#best hair replacement in india
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max-clinic1 · 2 months ago
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koreanhairlinee · 6 months ago
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Safe non-surgical hair replacement
Dealing with hair loss can be a personal journey, but we're here to support you every step of the way. Whether you want to treat your entire head of hair or prefer a specific solution, our non-surgical approach provides the comfort, safety, and natural look you deserve.
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jokerwigs · 9 months ago
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maneology1 · 10 months ago
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eugenix11 · 2 years ago
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Following a hair care routine can help you to an extent but being consistent with some hair care tips can change the overall hair game completely. Today, we will discuss 5 hair care tips every teen should know.
Read more here: https://eugenixhairsciences.com/
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mercurytojupiter · 10 months ago
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the labyrinth - chapter one
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a/n: do you guys have any idea how hard it is to get my friends to beta for saltburn?
warnings: farleigh being farleigh, which includes underage drugs, drinking, cigarettes and sex 18+
fic summary: ariadne gavin and her childhood best friend turned enemy return to saltburn for the last time
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Ariadne is twenty-one now, and can hardly recall the last civilized conversation she had with Farleigh Start while sober. Everything about him is grating. She can't even imagine how he used to be her best friend.
He bites his lip as he throws an arm around his girl-of-the-week, whose name has come and gone from Ariadne's mind so quickly it was like she'd never heard it at all. Alicia? Felicia? She doesn't know and doesn't care. She doesn't. And she absolutely cannot smell the mix of his citrus and sandalwood cologne - a signature scent that they had picked out together when they were twelve, and yes, hers was the matching, feminine version of the same collection - and the sharp tang of cigarettes. She is not looking at his hair and thinking about how he's using the wrong conditioner because it's frizzing, and probably not even wearing his durag since he's waking up in a different bed every morning.
She's not paying attention to any of that.
She sits comfortably on India's lap, laughing breathily at whatever joke the girl just made. She doesn't know and doesn't care, but India tightens her grip and presses a red lipstick print into her neck, she takes another hit off of her blunt and waits for Farleigh to fade away.
Ariadne and India aren't dating, but they are fucking. Poor replacements for the two boys at the table, but replacements nonetheless.
Besides, if Ariadne had learned one thing during her education, it was that boys got off on girls making out. She liked it personally, but she knew some girls did it just to catch Felix's eye. Their loss, Felix didn't find Ariadne hot so he found none of the girls she kissed hot either. India has yet to learn this lesson.
Felix is talking about how some nerd was his hero or something because of the flat tire on his bike, Ariadne doesn't know and certainly doesn't care when the nerd himself catches Felix's eye.
Ariadne takes one look at the man and knows that Felix is going to string the poor boy along for months without even realizing it. Or, maybe he did. Ariadne doesn't care. She doesn't care much about anything these days, and when she does, she takes another hit, another shot, another something until the world fades again.
When she's sober and has no homework, she remembers to care about Farleigh, so she makes sure those two states never occur at the same time.
Against her will, she notes the way Farleigh's jaw tightens when Oliver Whatshisface approaches the table. This must be Oliver "Thus" Quick from his tutoring sessions.
Ariadne snorts as Farleigh shifts in discomfort and sinks back again as the conversation turns to who Ollie is, what college he's in, and other shit she wouldn't even care about sober.
Her attention tunes back in when the shot chant begins.
"Jagerbombs!" She and Farleigh demand at the same time. She shoots him a look of annoyance.
Farleigh makes a low rumble in his throat that only she knows to watch for. "It's your round, man!"
"I should go to bed," Oliver mumbles, suddenly green.
Farleigh shakes his head and curls entrancingly, so much so that she almost forgets to pay attention to what he's saying. "No, no, no, no. You can't snake out of your round."
Oliver squirms in his seat. Something about him is offputting, now that Ariadne's finished her blunt and is coming down from the high. "I'm not," the boy mutters.
"It looks like you are." Farleigh laughs, but Ariadne knows he's not joking. She knows that the alarm bells in her head are going off in his, and even more so, she senses his competitive streak flaring up.
The table boos except Felix, who seems to sense Oliver's unease. Ariadne rolls her eyes. Ever the angel, their Felix.
He's going to get himself killed that way. It's unnatural to Ariadne that anyone could be as trusting as he is.
"Okay, okay." Oliver concedes. Maybe Ariadne's imagining the way he seems to sneer at Farleigh as he gets up.
Oliver manages to get to his feet and heads for the bar, and Ariadne's final assessment begins to click into place. This kid was a gold-digging little weasel, but probably too weak to do any real damage, except for Farleigh, who seemed to be pissed off by the dude's very existence.
"Farleigh," Felix scolds.
"What?" Farleigh fakes innocently. She sees the way his round eyes widen and his lips open just enough that even India's head falls onto her palm in adoration. There's no denying that Farleigh is pretty.
"Just cut him a break, mate." Felix pleads.
It's not going to work. Whenever Felix asked any of them to be nice to his strays, they always got meaner. Her and Venetia included.
For example, poor old Eddie last year.
"What?" Farleigh repeats lower.
He'd never liked receiving orders from the Cattons. When they were younger, she might have soothed him back down, but it was no use now. She couldn't even if she wanted to.
The crack had become a canyon, just like her dad had foretold.
"That round's gonna cost a fucking fortune." Felix continues.
"Pub rules, Felix." Farleigh grins.
Silently, she agrees, but she decides she can't be here anymore. Farleigh's pretty, white and fox-like smile, had very suddenly become too much for her.
"I'm off." She declares suddenly, sitting up. The group groans and complains good-naturedly, and she watches Farleigh stare at her with an intensity she had grown used to.
She sits in her car for twenty minutes, smoking a cigarette and trying to pretend every time she's with Farleigh she can't feel him in her skin when she hears a tap-tap-tapping on her passenger window.
The man himself, grinning his evil grin.
She can't help herself. She unlocks the car.
"There you are, pet! I looked out the window and I saw you hadn't even driven away! How weird is that, hm?" He teases in that tone which he only takes with people he can't stand. She'd never imagined she'd be on the receiving end of it.
She takes another long drag of her cigarette. "You used to hate when they called me that. You almost broke Felix's nose over it."
"Pass." Farleigh demands. She hands him the cigarette and he puffs it gently. "You gave a shit about me then too. Venetia called me a dog and you fucking bit her. At fourteen."
"I was a weird fucking kid," Ariadne mumbles.
"What the hell happened to us?" Farleigh asks. His long fingers twist a ring, which she deciphers as nerves. She hates that she knows that. Because she wonders, if they aren't friends, and they aren't lovers, why does she know him better than she knows herself? Why does she think about the little things he's done since they were children and worry about his health? Why does she make sure with a glance that he's eating well?
What the hell happened, indeed.
Ariadne knows exactly what happened to them. She had a crush on someone incapable of loving her back and took the lowest of all low roads in her envy. She doesn't say that. She just shrugs. "I dunno, Far. I really don't."
Farleigh leans across the console, palm resting on her cheek, and kisses her.
For a moment, Ariadne sinks deep into the feeling. How many years had she craved his affection? How many times had she let him ruin her life just for a chance of this? His soft, plush lips on hers, their foreheads pressed against each other, his hot, warm tongue twirling with hers. It felt beautiful and religious and, above all else, right. Just fucking right. Like this was how it ought to have been all along.
But then she realizes that this isn't what she was waiting for. She pulls away, gasping.
"My dorm or yours?" Farleigh asks breathlessly.
Ariadne wants to cry. She doesn't want this. She wants him, but she wants all of him, not a night like he gave everyone else.
She shakes her head. "I can't. I can't, I-"
She scrambles for anything to say that isn't "I like you, and I've had a crush on you since we were seven."
"You can't cheat on Alicia." She settles on instead.
"I don't give a fuck about Alicia!" He huffs.
Ariadne sobs. "I know! I know and that's the problem, Far. You used to be so sweet. You used to love everyone and you would never hurt someone's feelings without a reason and I don't even recognize you anymore!"
Farleigh stares at her. "Is that why you stopped talking to me? Because I'm too mean, because newsflash, princess, you're not exactly all sunshine anymore either."
"I stopped talking to you because of Arabella Vaillancourt." She whispers before she can stop herself. Why would she say that? He's going to know exactly how immature and obsessed she is and-
Farleigh scrunches his nose. "Who?"
Ariadne bangs her head against her steering wheel. "You don't even remember. You shattered my worldview and it was so insignificant you don't even remember."
"I-"
"Get out of my car, Farleigh," she begs. She wishes it had venom in it. She wishes she had yelled or something. Instead, all there is left is exhaustion and heartbreak.
He doesn't argue, and that hurts even worse.
She doesn't speak to him again until graduation. Steals glances at him sometimes, after he breaks things off with Alicia, and shares twin looks of annoyance every time Oliver does something irrevocably stupid, but never words.
She misses it. Even arguing with him had been better than not having him at all.
Until, suddenly, on the last day of term as she packs her things, Farleigh bursts through her door.
"Felix invited Oliver to Saltburn." He says like he's announcing a death.
Ariadne groans. "You've got to be fucking kidding me, Start."
"He's worse than Eddie from last year," Farleigh complains, throwing himself on her bed like they're fourteen again.
Ariadne nods. "Like, times ten. Am I the only one who can tell that this kid is fucking insane?" She whines.
"No," Farleigh hums competitively. "I know it too."
"Shut up, this isn't about you," Ariadne commands.
Farleigh holds his hands up in the air in surrender before he gets distracted by her bookshelf.
"Is this that old copy of Pride and Prejudice I got you?" He asks.
Ariadne shrugs. "Yeah. I wasn't going to get rid of a perfectly good novel just because I was mad at you."
"Was?" Farleigh grins.
Ariadne sighs. "Am." She amends. "You are a mistake and a scourge on the earth."
"And," he licks his lips, "The first friend you ever had."
She doesn't dignify that with a response and sets about finishing packing her clothes.
"Do you ever miss Bel-Air?" He asks suddenly.
Ariadne closes her eyes and can almost smell the sea salt of Malibu Beach. Remember the small staff of her home rather than the expansive staff at Saltburn.
She also remembers her and Farleigh's mothers at the mini-bar drinking themselves into oblivion and her father yelling at her to be perfect and finds she even misses that too.
"Every day. You?"
"Yeah," Farleigh says, suddenly sounding very small.
He perks back up. "Arabella Vaillancourt was the girl I lost my virginity to at prep school," he declares proudly.
Ariadne bites back a smile. "Good. Now prove to me you've changed since then."
Farleigh practically skips out of her room.
Later that day comes the six-hour night drive back up to Lowick from school. Ariadne cherishes the drive. It's the only time she spends with the Cattons now when all of them are sober.
Venetia stretches her arms, as catlike as ever. "So, what're we going to do about the O-word?"
"Orgasm?" Ariadne guesses.
Venetia smirks. "Maybe for Felix, but I meant Oliver."
"Dad didn't get you the flat in town so you could be a bloody spy, y'know." Felix huffs.
Venetia pats his cheek. "But he never said it wasn't."
"I don't want to fuck him," Felix says sternly.
Venetia raises an eyebrow. "Then why the fuck did you invite him?"
Ariadne sighs. "I wish I fucking knew, Vee."
"Ari and I agree; the dude's a fucking creep," Farleigh says.
"I swear to god I saw him watching me change. And did you know he almost fucked Annabelle but he kept bringing you up and that's why she stopped hanging around?" Ariadne complains.
"Wait, what was that?" Farleigh raises a hand.
Ariadne doubles back. "He tried to fuck Annabelle. Little weasel-freak."
"I think he meant the part about Ollie watching you change, Pet, which I don't believe. He's gone through a lot. Did you know his dad died last week, right before exams?" Felix sighs sadly.
Ariadne rolls her eyes. "He's such a little snake I wouldn't be shocked if that was a lie. And I'm not kidding, I straight up saw him outside my bedroom window just staring at me."
"God, he deserves a good fuckin' punch, maybe it'll set him straight," Farleigh mutters. He's seething, and for once, Ariadne can't even tell why.
"Well, clearly not straight if he's hanging off Fi like you guys say," Venetia snickers.
They all laugh - even Felix- and the topic shifts to god-knows-what.
Ariadne scoots closer to Farleigh in the backseat, feeling like she did that first summer on this road.
On the first day at Saltburn, while they await Oliver-the-Golddigger's arrival, Ariadne holes herself up in her room to avoid running across the Weasel.
Ariadne only ever reads Pride and Prejudice at Saltburn. It is her yearly reminder that love is fickle and takes time and sometimes cannot be seized at all.
On her eighteenth birthday, she had gone with Vee to get the words "from admiration to love; from love to matrimony," along her wrist. Once, she had told Felix that the only people who understood her were him and Elizabeth Bennett.
A knock at her door has her scrambling up. "Dinner's in an hour."
She's shocked Farleigh came for her instead of Vee or Felix.
Farleigh leans against her doorway, already in his slacks and button-down, though his bowtie is disastrously loose.
"How'd you know to get me?" She hums, opening her closet.
Farleigh shrugs. "You always read when we're here. Figured you might lose track of time."
Sometimes she thinks that he must observe her as much as she does him.
"Is this a part of me telling you to show me you've grown?" She asks, pulling her tee-shirt off to slip on the black, floor-length dress for dinner.
Farleigh whistles lowly. "Maybe. Or maybe I thought it was unfair that Oliver saw you naked before me."
"You jealous bitch." She snarks. "Zip me?"
He strides across the room towards her - it doesn't take long, because he's always been much taller than everyone except Felix - and slowly zips her dress up. His fingers barely ghost over her skin and her whole body shudders.
"You look good, Gavin." He mutters.
She turns and fixes his bowtie. "Back at ya, Start. Y'know, you'd be gorgeous if you could keep your mouth shut."
"How will I lick Uncle James' boot, then?" He hums sarcastically.
She kisses his cheek. "You're improving, you should know." She pats his chest.
She walks past, but she knows he pumps his fist in the air from the sound of his clothes rustling.
Loveable damn idiot.
Dinner is an absolute bore. Elspeth gushes over Oliver, Poor Dear Pamela retells her sob story, and Venetia takes two bites of her dinner. Oliver is wearing one of Felix's suits. she can tell, the arms are too long, and the cufflinks are some old ones he had gotten for his sixteenth birthday.
She says nothing but shares a long glance with Farleigh. He rolls his eyes and she snickers.
Farleigh follows her up to her room. She was expecting it, to be fair.
He undoes his tie and throws it across the room before releasing the top few buttons of his shirt.
"Zipper." She reminds him. His lithe fingers are skimming her waist and her back, all the way up to the top of the zipper, and then back down again.
She throws on a tee shirt. "Go grab some house clothes from your room." She huffs. "Your hair has been bothering me since Oxford 'cause you've been doing it alone, I've got to do something about it."
He exits and returns in a tee shirt of his own and a pair of Fila sweatpants.
Ariadne missed this more than anything. The feeling of churning her fingers through his scalp. The way he simply relaxed into her palms. She loves it. She loves him.
Oh. Oh fuck. She loves him. She doesn't just like him, or have a crush, or want to fuck him out of her system, as she had been insisting since she was a kid. She loves him.
She breathes deeply, finishes his hair, and wraps it up in his durag. "When your curls pop back tomorrow, you'd better thank me."
He snorts. "Yeah, sure. Night, Ari."
"Night, Far." She watches him close the door to his room across the hall and scrambles over to Venetia's, swinging the door open.
Venetia is on the bed, painting her nails. "What?"
"I'm in love with Farleigh," Ariadne whispers, still shocked.
"Sorry," Venetia said automatically.
Ariadne slows her breathing to be heard. "I'm-"
"No, I heard you." Venetia interrupts. "I just think it's unfortunate."
Ariadne lays down beside Venetia and allows the girl to pet her hair. "What am I going to do?"
"Seduce him," Venetia says simply, petting and swirling a curl off Ariadne's head.
Ariadne groans, rolling away. "It's not that simple and you know it! I don't just want to fuck him, if I did I would have said so."
"So what, you want to marry him? Because I'll tell you now that's a bad idea." Venetia hums.
"No! Well, maybe? I don't know!" Ariadne whines
Venetia pins Ariadne to the bed. "Do not do anything stupid until you've decided what you want from him. I mean it, Pet."
Ariadne shrugs her off. "I'm not going to hurt him." She mumbles.
Venetia giggles. "Wasn't him I was worried about, Newmo."
Ariadne climbs off the bed, flipping off Venetia. "I'm going to sleep. Night, Vee."
"G'night Pet!" Venetia grins.
When the morning rolls around, Ariadne stretches out of bed at first light, throwing on a pair of house shorts and a cropped tank top. She would never have the old money urge to waste her nice silken robes on a simple breakfast at Saltburn.
She waves hello to Miss Portia, the maid, as she makes her way down.
"Morn' Liam, Joshie." She grins.
The two footmen wave to her. "Good Morning, Miss Ariadne."
Liam clears his throat. "Your boyfriend's already at breakfast."
"Oh fuck off, you nosy little-" Ariadne starts, but silences before Felix can pass them.
"Enjoy Breakfast, Ma'am," Liam grins.
Ariadne scrunches her nose and blows a raspberry at him before she makes her way to the table.
Farleigh's curls look decidedly better, she notices smugly, and she knows he's aware. He's already holding a cup of coffee and is probably the only one in the house who takes coffee instead of tea beside her.
"G'morning, guys." She hums. Everyone gives her similarly apathetic greetings. Felix looks like he fell out of bed.
She's halfway through her scrambled eggs when Oliver makes his way down the stairs. "Morning."
She waves, zoning out. Weasel.
"You sleep well, mate?" Felix asks, leaning a little over the table to look at Oliver closely. From an angle where she knows at least Farleigh and Felix can see her, she pokes her cheek with her tongue and pokes her finger in the air, mimicking a blowjob. Farleigh snorts so hard that coffee almost shoots out of his nose.
"Uh, yeah," Oliver mumbles. He's so mumble-y. It's grating.
"Hey, Oliver, have some breakfast." Felix coaxes.
Ariadne looks at Farleigh and rolls her eyes hard. She watches him smirk and feels a flutter of pride at the effect.
Duncan places Felix's boiled eggs on the side of his breakfast platter and retreats quickly.
Ariadne raises a hand and awkwardly points to her coffee cup, and a maid - Amelia, she thinks, the nice ginger one - pours her a new cup and then places the appropriate amount of creamer in it.
Ariadne silently mouths thank you and shakes her hands in a prayer-like stance. Amelia blushes and disappears from the room as if she were never there at all.
"Can I have a full English breakfast too, please?" Oliver asks quietly.
Ariadne looks at the table housing the food, and then to Farleigh, and then at Oliver the Weasel, and then to Farleigh again. She watches his eyes follow the same path and dip down to the magazine in his lap to keep from laughing again.
"Breakfast is on the side, darling," Elspeth says helpfully. "Just help yourself."
"How would you like your eggs?" Duncan asks, returning.
"It’s fine. I can get them." Oliver stammers. She rolls her eyes. Didn't he just see Felix's eggs delivered onto the plate?
"Not the eggs. The eggs are made for you." Farleigh corrects.
Felix gives him a sharp look, but in Farleigh's defence, he wasn't even being mean that time.
"Exactly. And everything else is on the side." Auntie Elspeth finishes.
"Fried over easy, please," Oliver says queasily.
"Ollie, we were just talking about the Shelley biography." Felix interjects, sweeping in to rescue the weasel.
Ariadne was sure they were, but she surely wasn't paying the conversation much mind. Until Oliver's arrival, she had been at peace, shockingly enough.
"Shelley who? Shelley, Belinda’s sister Shelley?" Poor, dear, idiot Pamela asks. Ariadne looks at Oliver. Pamela was Oliver's best future. A leech and an idiot who couldn't help but overstay their welcome.
"Oh, Percy Bysshe Shelley. The poet. The Romantic poet." Sir James explains as though speaking to a child.
"Oh." Pamela says simply because she is simple.
"Do you know the story about Shelley’s doppelgänger?" Venetia hums, hidden eagerness just below the surface of her tone.
Ariadne rolls her eyes. She couldn't count the amount of times Venetia had brought this up since she'd learned it.
Sir James, clearly sensing his daughter's nefarious tone, looks at her warily. "His doppelgänger?"
"Mmm. Shelley’s housekeeper was cleaning one of the rooms when Shelley walked past the window and waved at her. So, she waved back before she realized that Shelley was in Italy. And she was on the top floor of the house." Venetia had always had the perfect voice for telling a scary story.
"Oh, Vee. Stop, stop, stop. I won’t sleep." Felix balls up his fists and covers his ears.
Felix had always been a bit of a wimp, though Ariadne meant it in only the most loving of ways. Over countless summers they had held bonfires and told scary stories, and without fail, every time they did, All of them had to sleep in Felix's room because he was too scared to go to sleep. Ariadne is never annoyed by it though. It's a reminder of how sweet and pure their dear Felix is.
It was a stark contrast to Venetia, their resident investor in the macabre and overall gloomy and grotesque.
"A few hours later," Venetia continued, undeterred, "he drowned."
"Oh! Oh, that’s just given me goosebumps. Look, Pamela." Elspeth says dramatically.
"Oh, no." Pamela sighs in the same dull tone she says everything else.
"Look, Fi, the only important thing about Shelley was that he was married to the mother of science fiction." Ariadne comforts.
"I heard he fucked his sister, so there's that too," Farleigh adds helpfully.
Ariadne snorts, and so does Venetia.
"Oh, for God’s sake!" Sir James chides.
The weasel pokes his evil little head up. "I think that was Byron."
"Fucking English majors." She mouths to Farleigh. He gives a slight smile and nods.
Pamela and Elspeth talk nonsense about people Ariadne doesn't care about, so she reaches over the table, snatches Felix's apple from his plate, and bites in.
"What the hell, pet?" Felix whines.
Ariadne rolls her eyes. "You don't even like apples that much!"
Duncan delivers the eggs to Oliver's plate. "Thank you so much," he says, big blue eyes darting around like a frightened animal. then, the eyes peer down, and Oliver grimaces at the eggs.
"Is everything okay, Ollie?" Felix asks, that sweet, tentative sound in his voice that, when directed at the right person, could make you spill your deepest secrets and greatest fears.
The way he calls him Ollie, the way the Cattons always take to nicknames for their pets, makes her jaw tick. It's such an odd but effective way to claim possession over someone, and it didn't even occur to them that they were doing it.
"Er, ‘course, yeah. It’s just. Runny eggs. I get a bit sick from them."
Ariadne can't resist the urge. she whistles, quietly. Duncan is going to be pissed. The Cattons, especially Elspeth, will be horrendously embarrassed. The whole kitchen staff will have their asses handed to them.
"Sorry." He says as Duncan clears his plate of eggs, and again when Duncan leaves for more.
Farleigh smirks into his magazine. "Well, I'm goin' up to my room." He declares.
Venetia nods. "I'd like to head back to sleep an hour more."
Ariadne snorts. "I'm sure you can show Oliver to the pool by yourself, right Fi?" She grins wickedly, making a good show of yawning.
Farleigh waits in the doorway for her, and she flicks him in the chest as she passed him. He sets to follow her, undeterred. "Later, losers." She hums as she swings out.
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fulcrumredeemed · 3 months ago
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Ahsoka Tano: Marvel verse Born: 1967, August 14th Childhood: -Between ages 0-14: The mutant daughter of the ambassador from India to the United States Pav-ti Tano was her mother, and her father Nak-il Tano of Ghanaian-Indian decent, was a Ghanaian Military General, and head of Upon finding out that Ahsoka's uncle, her father's brother, had been promoted to the head of Ghana's Weapon X program, Ahsoka's parents discussed how to best protect their daughter and decided that Ahsoka's mother should take her on a journey, knowing that the X-gene was in her genetics. They stopped at many temples of different beliefs, Hindu, Yogi, Buddhist, Tibetan Buddhist, and Taoist, to name a few, trying to help teach Ahsoka how to better control herself, just in case her X-gene would activate. Her uncle would eventually pursue Ahsoka and her mother, finding them in Shinto temple in Kyoto, Japan, while trying to learn the secrets of the ancient Onmyoji. Ahsoka's uncle, using a strike team of mutants from his program killing Ahsoka's father in front of her and her mother, but Ahsoka's mother helped her escape. They made it to Nepal, but they were pursued by the strike team who killed Ahsoka's mother when they caught up to the mother and daughter. This was all by the age of three, and this stress at such a young age caused Ahsoka's mutation to activate. A blast of emotional energy erupted from Ahsoka, causing the strike team to fly back, with force of an explosion, and become irrationally afraid, feeling Ahsoka's fear. A nearby passing monk saw the confrontation and took Ahsoka to the Kamar Taj, where she was trained to better control her psychic abilities. Over time white tendrils, with blue tiger-like markings, grew from her head, replacing her hair, giving Ahsoka the ability of echo location and being able to see people even within pitch black lighting, she learned to hone her psychic abilities and could sense those around her through telepathic and Psychic Empathic abilities.
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mutuals may interact / reblog. -℘ɛŋŋɛɖ ცყ Naki Nɔki
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astrophysicist-guitar-god · 2 years ago
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'Freddie Mercury felt like a god. Then he started behaving like one,' by the man who signed Queen
By NORMAN J SHEFFIELD, Founder of Trident Studios where Queen first recorded // PUBLISHED: 17:00 EDT, 20 July 2013 | UPDATED: 17:16 EDT, 20 July 2013 (x)
NORMAN J SHEFFIELD on the amazing story of how one of Britain's best loved rock bands made it big
Freddie Mercury used to say there was no question in his mind that Queen would be a success
I was sitting in my office one day in 1971 when I got a call from my brother Barry down in the studio.
‘Norman, come down and have a listen to something,’ he said.
John Anthony, Trident’s A&R man, had discovered a band called Smile.
At the start, the lead guitarist was an astrophysics student from Imperial College called Brian May, the bassist and singer was an art student called Tim Staffell, and the drummer was a biology student called Roger Taylor.
It turned out that they’d now reshaped the band.
Staffell had been replaced by this little Indian-looking guy with a big, operatic voice and they had a new bass player.
John had asked for their demo. It was raw but there was definitely something there. I’d opened Trident Studios in 1968 in Soho.
Its cutting-edge facilities and happening vibe were attracting the greatest talents of the era, from The Beatles and Elton John to David Bowie and Marc Bolan.
The four guys who came into my office a couple of weeks later were an intriguing mix of characters.
Roger Taylor was a really good-looking kid, with long blond hair and charm. Brian May was tall with a mane of curls and a little introverted but clearly very intelligent. The bass player, John Deacon, was also quiet. I could tell right away that the fourth member was going to be high maintenance.
His real name was Farokh Bulsara. He was born in Zanzibar and educated in India. The family had immigrated to England when he was a teenager. He’d gone to Ealing Art College to study art and graphic design. He was also a gifted singer and pianist.
When he joined the band, he immediately gave himself a more rock ’n’ roll name: Freddie Mercury.
He was charming, acted a bit shy and reserved at times and spoke in quite a posh, mannered voice. When he relaxed he had a very sharp sense of humour and spoke at a hundred miles an hour.
Queen turned out to be every bit as good - and demanding - as we'd anticipated. Things had to be one hundred per cent right, otherwise they wouldn't be happy
They’d rightly decided to ditch Smile as their name. I nearly choked on my coffee when I heard their new one: Queen. The world wasn’t as enlightened then as it is today.
We were worried that it would be a real turn-off, especially given the band’s look. Freddie apparently had a girlfriend but we were pretty certain he was gay.
But the name wasn’t up for negotiation. I agreed to offer the Queenies, as we christened them, a loose kind of arrangement. There were times when the studio was ‘dark’, usually at 2am. So we said: ‘We’ll give you this downtime in the studio to see what you can do.’
They turned out to be every bit as good – and demanding – as we’d anticipated. Things had to be one hundred per cent right, otherwise they wouldn’t be happy. They’d spend days and nights working on the harmonies.
Arguments would start about the tiniest little detail. They’d start screaming, shouting and chucking things. Sometimes it would blow over in a few minutes, but at other times they would stew on it, not talking to each other for a day or two. They’d always sort it out, however. It wasn’t personal, it was about the work.
The more adulation Freddie received on stage, the harder he became to work with offstage
Freddie used to say there was no question in his mind that Queen would be a success.
‘There was never a doubt, darling, never,’ he’d say with an imperious wave of his hand.
The title of their first album was simply Queen.
Another suggestion had been Dearie Me, Freddie’s catchphrase, which was quite funny but the band were a hard enough sell as it was.
They spent ages arguing about the album sleeve. The front cover was a single image of Freddie on stage, with two spotlights in the background.
For the back cover the boys put together a collage of snaps of themselves.
Freddie had driven everyone to distraction fretting over whether he looked ‘gorgeous enough’ in them.
By the end of the year they were on the road with Mott the Hoople, but Queen were getting more encores and bigger cheers than the headliners.
They were due to go to Australia for a gig when Brian suddenly developed a really high fever. His arm had swollen up to the size of a football and doctors diagnosed gangrene.
At one point it was touch and go whether he would lose it. Luckily the crisis eased and he was allowed to fly.
However, the gig was a disaster. The local DJ introducing them had clearly taken against them because he introduced them as ‘stuck-up Pommies’. When they got on stage, the crowd turned against them, too.
The boys were mightily relieved when they got on a plane back to London. For some bizarre reason, the British press had been tipped off that Her Majesty the Queen was arriving at Heathrow. So when they saw four knackered musicians emerging through Customs, they weren’t too happy.
On their first tour of America, Brian’s health was deteriorating. Our worst fears were confirmed when doctors announced he had hepatitis.
The rest of the tour had to be cancelled. It was a disaster, professionally and personally. Then, when they came back to London in August, he had to have an emergency operation for an ulcer.
The opening track on A Night At The Opera attacked their management
But on October 11, 1974, EMI put out Killer Queen, from their third album, Sheer Heart Attack.
Within weeks it had given the boys the thing they’d most wanted – a No. 1 single.
As Queen hit the road again, this time as a headline act in their own right, it was clear they were on the verge of major success.
But the more adulation Freddie received on stage, the harder he became to work with offstage.
The tour came to an end at the famous Rainbow Theatre in London. The day before the gig, Freddie was being even more pedantic than usual.
‘Oh, stop being such a tart, Freddie,’ Brian said.
Freddie was outraged. He tossed back his head, waved his arms and stormed off in a strop.
When it was time for the soundcheck, Brian turned the mic on.
‘Freddiepoos, where are you?’ he shouted.
Freddie appeared immediately with a face like thunder. He flounced on stage, gave Brian a vicious look and then just got on with it. That’s what they always did.
In 1975 they went to Japan and found 3,000 fans waiting for them, all chanting the band’s name. It was like Beatlemania. Freddie had finally found the acclaim he’d craved all his life. He felt like a god. Unfortunately, he soon started behaving like one, too.
The more successful they became, the more agitated Queen had grown about money. One of the most heated rows came when John got married. In the run-up to the wedding he announced he wanted me to spring £10,000 (about £90,000 in 2013 values) for him to buy a house. I didn’t react too well.
Then Freddie demanded a grand piano. When I turned him down, he  banged his fist on my desk. ‘I have to get a grand piano,’ he said.
Norman J Sheffield: By the time I realised things were badly wrong it was too late
I wasn’t being mean. We knew there was a huge amount of money due to come flooding our way from Queen’s success. I explained that some of it was already coming in but the vast majority of it hadn’t arrived yet.
‘But we’re stars. We’re selling millions of records,’ Freddie said.
‘And I’m still living in the same flat I’ve been in for the past three years.’
The amount of money we’d invested in the band was huge.
We’d advanced them equipment and salaries right at the beginning and had continued to pour money into them for four years.
The fact the band owed Trident close to £200,000 (£1.75 million today) didn’t seem to register with Freddie.
I can remember the conversation.
‘The money will come in December,’ I said. ‘So wait.’
Then came a phrase he would make famous around the world in years to come, although no one would have known where it was born.
Freddie stamped his feet and raised his voice: ‘No, I am not prepared to wait any longer. I want it all. I want it now.’
By late 1975 I was hearing that they were making all sorts of derogatory comments about Trident.
Then I heard a track from A Night At The Opera called Death On Two Legs. The opening two lines summed up what was to come.
‘You suck my blood like a leech/you break the law and you breach’, then, ‘Do you feel like suicide?’ it went on, ‘I think that you should’. It was some kind of nasty hate mail from Freddie to me.
Soon Bohemian Rhapsody roared to the top of the UK charts and stayed there for nine weeks. A bittersweet moment, it came as news was beginning to leak that we had split from Queen.
We should have talked more. And I should have been more attentive to their feelings. By the time I realised things were badly wrong, it was too late.
In March 1977 the company settled with the band for the sale of all of its future rights, the rights to the old albums and the settlement of the management debt.
Freddie’s dream finally came true and he became a very wealthy man. When he died, no one was sadder than me. He may have been a monster to deal with, but he was also a genius.
I did see him once, in the years following our fallout, in 1986, when I took the family to their Knebworth concert. He was friendly, as if the rows of the past were forgotten. It turned out to be their last live concert, which meant I was at their first and last.
Years later, after his death, I went to the Freddie Mercury Memorial Concert at Wembley, where I saw the three remaining members being photographed.
John Deacon pointed at me and said: ‘And if it hadn’t been for that man we wouldn’t be here.’
Brian and Roger looked at me and nodded. That gesture went a long way towards exorcising the ghosts of the past. 
(Extracted from ‘Life On Two Legs: Set The Record Straight’ by Norman J Sheffield, out now and online from Amazon and in bookshops priced £14.95 for paperback, £7.49 for Kindle.
A limited-edition hardback is also available at £24.95. For more images, visit facebook.com/lifeontwolegs)
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undercoverbisexualfrog · 10 months ago
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So. Today is my account’s one year anniversary. To celebrate, I present an OC I’ve been working on for a while now. This is my first time posting art and I may or may not have used a template to draw most of her.
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Name: Yasmin Nayak Nationality: Indian-American Age: 21 Occupation/Affiliation: Foot Clan, Kunoichi Gender: Female, she/her Sexuality: Bisexual Voice Claim: Maya Hawke (Robin Buckley - Stranger Things) Backstory: Yasmin was born in New York. She was orphaned as a kid when her parents were killed in a car crash. As a teenager she joined one of the Bradford Dojos, and eventually trained to be a member of the Foot Clan. There, she met Xever, who was her boyfriend for a while. They broke up and became best friends instead.
Extras: - Her initials are YN. This is because she started out as a replacement for a self insert in x reader fics - Xever is really her only friend. She hates most other people - The mark over her eye is from falling off her bike as a kid (she says it’s from a fight) - She’s into space, which is why she has sun and moon earrings, a gift from Xever while they were dating - She fights with a kamayari - She’s a high-ranking Foot soldier, like above the normal ones but still below Xever and Chris - Favourite show is Steven Universe, which she watches with Xever - She’s never actually been to India - Eyes are naturally purple but hair is dyed
So. Uh. Yeah. I’ll be doing more content for her now but not necessarily art :)
My Other OCs - Ursa Major, Yasmin Nayak, Diamonte Vizioso, and Envy
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gingernut1314 · 5 months ago
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Meet the Oc: Elsie Pendleton
↞ to Jjba Masterlist | JJBA Oc Masterlist | Request Rules | Blog Navigation ↠
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A/N: I can't draw to save my life so I used picrew to help me out! I couldn't choose just one of course, so here is the links for the first and the second ones I used.
This will also be updated as I continue to write for and flush out this character!!
Setlist:
Dio x Elise Playlist Speedwagon x Elise Playlist
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General Knowledge:
Name: Elsie Pendleton
Name Meaning: Pledged to god
Birthday: July 10th, 1868
Nationality: British
Species: born human, then mask-made vampire
Personality: cold, icy, willingness to do anything to survive, obedient/submissive to those she believes powerful and can protect her, fearful, cruel
Likes: Music, playing piano, fruity and sweet wines, sweet treats, being out in nature, the occult, her hair, sunrises
Dislikes: being alone, the dark, the cold, death and even the mention of it
Interesting Fact: Dio's name means "God" in Italian so I when I saw the meaning of Elsie I had to give it to her!
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Part 1:
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Age: 12-20
Lives In: Liverpool, the West End of London (for a year when she was eleven)
Family: Unnamed father, Unnamed mother (passed), Erina Pendleton (younger sister), Jonathan Joestar (brother-in-law)
Love Interest/parings: Dio Brando, Speedwagon
Looks: Long, white hair (stops just above her tailbone), green eyes, pale skin, icy features, hair is always up unless with Dio in secret, wears a black, tight necklace with a silver pendant on it with Dio's initials engraved into it
Background and Other Facts:
Elise was born with golden blonde hair, the same as her sisters, until she fell through the ice into the lake behind her home, it turning pure white. It is a symbol of her willingness to do anything to survive in the face of death.
After her near-death experience, she grew an interest in the occult hoping, in the back of her mind, she could find a way to stop death from claiming her soul
Always trying to find someone strong and powerful to protect her and keep her from getting killed. Gets anxious when away from this person and will do most anything to get back to them
Elise and Erina used to be best friends but after Elise's near-death experience, Erina believes with her whole heart a wrathful, hellish creature crawled out of the ice and replaced her once beloved sister
Elise goes to live with her aunt in the West End of London to learn piano and the arts so that she can also be near to Speedwagon, who had become her savior at the time and best friend until Dio came along a year later
Elise does not go to India with Erina and their father, instead going back to live with her aunt in London so that she can stay near Dio.
Once Dio finds out she has an aunt in London as well as friends with a street thug, he employs her to start going to get the poison he uses on George Joestar
Dio also has her kill Jonathan's dog because, at that time, he has that much control over her
Elise killed the dog but is guilt-stricken afterward. She hardly speaks and pays Dio and mind which enrages him. Dio, instead of losing his temper, goes and gets her a necklace with his initials engraved into
Dio uses the mask on her first to see if it truly works as it did earlier, turning her into a vampire
Elise helps heal Dio and is lacky until Jonathan and the rest defeat him
After Dio's "death" by fire, she has nowhere to go. Speedwagon, still somehow seeing the girl he once knew in her eyes, took her with him and found a place for her to stay during the day (this is unknown to Jonathan and Erina, who believes she died in the fire)
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Part 1.5:
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Age: 21-70
Lives In: New York
Family: Erina Pendleton (younger sister), Jonathan Joestar (brother-in-law), Joseph Joestar (grandnephew)
Career: line of high-end hotels all over the globe called "The Nightshade"
Love Interest/pairings: Dio Brando, Speedwagon
Looks: Long, white hair (stops just above her tailbone), wears her hair down, green eyes, pale skin, icy features, tight necklace with a silver pendant on it with Dio's initials engraved into it
Background and Other Facts:
Erina still believes Elise is dead at this point
Elise and Speedwagon travel to America together. She follows him wherever he goes because he is now her only protector and friend.
When they get a small home together using the little bit of money her aunt gave her.
When Speedwagon discovers oil, he moves them into a larger home in the outskirts of New York
She struggles a lot with what she has done in the past, finding her days sleepless and her nights spent doing as much as she can to keep her mind busy.
She hates the creature she has become and only ever feeds when Speedwagon is away
Elise tends to keep quiet and when she talks, it's snippy and comes off as rude. The only person who has been giving her "kind side" is Speedwagon.
She can still feel Dio is alive and keeps it to herself. It's part of the reason she stays quiet. She understands now just how cruel Dio was to her and others and wishes to never be under his control. Her blind, youthful love for him has turned into fear because she still loves him and is scared she would go back to old ways if she ever went looking for him.
Speedwagon tries to get Elise to go meet with Erina but Elise refuses because she knows Erina hates her
Speedwagon worries Elise will leave him because he is growing too old as time goes on and Elise worries he is going to leave her because she never ages.
Speedwagon wants to marry Elise but Elise keeps deflecting his attempts to talk about such things because she sees herself as unlovable and a monster
Around the time Joseph Joestar is 4ish, he and Erina come to visit Speedwagon in America. Joseph is off exploring the home and stumbled upon Elise playing piano in her room. Before she can grow angered, she sees his eyes, which look just like Erina's, and instead develops a soft spot for him.
Erina eventually finds out about Elise after Joseph keeps talking about a white-haired woman
At some point, Elise opens her hotel so she has something to do at night
She goes with Speedwagon on his travels when she can, but due to her only being about to walk around at night, she can't go very offen
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Part 2:
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Age: 70-72
Lives In: New York
Family: Erina Pendleton (younger sister), Jonathan Joestar (brother-in-law), Joseph Joestar (grandnephew)
Career: line of high-end hotels all over the globe called "The Nightshade"
Love Interest/pairings: Dio Brando, Speedwagon, Kars
Looks:
First Half: Long, white hair (stops just above her tailbone), wears her hair down, green eyes, pale skin, icy features, tight necklace with a silver pendant on it with Dio's initials engraved into it
Last Half: white hair (stops just an inch below her ears), green eyes, decked out in gold, wears a small, deep purple outfit, fresh sharp that runs across her face
Background and Other Facts:
Strazio comes and finds Elise at one of the hotels she is running after throwing Speedwagon in the river in Mexico and becoming a vampire. He wants her on his side in taking out the remaining Joestars but tells her he will kill her if she doesn't.
Elise doesn't want to die so she agrees and goes with him to New York, but as soon as they find Joseph, she turns on him because she cannot harm Joseph
She cannot go to Mexico with Joseph because she can't be in the sunlight so she spends her time with Erina
Speedwagon brings her to Rome in hopes she can help with the pillar man.
When the pillar man awakes, Elise is quick to find someplace to keep Speedwagon safe before she is noticed by them. She is quite to revert to her submissive and servant-like ways and the pillar man takes her with them to tell them of what has happened in the world and as a sort of "pet".
When Joseph and the others come to the abandoned hotel the pillar man are staying in Switzerland, she tries to kill Kars in hopes to keep Joseph from harm, but he is quick to stop her. Instead of killing her, he cuts her hair and her face in a way of punishment because he knows she holds her beauty in high regard. He promises she will watch Joseph die. Then Speedwagon, who he saw her hid in the cave, and every other person she holds dear. He won't kill her unless she tries to stop him again or disobeys.
She becomes a husk of herself, doing everything and anything he tells her. Even when Speedwagon and Stroheim, she stays where she was told until Speedwagon all but drags her to safety.
After everything happens, she goes back with Speedwagon and they get married.
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Part 2.5 & 3:
Warnings: slight spoilers for part 4 in regards to Stands
A/N: this section is probably wants going to get changed the most cause I'm not sure how I want it to go till I get to it more.
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Name: Elise Pendleton-Speedwagon
Age: 73-122
Family: Robert E.O. Speedwagon (husband), Erina Pendleton (younger sister), Jonathan Joestar (brother-in-law), Joseph Joestar (grandnephew), Holy Kujo (great-grandniece), Jotaro Kujo (great-great grandnephew), Eloise Joestar (daughter)
Career: line of high-end hotels all over the globe called "The Nightshade"; a nightclub named "Night Walker"
Love Interest/parings: Dio Brando, Speedwagon
Looks: White hair that is cut just above her shoulders, green eyes, scar that runs across her face, with DIO she wear what he wants her to wear, when away from him, she wears more covering clothes
Stand: Wailing Five
Arrow made Stand
Tator Card: Five of Cups
Tator Represents: regret, failure, disappointment, personal setbacks, self-forgiveness, moving on
Looks Version One: humanoid figure with gray coloring. Its eyes are sallow pits that have water-fall-like tears flowing over its cheeks and down its neck, disappearing beneath the collar of its black cloak. The hood of the cloak covers the Stand's head and the cloak covers its body, keeping it from sight/protection. Stands mouth is always in a deep, cutting frown.
Looks Version Two: Its gray skin is now white. Its eyes are downward-facing black crescent moons. Its cloak has melded into the stands white skin to create a shot of "armor". Slim build, frail-like.
Abilities: Not best for hand-to-hand combat, but slim build makes it quick and agile. It can wail at different octaves. Loud octaves can knock enemies off their feet, and destroy builds/things. Octaves can be sharpened to be more precise. Low and directed octaves can make it seem like it might be in an opponent's head. These octaves can damage an enemy's hearing/brain. Cloak can be used as a shield for itself and others. The cloak flaps can be sharpened and used as a sword-like weapon. Version #2 can still pull the cloak from its skin, to create shields and now various types of bladed weapons. Wailing Five's tears can be transferred to the opponent's eyes, pulling water from the enemy until they are dehydrated. Version Two doesn't have these tears but can begin to cry and have the same effect on opponents.
Background and Other Facts:
In 1942, Joseph wanted Elise and Speedwagon to meet Holy.
In 1950, Elise and Erina make peace before Erina dies. Elise promises her sister she will find Jonathan's body and bring him to rest with her.
In 1952, Speedwagon dies and Elise sticks around Joseph and his family for a while, helping out where she can.
Around this time Elise opens a nightclub so that she has more to do to keep her mind off the things that happened in her life. It doesn't help and her mental health continues to decline.
In 1983, DIO is pulled from the sea and Elise knows she is going to find him. Before she does, she goes and visits Joseph one last time and warns him of the danger DIO will bring. She promises he will come to kill him and his family when he grows strong enough. Joseph tries to get her to help him but she is tired of fighting.
Elise finds DIO and follows him around, doing as he asks.
Due to Elise's vampirism, she has never been able to carry a child to full term, her pregnancies always ending in a miscarriage.
But for some reason in 1984, she gives birth to a daughter fathered by DIO. It was a cryptic pregnancy so she had no idea she was pregnant until she was going into labor.
Due to all of these factors, she believes this child is pure evil and will only do the world harm, so she leaves it out in the sun only for it to not burn. With her last bit of moral good towards the child, she brings it to church and leaves it there.
Around 1985ish, DIO get the bow and arrow and uses it on Elise to test it out before using it on himself.
She gets her Stand, Wailing Five, and begins to learn what it is capable of whenever DIO is away
DIO keeps The World's abilities a secret from her so she has no idea what his abilities are.
Elise sneaks out when the Stardust Crusaders get to Egypt and begs them, mainly Joseph, to turn back but they refuse (obviously).
After DIO is defeated, Elise goes with Joseph and Jotaro to make sure DIO is wiped from this earth. She cut his head off so that her promise to her sister can be fulfilled.
She stays with DIO's head on her wish to watch the sun rise one last time
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skinayu · 6 months ago
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max-clinic1 · 1 month ago
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hairandcare11 · 2 years ago
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hospitalblogs · 2 days ago
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luessidino · 3 days ago
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Authenticity: The brand is committed to authenticity, offering pure, unadulterated olive oil.
Versatility: From drizzling over salads to sautéing vegetables, Leonardo Olive Oil is perfect for various culinary applications.
Health Benefits: By incorporating Leonardo Olive Oil into your daily diet, you can reap the numerous health benefits associated with olive oil consumption.
Elevating Your Culinary Experience
To incorporate olive oil into your diet, consider these simple tips:
Drizzle: Add a drizzle of extra virgin olive oil to salads, soups, and pasta dishes.
Sauté: Use olive oil to sauté vegetables, fish, or meat.
Bake: Replace butter with olive oil in baking recipes for a healthier twist.
Marinate: Create flavorful marinades for meat and fish using olive oil, herbs, and spices.
Conclusion
Olive oil is more than just a cooking ingredient; it's a nutritional powerhouse that can enhance your overall health and well-being. By choosing a high-quality brand like Leonardo Olive Oil, you can savor the delicious taste while reaping the incredible benefits of this golden elixir.
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hairsculture123 · 4 days ago
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