#benefits fucked up

[revelations-mp3]

Every supervisor I’ve had so far at this job has been completely useless when it comes to addressing my needs lmao. And it’s not like they had a bunch of people reporting to them, I’m literally the only one they have to manage and I’m not a difficult employee so not sure why it’s been so hard lol

[uncanny-tranny]

I recently had to do a project in one of my psych classes, and man, I knew that CBT was used for every little thing, but seeing over and over, "do CBT! CBT is the best for every mental illness!" was so jarring. I'm absolutely biased because of my own experiences, but I just don't think it's as universal a treatment model as it's touted.

If you didn't benefit from CBT, it's not because you're lazy or didn't try hard enough or lacked intelligence or foresight into your own needs. Frankly, it's a therapy model that (I think) shouldn't be the only readily-accessible model and among the only therapy models covered by insurance. Some of us should not be treated in a CBT model and that's okay. It's not a sign of poor character or unreasonable demands, and if you don't think it's a model that works for you, then it's your right to express that!

[florallylly]

less steve harrington "i try to be a good guy despite my past" and more steve harrington "i've always been a good person (albeit probs annoying asf), you just stereotyped me based on my interest in sports"

[snurtle]

I've been thinking about the templars lately. they were promised honor, virtue, told that they would be charged with protection of the innocent... And then those same people are systemically exploited and abused, abuse others because they're taught to regard everyone else as either sheep who need to be lead or potential threats. Never equals, except in their brothers/sisters-in-arms. They act as the guard-dogs and military arm of an entirely different organization that they're only a functionary member of but have no governing say in. Even the chantry aren't their equals- they function as the templar order's supervisors! And all this isolation and closing of ranks ends in disability, addiction, death, and abandonment by the system they spent their bodies in service of.

To top that off, retaliations against them just confirm the paranoia they were taught to embrace. It's probably a long hard road to get out of that hole.

Like, listen. the dichotomy of mage vs templars is a satisfying and easy one, but the system is tearing them apart too. have you ever heard of a retired templar?

at the end of it, mages and templars need to unite against the real threat. the chantry.

[ellie-ramune]

What makes me so mad about the whole James Somerton situation is that he was constantly throwing a pity party for himself because he wasn’t making enough money from videos and struggling financially as a result. While I couldn’t donate I always felt super sorry for him because he said his content was being suppressed by youtube because it was about queerness and made by an openly gay man. When he was finally getting sponsorships and made his film studio, I was so happy for him. A gay content creator being successful is so cool to see. The fact that he was making tens of thousands of dollars while spewing that sob story to us is so fuckin infuriating. I should’ve listened to my guts when he made that shitty video on fandom and gay shipping, WHY DONT I TRUST MY INSTINCTS WHY???

[followerofmercy]

I think Freminet has some of the most interesting dissonance in his self perception of any Genshin character.

Like, of the Hearthlings we know, he's one of the most emotionally mature and intelligent. Lynette might still have him beat, but after playing her hangout... I dunno. I think they're tied. Lyney is Crumbling, Alrecchino is. Well. Arlecchino. Everyone else is a deeply traumatized child or adult and Freminet seems to pretty regularly be people's emotional support. His character stories talk about getting his vision by saving a bunch of other kids on a dive that went bad. The Selkie event literally had him being a therapist for a grownass woman, citing his past experiences with all the other Hearthlings that have died or killed themselves. And he handled that situation WELL. Yeah, he seems to live in a fantasy, but goddamn he's alive and a lot of people in his position aren't so clearly something is working.

Either his or Lyney's character story talks about the time Freminet had reached out to Lyney to try to ease his burdens, which resulted in Lyney blowing up at him. That probably contributed to Freminet thinking he's not good at it, but I think the reason Lyney reacted so badly was BECAUSE Freminet is actually a good support. He can't allow himself that from the little brother he's supposed to protect.

Freminet seems to both cry and dissociate often, but like... Kiddo you are in fact the only person in this family actually processing your emotions. Lynette dissociates 24/7. Arlecchino. Lyney lies and tells everyone he's fine and would literally rather die than admit otherwise. In comparison, Freminet is doing FANTASTIC

Freminet also gets a lot out of helping people! Like anyone, he needs to feel useful and needed. He seems to be an excellent mentor to the younger Hearthlings and perfectly competent on his own, but when you put him in a room with Lyney and Lynette who baby him and insist that THEY take care of HIM, he withdraws into himself.

Like, Freminet by himself feels like a young man and Freminet with the magician twins feels like a teenager. I have no idea how old he actually is. Logically, he would be OLDER than them! He's been with the House much, much longer and his experience shows. I think it's fascinating that they love him SO MUCH and yet, they just Cannot let him help them. Which is hurting him.

(Lynette is much better about not babying him and that is probably why their relationship is so much better than Freminet and Lyney's. Also why she keeps having to mediate between them. Because Lyney charges off trying to Fix Everything and that just makes Freminet feel useless and he doesn't want to get in the way and- you get the point)

Idk. It's hard to tell what things the previous director said to him vs what Arlecchino has said to him. I'm inclined to think our Arlecchino was the one that said he cries too much, but in a "crying in front of your enemies will get you killed" way and she herself is too fucked up to realize how "you cry too much" could be damaging.

Also I try not to consider gameplay stuff when it comes to story, but Freminet also has some of the most BRUTAL animations. He SMASHES HIS EMOTIONAL SUPPORT METAL PENGUIN INTO HIS ENEMY'S FACE. He doesn't think he's the most amazing fighter, and by Fatui standards he probably isn't, but he is winning fights against most grown men.

Tldr Freminet thinks he cries too much and is a burden and isn't good at helping people when he's actually the most mentally stable Hearthling send tweet

[quadrantadvisor]

Alright new Jason Todd headcanons in a dpxdc setting:

Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.

Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.

(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)

I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.

[flowerakatsuka]

pov : you're the rest of the sextuplets meeting kuroba for the first time.

[corsairspade]

Halenthir scenario where they get married for tax benefits (in a platonic good friends sort of way) and fall in love long distance via sending each other letters with ideas on how to best leverage their marriage for tax evasion.

[syn0vial]

as much as i enjoy legacy of the force and overall don't mind its retcons of previous boba fett media, the one change that i just can't stand is a tiny alteration karen traviss makes to boba fett's childhood as told in the junior novels. in the junior novels, jango keeps a pet eel in his apartment, which needs to be fed live rodents known as "sea mice." boba does not like the eel at all because he empathizes with the feeder mice, to the point where, when jango tries to make him feed the mice to the eel himself, he starts feeding the eel his own food and trying to smuggle the mice to freedom. and when the eel is eventually killed in the story (not long before jango's own death), boba's only thought is "good riddance."

yet, when karen traviss retells these events in legacy of the force, she says boba was fond of the eel, not the mice. which is just!!! such a huge missing of the point!!! like, yes karen, making boba fett fond of the predator in the equation rather than the prey makes more sense on a surface-level reading, but it totally eliminates all of the tragic, ironic weight of that contradiction in his childhood: that this little boy, who idolizes his bounty hunter father, can't stomach the thought of an animal killing something else to live and despises that animal for it. the point is that he's naive and doesn't fully grasp the horror of what his father does and what he's being raised to do, the point is that we know that this is boba fucking fett and that this innocence tragically will not last, and the point is that one of the most notorious killers in the galaxy started out as a kid who literally could not even stand to harm a mouse.

like for kark's sake, karen, how's it feel to be out-nuanced by a novel for nine-year-olds

[coolcarabiner]

lesbians who are terfs will never make any sense to me crying about the supposed exclusivity of the “female experience” like my brother in christ she experienced an othered, lonely, confusing childhood where she was made to feel inadequate in her gender, sexuality, or both just the same as you and instead of letting this unify you against patriarchy you just enforce it on other people to maintain the sliver of “power” you think you have. how do u not see how dumb this is oh my god

[dukeofthomas]

"They were never really that close pre-death" "Dick was mean to Jason before warming up" etc etc are the worst Dick&Jason takes possible. Why would you even say that about them

[weaponizedducks]

in s2 charles should just keep comparing him and edwin to old tragic love stories he never finished. patroclus and achilles. enjolras and grantaire. hamlet and horatio. quinn fabray and rachel berry. keith kogane and lance mcclain. it just goes on and on and every single time the room goes silent and everyone just slowly stares at him

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[woodchipp]

Sonic media don't make Eggman a joke because you need to prop up another villain as a credible threat challenge (IMPOSSIBLE)

[stars-n-spice]

Y'all think Hunter's enhanced senses work like Spidey Senses?

Like when he's not 100% or something he starts to lose them Tobey Maguire style?