#beetz

[dickfacemcguffin]

Why was she wearing makeup to bed in that last scene

[rtfics]

A friend sent me these.

Unmute.

Apparently this was Warner Brothers' response.

[girlbeyondthegrave]

I Watched Beetlejuice Beetlejuice a Third Time: More Things I Noticed

Here’s my previous list for those that haven’t read it. Enjoy!

A lot of people on this post I made thought that the dog in the MacArthur Park sequence was Taco from the Ghosthouse segment where Beetlejuice appears in the audience. I am sad to report this is not the case. Taco is a chihuahua, and the dog that appears is more of a terrier. However, some people on Reddit wonder if the dog is the one that ran out in front of the Maitlands’ car and killed them. I haven’t rewatched the first movie yet to check.

When Beetlejuice stitches Lydia’s mouth shut, she’s more exasperated than afraid. She literally tries to yell, “COME ON!”

Beetlejuice looks so offended on Lydia’s behalf when Rory calls her codependent. Like, “Is he serious right now? Get him, babe!”

Beetlejuice appearing before Delia can finish summoning him furthers the eavesdropping theory I made in my earlier post, and if we go off that theory, we can explain by Beetlejuice wasn’t that bothered by being summoned away at the wedding. He’s overheard Lydia’s desire to take her relationships slow and her reluctance to marriage. (Which is most definitely because of him and the fact that the last living person she loved tragically died—even if their relationship was over before that point.)

In the film, Beetlejuice is the ONLY person that agrees to help Delia find Charles, which we see her do at the end of the movie. This means that Beetlejuice kept his word and helped Delia, and he didn’t keep her away from Charles after the wedding fell through.

“MacArthur Park” plays when the studio intros roll, during the wedding sequence, and the end credits—three times when we have three different iterations of Beetlejuice and Lydia’s dynamic, fun fact. This is meant to be their song, and although the song is about a doomed relationship, this part sticks out to me: “After all the loves of my life / You’ll still be the one.” It doesn’t matter if Beetlejuice gets the timing right. It doesn’t matter if Lydia marries him. He considers her “the one.” He’s always going to wait for her, as conveyed by “Right Here Waiting.”

Astrid opens pages about violation 699 and summoning sandworms via trapdoors. I understand that was meant to “foreshadow” later events and explain why she knew how to do those things, but the terms for 699 are barely on-screen, so it’s hard to catch the part where it lays out how bringing Lydia illegally into the afterlife makes her contract null and void.

When Delores appears at the church, there’s a huge gust of wind, and the Handbook moves, but NOTHING ELSE MOVES with that precision until Delores moves Lydia away from the altar. This is kind of a stretch, but I personally think it’s possible that Beetlejuice saw Delores, and he purposefully sent the book in Astrid’s direction. If we go off my eavesdropping theory, he clearly knows Astrid is a smart girl. Plus, he stopped her from getting to the book earlier, so he knows it’s a threat.

When Beetlejuice has a dramatic entrance or exit, it’s very intentional. He does a whole dramatic couple’s therapy bit for Lydia and Rory. He does the earthquake through the model with a slow rise from the smoke. But we’ve also seen him appear in straightforward ways, too, like how he appears randomly to spook Delia. Beetlejuice controls his entrances and exits, and so his dramatic exit at the end is intentional. He allows Lydia to send him away. He makes a big show of it. Lydia has been manipulated by Rory for years. He’s tried to control her and stifle her. When Beetlejuice lets Lydia send him away and makes a big show of it, he’s demonstrating the amount of control he’s giving to Lydia. He goes because SHE wants him to, not because he can’t stop her from saying his name.

(Editing to say that this post confirms the dog is Tim’s dog.)

[jackie-gremlin-ghost]

People on TikTok coming into the Beetlejuice fandom since the new movie came out: OMG WHY ARE PEOPLE SHIPPING BEETLEJUICE AND LYDIA NOW?! WHAT A BUNCH OF FREAKS!

Me, who’s been in the fandom since 1999:

[iz1331]

Betelgeuse, to Lydia: You wanna fight? All right, let’s take this outside. The stars are so bright tonight and the moon looks so nice. Here, hold my hand—

[deadly-vu-cosplay]

I love to draw Lydia and Betelgeuse dancing. So I'm practicing a bit more, haha ♥

[itsaship-literally]

It’s A Ship - Literally Revisited

As many of my long-time followers and friends know…

THIS BLOG supports the POTENTIAL FUTURE of Beetlejuice and Lydia.

In the past, I have written posts about WHY we ship Beej and Lyds, specifically here on this blog, when there are so many controversies. It needed to be cleared up many times because, with every new piece of media, there comes opposition, which is totally understandable if you are not used to supernatural or horror-themed romance tropes.

I am here to help break it down for all the new fans sitting back and trying to figure out the ship's where, what, why and whens.

Here we go!

Movie verse:

Many of us were young when we met Beetlejuice and Lydia for the first time. Some latched on to and related to a young Winona Ryder. It was a vibe, and while we are well aware that in real-life terms, a teen is not ready to be involved with a 600+ ghost (cuz that’s an option 🤣), we couldn't help but find the allure in the Living Meets Death dichotomy. As you will undoubtedly see, this is a running theme in the fandom.

We had countless reunion fics featuring an older Lydia (sometimes by years, sometimes by months) reconnecting with her villain/antagonist. Many were dark fic, some light and fluffy and some off the wall chaotic, while some crossed over into the MoToon verse (yes that is a thing)

So here we are, more than 30 years later, and our pair reunited legitimately on the big screen. It was beautiful and, without giving away any spoilers since this new piece of media is still fresh, it gives us more to play with because, let’s face it, he is not done haunting her.

With this movie universe, there is still potential for this ship to thrive. (And that’s not just because Winona and Michael are down. I still am in shock over their revelations)

Toon Verse:

Yet another oldie that many grew up on. This one is a hotbed for both friend-shipping and Relation-shipping.

Here, we have a long-term bond that can be wholesome, platonic, romantic, complicated, or, on occasion, dark and twisted.

Stories have ranged from childhood crushes to outright possessiveness. The fanart from cute fluff to… well… rule 34.

Lydia is young in this cartoon. We are aware of that and in any cartoon fandom, aging up is par for the course. It is expected (and preferred by many) that any stories of romance happen in circumstances outside of the toon cannon.

Age issues aside, we cannot deny that BJ adores her. The man has an entire shrine in his head, idolizing this twisted, weird girl that, once again, many older fans related to. He would do anything for her and has proved it many times. The chaotic dead man with no shits to give will give up freedom and wealth and go against his nature to make her happy.

How can we not find the potential for a future of these two goofballs?

Musical Verse:

This universe combined the goofiness of Toon with the antagonism of the movie—a nice combo that I and those we call MusicalBabes enjoy.

Regardless of what the cast believes or feels about the shipping subject, they are working with a pair of unseen, attention-starved, chaotic nut jobs—a compliment, not disparagement.

Beetlejuice and Lydia need each other. They were miserable before they met and would have continued to be so had they not entangled themselves in the other’s existence.

Living and the dead, once again, need each other to balance their lonliness.

Does musical verse have ship potential? Hell, yes, it does. (Also, this is the only piece of media where the wedding actually went through)

Just a few Common Tropes In This Ship: (there are so many more than this)

Mayfly/December Romance (also see: May/December and Age Gap)

Reincarnation Romance

Death and the Maiden (also see: Monster and the Maiden)

Beast and Beauty

Ugly Guy, Hot Wife

Boy meets Ghoul

Why the name Beetlebabes?

Read: Beetlebabes: A History

To find more ship related content use: Beetlejuice x Lydia, Betelyds (alt. Beetlyds), Beej and Lyds, Beetle and Babes, Beetz and Deetz (or more simply Beetz) are the original ship names. BeetleBabes, MovieBabes, ToonBabes and MusicalBabes are all relatively new.

This blog often uses Beetlebabes but it’s not a hard fast rule that it will be on every post.

The goal of Its A Ship - Literally...

I created this blog many years ago (around 2016) to collect all the goodness in the fandom. Memes, art, fics, fan theories. I picked up the ship names and used them as tags. Gathered as much as I could from Tumblr posts, in all universes, and tried so hard to stay neutral amidst the internal fandom drama. (give or take a few misteps, iykyk)

The only goal I have here is to collect and share and boost all universes. Movie, Toon and Musical, including the mini verses of MoToon and Graveyard Revue if I can find it.

I do this for fun, to destress and play internet magpie with shiny beetle stuff while I stuff everything into the queue.

Lots of love to you guys. And as always, please show love to your fan creators. Credit them and boost the signals. These creators do so much hard work.

- 🪲 - 🪲 - 🪲 - 🪲 - 🪲 -

Previous Posts Like This: Because It Needs to Be Said Yet Again (2017) | One More Time (2019)

[beetlebabe]

Big Hugs 💕

[poesdaughter]

Ohhhhhhhhh you KNOW the hyperfixation is coming back and DIGGING ITS ROTTING CLAWS BACK IN when you begin scheming a fanfic and haven't written for ANYTHING in an AGE AND A HALF

[cerealjam]

Beetlejuice 2 was peak

[rawrbot]

Hadn’t drawn my actual sona in a WHILE, ,,

So!

[rtfics]

He dies for her.

[feochay]

[girlbeyondthegrave]

The Parallels Between Astrid and Lydia and What They Say About Beetlebabes: A Metaphorical Interpretation of the Final Dream Sequence

I previously made a post where I wrote about my interpretation of the dream sequence being inspired by Lydia and Astrid’s literal futures following the film, but after reading @theblacklistforever97 ‘s metaphorical interpretation of the final scene, I wanted to explore what messages Burton may be trying to convey. I think that we can find a strong message when we look at how Astrid’s time in the film parallels her mother’s experiences as a teenager.

The main takeaway from the linked post is that dream sequences often reveal the inner desires of characters, but I think that the parallels between mother and daughter can, too.

As teenagers, both characters are strange and unusual in their own rights. Lydia is iconically goth and melancholy with fascinations with death and photography, while Astrid reads classic Russian literature and wears edgy clothing. Both are shown to not fit in with people that are considered “normal.” Yet they want to feel embraced and have someone truly see them.

Lydia’s family writes her off as weird, and when she starts to bond with the Maitlands, they vanish for three months. She feels used after the incident at dinner.

As soon as Beetlejuice looks at her, he’s interested. His full attention is on her. He says she looked like someone he can relate to, and when Lydia basically says she wants to die, he’s genuinely taken aback. He doesn’t have to offer to talk about that with her, but he does. Beetlejuice genuinely values Lydia’s life, and he wants her to live it. There’s also no mention of marriage during that first encounter. He just wants Lydia to let him out—no mentions of being out permanently either.

But in their next encounter, Beetlejuice wants out for good, and he chooses Lydia to be tethered to in marriage. He’s downright gleeful when she talks to him again. It’s entirely possible that Beetlejuice only wanted to be out permanently after he met Lydia, and he’s enamored with her. We know now that he’s gone 600 years without romantic love, and that reframes his eagerness to marry her. He’s been carrying that ring around for hundreds of years, and he finally found someone he thinks is worthy of having it.

People could argue that Beetlejuice was using Lydia and had no real romantic interest in her, but after the sequel, there’s no denying that he has sincere feelings for Lydia. I detail a lot of his and Lydia’s moments in a separate post, but TLDR: Beetlejuice calls Lydia the love of his life and waits for her. He absolutely adores this woman, and he just wants to be with her.

Astrid’s relationship with Jeremy serves as a foil to Lydia and Beetlejuice’s. Jeremy feigns interest in Astrid to manipulate her into trusting him. He values her life only in the sense that he wants to take it for himself. He appeals to her desire for someone to understand her, but it’s not genuine. He lies about the incantation and uses Astrid’s desire for closure regarding her father to get what he wants. He had no intentions of being with Astrid; just using her for his own gain.

There’s only one man who behaves similarly to Jeremy in the film, and it’s not Beetlejuice—it’s Rory. While Jeremy wants to literally take control of Astrid’s life, Rory figuratively controls Lydia’s. He guilts her, he manipulates her, and Lydia has lost a lot of the spunk and fire she had as a teenager. Rory appeals to her emotions just like Jeremy does with Astrid so he can reach his own goals. He doesn’t believe in Lydia, doesn’t listen to her. It’s all an act to get to her money, just like Jeremy pretends to be the caring living boy to get Astrid to sign her life away.

If we look at the dream sequence metaphorically, the parallels between Astrid and Lydia make a solid case that Astrid is meant to reflect Lydia’s inner desires. Dream Astrid meets someone that matches her eccentric energy, who truly sees her, and they get to live happily ever after. Let’s also note that the boy is wearing a vampire costume, a monster that’s known for invoking fear, yet that’s the moment that captivates Dream Astrid. And even when a monstrous BabyJuice pops out of her, she smiles and accepts him as her own.

Beetlejuice sends a clear message here: if Lydia wants to feel fully seen and appreciated, she needs to find someone that matches her energy. He wants to be that someone, and he’s proven that his affections are far more genuine than Rory’s. He’s already accepted her, but she needs to accept him, too. He truly believes that if she can accept the connection they have, he will make her happy.

[bloctg4]

You've been posting Zelda stuff so I'm sending this to you

Tá bodhrán aige???

SLÉ BEETZ BUAIL AN BODHRÁN SIN

thaitin an side quest sin go mór liom btw

[deadly-vu-cosplay]

Alternative Universe ♥ Movie! Cartoon! To be honest, I love both