrious @hotvintagepoll (many thanks), have made

THESE GUIDELINES here given:

ANY HOT GUY who appears in any movie or TV show released in ANY YEAR, from ANY COUNTRY, shall be deemed eligible for entry. Below are listed examples of eligible properties. If YE BE NOT CERTAIN whether your hot guy is eligible, submit him anyway!

Examples of Eligible Properties: The Lord of the Rings Trilogy (2001-03), Game of Thrones (2011-19) House of the Dragon (2022), Wolf Hall (2015-2024), The Tudors (2007-2010), Ladyhawke (1985), The Princess Bride (1987), The White Queen (2013), Rise of Empires: Ottoman (2020-2022), Vikings (2013-2020), The Last Kingdom (2015-2022), Diriliş: Ertuğrul (2014), A Knight’s Tale (2001), BBC’s Robin Hood (2006-3009), The Last Duel (2021), The Story of Minglan (2018), The Borgias (2013), Robin Hood (1939), Outlaw King (2018), Pilgrimage (2017), Legend (1985), Braveheart (1995), The Green Knight (2021), Excalibur (1981), Beowulf & Grendel (2005), The Lion in Winter (1968), Robin Hood: Men in Tights (1993), The Black Adder (Blackadder Series 1, 1982), Rashomon (1950)

Remember: This is just a list of examples—WOW ME!

These following titles are examples of properties that do not fall within or emulate the stated time period and therefore DO NOT QUALIFY: The Three Musketeers (Any Version), Pirates of the Caribbean (2004), Barbarians (2020), Gladiator (2000), Ben Hur (1959), Shogun (2024), Elizabeth (1999), 300 (2006), Troy (2004), Xena: Warrior Princess (1995-2001), Disney's Robin Hood (1973)**, Yojimbo (1961), Shakespeare in Love (1998), King Arthur (2004)***

For the purposes of this tournament, "Man" and "Guy" are defined as any bi-pedal humanoid male character played by a man. As such, characters belonging to non-human races such as Hobbits, Orcs, Elves, Demons, Fauns, Werewolves etc. ARE admissible, and, indeed, encouraged.

If you have propaganda you forgot to include in your submission, just hold onto it and send it in an ask after the Tournament begins.

You may submit as many hot men as you like but please submit only ONE ENTRANT per submission.

Do not hesitate to submit ANY hot guy you think may qualify, no matter how popular he is. There is no such thing as a shoo-in with these tournaments. If you think "Someone MUST have submitted him already!" Everyone else is probably thinking that too and then he may well NEVER get submitted and we don't want that.

Do not worry about how many submissions your hot guy might have had already--I need to get a sense of who the strongest contenders are in order to fairly seed the draws, and the best way to do that is volume of submissions.

We are voting on the hotness of the characters. While the actors who portray them are of course a major factor in this, we are not voting on the actors themselves, therefore propaganda pertaining to the actors real lives (aside from anecdotes relating to their portrayal of the character) is not admissible.

By that same token, in the case of historical figures (e.g. Henry VIII) we are judging hotness based on the fictionalized portrayals of them in these properties, not on historical fact.

Regarding immortal/time-travelling/dimension-hopping/extremely long-lived characters, regardless of when the character was born, the main action**** of the story must take place within the Medieval Period (see dates listed at the top of this post) or Medieval-esque fantasy fantasy realm in order for them to be eligible for submission. As such, characters like the Pevensie brothers (The Chronicles of Narnia) and Ash Williams (Army of Darkness) are admissible, but Asgardians (the MCU Thor films) are not.

I, as the Administrator and Master of Revels of this tournament, am exercising discretion in the admittance of characters from works by Shakespeare, since many of them have no set date.

Re: characters adapted from books/written works - Book quotes by/ about your character are not admissible as Propaganda for their tv/ movie counterparts unless said quotes were also written into the show/movie.

Book illustrations and fanart are not admissible Propaganda

SUBMISSIONS SHALL REMAIN OPEN UNTIL MIDNIGHT, JULY 1st

The Tourney shall begin at a date yet to be determined with the Melee (Qualifying Rounds), wherein the entrants with the fewest submissions and least propaganda will duke it out in a free for all brawl to determine who will enter the Lists.

SUBMIT YOUR ENTRANTS HERE TODAY!!!

-- Master of Revels

*The "live-action" qualification does have a caveat: exception may be made for those CGI films which were all the rage in the mid-00's that used the motion-capture and likeness of the actors; for example characters from, Robert Zemeckis's Beowulf (2007) are admissible.

** this one doesn't qualify, not because it isn't the right time period, but because it falls solidly under the "Animated" category.

***Yes, sadly we are deprived of the beautiful countenances of Clive Owen, Mads Mikkelsen, Ioan Gruffudd et al because the producers of this film in their infinite wisdom and in an attempt to seem "more historically accurate" chose to set it during the Roman withdrawal from Britain, which occurred in the 5th Century (About a CENTURY earlier than Authurian tradition) and is generally agreed to have ended by AD 410. It therefore does not fall under the Medieval umbrella and is not eligible for submission.

**** "Main Action" here defined as "More than half an hour of a movie and more than two episodes of a series"

[adoptourcrew]

While clowning is fun we’d like to provide some additional context about Netflix and their history of reviving canceled shows on their platform.

https://www.cnn.com/2021/09/10/entertainment/lucifer-and-netflix/index.html

After a robust, fan-led renewal campaign on social media, Lucifer was rescued by Netflix after cancellation by Fox due to budgetary concerns and a slight decrease in ratings. Lucifer went on to have 3 more successful seasons.

https://www.latimes.com/entertainment/tv/la-et-st-lucifer-netflix-tom-ellis-20190513-story.html

Lucifer was inherently expensive to produce because it is a DC property which requires licensing through WB, and because it was produced by an outside studio, however, Lucifer was a major ratings boon for Netflix and well worth the price tag.

https://www.indiewire.com/features/general/netflix-lucifer-season-5-nielsen-streaming-ratings-1234646785/#:~:text=The%20premiere%20of%20the%20first,by%20Netflix%20in%20June%202020

Cobra Kai was initially produced by YouTube Red, but when the platform moved away from more expensive scripted programming after the second season, Netflix swooped in to save it, and it is now in its 6th and final season.

https://www.hollywoodreporter.com/tv/tv-news/cobra-kai-moves-netflix-1299581/

Longmire was highly rated on A&E, beating out other cable shows like Mad Men. A slight drop in ratings by the S3 finale and less interest from advertisers due to an older audience led to cancellation. It went on to do well on Netflix with 3 more seasons.

https://www.looper.com/371526/the-real-reason-longmire-season-7-was-cancelled/

Designated Survivor was canceled on ABC after reduced ratings, budgetary concerns, and issues behind the scenes. Netflix ordered 1 season, but it was canceled again after ongoing issues behind the scenes.

https://www.slashfilm.com/1314648/why-designated-survivor-cancelled/

Manifest was canceled by NBC in 06/2021, then added to Netflix. Its surge in popularity once added to the platform prompted Netflix to order a fourth and final season, and while the writers had a 6 season arc planned, they were able to finish their story.

https://www.cosmopolitan.com/entertainment/tv/a41984394/why-manifest-canceled-season-5/

You was initially produced by Lifetime, but it didn’t find its audience and they didn't order a 2nd season. When it streamed on Netflix a few months later, a boom in popularity and chatter on social media prompted Netflix to order subsequent seasons.

https://www.washingtonpost.com/lifestyle/style/you-was-ignored-on-lifetime-then-it-blew-up-on-netflix-what-does-it-mean-for-tvs-future/2019/01/17/900fab9c-1a86-11e9-88fe-f9f77a3bcb6c_story.html

While licensing on Netflix can lead to a revival of a series, this is not always the case. There is a threshold of streaming hours weighed against the budget, and recently it was announced that Warrior failed to meet this.

https://www.forbes.com/sites/paultassi/2024/09/23/some-disappointing-news-about-warrior-season-4-on-netflix/

Heels has recently been added to the Netflix roster, with hopes from creators that high viewership numbers could lead to a third season, although sources caution that logistical challenges may make this difficult.

https://www.hollywoodreporter.com/tv/tv-news/heels-licensed-netflix-season-3-hopes-1235869552/

While the dream is that Netflix buys OFMD with the intention of producing an additional season, even just acquiring the licensing rights for streaming leaves room for hope. Until we know more, we can keep our beautiful show alive by doing what we do best, talking about it.

[wanderinginksplot]

What to watch during the writer's strike:

Don't pay attention to companies who blame writers for delayed movies and television shows! The WGA strike comes from people who are trying to make things better - not only for themselves and other writers, but the films and tv shows we all love.

While we wait for a resolution, I thought I would share some existing television shows that I enjoy. I didn't bother with too much well-known stuff. Instead, I focused on shows I feel many people missed because of the glut of content that all premiered at once over the last few years. (I may make another one of these for movies later on, but this one is about tv.)

[Update: Movie version here]

Feel free to add on! Just try to give a quick, spoiler-free synopsis for the show and the streaming service where it can be found.

List under the cut!

Netflix:

The Good Place (2016-2020) - A 'bad' woman is accidentally sent to heaven. She and her moral philosophy professor of a soulmate try to save her soul by making her a better person. Genre: Comedy with deeper implications and one of the best endings in television history.

Russian Doll (2019-2022) - When Nadia dies at her birthday party, she's more than a little confused to come back. Especially when it keeps happening. Genre: Time loop drama with a wicked sense of humor and a dash of theoretical physics. Potentially not ended?

Narcos (2015-2017) - The fight of the American DEA and the Colombian army against cocaine kingpin Pablo Escobar and his reign of terror. Genre: Drama with thrilling elements. Lots of violence, some sex and language. Lots of subtitles. Features Pedro Pascal and Boyd Holbrook, if you need some extra incentive.

Derry Girls (2018-2022) - Five teens grow up in Derry, Ireland in the 1990s, amid the final years of the Troubles, a low-level war that lasted roughly 30 years. Genre: Comedy. Some sexual content, some religious content, less violence than you would expect, and the best nun ever to appear on film.

Arcane (2021-?) - Two sisters are alienated when one accidentally kills their adoptive father. Their different paths threaten the fragile peace of a city already on the breaking point. Genre: Drama with elements of action-adventure. Though it's animated, Arcane's animation is beautifully done with tantalizing steampunk elements that will keep you invested.

Disney+:

Star Wars: The Clone Wars (2008-2020) - If you haven't seen any of the Star Wars animated series, this is a good place to start. Set in the time gap between Episode II and Episode III, this series helps flesh out Anakin Skywalker and the Jedi. It is also a great introduction to some of the characters and plots of The Mandalorian. (Star Wars: Rebels is another good choice.) Genre: Adventure with some drama. Violence and death are a large part of The Clone Wars, but it's usually appropriate for children. The clone troopers will steal your heart!

Gravity Falls (2012-2016) - Dipper Pines and his sister Mabel are sent to Gravity Falls, Oregon to live with their great-uncle for their summer break. But when Dipper finds a mysterious book in the woods, the pair find that Gravity Falls is far more mysterious than it seems... Genre: Adventure with a lot of comedy. Though it's billed as a children's cartoon, Gravity Falls is an intriguing watch with mystery subplots that will keep anyone guessing. It also features a famously strong and cohesive series ending. I was in my late 20s when I first watched this and I was still invested!

Daredevil (2015-2018) - After being blinded as a young boy, Matthew Murdock trained his other senses to replace the sight that he lost. He uses his skills to protect the helpless in the New York City neighborhood of Hell's Kitchen. Genre: Action and superhero. Features a lot of incredibly choreographed violence. (Jessica Jones is also an excellent show to watch, especially if you think of David Tennant as the consummate 'good guy'. He's got range!)

HBO Max (Just 'Max' now, I guess):

Ghosts (2019-2023) - Petty roommate squabbles don't stop just because you're dead! Alison and her husband Mike inherit a house, then a near-death experience allows Alison to see its ghostly inhabitants. Chaos and humor ensue as the ghosts try to adjust to the house's new owners. Genre: Humor. Ghosts is a British sitcom, but since the writers are comedians (writing and performing in Horrible Histories), the show is done in a style that feels more natural to American viewers. Hint: watch the BBC version, not the American one. They're fairly similar, but definitely not the same!

Pushing Daisies (2007-2009) - A pie-maker with the ability to bring back the dead helps to solve murders. He's helped by his once-dead childhood sweetheart. Genre: Comedy with some dramatic elements. Some of the CGI-heavy moments haven't aged particularly well, but the show has a unique premise and an incredibly talented cast!

Hulu:

Abbott Elementary (2021-?) - This mockumentary series showcases an inner-city elementary school in Philadelphia. The teachers and administration do their best for the kids, but they're constrained by budgets and the limitations of the educational system itself. Genre: Comedy mockumentary. Though Abbott Elementary is fictional, some of the issues brought up are all too real. This is a funny and incisive look at the American public school system.

Amazon Prime:

Fleabag (2016-2019) - The unnamed protagonist of the show struggles through life on her own with limited support from her alienated family and the memories of her recently deceased best friend. Genre: Comedy with lots of dramatic elements. Lots of sexual content and references, some language, breaking the fourth-wall, and several characters you just long to hit. I watched the second season in a single day, that's how good this was.

Unknown Streaming Service:

Black Sails (2014-2017) - This prequel to Treasure Island features elements from the book, original characters, and real pirates from history in a setting that emphasizes realism. Captain Flint and his crew search for a legendary prize... one that might allow them to claim Nassau for their own. Genre: Action and adventure. Think Game of Thrones, but with pirates. Incredibly well-written and well-acted with gorgeous scenery, LGBTQ representation, and just enough historical accuracy to keep things grounded. Black Sails also boasts one of the best endings ever given for a television show.

Like I said, please feel free to reblog and add your own television show recommendations onto this list! There are plenty of things to watch and plenty of ways to support the WGA strike that don't involve giving in to big studios.