#benny clark

[thatoneluckybee]

Two Options:

His full name is Benny Clark and Ben is just a nickname.

His full name is Ben Clark and we've missed the wonderfully horrific opportunity to call him Benny.

[misstycloud]

Can you do a yandere firefighter if that’s possible??

GN reader x Firefighter

TW- thoughts about jumping through a window. Burning inside building.

——————-

Was this it? you thought. Were you really going to die in an apartment fire, and so young as well? You hadn’t even had time to start collecting that crazy amount of cats into your home. All because your dumbass neighbour left the stove on.

You had been catching up on some TV shows in your bedroom with headphones on, so you didn’t perceive any danger until the burning smell attacked your senses. You connected the dots and rushed for the door and threw it open, but the fire had already spread through your floors hallway and blocked your exit.

Loud sirens screamed in the distance and pierced the ears of everyone unfortunate to be close. You backed away from the flaming hall and closed the door to separate you and the inferno for as long as possible. You needed to find another way out.

The windows! But when you looked down you only saw stone hard concrete 100 feet away. Right, you lived on the highest floor. How could you forget that? You certainly couldn’t jump, if you did you’d turn into mush for sure. But what choice did you have? It was that or burn to death, being turned into a pancake sounded less painful in a way.

You cringed at the thought. Perhaps you should make sure there was absolutely no other escape before resorting to that. But before you could start searching for other possible exits, the roof collapsed and spread ashened rubble on the floor. The fire was now licking at your walls and furniture, devouring it.

The suddenness of it shocked you and had you fall backwards to avoid being crushed. Coughing you tried to make your way to the window. It was getting hard to breathe. The smoke infiltrated your lungs and irritated them.

“Ah!” You cried.

Something hit you in the back and brought you down. It was heavy and you couldn’t get it off you no matter how much you tried. No, you thought. If you were stuck how were you supposed to pancake your way outside? There you laid wheezing on the ground as the different moments of life passed through your thoughts.

Your vision was getting hazy and the world around you was starting to disappear more and more. It was painful, the smoke. It was stinging your throat and made it sore. In your delirious state you could do nothing except call for help. Just as everything turned dark, you thought you heard the sound of footsteps and a voice scream something. If it wasn’t for the smoke and the fact you were going to die, you might’ve taken it for your name.

—————

A beeping noise awoke you. You tried to open your eyes, which were still groggy from sleep. There was a particular smell hanging in the air. It was a mix between a bunch of different things. Mostly noticeable a little bitter, with undertones of the artificial fragrance contained in soaps and cleaners. Definitively a kind of treatment facility. Must be a hospital, you thought.

Your throat killing you and felt like you hadn’t had an ounce of water in weeks, while travelling through the desert. The inner walls were scraping each other like sandpaper. You desperately needed something to drink. As on cue, a tan hand reached forward with a cup in its grasp. Your still adjusting gaze landed on a new figure you hadn’t realised were a simple three feet away.

The sight startled you somewhat and you would’ve moved back if your body would listen to you, you were completely won out. The man was a stranger, but there was something slightly familiar with him. Although you couldn’t put your finger on it. At least he let out a comforting aura through the warm smile, signaling he meant no harm.

He wasn’t bad looking, honestly. Though he was no model he sure had his good traits. The soft-looking curly dark hair being one of them.

“How are you feeling?” He asked gently.

You drank the water he’d offered you and coughed a few times before answering,“Um….fine..”

“I’m glad. The doctors told me you would be okay after they gave you all those medical stuff and rest, but I couldn’t keep myself from worrying y’know. Although you do have a sprained shoulder-“

As he said so, you realised the right side did feel a little funny. Shifting it you quickly accepted it really was sprained and you held in an uncomfortable hiss.

“-but it’ll heal within a few weeks since it wasn’t too serious. It’s lucky I found you and managed to get you out in time or your condition could’ve been worse than this and that would be awful.”

His everlasting rant about you and you well-being would’ve went on seemingly forever if you hadn’t cut him short. You put up a finger to halt him.

“Yes, yes, thanks for caring but did you say that you got me out? Like from the burning building I was stuck in?” You asked with furrowed brows.

The man sighed softly, almost a little regretfully and moved his eyes to the floor and then back to you. “Ehm, yes, it was me. Though there’s nothing to thank me for. Just doing my part. And besides, it’s you so...hehe” the last part he whispered quietly to himself.

You blinked in silence and stared emotionally at him. “Wow, thank you for saving me. I-I don’t know what I would’ve done if it wasn’t for you…” Actually meeting your saviour was more overwhelming than you ever thought it would be. Now it finally hit you properly what could’ve gone down less than 24 hours ago. You believed you could come to terms with your death; that was a lie.

Who could do that? Especially if it was in the way you thought you’d go. You lived however, and it was all because of the same young man seated next to you. You didn’t even know his name, so you asked. “Well, I’ll continue to thank you no matter what you say. So thanks again Mr-…?”

“Oh, you don’t have to use any formality with me.” The dark-haired man waved off any attempt of custom. Then he continued, cheeks turning a little red this time, “You can just call me by my name.”

“For real? I don’t know your name though.”

Your saviour bashfully ran his fingers through the thick waves on his head and nervously licked his slightly chapped lips. “Eh, I don’t think you remember, but we have met before.”

“We have?” You spurred your brain to let you recall any meeting with this guy that you forgot. Sadly your mind was not cooperating today and left you blank.

“Yeah, we actually went to middle school together.” He revealed and gave you a dopey smile.

You and him went to the same school? You didn’t think so. Someone like him would not be easy for many to forget and that applied to you too. Scanning his strong muscular frame, you were certain there was no one who fit that description. Did he mistake you for someone else? That could explain it. Once more looking at his brown hair and eyes, you said “Are you sure? I’m pretty sure I would’ve remembered you in that case.”

“You probably wouldn’t.” He chuckled and gestured to his body, ��I didn’t exactly look like this back then.”

“What, you weren’t one of those soccer or basket boys taking up the entire room?” You snickered at the thought of him being one of the schools meatheads. Despite him definitely having a lot of meat he didn’t come across as the stereotypical asshole type.

“No, I was quite the opposite actually. More like the silent shy type.”

You hummed in response, adding a nod to it. “I still haven’t gotten your name though.”

“Benny.”

‘What? Did he say Benny? Like the same Benny that got a boner during a PowerPoint presentation??’ You honestly couldn’t believe your eyes. Could the man in front of you truly be the same as the tiny boy you’d seen in your youth. If so, then shit has changed a great deal under all the years since then. The Benny from the past was but a small fragment of the one currently facing you.

You awkwardly laughed, scratching the back of your head stiffly, “Ahhh, now I remember. How have you been, it’s been so long?”

Benny smiled at your interest towards him and the fact you still knew who he was. It would hurt if you didn’t. He started feeling giddy inside as he began revealing what he was doing for the last decade.

“I’m good, not been up to much except work. Takes up time since you have to be ready and in shape too. I don’t have many hobbies either, hehe.”

While he explains, you notice that his gaze never strays away from you. Not even for a second. Most people tend to avert their eyes when in a conversation simply because it’s uncomfortable after some time, but it appeared that he was not like most people.

“Right, you��re a firefighter of course!” You did a little applaud to congratulate him on his success.

“Thank you, (Y/n), your praise is all I need.”

“Huh?”

Before you could inquire more about what he meant a doctor had swung open the door. He greeted the two of you and proceeded to ask you the normal questions; how you were feeling and such. Then he explained your condition and what happens to people who experience smoke inhalation. Thankfully with the right treatment and time you’d be as good as new. Therefore they saw no reason to keep you there, giving a paper containing a prescription to…Benny..?

“Make sure they get the rest they need and fresh air. Avoid anything that may cause an irritation to their lungs.” The doctor ordered before turning to you. “You got a good boyfriend there, kid. He’s a keeper I’ll tell you, completely out of his mind when he brought you here, cares a lot for you.” With those words, the medic parted with you and closed the door behind him firmly.

You immediately confronted your saviour, “Why’d he think you were my boyfriend, did you say that or something?”

Benny put his hands up in surrender, “No no, of course I didn’t say anything like that! They must’ve assumed it.” He defended himself.

You sighed, admitting it could easily just be them who put a label on your relation to each other. It wasn’t his fault. Yeah, why would he even claim to be your part enter to begin with? That didn’t make any sense. It’s not as if you were close back then and like hell there were any benefit from it.

Grabbing the sheet of paper from the brown-haired man, you sped read the words. “How am I supposed to heal at home if I don’t have one.” You scoffed. Now you had to find a place to stay, that was easier said than done. You could potentially stay at a friends but you didn’t want to dump all the healthcare stuff on them.

Apart from the lung coughing, you also couldn’t use your arm for a while. Not until your sprained shoulder has healed which would mean they’d be forced to help you out with different things. A deep voice woke you from your thoughts.

“If you don’t have a place to stay you can stay at my apartment!” Benny offered a little too fast, his tone made him sound like he was feeling bad for you but his face betrayed him. The expression on it was way too bright; it creeped you out somewhat.

“A-are you sure? I don’t have any money left so I can’t pay you, and you heard what the doc said, you’d have to take care of me-“

“- I don’t mind.” He stated firmly. “Really, I wouldn’t.”

You stared at him in shock. “No, you can’t actually mean that. We barely know each other, there is no-“

“(Y/n), please.” Grabbing you mildly by the shoulders, the young man spoke “Let me take care of you. It’s no biggie, I promise. And you don’t have to pay me, I want to do this for you. So please don’t resist, okay?”

Damn. What other choice did you have? Your apartment along with all your stuff was burnt to a crisp. You had no money and couldn’t work in your state. You didn’t wish to admit it but Benny was the best alternative; if not the only one.

That paired with the assures look he was giving you, there seemed to be no option than to yield and that’s how you found yourself nodding along to his proposal. You pursed your lips and turned your eyes to your clasped hands, at the same time the firefighter lit up with joy and laughed. “Thank you for giving me a chance. You won’t regret it, I’ll make sure of it.”

—————

Sorry this is shitty, Just tried to whip up something.

I’ve been bombarded with exams and it never seems to stop, it’s the reason I haven’t been able to post lately.

Can’t say when the next post is going to be but I’ll try to come up with something!

[batsydoodle]

little thing i actually love about superbat is that, since Bruce and Clark both have dark hair and blue eyes, fic authors can't just go ''the blue eyed one'' or ''the dark haired one'' the whole fic. It's more effort to come up with distinct descriptors, sure, but also so refreshing to not have to read a whole fic where a character is kinda named the bitch with blue eyes the whole time

[steviewashere]

Hey, QUICK! For science, who do y'all think should get married to Wayne Munson? (It's for a Steddie fic. I need to know.)

Eddie's invited to Wayne's wedding and is tasked with picking up the wedding cake from Steve's bakery. That's all the information I'm giving right now lol

[citizenscreen]

Jack Benny claimed he was asking Clark Gable for advice on love scenes in this photo taken on set of Tay Garnett's CHINA SEAS (1935).

[toytle]

ppl with wide-set eyes are so beautiful, they’ve got ethereal proportions like a fairy or doll or smth. esp if their eyes are on the smaller side, smth abt it just makes the entire face feel sm more welcoming

if your eyes look like this, i am giving you a kiss right in between. that’s extra smooching space babey !

[thegayhimbo]

Stranger Things (1x01): "The Vanishing of Will Byers" Review

NOTE: Two years ago, I announced plans for reviews for each of the Stranger Things episodes before S5 premiered. Because of multiple obligations that came up in those years, from work, to training for a marathon, to plans with family and friends, to dealing with other personal issues, this kept getting pushed back multiple times. Now that I have the opportunity this year, I'm aiming to do a full in-depth analysis of each episode, along with analysis of the characters and story arcs present in each season, while also speculating on how the Duffer Brothers plan to end the show.

I will admit that I did a semi-review of the first episode (split into two posts) back in November 2023 in honor of Stranger Things Day. However, at the time, that was me experimenting with a different review style rather than the in-depth analysis I want to aim for with these reviews (though I will be taking certain quotes from that particular semi-review for this specific episode as it does contain some interesting observations I took note of at the time). I have also done reviews for the tie-in materials Netflix, Random House Publishing, and Dark Horse Comics have put out, and given my thoughts on characters, arcs, and potential theories there (you can see my pinned page for links to those), but I also recognize not all fans will have read those materials, and the episodes hold more importance in terms of continuity and canon.

On top of that, another reason for the delay was researching multiple sources of media (books, movies, other TV shows, comics, etc) that the Duffer Brothers have cited as inspiration for how they wrote and structured Stranger Things, as well as how they crafted certain arcs and characters. These reviews will be citing those sources, and even doing a compare/contrast at times to understand why the Duffer Brothers went the direction they did, and whether (IMO) it made things better or worse. I also plan to do a deep dive into the themes the show presents, how those themes continue to be relevant to today's culture, and how the show acts as both a homage to the 80s as well as a deconstruction of it.

Before I begin though, there are a few points that need to be made:

1.) These will be long reviews because there's a lot to discuss. I will try my best NOT to split each episode into two or three posts and contain them to just one per episode. There will be no TL;DR however.

2.) I am writing these for my own interest and for the 4-5 mutuals who follow me (they know who they are). I'm okay if these get liked or reblogged by others, or if people want to leave comments, but I'm not writing these for a wider audience. This is my passion project for 2025, and I intend to enjoy it, regardless of others opinions. Which brings me to number 3.......

3.) I am fine with people disagreeing with my takes, or having dissenting opinions, but if you come on here being rude, condescending, belittling, or behave like an asshole, you're getting blocked. I will not indulge that behavior, and I won't even respond to you if you pull that.

With that out the way......let's get started:

In terms of a Pilot episode, not only do I think this is one of the best I've seen on TV, but it's one that's improved over time and has great rewatch value. There's a lot of subtext and foreshadowing planted in the first episode that not only comes to fruition later in S1, but also sets up aspects that are paid off in future seasons. I know the Duffer Brothers have said that season 1 was originally conceived as an anthology/miniseries (based on the original pitch and whether the show would get renewed), and given how nervous they were about whether Stranger Things would be a success, I can see why they would play it safe with Netflix at the time. However, there is evidence suggesting they had certain story elements and ideas ready to go if they were allowed to continue past season 1. At the time though, this season was "make it or break it" and if it hadn't gotten the audience and appeal that it did, it probably would have gone the way of Freaks and Geeks (a show also set in the 80s that the Duffer Brothers have cited as an inspiration for Stranger Things) in being cancelled before it could reach its potential.

Thankfully, that didn't happen, and not only did the show continue, but it also went forward with the same cast and crew that we would grow to love.

Part 1: Montauk vs. The Vanishing of Will Byers (and why changes aren't necessary a bad thing):

George R.R. Martin once said there are two types of writers: Architects and Gardeners. Architect writers are usually the ones who plan everything in advance to know what the structure is and how everything in a story is going to fit together. Gardeners are more spontaneous in that they will plant something and see whether it develops into anything. Obviously, they will tend to the seed (or in this case, the idea/story/character the writers has introduced), but it's more of a mystery how it will grow, or if it will blossom at all. Some plants/ideas grow into something beautiful. Others fall short. And some don't even make it out of the ground.

If I were to make an educated guess on which one the Duffer Brothers were, based on what their original script was (Montauk) vs what it evolved into (Stranger Things), I would argue they're the rare breed of writers/directors who fall in the middle of being both Architects AND Gardeners. Looking at the way they pitched Montauk in its original form, it's pretty clear they did have a general story planned out (like an architect), and even the original script contained planted ideas/seeds (like a gardener) that may or may not have panned out.

But just like any architect or gardener, that doesn't mean things are set in stone. If an architect discovers flaws in the blueprints (or realizes that the building plan isn't practical with how it's originally designed), they're going to go back and make changes. Same with a gardener: If a plant doesn't spring up or ripen, it doesn't mean they give up and abandon the project. Any good gardener will prune that which isn't working, or figure out why the plant didn't grow the first time and start again in a better environment.

And in the case of how Montauk evolved into this episode, and how they structured the rest of season 1, I would argue most of these changes were for the better.

Let's look at the original setting for instance: Montauk's premise is centered around the infamous mystery regarding The Montauk Project. These were a series of alleged experiments that took place at Camp Hero, a base owned and operated by the United States Air Force, in the town of Montauk, New York, between 1971 and 1983.

These experiments are chronicled in several books written by Preston B. Nichols, an alleged scientist who worked on the Montauk Project and claimed to have been witness to bizarre and inhumane experiments centered on mind control, time travel, alternate realities, psychics, and the apparent aid of aliens from the distant stars.

Having read the first book, Experiments in Time, and watched the documentary Montauk Chronicles (which is two hours of my life I'm never getting back), I can attest to this being a huge rabbit hole of conspiracy theories that have no solid evidence or concrete proof, other than the word of the author and the people in the documentary who claim they either worked at Camp Hero or were used as experiments in the Montauk Project. As a science fiction story, it's a mind-trip wrapped in a mystery, and I can understand why the Duffer Brothers would find it fascinating enough to write a show around. However, outside of that, the whole idea taken as fact (which is what Preston and the documentary aims for) is outlandish and even self-indulgent at times. Maybe this is just my cynicism talking, but after so many years of seeing people on both the Right and the Left fall into QAnon levels of thinking, or having moron politicians like Marjorie Taylor Greene and organizations like Code Pink spewing garbage conspiracies, I find that my patience is pretty thin in regards to topics like this.

All of this factors into why I'm not bothered that the show changed the setting from Montauk, New York to Hawkins, Indiana, as well as creating an original mythology for Stranger Things centered around Hawkins Lab as opposed to basing the entire show on a real-life conspiracy that some people would have swallowed wholeheartedly and claim was actual truth. The Duffer Brothers have admitted that the change in location was based on practicality, weather (Long Island is freezing cold during winter and it would have been miserable trying to film there during the season), budget, and having more flexibility with what they could do with a fictional town vs setting the story in a real town to correlate with specific events in the past and NOT have that break suspension of disbelief.

In spite of moving away from the premise of the Montauk Project, there are certain elements the Duffer Brothers kept:

1.) The Philadelphia Experiment (Project Rainbow). A.K.A The fate of the USS Eldridge in 1943. This was the precursor for why and how The Montauk Project got off the ground. While "The Vanishing of Will Byers" doesn't specifically mention this particular incident, it is brought up in the play Stranger Things: The First Shadow, and anyone who's seen the play can tell you that it is a MAJOR PLOT POINT central to the show's mythology regarding the Upside Down, and the characters of Dr. Brenner, Vecna, and El. If you haven't yet, be sure to check out the play, or even read my review if you're looking for a quick summary.

2.) The connection between someone with special powers and the monster that's unleashed as a result of their actions. In the book Experiments in Time, there was a psychic named Duncan Cameron who had worked on the project for years and, through the use of a transmitter connected to a chair that he sat in during sessions, was able to create physical objects with his mind. After Preston and several of his colleagues expressed misgivings about their work, due to how it was messing with the space-time continuum and the number of people they were callously sacrificing for the project, they formulated a plan with Duncan to have him use his subconscious to form a monster that would destroy Camp Hero. In 1983 (the same year the first season of Stranger Things takes place), Duncan unleashed the monster to cause chaos.

While the beast eventually dissolved into the Ether after power to the transmitter was cut, it resulted in the base being permanently shut down.

As evident by Stranger Things, there are parallels between Duncan and Eleven in that both have special powers and worked in a top-secret government facility. The difference is that Duncan was psychic whereas El is psychokinetic. Duncan willingly worked on this project whereas El was a prisoner for years manipulated into working on behalf of Dr. Brenner. Unlike Duncan, her release of the Demogorgon and opening the Gate to a different dimension was an accident and not premeditated, in contrast to Duncan knowingly opening a vortex in time for people to travel to different time periods. And while the monster unleashed on Camp Hero was a creation of Duncan, that turns out not to be the case with the Demogrogon, with El having nothing to do with its creation.

The Montauk script implies that the Duffer Brothers were originally planning to recreate the same story beats as Experiments In Time, even right down to the last scene:

I am curious is this was supposed to be the first appearance of the Mind Flayer before they moved it to season 2. If it was, 1.) I'm glad they waited for that reveal and didn't tip their hand too early (especially since they had planned for 4-5 seasons) and adhered to the rule of "Less is Better." And 2.) It gives the impression that characters like the Mind Flayer (and even Vecna) had been planned out from the beginning, and were eventually going to be introduced, regardless of whether they stuck to the Montauk mythology or not.

Alternatively, there is the possibility this may have been meant to reference the Radiosondes from The Montauk Project. Long story short, this was an alleged device created by the government that manipulated the amount of DOR (i.e. energy in a descending spiral) and orgone energy (i.e. orgasmic or life energy, similar to Isaac Newton's idea of Ether) in a weather-related storm. It's the idea that the government has a device that can control the weather.

Yeah.......it's easy to see why this didn't age well, and why I'm glad the Duffer Brothers went a different direction. Even this would have been too much, and sounds like something that belongs on a show like The X Files as opposed to Stranger Things.

Speaking of different directions, the original script was a lot gorier than this episode. We're talking about mutilated and burnt bodies once the monster is unleashed:

Even Will's encounter with the monster plays out differently:

It's interesting that the original idea behind the Demogorgon was that it acted as a disruptive metaphysical force that could cause a person to start bleeding profusely. As if its mere presence was something that mere mortals couldn't handle being around, or even looking at without suffering some sort of physical or mental breakdown. The Duffer Brothers have cited Lovecraftian horror as an inspiration for how the Upside Down and its inhabitants were structured, and that is shown in this episode with the slime, vines and rotting mold growing out of the Gate, as well as how the Gate itself breathes like it's a mouth sucking air:

In regards to the change with the Demogorgon, where they got rid of the "humans start bleeding if they're anywhere near it" aspect, it hearkens back to the principle of "Less is Better." One of the brilliant things the Duffer Brothers did was introduce the horror gradually, with season 1 paying homage heavily to Steven Spielberg and movies like Poltergeist, as opposed to immediately going for gory shock value the same way shows like Elfen Lied, True Blood, Game of Thrones, and The Boys did. It was inevitable this show would eventually introduce bloodier aspects, like the Flayed in S3 and Vecna's mutilation of his victims in S4, but those instances felt earned as the show progressed and moved away from lighter aspects in order to explore darker and more mature themes.

Part 2: Will getting dragged to the Upside Down

Parallels between Will's disappearance and Carol Anne's situation in Poltergeist (which is referenced in this very episode) have been drawn before, but there is another reference that often isn't brought up, which Poltergeist owes acknowledgment to for its story: The episode "Little Girl Lost" from The Twilight Zone.

Similar to Poltergeist, "Little Girl Lost" features a girl named Bettina Miller who disappears one night into another dimension. Unlike Carol Anne or even Will, this happens on accident when she falls through a portal at the wall of her bed. The main premise is still the same though: The parents of the disappeared kid desperately attempt to find where this portal leads and rescue them before it's too late. Like "Little Girl Lost," a dog is featured that's aware of the alternate dimension, but the big difference is that the dog in said episode (whose name is Mack) was able to follow Bettina into the other dimension and help lead her back to her parents whereas Chester, the dog in Stranger Things does clue Hopper into the area where Will disappeared, but isn't able to follow him into the Upside Down:

(Side Tangent: I think there was a story opportunity missed here with the dog. It's made ambiguous if its barking at the shed is because it was Will's last known location, or because it can sense Will's presence despite being in the Upside Down, or it's somehow aware of the Upside Down, but the idea of animals having some kind of sense regarding the Upside Down and the eldritch abominations that exist there and are hostile to it (similar to how living creatures flee the presence of the Nazgul in The Lord of the Rings) was ripe for potential. However, I am aware that the reason Chester disappears after season 1 is because David Harbour had problems working with the dog, so any potential for that story arc likely went out the window. Though if UD monsters start appearing frequently in the woods during season 5, maybe they might explore that arc again. Who knows?)

Carol Anne's disappearance in Poltergeist initially appears as a random accident, especially with the revelation at the end of the movie regarding where the Freeling family lives, but it's implied in the movie (and later confirmed by its sequels) that she was intentionally targeted by a monster called "The Beast" (who's later revealed to be a malevolent spirit named Henry Kane) for his own nefarious purposes. Interestingly (and something I'll discuss more when I review "Holly Jolly") the BTS photos of S5 that they've revealed of Holly and Vecna together (with Vecna even wearing an old-fashioned suit like Henry Kane did as a preacher) implies they might actually use aspects of the Poltergeist trilogy for what they do with Holly's story in season 5.

Getting back to Will, I've talked about this before in my review of The Other Side (which chronicled the events of season 1 from Will's perspective in the Upside Down, and is a comic I highly recommend reading), but given the revelations in season 4 regarding Vecna and the UD freezing in place on November 6th, 1983 (the same night Will disappeared), it changes the context regarding what happens to Will in this episode. Instead of it just being the Demogorgon randomly stumbling onto Will (the way season 1 initially frames it), it comes off like Will's disappearance was planned by either Vecna or The Mind Flayer (or both) for a yet unrevealed reason. I've held to the theory that Will somehow had to do with the Upside Down freezing in time. Or at the very least, there is something Vecna wants from Will. The fact that Jamie Campbell Bower has stated in interviews that Will is central to this whole conflict (something that was confirmed by the Duffer Brothers when Bower went to talk to them), as well as how both Noah Schnapp and Bower have talked about there's unfinished business between the two of them (Vecna and Will), only confirms that.

Part 3: Changes to Characters (and why it works better in the final product):

Just like the changes to location and story beats helped improve the show and allowed the Duffer Brothers more creativity in constructing the show's mythology, the same can be said for changes made to the characters that helped improve them and the story.

Take Dustin's arc for instance. In the Montauk screenplay, and the original outline the Duffer Brothers drafted before revising it, there was a great deal of emphasis placed on Dustin's weight and how would impact his character going forward:

I'm sure there are fans who have accused the Duffer Brothers of engaging in fat shaming, and while the original script is iffy on this (the line from the original script about how Dustin will be fat later as an adult doesn't help) the way the outline frames the fat shaming itself is in a negative light. It's portrayed as detrimental for Dustin, with him being made the target of bullying because of it, and having to work to gain self-confidence to overcome his insecurities surrounding it.

However, the way Dustin was originally written may have also been a callback to certain 80s characters who were the butt of jokes about their weight and eating habits, such as Vern Tessio from Stephen King's Stand By Me and Lawrence "Chunk" Cohen from The Goonies, and I can understand why fans would have a major problem with this, especially if the Duffer Brothers blurred the lines between calling out the fat shaming Dustin would've experienced vs indulging in it. Look at F.R.I.E.N.D.S for instance in its portrayal of Monica Geller and how the writers alternated between showing the negative impact fat shaming had on Monica vs the constant jokes made at her expense, and you'll see what I'm talking about. Or even Avengers Endgame and what they did to Thor's character in that movie.

So for me, I'm fine with the Duffer Brothers not going that direction because I'm wary about whether they would have stumbled into that pitfall. I also think the decision to write in Gaten Matarazzo's condition of cleidocranial dysostosis (CCD) works better and even helps raise awareness regarding genetic birth defects people have while also humanizing them, similar to the Eric Stoltz film Mask (1985) (another movie the Duffer Brothers cited as an inspiration for Stranger Things) and the way Rocky Dennis's condition was portrayed and how he dealt with it.

Likewise, the way they rewrote Lucas for the show, from an angry loudmouthed kid whose parents were getting a divorce (and was set to cause problems for the group later on), to a kid who's blunt about his opinions, undergoes positive character development, has a stable family and loving parents (Charles Sinclair is one of the few characters who doesn't fall into the "Deadbeat and/or Abusive Dads" club), and maintains his loyalty to the Party despite his disagreements with them works a helluva lot better. I also think the decision to reverse Lucas's crush on Nancy and giving it to Dustin was a good choice in hindsight since it freed Lucas for his future relationship with Max.

Mike also has some minor changes made to his character. The original screenplay talks about him having a birthmark on his cheek, making him a target for bullies, as well as a possible crush on another girl named Jennifer Hayes before he meets Eleven.

It's similar to the character of Sam Weir from Freaks and Geeks, who had a crush on another girl in school named Cindy Sanders (before Cindy revealed herself to be a jerk) and was also initially bullied for his physical appearance. I can see why they cut Jennifer from the script since she was superfluous as they intended for Mike to fall in love with El and have her be his first crush. As for removing the birthmark, that may have had to do with casting, the decision to write Gaten's CCD into Dustin's character and have that be the reason he's targeted by bullies like Troy and James, or they simply figured that having Mike get bullied for being a nerd was enough. In either case, one thing that they kept consistent with Mike in both the original script and the final product (which unfortunately carries over to season 4) is his passivity to bullies (though he certainly becomes a lot snarkier than he is here).

Interestingly, Will is the one character that remains consistent with both the original script and this episode. Aside from tweaking his encounter with the Demogorgon so he isn't pleading with the monster (and being horrified when it appears behind him despite having locked the shed door), his characterization remains the same. Just look at how he was described in the Montauk pitch:

This also carries over to the conversation in Joyce has with Hopper at the police station about Will's clothes and being referred to as 'queer.' The implication here is that, even if they had gone with the original screenplay, there was always the intention of eventually revealing that Will was gay. Maybe the revelation wouldn't have happened in the first season of Montauk, and they would have dropped subtle hints beforehand (just like the first 3 seasons did), but, contrary to the homophobic idiots out there who want to pretend LGBT+ people didn't exist in the 80s, this was the direction they intended to go with Will's character from the beginning.

There are other minor changes that work better:

Hopper's establishing character moment of waking up, smoking, and downing pills with beer is the same, but unlike in the original screenplay, this is the first image we see before we pan over to Hopper:

It's a small scene, but it makes a huge difference (especially on rewatch) in how the show quietly foreshadows WHY Hopper has become like this as opposed to in the Montauk Pilot (which doesn't mention this scene at all in the screenplay), helps make his initial apathetic behavior more understandable, and cues the audience in quicker to his depression.

Joyce's swearing and casual use of F-Bombs is absent in this episode, and the 1982 flashback of her entering Castle Byers to give Will tickets to Poltergeist is added in as a way of emphasizing her, caring, motherly side while toning down her impatient outbursts.

Jonathan's character also remains the same, albeit some minor changes, from how he was written in the original version: He still acts as both a loving brother and a parental figure to Will, as well as supportive of his mom. The difference is his reason for not catching that Will wasn't home the night before: In the Montauk script, it's because he was busy getting photographs developed and didn't come home until later. In this episode, it's because he picked up another shift to help his mom. It's a change that does a better job showing how Jonathan is forced to shoulder a lot of responsibilities for the family since Lonnie left. It also makes Joyce's frustration with Jonathan overworking himself more understandable, as opposed to the Montauk script where their exchange comes off like she's lashing out at him:

Mr. Clarke goes from a handsome teacher the girls fawn over to a more traditional science teacher with the same passion for his subject. The scene with him showing Mike, Lucas, and Dustin the Heathkit Hamshack Radio is also a new addition, which does a good job highlighting why the boys like him so much as a teacher, and also avoids them being publicly drawn out of their class to speak to the principal and Hopper over Will's disappearance. They also cut parts of the conversation with Mr. Clarke and Hopper in the woods that would have revealed when they both graduated. This was definitely for the best because the date of Hopper's graduation in the original script (1958) would have been a major continuity error when they wrote Hopper still being in high school for The First Shadow.

El's age is changed to 12 instead of 10, likely as a means of keeping El and Mike the same age for their relationship, and so they could later have El attend public school in S4 in the same grade as her friends, which the Duffer Brothers have admitted was an arc they'd wanted to explore with El for a while. There's also a reference to a Tommy that El calls her "little brother," which may have initially been a subtle nod to James Cameron's Aliens with the character of Newt and how she had a brother named Timmy who fell prey to the Xenomorphs. Considering that the Duffer Brothers have mentioned that all of the other special kids, with the exception of Eight, were dead when they initially conceived the story for Hawkins Lab, it's likely Tommy was meant to be Eight before they rewrote the character to be El's older sister Kali Prasad once season 2 was underway.

Dr. Brenner is noticeably not named in the Pilot script, and his dialogue is spoken by someone called "Agent One." The way he's described, along with the other two Agents, reminds me strongly Agent Smith from The Matrix. Furthermore, the script implies he has some kind of relationship with Eleven, and considering he's already calling the shots in regards to the investigation, it's clear Dr. Brenner evolved from Agent One, with the addition of having him be in charge of Hawkins Lab.

The biggest change in regards to characters (and one that the fanbase tends to fixate on) is how Steve's character is written here vs in the Montauk script, and by extension how that impacts the way Nancy and Barbara were written. I will go more in-depth about these three characters in the next episode, but there are important things to note here:

1.) Contrary to how the Montauk script killed Barbara off in the first episode, I prefer how they did it on the show where her role was expanded for two more episodes after this one, and we at least got the chance to know her better before her death. #JusticeForBarb wouldn't have the momentum it did after season 1 if it hadn't been for the Duffer Brothers keeping her around longer than intended and fleshing out her character.

2.) I hold that the conflict brought up between Nancy and Barbara about her interest in Steve, and how much of this is based on the two actually liking one another vs social status and how this relationship would be perceived by others, is a lot more nuanced than its been made out to be by the fandom. It also makes the motivations behind all three characters complex as opposed to shallow and simplistic. Had the show gone with the original Montauk script, it would have removed that complexity regarding Nancy's reasons for liking Steve, Steve's reasons for being interested in her, and Barb's ambivalence about the two of them getting together. That's not even getting into how "Popular Douchebag wanting to get into another girl's pants" is a trope that's been done to death way before Stranger Things was ever written, so it's nice to see this trope subverted instead of taking the cliche route of playing it straight.

3.) I will talk more about this in future episodes, but ironically enough, by rewriting Steve's character, they actually manage to improve Nancy's character. Rather than coming off as a shallow brat pining for the rich popular dude (while referring to Mike's friends as "losers" in the process) and ignoring all the warning signs that Montauk!Steve couldn't care less about her, she comes off as someone who is trying something new with her relationship with Steve, but also establishes boundaries and isn't shy about calling out Steve if she thinks Steve is behaving badly. We see this even before her make-out session in the bathroom when both she and Barbara express their disdain for becoming friends with Tommy and Carol (Tommy is still as shitty in the Montauk script as he is in the final product), indicating that while they might tolerate Tommy and Carol for the sake of Nancy's relationship with Steve, they do not like them (rightfully so), nor have any intention of becoming friends with them. Same thing goes for how she deals with preparing for Mrs. Kaminsky's test (whose named Mrs. Krietzberg in the Montauk script): In the original screenplay, she basically blows off studying, sneaks out of the house to go to a bonfire, and gets put in an extremely horrific situation as a result. In this episode: While she does flirt with Steve, she is pretty firm in telling him her priority is studying for the test, and even brings up the question of whether Steve actually cares about her, or if this is just "another notch under his belt." It makes Nancy look a lot more responsible and intelligent than she was in the Montauk script. Which brings me to Steve.........

4.) Again, I will discuss the difference between the sex scene between Nancy and Steve on the show vs how it was originally supposed to go in the next episode, but in regards to how they wrote Steve.......I will always maintain the direction they took his character was a better choice, not just because they cast Joe Keery in the role, but for the story as a whole. It's easy to write hateful characters who have no depth to them (looking at Troy, James, Tommy, Carol, Angela, and Jake to name a few 😒), but it's a whole different ballpark when you have to write characters who have unlikable qualities (or in Steve's case, start out with unlikable qualities), but also have hidden depths to them that show they have potential to be decent people and get the audience to invest in them. Steve is one such character, and a far more interesting one than the Montauk version.

Take for instance the difference between Montauk!Steve vs Stranger Things Steve: In the show, it's stated in dialogue to Barbara that Nancy and Steve made out a couple of times, establishing this relationship had been ongoing for a while, and leading to speculation about where they take things from here. Furthermore, the way Nancy and Steve's make-out session in the bathroom is filmed comes off as a lot more consensual (helped by the immediate jump-cut to Steve and Nancy in the bathroom following her conversation with Barbara) compared to the original draft where Nancy has NOT been in a relationship with Steve at this point, and Steve just comes out of nowhere and starts kissing her when she doesn't expect it. It doesn't help that the Montauk script already spells out what his motivations are:

The problem with this is it takes away any mystery regarding Steve's motivations. It also makes it hard to invest in Nancy's decision to sneak out of the house to meet up with Steve because we already know it's going to end badly for her.

By contrast, Nancy commitment in this episode to study for her test and Steve's volunteering to help her raises an intriguing question: Is he actually doing this because he cares about her, or is he doing this for selfish reasons? It's a question that drives part of the episode, and helps keep the drama fresh instead of one-note.

In regards to Steve climbing through Nancy's window (and making such a hash of it that even Mike is rolling his eyes while he leaves the house with his bike), I always took this as a homage to A Nightmare on Elm Street (and even watched the movie three months before bingeing the first season of Stranger Things) where the main character (who's also named Nancy) had a consenting arrangement with her boyfriend Glen where he would show up at her bedroom window to avoid her parents and she would let him in and later help him sneak out once they were done talking. Considering that Steve informed her about coming to her house around 8:00pm and Nancy let him stay to study, I'm not remotely interested in doing the hysterical pearl-clutching about the ethics of this like Steve-Antis on Reddit and Tumblr want to. 🙄

Finally, with the way the study session goes, it hearkens back to my previous points: Steve is being challenged by Nancy about his reasons for coming over, and unlike the original script that spells out Steve's sleazy motivation (and kills any interest in that version of the character as a result), this Steve shows a different side: He projects the cool, popular, IDGAF image that might have made other girls attracted to him, but when Nancy makes it clear she isn't really interested in doing anything sexual, he lays off and continues to help her prepare for her test, showing he DOES actually care about what she thinks. Add on the clumsy way he sneaks into Nancy's bedroom, combined with his "stealthy like a ninja line" (which wasn't in the original script), and the Duffer Brothers are already setting the groundwork of the image Steve projects to others vs who he actually is on the inside. I will happily take that kind of character study any day of the week.

Part 4: Subtext and Foreshadowing:

Like I said before, there's a lot that's set up in this episode, and it's fun going back and picking up on tibits that not only foreshadow what will happen in season 1, but also foreshadows later seasons and contains multiple 80s references.

The opening with the scientist attempting to escape the Demogorgon, only to be pulled through the roof of the elevator by it is not just a homage to Ridley Scott's Alien, but specifically to Brett's death scene in the movie:

The main difference is, unlike with the Xenomorph, we don't see the Demogorgon yet since the Duffer Brothers are adhering to the principle established in Steven Spielberg's Jaws: Waiting for a certain amount of time (in this case, a few episodes) before revealing what the monster looks like, and build anticipation and dread in the audience as a result.

In regards to the D&D campaign that introduces Mike, Will, Dustin, and Lucas, one thing I failed to notice first time around was the poster of John Carpenter's The Thing in the background. It can be assumed the movie is one of Mike's favorites since I seriously doubt anyone else in his family would have been fans of it. Even though it's likely meant as just a reference (and the whole idea of body horror and assimilation from a monster will play a bigger role in S3 with the Flayed), it does foreshadow the conflict that will erupt between Mike and Lucas in future episodes.

For those who haven't seen the movie, John Carpenter's The Thing centers around an alien threat being brought unintentionally into a research facility on Antarctica that has the ability to assimilate and imitate creatures and people, which it uses to kill off the human crew in gory detail. The two main characters are R.J. MacReady (played by Kurt Russell) and Childs (played by Keith David), and the main drama of the movie centers on their conflict over how to deal with this "Thing" as tensions grow and hostiles threaten to turn everyone against each other. Both characters have parallels to Mike and Lucas in that they both have the Party's best interests in mind, but disagree over how to handle it, and it eventually comes to a boiling point where trust is shattered. Childs is (rightfully) suspicious of everyone around him in the movie, similar to how Lucas is suspicious of Eleven when she's first introduced, and even clashes with Mike over his leadership and decision-making in regards over how this helps Will, similar to Childs's antagonism towards MacReady's leadership and how his actions are impacting the research crew. Likewise, MacReady and Mike act as the unofficial leaders of the Party, make decisions with the consent of everyone, but also take stances that put them at odds with the people around them. Both Mike and MacReady also share stubbornness as a trait, which becomes a problem later on when they're trying to rally their respective groups.

As for everything else in this scene (including both Will and Dustin), the semi-review I did over a year ago which talked about that scene in detail sums it up best, and I'm going to quote it here:

"They do a good job with the establishing character moments for both Dustin and Lucas in Mike’s D&D campaign: Dustin telling Will to use caution and cast a protective spell while Lucas insists Will fireballs the Demogorgon while he has the chance. Lucas’s strategy is to go on the offense while Dustin’s is to go on the defense. Specifically with Lucas, he uses that strategy in other situations he’s in: Like when Lucas kicks Billy in the groin in S2 after being pinned to the wall by him, or gets an axe to chop at the Meat Flayer’s tendril to save El in S3, or even how Lucas is the one who later convinces everyone to take the fireworks from the store to use as ammunition (which helps turn the tide at the Battle of Starcourt). By contrast, Dustin prioritizes the safety of the Party, from pointing out to Mike and Lucas that they might be walking into the same danger Will encountered when they later look for him in the woods, to telling Mike NOT to jump off a cliff when Troy threatens Dustin, to enlisting Steve’s help in S2 because he knows Steve will be able to protect them due to his size and skill with the bat, to rescuing Steve and Robin from the Russians in S3. This isn’t to say that Lucas is wrong and Dustin is right, or even that Dustin is wrong and Lucas is right. It’s merely noting they have opposite approaches. Each situation they encounter is different, and sometimes (just like with Will’s dice role) it’s really up to chance. Also (as noted later in the episode by Mike), Will took Lucas’s advice and used fireball as a means of protecting the Party instead of trying to save himself. He puts other people’s safety before his own. The comic book “The Other Side” (which focuses on Will’s perspective during the events of S1 while trapped in the UD) expands on this aspect of his personality by including several moments of him coming to the aid of others (including Nancy) while in the UD, despite knowing it would put him in danger. Also, regardless of Lucas insisting the role doesn’t count because Mike didn’t see it, Will still chooses to be honest with Mike. He knows there are situations you can’t cheat your way out of, or pretend didn’t happen (as he’s about to find out with the real Demogorgon)."

In regards to mythology related to the Upside Down, there are some references that could come into play in season 5:

First is the mention of monsters like the Troglodytes in this episode. While they may be a simple D&D monster reference, considering the final season is implying there will be an invasion of monsters from the Upside Down, the Duffer Brothers could choose to introduce new creatures that the Party could give these names to. Troglodytes in D&D are a reptilian-humanoid species that's known for their stench, their bloodthirst, their desire to prey on innocent travelers, their short-sited stupidity, and their inability to plan in the long run.

Their characteristics have similarities to the goblins in the Artemis Fowl series, especially in their ability to be manipulated by the antagonists in those books to creating general chaos and kill as many people as they can get their hands on. Since Vecna and the Mind Flayer have long since abandoned the stealth approach they used in the first two seasons, if they're looking for a direct brutal attack that will rake up a high body count and happen to have creatures in the UD similar to troglodytes, they will inevitably be throwing these at the military stationed in Hawkins.

Same goes for the Thessalhydra that's mentioned in the S1 finale:

Considering that the vision Vecna showed Nancy in S4 involved a creature with a "big gaping mouth," we will likely be seeing a version of the Thessalhydra appear in the final season.

Adding on to this, there's a reference made to Mirkwood from The Lord of the Rings, which is one of the places inhabited by giant malicious spiders. Originally, they had planned to introduce a new creature on top of the Demobats in S4 called the Demospiders:

Even though those plans got scrapped in favor of the Demobats, there's nothing stopping the Duffer Brothers from formally introducing them in S5. And considering that the BTS photos for S5 have emphasized Castle Byers and Mirkwood, I wouldn't be surprised if Demospiders made their appearance there. Just like with D&D, references and even parallels to LOTR have been dropped, and it wouldn't be remiss to use Tolkien's books as a blueprint for the direction they could go in S5.

Speaking of references, comics like X-Men and Fantastic Four are brought up in this episode. When Will races Dustin for instance, the prize is the X-Men #134 comic, which features the X-Men against the Hellfire Club (Wonder if that's where the Duffer Brothers got the name for Eddie's D&D club? 🤔) and contains foreshadowing for the S1 finale regarding the Demogorgon's eventual fate, as well as a direct parallel between how Jean Grey/Phoenix deals with Mastermind:

BTW, I actually bought the comic and now own it! 😁

Additionally, after Troy and James get done with making fun of Dustin for his CCD, Mike tries to make Dustin feel better by comparing him to Mr. Fantastic and trying to get Dustin to see his CCD as a cool superpower. This is a general theme that will persist on this show: That being an outsider or a nerd isn't a bad thing, and can even be a "superpower" if the characters choose to see it as such and use it. The fact these characters also go to the lengths to support and uplift each other in spite of the world putting them down (similar to the constant discrimination the X-Men face, which forces them to rely on one another for support) also strengthens this theme.

Speaking of uplifting others, let's talk about Benny and his encounter with El.

I didn't appreciate the significance of this interaction the first time I saw this scene, but given what's revealed in El's flashbacks to the Lab, the way she was bullied and abused by the other kids (with the possible exception of Kali/Eight who later escaped), and how she was groomed and manipulated by both Dr. Brenner and Vecna........El's interaction with Benny is probably the first time she's experienced any type of kindness and human decency with no malicious motivations behind it. I mentioned in my previous semi-review that I wouldn't be surprised if Dr. Brenner deprived her of food either as a means of getting results (which was the same reason he allowed the kids at the lab to repeatedly bully El) or as a means of punishment. That man was a monster, and one thing y'all are about to find out real fast is I don't have a lot of patience for him, or for the fans out there who make abuse apologies on his behalf.

In any case, Benny is an example not just of a decent person, but a perfect example of how to write a character for such a small role and still have them leave enough of an impact that the audience will miss them and be upset when they're gone. For all the flaws the Duffer Brothers have, they excel at this. Benny was one of them. Chrissy and Barbara were also great examples. All of them deserved better than the fates they were subjected to.

Speaking of which, there's nothing like human cruelty and stupidity to quickly snuff out compassion and decency, is there? 😒

I still hold the same opinion about Connie Frazier as I did before: Not only was her murder of Benny evil, it was downright moronic and caused so many unnecessary problems for Brenner and the government. Granted, I don't feel sympathy for Brenner or his goons, and I'm hard pressed to care they all suffered horrific consequences down the line, but damn! I pretty much summed it up best once before:

"I’ve questioned the logic of Connie killing Benny, especially because of how it drew unwanted attention (especially from Hopper of all people) when that’s likely the last thing Brenner and Hawkins Lab wanted. At this point, Benny was fully cooperating with Connie, and was about to give El to her since he believed Connie was from social services. There’s nothing in his conversation with Connie prior to his death that would’ve made her suspicious that Benny saw something he shouldn’t have, or that he believed there was something abnormal about El. It’s also notable that El doesn’t run when she first sees Connie at the door with Benny. She runs AFTER Connie shoots Benny. That implies that Connie was someone El hadn’t seen before, meaning Connie could have gotten El to come with her without fuss (and without arousing Benny’s suspicions) and then later hand her over to Brenner before El realized what was happening. If Connie had been ordered to kill Benny just for seeing El and wanting to keep her existence a secret, then at the very least, she should have waited until after they had El in their custody so that she wouldn’t be able to run away. Connie really screwed up here."

There seems to be an uneven ratio between decent people vs vile human beings. For every Benny, there's a Connie Frazier or Dr. Brenner or Colonel Sullivan in the wings. For every Chrissy, there are multiple Angelas. And for every Steve, there are multiple Billys and Jasons. 😒 I'm not just talking about on the show, but in real life as well. This past year alone has been eye-opening in that regard.

Part 5: Song Choices

It goes without saying I'm a big fan of 80s songs, and part of the anticipation I've had with the release of each season was based on what 80s songs would be featured in a given episode, and what context they'd be used in. Because of the sheer variety though, my aim will be focusing on songs that either are plot-relevant, are used to foreshadow certain story or character elements, or are connected to a character and what that says about them.

Two specific songs in this episode stand out: "White Rabbit" by Jefferson Airplane, and "Africa" by Toto. The first song plays when Benny is murdered by Connie, and El is forced to escape Brenner and his cronies. The second is played when Steve is helping Nancy study for her science test.

Like I've said, with the semi-reviews, in spite of their experimental nature, I did aim for analysis, especially in regards to the songs, and it's for that reason I'll let my quotes speak for themselves:

I love the song choice of “White Rabbit” by Jefferson Airplane for the scene where El escapes Benny’s restaurant. The lyrics to the song were inspired by the book Alice in Wonderland, and the natural curiosity Alice has when she explores Wonderland (similar to El’s curiosity about the world outside of the lab). However, it was also about the type of drug-induced “trips” you take when you get high on psychedelics. Grace Slick, front-woman for Jefferson Airplane, argued Alice in Wonderland contained metaphorical drug references, like the caterpillar on a psychedelic mushroom smoking opium, or Alice eating something that causes her to become “too big for the room.” The song itself was written and released in the 60s when psychedelics like LSD were being used, and those same psychedelics were taken by El’s mom, Terry Ives, during the experiments she did at Hawkins Lab while pregnant with El.

I would like to take this time to amend and add on to a comment I made in that previous semi-review about the way El was created: While she was conceived during the time Terry was being experimented on with psychedelics, we know from S4, as well as the events of The First Shadow, that Vecna's blood was an important factor in Brenner replicating these kids, and that said blood was transfused into Terry while she was pregnant, resulting in El having her powers.

Finally, there's "Africa" by Toto:

Another song choice I liked was “Africa�� by Toto for the Steve and Nancy scene. There’s always been a debate about what the lyrics mean (and from what I’ve heard, the band meant for the song to actually be about the continent of Africa rather than just a metaphor), but when I first heard the song years ago, I interpreted it as about a man being enamored by a woman, anticipating the moment when they get together, and wanting it to be a special moment. Given Steve’s interest (and flirtation) with Nancy in this scene, as well as his insistence to her that he doesn’t just see her as another notch under his belt and is truly invested in her, both he (and Nancy) want it to be a special moment as well.

All I'll add to this is the choice of song acts as a paradox in that it's oddly comforting, but also highlights the conflicting feelings in both Steve and Nancy about where their relationship goes from here.

Final Thoughts:

I know this review has ballooned, but there is (and always will be) a lot to talk about, not just in terms of characters and story arcs, or even homages to 80s trivia and media, but also in regards to real-life themes and how the issues that are brought up in Stranger Things continue to be relevant to today's culture. It's a big reason I'm passionate about this show, and why I want to discuss it.

On top of that, one thing I'm grateful that the Duffer Brothers carried over from the original Montauk pitch is this:

This, more than anything, is why I value this show, why I defend it against accusations that it's just "popcorn entertainment," why I argue there's more depth and intelligence to this show than people (especially on Reddit and Tumblr) give it credit for, and why I'm willing to go to bat for it (even in regards to writing choices I disagree with).

1 episode down. 33 more to go! 👍

[dopscratch]

guys i think i made a mistake (this is @junebugzjuniperr's fault i blame her)

(isaac thinks he's going nuts but he appreciates the optimism)

[jt1674]

[camyfilms]

OPPENHEIMER 2023

Now I am become Death, the destroyer of worlds.

[thatoneluckybee]

Polite reminder of that one time Benneth Clark t-posed and we all ignored it

[witchofthemidlands]

wizards vs aliens was ✨a show✨

(it's not letting my post show up with my tags so they are here:

[batsydoodle]

To every authors that write fics about Bruce getting turned into a cat and then have Clark end up taking care of him, know that you are perfect, appreciated, and oh so loved by me. It really is a case of ''holy shit two cakes!'' and babey I'm out to win this eating contest. I'll never tire of reading that same premise again and again and again AND AGAIN

[follow-my-literature]

Stories to Stay:

These are the stories that will remain.

However, they will currently all be taken down within the week. I need to rewrite some parts since I have lost each story's original plotline. Also, not all of them will be released at the same time. This is a long list of multi-part stories, and I want to give each of them the time they deserve. With so many live stories, it's easy to get specific details mixed up. **This is not the publishing order.

Godless Country — Whitey Winn x OC

Not Without You — Gally x Reader

Expression of Regret — Benny x Beth

Jojen and the Red Priestess — Jojen x Reader

Betrothal of Two Households — Jojen x OC

Memories — Aris Jones x Reader

Forever Beautiful — Donald x Reader

A Palace Full of Cranks

To Love a Crank Like You

Through Benny’s Eyes — Benny x Reader

A Broken Tribute — Vista Halide x Newton Snow

Late Night Confessions || one shot — Benny x Beth

Stalemate || one shot — Benny x Beth ------------------------------------------------------------ A Poll will be coming shortly so you can let me know what you wanna read first.

[angel-atelier]

I love Dina and Jane sooo much I gotta talk about them in my au

In my au after Dina burns down her house, she's kind of roaming around in a haze, obviously very traumatized from her lifelong abuse and the events of the whole night. She's so afraid of the police, even if realistically she wouldn't be worse off with them, she was taught to fear any authority that wasn't her family. Cops, cps, neighbors, you name it.

Jane's main priority is hunting jeff, but she does work for the government, so naturally she has to do other things or hunt down other killers.

Dina's murder of her father and stepmother is similar to some of jeffs murders, particularly when he first started and would almost always commit arson afterward. He still sometimes does, whenever it strikes his fancy.

Eventually, Jane tracks her down to a warehouse, thinking it's going to be the moment she feels she waited her whole life for, shes going to kill the man who took nearly everythingfrom her...and it's just a girl. A 15 year old cowering, dirty, bruised, and thin. Dina's dressed in soot covered clothing, she's almost catatonic. She doesn't speak to Jane. She only looks at her with horrified, suken eyes. She just can't do it. She can't kill this poor kid.

Jane can't just let her go though, she's still expected to kill her. Maybe she can work something out? She's not a danger to anyone besides herself, or atleast she hoped she wasn't.

To plead her case, she brings Dina, as is, with her back to her bosses. She begs them for mercy, she'll do anything for this kid to. They agreed on a few conditions. One, Jane must care for her and be her mentor, raising her to be her successor. Two, she has to undergo the same experiments Jane went through. Three, she will hunt down and kill her if anything goes arwy.

And so, Dina gets injected with liquid hate just like Jane did, giving her black eyes and enhanced strength. It was tough to watch, Dina didn't even get a choice. It wasn't exactly a painless process, either.

She drove home in complete silence with Dina in toe, eventually drifting asleep for the first time in days. Jane was bound to get an earful from Mary when she got home, but she hoped this was all worth it.

Working on a post similar to the ones linked in my pinned about Dina so look out for that

[gameofthunder66]

'Oppenheimer' (2023) film

watched 4/13/2024- 3 stars- on Peacock

91% Rotten Tomatoes