#best dunks

[basketbeatusa]

Crazy Dunk Compilation 2024: Best Slams of the Year

[laughingcatwrites]

As a reminder that good exists out there, a coworker recently confessed to me that he found out his child is questioning their identity (kid's gender redacted for this post). The kid is keeping it from him, so he can't say anything to them or show that he knows, but he's doing his best to get mentally prepared and educated so that he'll be ready whenever his kid does feel comfortable enough come to him.

For context, this guy is a big, bulky middle aged dude who loves sports and typical outdoor "manly" activities. As his coworker and friend, I know he's a kind and sweet teddy bear of a person, but his kid probably views him as a stern, authoritarian figure, the way most teenagers view their parents. His family lives in a conservative area, so I'm sure between that, their dad's looks and interests, and the fact that their dad is a Figure of Authority, the kid is worried that they won't be accepted.

But you know what? When he found out about his kid, the first thing he did was reach out to his closest queer friend and ask for resources for parents of questioning children. His biggest fears are that his kid will be bullied or discriminated against and won't feel comfortable enough to be themself. His second action was to find himself a mentor in another parent who went the same situation (kid coming out in a conservative town). The other person is preparing him for some of the struggles his kid may face and the fights he may need to take on as a parent to make sure his kid is safe and treated well.

Something I want to emphasize for people focused on language as the primary method of allyship is that when we spoke, he used some outdated terms and thoughts about gender and sexuality. That does not make him bad. These were the terms and thinking used about questioning teenagers when he was growing up and he never needed to learn more current ones. But now that he does have that need, he's throwing himself in head first because that's his kid and he's darn well going to make sure that his kid feels welcomed and has a safe place to be themselves even if they never come out to him.

[nba24highlights]

NBA Greatest Alley-Oops Since 2000! #nba #alleyoop #nba24highlights #NBA24Highlights

[savagebeautyqueen]

[itagakimizuki]

I could have made a headline: "Handsome man killed in the woods."

THE HEART KILLERS (2024) ep. 4

[kaleidochimera]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[khaopybara]

what do you do in your free time?

[secriden]

Style says, while everything about his tone and expression and demeanour and the anticipatory delight in his eyes says I hope you're exactly the same jealous type like your brother is.

[wawawawawawawawawawawawawa]

forreal tho the whole Point of durarara as a work of art is thhat nobody is wholly good (obviously) OR wholly bad, people are complicated and their relationships with each other and the world are complicated as well

izaya as the closest thing to an antagonist the series has, ALSO serves as mikado's foil- he's the bad end to mikado's story, explicitly becoming that way because he had no true friends- shinra only cared about celty and his parents were never around and thats kind of all he had. he was a young boy with clear mental problems, to the point where his father instilled that people love into him in order to prevent a worse outcome and help him be more normal. the way this is framed, as a young boy exhibiting a concerning disconnect from other people to a point where it scares a usually neglectful father into acting- is very reminiscent of media depictions (and real life examples) of parents worrying that their child is a sociopath. this could very well have been intentional, and narita EXPLICITLY makes a POINT to state that izaya is the way that he is because he has a fragile heart- any sort of genuine effection and a betrayal of it could shatter him. i really dont think the takeaway here was "lolllll hes suchhh a loser" OR "omggg hes so scary hes iredeemable." it's another piece of the central theme that humans are nuanced and messy and conplicated and oftentimes in very unglamorous ways that make them unsympathetic to most people. durarara AS A SHOW is about shining a light onto these people and inviting the viewer to sympathize with them, and if someone doesnt get that and is just disgusted by most of the characters then durarara is not the show for them

also vis a vis izaya and mikado being foils- the reason mikado got a happy ending was because of his friends- because of the connections he has with other people. izaya did not have those connections, hence his own instability drove him farther and farther down into a death spiral that culminated in his CRIPPLING, a major loss of freedom from someone who valued it so much, and i'm saying that as a disabled person

anyway yeah

[wodania]

egg (+dunk) doodles before he got roasted 🤕

aka, I drew a targaryen again

[joongdunking]

JoongDunk hug lesson 101 💛

Dunk not knowing there's a difference between nong and P'Dunk hug 😆

[poetry-protest-pornography]

JoongDunk And The Tie, a story in three parts

Part one and two ⬇️:

Part three ⬇️:

Bonus:

[soupmanspeaks]

something something headcanon Michael wrote a good amount of the Fnaf songs as a way of coping with the horrors™️ so like in his handy dandy notebook, right next to his plans of arson and vivid drawings of nightmares, it reads "I can see you there, warmth and life, why don't you share, it's been many years, stuck here living with out fears-" and it doubles as Michael trying to categorize all the information he's learnt and helping him process all this information and it gives this really funny visual of later on, Gregory asking Glamrock Freddy something from the past of Fazbear Entertainment or his previous family drama and then Freddy just starts humming and muttering "....mmm all stay strong, we live eternally, all is well in mmmmm pure insanity, mmmmm-AH!- here is your answer, Gregory! :333" no because imagine he shows Gregory "Too Far" (by CK9C) and Greg's like "Thats......a lot of yelling." "I was going through a rough time haha." -listens to it further before taking of the headphones- "...You good man?" "I'm really not, but we ball, Gregory."

[mirai-e-jump]

Animage January 2025 Issue ft. Hayama Yuki Interview (translation below)

Publication: December 10, 2024

The Informant's Dignity

The Informant who supports the Boonboomgers, with his ability to collect data quickly from all over the world and superior intelligence to formulate strategies and countermeasures against enemies based on said data he collects, is Ishiro Meita.

Although he has immense trust in their leader, Taiya Hando, when they first met, they were enemies. Hired by the ISA, he sneaks into Taiya's house, where he's recruited by him to join the Boonboomgers. "I've fallen for you. That skill of yours, I want to buy it!" These words moved Ishiro so much, that he makes the decision to become Taiya's friend.

As the battle between the Boonboomgers and Hashiriyan intensified, Ishiro investigates the suspicious movements happening behind the scenes of the ISA's Division Director, Tokoyari Eiichiro. He's then confronted by Sutea, a former fellow spy, who received the request from someone else. The fact that someone associated with him was opposing the Boonboomgers, and that the tracking device attached to Sutea was found broken must have cast a dark shadow over Ishiro's mind.

With the current situation of enemies on Earth operating with secret techniques, Ishiro's spy skills gained from living in the underground are sure to be of great help to the Boonboomgers. Don't take your eyes off the Informant's future movements!

-I'll never doubt Taiya-

"Over the course of the year, Ishiro's come to show a variety of expressions."

Hayama: When filming first started, I kept a certain amount of distance from everyone else except for Taiya, often times because the Director asked me to do so. Lately, there have been more situations where he works as a pair with someone, the expression of my lines in the scripts have become softer, and his overall rough vibes have relaxed. I think he now trusts everyone else as his friends, though not as much as Taiya, but I think his participation in the BBG has changed into a goal for the six of them to achieve together. I think that's how comfortable of a "place" Boonboomger has become in his mind.

"What's one thing you consider to be important when playing the role of Ishiro?"

Hayama: Since the start of filming, I've been dedicated to carefully expressing his sense of distance from people. I'm conscious of keeping his distance from anyone he encounters for the first time, and I also put importance on his habit of folding his arms as an expression of being on high alert. This is just something I personally obsess over, but as an indication of him getting closer to a character, I've been challenging myself to change my tone of voice when speaking. He usually speaks slowly, but for those he's comfortable with, while not much faster, he does change his talking speed, and from the very beginning, I was able to create that distinction between Taiya and the others. I've also been slowly working towards breaking his habit of folding his arms, as I've been trying to avoid doing it right away.

"On the flip side, is there anything you became more conscious of over the course of filming?"

Hayama: It was depicted in episode 6, but in the beginning, I didn't know he had a hot blooded side to him (laughs). I took that into consideration and changed my direction to playing someone who's trying his best to be cool. I was conscious of making him look cool in the way he stood and the way he spoke. Also, Ishiro's past, which was revealed in episode 14, was a very important point for me. I don't think normal people would see fish at an aquarium, cry, and be like, "Uwah, they're all living their lives to the fullest," nor would their body and minds be driven to such an point. No matter how cheerful he gets, I keep in mind that there's a depressing back story at the root of him being like that. I was also extremely nervous about the part before entering the aquarium, where he walks around looking unwell, as I thought, "If I mess up here, Ishiro will be ruined forever." I remember very well how scared I was to go to that shoot.

"It meant just as much to Hayama-san as it did to Ishiro, huh? Please tell us what you value when expressing your relationship with Taiya."

Hayama: To never doubt. When I read the scripts for the episodes we're currently filming just once or twice, there are quite a few parts of his interactions with Taiya that left me thinking, "?" When this happens, without fail, I always remember the words Director Nakazawa Shojiro said to me in the beginning, that being, "He trusts Taiya 100%." As depicted in episode 37, despite the fact that Ishiro and Taiya were acting separately, they knew what the other was going to do. Sometimes I have to forcibly convince myself about parts like that (laughs), but I read my lines with the intention of never doubting Taiya no matter what, and I also try to express this through my acting.

"Taiya said, I can tell what Chasshiro's thinking through his eyes."

Hayama: It almost felt like cheating (laughs). When Haruhi and I read the script, we were like, "How can he tell by looking into his eyes?" (laughs). Still, I once again found myself thinking that the words Director Nakazawa said to me weren't wrong.

"In episode 37, the main focus wasn't only his bond with Taiya, but also the appearance of Sutea, a fellow spy."

Hayama: I interpret Sutea as someone who, even in the darkest moments of Ishiro's life, made him see the light, or rather, someone he had a few cranked up moments with. If they had just been on the same mission once or twice, they wouldn't have a relationship where they called each other by their names. At the end of the episode, Ishiro restrains Sutea, but she manages to escape after that. I'm sure it was a sort of "you've lost" restraint, and that in Ishiro's mind, Sutea was the one opponent who could do that (escape).

"What was the most memorable scene involving Sutea?"

Hayama: Before the exchange between Ishiro and Sutea, they had to film the scene where Sutea watches the Robo fight after she frees herself from her restraints, and Director Hayama Koichiro allowed me to observe the scene in order to study. The way Sutea said "Ishiro" sounded alittle sad, which made me imagine that the relationship between the two wasn't just as friends, although I wouldn't say it went as far as love. In the scene where Ishiro leaves after restraining Sutea, the footage was shot from a wide angle, so it didn't show the scene clearly, but when he walked away, Sutea looked sad, as if she was about to start crying. At that time, I was happy to feel that Sutea's Naito-san and I were thinking the same thing about the relationship between Ishiro and Sutea. I've learned alot from Naito-san's performance, and I hope to work with her again someday.

-Ishiro's range that we both created-

"Episode 37 had alot of untransformed action scenes, but both Ishiro vs Sutea, and Taiya vs the fake Ishiro were great because they were fast paced."

Hayama: Asai Kosuke-san, who normally performs as a Suit Actor, was my stand in for the more dangerous scenes, but I wanted to do as much as I could on my own, so I performed most of the scenes myself. I had struggled alot in the previous boxing story (episode 29) that involved untransformed action, so to be honest, I was anxious before the shoot. Furthermore, this time, Ishiro and the fake had two different "hands" (choreography for the sword fight and fighting while moving), so things were already pretty chaotic because of that.

"Sutea's Naito-san is good at action, so there'd be alot of pressure when performing with her."

Hayama: That's true, the speed at which Naito-san learns is amazing! She did all her actions without a stand in, so for me, she's like an almighty being (laughs). For the part where I was facing off against Sutea……I can't really say that I was keeping up with Naito-san, but I had to make it look like we were neck and neck with each other, so it was also tough mentally. Ishiro's a combat specialist, so If I moved too slowly because "action isn't my strong point," that wouldn't be Ishiro Meita. I'd just be Hayama Yuki cosplaying as Ishiro. So, for the scene with Sutea, I had Naito-san practice the same moves with me multiple times, and by taking advantage of the gaps in filming time, I was able to film them. BoonBlue's Suit Actor Yoneoka Takahiro-kun was by my side the whole time we filmed the action in this episode. Just having him nearby made me feel safe, and he also gave me advice like, "Maybe you should do it more like this?," which really helped me out.

"Yoneoka-san is like a partner to Hayama-san."

Hayama: Yes, when a new script comes in, I discuss it with Takahiro-kun by saying, "What should we do here?" and since we're also close in age, we go out for meals in our private time. When it comes to the performance, we both trust and leave everything to each other. Takahiro-kun sometimes does things that he's never done before, and I sometimes hear him say, "Sorry Yuki-kun, I might've been too playful," but he never goes beyond the role of Ishiro. Instead, it's fun to find out that "this kind of Ishiro is possible," and I sometimes wonder if it's "okay for me to be alittle more playful."

"What's one of the most memorable scenes featuring BoonBlue's performance?"

Hayama: In the baseball episode (episode 23), Takahiro-kun said "You may have overdid it alittle," and to be honest, my roll call sounded really silly (laughs), but I was able to use my voice surprisingly easily during the post recording. I was able to reaffirm that Takahiro-kun and I have the same image of Ishiro. From there, I came up with the idea that "maybe Ishiro likes sports," and "If he enjoys doing things with everyone, he must be feeling very comfortable right now." We even found a way to screw around that would connect to episode 41's soccer episode (laughs). It's fun for the two of us to play Ishiro, it really is. I'm glad that Takahiro-kun is BoonBlue.

"Finally, please tell us what some future highlights to look out for in regards to Ishiro."

Hayama: I think that going forward, Ishiro will be faced with more and more situations, ones where you'll want to say, "What are you doing?" But I hope that you won't stop here, and it'd make me happy if you could rewatch episodes again, all while imagining what he's thinking and feeling as you watch. _

Q: What's your favorite manga/anime?

When I was in my fourth or fifth year of elementary school, my father recommended "SLAM DUNK" to me, saying, "This is a manga that teaches you about morality and what makes humans so cool." At first, I watched the anime, where I thought Mitsui Hisashi was just the coolest! I liked Mitsui so much, that I actually started playing basketball. In the end, I didn't become a shooting guard. I went to see "THE FIRST SLAM DUNK" five times because the sounds of basketball in the movie theater was too good (laughs). (-Hayama) _

Emotional Record

Family of Spies Ishiro's parents were also spies. He once said, "I was trained in all kinds of fighting techniques from a young age," suggesting that he had a tough experience as a spy.

Memories In the past, when he was exhausted from his duties, he happened to visit an aquarium that saved his life. He's still attached to the aquarium, so much so that he bought an annual pass.

Fateful Encounter Ishiro is hired by Tokoyari of the ISA and breaks into Taiya's house to find out Bundorio's true identity. Taiya discovers him, but since he was impressed by his ability to break through all the electronic security systems, they become friends.

Becoming No.2 Ishiro becomes Boonboomger's Informant. He was strict with the members, such as being against Mira joining, and tailing Jou out of suspicion, but he began to trust them as they worked together.

Doubting Tokoyari Ishiro is asked by Tokoyari to carry out a top secret mission. The task was to retrieve the Hashiriyan key, known as an Ignition Key, from the Aori family. This incident caused Ishiro to become suspicious of Tokoyari.

Spy vs Spy Sutea uses the power of Camera Grumer to create a fake Ishiro and tries to destroy the system related to Boonboomgers. Ishiro and Sutea, and Taiya and the fake Ishiro face off against each other, with our heroes being victorious.

[chicademartinica]

Me out loud alone in my house : Phi @absolutebl !!! Sauna scene alert !!!!!!! Locker room scene alert !!!! In towels !

[communistkenobi]

also sorry but like. saying those damn commies are so pre-occupied with history and language is one of the funniest self-owns you could do in public