#been meaning to make more for more characters but it's as i have time and inspo y'know how it is

[infinitelystrangemachinex]

Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.

[stupidcanofpeaches]

this is actually making me think so many things about their relationship. like this is probably what it was like in calmer times. jimmy's manipulative and extremely dependent on curly, almost obsessed with him, both hating and idolizing him as this sort of perfect figure, almost christ-like in just how kind and good of a man he is - in jimmy's mind, curly readily offers himself as a villain just so that jimmy can be a hero (also more of a side-comment but i find it really neat how jimmy's perspective poisons all character interpretations - his conflicted yet adoring view of curly is most likely the main reason why some of the fandom also view curly in this sort of white or black morality system, where a lot of people also make him out to be this mister perfect guy who did everything he could and fell victim to jimmy's scheme, when curly is definitely not innocent and played a huge part in what happened on tulpar - they view him as entirely good, just like jimmy, instead of a flawed, average man with his own issues. anyway.)

it's established that they are good friends - best friends, even, going off of curly's behaviour, have been for years. which means that jimmy had years to normalize his behaviour to curly - to foster and nurture this sort of acceptance and depedence. like with many abusive relationships, it probably started small and then just grew over time - and curly's far too kind, far too accepting, and was all too receptive to jimmy's many issues and abrasive nature. so it probably went from those small things that curly felt he owed jimmy for and then escalated until the connection was established and was impossible to sever.

it's a similar sort of dynamic to emotionally slash mentally abusive relationships where the partner suffers but is so used to it it's easier to close their eyes because this is normal - oh he's just tired, he didn't really mean that, he just has some anger issues, it's not that bad. curly is an enabler - that much is true. curly is not a good man. he's not a paragon of virtue. he allowed this to happen. but i would also argue that he became an enabler because jimmy lovingly molded him into one over the years.

i think that at some point it also became a sunk cost fallacy issue - curly genuinely believes in jimmy, that he can help him, that he can fix him, because they've been good friends for so long and curly cannot give up on him after all this time. there were also probably times when jimmy did do something good and nice for him in return - like that thing with the cake that jimmy made for him, along with curly's other friends, so the relationship did not feel as one-sided as it probably was. anyway i think that jimmy is manipulative and abusive to curly as well, just on a scale that was smaller and more constant, persistent, to the point where both of them normalized it with jimmy's nudging into the direction he wanted it to go. their flaws fit together perfectly and it was bad and normal until it was too late.

hell, not to be a jimmy apologist (derogatory), but it's entirely possible that jimmy wasn't even doing that consciously and purposefully - while he is manipulative and self-centered to a horrendous degree, he's also not exactly an impeccable master manipulator or a complete narcissist the way he's sometimes painted as. the only one out of the crew he's really able to fool, besides curly who was exposed to him for years, is daisuke - who's young and naive and of course he trusts the authority figure that's higher in rank when jimmy pushes the right lever. jimmy's pathetic and self-serving and he feels small and curly is just way too nice and is conviniently always right next to him - and seems willing to take whatever jimmy hurls at him, all because they're friends.

additionally, look at how curly basically ignores jimmy's remark about how annoyed it makes him feel when people keep saying how great curly is - makes me think it's far from the first time jimmy made a disparaging comment like that. one could even interpret the way curly bonelessly accepts the things jimmy does, without ever really pushing back hard - only ever attempting to defend himself at the birthday party after jimmy's outburst - as curly being at the very least apprehensive or fearful of what an angry jimmy might do. because curly knows that jimmy is unstable - so maybe him never really doing anything even after learning the magnitude of what happened to anya isn't just him trying to keep up appearances and placing jimmy above anya or protecting jimmy because jimmy is his friend. i think that it's entirely possible that curly's passivity is him attempting to appease jimmy, as is typical for someone on the recieving end of an abusive relationship.

just to reiterate, this does not excuse curly. he's not this great, perfect nice guy or a perfect victim. he did not deserve to suffer the way he did but he is the one who ultimately caused the tragedy by his inaction. he failed anya, most of all, and the rest of the crew miserably. but i do think that an abusive dynamic between him and jimmy would explain a lot about his passivity.

Uhh what funny do I write here like haha

[ryescapades]

*ੈ‧₊༺ “YOU’RE SO GORGEOUS I CAN’T SAY ANYTHING TO YOUR FACE!”

— karasu and his shy girlfriend!

characters: karasu tabito x fem!reader contents: fluff, teasing, reader visibly blushes a lot notes: i feel like this is my first time writing for shy!reader wth <900 wc | requested

“you’re starin’, babe,”

you’re snapped out of your reverie, gaze clearing out of your daze to look at the man in front of you. your cheeks burn, turning pinkish when a small smirk is thrown your way. “s-sorry! i was just, uh - yeah…” you trail off, deciding not to voice out your thoughts when you realize how weird it’d sound.

your boyfriend raises an eyebrow, skeptical at your deflection but he continues rummaging through his closet in search for a piece of shirt to wear nonetheless, fresh out of the shower after the grueling practice he’s had.

unfortunately for you though, that means he’s only clad in a pair of sweatpants, strutting around in the room with his torso bared for you to ogle at. which also means you have to amass in all the self control inside you and resist from drooling at the sight of all that naked skin.

you failed, obviously.

forcing your gaze down to the book you’re holding, you try to focus back on the printed words to avoid looking his way. suddenly the little bookmark that you’ve put aside on the nightstand appears in your vision, sliding into the space in between the pages before the book is pushed close by a set of fingers.

you look up to see karasu— unfortunately thankfully already dressed— sending you a knowing look, “you’re not even readin’ it,” he points out, making you sheepishly smile as you rest the book on your lap.

‘give it to him to notice even the littlest things,’ you huff at the thought.

he takes a seat beside you on the bed, shoulders brushing each other’s as he rests back against the headboard, throwing you a sideway glance. “ya gonna tell me what’s on your mind, pretty?”

your chin tucks inwards at the nickname out of habit, your teeth absently gnawing at your bottom lip. “you’re gonna laugh at me,” you mutter.

karasu smirks at your reluctance, “try me.”

you take another minute to contemplate before gathering your confidence, turning to sit facing towards him. “can i, uhm…” your fingers shyly fidget with themselves, eyes seeming to find the loose thread on the blankets more interesting than ever. “can i wear your jersey…?”

your voice is so small, so timid that karasu almost couldn’t catch what you’re saying. a flash of confusion crosses his face and he sits up to face you properly, about to reply when you abruptly burst out in a flurry of stutters.

“i-i mean…!” you squeak, “like, i-it’s completely fine if i can’t! i know you always give it to me during your games but - uh, y-you know! i also wanna wear it at home or to bed o-or like—“ his growing smile and glimmering eyes short circuit your brain.

heat creeps up your neck, your face flushing red as your voice dies out of embarrassment. if it were possible, there would’ve been puffs of steam coming out of your ears from how hot your body is becoming.

seemingly unable to control yourself anymore, you let yourself comically slump onto his chest to hide from his view. karasu reaches a hand towards your cheek, uttering out your name in a gentle call.

he does a second try when you don’t budge, sensing the amusement in his tone. you shake your head petulantly against him. “you’re laughing at me,” you grumble.

“what? ‘am not, promise!” the chuckle he’s been holding in seeps out through his breath. “are so,” you counter quietly.

you’re internally praying for your body temperature to go down fast, but his next set of words deems it impossible for it to do so.

“you’re so cute like this, ya know that?” karasu sighs, and your heartbeat quickens a tad bit.

“are you not going to give me an answer?” you mumble, still leaning into his space as you feel him playing with the little strands of your hair, the air around you becoming still yet comfortable.

“and here i thought giving you my jersey during my games already means full custody over it,” he muses. “why would i let ya hold on to it for as long as ya did if it’s not to wear it anytime ya want, dummy?”

another rush of embarrassment washes over you as you think over his explanation. “…you’ll never let me live this down, will you?” you groan.

karasu laughs, hearty and fond. “nah, you look too pretty all red like that for me to stop,” he drawls before grabbing your face in his hands, holding you in place when you make another attempt to hide your blush, overwhelmed at how close and attractive and good-looking and cocky and sexy—

you give yourself a mental slap on the face.

he drinks in your scrunched expression, the warmth from your flushed cheeks flows to his skin as he gives you another lopsided grin. “aw, did i fluster ya that much?” he teases.

“s-shut up.”

©🅁🅈🄴🅂🄲🄰🄿🄰🄳🄴🅂. do not steal, translate or repost my work anywhere else !

[koobiie]

bestowing my highest honor as an artist to ffxv (drawing the characters in fun outfits)

thoughts under the cut

RREAAAGHHHH SO EXCITED TO BE DONE WITH THIS!!!!! it took me forevarrrr but i soldiered through as an act of love. now excuse me. yap time

OKAY SO the concept behind this was originally specific fashion subcultures for everyone!l ike noct emo ignis dark academia etc. but then decided i didnt want to pigeonhole it all and just freestyled outfits i thought would look nice on everyone

noct - i do think noct would still be emo-ish but also opt for comfy baggy stuff a lot. something you could just fall asleep in on the spot. note the details of bass pro shop shirt (of course) XV necklace, little moon + stars accents, carbuncle + fish keychains. i also wanted his metal band logo shirt to spell LUCIS but i forgor some letters but its not very readable anyways

ignis - ignit ooohghh ignos ignaurs. sorry i made him serve so much cunt it will happen again. i drew him first cause that kind of inspired this whole thing i love him so bad if i didnt draw it id explode. not much detail to note except his collar pins are like his double blade thingies

luna - lunaaa the concept was “clean girl aesthetic” idk if that happened but im actually really happy with how it came out! might be my favorite of the bunch just because she looks so pretty and happy. your honor she should have been able to just be a normal girl and just. chill

prompto - prompotoooo i had trouble picking his vibe!!! my first thought was techwear?? because weeheeeehee he loves tech and well... you know... but then i realized i didnt really like the look of anything i saw + it was so bulky and dark and serious for him! ending up going with some more youthful and baggy. i was considering something more loud and colorful but ended up not going with it. i feel like in canon he'd be too nervous to have such a flashy fit and would want to just look "cool" to fit in with the boys lol. itty bitty details here - chocobo keychain, pompompurin and bi miku buttons, and his lanyard is kings knight themed! i also thought it was funny to write LUCIS on his shirt like you know those shirts that just say BROOKLYN or TOKYO or SAN FRANCISCO and thats it. thats what its like

gladio - okay i know this is going to sound like a lie but im not horny for gladio like at all, hes my least favorite, i think he's just alright. but also i KNOW in my heart of hearts that he would LOVE being a leather daddy and so i had to make it happen. main detail to note here is that his tank top has the motifs of a cup noodle! i didnt know what else to add cause you know.. hes the cup noodle guy.. but also i didnt want it to be so in your face about it with a big as logo so kept it subtle!

(side note the leather daddy gave me an idea for a post where its like noct and prom go to a gay bar all nervous but then they run into gladio and its like "p: GLADIO YOURE GAY?" "n: nevermind that PLEASE dont tell ignis we snuck out" and then ignis walks up and theyre all like WHAT THE FUCK!!!! caption would be "the gang finds out theyre all bisexual." probably wont draw it but i think its very funny lol)

iris - iris my sweetheart.... definitely leaned into the scene vibes here and also that one image of the blonde emo anime girl. details here - of course the moogle big ass backpack and keychain (can you tell i love keychains), but also her buttons are an iris (the flower) and also a crown with hearts (haha symbolism)

anyways oh god i didnt mean to write an essay down here. usually i keep this in the tags but this time i just had Too Much To Say. can you tell i put a lot of thought and love into this . anwyays. *walks off into the sunset and fuckig dies*

[buckleybltch]

Why Tommy is Different to Buck’s Previous Love Interests

and Why it Doesn’t Make Sense.

This is going to be a long and (primarily) impartial post intended for all audiences, whether you like Tommy or not. However, this is not the blog to be airing grievances on. I’m not here for that. I am going to put some opinions of mine through here, but that’s all they are, and I’m going to try stick with facts with a side of interpretation. And Please, for the love of God, read till the end before commenting.

If you want to think I’m nitpicking then go ahead, but every scene of this show gets analysed to death and back for varying reasons. This will be no different.

The Hospital Scene

For the first time, we see one of Buck’s love interests sitting with the 118 at the hospital while they wait to make sure one of their own is okay. In regard to the group chat that appeared on that scene, form your own opinions. We don’t know if Karen or Maddie is in this group chat either. Opinion: I personally don’t think it’s that unusual to have a work group chat, and I also think Bobby showed Athena his phone. I don’t believe that was meant to reinforce the idea that Tommy is an ‘outsider’- if he was an outsider, he wouldn’t have been at the hospital altogether.

Never before has a LI shown up for the 118 at the hospital with Buck. Ali and Abby turned up at the hospital for Buck because it’s him who was hurt, and Taylor was at the hospital with her camera man for the story (s5 May Day). When Eddie got shot, Taylor showed up at the hospital because she thought it was Buck who got shot. Tommy showing up is a unique situation- they were sat in their civvies as a group in the waiting room, and Tommy is there with Buck for Denny. Tommy was part of the 118 waiting room crew; we’ve never seen this before; Buck’s partner showing up for his team(family) at the hospital.

The closest we’ve had before is Abby showing up to Chimney’s return to work party, but at this point they weren’t actually together, and obviously Chimney was okay by this point, it’s not a hospital scene.

The Firefighter Life

When Ali breaks up with Buck, she says it’s because she can’t handle the firefighter life, waiting for him to get hurt. She says it’s not what she wants. This issue isn’t present with Tommy because he is also a firefighter. He knows what he signed up for with Buck, he’s perfectly and intimately familiar with the risks they take everyday and the risk of getting hurt. While it’s a perfectly reasonable assumption that this might still be an issue to some degree, no one wants to see their boyfriend getting hurt after all, they both understand the life and what it means. Tommy solves the reason Ali broke up with him.

The Bobby Approval

This one is a key one. When the scene first aired, I strongly believed (and still do) that this line was also intended for the audience. We have Bobby’s explicit approval of Tommy as a person and for Buck. He’s good people, he’s good for you.

Bobby and Buck never spoke about Natalia or about Ali. I hold the belief, like many, that Bobby never particularly liked Taylor because of how she tried to exploit Bobby in season 2. However, Bobby did help Buck decide on a Christmas gift for Taylor and vice versa. Yet, he never said on screen that he thought they were good together. Hen and Chimney do also come to Taylor for help (s5) with Jonah, but even in that scene they’re shown to not trust her with what they’re telling her.

Abby is more complex as she was a main character in season 1 and her relationship with Buck was a full-season arc. Bobby helped Buck tie his tie and gave him genuinely good advice before their date. Bobby even talks to Buck about having a serious relationship and how to handle it, about how to treat her with respect. Other characters definitely aired their reservations about Abby in season 2 (Is it the age difference? More like the time difference). I believe Bobby gave his implicit, but not explicitly said, approval of Abby through the way he treated and spoke to Buck about their relationship. Despite this, I do think it’s poignant that for the seven years after Buck and Abby broke up, we never saw Bobby approve or like another one of his relationships until Tommy.

The Future Talk

In 8x06, Josh straight up asks Buck if he can see a future with Tommy. This of course follows up Josh already asking “do you care about him, do you think about him when’s not around”. The discussion between Josh and Buck is unique, because Buck has never spoken to a friend about this before. His relationships with Ali and Natalia weren’t developed or long enough to warrant the discussion, he never talked about the future with Abby, and he said “no” at the prospect of proposing to Taylor. For the first time, Buck is asked on-screen if he sees a future with his romantic partner, and Buck says yes. This is explicitly said for the first time. Yes, he made a confused face when Josh asked if he loved him, because clearly Buck hasn’t given it that much thought until he’s confronted with it. Either way, Buck, for the first time, says he wants a future with his romantic partner.

This further prompts Buck to ask Tommy to move in with him, which, different to his motivation for asking Taylor to move in with him, is fuelled by wanting a future. Buck even brings up marriage in his discussion with Tommy, which he’s also never discussed with a romantic partner on screen before. The content of both discussions is something we haven’t seen Buck talk about or admit before.

Eddie Friendship

All of Buck’s love interests, bar Abby, have screen time with Eddie. However, Ali and Natalia only share screen time with Eddie when they first meet because they meet on a call. As Buck’s girlfriends, they don’t share screen time with Eddie.

Taylor once has dinner with Buck, Eddie, and Christopher, and she compliments Eddie’s cooking. Correct me if I’m wrong, but I believe this is the only main time they’re seen together. It’s civil, it’s fine. However, they aren’t friends.

Tommy is a unique situation again; because he’s a guy, it might be easier for Eddie to form a friendship with him. They’re very fast friends, they do Muay Thai together, Tommy works on Eddie’s car, they play basketball together, Tommy went to Eddie’s house 3 times in two weeks and met Christopher. Christopher likes Tommy, he thinks he’s cool, and Eddie invited Tommy to Chris’ virtual birthday party. He’s the first love interest to not only get along with Eddie, but become friends with him outside of Buck (emphasised by 7x04 where Tommy tells Buck that his friendship with Eddie has nothing to do with Buck). The show makes their friendship very clear.

I’ll fully admit that Eddie’s friendship with Tommy was needed for the plot in 7x04, but beyond that, why was it relevant? It already made Buck realise he wanted to be with Tommy. They might’ve needed it for a plot reason but they’re friends afterwards too. Maddie calls Tommy “Eddie’s friend” in 7x05 and they’re laughing together in the hospital and getting alone fine in 8x05. Why?

Fitting Into Buck’s Life

Of course, this all culminates by saying Tommy fits into Buck’s life extremely well.

Tommy doesn’t have to go through the awkward phase of meeting all of Buck’s friends, because the only one he hasn’t met is Eddie. Tommy was previously friends with Bobby, Hen, and Chimney, they already know him. He’s already met Athena. Sure, they might have some catching up to do, but they already have a good history. They’re familiar. Again, Tommy already gets along with Buck’s friends outside of Buck.

Why was Tommy at the hospital for Hen’s son if he wasn’t integrated? Why feel comfortable going to Maddie and Chimney’s wedding? Even Buck makes the point of saying that Tommy is already going to know everybody there; he’s not just his date, he already knows them.

Tommy is friends with Buck’s friends already, Tommy understands the demands of being a firefighter and what it entails with the risks and the commitment. Tommy understands Buck’s friendship with Eddie and Christopher, and his dynamic with Bobby.

Intention (Conclusion)

This is all to say- this is intentional. If the point of the relationship was always to breakup, why have Tommy included in these scenes? Tommy didn’t need to be there at the hospital for Denny, but they wrote it in for him to join the 118 waiting. Bobby didn’t need to give his approval of Tommy on screen. It didn’t further his relationship with Buck nor the plot. It was written this way for a reason, and I think anyone can admit the actual breakup in the scene was abrupt, and it’s all of the above context that makes it even more abrupt.

I know it makes his relationship with Buck more meaningful, sweeter, more heartbreaking for Buck, but we never saw these moments with his ex girlfriends, particularly Taylor, and their relationship was solid until it wasn’t. If this unique treatment of Tommy was meant to put Buck through heartbreak then I offer a second question: what is coming up for Buck that requires him to go through heartbreak?

Why go through the effort of writing Tommy to fit in so well with Buck’s life if he’s only there to further a plot? None of Buck’s other LIs were treated like that, and they achieved the plot they needed to. So why was this different? Buck’s relationship with Taylor was a lot longer, and they lived together, but we never saw these types of scenes with her. Why? Why was this different? What was the point of making the relationship meaningful and different?

Again, this post is not here for people to argue. It should be clear to everyone, regardless of why you think so, that Tommy was treated different by the show than Buck’s other love interests. There must have been a reason, even if that wasn’t clear. Is something big coming up for Buck that he needed to be heartbroken for? Is it poor writing? Is Tommy coming back? There must be some reason that Tommy was treated differently by the writers other than “just because”.

[mammalsofaction]

A/N: Whoops, this came out a little more angsty than I originally planned.

Perry hates having to go to HQ.

Oh, he's got nothing against the building itself, and his relationship with most of his coworkers is fairly amicable. Perry just hates having to go there, since he generally prefers spending his free time (spare enough as it were) around family, and other assorted loved ones. There's almost nothing he needs to do at HQ that he couldn't fulfil in the lair beneath his house, or the office in his room, anyway. And shit always, always goes down when he has to spend more than 5 consecutive hours in his assigned office cubicle.

Of course, they key word to the first statement was "almost."

And predictably, the aforementioned shit he was waiting for strolls into his space half an hour past lunchbreak, slapping a couple of polaroids on top of his desk by his elbow.

Pinky waits patiently for Perry to give a damn, and Perry looks up warily when Pinky Garcia-Shapiro stays suspiciously quiet for a whole minute. Pinky gestures to the photos, and Perry takes a look, goes back to his computer, before realization hits him upside the head like a steel pole and shoves itself down the back of his spine, sitting him ramrod straight in his crappy office chair as he picks the first photo off the top of the deck.

Pinky's waiting with his eyebrows raised when Perry swirls around to face him fully. It's not what it looks like, Perry signs, and flinches when the look he receives in return is less than impressed.

Does that matter? Pinky signs sharply in return, instead of speaking aloud, which was the biggest sign if ever that Perry's not only screwed up, but he's screwed up bad. It meant that they're keeping this conversation on the down lower than low, and he owes his Pinky big time. Clint found these on the carnival security footage two days ago, and I had to talk him down from reporting to HR. I made sure he knows you owe him your life, and then some. Pinky continues, uncharacteristically serious. It's the most off-putting thing in this entire scenario. He's not Carl, Perry, not every intern in this company's all too happy about keeping their mouths shut about your goddamned crush. You took him to the pop shop? What were you thinking?

I was thinking it was an accident. And it was barely a date. Perry retorts sharply, hands stuttering on that last little tidbit. Wait, screw that, it wasn't a date at all. We were just-we were technically stalking Vanessa on her outing-

I'm not the goddamned Colonel, Perry. Pinky interrupts sharply, slicing his hand through the air. You don't have to make your excuses to me. It doesn't matter what it was, unless you're standing by Francis' desk when he has to answer for the shit leaking up the grapevine. It matters how it looks like. Perry, you don't need me to tell you to be-to be careful.

Perry grunts, slumping into the back of his chair, hands slapped over his eyes as he attempts to calm himself down. I know, he signs, one handed. I know, Pinky, I'm sorry. Thank you.

And he is sorry. He is as much grateful that Pinky caught it first, being the Chief of OWCA's digital security division, as well as that he had enough weight to throw around to stop these photos from leaking onto Francis' desk. Pinky didn't have to, but of course he did, because they were friends, and Pinky cared about him.

These last few years have been...hard. Harder, knowing Heinz was getting so ready to hang up his labcoat (at least in the evil sense of the word), a growth in character proportional to this terrifying, unnameable thing growing between them, full of weight and wonder and meaning.

It's made him reckless. And everyday that passes them by without having Heinz in his arms, it's getting harder and harder for Perry to remember why that's a bad thing.

Pinky sighs, squeezing his shoulder. "Hey," he says, out loud this time, so that Perry takes his hand off of his eyes to peek. "On the plus side, I've never seen the guy look so happy."

Perry feels his ears burning in embarrassment, and Pinky laughs, low and sincere.

"You guys look cute together." Pinky teases, and laughs when Perry swats at him, shoo-ing him out of the cubicle. He does leave, eventually, and Perry knows he owes the man lunch for at least the next two weeks, and taking over his next spare mission, at least.

He leaves the photos behind, and Perry picks them up, his hand reaching for the lighter he keeps on his lowest desk drawer to burn them over his wastepaper basket. They are likely the very last trace of such damning evidence of Perry's...Perry's fraternizing, too risky to keep around, and he has to burn them. He has to.

Heinz was caught laughing, in one of them, his hair ashen-grey around the edges from the debris of his latest failed Inator, but there was no sign of bitterness and regret in his features. Perry remembers how the wrinkles by his eyes had started to curl down his cheeks, like paper folded down the same joy-filled routes. Laugh lines. The photo could not capture the light in his eyes then; The setting sun had painted the slant of the pier a blood orange, but looking into Heinz's darling blue eyes was like looking into an eternal summer, evergreen.

They shared one drink, because Perry wasn't hungry, but Heinz wanted something sweet, and there wasn't anything Heinz wanted Perry didn't want to pay for. The two straws were a compromise, and the bartender had given them both a sly, knowing look Heinz had not understood, but Perry had. It took him hours to cool down the blush from his cheeks.

Heinz had called him cute.

In another photo, their heads are bent together, conspiring over Vanessa's love life, and Perry does not mistake their fingertips over the tabletop, his palms curling over the back of Heinz's own.

I've never seen the guy look so happy.

Damnit.

DAMNIT.

Fuck. Damn. Shit.

Perry throws the lighter back into its drawer with a vengeance, clutching the stack of photos like a lifeline. He slumps over his desk, burying his face into the crook of elbow to muffle a frustrated scream. Is this really how he was going to repay Pinky's concern? By shutting his eyes and spelling out his own doom, tucking the evidence of his own sins into his fucking wallet? Was he stupid?

(Is Heinz worth it?)

Yes, Perry knows, because the one person Perry could never rightly lie to was himself. Yes, he is.

I got the inspiration from this post

[lazyturtlehottub]

A breakdown of the Fangirlish interview: an exercise in media literacy

Given that the reaction to Buck and Tommy breaking up has been exacerbated by those interviews, I thought I would look into the one from Fangirlish in order to look at it with my media literacy hat on and see what was actually said. So, here’s a link to a version that doesn’t give the writer clicks because you should make up your own mind before providing revenue to the platform https://archive.ph/fqhlE

We start off with the headline: Lou Ferrigno Jr. on Saying Goodbye to 9-1-1, That Breakup and What’s Next

Right away, as the reader, we’re immediately told that LFJ is saying goodbye to 9-1-1, the implication being that this is the end of the road, no going back. This is, I will say, a choice that the writer made when they created the article: they decide on the headline, no one else. Going in, our mind has already been positioned to believe that this is an exit interview and to understand everything that comes next through that lens.

Supporting this path is this: “Lou Ferrigno Jr.’s time on 9-1-1 has come to an end[...]” but it’s important to note that no one has said this but the author of the article. At no point does she provide a statement from ABC, Tim Minnear, or LFJ to back this statement up.

Another unsubstantiated statement she makes is: “For Ferrigno Jr. it wasn’t exactly the way he envisioned the end of his time on the show [...]” Yet again, at no point in what she quotes from Lou does he say this at all. This is her take on the conversation and she has provided not a scintilla of evidence to support this statement. What she does provide is the following quote from LFJ:

“With the way things were going, and the connection that they had, I was under the impression that it was working, and they were connected,” he shared.

Putting this in the context of the interview, it does make it sound like Lou was blindsided by the break up, which is a very normal thing considering that we all know the actors barely know what’s happening even when they have the script. It’s not surprising that Lou didn’t know about the break-up since even Oliver Stark mentions that he didn’t know about it until they began filming, even though the possibility had been floated some episodes earlier.

So while this quote in the context the writer’s given does seem pretty final, if we remove the exit interview lens from it, it just reads as an actor expressing his surprise at the path his character is going.

Continuing on, the writer then writes the following: Ferrigno Jr. admits he had issues with this ending [...]

At the risk of sounding like a broken record, she doesn’t provide a quote to back this up. What she does right is frame the next quote as [...] but trying to get into the mindset of Tommy [...], which changes the context of the quote that Lou gives.

“If preserving his emotional health and saving himself is the only means to survive, then you can’t shame him for it.” He went on to add, “I honestly don’t believe that the relationship matured well enough that they should have made any type of long-term decision.”

So she makes a statement that says LFJ has issues with the ending and then immediately moves on to talk about the acting choices Lou had to go through in order to understand where Tommy was during the scene.

Perhaps the most direct quote from Lou about the relationship that sounds troubling with regards for the future of Buck and Tommy is this: “I just would have hoped that it would have lasted a little bit more,” he also told us, adding that in the hour we also have Buck “looking at those girls, and that sucks for Tommy, and it sucks for any person that’s looking at their partner looking at someone else.”

Taking this with the fact that this has been positioned as an exit interview, I agree that it does sound damning, but if you remove that filter from it then I believe it reads as an actor expressing mild regret that he didn’t get to play this stage of the character and this relationship more. However, I will admit, that this is open for interpretation given that we don’t know where this came in the interview since we don’t know what prompted this answer.

And for Ferrigno Jr., he admits he knew the two were done for good when he realized his character would call Buck “Buck.” I feel I’m a looping record but where in the interview does he say that? He doesn’t say that at all in the quote that she provides below.

She writes: Instead, Ferrigno Jr. told us that Tommy “only knows the man in front of him, Evan. And I knew it was going to come [the moment he called him Buck] because he’s always saying Evan all the time. I’m looking at a character that I’m playing, and he’s just like Evan, Evan, Evan, and in that line, I was just like… I knew this was going to happen.”

“And he doesn’t have to say that. He still can say Evan. But that is essentially signalling that this is all I know how to do, and it’s too much.”

Linked with what LFJ said earlier about Tommy protecting himself, this quote from him makes sense in the fact that Tommy called him Buck to protect himself from the hurt, to try and create some walls between them. But the writer has made this sweeping statement that he knew it was the end, implying that the relationship is at a permanent end when nothing LFJ has said supports that.

And then we move onto the bit that really highlights the bias that this article has been written around. The writer asks Lou: Could the show have been using Tommy as a roadblock to a possible Buck and Eddie relationship?

Getting into the professionalism of this question is for another time but I’ve added it here so you can see the fact that this is someone who is focused on the Buddie of it all. Evidence that supports this is in the author’s various tweets and the coverage of 9-1-1 on their website.

And I know we’re all worried about LFJ’s scheduling conflicts but I will posit that it was a standard answer from an actor who is just doing his job. In his words: “I would absolutely love to come back, but I do need to continue on my journey here. I have a number of things now that are going on that may or may not happen, and I hope that there’s no conflict if it were to be the case.”

Basically, this article is written from the point of view of it being an exit interview but at no point is evidence provided from official sources to support that statement. Throughout it all, Lou’s answers are framed within the narrative that the break-up is permanent and that he’s gone from the show for good.

I hope that this has been interesting and informative for those of you who have read it, and I hope it serves as a reminder that media literacy is for everyone, not just for an attack from those on social media against fans being publicly disappointed that a queer relationship has broken up, temporarily or otherwise.

[mychemicalore]

some notes on the recent announcement; (will edit this later probably)

It has been seventeen years since The Black Parade was sent to the MOAT. In that time, a great Dictator has risen to power, bringing about "THE CONCRETE AGE”; a glorious time of stability and abundance in the history of DRAAG. His Grand Immortal Dictator wishes to celebrate our rich and storied culture, fine foods, and musical entertainments by welcoming you to these great demonstrations of power and resolve. And lending voice and song for the first time in six thousand two hundred and forty six days, their work privilege ceremoniously reinstated, will be His Grand Immortal Dictator's National Band... The Black Parade.

okay so 17 years ago was 2007, and exactly 6246 days before today (11.12.24) it was October 7, 2007, which is the date of The Black Parade's final perfomance ever (aka The Black Parade is Dead! in Palacio de los Deportes, Mexico City).

it is implied that after this performance they were "sent to the MOAT", which almost sounds like they were vanished/expelled, because of the "work privilege reinstated" part.

this could mean that The Black Parade was opposing somehow to the Dictator, perhaps even preventing him to step into power, which he manages to do only after The Black Parade is gone.

now, i believe whoever is writing this announcement is a citizen of DRAAG on the Dictator's side, because of the tone and the pronouns use. "OUR rich and storied culture", "a GREAT Dictator", "a GLORIOUS time of STABILITY and ABUNDANCE".

i'm wondering if there's a connection to the Melbourne 03.16.23 show, in which Gerard dressed as the character that appears in the video.. the drums that day said "TERROR" which i think is worth noting as well. maybe it's that character who's writing this?

i have no brain left bull ill keep editing this post to make a more complete "analysis"

[girlwithadragonheart]

I need to yap desperately about one single gripe I have with this game. MAJOR MAJOR MAJOR SPOILERS AHEAD read at your own discretion

The first half is me ranting about how much certain things mean to me and how impacted I was, and the actual gripe comes closer to the end.

I'll preface this by saying this post is about Varric's death and my rage and despair regarding it, but more so about my Rook's.

I've seen people who said they picked up on the hints about whatnot, who knew before the Fade Prison. I was not one of those people. I was so relieved when I saw him after the Prologue that I didn't think twice, because I knew that it would destroy me the second shit started going wrong.

I was already not having a good time when I started the game simply because Varric was getting older. I don't handle aging well or death, and his design showing his age, and the comments he would make about "getting too old for this" just made my heart break.

And then shit got worse. I sobbed disgustingly when that knife went into Varric's chest.

After Rook woke up from talking to Solas and she heard Varric, I was so gods damned relieved. And my Rook was better taken care of by Varric in that year she spent with him than she was in the rest of her entire life.

I cried from the end of Ghilan'nain's fight until the romance scene and on and off after that. I got so used to visiting Varric just to be comforted by his presence. Inquisition was the biggest part of my life for a year and a half when I was just a kid.

I did really bad middle school age writing for it but regardless of the quality, those characters were built up in my head becoming even more than they were in the game. Varric was my biggest support character through everything I was going through at the time.

I don't talk about it much, but I didn't have a great childhood, and I know a lot of people didn't, but I coped with it through writing and video games. Varric was the one supporting me through the abuse I suffered and writing was the way I processed how bad things really were.

When Rook was in the prison she said "What am I going to find here?" And Varric said "I think you already know, kid." I DIDN'T until he said that. The second he said that my entire chest tightened and I just said "No" out loud as I watched Rook find his body.

Now for my real complaint!!!

Rook never gets the chance to grieve Varric. They go from talking to him every day to finding out he's dead and it was all a lie. I have personally never been more fucking pissed at Solas than I am now. But Rook comes back and they have that kind of "closing off" scene with Varric's empty bed (which was so hard to go through btw). And then they fuck their pookie LIKE I CANNOT BE THE ONLY ONE UPSET ABT THAT

FYM I gotta find out my dad is dead and then Rook is up for boning like there's no fucking way unless it's to cope. And at least pertaining to the Lucanis romance, Rook is processing everything that happened and they can say "So much has happened, I just don't know how to feel."

And rather than getting to process that in some kind of way, the devs said nah this scene serves one singular purpose, and Lucanis says "I do" and then dicks them down.

Personally, I felt very dismissed despite being overjoyed about finally having the romance scene, I couldn't even enjoy it with everything that happened prior.

Rook deserved the chance to completely break down after everything they went through. Tbh i don't know how they kept it together. Varric said "don't get all misty eyed" and i thought to myself that's way too delicate a term for what's happening here, I was fully ugly crying.

Fuck your "I had a good run" I still need you bitch.

All this to say I'm very upset, and I'm running my second playthrough and every time I look at, hear, or talk to Varric I tear up again. Wtf Bioware.

Rook should've gotten the chance to actually talk about what Solas did to them, especially in the sense that he made them believe Varric was still there. Or at least get to properly grieve the person who was their closest friend for a long time.

I have very strong feelings about this obviously

[ahamkara-apologist]

100%. It's also worth noting that Eramis's grudge with the Traveler and her intent to destroy it wasn't even entirely irrational; she wanted it gone so that people's fates weren't dependent on the whims of gods. She wanted to level the playing fields, and while she was wrong in her assumption that it was the Traveler leaving that led to the destruction of Riis, she also...wasn't entirely wrong, either. Humanity is the only instance where the Traveler stayed and fought back, and we're the only species assailed by the Black Fleet that got to keep our homeworld as a result. We're not any more worthy than the other species that were eradicated we just happened to get lucky. Eramis (and the rest of the Eliksni) have every right to be furious at this, given the amount of horrors that they had to endure on the Drift to get to Sol- horrors that are so bad that in the opening mission of Revenant, Eramis uses the Drift the same way that we would use 'hell' when she roared "Stand before me if you dare! I'll send you back to the Drift again and again!"

Eramis's goal, while foolish, was still selfless, to an extent- it was to destroy the Traveler so that nobody could ever suffer from a second Whirlwind, which, despite everything, did include us as well. She's never liked humanity, much less the Young Wolf, but she's also never given off the vibe of her hatred for us being personal. She genuinely seemed to have thought that we were being treated like pawns by the Traveler in Beyond Light, and, as soon as she unthawed in Plunder and realized that she was the one being used as a pawn, she warmed up to the idea of double-crossing the Witness right quick. I don't remember exactly when she said it, but I do recall hearing her have dialogue where she was talking about how much she hates gods in general, not just the Traveler, and how she wants to be free of them- all of them. If that means giving over the reigns to House Light, then yes, she will do that. Not willingly, ofc, and she has every right to be suspicious about how well House Light will work bc they ARE under the yoke of the Last City, but a big chunk of why she saved Eido in Plunder is bc she sees the future in her (the rest of it was bc, despite her posturing, I don't believe that Eramis would ever be able to stand by and watch a young Eliksni die. She's too much of a mom for that).

And that leads into a whole other thing that people always seem to get wrong: Eramis did not have a choice when it came to firing the warsats. Yes, the Witness exploited her, yes it was preying upon her grief and fury and depression like it did for everyone else it talked to, but she also never had any other option but to fire those missiles, because it was standing right there, staring at her. If she refused, then she likely would have either been killed and/or she would have been horribly punished via more of her people being turned into Scorn and then sent to do it themselves (likely this, bc Eramis is suicidal and does not value her own life). It SEEMED like she did it for Riis, and she likely believed that to be the case, but there was never an option for her to back away, and even if she did, there was never an alternative to the Warsats being fired. People like to bitch about her being the cause of Rasputin's death all the time and it drives me insane bc it's just flat-out not true. Her seeing for her own eyes that it never would have worked anyways was also a key pivotal moment for her character, so like...yeah if Rasputin had to die in order for Eramis and the rest of the Eliksni to get an actual storyline then you bet your ass I'm sending that man to eeby deeby. But that's just a side bit from me being salty (for the record I loved Rasputin's character and was sad he died but also I think the writers got themselves stuck in a corner with the whole Xivu thing and him, and they managed to make his death feel narrative impactful, so. works for me). Eramis's whole stint under the Witness was one of punishment, and the way that the Witness punished her was by forcing her to stand by and watch as her House- full of the people that she swore to protect- got either turned into Wrathborn or Scorn. Mara Fucking Sov confirmed that for us. Eramis had almost no agency under the Witness, and what little she did have, she turned towards helping us, knowing that if she got caught, the consequences would be extreme.

Honestly, I think that the only thing she really did horribly wrong on a personal level was opening the vex portal on her own people, but even then, that could be argued to have been done under duress. Eramis opened the portal after we killed her council (specifically with the intention of destabilizing her btw, as we know that she makes horrible decisions when she doesn't have anyone else to talk her down), in a last-ditch effort to destroy the Young Wolf. I don't count anything that happened under the Witness because nothing she did then could really be considered her own actions/intent, and I think it's really telling that the second she's out from under the Witness's control, her first action was to try to go home to her wife and kids. And then, when the Scorn started threatening her people, she gave that up as well so that she could call the Vanguard to help them. The Vanguard. The people who specifically sent out a strike team to kill all of her friends and break her House. She did all of this knowing that they would capture her and very likely kill her (actually, she's fully under the assumption that we're going to kill her, if you listen to her yapping in her cell), but that didn't matter to her. She had to get her people to safety, and she knew she couldn't do so herself, so she did everything she can to prevent that, even though it meant putting her life and her pride on the line. Sure, she's been suicidally depressed since Plunder, but that doesn't diminish the sacrifice she made in the slightest

Eramis was never selfish. She's right up there with Misraaks in terms of being an extremely selfless, caring leader who'd do anything for her people. It's just that she's not being nice about it to coddle to human empathy, which, given the track record of horrible shit that we've done to her people, we really shouldn't expect from her anyways.

I want everyone who continues to claim that Eramis was in line to be a disciple of the Witness to shut the fuck up and give me 500 dollars right the fuck now btw. These are not the words of someone who was en route to becoming a disciple, aka the most selfish entity of their entire race. These are the words of someone who genuinely does not think she has any worth left in her, but is still fighting because the alternative is that people she cares about will die. Literal opposite of selfishness right here

[hyukakisses]

— emo soobin as leviathan from obey me!

pairings: emo soobin x fem reader

plot: random soobin as leviathan from obey headcanons

warnings: perv soobin, loser soobin, red flag soobin, virgin soobin and virgin reader, cursing, faint smut, tsundere-to-yandere soobin, strangers to lovers troupe, bratty sun reader, service top soobin

soobin was absolutely seething in anger when he found out lord diavolo was responsible for the human exchange student committee. the emo demon boy hated humans or normies as he likes to call them.

soobin just didn’t understand the hype behind humans. the indigo-colored haired male thought they were disgusting. worse than angels, another type of creature he hated.

the tall boy kinda hoped that one of the humans that was apart of the human exchange committee would at least be a pretty girl; soobin longed for a player two :( he felt so lonely watching his brothers all have their girlfriends and all he had was his pet odi. his only friend.

when soobin was told that he needed to show you around RAD, he was not happy.. i mean why him out of all people? soobin was not known to socialize or be friendly.

with a whiny grumble soobin drags his long legs out of the comfort of his room; already annoyed for the day. he just hoped this tour would be over quickly.

soobin would be lying if he said you were ugly, the boy was mesmerized with how you nodded with a pretty smile at his detailed explanations about his favorite girl group kara and his favorite anime character ruri-chan when he should have been going on about the history of the devildom.

“is your hair naturally like that?” your delicate fingers point to soobins head, the emo boy smiled at how you didn’t reach to grab it without asking. “yeah it is” “oh that’s cool! back in the human realm everyone is either born with blonde or brunette. you have really pretty hair” you blush feeling butterflies in your stomach.

“so do you have any more questions?” soobin looked at you, hoping you didn’t. “actually i was wondering maybe when i’m settle in my room we could hang out?” your voice was soft like honey, soobin paused in his tracks. “what? i think you’re getting me confused with yeonjun. what do you mean you want to hang out with me?”

from that day on, soobin had to pinch himself around you, afraid that a pretty human girl like you hanging out with him was some type of dream.

soobin hated how easily and quickly it was to lose his aloof and tsundere act around you, he hated how quickly he was able to gain romantic feelings for you.

soobin liked how you invited yourself over to his room, most people would find his otaku activities weird and boring but you found them fun. you didn’t mind being locked away in soobin’s bedroom, snuggled up in his bedsheets watching bunny girl senpai over and over again.

“why have you been avoiding me?” after not seeing soobin for nearly a week you decided to march up in his room demanding an answer. “i-i haven’t..” “yes.. yes you have! you’ve been ignoring my texts and just been on league of legends all week!” you screech making soobin curse internally, the boy has been ignoring you. “i thought things were going so well!” you sat on the tall boy’s bed itching closer to his laying body. “they have been” soobin felt his heart thump at how close you were approaching. “so why are you avoiding me?” your chin rests on soobin’s chest. “do you not think i’m pretty enough for your time and attention anymore? is there someone else?” soobin couldn’t stop staring at your pink lips wondering what your lip gloss tasted like. “binnie? hello? are you even listening-“ you let out a yelp in surprise at your friend shutting you up with a kiss. your body melting against soobin’s, you pout pulling away. “you know, if you wanted to be my boyfriend you could have just said so”

soobin wasn’t big with words, he preferred just listening to you talk your ear off. nodding dumbly at your words with sparkling eyes wondering if you’d be that talkative if he was eating you out- “binnie? you’re still listening to me right?” “hmm? oh yeah you’re talking about wanting to go blonde together”

you also didn’t mind being his personal guinea pig when it came to cosplay. you really enjoyed all the special attention and praises you got for staying still without complaining.

soobin also liked how you’d actually listened to kara with and for him, your favorite song being honey and his favorite song being secretly secretly

the two of you rarely argued unless it was over something stupid like who was better tommy february 6 or tommy heavenly 6? you both couldn’t choose however.

soobin was definitely a service top, as soon as you both got together you were always demanding soobin to your whim. not that your now boyfriend minded. he liked how you were always bratty and bossy. “binnie can we match? i know its pink but it’s pretty” “tie my shoes mister!” “do you mind applying my lipgloss for me?” “princess orders binnie!”

“baby please?” soobin’s large hands loop under your inner thighs, his eyes looking up at you pleadingly as his glossy lips itch closer to your pretty pussy. “m’ sleepy binnie..” a small whine slips your lips, feeling yourself drift to sleep. “you don’t have to do anything baby! just p-please let me a small taste? please?” soobin begs pathetic making you huff. “fine”

a/n: ugh i love soobin

[thehigherseekerastro]

Random Astrology Observations (Alternative Meanings Love Edition) 2 🤨❤️🤔

DISCLAIMER: I am in no way, shape or form a professional astrologer, modern or traditional.

I HAVE been studying astrology for a while now, and analysing charts available to me, as well as my own, and noticed a lot of the info you find online doesn't make sense in real life, because it is too reductive, stereotypical or lacks broader context. So I thought I'd share some of my personal observations to see if it resonates with anyone.

This is NOT the end all, be all. Apply it as it makes sense to you.

**************************************************

The 1st House 🙋‍♂️

The 1H in synastry is a tricky one, because the first house itself is related to our individual identity. It is the house of self. So, when it comes to having a love planet here, things can get really murky. You'll often hear that it indicates instant attraction, but also only surface-level. While that is not entirely wrong, it would be a disservice to reduce it to just that. Yes, first house ties back to your physical appearance and external impact. But what does that mean for someone else being impacted and impacting that? Does it even apply in synastry? The answer is: YES. And it goes much deeper than you'd think. It will talk about an immediate recognition. It talks of being mesmerized by someone's look and demeanor, but that comes accompanied with an obsessive need to know more about you, to be around you, to soak up as much of you as possible, as if to aggressively learn you. And that's because you will tickle all the boxes the person had been holding inside (and vice-versa).

(e.g.: having someone's planet(s) fall into your 1st house doesn't just mean they will be attracted to you, if it's romantic. It also means the person feels like you two share a vibe, share interests, ideas. It means they feel like you move according to their speed, and therefore, that could lead to a lot of trust and comfort on their part, because you feel like a safe place. Not in the same sense as the 4H, but in a more "this person will have my back, cause we're the same!" kind of way. It makes the person feel like you are enough, because you fit them. So even if everyone else disagrees with them or doesn't understand them, they'll sort of look over at you, and if you validate them, that will be enough for them. They'd rather have your approval – since you are someone who gets them – than to have the approval of a bunch of people who don't understand where they are coming from.)

It truly is a beautiful thing, but even positive planets with positive aspects can lead to unwanted side-effects. The house person could come to resent the planet person because of how much they like them. Depending on who the house person is – if they have a dominant or prideful personality, for example – they may come to resent and even become angry with the planet person at times, because they'll feel so strongly for the planet person that they could start acting out of character for them, and that can make them feel like they're losing control of themselves. And as human beings, what do we do when we feel out of control? Shift blame and start looking for culprits. This DOES tend to wear off, though, exactly because of how intensely the house person feels for the planet person, but it can burn hot for a minute or two, specially if they end up getting into an ugly fight and the 1H person tries to forget the planet person, but they can't bring themselves to hate them. They'll get angry at the fact that no matter how hard they try to hate the person, they still feel enchanted by them.

(this could also create an unwanted feeling of "nobody else is like them", so the 1H could panic a bit at the thought of losing the planet person because 1H synastry creates the immediate feeling of the "perfect person for me", so imagine thinking you found the perfect person for you... it can make you feel like if you lose them you'll never recover, because no one else will be like them or able to replace them as perfectly)

All in all, though, first house Synastry tends to usually show up good results, depending on the planets and aspects involved. Another aspect of this synastry that doesn't get talked about for some reason is the fact that they tend to obsess over and notice the tiny details in each other. So it creates this effect of falling for them over and over and over again, cause they'll keep finding little things about the other person that they find enchanting, and THAT'S what creates the physical attraction. It's not that the planet or house person are conventionally attractive to everyone – they might not even fit the beauty standards –, but to the house person, those little details will sort of build up the planet person's beauty step by step, and by the time they catch on, they'll be enamored with every part of them, so, to the house person, the planet person truly is the most beautiful thing ever.

(1H house synastry also brings a 1st house energy to the attraction. NO - NOT ARIES. First house. But it will sound like arian qualities because Aries does rule the first house, after all. What this means is that a big part of the attraction for the 1H person is feeling like the planet person is independent, self-sufficient, confident, self-assured and capable. Because it's taping into their 1st house of self, the house person can sort of see the best of themselves reflected on the planet person, which means they feel like all the things they are insecure to show the world, the planet person has and is not afraid to show them. So they feel like planet person not only embodies their attraction ideal, but also the ideal personality they wish they had themselves. Which they do, but they don't realize it until planet person comes along and brings it out of them.)

First house Synastry is a complex kind of Synastry that is much more psychological than it's given credit for. People often focus on superficial physical attraction and gloss over the fact that it's like somebody is literally stepping into your mind and making your inner fantasies come out. It can feel very vulnerable and intense.

The 7th House 💍

Oh, isn't this one a gem?! Perhaps one of the most sought after in synastry. But the idea here is to provide an alternative perspective, so here goes: if it's badly aspected, or there's other challenging factors involved (the person falling into your 7H is problematic themselves), you're gonna run into the issues people often attribute to 1st house synastry, such as superficiality and a "false love" because 7H Synastry, regardless if it's good or bad, creates somebody who's "perfect on paper". They say the right things, they do the right things, they seem to fit into your whole ideals. But that does not guarantee that that's who they truly are. That's just who you think they are. Remember – the 7H is the house of "other". So it's not about you. It's about the other. But it's rather how you act around said other, and also how you perceive them.

(It's tough to say this, but you gotta be real to help some people out there who might have had 7H Synastry and didn't understand why the relationship failed, since everyone online claims it's a guaranteed soulmate. It's because Synastry goes both ways. And all houses have good and bad. There is no such thing as the perfect Synastry. But in the case of the 7H, I'd say it's the real life case of "if it's good, then it will be amazing. Truly a soulmate. But if it's bad... it will be awful. Just not immediately.)

Going off of the previous comment, another grim way this Synastry can turn out is in its binding effect. And I don't mean anything spiritual or abstract here. I mean literally binding. Imagine a relationship going sideways like that AND you are also now married or share a business together. MESS! This is the house of contracts and long-term. Remember Saturn exalts in Libra, because Libra likes things that last, and Saturn is the planet of long-term, so the house of Libra will sprinkle that lasting effect over whatever it touches. And if you're in a 7H relationship, that relationship will last with you, whether good or bad. It will take A WHILE to break off from it, either mentally, emotionally, psychologically, legally or financially.

(e.g. somebody has their moon in your 7H, but it's a moon at fall, in Scorpio, and it's afflicted in their natal chart. Now, at the beginning they will seem like a gift from God directly to you, so much so that you decide to make it official... And then, one or two years in, living together, each day it gets more toxic and draining and the dark sides just oozes out of your relationship. But now you are legally married, and divorcing will take time, bureaucracy, money and emotional energy, not to mention you'll have to uproot your entire life, explain it to your social circles and families... And what seemed like your dream come true was in fact a bitter lesson to learn).

To veer away from the dark twists of the last ones, let's dissect the correlations people make with the 7th house, like "oh, your spouse will be interested in art, and beauty, and music, and sophisticated things!" Why? Are you marrying a Libra? A Libra rising? Somebody with a Libra Venus? No? Then that has nothing to do with 7H Synastry. Houses are not signs, signs are not houses. Libra is one thing, the 7H is another. Venus rules Libra, which resides in the 7H, but Venus doesn't rule the 7H. It merely influences the 7H. It would be a better guess to say you might have met your person while they (or you) were already in a relationship than it is to say you met because of beauty-related things, or art, or music, since the 7H doesn't talk of any of those things, but it DOES talk of committed relationships.

(e.g. you might have met the person right after they (or you) got divorced. They might be connected to an ex of yours. Or another possibility that isn't talked about is how the person you eventually end up with is someone you have liked for a long time, but never got the chance to be with until now. Since this is the house of long-term relationships, having placements here could indicate that the person you ultimately stay with long-term is someone you already knew prior to getting together, but you needed to experience other relationships before you united with them.)

Another final aspect of placements in this house is the fact that it doesn't just deal with your love relationships, but also the way you consciously present yourself with others. How you behave socially. But also the mirror effect of this house, speaking directly about love. This is, after all, the house directly opposing the 1st house of self. In that regard, this is similar to 1H synastry, with the exception that in this one, instead of you coming out of your shell subconsciously, you make a conscious effort to become your best for your person here. You want to live up to all of your potential.

The 2nd House 💆‍♂️

This one is a bit tricky for me, because I'm not materialistic AT ALL. I have a Taurus Lilith in the 2nd house, so, I express it on the other end of the spectrum. When you have that placement, you either put too much value on money and material things, or you are completely unattached from it, and that's me. So the whole "money this, money that!" vibe is not my scene. I don't see a price in life, I see value. With that said, let's get this going.

Yes, this is the house of money and material things. Yes, it will deal with your personal finances. But no, unless other parts of your chart/Synastry agree with it, somebody's placements falling here should not have a lasting effect. It might merely indicate you overspending on dates and gifts. The 2H is the house of YOUR money, which means that the whole "oh, they're gonna shower you in gifts!", "And this is a sugar baby aspect!", "Your person will want to spend all their money on you and buy you expensive things!" is probably not gonna happen, sorry. If it does, it will be you spending your money.

(And if you do spend your money, the whole "gifts" thing is also not that common, because normal people don't just go around buying gifts for others every other day of the week, unless they have some sort of imbalance. Such a consumerist mindset! Not everything is about paying for things or buying things. That's a VERY American culture of dating, specially for women. This nasty idea that a man has to buy you or he's not good. Which is what encourages habits like thinking the man always has to be covering your finances (how old are you, 5? Get a job and pay for your own damn self! You are an adult woman), paying for your food, buying you a house, giving you gifts all the time and affording expensive dates. You are not a product. If your biggest incentive to be with a man is because of how much he pays for you, then that's the world's oldest profession, not a relationship of love. So this should play out more like them helping you manage your own finances. Don't go around thinking a 2H love placement is gonna turn you into Cinderella.)

If you do happen to be a stay-at-home person in your relationship, which is valid, as long as it's not all about money, 2H love placements and synastry will talk more about other material aspects of things. It will talk of stability, sustainability, longevity and security.

(e.g.: it could mean that you allocate your resources towards creating a safe, stable environment for your life together to flourish, such as buying things for your home together, revising your finances to make life goals and plans together more viable, setting budgets to achieve milestones together... as well as the literal physical aspects of valuables, so using your resources towards nourishment (food, shelter, clothing and health). Things that will ensure your relationship lasts and endures through hardships and tribulations. In the 2H of values, Synastry could indicate the relationship itself becoming your prized possession that you take care of. All the Earth houses are about caring for things, just in different ways.)

Another poorly explored aspect of the 2H is values in the moral, spiritual and emotional sense. It's WORTH. Both the causes you find worthy as well as your self-worth. A 2H love placement or Synastry can and will directly affect that. Even if you do happen to be dealing with financial/material things too, that can affect your self-worth directly.

(e.g.: say you are married to someone who is constantly in debt, or say your spouse is the breadwinner of the household and you depend on them financially. That can really take a toll on your self-worth. It can bring feelings of poor self-esteem, can you make you feel undervalued, inadequate, make you feel like a burden, or make you feel incapable of caring for yourself. It can strike your self-confidence and make you VALUE yourself less. Or the opposite. Your spouse may open you up to new possibilities of making money, which in turn gets you into a new passion project that you succeed in and that can make you feel like a worthy person, make you believe in yourself, make you feel important and valuable.)

I would argue that most often, it's the 8H Synastry that will really have your partner's materials affecting you, because the 2H is the house of your PERSONAL gains, while the 8H is the house of OTHERS' gains and possessions. Most often, the biggest impact I'd say 2H love placements have will be dealing with self-worth, self-confidence, shared values and morals, feelings of belonging and acceptance.

General Things ✨

What I see most often is that positive and negative outcomes tend to happen simultaneously. It's not all doom and gloom, but it's also not all sunshine and rainbows all the time. Sometimes it's great, sometimes it's not so great, and those ups and downs come and go. That's just life. Both are there to be worked with, worked for, or worked through. At the end of the day, astrology will not mandate your life events, and you have to always be learning from your life, and working on yourself and the things that matter to you. Astrology is just a guiding light to identify possible themes to be mindful of.

**************************************************

That's it! Thank you if you've read it this far! I might have come off a bit harsh (I hope I haven't), but I promise I'm nice lol.

My whole goal is to try to discuss astrology in as realistically as possible, but while making it clear that any possible outcome is plausible. If most times all you hear are fantastic stereotypical descriptions of placements, such as 7H, the not so great ways in which it can play out will be explored here to help people navigate them. If all you hear are bad things about a house, then I'll try to show the positive ways in which it can come out.

The whole point is to try to bring a wide range of notions to these descriptions, together with the information that is already out there and available by many other creators.

At the end of the day, remember this is all POSSIBILITIES. Your personal life has to be analysed to know what's gonna ensue. And don't be discouraged, because the truth is that positive and negative effects tend to happen together for your best.

Hope you have a good day when you find this!

MASTERLIST

[to-be-a-dreamer]

Okay so I'm from the Newsies fandom which means I know how to make character backstories out of literally nothing and I'm done with my "This makes no sense what were the writers thinking?" stage of grief after the BuckTommy breakup and it's time to go to work and start asking "What could have happened to make this make sense?".

Because regardless of what you think about Tommy, it's very clear that the writers have characterized him (in the current stage of his life) as someone who has put in a lot of work to become a better person, is a very steady figure, and feels very confident in himself and his identity. We've also been told and shown that he and Buck care for each other a lot and neither of them wanted this relationship to end. So the question is, what happened in Tommy's past that could have caused this very confident, mature person to realize he's falling in love with his partner and then choose to leave?

"I'm your first, not your last."

How many times has Tommy been someone's first? How many times has he shown another man this new side of himself, taught them what it means to be queer and how to love yourself for it, and been left behind once they figured themselves out? How many times has he been someone's first and had a whirlwind romance, only to be left brokenhearted because his partners had a whole new world opened up to them only to realize they didn't want Tommy to be a part of that world?

Does Tommy think of himself as the guy people have fun with, not the guy they want to marry? Does Tommy think there's something wrong with him, that there's a reason no one ever sees a future with him? Do you think he's always told himself that he would keep trying, that it's worth the potential heartbreak to find out if this next guy might be the one who stays?

Did the way Buck was talking about their relationship being transformative for him just sound too familiar? Did he think Buck liked him because he was showing him something new, not because he could ever actually love someone like Tommy? Do you think he could never imagine Buck liking him anywhere near as much as Tommy liked him?

Do you think he realized he was falling in love with Buck, and the idea of losing him like all the others was just too much? Do you think he knew the potential heartbreak of someone as incredible as Buck deciding he didn't want Tommy in his future wasn't worth it this time? Do you think he was afraid of falling in love with Buck, of falling so deeply in love that he wouldn't be able to recover when Buck left him like all the others? Do you think he decided it was better to break things off with Buck before he could finish falling in love with him?

Do you think they could come back from this? That maybe, just maybe, if Tommy told Buck about all of his fears that he could convince Tommy that it is worth it to find out if they could make it?

"I'm not the guy people decide to spend their life with. They- you'll finish figuring yourself out and realize you don't want a future with me. And that's okay, I just... I don't want to let myself finish falling in love with you first because I won't survive losing you after that."

"Do you think that little of me? That I'm just using you for my own personal gain and that I'll leave you in the dust as soon as I get what I want?"

"I... No. No, I don't think you would do that."

"Then give us a chance. Let me show you that this is more than just an awakening for me. Let me prove that I want to finish falling in love with you too."

Because I think that's what Tommy's afraid of. He's a person who's spent a lot of time self-reflecting and he knows himself so well, especially his faults. I think he’s afraid of Buck seeing all of those faults and realizing he doesn’t love Tommy as much as he thought he did. Loving someone means you see every part of them and want to be with them anyways.

I think Tommy is terrified of falling in love with someone because he can't imagine anyone loving him back.

[simp-ly-writes]

"Always, Sweetheart."

─────── · · A Black Ops 6 FanFic

Pairing: Russell Adler x Fem!Handler!Reader

─ · · SUMMARY: You were a handler of operators out in the field and Russell Adlers was your best and yet the biggest pain in your side with his constant flirting and desire to get under your skin. Yet as soon as someone else tries to annoy you or heaven forbid- flirt with you, it gets shutdown right away.

─ · · TAGS: men being dicks, female pronouns, no use of (y/n), protective!Russell, jealous!Russell, mutual pining, enemies (strong annoyance) to lovers, confessions, pet names, suggestive themes, hurt/comfort.

─ · · MASTERLIST | TAGLIST REQUEST | WORDCOUNT: 2,477

─ · · A/N: I was going crazy looking at all the fan art. Don't think I will be coming fully back to COD like I was before, but I had to write something for this character. Hope you all enjoy!

─────── · ·

"Officer Adler!" you yell, bursting through the heavy oak doors and into the office space. Fellow agents, officers, and handlers all look towards you and then back at Adler frozen in time and space.

Adler takes a drag of his cigarette before waving his hand in a silent command for everyone to leave you both. Hands quickly pick up their belongings and feet scatter out before the doors enclose you both.

The man in question makes no further movement simply leaning against the corner of a desk, a smirk setting upon his features as his glasses slip down his face to watch as you near, hands gripping a manila folder.

"What's wrong, sweetheart?" he says in an even tone, observing the curves of your face that have fallen into a serious frown. "We have already gone over this before, agent. You cannot call me such, such-"

"Such what, honey?" He teases further, cigarette sitting between his lips as he leans closer and into your space. You take a half step back, pinching your brows together before letting out a breath. "The pet names, Adler. They have to stop, we are both professionals."

Adler hums out in contemplation, taking one last drag from his cigarette before putting it out in the nearest ashtray. He nods his head in direction to the folder in your hand. "No. Before this," you wave the folder around to further prove your point, "we are sorting this thing out. I need to hear you say you won't do it any longer. It causes way to many issues."

"Issues about what? If someone is bothering you, you'll let me know right?" Adlers face drops, hands forming into fists, his stare already demanding names.

"Yes of course! But it makes me appear less assertive in my role, Adler. I have other operators I have to account for since you left and I can't have the newer ones thinking they can disrespect me in any way!" you try and explain, a hand gripping your hair as you stress.

Adler stands, gently taking your elbow before his fingers trail up your arm and towards your hand and head where he eases your grip from your roots. Before he can go to fix your hair you shake his touch off with a huff. "This is what I mean, officer," you say, throwing the document on the now bare desk.

"Well then maybe you should drop your other agents, (last/name)," Russell counters, arms now crossed against his wide chest. A few buttons to his navy shirt undone as you do you best to not look at the skin showing underneath.

"See you would have been my only operator as you have demanded in the past but as soon as you left, you failed to see that I still need to put food on the table so what little choice did I have but to be given new recruits?" you retort, falling into the nearby swivel chair as you stare at the door.

Adler crouches down, blocking your view. His hand twitching to pick up your chin to see your eyes once more. "Hey, look sweeth-(last/name). I can't apologize for my reasons for leaving but I will apologize for leaving you with no other options."

You nod your head before meeting his eyes once more, "So no more petnames?"

"No promises," is all Adler can say before leaning over you to reach for the documents you threw earlier. You lean back into your chair, hands gripping the arms, "You know you could have just asked me to get those for you?"

"Yeah but I got them anyways." You roll your eyes, "Hey- none of that now," Adler shushes you before looking back down at the files. You watch as his large hands grip the corners of the page, careful not to bend them before flipping it to the other side, a series of photos close to falling out as he tips the folder towards you to stop them. "I'm not a child in need of reprimanding, save that for the field workers."

"Never said you were but seeing you leaning back in that chair while doing that plants some images in a man's head," Adler's familiar smirk haunts you once again in the daylight. "Fucking hell," you swear underneath your breath.

"So, why am I being shown these? I already completed this objective..." Adler closes the folder, placing it gently back on the desk.

"Yeah, thats the issue. You see, Adler, we needed more information on those guys. Not for you to shoot them and the information with them!" you yell, swearing that your voice rippled the coffee in a nearby cold cup.

"Well, I'm going to let you in on a little secret off the books."

"And what secret would that be out of your many?" You lean forwards, playing with a ring on your finger. Adler stares at the movement before turning his back to you.

"I already knew all that information years ago, just had to make sure nobody else got to it."

─────── · ·

You thought that after that whole fiasco with your officer Adler, thing would have cleared up since then but it seemed that life had thought differently.

You were in a board meeting with your fellow operators, their handlers, and council members. One of your officers, Roger was sitting beside you, a notebook shared between the two of you as you both passed notes back and forth on the meeting that was dragging on into your lunch break.

"Well if they are planning biological warfare we have to meet metal with metal! If we are acting as moderates or even submissive what the hell room does that leave the enemy to operate in! They need to be neutralized long before those chemicals get out of the port, fuck the rest of them!" A board member yells from the top of the table as you lean back gaining a headache from it all.

Roger places a hand on your shoulder, his head tilting down to your ear, "You holding up alright?" he asks politely, turning his head for you to whisper your answer. "Yeah, just need this meeting to be over or at least to be paused. We are getting nowhere with all this shouting and violence."

The officer nods to your answer. "Yes, we have been circling over the same-"

"Oi! Do you to have something to share? Or are you both gonna keep whispering sweet little nothing into each others ears? Should I tell Adlers' that your cheatin' on em'?" Another handler chimes in, sending a toothy-white smile in your direction.

The other men around the table laugh as you lean on the table, threatening to stand. Roger makes no sudden movement in his chair, face set in a glare directed to the senior member at the unprofessional comment. Sighing you pick up your notes and crack your neck before reading your own radiant smile, eyes holding daggers picturing to stab through his eye-sockets.

"That will not be necessary, Paul," you spit out his name, "Nor is any of this discussion. We have all made no process since eleven! If we display strength with the military we risk our agents already operating within the operation and civilians. If we sit back and let it happen, we also risk a potential nuclear war. Our best option, which none of you men have brought forward and is embarrassing for our field is that we don't ship ourselves alongside the weapon, that way we can determine who has it, where it is meant to go, and where we want it to go."

You are nearly out of breath by the end of your speech as you stand and begin to walk towards the doors, Roger's hot on your tail as nods his head before all the members on behalf of you both, leaving the room in silence.

As soon as the door closes behind you both, you lean against it. "At times, I wish I had a dick like the rest of them but then I remember it's what makes them this way," you explain before picking yourself back up and continuing down the hall.

Rogers laughs, his eyes crinkling as he bumps your shoulder. You look up, casting him a smile as well. "You have a way of saying things, sweetheart. Would leave to see more of that mouth outside of work," Rogers says causing you to stand still in the hall as people walk around you both.

Turning to face your agent, your smile has turned into a glare once more. "Get back to work, Rogers. I expect a full report from last week still that I have yet to receive. Your co-worker has already sent theirs in with misinformation, I hope to not see the same things on yours. And please remember this, I. am. not. your sweetheart."

Turning back on your heels you continue further down the hall, Rogers left with your words before a whistle has you nearly breaking a heel by how much you want to throw it in his face. Russell. fucking. Adler. Standing there with that smirk yet again as he leans up against the break rooms entrance.

He holds out a hand, shaking it in a silent ask to carry your belongings. You shove them into his hand while using your other to press against his chest and to move him out of your way.

He does not budge, simply looking down at your lingering touch with a softening smile. "I am not in the mood, Adler. Please let me through," you use an overly sweet tone, you can feel him tense from underneath you.

"Hey, though I do love that tone when seeing you in a good mood. I do love viewing your rage. Lay it on, whats on your mind?" Adler asks, hand now resting atop your own.

"Move first and we'll sit and talk," you counter to his nod. Adler drops your touch, arm moving to welcome you into the empty space as everyone had already cleared back for work.

Coffee in hand, sandwich in the other, you took to your seat. "I'm so sick of men constantly stepping all over me when I worked just as hard- no. Fucking harder for this position and I still get treated like a little girl in their fathers suit and it does not help when after three hours of men shoving their dicks on the table a younger one then gets the audacity to be asking to see my mouth while calling me Sweetheart," you complain, downing the rest of your coffee before slamming the cup against the saucer.

Adler appears even more tense then you, his hands grips into fists allowing the veins across his forearms to appear most prominent. "Give me a name."

"Pardon?" you ask, embarrassed that you had became so easily distracted.

"Give. me. a. name, please," Alder asks once more, his eye staring deeply into your own. "Hey, whats wrong, sharing is a mutual affair," you reach across the table to grasp one of his hands, surprised when he pulls away. He's never done that before...

"Nobody gets to say that shit to you, not when I'm here. I'm sorry that you had to hear that, sweetheart." And for some reason you don't feel disgust except an overwhelming feeling of comfort as the word dances through your ears. You try and fake annoyance but Adler only takes that as further fuel against whatever man had wronged you so.

"Theres no need to apologize, Adler. I already told Rogers off-" you should not have said that, already regretting your words and Adlers chair screeches against the tiled floors, the door being slammed behind him as he storms off to find Rogers.

─────── · ·

The next time you are working with Rogers, he does not even look at you unless you command him to. He does well to hide his face to the best of his ability but it is hard not to notice the black eye or scarring underneath his chin. Tisking to yourself, you tell the agent his next meeting point in the south Mediterranean sea before setting off on your next mission, to find Adler.

It did not take long as he was already waiting in your office. First aid it open and displayed across the documents on your desk. He did not hiss or move as he poured the anti-bacterial fluid over his wounds, his teeth gripping a bandage in wait as he had yet to acknowledge your presence.

"Alder," you scolded like a tired mother before taking the wraps from his teeth and standing between his legs, gently wrapping his hand before pressing a kiss to your work that had both of you chuckling.

"You didn't have to do that, you know. Could have gotten you suspended-"

"You really think they would suspend me, honey?" you blush, shaking your head and taking a step away yet Adler catches your elbow, standing, chests touching as he leans down to get a better look of your face.

"All I'm saying is that you have to take better care of yourself, officer," you retort, eyes quickly casting to his lips before holding his gaze.

Alder smiles, hand now cupping your cheek as you allow yourself to lean into his touch. "Are you sayin' you care about me, (last/name)?" he teases, eyes already knowing the answer by the way in which they crinkle, mirroring your own.

"I care for all of my operatives, Russell Adler."

"But am I really just an operator to you, sweetheart?" his words now nearly a whisper upon your lips that part in wait.

"Well there's only one way to find out-" and his lips were on yours. His hand now holding the back of your head, nudging it upwards as you curved into his touch, hands gripping his shirt and around to his waist. Russell's other hand moved to grip your waist, thumb rubbing circles into your side as you felt his smile upon your lips.

Pulling away, lips puffy and eyes starry as you panted for air, Adler barely gave you anytime to breathe before he was kissing you again. Any papers on your desk were thrown to the floor before Russell was picking you up by the back of your thighs and placing you on the desk, legs spreading to keep you both close.

Standing back to full height, Adler looked at you sprawled out before him, hands morning their way up from the ankles that kept him locked into to place, up to your calves and towards your thighs and lower torso. Your breath gasped as his hands teased at the skin between your waist and shirt, skin tingling, his touch lingering with shared desire.

"Kiss me again," you pleaded.

"Always, Sweetheart."

─────── · ·

─ · · A/N: If this is recieved well may make another one... 🤷

[tkomptgoedluv]

icantbelieveiletyougetaway.

joost klein x f! reader

tags: dead dove do not eat, f! reader, non-famous! reader, reader really needs to see a therapist, established friendship, they’re so in love with each other it hurts but can’t admit it, joost just wants to be her everything, angst, hurt, comfort, all characters are dutch and speak in dutch but dialogue is written in english for obvious reasons.

word count: 4,156.

warnings: very brief allusion to drugging, heavy and frequent references to SA, violence, vague mentions of non-specific mental illness, rpf.

notes: in my head this takes place in 2021-2022 when joost had that really short, almost buzzcut like hair? like the wachtmuziek era. also, very sorry this is late!! it’s still only been half-proofread and i’m not even sure i like how i wrote the ending but here she is anyway. i love her and i hope you do too 💋.

── ⋆⋅ ♰ ⋅⋆ ── ── ⋆⋅ ♰ ⋅⋆ ── ── ⋆⋅ ♰ ⋅⋆ ──

with shaking hands, you fumbled around the bathroom floor to find your phone. your chest was heaving, the cries that you struggled to keep quiet were getting all caught up in your throat as you fought meekly through the nausea. you wiped at your face again, desperate to clear your vision and leaving behind a mixture of tears, snot, and smeared mascara on the back of your hand.

the room itself was dark, barely lit up by a singular dim, yellow light, though despite the shadows you could still see how everything was spinning. you couldn’t remember how many drinks you’d had — it hadn’t felt like a lot, you weren’t a lightweight by any means but you didn’t know how else to explain the state you were in. you couldn’t stand up even if you wanted to, your legs strangely numb to the touch and the pounding in your head made staying on the floor all the more appealing anyway.

face down on the grimey, tiled floor you found your phone laying just underneath the sink. you ignored the low battery warning as you swiped through your contacts, squinting through your tears at the screen as if it would actually help you see any better. you were only looking out for one name; the third out of the four that were listed under the letter ‘J’, and the only name to have an emoji next to it.

over the sound of the heavy, techno bass that seemed to shake the walls and the buzz of a hundred different people all talking amongst each other, you heard the line start to dial. it didn’t make sense to call him out of everyone else that could possibly help you; he was infamously known for never picking up the phone. it was ironic for someone so notoriously attached to their screens, his face typically glued to either his phone or his ipad.

but still, you hadn’t so much as thought twice about it as you clicked on his contact and then the call button. With your head tilted back against the wall and your knees curled up tightly against your chest, you prayed to any god listening that by some miracle, he wouldn’t be busy.

“hallo?”

you let out a whimper at the mere sound of his voice, a small, pathetic noise that quickly turned into a cry that you didn’t bother to stifle. he called out your name for a second time, though now in a tone that was much softer than the one before it.

“i’m sorry, i know it’s late.” you paused to take a breath, your voice having cracked like glass as you spoke. “but i need your help. i don’t…joost, i don’t know what to do.”

“it’s okay, just take a big breath for me.” for just a moment you heard shuffling around on the other end of the line. with each of his footsteps the background noise grew quieter until it disappeared completely, following the sound of a door being shut. “where are you?”

“i’m at…i’m at this house but i uh, i really don’t wanna be here anymore. do you think you could…can you just come get me, please? i’m sorry.”

over the sound of a drum and bass beat that played so obnoxiously loud, you struggled to catch all the whispers from joost’s side of the phone call. there was another voice there, that much you could hear, and you struggled to place it despite how familiar it sounded. you tried to concentrate on the faint muttering, straining your ears to hear it over the song that blared just below you.

but then you jumped when the banging started. a sudden flurry of fists pounding against the wood and making the bathroom door rattle within its hinges. from the deep laughs that followed, chances were it was just a group of guys trying to be funny, probably thinking it was one of their friends getting lucky on the other side. and yet still, you found yourself gasping for breath as you choked back fresh tears, all the blood that ran through your veins turning cold.

“schatje? did you hear me?”

you could only hum back in response.

“i said i need you to send me your location, okay? and then i’ll come get you, i promise.”

it was the moment you figured out how to do so that your phone finally gave up on you. after hitting send, the little map displaying your whereabouts popping up in yours and joost’s text chain, your screen began to freeze. in a moment of panic you managed to choke out that you were locked away in a bathroom before it all went black, leaving you to stare at the taunting dead battery symbol.

you weren’t oblivious to the irony of it all. in a house crammed full of people, perhaps even a few too many than it was built to hold, you felt alone. just a few minutes ago that was all you wanted, to be by yourself, but now it left you with a ringing in your ears. the absence of joost’s voice was enough to throw you inside what felt like a black hole, where time seemed to slow the longer you waited for him.

you found a brief comfort in watching the time pass on the old, analog clock that hung high on the wall opposite you; you figured it was a better thing to focus on besides the sharp ache between your legs. it helped keep you distracted from the way everything just hurt now, whatever it was that was in your system already starting to wear off. without it numbing you to the pain of it all, you could feel the headache brewing behind your eyes and the sting of your split lip.

with each minute that dragged by, the slow, high-pitched tick of the clock echoing inside your ears, your mind began to slip further and further away. every time that you closed your eyes you could see it happening all over again; you could feel his hands back on you, ripping at your clothes and bruising your skin.

all the tears that you had only just managed to blink away came rushing back, continuing to decorate your face with more long, dark streaks of black. surely, this was going to be the thing to finally break you. there would never be any redemption or recovery for you — he’d get to live the rest of his life without burden whilst this was bound to be the death of you.

the more you unravelled, the more erratic your cries grew with hiccups racking your body and a deep burning in your eyes. for once you found yourself grateful for the music’s mind-numbing volume, though somehow it still wasn’t enough to mask the sound of a soft tapping against the bathroom door. like a coward you froze, failing to answer back before you heard your own name being yelled out to you, followed by a harsher knock.

“hey it’s me, it’s joost. can you open the door please?”

as you steadily climbed to your feet, using the edge of the sink to help push you up, your knees began to shake. they threatened to buckle out from under you with every step that you took, each limp towards the door sending a short stabbing pain up to your abdomen. the sensation made you wince, your jaw clenched and a grip on the door handle so strong that it turned your knuckles white.

it was almost sardonic how despite being in a house so loud, everything went quiet as soon as that door swung open. the music never stopped nor did anyone dare to change its volume, but all joost could hear was his own heartbeat thumping in his ears as his eyes met yours. all he could do was swallow, pushing down the bile that was quickly rising up his throat.

even in the low, warm light of the bathroom, he could see the streaked mascara that painted your face and the bloodied lip that was still trickling down your chin. your favourite shirt, the one that he himself had bought you, was torn and just about hanging off your shoulders. it exposed a trail of black and blue spots that started along your shoulder and went all the way down your arms, a couple even dotted down your legs.

joost uttered your name, his voice barely audible over the music downstairs. the corners of your frown twitched, your bottom lip quivering as you shook your head, already answering the question he hadn’t even asked yet. from where you stood he could see you shaking, your knees weak and barely holding you up right. he didn’t hesitate to pull you into him, an arm locking around your waist as his hand found the back of your head, keeping you hidden in his chest.

“jesus christ, what happened to you?”

you couldn’t speak, couldn’t find the right words to even try and explain what it was you had gone through. you could only weep into the fabric of joost’s jacket, so exhausted and overwhelmed that you didn’t have the strength to hold yourself together in front of him. but it was more than enough of an answer for joost who just held you tighter the harder you cried, fighting back tears of his own.

pulling away as gently as he could, joost still kept you in his grasp. his hands cupped either side of your jaw, calloused thumbs wiping away stray-fallen tears as his eyes danced over your face. with a gaze so intense, you could see his eyes growing sadder the longer he looked you over in the dull light of the bathroom.

“i left stunts outside — he’s still in the car. we could…we should go to the hospital.”

“no!” your own dramatic change in tone caught even you off guard. you couldn’t help it, you were panicking now, pulling joost back by his sleeve as he tried to guide you out of the bathroom. the action made you wobble and almost trip over your own feet, flinching at the sudden cramp you felt deep in your stomach. joost’s grip on you hardened, not nearly enough to hurt but enough to keep you from falling back and hitting your head on the sink. “not tonight. please, i just wanna go home. i’ll be fine.”

“you can barely fucking stand, schatje. you need help.”

“then i promise i’ll go in the morning! but right now i just really need you to take me home, okay? i’m begging you.”

perhaps if joost had a little bit more of a backbone and wasn’t so hopelessly head over fucking heels for you, he would’ve had the courage to say no. he would have been able to look you in the eye and still say that he was going to get you to a doctor, whether you wanted to go or not. but no matter how much he wanted to, how much he hated what you were asking of him, he couldn’t. feeling you trembling in his hands and hearing the fear that shook your voice meant there was longer a single thing that joost wouldn’t do for you.

you were his best friend just as much as he was yours, regardless of all the very non-platonic things the two of you had done together over the years. as far as you were concerned it was just something that you’d do sometimes, only ever as friends. there were never any conversations about it the next morning, never any acknowledgment for what it was you had done the night before; it was almost like it never happened until it would undoubtedly happen again. you always liked it like that though — as long as it meant that you never had to think about how you really felt.

joost, on the other hand, was painfully aware of what he felt about your situation, about you. it was never just sex for him, not even once, and he wanted to talk about it. and he tried to, a couple of times, spending the first few mornings after trying to coax you back into bed just so he could hold you skin-to-skin for a little while longer. but you never wanted to stay and you never wanted to talk about it, either, so joost stopped. he let it become another pain he had to live with and spent each day telling himself that he was okay with that.

it was with only a slight hesitation that he nodded before standing back up straight, slipping his big black jacket off his arms and draping the material gently over your shoulders.

you let joost take on most of your weight as you leaned into his side, letting him guide you back through the house as you focused on just trying to make it down the stairs without tripping. to say that the place was packed was an understatement. people were crammed into every room like sardines, dancing and grinding against each other with stiff, swinging jaws. you hadn’t even heard what it was that had been said over the music, its volume still just as loud and disorienting as it had been when you first arrived.

but joost had heard every word, somehow, despite the sound of his own song polluting the room. it made him freeze on the spot, pulling you to a stop right along with him as he slowly turned to face the group of guys that were standing just in front of the front door. you felt your throat start to close at the sight of him amongst them, standing front and centre with a sick grin plastered across his face, his eyes darting between you and joost.

“what did you just say?”

it might have been the gruff, nauseating voice that you recognised, or maybe it was those ring-heavy hands of his that you could still feel pressed into your skin. you didn’t know, and it didn’t matter, because you knew it was him.

“i said good luck with that one, dude. she doesn’t go down easy; kept trying to fight me the whole time.” his stare then fell from joost onto you, his tongue gliding over his bottom lip as he looked you up and down. “but we still had our fun though, didn’t we schat?”

the crack of joost’s knuckles colliding with his jaw was something you heard before you saw it; the thud of him hitting the ground following soon after. a chorus of screams and cheers rang painfully in your ears as you watched a small circle quickly form around you. anyone that could still see straight had either ran from the fight or pushed forward to get a better view of it, their phones held high and already recording.

“bet that made you feel like a man, huh? forcing yourself on a girl half your size. you piece of fucking shit, i should fucking kill you!”

in all the years you’d known him, you had never seen joost like that before; his voice low and angry as his shouts drowned out the music. he hadn’t waited for him to get back up before throwing another punch, the sharp crunch of his noise breaking making you wince and your eyes water.

you went to step forward, your hands already reaching out to grab joost’s arm when one of his friends pounced. a shriek was ripped out from you when a fist struck joost right across the cheek, knocking him into you hard enough to almost send you both tumbling to the floor. any chance for you to try and intervene again vanished when you were pushed back before you could get close enough, joost quickly shoving you behind him as he swung for the other guy.

a strong pair of arms wrapped your middle and pulled you further back as you cried for them all to stop, keeping you locked against their chest no matter how hard you thrashed. distance was put between you and the fight when you were picked up and half-dragged out the door, joost’s blond hair disappearing from sight amongst the growing crowd around him.

the bitter air of the early morning stole your breath, your chest tight and aching as the cold consumed you. small flakes of snow drifted down from the paleing sky, dusting each rooftop and the old, cracked pavements in a thin layer of white. still, there were a handful of people gathered on the house’s front stairs, clad in various leather and latex, that only stood and watched as you were hauled away from the party.

“get the fuck off me! we’ve gotta go back, we can’t just leave him! stuntje, please!”

your feet only met the floor again once you were next to stunt’s car, safely across the street. even from there, you could hear the childish chanting of ‘fight! fight! fight!’ and the occasional glass break from inside.

“martijn -”

“- stay here; i’m gonna go get him.”

you weren’t allowed to argue, so you just did what you were told. for four minutes you sat waiting in the back of the car with the heaters on full blast and still shivering as you nestled yourself deeper into joost’s jacket. after another minute you saw them heading back your way, their pace fast as they slipped past the last few people that loitered on the steps. in the glow of the streetlights you could just about make out the soft shade of purple that was joost’s eye, and the deep scowl that contorted stuntje’s face.

neither of them spoke as they joined you in the car but for joost, you never really gave him the chance to. his seatbelt hadn’t even clicked into place yet before you were turning away from him, desperate to pretend that he wasn’t there burning holes into the side of your head. if joost knew that you could see him staring from the corner of your eye, he didn’t care. if anything, he probably would’ve hoped that it might have made you look back at him, because then that at least would’ve been something.

but seeing joost storm out of that house with a violet eye and raw knuckles, having just risked everything for you without a second thought, it scared you more than you wanted to admit. he was only supposed to come find you, and bring you back home. you never wanted a fight, never wanted joost to wind up with a black eye over you. so no, you couldn’t look at him — couldn’t even talk to him, either.

except your silent treatment didn't last very long, did it? it couldn’t, because joost wasn’t going to let you get away with it this time. for as long as he had known you, you always had this habit of internalising what you felt and shutting down. it never mattered what it was you were going through, you just wouldn’t talk about it.

this time though, he wasn’t going to let you disappear in on yourself again, and he wasn’t going to let you shut him out, either.

as soon as the car came to a stop, joost was up and already outside your car door. with a sweet smile, gentle hands were pulling you up and slowly helping you onto your feet before you had the chance to protest. there was a part of you that wanted to, now too proud to admit that you still needed his help. already, he had done more than enough, even too much, for you.

still, you didn’t dare to fight it — or him, rather. besides a small goodbye to stuntje, no words were spoken as he slipped an arm under your knees and pulled you up to his chest. it was like that, that he carried you up the three flights of stairs of your building, glancing down at you every so often with soft, worried eyes. it was miraculous how he managed to open your front door with you still in his arms, his very own key to your home dangling from the clip on his jeans.

it wasn’t long before the soft leather of your sofa was dipping underneath your weight, its cushion beneath you feeling cold against the bruised flesh of your thigh. joost left you for only a second, just to switch on a couple of the lamps you had dotted around and to dig out your old first aid kit from the bathroom.

you still weren’t really looking at him, not even as he perched on the edge of your coffee table and carefully took your jaw in his hold. the brush of the alcohol wipes along the small cuts that marked your face stung and made you wince, your nose scrunching up at the pain. a string of quiet apologies followed as joost concentrated on cleaning you up, wiping away each and every smear of blood and smudged makeup.

the longer that you sat there whilst joost devoted all of his time and energy to you, the more teary-eyed you felt yourself becoming again. it felt almost…foreign to feel so loved after everything, like you were still somehow worth saving. there was no way that you could possibly deserve it — nothing you could’ve done to deserve having someone adore you so unconditionally without earning it.

and yet here he was, your joost, doing anything and everything to try and help, and you couldn’t even fucking look at him.

the only thing you could do was cry. the way you clutched your mouth did little to muffle the sounds of your distress and it drew back his attention after he turned away only to throw out all of the dirty, used wipes. it was the guilt that was doing this to you, the guilt of knowing that you were the reason why joost now had a black eye. that joost had risked his whole career by starting that fight, and you had been the one to punish him for it.

a warm hand squeezed your knee as another tucked fallen strands of hair behind your ear. it took a few tries of quietly calling out your name to finally get you to meet his eyes, but eventually you got there. nothing could have prepared you for just how sick he looked, the bags under his eyes seeming considerably darker than before and a deep frown tugging at the corners of his lips.

“i’m sorry i did this. i never should’ve gone with him, i know i shouldn’t have because i know that i know better but i still went and i should’ve done something more, i could’ve hit him harder or yelled, and i’m sorry i called you because your eye, that was me, that was my fault and i’m sorry, i’m sorry, i -”

with your face pressed flat against his chest, his sudden embrace almost swallowing you whole, you couldn’t find the rest of your slurred, blubbering words. somehow, at some point, joost manoeuvred you both onto the sofa and with his arms around you, kept you curled up against his side. a few fingers moved up the back of your neck to scratch your scalp as others held onto your hip.

it was the only thing he could think to do to shut you up, to calm you down enough to take big, slow breaths, in and out.

he didn’t have it in him to let you finish that sentence.

delicate reassurances were mumbled into your hair, quiet ‘you’re okay’’s and faint ‘it wasn’t your fault’’s becoming mantras that helped soothe the pain in your chest. you wanted to believe him and knew that you didn’t. you knew that as the deep baritone of his whispers slowly lulled you to sleep, you’d wake up with that pain still very much there.

but joost wasn’t going to stop trying anytime soon, noor was he going anywhere. it was one of the few things you’d actually let him do for you, making himself a home on your sofa whenever you would have one of your episodes. he’d sleep there, eat there, work there. sometimes joost would spend entire weeks of his life in your living room just so that he could know for sure you were still alive and breathing.

he was the only thing offering you the slightest bit of comfort. you could feel his fingers running through your hair as you curled up even further into his side, his voice still low in your ear. it was becoming to struggle just to keep your eyes open, but you knew that he wouldn’t mind.

you could fall asleep just to wake up with that same ache in your heart still there, but joost would still be there too. for now, that was all you needed.

[tossawary]

I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.

Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, fighting the mam-eating griffin, drinking poison to lift the unicorn curse).

Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.

Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!

So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."

Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer or knowingly working with one, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?

ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."

UTHER: "You saw it for yourself. She used enchantments."

ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."

UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."

ARTHUR: "I understand that."

UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."

ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."

UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."

When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!

ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?

UTHER: Absolutely necessary. Those who use magic cannot be tolerated.

ARTHUR: The Druids are a peaceful people.

UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.

ARTHUR: Showing mercy can be a sign of strength.

UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.

Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)

But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.

The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people whether they have magic or not, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.

Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgharrah in S1 E14 is in many ways so, so funny:

KILGHARRAH: Well, young warlock, what is it you come to ask of me?

MERLIN: I need your help.

KILGHARRAH: Of course you do, but this time, will you heed my words?

MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!

KILGHARRAH: Do… nothing.

MERLIN: What do you mean? If I do nothing, Uther will die.

KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocent…

MERLIN: But surely that doesn't make it right to kill him.

KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!

[The dragon flies off.]

MERLIN: Wait! Where does it say my destiny includes murder?

KILGHARRAH: Free this land from tyranny, Merlin! Free us all!

I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.

I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being heavily influenced by Arthur, who loves his father, despite everything. For Arthur's sake, if no one else's, Merlin will go out of his way to save Uther. Sure! That tracks!

Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are several, in-world reasons for this and I don't think they're all unrealistic! It's tense! It's thrilling sometimes!

(Though I am ultimately a little annoyed that Merlin's many secrets never really come out and get dealt with by the characters, because that would have been fun drama and some resolution to all the tension, even if the story did still end in death.)

There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)

But, also, the compelling tragic elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show often feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.

But OOF, I felt that "Do... Nothing".

Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!

In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.

But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.

Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! I even kind of enjoy that it ultimately ends in death with so many loose emotional threads. It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the executive discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.

This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"

Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."