#best crocs

[bruciemilf]

Jason: I’d fold Batman like a paper towel.

Duke: So why don’t you want to fight with Bruce, then?

Jason: Are you on crack?

[profitableseoaffiliates]

"Lightning McQueen Crocs": Rev Up Your Style and Comfort!

In the vibrant world of footwear, "Lightning McQueen Crocs" have emerged as a delightful fusion of fun and functionality. These iconic shoes not only capture the spirit of the beloved character but also offer unparalleled comfort for all ages.

The Perfect Blend of Style and Playfulness

"Lightning McQueen Crocs" bring the beloved Cars character to life through vibrant designs that appeal to the young and young-at-heart. These shoes serve as a playful fashion statement while maintaining the quality and comfort Crocs is renowned for.

Comfort that Races Ahead

Beyond the eye-catching design, "Lightning McQueen Crocs" prioritize comfort. Crafted with Crocs' signature lightweight and cushioning materials, they ensure your every step is as comfortable as it is stylish. Whether you're exploring the great outdoors or navigating your daily routine, these Crocs keep you at ease.

Versatility for Every Adventure

From playground escapades to family outings, "Lightning McQueen Crocs" are the ideal companions. Their slip-on style and durable construction make them perfect for kids, while the ergonomic design ensures optimal support for all-day wear.

A Dash of Nostalgia

For those who grew up with Lightning McQueen's adventures, these Crocs offer a nostalgic connection to a beloved character. Share the magic with the younger generation as they sport the iconic design that spans generations.

"Lightning McQueen Crocs" bring a dose of excitement and comfort to your footwear collection. With a design that pays homage to a cherished character and the comfort that Crocs is celebrated for, these shoes are a win-win for style-conscious individuals of all ages. Step into a world of style, comfort, and playful nostalgia with "Lightning McQueen Crocs."

Please Click Here for Versatile Crocs

CROCS SALES AND PROMOTIONS

[hinamie]

u should think of tiny megu. To keep the stress at bay. You should draw him actually. Ooooo you wanna draw tiny megu getting the love he deserves so bad /j

he's with his 2 best friends

[elephantcrocs]

12 Jeep Crocs Are The Best Crocs With For You

Jeep Crocs are the best crocs for you, but which one? If you have decided to buy a pair of Crocs but don’t know which ones to choose, then you’re in luck! There are 12 Jeep Crocs available to buy right now. I’m going over them all here, so you can decide on the best Jeep Crocs with ease.

source : https://ufamily.net/jeep-crocs-are-the-best-crocs/

[frootertooter]

Sketchbook thingies from last night (trying to figure out how to draw AK Scarecrow)

[radiance1]

Killer Croc and Jack Fenton are brothers.

Killer Croc was the first born, just a about 5 years older than Jack. Their father was a large man, much larger than should be possible considering he never had a meta gene.

But oh boy would it have not surprised them if he did. Because that man was strong, 10 feet tall, and shrugged off things that would injure most people.

Like a brick to the head.

Anyways.

Croc was entranced with his younger brother; he was so small so much tinier than he had any right to be, and cuter than a button. He babbled like most babies do, but Croc wouldn't think twice before calling his baby brother the best baby of them all.

His dad could fit him in the palm of his hand easily! Which was just one of Jack's many great qualities in his opinion!

Croc and Jack's parents weren't really on the best of terms, Croc could tell. He didn't know why, really, but he didn't want his baby bro to feel unloved in any sort of way, and it's not like he really had friends to hang out with, plus his parents were busy with jobs.

So he mostly spent his time taking care of and playing with Jack. Changing diapers, feeding him, lifting him up and down with his tail, just the normal sibling stuff.

He feels kind of bad for his dad though, whatever kind of job he had didn't even let him come home most days, and when he did he could barely even walk upright without falling asleep and jolting awake. He still made time for them, however, when he got those rare few off days.

He's honestly surprised that man managed to drive a car properly in the state he was in.

Their mother was often out of the house, Crocc didn't know what she was doing but he just thought it was like his dad. Unlike his dad, however, she didn't really like him. He didn't really know why, nor did he really care either if he was to be honest.

Around a year later the tension between their parents got so thick it could be cut with a butter knife. Then it turned to arguments in the rare times they both were in the house, he didn't even know his parents could make such cutting remarks to each other, and then both of them being in the house less than before.

Then when he turned 10, and Jack 5. They got divorced. Croc was left with his mother and Jack got taken by his father. His mother didn't take the divorce well, really, probably because at the same time she got fired from whatever the hell she was doing and was left jobless.

Then she dropped the bomb on his that his dad wasn't even his actual dad and Jack is only his half-sibling and then promptly abandoned him in the sewers with the rats and what was most likely very poisoned water due to it being the sewers and Gotham.

Well. Fuck.

Croc thinks that Jack doesn't even remember him due to how young he was, nor did he ever see his dad again cause, y'know, being abandoned in the sewers and all.

Then multiple years later he ran into his brother again and got DAMN was he tall. Not taller than him, but it was basically the equivalent of a gut punch to Croc, because he remembers his baby bro being so tiny, so baby.

He blames his father's genes for him being 8 feet taller now. A head shorter than him, sure. But he wants back his small baby bro alright.

Then he finds out his baby bro has a family.

And fuck did he not want to involve himself anymore in fear of being a catalyst for tearing said family apart due to being, well, him and all. Then he was promptly (quite literally) dragged over to meet said family despite his stance on the matter.

Then he finds out he's just treated like a normal person with zero amount of fear. His wife? She had to have a giant in her family too because she was 7 feet tall and was smart enough to kick his ass.

His daughter? 6 feet tall and their first meeting she accidently became his therapist. Also, he was sure she was a meta of some kind, probably something to do with wolves.

Then finally, their son.

It felt like he was thrown back to his childhood when he saw him, he looked so much like Jack did, and he was so, so tiny just like his baby bro was. He had to physically hold himself back from doing anything with the kid because he feared he would accidentally break him or something.

Then he found out that apparently his nephew was half-dead and that his brother and his wife hated ghosts with a passion, built a portal to the other side, had their city attack by the ghost king and then promptly found out about their son's half-dead status and had to do a major revamp of basically everything they knew and acted upon.

Which they're still working on.

Oh and also their daughter is a werewolf, she had a meta gene from someone of his dad's side and only recently activated it.

All of that which was a lot to take in for old Killer Croc, also he knew his niece had something to do with wolves.

So, Killer Croc in all of his life from the point of being abandoned at up to now, decided to go screw the bats and whatever they're attempts of figuring out what the fuck's going on with him (look at you Red Hood.) and decided to try and integrate himself into this family and brother's life again as best he can.

[essaytime]

A lot of productions (or production ideas) for Romeo and Juliet come up with elaborate aesthetics for both of the feuding families, and there is definitely a charm as well as a large degree of blessed creativity to this, but honestly, the more I think about the play, the more I feel the most resounding choice with me, given the play's meaning, would be to make the Montagues and the Capulets' costumes very, very similar. Almost identical - the same silhouettes, materials, everything. Have the only thing signalling which family it is be a ribbon or band tied around the arm, a particular embellishment at the collar of a dress or shirt, maybe some item of clothing that's easy to take off, like a vest or small cape, or a scarf. Maybe aside from the Lords and Ladies of both surnames, they could wear something that's entirely in their family's chosen colours/symbols, but the rest of the family and their supporters? Just these details. Because that's really one of the things that hit so hard in the text: there is literally no reason for the feud. There's no logically existing divide. We have two influential families of equal standing, who live by the same customs, whose children probably have the same education, who employ people with the same mindset and themselves presumably have the same mindset. They could very well live beside each other, they could very well switch places and be each other. These poor teenagers in Romeo and Juliet are forced to live in a world shaped by something that just doesn't exist. And they're mistreated, and they struggle, and they die - at more or less fourteen or fifteen! - for something that doesn't exist. Because at this point there is no reason to go on with this conflict, if there even was one in the first place, which I doubt. I think there is a lot of sense in the fact that we never learn why the Capulets despise the Montagues and vice versa. I wouldn't be surprised if during the time of the play there was just no one that could remember it. But still, this conflict, this absolutely empty, pointless, senseless conflict, wrecks the community of Verona, pitting citizens against each other and leading to innocent kids dying. And I think if I were directing the play, that's the thing I would emphasise: that they are really the same. Have Lord Montague make a similar scream, speak in a similar tone mourning his son as Lord Capulet did mourning his daughter. Have the servants at the beginning of the play use exactly the same gestures and mannerisms. Have the dear uninvited party-sneakers get along with Capulet youth at the ball and genuinely have fun together. And have the citizens at the end be all the same in their surprise and grief, virtually indistinguishable save for this ribbon or embellishment they can just rip off of their costume, becoming one whole crowd. All of these people could pass each other, say hello, gossip on the street with no problem - if it weren't for these details that somehow make them part of two different entities. For there is no border between the Capulets and the Montagues other than the artificial one they try to create themselves. And people die for it.

[nonasbirthday]

You can’t tell me that Gideon “I wanted a sword with a skull puking another, smaller skull” Nav wouldn’t have just the worst tattoos. She’s covered in the tackiest flash she could find. She gets her tattoos on impulse and on the cheap. She finally started to think about placement when she realized she was already halfway to a sleeve. She saved up for ONE big custom piece exactly to her specifications and it’s the worst of all her tattoos; she WILL disrobe to show it off at the slightest provocation. I love her so much

[0ne-shot]

oh he’s a little fucked up

[devilsrecreation]

TLG Human AU shenanigans

Tamka: Kiburi!

Nduli: Kiburi!

Both: KiburiKiburiKiburiKiburiKiburiKiburiKiburiKiburiKibu-

Kiburi: What?!

Nduli: Sorry Kiburi, we just wanna let you know something!

Kiburi: Yeah? And what’s that?

Nduli: We love you, Kiburi :)

Kiburi: ….And?

Tamka: And we want a Nokia N-Gage

Kiburi: No you don’t! It went defunct it 2006!

Nduli: Actually, it was in 2007

Kiburi: You know the year it went defunct! Why do you want it?!

Tamka: Cuz it looks cool!

Kiburi: You said that about the OUYA Ya bought last week

Tamka: The OUYA doesn’t have any games

Kiburi: I told you that before we bought it, neither will this!

Nduli: But Kiburi, it’s so cooooooool!

Kiburi: I don’t even think you can play games on that thing! It was a phone service!

Tamka: But Ucheshi said this stuff was awesome!

Kiburi: ……….Boys, stay here

Nduli: Okay, Kiburi.

*Lake Matope or whatever the human equivalent is*

Kiburi: Have you been telling them to buy outdated electronics?

Ucheshi: Yes.

Kiburi: WHY?!

Ucheshi: Because you hurt my boyfriend, fuck you, dude.

Kiburi: Ucheshi, I swear to God-

[kamiart]

Man-Bat and Killer Croc in my new sketchbook, since I've been in a big batman mood and needed to draw my favourite boys :3

Also lego dc villains is great highly recommend YIPPIE

[green-crocs12]

murphy is hands down the best character ever and you can fight me over it

original scene 💀

[cornetespoir]

I don't know if I ask this before but can you do a picture of killer Croc I Don't think you draw him before

I have before! I don't draw waylon enough tbh. This is really old, so I need to do something new for him, but here's one!

Featuring my office girl OC that I've never shared here before 🥹 (she's offering him her snacks)

[puppetmaster13u]

I can't help but think that Waylon Jones is seen as super attractive in Dragon Omegaverse Gotham. Man is a walking tank with scales, fangs, and a tail even in human form and even ignoring that dragon form is a normal aspect of personal appearance to them all there has got to be Gothamites whose preferences run towards draconic over humanoid.

Oh definitely!

Any other city and he would not be seen well, but in Gotham, like you said, those that live there are just Built Different. And yeah, some people very much prefer more draconic forms to human ones. I mean, just look at people IRL lmao.

Not to mention in some continuities Waylon has protected a large group of homeless people who lived in the sewers. Which to Gothamites is Very Attractive.

So yeah. You're 100% right lol.

[martyrbat]

my buddy, killer croc

[ID: a panel sequence of Waylon Jones sitting in his dressing room after going out and wrestling to a gawking crowd. He's in a purple robe with a pink towel over his shoulders and is sitting in front of a large vanity, which has several flowers on it. He says to the unannounced guest, “Oh. It's you. How've ya been, Mike?” His friend responds that he can't complain and that his side business of selling used auto parts is picking up. He quickly offers if Waylon wants to get in on the hustle but Waylon tells him, “I'm not into that small-time chop-shop stuff anymore... I've got a straight job here. Gonna see how far it takes me.” Mike responds, “Hey, I get it! Man, if I had your physique, I'd get into the wrestling life myself. I mean, with your physique, there aren't too many jobs other than wrestling, right?” Waylon looks away disgruntled as he raises his hand to rest his cheek against it.

His friend awkwardly tries to brush past the insult, “Speaking of wrestling, I brought my kid along and he was hoping he could meet you...” Waylon tells him, “I'll say hi to your kid. For twenty bucks.” Mike takes the deal and comments that he guesses a man has to make a living before he opens the dressing room door again. He enthusiastically tells his waiting son, “Come on in, Andy! Meet my buddy Waylon.” Waylon looks down at the child and tells him hey apathetically as Andy stares up at him with absolute awe. Andy has a large red burn scar on his cheek and shyly tells Waylon hi back before going, “You...” and trailing off. Waylon asks, “What? A monster? A freak?” before the kid excitedly gushes, “You're the best wrestler I've ever seen! It was so cool! The Lily Pad Flip! Did you come up with that? Where did you learn your moves? I want to be just like you when I grow up! Do you think I could take a photo with you?”

Andy excitedly throws his arms up in the air as he talks before reaching out to touch Waylon's hand. He stares at the scarred child, obviously surprised at the praise and genuine admiration that Andy has for him. Mike prompts, “What do ya say, Waylon? Then maybe we can come again and have you sign the photo?” Waylon looks down at Andy with a tender smile before reaching down to finally high-five him. He agrees, “Okay, kid. Let's take that photo.”

In present time, Andy is looking down at the photo and smiling to himself. He whispers, “you're back,” after seeing Killer Croc robbing a bank on the news. We see the photo, where Andy is sitting on Waylon's knee as they both smile. Waylon wrote, “To Andy. Nice to meet you” and signed it with his autograph and a little heart. END ID]

[homicidalbrunette]

Okay here's four minutes of edited together videos I took at the Solid Pink Disco in Vancouver