#beren x lúthien

[chaos-of-the-abyss]

thingol and beren parallelism of hearing the song of a woman from an older more powerful race, falling into instant inescapable love with her and fathering a child -- your one and only child -- with a heritage unheard of ever before or ever since; and then years later watching powerless as that child runs into a larger and more turbulent fate than you ever hoped they would have to endure

also dad jokes

[marietheran-archived]

Jonathan and Mina would get on so well with Beren and Lúthien though

[edennill-archived]

Darkest of Night Skies by The Native Sibling // Perfect by Ed Sheeran // Tolkien's Legendarium

[edennill-archived]

Lúthien. Just Lúthien.

i don’t know exactly how to say this in a way that comes across clearly, but i am obsessed with the idea of depicting m/f relationships in a way where the hype isn’t all on the man’s love of the woman, and how swoonworthy it is and how powerful. (this has been on my mind an awful lot lately because lost loves to lean on this, especially in season six. it’s also something that often grates on me about the office’s depiction of jim and pam even though i’m very fond of jim and pam.) i really want to see women being active in the relationship too, rather than just being the object to be pursued or worshiped or cherished or whatever the heck! not in a way that depicts women going out of their way for men who don’t reciprocate, which i think is always the go-to assumption when you talk about this kind of portrayal of a relationship. but i love the idea of women being able to make romantic gestures and acts of great love toward their male love interests in a way that is, like, considered cool and iconic in the way that so many male characters’ romantic actions toward their ladies are cool and iconic. idk how to say it. like, something that goes beyond ‘is this woman being honored nobly enough by her man, which is the sum total of all romance?’ i want the women participating tooooooooo! WHY NOT!

[velvet4510]

Please never forget the huge number of people who Lúthien Tinúviel saved.

Of course, her getting the Silmaril eventually allowed Elwing and Eärendil to bring salvation to all of Middle-earth years later; we all know that. But that’s not what I’m referring to.

Never think that Beren was the only person saved by Lúthien’s direct actions during her lifetime. An entire tower full of Sauron’s captives in Tol-in-Gaurhoth were saved and set free when she took control of the island.

She didn’t just grab her boyfriend and run. She tore open all of the dungeons and enabled dozens, if not hundreds, of people to escape with their lives. If it weren’t for her, all of those prisoners would’ve died in torment.

Lúthien is far more than a devoted girlfriend; she’s a true hero of Middle-earth who single-handedly saved at least a dozen lives!!!

[green-apple-juice]

Lúthien is such an interesting character. She could’ve easily been written as just a pretty princess sitting in a tower, waiting for her beloved to come back with the treasure he stole from "a dragon". But instead, we get her rescuing him from one villain, then heading straight to the main bad guy and doing all the work herself AGAIN.

And it doesn't mean Beren didn’t deserve her or anything—it just proves they were equals in that journey. They both wanted to be together, and that’s why she was so eager to help and save him. It was her fate on the line too, and she wasn’t about to take a passive role, just sitting around hoping Beren would succeed or accepting failure if he didn't.

And I adore how cruel she could be when she wanted. Remember the words and threats she threw at Sauron—he totally deserved it because, well, he’s Sauron—but still! Seeing her as not just the quiet, lovely maiden all the time, but actually being allowed to express anger and be intimidating? That’s so fucking cool. I wish more people in the fandom focused on that "bloodthirsty" part of her personality, by the way. I want to see more fanarts of her being furious and scary.

I know it doesn’t seem that extraordinary today because we have plenty of badass heroines now, but Tolkien started writing this story over 100 years ago. Sure, he refined it over time, but still. He gets criticized for how he portrayed most of his female characters—rightfully—but I think it’s really impressive that someone who could’ve just been a stereotypical princess actually got the chance to take a large part in the action, even a bigger role than the hero and her lover. (Of course, that’s not the sole reason why she’s interesting and well-written—there’s way more nuance to her personality than just being able to kick ass and cast magic)

[chaos-of-the-abyss]

very intentional on tolkien's part that the silmaril that represents beren and lúthien's determination to be together, the people of sirion's love for each other and their lord, elwing's refusal to allow the people who took everything from her twice to triumph, and eärendil's heartfelt desire to save the inhabitants of beleriand from morgoth is the only silmaril of the three that continues to shine in the sky even during the third age, and continues to provide hope and light and beauty, while the other two are lost to history

[edennill-archived]

@wanderer-clarisse

Silmarillion but as a Ballet p2

Beren and Luthien 

this is the first time I’ve ever drawn a beard properly 

also no i still am very bad at contouring for skin so they will remain flat

[runawaymun]

For the ship ask, can you do Edrahil/Finrod and Beren/Lúthien/Celegorm ?

Edrahil/Finrod

It’s not something that I’m into (primarily because Finrod is not a blorbo) but ohhhhhhhhhhh the fealty potential. The fact that they likely died in the same place, together. That Edrahil joined him on his quest with Beren oughhhhhhhh I am putting them in the blender together. So tasty.

Beren/Lúthien/Celegorm

It has great sexy potential in the right hands, and I am a sucker for love triangles (of any configuration and level of fucked upness) being resolved (in any way) by simply making it a polycule.

[edennill-archived]

Huh, so I may have noticed this weird parallel between Beren and Shakespeare's Othello.

Apparently (i.e. it's somewhere in Tolkien's notes to the Lay) Thingol's excessive reaction to his daughter getting a fiance was partly due to the fact that didn't believe Luthien could ever love someone like Beren and was persuaded the latter must have had ensorcelled her somehow, which is like, exactly the same as Desdemona's father re: Othello. And they were both from a people considered worse by many of their love's nation.

Of course, Beren & Luthien ends much better for many reasons and in the end, everyone proves more reasonable in comparision. But it's an interesting parallel and I wonder if Tolkien intended it.

[thelien-art]

December; the 15th

Advent Game: Lúthien x Beren

Where is Beren´s hat?

Join the Advent and Yule calendar to win a drawing - rules here and all the other drawings here

[chaos-of-the-abyss]

PLEASE that last line lmfaoooooo...... thingol has experienced so much horror and violence in his thousands of years of existence but nothing has ever reduced him to a few minutes of silent shell-shocked trauma like walking down the streets of aman minding his own damn business and stumbling across an adult-themed beren x luthien art exhibition

The legacy of Beren and Lúthien has the biggest impact on Elven pop culture— an impact that no other Elf/Man couple can even beat. Like, even the Elves in Aman are getting in on this hot new trend.

Horny paintings with so many variations of their first meeting— usually with a shirtless muscular Beren and a scantily-clad Lúthien swooning in his arms. Elven teens writing fanfiction about Beren and Lúthien— probably a lot of spicy stories about their time in Neldoreth. Beren becoming a sex symbol among Elf maidens, who are dreaming of finding their own hunk of a mortal man to fall in love with. Gay Elven lords thirsting after Beren and wanting a rugged mortal man to rail them into their beds. A small faction of Elven fangirls who ship Beren and Finrod because they’re “so hot” together. Fandom wars between Beren/Lúthien shippers and Beren/Finrod shippers. Color-coded couples’ jewelry inspired by Beren and Lúthien. In Aman, Oromë’s wolfhounds become hugely popular. So many Elven parents complaining about their daughters wanting to run away and find true love with hairy mortal men in forests. Vanyarin scholars spending decades dissecting the themes and motifs of the Lay of Leithian. A popular Telerin author writing an “erotic retelling” of the Lay of Leithian, which has so many spicy scenes that it becomes both popular among younger readers but also scandalous among said readers' parents. Finrod being the biggest Beren/Lúthien shipper of all time— he paints some of the horniest artworks, commissions a Vanyarin playwright to write a play about the Lay of Leithian, creates jewelry to match the aesthetics of Beren and Lúthien. He’s the captain of the Beren/Lúthien ship and no one else can hope to take his place.

All the reembodied Doriathrim are stunned at how popular Beren and Lúthien are. Melian kind of just takes it in stride. Thingol genuinely doesn’t know what to make of it— yes, he loves them both very much, and he's glad that his daughter is remembered among the Elves of Aman but he does NOT need to see a horny painting of his own daughter and son-in-law, thank you very much!

[apoloadonisandnarcissus]

Of Lust and Sex on Tolkien lore: Sauron x Galadriel in “Rings of Power”

Many fellow fans have complaint there’s a trend among the Tolkien fandom to de-sexualize Galadriel, but folks, this is not exclusive to her character. This is, actually, an on-going theme on how many see Tolkien’s world and work, in general, and it runs deeps.

There’s this weird headcanon that, just because Tolkien was catholic and a “gentleman”, the world he built is somehow devoid of sexuality or sexual matters, and asexual in itself. Nothing wrong with that, except we have countless examples of “sexual stuff” happening in the legendarium, from characters lusting after each other, to actual sexual assault. Just because Tolkien didn’t write explicit sex scenes (let’s say like George R.R. Martin, who devoted himself to try subvert Tolkien) doesn’t mean is not there. Not everything needs to be “in your face” meaning explicit.

Firstly, Tolkien cared enough about sexuality to write several essays on the matter, namely about the Eldar sex culture and customs. It’s clear that the Elves try to be the “perfect Catholics” on his lore, and this reflects on their views of sex = marriage, premarital sex is frowned upon, repression of sexual desire, adultery is unthinkable, and divorce is forbidden. The Eldar sex culture is purity culture in a nutshell. And it reflects Tolkien’s own views on the subject:

Later in life when sex cools down, it may be possible. It may happen between saints. To ordinary folk it can only rarely occur [...] Faithfulness in Christian marriage entails that: great mortification. For a Christian man there is no escape. Marriage may help to sanctify & direct to its proper object his sexual desires; its grace may help him in the struggle; but the struggle remains. It will not satisfy him – as hunger may be kept off by regular meals [...] No man, however truly he loved his betrothed and bride as a young man, has lived faithful to her as a wife in mind and body without deliberate conscious exercise of the will, without self-denial.   [...] Out of the darkness of my life, so much frustrated, I put before you the one great thing to love on earth: the Blessed Sacrament [Marriage].... There you will find romance, glory, honour, fidelity, and the true way of all your loves upon earth, and more than that: Death: by the divine paradox, that which ends life, and demands the surrender of all, and yet by the taste (or foretaste) of which alone can what you seek in your earthly relationships (love, faithfulness, joy) be maintained, or take on that complexion of reality, of eternal endurance, which every man's heart desires.  Tolkien Letter 43

In Tolkien lore, there’s a strong connection between sex and morality. This is clear on the most iconic romances on his legendarium: Beren and Lúthien, Aragorn and Arwen, etc., which follow the medieval tradition of Chivalric romance: adventures of knights, courtly love, codes of honor and chivalry, trials and tribulations in the pursuit of love and glory.

“Courly love”, in the European tradition, is a highly idealized portrayal of human romantic relationships, that emerged in the medieval courts of the continent. Is a form of ritualized love between a knight (Beren/Aragorn) and his lady (Lúthien/Arwen), characterized by restrain, discretion and devotion.  Tolkien himself talks about this, as well: 

It idealizes ‘love’ - and as far as it goes can be very good, since it takes in far more than physical pleasure, and enjoins if not purity, at least fidelity, and so self-denial, 'service’, courtesy, honor, and courage. Its weakness is, of course, that it began as an artificial courtly game, a way of enjoying love for its own sake without reference to (and indeed contrary to) matrimony. 

It’s clear Tolkien sees the lustful side of relationships as something sinful, but does this equal “evil”? No, because his characters (including the Elves) and the legendarium are complex, and this is not a pure Good vs. Pure Evil world, as Tolkien says himself: 

Some reviewers have called the whole thing simple-minded, just a plain fight between Good and Evil, with all the good just good, and the bad just bad. Pardonable, perhaps (though at least Boromir has been overlooked) in people in a hurry, and with only a fragment to read, and, of course, without the earlier written but unpublished Elvish histories. But the Elves are not wholly good or in the right. Tolkien Letter 154

For Tolkien, is more about being on the “right side of History” (let’s put it this way) than being an immaculate hero. His characters are complexed and nuanced:  

There are also conflicts about important things or ideas. In such cases I am more impressed by the extreme importance of being on the right side, than I am disturbed by the revelation of the jungle of confused motives, private purposes, and individual actions (noble or base) in which the right and the wrong in actual human conflicts are commonly involved. If the conflict really is about things properly called right and wrong, or good and evil, then the rightness or goodness of one side is not proved or established by the claims of either side; it must depend on values and beliefs above and independent of the particular conflict. A judge must assign right and wrong according to principles which he holds valid in all cases. That being so, the right will remain an inalienable possession of the right side and Justify its cause throughout. (I speak of causes, not of individuals. Of course to a judge whose moral ideas have a religious or philosophical basis, or indeed to anyone not blinded by partisan fanaticism, the rightness of the cause will not justify the actions of its supporters, as individuals, that are morally wicked. But though 'propaganda' may seize on them as proofs that their cause was not in fact 'right', that is not valid. The aggressors are themselves primarily to blame for the evil deeds that proceed from their original violation of justice and the passions that their own wickedness must naturally (by their standards) have been expected to arouse. They at any rate have no right to demand that their victims when assaulted should not demand an eye for an eye or a tooth for a tooth.) Similarly, good actions by those on the wrong side will not justify their cause. There may be deeds on the wrong side of heroic courage, or some of a higher moral level: deeds of mercy and forbearance. A judge may accord them honour and rejoice to see how some men can rise above the hate and anger of a conflict; even as he may deplore the evil deeds on the right side and be grieved to see how hatred once provoked can drag them down. But this will not alter his judgement as to which side was in the right, nor his assignment of the primary blame for all the evil that followed to the other side. In my story I do not deal in Absolute Evil.  Letter 183 

This is why, in "Rings of Power", Sauron can be in love with Galadriel and still be the villain he is. Tolkien doesn’t deal in absolutes, and Sauron is not pure evil, either.

And if people can’t wrap their head around nuanced and complex ideas, it’s not Tolkien's fault, really. This concept that “evil can love” (and it doesn’t make it any less evil) is absolutely fascinating to me, because I wholesome agree with this. Folks have this idealized notion of love (even Tolkien himself talks about this), like it’s only valid if it’s Beren and Lúthien. When it’s not. “Lord of the Rings” is meant to reflect our “fallen” world; and, in our world, tyrants and dictators can love, and have families, and still be genocidal monsters. Their ability to feel romantic love has no direct connection in how they treat their subjects. This is why Tolkien says that “good actions” on the wrong side don’t excuse it nor make it any less evil.

This is not “Harry Potter”, and Sauron is not “Voldemort” that can’t never “know love”. Tolkien was a college professor at Oxford, a renounced linguistic, the father of the modern fantasy genre, and a classic of World literature, he would never write just a basic concept.

This leads me to the idea that “Elves are not wholly good”, and that, they too, can be sinful, and that doesn’t make them “evil” (= on the wrong side). We see this with Galadriel in Tolkien legendarium; not only she commits the sin of pride, and greed, but also lust.  

In "Unfinished Tales", Tolkien tells us: Celeborn was the lover of Galadriel, who she later wedded. In Letter 43, Tolkien defines what he means by “a lover” (in general): “engaging and blending all his affections and powers of mind and body in a complex emotion powerfully coloured and energized by sex”.

So, it’s safe to assume that Galadriel was having sex with Celeborn before they were even married (premarital sex). Probably that’s why he had no quarrels with the wild John Boorman script of her and Frodo f*cking in the middle of the woods.

Galadriel doesn’t care about the Eldar sex customs, because, of course, she doesn’t, she's above that, being Noldor royalty and her own authority. Which makes sense with her “repentant sinner” character arc in the legendarium, actually.

Because, as Tolkien, told us: “in The Lord of the Rings the conflict is not basically about 'freedom', though that is naturally involved. It is about God, and His sole right to divine honour” (Letter 183). And “sin” is considered a transgression against divine law (aka God); an offense against religious and moral laws.

Tolkien was religious, but he wasn’t a Catholic priest, and he was well aware that women have sexual desire, and some are, indeed, promiscuous and have no problems acting on it: “You may meet in life (as in literature) women who are flighty, or even plain wanton — I don't refer to mere flirtatiousness, the sparring practice for the real combat, but to women who are too silly to take even love seriously, or are actually so depraved as to enjoy 'conquests', or even enjoy the giving of pain – but these are abnormalities, even though false teaching, bad upbringing, and corrupt fashions may encourage them” (Letter 43). Pardon the language, but Tolkien was, after all, a man of his time. 

The “Higher Beings” Nonsense 

This is one of the occasions I completely disagree with Charlie Vickers when he calls Sauron a “higher being”. He probably means it in sense he’s a Maia, a demigod or an angel in Tolkien lore, but his use of words can cause some confusion. Sauron is, in no way, shape of form, an “higher being” (in the Christain sense): he’s a literal demon, a satanist, a follower and a servant of Satan himself, in Tolkien legendarium. Demons exist in the lowest frequencies of existence in Christian theology.

Tolkien makes this very clear on his letters: Melkor/Morgoth is Lucifer/Satan on his myth, he straight-up calls him “diabolus” (Letter 153). It should be obvious enough on his entire character: he’s the one who corrupts God’s creation and is the symbolic archangel/Valar (like Lucifer was). Him being dragged in chains and imprisoned until the end of time also parallels a biblical event.

Sauron is the chief satanist demon in the lore, the #1 servant and follower of Morgoth/Satan: Satanic rebellion and evil of Morgoth and his satellite Sauron; in which Evil is largely incarnate, and in which physical resistance to it is a major act of loyalty to God (Letter 156).

And here, too, there’s a weird attempt of de-sexualizing these characters (mostly Sauron) in the Tolkien fandom. Despite the fact almost everyone recognizes the Christian inspiration here, and the Devil being seen as the creator of all kinds of sexual depravity, deviation and promiscuity in the world (according to Christain faith); the same way Morgoth was responsible for "corrupting" Arda. Apparently, sex had nothing to do with this corruption, according to some. Odd, to say the least, when Tolkien gives us descriptions of “indominable lust” on both characters (Morgoth and Sauron).

Them being magical and demonic creatures might indicate they have the ability to control whenever they want to reproduce or not. We know from the lore that Morgoth bound himself to his physical form because of his non-stop corruption of Arda. 

On Note 5 (“Vinyar Tengwar”) of “Osanwe-kenta", Tolkien writes: 

The things that are most binding [to Valar and Maiar] are those that in the Incarnates have to do with the life of the hroa itself, its sustenance, and its propagation. Thus eating and drinking are binding, but not the delight in beauty of sound and form. Most binding is begetting or conceiving.  We do not know the axani (laws, rules, as primarily proceeding from Eru) that were laid down upon the Valar with particular reference to their state, but it seems clear that there was no axan against these things. Nonetheless it appears to be an axan, or maybe necessary consequence, that if they are done, then the spirit must dwell in the body that is used, and be under the same necessities as the Incarnate. The only case that is known in the histories of the Eldar is that of Melian (...)  'The great Valar do not do these things: they beget not, neither do they eat and drink, save at the high asari, in token of their lordship and indwelling of Arda, and for the blessing and sustenance of the Children. Melkor alone became at last bound to a bodily form...' 

This might suggest that Morgoth became bound a physical form because of his “great lust”. "Begetting and conceiving” might, indeed, mean more than just standard reproduction, because Morgoth did “begot” with creation and mastery of several races and creatures. However, the only other example of a Ainur (in this case a Maia) getting bound to a physical form in the lore is Melian, when she became pregnant with Lúthien (after reproducing with her Elf love, Thingol). 

* Trigger warning: Mentions of Sexual Assault *

Then we have the fact that Morgoth might have been a serial r*pist. In “Myths Transformed” section of “Morgoth’s ring”, Tolkien has Morgoth r*ping Arien, the Maia who ruled the sun, and was “the most ardent and beautiful of all the spirits that had entered into Eä with [Varda]":  

. . . afire at once with desire and anger, [Melkor] went to Asa  [The Sun] and he spoke to Arie, saying: 'I have chosen thee,   and thou shalt be my spouse, even as Varda is to Manwe,   and together we shall wield all splendour and majesty. Then the kingship of Arda shall be mine in deed as in right,  and thou shalt be the partner of my glory.'  But Arie rejected Melkor and rebuked him, saying:  'Speak not of right, which thou hast long forgotten.  Neither for thee nor by thee alone was Ea made; and  thou shalt not be King of Arda. Beware therefore;  for there is in the heart of [Asa] a light in which  thou hast no part, and a fire which will not serve thee.  Put not out thy hand to it. For though thy potency  may destroy it, it will burn thee and thy brightness   will be made dark.'    Melkor did not heed her warning, but cried in his wrath:  'The gift which was withheld I take!' and he ravished Arie,  desiring both to abase her and to take into himself her powers.  Then the spirit of Arie went up like a flame of anguish and wrath,  and departed for ever from Arda; and the Sun was bereft  of the Light of Varda, and was stained by the assault of Melkor.  And [the Sun] being for a long while without rule . . . grievous   hurt was done to Arda . . .  until with long toil the Valar made   a new order. But even as Arie foretold, Melkor was burned   and his brightness darkened, and he gave no more light,   but light pained him exceedingly   and he hated it.    Nonetheless Melkor would not leave Arda in peace . . . 

So, yes, Tolkien really had the Devil r*ping the Sun... Can this be a parallel Sauron and Galadriel’s scene in “Rings of Power” Season 2 finale? When Sauron ravishes Galadriel's soul using Morgoth's crown? Since Sauron said he would make Galadriel a “queen as fair as the sea and the sun”, in 1x08? No quite. But more on that later.

Then we have the infamous Lúthien episode. There is an on-going debate on Morgoth’s intentions in this scene, but, in my opinion, and taking in consideration the incident with Arien, the “since he fled from Valinor” bit might indicate his intention was, indeed, to r*pe Lúthien. 

Then Morgoth looking upon her beauty [Lúthien] conceived in his thought an evil lust, and a design more dark than any that had yet come into his heart since he fled from Valinor. Thus he was beguiled by his own malice, for he watched her, leaving her free for a while, and taking secret pleasure in his thought. The Silmarillion [Lúthien dances for Morgoth on his Dark Throne, before she puts him and all the host of Angband to sleep with her magic singing]

Tolkien comes back to this “evil lust” Morgoth felt for Lúthien on several works:

…Yet I will give a respite brief, a while to live, a little while, though purchased dear, to Lúthien the fair and clear, a pretty toy for idle hour. In slothful garden many a flower like thee the amorous gods are used honey-sweet to kiss, and cast then bruised, their fragrance loosing, under feet. … A! curse the Gods! O hunger dire,O blinding thirst’s unending fire! One moment shall ye cease, and slake your sting with morsel I here take! In his eyes the fire to flame was fanned,and forth he stretched his brazen hand.Lúthien as shadow shrank aside. ‘Not thus, O King! Not thus!’ she cried. … …And her wings she caught then deftly up, and swift as thought slipped from his grasp, and wheeling round, fluttering before his eyes, she wound a mazy-wingéd dance… The Lay of Leithian, The Lost Road and Other Writings

“Nay,” saith Melkor, “such things are little to my mind; but as thou hast come thus far to dance, dance, and after we will see,” and with that he leered horribly, for his dark mind pondered some evil.  Book of Lost Tales vol.2

Then Morgoth laughed, but he was moved with suspicion, and said that her accursed race would get no soft words or favour in Angband. What could she do to give him pleasure, and save herself from the lowest dungeons? He reached out his mighty brazen hand but she shrank away. He is angry but she offers to dance. Commentary to the Lay of Leithian (The Lays of Beleriand)

Almost every servant of Morgoth either came to resent him or were absolutely terrified of him. The most notorious case being Sauron himself, as he went into the hiding after his spectacular defeat in Tol-in-Gauhoth (at the hands of Lúthien and Huan, the Hound of Valinor), probably to escape being punished by Morgoth.

“Rings of Power” already had Sauron talking about the unbelievable tortures he endured at Morgoth’s hands, and taking into consideration all of this… well, those “r*pe of Mairon” dead dove fanfictions might be on to something here.

Do you know what it is to be tortured at the hands of a god?

Sauron’s entire dialogue in this scene can be interpreted as that of a r*pe survivor, actually: we have the dissociation element of “sometimes, the pain almost became a reward. Became a game"; and the self-guilt of “no, you chose it” (which is something many victims of sexual assault go through).

And then, we have the fact that the “feminization of hyper-masculine Mairon” was a consequence of his corruption by Morgoth, as I’ve already talked about in this post.

Tolkien himself talks about the Christian devil in terms of sex and lust, so it’s odd why the Tolkien fandom plays mental gymnastics trying to equalize Tolkien’s use of the sin “lust” with “greed” (these are two different sins in Christian theology, even though they are connected). 

The devil is endlessly ingenious, and sex is his favorite subject. He is as good every bit at catching you through generous romantic or tender motives, as through baser or more animal ones. Letter 43

Greed vs. Lust in Tolkien Lore

Indeed, Tolkien uses the sin “Lust” in connection with "Power" and "Jewels" (Silmarils/One ring/gold), but this might be a metaphor for sexual temptation, as well. Mainly because of his Christian inspiration behind the whole story.

Some examples of Tolkien’s usage of the word “lust”, that might be interpreted as “greed”:

The oath of the sons of F��anor becomes operative, and lust for the Silmarils brings all the kingdoms of the Elves to ruin."  "But also they [rings of power] enhanced the natural powers of a possessor – thus approaching 'magic', a motive easily corruptible into evil, a lust for domination."  "Very slowly, beginning with fair motives: the reorganising and rehabilitation of the ruin of Middle-earth, 'neglected by the gods', he [Sauron] becomes a reincarnation of Evil, and a thing lusting for Complete Power – and so consumed ever more fiercely with hate (especially of gods and Elves)."  Now Sauron’s lust and pride increased, until he knew no bounds, and he determined to make himself master of all things in Middle-earth, and to destroy the Elves, and to compass if he might, the downfall of Númenor

"Also so great was the [One] Ring's power of lust, that anyone who used it became mastered by it..."  The Númenóreans attempted to take the Undying Land by force of a great armada in their lust for corporal immortality.

“Greed” is the disordered desire to consume (wealth, power); while “Lust” is the disordered desire to possess (something or someone). Lust is “consumption” and “action”, while greed is “hoarding” and “possessing”. Someone who is greedy wants more and more of something (not necessarily do anything with it); while someone who is lustful wants to do something with the thing it desires.

But “desire” that is not acted upon in Tolkien lore is not sinful, nor it’s a transgression of God’s (Eru) laws.

“The Original sin” (or “The Fall") is central to Tolkien world-building: “The dislocation of sex-instinct is one of the chief symptoms of the Fall [of Adam and Eve]”. And this means is that Lust is the “original sin”, and the gateway to sin, and from where all other sins originate.  

St. Paul writes "cupiditas radix malorum": “the root of all evil is cupidity". This is motivated by the fact that Eve ate the forbidden fruit because "she saw it, was beautiful". This explains why Christians have such a bad view of sex, especially when it’s not restrained by marriage.

There is lust for the forbidden fruit (the fruit from the tree of knowledge of good and evil that Adam and Eve were instructed not to eat in the Garden of Eden). This is when “sin” is first introduced into the world, leading to their banishment from paradise. The themes here are: disobedience to God, and succumbing to temptation (Devil).

And it’s the serpent that inflames Eve's lust, and "Rings of Power" wasn't even being subtle here (even the OST for this scene is called "The Fall of Galadriel"): 

“Lust”, in his biblical/catholic sense, is the misuse of the body, sexually. The opposite of “lust” is “temperance” and “chastity”. “Lust” is disorderly sexual desire, and the subordinated enjoyment of sexual pleasure (against God’s law). It’s not just promiscuity, but extra-marital sex, as well.

In the Bible, “lust” is thematized by adultery (because marriage is a sacred sacrament, and acting against it, it’s breaking God’s laws, hence being a “deadly sin”). We also see this sin in connection with “idolatry” (one of Sauron’s crimes in Tolkien lore), when characters (such as Solomon) take foreign wives, symbolizing the forsaking of one’s partner for another.

But the catch here is: Eve wanted to eat the forbidden fruit. She wanted to bite into it, it was consensual. She was tempted, and she succumbed to temptation, to lust.

This pretty much goes hand with hand what I wrote on my “Of sin and sinners” post, that made the purity police gone wild. Galadriel and Sauron’s dynamic is not only hyper sexual, but it’s being consummated as well, and that’s why Galadriel gets banish from Valinor.

Sauron ravishing Galadriel using a sharp object parallels another Christian event (demonic version): the Ecstasy of Saint Teresa.

Beside me, on the left, appeared an angel in bodily form…. He was […] very beautiful; and his face was so aflame that he appeared to be one of the highest rank of angels, who seem to be all on fire…. In his hands I saw a great golden spear, and at the iron tip there appeared to be a point of fire. This he plunged into my heart several times so that it penetrated to my entrails. When he pulled it out I felt that he took them with it, and left me utterly consumed by the great love of God. The pain was so severe that it made me utter several moans. The sweetness caused by this intense pain is so extreme that one cannot possibly wish it to cease, nor is one’s soul content with anything but God. This is not a physical but a spiritual pain, though the body has some share in it—even a considerable share.

This is, essentially, a description of a Catholic saint having an orgasm. The “lorebros” wanted the Virgin Mary that never was, and “Rings of Power” delivered. Iconic. And that probably provides the subtext to this unhinged expression over here:

Happy with ourselves, are we?

So, yes, in the end, Sauron did take Celeborn’s woman as foreshadowed by Season 1 with the “clams” scene in Númenor (1x03). And now that his blood is inside of her, stuff is about to get wild.

[halcyone-of-the-sea]

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[velvet4510]

Some see Beren as idiotic for relying so much on Lúthien’s dad’s blessing to marry her instead of just running off with her as she was willing to do … but you guys need to understand just how noble and un-toxic that is of him.

He doesn’t want to take her away from her family forever or force her to cut all ties with them. He knows there’s a chance her dad will disown her if he takes her away and he doesn’t want to put her through that. (Thingol never directly says this, but I think it’s possible he would’ve, considering that he’d literally rather send this guy to die than let him marry her, so if she were to disappear with this guy, he probably wouldn’t be happy with her. Either way, Beren is an understandably paranoid person.)

Plus it’s important to remember that at this point, Beren believes that Lúthien will outlive him by centuries - he has no idea of what is to come. So if he were to just take her away, he’d condemn her to eternity as an outcast from her family and people, long after his death. On top of that, he’s already a wanted man. Morgoth’s forces are hunting for him. So without her family’s support or the safety net of Doriath, Lúthien would be left all alone with the long-lasting consequences of being Beren’s widow during a time of war against the Dark Lord who already massacred Beren’s dad and friends.

Naturally that’s the last thing he wants her to have to deal with. How could he whisk her off for a few decades of bliss just to die and leave her with the burden of paying the price for HIS enmity with Morgoth himself while being an outcast from her people?

Thus, instead of running away, he takes the most dangerous path because that is the path that will allow them to be happy together without costing Lúthien her loving relationship with her parents or her safety net.

A lesser man would’ve just swept her away. But Beren doesn’t want Lúthien to lose or give up anyone she loves in order to be with him, or be left as an eternal target of Morgoth with no backup or support system.

Come on, ladies, that’s husband goals right there.

[green-apple-juice]

Lúthien x Thuringwethil, Modern AU, part 1

Actually, it’s kind of a spin-off from my angbang story, where Melkor is a rock star and Mairon is a jeweler—but now I want to talk about the girls. Beren’s here too, so I guess you could call it a polycule, though he and Thuringwethil only bond platonically over their love for Lúthien.

Firstly, I’ll start with my headcanons about who these characters could be in a modern world.

Thuringwethil is 25 years old and plays bass in Melkor's band, "Utumno." She wasn’t in the band from the start but was found by Gothmog, their manager, when they needed a replacement for their bassist. She's a big fan of rock music and started learning to play in high school, but wasn’t sure if she wanted to focus on a musical career. At one point, she even considered becoming an actress. That idea didn’t pan out, so she started working as a session musician for other artists.

She has trouble writing her own songs, which makes her feel insecure about dedicating her whole life to music. But when Gothmog found her—crossing paths in the studio—he immediately decided she’d be a perfect addition to Utumno’s lineup. She's beautiful, charismatic, and very stylish — like the cherry on top. And he was right. Fans noticed her and started to love her, not just for her beauty but also for how she behaves during concerts—how unhinged she can become, adding even more energy and magic to the chaos created by the guys, mostly Melkor, of course.

Other members welcomed Thuringwethil just fine; only Melkor thought she might feel out of place because of how she dresses: the first thing that comes to mind when you see her is vampire movies from the 2000s, or Dracula's brides. He thought it wasn't exactly what he wanted to see in "Utumno", because his band played a mix of heavy, thrash, and viking metal, famous for heaviness, brutality, and pathos. But he decided to trust Gothmog, whom he secretly considered smarter than himself. He didn’t regret it, because Thuringwethil wasn’t troublesome, especially when it came to professionalism.

Thuringwethil is a lesbian, and she's very touch-starved and can be clingy when she seeks comfort through physical contact. It might sound strange, but she usually chooses the guys to touch and cuddle with because she doesn’t see it as inherently sexual or romantic, just a way to bond with friends. This sometimes gets her into trouble if guys misinterpret her actions, but she knows how to defend herself if someone doesn’t understand the word "no." Over time, she formed a circle of friends who understood her well and didn’t try anything inappropriate.

When she joined "Utumno", Melkor became the main object of her "affections" because he’s big, tall, and buff, reminding her of a gigantic plush toy. She never says this out loud, and Melkor assumes she’s just trying to get on his nerves by following him around. But he’s not rude to her, and they could be considered a strange pair of friends.

One time, she unintentionally made Mairon jealous. He didn’t know anything about her and thought she was Melkor’s ex when he saw her clinging to him. That misunderstanding was cleared up quickly, but Mairon still decided he didn’t like her—though that changed over time as they met a few more times.

She had dated Ungoliant in the past, a tattoo artist she found absolutely charming, and was happy with her. Other people didn’t share the same sentiment, especially Melkor, because Ungoliant loved bringing spiders with her and leaving them in the most unexpected places, which scared him half to death every time. Thuringwethil broke up with her—not because she wanted to, but because Ungoliant had a serious problem with alcohol addiction and an eating disorder. It got so bad she nearly died and was forced to leave the city to return to her parents in a small town. Since then, Thuringwethil has been heartbroken and hasn’t been able to fully move on to start a new relationship, only having one-night stands.

Lúthien is 27 years old and comes from a very rich family. Her parents love her and would buy her the whole world—or at least part of it—if they want to. But despite that, she always wanted to gain some autonomy and try her hand at different things. She studied at university, where she met Mairon—who wanted to become a jeweler, and she studied art. They were very close; their friendship started because she noticed he was one of the few guys who didn’t try to hit on her and wasn’t annoying to be around. Later, she discovered it was because he’s gay and not interested in any woman at all, no matter how beautiful.

They also worked together as models, though Lúthien started first out of curiosity and a desire to meet interesting people. Later, she offered this job to Mairon because she knew he needed money, after moving to the big city from a small town and nearly overworking himself juggling multiple jobs. She’s also a very good singer, but she never wanted to work in show business and mostly sees it as a hobby that makes her happy.

She’s a kind and sincere girl, but she had to toughen up and learn how to be strong—partly because it was the only way to deal with an overprotective father, and partly because her beauty often brought trouble, forcing her to constantly reject unwanted advances from men.

Despite her charming and tender appearance, she could be compared to a sleeping volcano. She’s usually calm, but when provoked, her temper is something to be feared—especially if someone tries to hurt the people she loves.

She met Beren shortly after graduating from university. He’s a former war correspondent who was injured in the line of duty, losing one of his hands. He’s struggling with that loss, trying to find his place after everything he’s endured, and now works as an investigative journalist. He’s still driven by a need to expose the truth and make the world better, but he’s also dealing with trauma and adjusting to his new reality. They met at a charity dinner organized by one of Lúthien’s friends, who asked her to sing at the event. Beren fell in love with her immediately—not just because of her beauty, but because of her voice, too. He approached her, feeling like it was impossible to stay away or risk losing the chance to say even a few words. At first, Lúthien wasn’t really interested, but since he wasn’t rude or demanding, they stayed in contact and eventually fell in love.

Her parents weren’t happy when they found out their daughter had chosen a poor, disabled man who, in their eyes, couldn’t take care of her. They didn’t approve this relationship, but Lúthien had always been stubborn. She would rather live without their money than leave the person she loves.