#because well. indie project
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cleverpaws · 1 year ago
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ive always admired how amazing a satire of corporate genloss is ngl. they were onto something with squiggles and i wish more people talked about it
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shantimochi · 1 month ago
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Been a while since I drew the Starboy! ⭐️☁️
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yanderespamton78 · 6 months ago
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when a regretevator headcanon pisses you off so much that you become a feminist
#i wish this was a joke i really do#but like. transmasc bive really made me think about why i was so happy to have a character like bive#and why it is so rare to find interesting/funny female characters in media#and how even when a female character isnt just pathetic and weak shes always still responsible or at least aesthetically pleasing#in a way that male characters dont tend to be a lot of the time#and that just got me thinking more about how women tend to act in mainstream media (indie projects often arent prone to this)#and why i worry about getting bullied for things like not caring about my clothes and not wearing makeup and allat#in a way that the boys in my school just. dont need to care about#and how nearly every girl i know cares about their appearance in some respect and none of the boys i know do#transmasc bive feels like someone saying “a well written female character who doesnt adhere to the expectations of society? nah thats a man#CANT I JUST NOT ADHERE TO THE EXPECTATIONS OF SOCIETY AND ALSO USE SHE/HER IN PEACE???? GOD#and im not saying that transmasc people go through less than women do because thats not true#nor am i saying that transmasc people dont deserve rep!!! i think trans rep is a great thing when youre not slapping it on a character that#is breaking gender stereotypes by being a woman#i just think. what a coincidence that people headcanon bive as transmasc more than any other female character in regretevator.#and why do they headcanon the canon she/her character as transmasc instead of transfemme. IM IN FAVOUR OF TRANSFEMME BIVE!!!#i cant speak on behalf of the trans community in general but like!! transfemme people deserve recognition too!!!#make prototype transmasc! make infected transmasc! make MR transmasc for all i care!#heck make mozelle transmasc if you want! we stan gender non comformity here!#but bive? BACK THE FUCK OFF#please dont take away my well written gender non conforming female character away from me#shocker! not all girls who dont care about their appearance or being feminine turn out to be transmasc! some are Just Like That!#i got carried away there#i typed all this out on christmas day but im gonna post it later because. rambling about feminism and bive isnt very uh. christmasy
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illiana-mystery · 3 months ago
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Poor Bobby, he just needs a hug.
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fujouppy · 7 months ago
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watched whitepine 1. i think i want to gather all my thoughts on part 1 before moving on to the next installments but oh wow im excited to see where this story goes
#this is one of those projects that makes me wish minecraft youtubers hired professional voiceactors.#lowkey as i watch ive been imagining this as a fortiche production. & i dont mean either this or the thing about VAs as an insult!!!#it just . would feel right. this is so great i feel like im watching an award nominated indie film and not a minecraft production#and the reason i mentioned fortiche specifically is because their ability to make these odd inhuman designs (see: lest steb and babette)#fit right into the mainly realistic human world they inhabit in arcane was just wonderful and i loved it a lot#and i think that would work well with these wacky mcyt skins. like princezam is literally a yellow blob#anyway so those were all my little notes about how much i love animation . onto actually discussing the story#um . i really loved ivorys character. everyone else isnt very developed yet (understandable! ive watched 30 minutes of this thing so far)#you can get a grasp of what shes about. i liked the scene with seraptor where she freaks out a bit when asked if she doesnt like#how much he talks. it made me cry a little bit because i have Issues#and her referring to everyone as sir or ma'am and asking permission to do anything as well as always saying that she was staying#in the servant side of the house and all that is very . like just kinda sad. very interesting#i like the melancholic atmosphere everywhere as well as all the wideshots#(and i liked the parts where while following minute(? i think. not well versed in the names of this general crowd im ngl) ivory kept#looking around everywhere. and how she stood somewhere behind him when he was talking to the person at the gate or whatever#i like her!)#it all sets the tone very nicely . i like this series#go watch it maybe#voidcore.txt
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pinkeoni · 2 years ago
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i think that the take that horror is meant to be "bad, cheaply made b movies" is as reductive to the genre as the take that the only good horror is recent "elevated" horror
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concoctionboy · 2 years ago
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Okay, there are a ton of things I've been meaning to do on this blog that I've been too busy for lately. A not necessarily complete list:
Update @towerquest
More Wizard Tumblr Magic the Gathering cards
More "Language Learning with Concoction Boy" posts (I said in the first such post that I'd wanted it to be an ongoing series, but so far there's only been one post)
Making a neocities page as a permanent receptacle for some of these things
Following up on some previous posts that I'd intended to follow up on but hadn't yet (like the fact that I was supposed to be waiting a week for the copy of me to replenish in size so I could turn it into a cauldron and it's been months now)
I think there are some posts I've marked to reply to later when I have time? I should find some of those posts and reply to them.
Making a Concoction Boy video game (okay, this is something I seriously do want to do eventually, but it's very much a long-term goal. I have the general idea for the game mechanics, but haven't actually started working on it yet, and almost certainly won't for some time)
I am going to start on one of these things right now, and make a post on it later today.
Hopefully I'll make some progress on another item on the list tomorrow.
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lackadaisycats · 4 months ago
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Video essay by Jellybox about what's good and bad about indie animation!
Wanted to share this in case it's helpful to anyone wanting to pursue making animation independently. It's also for fans of indie animation who may want some insight into how an indie studio works, why indie cartoons are always selling merch, why release schedules are often erratic, etc.
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I also wanted to clarify the video's context, because it seems to have been somewhat misconstrued in some circles. Not long ago, WGA and SAG strikes, followed by TAG negotiations were very much in the news, shining light on the struggles the artists, writers, and actors in the Hollywood studio system are facing. In response, the words 'just go indie' have been tossed around quite a bit lately.
Gene and Sean at Jellybox approached us a few months back explaining that they were planning to make a video about the realities of running an indie studio/producing indie animation, largely in response to that 'just go indie' attitude. They were curious if we'd be willing to share our experience, including information about actual costs and the various difficulties and complications we've encountered. We said yes! We'd like for people to know what it's like. As much as it might look appealing next to the currently very broken studio system, indie has its own set of problems, and we think it's a good idea to be transparent about that because talking about problems is how you begin to address them.
Of course, while you get creative freedom and you have no shareholders to appease with indie production, the primary struggle you're always going to face is funding…and funding avenues are limited. Banks aren't eager to hand out business loans to freelance artists making cartoons, for instance. Social media algorithms reward frequent updates you can't swing with hand-drawn animated content, so you can't rely much on things like AdSense. You can't really insert sponsored ads into your animated videos without being too obtrusive. You can take on client work, but that interferes with your ability to focus on own animated project. Crowdfunds can be great for seed money, but they're also a ton of work to fulfill, and fulfillment itself will tend to eat up a considerable amount of the funds you've raised. Once your animation is produced, there is no well established way to sell the animated episode itself like there is for, say indie games sold on Steam. So, while we consider ways to try to make the terrain a bit more hospitable to indie creations, if nothing else, let this explain why productions rely a lot on merch drops!
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And hey, if you're an animation fan, consider supporting the independent productions you enjoy, whether you're tossing a few dollars their way, buying their merch, or just mentioning them to friends:
The Far-Fetched team is launching a crowdfund very soon to help them complete their pilot!
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The Monkey Wrench team is killing it lately, and they deserve so much more fanfare than they've gotten!
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And of course, thank you to the excellent folks at Jellybox for starting an important conversation!
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sadagios · 5 months ago
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Icarus, and the Sunflower
A Desert Duo/Scarian AU about an avid player meeting his favorite, comfort character in a death loop video game.
I can’t write a fic, nor have time to draw comics like i used to, so we are doing bullet points on a tumblr post
PART ONE: BEFORE THE ALPHA TEST
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PILOT: PART TWO
2.1k words below the cut
SOME BEGINNING NOTES: - This AU is only character shipping, and references a lot outside the life series events (evo, hermitcraft, empires, etc). This is not meant to ship the CC’s themselves and if anything alludes to it, it is purely unintentional. - This is not canon-compliant ermmmm i do what i want and i will put every idea i have into this - Tags for this part? Game dev AU, Grian is whipped for Scar, some characters are real and some are fictional, this is only the pilot, absolutely not beta'd i only have one impulsive braincell
A. Gria
Gria is a single man in his late 20s; he works at a game company called E.V.O. Games (Entertainment Virtual for Everyone). He was an architecture graduate who dabbled in game dev in his spare time during his undergraduate studies. Although he didn’t pursue that path, he utilized his skills in level design. He used to work in several indie game companies, one of which was a company founded with friends, before he was hired by E.V.O. Games. He was excellent at his job, and his ideas and inputs always improved whatever project he worked on. Because of this, after a few years, he was promoted to creative director.
His latest project was “The Evolutionists’ Portal,” a 3D pixel-style puzzle game in which the player has to navigate the world to find portals hidden in each level, and these portals progress the game. With each portal traveled into, the world becomes bigger and more complicated, making each portal harder to find. However, with multiplayer, this task is easier through working together (and doing fun shenanigans together).
It had a buggy release, especially for multiplayer, but it built a decent player fanbase; the story itself was short and simple, but it was replayable thanks to its multiplayer mode.
For visualization, it’s 3D with a top-down perspective like “Pokemon Diamond/Pear/Platinum” but has gameplay similar to “Stardew Valley”
Gria and his team get along well, and he is quite close to some of them:
Martyn: an audio engineer. This is the first game he’s worked on since he was first hired in the company.
“Big B”: a VFX artist. He and Gria joined the company around the same time and bonded over stressful deadlines and annoying seniors when they started out.
Jimmy: the project manager. Although Gria takes a lot of joy in teasing him, he is hardworking and great at keeping everyone in check with the calendar. Out of everyone, he is the one Gria is closest with. He also works on another game by the company called “Empires.” 
Pearl: an environment artist. She joined the company a bit later in the development. It is her first time dealing with pixel graphics but she did it incredibly well. She also works on “Empires” with Jimmy.
“Empires” is a free-to-play fantasy open-world action gacha RPG. It is the biggest game of the company and their title game. 
For visualization, it’s just “Genshin Impact” and “Honkai: Star Rail”.
Recently, there was a buzz around that their game, “Empires”, will have a collaboration event with another big name. Gria was too busy and overworked to take notice of this, though. 
The fruits of his labor later came as game nominations for “Best Multiplayer” and “Best Audio Design.” Gria was happy their work was acknowledged by players worldwide, even if they didn’t win.
B. Hermitopia
After so long, Gria finally took a week off. It was foreign to have no obligations for even a day. He doesn’t use this time to travel; instead, he sits at home and lurks on the internet to keep up with gaming news and updates. He uses the username “Xelqua” with a red macaw as his profile picture.
He stumbled upon a “Redstone tutorial” post by the user ”Potatonutshell”. Curious and intrigued by how such a complicated contraption is possible in a game (and bored out of his mind), he asked this user what game it was for. Potatonutshell briefly, and over-excitedly, DM’d Gria with a huge wall of text about this game called “Hermitopia 6.”
In the beginning days of his break, Gria spent time messaging this Potatonutshell fella, named “Mumbo.” Mumbo named himself after a character named “Mumbo Jumbo”, who is one of the most skilled “redstoners” in the game. He related heavily with the character and took a lot of interest in the redstone circuitry game feature as he is a programmer in real life. Gria thought the game was interesting, but not enough to install a 36 GB game for $39.99. He changed his mind when Mumbo told him more about the game, especially its base-building mechanic.
“Hermitopia 6: Hermit Civil War” is an open-world fantasy action RPG known for its base-building core mechanic. It is the sixth game in the franchise, and each game starts in a brand-new world. The player and the lovable NPCs are called hermits, a band of humans, fae, hybrids, and other species who live together on an island and work together to live a sustainable life amidst the hostile creatures that roam the world. 
For visualization, it’s like “Skyrim” with “Baldur’s Gate 3” graphics and dialogue UI.
Gria planned to try it for a few hours, only humoring his new internet friend, until he met this beautiful NPC named “Scar Goodtimes” — a human-vex hybrid with scars all over his “handsome face and carved body”, as Gria would personally describe him. He was also a builder who lived near Gria’s very odd underwater base. Throughout the remaining days of his break, and his weekends after that, Gria played Hermitopia 6 religiously.
Scar calls him “GRIAN”, which was a typo error — Gria pressed enter early in the name selection screen and he didn’t realize it until Scar first mentioned his name 3 hours into the game. He can’t be bothered to fix it, though (and he's grown fond of it.)
Gria continued to play the game in his free time, slowly falling in love with the game as he kept on playing. He also kept talking to Mumbo, who he fanboyed about the game with. He found out that Mumbo lived close by too, so they hung out frequently and bonded over the game.
Gria: I genuinely thought you had a big mustache, y’know, like Mumbo Jumbo. Mumbo: I do too! It’s... it's there! [he shows his very faint mustache] It's there! Gria: sure.
Xelqua started off as a lurker, to an active Hermitopia fan account. He was interested in the base-building aspect of the game and shared his designs online.
Hermitopia is not a dating simulator. There is no romance mechanic in the game. Anyway, Gria installed (and tweaked) a romance mod because no one can stop him from flirting with his fictional vex boyfriend.
Mumbo: Grian, if I hadn't met you personally, I would've pictured you as a crazy Scar fanatic. Gria: Wha— How— I’m not crazy. Mumbo: You downloaded a romance mod just to flirt with Scar and commissioned an artist to draw a scene from it, and now you have it framed on your bedroom wall. So, Grian, I think that’s crazy behavior. Gria: … I do what I want, Mumbo!
Gria's love for the game and Scar grew more as another hermitopia game was released (Hermitopia 7). Then, he, as Xelqua, became a notorious name because of a supposedly harmless poll about the sexiest character in the game. He was known as the insane Scar fan.
He's got every Scar merch, though there isn't much Hermitopia merch released in general. However, if someone posts about a new Scar fan merch, a certain username might appear in their notifications, like a hound trailing a scent. Haters and trolls are also dragged to hell and back because, if they aren't regretful after being berated by this insane man, they will not be able to surf through the web in peace as long as Xelqua holds a grudge. 
As insane as this Xelqua person is, Scar had become a popular character within the fandom, compared to his old status as an underrated sweetheart without much attention or fanfare thanks to Xelqua constantly (for years without missing a day) talking about him. Xelqua also organized or helped some Scar fan events and constantly supported merch creators with hermitopia merch (especially if it involved Scar.)
User Xelqua, about Scar: He is my little sunshine, my precious sunflower. He might’ve killed some men, but he was hot while doing it.
C. The Collaboration Event
Back to Game dev stuff, Gria isn’t open about his current obsession with his coworkers. When the collaboration event with the “Empires” games was finally announced, two representatives from the other company came to visit. “Skizzleman” has been a writer for Hermitopia since the 3rd game. A character from Empires, Gemini, will become a new character in the next Hermitopia game, and there will be a DLC that will add a new small map with many biomes and new materials. In Empires, Hermitopia characters will be featured in a limited-run gacha banner and a limited-time story event. 
Now a Hermitopia fan, Gria tried to interview Skizzleman about the game (while making it not obvious how obsessed he is with it). Skizzleman was the one who wrote the lore for “Impulse” as well as most of his dialogue throughout the games.
Another representative for Hermitopia, the lead designer Joel, came to visit for the collab event. He is a fanatic of Empires and a diehard “Shadow Lady” fan, which is why he is so excited to work with E.V.O. Games for the collab.
Accompaniment art for this here: link
Gria was never into gacha games, but with a mix of Pearl and Jimmy convincing him to try the game they worked on (not to mention the fact that it is free-to-play), and showing him an initial sketch of what some hermitopia characters will look like in the game (this isn’t allowed, but Jimmy and Pearl found the thought of their serious coworker playing a gacha game amusing), he finally caved. Little did they know, showing a topless concept art of Scar is more than enough to reel him in.
When the collab update was finally released, Gria grinded Empires just to get Scar. He practically paid his own salary back to his company just to get Scar to max level and his additional skins. (He loved his new “HotGuy” skin the most)
With the release of “Hermitopia 8: Moon Collision” and the introduction of co-op multiplayer mode, Gria invited Pearl to play with him with the excuse that they're only going to see how Gemini looks in the game. Gria successfully got Pearl hooked on the game.
D. The Watchers Studio
Before Gria properly applied to a game company, he developed small-scale games with his high school friends. They called themselves “The Watchers.” He met them in a small art club and they bonded over their favorite games. Gria’s favorite game growing up was an old zombie game with a title he can no longer remember.
One of their unfinished games was “The Life Game.” It was a battle-royal death game where the players had to gather resources and have limited lives.
Two of their old friend group recently reached out to Gria to catch up. They said they wanted to work on “The Life Game” again and wanted to ask Gria if he wanted to join again. Of course, Gria already had a job himself, so he declined. However, he hung out with the two and checked in with their progress, nostalgia hitting him as they relived their old game ideas.
The two invited Gria to do an alpha test and asked him to invite any friends who might find it fun. Gria invited Jimmy, Pearl, Martyn, and Big B, as well as Skizzleman and Joel who he’s been acquainted with. He also sent an invite to Mumbo, who was unfortunately busy with his job at the moment. 
To Gria’s surprise, the two had turned their game into a VR game. All seven of them played in a medium-sized studio, and although the game was fun, it was nausea-inducing, especially for Joel. They all lost to the Computer-AI characters, which concluded their Alpha Test.
After the meetup, the two lent them their CD copy of the game with the VR Headset they used (which was suspiciously generous of them).
Skizzleman liked the game a lot and asked if they could do it again sometime, which Gria relayed to his two old friends. Pearl shared the same sentiment but is too caught up with work which makes her unable to join their next session.
The gang kept discussing the game they played and its potential to become a hit with a little more polish. This made Gria feel proud of his old team and his past self, reminding him of the time he was passionate about making games despite his lack of experience. 
With limited coding knowledge and a little help from Mumbo, he made a server to host “The Life Game” online instead of LAN. He sent copies to Mumbo and Pearl in case they’d join later. According to the two, the game had more improvements to it since the last time they played it, which was months ago.
Gria had a small voice in his head telling him this was a bad idea— well, he did get a bit sick in the last session, but everyone had fun. So, he ignored the warning bells and hit “Join World.”
This marks the End of Pilot Part One Next Chapter > PART TWO: UNFIXABLE ERROR
ENDING NOTES: I've been brainrotting and hyperfixating on the idea for a while now, and I don't know how to let it all out so I'm going to try out this format. Hopefully I could add more to this! Thank you if you've read this far into the post. :) Made a spotify playlist too in case anyone is interested (I'm still working on this though)
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bishovapls · 2 months ago
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Our Little One - I think you both need Daddy, hm?
Relationships: Natasha Romanoff & Wanda Maximoff & Reader
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Summary: When Carol asks you out in front of Wanda, she snaps. She takes you home, desperate to claim you, to mark you, to own you. But it’s not just her bed you belong in, and when Natasha comes home to find you both absolutely lost in the scene, she makes one thing very clear: if you’re going to be ruined, it’ll be by both of them. Together.
Warnings: 18+, Mommy Kink, Daddy Kink, Age difference, Older WandaNat/Younger Reader, BDSM, Dom/Sub, Strap-on, fingering, Cunnilingus, Punishment (kind of), Safe word/gesture check-ins. Aftercare, but also idk if it counts because it happens, and then they start up again like the feral animals they are.
A/N: There was never meant to be a part two to this, but after a request from @tomy5girls, who am I to say no? I know this isn’t exactly what you asked for, I may have taken a few liberties and run with it a bit, but I hope you still enjoy it!
I think there’s enough context to catch you up on what’s going on, so you don't need to read part one. But if you want to, the first part is here.
As I mentioned last time, smut isn’t something I’ve written too much of before, but the reaction on here to the first part was crazy. Thank you, everyone, for being patient and supportive as I step a bit out of my comfort zone!
Word Count: 10,143
Anywaaays, sorry for the yapping. NSFW below the cut, you can also read on AO3.
The café was warm and quiet, with sunlight streaming through the windows and spilling across the wood-panelled floor. The clink of mugs and the occasional hiss of the espresso machine created a soft, rhythmic background hum, while indie music played quietly from the speakers overhead. You were tucked into your usual corner seat, your laptop open in front of you, a half-empty latte sitting forgotten beside it. Across from you, Carol was scrolling through the shared project document, her brow furrowed in concentration as she absorbed the final bits of the work.
It was your last study session with her. After two months of grafting, revisions, and back-and-forths, this was it. The project was finished. And you were proud of what you’d done together. The project was solid, clean, well-written, even a little brilliant. Maybe even an A.
Carol had been more than tolerable during the process. She was smart, dry in her humour, and easy to get along with. You’d laughed, found a rhythm, and she never made you feel stupid for missing something or needing more time. But that wasn’t what had your skin buzzing, you weren’t thinking about the project. Not really.
What had your attention was Wanda.
She moved around the café with quiet grace, her apron snug around her waist, hair clipped back but a few strands escaping to frame her face. She hadn’t looked directly at you for a while, but you could feel her eyes on you, her presence heavy in the air.
Every time Carol leaned in a little too close, every time she gestured to the screen or shifted in her seat, you felt Wanda’s gaze flicker over to the two of you. You could sense the tension in the room, even without looking up from your work.
Your girlfriends hadn’t approved of the arrangement from the very beginning. You’d tried to be reasonable, explaining how it was strictly academic, that Carol was nothing more than a project partner. You reassured them, over and over, but it never truly landed, not with either of them.
Wanda’s eyes would darken every time Carol’s name passed your lips, her jaw set just a little tighter. Her touch would change, no longer casual or gentle, but possessive. A hand curling firmly around your waist, or fingers digging into the softness of your thigh like a silent warning. 
And Natasha? Natasha didn’t say much. She didn’t have to. The shift in her body was enough, the rigid line of her spine, the way her mouth pressed into a tight, unreadable line. You’d catch the flick of her gaze, sharp and calculating, as though she were already cataloguing the best way to make Carol disappear.
You weren’t naïve. You knew what it looked like when they were on edge. And with Carol, they weren’t just on edge, they were poised, barely leashed. Jealousy burned hot in both of them, but it manifested differently. Wanda clung to you like you might slip through her fingers. Natasha watched like a predator, calm and still, but lethal just beneath the surface.
They didn’t trust Carol, not because she had done anything wrong yet, but because they knew how easy you were to be taken. They knew how easy you were to corrupt. After all...they’d done it first. They knew the way you softened under attention, how you craved approval. They knew exactly what it looked like.
And they weren’t about to let anyone else try.
—--
The first night you’d gone to Carol’s to work on the project, they’d summoned you to their place the moment it ended; it didn't matter that it was late, or that you had an early class the next morning. There hadn’t been a choice, and you obeyed, of course, you always did. Because when they gave you an order, it wasn’t a suggestion. 
You’d barely stepped through the door before Natasha had you pinned against it, the sharp click of the lock still echoing when her hand curled around your throat.
“Get undressed,” she had commanded, her voice low and steady, like it was taking everything in her not to snarl. “Mommy and Daddy need to see if anything’s been taken from us.”
And they’d checked everything. Every inch of your skin, your scent, your breath, your neck, your breasts…your thighs. Wanda had traced the inside of your legs with her fingers, like she could feel if anyone had dared to touch you. Natasha had knelt before you, her gaze laser-focused on your pussy. She stared as if trying to figure out whether you were still truly hers, before leaning in to taste, just to be certain.
Some might have called it toxic. Obsessive. Overbearing. But you’d discussed the boundaries long ago. This was part of it. You weren’t afraid of their jealousy.
You needed it.
Before them, you had been quiet. Ordinary. Invisible, almost. But now, with them, you were something worth claiming. Protected by two beautiful women who saw the world as full of thieves trying to steal what was theirs. And what was theirs was you.
Three sessions at Carol’s were all it took before they’d reached their limit. Every time you were at her apartment, they were climbing the walls back home, restless, pacing, barely keeping it together until you walked through the door and they could get their hands on you. 
You remember that conversation clearly. You were lying in bed, your skin still flushed, marked, every inch of you thoroughly inspected, claimed all over again. Wanda had been the one to speak, her tone deceptively gentle as she tucked herself beside you, fingers dragging slowly over your hip.
You had two options: Natasha could pull strings, lean on her department contacts, and get you reassigned to a new group entirely. Or you could keep working with Carol. But only under Wanda’s roof, in her café, where her eyes could stay on you the entire time.
You’d chosen the café. And now, when you came home, there was no need for the checks. No demand to strip or let them inspect you. Wanda could see everything. Every shift of your body, every glance. She knew, without asking. She always knew.
—--
Your thighs pressed together under the table as you thought about them. About the possessiveness, the way they made you feel like you were something to be desired, something that belonged to them. 
Carol was still talking, but you were still only half-listening, lost in the anticipation. Eventually, Carol’s voice broke through your thoughts, her tone softer than before. “Hey, I was wondering…if you wanted to keep seeing each other, even though the project is done?”
You stiffened, but you tried to remain casual. There was no way your girlfriends would allow this. You gave her an apologetic smile. “I’m sorry, Carol, I don’t think I can. But I’ll see you in Professor Romanoff’s lectures.”
Carol’s expression faltered, the corners of her mouth dipping into a subtle frown before she masked it with a casual, almost cocky smirk. “Why not?” she said, her voice dipping slightly, trying to sound playful. “We have chemistry, don’t we? We click, we laugh…Let me take you out. Just once.”
“I’m taken, you know that, Carol,” you said, keeping your voice steady, even as that familiar flicker of nervous energy crawled up your spine. And she did know, because Natasha and Wanda had made damn sure you’d told her. Had made it clear that you weren’t available. That you weren’t free to be taken.
Carol chuckled, but there was something more confident about her now, a playful lilt in her voice. “Oh, come on, baby. I bet I could treat you better. You haven’t even told me your girlfriend’s name. Can’t be that serious, can it?”
You wished you could’ve told her the truth, that the woman behind the counter was your girlfriend. That Wanda, along with Natasha, loved you in ways you’d never even known to dream about. 
That they touched you, ruined you, worshipped you, and made you feel things you didn’t think were possible. But you couldn’t. You couldn’t tell Carol that you belonged to Wanda, because everyone knew Wanda was Natasha’s wife. And if you were with Wanda…then you were with Natasha too. And that was a line you could not admit to crossing. Not without consequences.
The only time you were allowed to blur those lines was when the three of you escaped the city, trips to quiet towns or distant coasts where no one knew your names, where eyes didn’t linger and gossip didn’t follow. 
Or on rare nights when they brought you into their private circle, introduced you to the few friends who didn’t flinch at blurred boundaries. Friends who didn’t care that you were sleeping with your professor, only that Natasha’s smile came easier with you beside her, and Wanda’s eyes softened whenever you curled up in her lap like you belonged there. 
You’d gone quiet for too long, lost in the swirl of your thoughts, still reeling from Carol’s boldness and the weight of Wanda’s gaze. The sharp crack of glass hitting tile jolted you back to the present. Wanda had dropped the coffee pot, the sound slicing through the café like a warning bell. 
You looked up, and the moment your eyes met hers, you knew it hadn’t been an accident. The tightness in her jaw, the deliberate stillness of her posture, this was a message. A command. You scrambled to your feet without thinking, moving to her side as quickly as you could, heart thudding, because you understood exactly what she wanted: your attention, your obedience.
“I’ll, uh…I’ll text you, Carol,” you said quickly, kneeling to help Wanda clean up, the tension in your chest growing tighter.
Carol, unsurprised by your quick retreat, nodded as she picked up her bag. “Think about my offer, darling,” she said, flashing you a small, almost knowing smile before she left.
—--
Wanda was eerily silent as the two of you cleaned up the broken coffee pot, but the sharpness of her breath was impossible to ignore. Her hands trembled ever so slightly, and it was clear she was fighting something. Some dark desire that had taken root inside her, a simmering need she was trying to control.
You glanced quickly around, relief washing over you when you saw the place was clear. No one to witness whatever was about to unfold. You moved to the door, flipping the sign to closed as if marking the boundary between the world outside and whatever was waiting for you inside.
When you returned to kneel beside Wanda, paper towels in hand, the glass was in the bin, but her eyes were still fixed on the spill of coffee. Every inch of her body was taut, coiled, like a tightly wound spring ready to snap.
You wiped up the mess, taking extra care to get every last drop, even though you knew she wasn’t paying attention to that. She was watching you, studying every movement, every shift in your posture. You hesitated for just a moment, then whispered, "Mommy?"
Your voice came out softer than you intended, trembling slightly, betraying the nervous excitement that rushed through your veins. 
You knew exactly what kind of mood she was in. This wasn’t the woman who caressed you to sleep or soothed you with gentle words. This was the side of her that demanded everything and took what was hers with a force you could never deny.
She didn’t respond right away. The silence stretched, thick and oppressive, but you could see it, the tightening of her fist, the tension in her jaw. Wanda was struggling to hold herself together, not to give in to whatever force was swirling inside her. It was both terrifying and...thrilling.
"Mommy…I’m yours. All yours," you said, a little breathless, your words coming out almost like a plea. You needed her to hear you. To feel your devotion, your submission.
She finally looked up at you, and your breath caught in your throat. Her eyes were cold, unrecognisable. There was something in them that made your pulse spike, a jolt of fear curling low in your stomach. For the first time, you felt a rush of real fear, the kind that made your knees weak, and your breath shallow.
"Mommy, please…please," you whispered, your voice barely audible, a tremor in your words as your body reacted to the mix of fear and something else, the something inside you that wanted this, craved this. Loved this. 
Wanda’s voice broke the silence, low, smooth, and terrifyingly calm. "Get your things, little girl. We’re going home."
The drive back was consumed by an uncomfortable silence. You didn’t try to make conversation. Wanda’s presence in the driver’s seat seemed almost too quiet, but the energy she radiated spoke volumes.
Her hand said everything. It was firmly planted on your thigh, fingers gripping tight, the pressure almost unbearable. You swore you could feel her nails through the fabric of your jeans, a constant reminder of the simmering tension. 
The moment the car stopped and you stepped inside the house, the door barely clicking shut behind you, she was on you. Her body pressed into yours with a heat that knocked the breath from your lungs, pinning you against the door so firmly it rattled in its frame. 
Her lips found your neck immediately, and there was nothing soft about it. The first press of her mouth was hungry, almost desperate. She didn’t leave room for you to react, her lips closing around the sensitive skin of your throat, sucking hard, leaving a bruise in its wake. 
The sensation shot through your entire body, a mixture of heat and pleasure laced with a sharp twinge of pain that made you tremble.
Her hands were everywhere, gripping your hips, your waist, pulling you even closer. She was marking you, claiming you with each kiss, each bite. There was no hesitation, no gentleness, just raw possessiveness. 
She moved to the other side of your neck, the pace never slowing, her teeth grazing your skin, her lips locking onto every inch, every vulnerable spot she could find. You couldn’t escape it. You couldn’t even try.
She was determined to cover you in her marks. And she was succeeding.
Her hands slid up, cupping your face as she angled you just the way she wanted. You felt the sharp pull of her mouth once more, and this time it was even harder. She sucked at your neck until you moaned, the sound strangled as she left another mark, darker than the last. 
You couldn’t stop the shudder that wracked your body, couldn’t stop the way your knees threatened to buckle beneath you. 
She pulled away for a breath, her eyes narrowing as she studied you, searching for something that only she could see. “You didn’t defend me,” she whispered, her voice low, almost a growl. The words felt like a physical blow, and they twisted your stomach into knots. “She said she could treat you better…and you didn’t tell her otherwise.”
You swallowed, feeling the weight of her words sink in. Before you could respond, Wanda’s hands were on your shirt, ripping it from your body with a kind of frantic desperation. You gasped, her actions both shocking and thrilling in their intensity, leaving you breathless in more ways than one. Her lips found your collarbone in an instant, her bites sharp and insistent.
Your heart raced, your thoughts scattered in a whirlwind. “I…I got lost in my thoughts,” you finally managed to stutter, your voice trembling.
She paused, just for a moment, her eyes flicking up to meet yours, and the tension between you crackled in the space that remained. “Oh yeah? What were you thinking about?” she asked, her voice rough and demanding, as though she needed you to confess something.
You swallowed, the fear and excitement mixing into something potent. “You, Mommy,” you whispered, the words spilling out before you could stop them. “I was thinking about you.”
“Not her?” she growled, her lips brushing over your skin like she was tasting your response. “Your needy little pussy didn’t get wet at the thought of her taking you? Using you like the little whore you are?”
“No, Mommy,” you breathed, your voice shaky. “I was thinking about you and Daddy, how well you treat me, how good you make me feel.” You could feel the heat of her breath against your chest, her teeth scraping against your skin, each bite pulling you deeper into the tension that threatened to consume you both.
Her lips curled into a dark smile, but she didn’t say anything. Instead, she leaned in again, her mouth brushing against the raw, bruised skin. 
"You’re mine," she murmured, the words sending a thrill through you. "And I’ll remind you of that every chance I get."
You nodded quickly, your throat dry, the weight of Wanda’s gaze still heavy on you. She stepped back just enough to give you space to pass her, but the moment you moved, she was on you again. 
Her hand slid to the back of your neck, firm and unyielding, guiding you forward and up the stairs with a force that left no room for hesitation. 
When you finally reached the bedroom, she released her hold on your neck. You felt the absence immediately, the air growing colder without the heat of her touch. 
But before you could gather your thoughts, she spoke, her voice low, controlled, but still carrying that dark, possessive edge. “Strip."
The command was simple, but it sent a rush through you, a tight knot forming in your chest as you quickly obeyed.
You could feel her eyes on you, watching every movement as you undressed. And the second you were done, she spoke. "Get on the bed. Arms up, legs spread," she commanded, her voice dark and unwavering as she undressed too.
Once again, you complied, your body responding to her authority as if it had no choice.
She approached with measured steps, a quiet authority in every movement. Her hands were steady as they guided you into position on the bed. She took her time securing your limbs, each secured with practiced precision. 
Her fingers brushed over your skin afterward, double-checking each restraint, making sure you were held but never harmed. The care in her touch was unmistakable, control, yes, but wrapped in a kind of reverence.
Even in the grip of her possessive rage, Wanda was measured, deliberate. She ensured your safety with every touch, her care never faltering. 
Her eyes, which had burned with jealousy moments before, were now steady, focused, scanning you for any sign of discomfort. 
“Colour?” she asked, her voice quieter now, gentler but still laced with the simmering remnants of her earlier fury.
The weight of the scene clung to you, every nerve alight, every sense overwhelmed. But beneath it all was something deeper, trust, safety, the grounding memory of how careful she’d been. How her anger never once translated into recklessness. You loved this. All of it. Especially the way she’d handled you like something precious, even as she claimed you.
“Green, Mommy,” you said, clear and steady, no hesitation in your tone, only devotion.
Her lips curled into a small smile, dark and approving. “Good girl,” she whispered, the praise both soothing and possessive, before her eyes darkened again, the storm of her desires never far from the surface.
When she finally climbed over you, it wasn’t lust that drove her, it was obsession, a force bigger than her body, bigger than her fury, something relentless and consuming that had nothing to do with pleasure and everything to do with possession. 
Her fingers skimmed your sides, reverent but firm, her touch dragging goosebumps in its wake, and her eyes locked on yours, dark and unblinking, daring you to look away. 
Something about the way she held herself above you, barely restrained, seething with intent, made it impossible to breathe, and yet you didn’t want to move. You wanted this. You needed this.
And then she began again, just like downstairs, her mouth returning to your skin with a single-minded purpose. Her lips pressed against your collarbone, soft at first, almost deceiving, and then her teeth followed. 
You gasped, your back arching slightly off the bed, your fingers twitching uselessly against the restraints. Her touch ignited something low in your belly and high in your chest all at once. 
Another mark, lower now, then another just beneath it. Wanda was painting a story across your skin, one bruise at a time, and every single one echoed with the same word: Mine . 
The heat of her mouth was matched only by the fire burning inside you. When her teeth grazed just beneath your ribs, sharper this time, a heavy moan escaped you before you could stop it.
It trembled out of your throat, like your body was pleading for more even as it trembled under the weight of what it had already been given. 
Between every bite that still throbbed and the sting of the one currently being delivered, you could feel your cunt begin to ache. Soft whimpers slipped from your lips, your body aching to move, to beg, to chase more. But you didn’t. 
This wasn’t about your pleasure, not right now. Wanda needed this. She needed to mark you, to own you, to feel you give yourself over without asking for anything in return. So you offered her your stillness, your obedience, your surrender.
You caught her gaze again, her pupils blown wide, her breathing uneven, and for a flickering second, something shifted in her. Not softness. Not even calm. But relief. A raw, aching flash of gratitude that you were still here, still hers, still letting her claim you like this.
She leaned in again, slower this time, her lips dragging beneath your navel, warm breath ghosting across your skin, shaky, uneven, trembling with the weight of what she was holding back. “Mine,” she whispered, hoarse and low, like the word itself was a vow and a warning wrapped in longing. “Only mine.”
It wasn’t just a claim, it was Wanda pleading with the universe, needing to believe it. Needing to feel that she hadn’t lost you, that even in the wild, blurred aftermath of everything, you were still hers. Her hands gripped tighter, possessive, grounding herself in the feel of your body beneath her.
But beneath the burn of her touch, the worship in her voice, a flicker of something deeper pulled at you. Natasha. You knew you belonged to her, too. And yet Wanda didn’t speak her name. She didn’t leave space for her. Her world had narrowed until you were the only thing in it, and Natasha had been pushed outside it entirely.
You wanted to say it. You wanted to remind her. But the weight of Wanda’s devotion crushed your resistance, the sheer need in her pulling the words out of you before you could stop them.
“Yes, Mommy,” you whispered, voice shaky but sure. “Only yours.” Even as guilt curled warm and quiet in your stomach.
When she finally pulled back just enough to take you in, her eyes swept over her work like a woman on the edge of something unspoken. There was nothing untouched now, your neck, your chest, your hips, your stomach, your thighs, even your arms. Every inch bore her claim. Every inch screamed hers .
“So fucking pretty like this, printsessa (princess), ” she said, her breath hot against your thigh, her lips barely brushing the freshest mark, her voice ragged, torn from somewhere deep inside her chest. “Mine. All mine.”
You nodded instantly, your eyes wide and glassy. You could feel the ache she’d left behind, all over you, and you needed her to know you welcomed it. “I’m yours.”
Her smile returned, that slow, dangerous curl of her mouth that promised she was far from finished. “Say it again,” she murmured, her voice low and breathless, barely even a command this time, it was breathless and hungry, like she needed it to live.
“I’m yours,” you repeated, stronger now, even as your breath hitched, even as you squirmed beneath her.
She tilted her head, assessing, and you knew it wasn’t enough. Not yet. “Louder,” she commanded. 
You swallowed, your throat dry and tight, but you forced your voice through the tremble in your chest. “I’m yours, Mommy,” you said, louder now, loud enough to fill the room, to echo off the walls, to blot out everything else. “Only yours. Always.”
She must’ve been at least partially satisfied, because after one final glance at the marks she’d scattered across your body, she shifted, rising off you, and the loss of her weight made you whine, high and broken, a sound pulled from somewhere deep. 
Your skin felt too bare without her, your chest too open. Everything in you was aching now, not just with need but with dependency, your senses lit up and stretched tight, every inch of you focused on her. 
She had pulled you so far down into a space where nothing existed but her voice, her hands, her mouth, and now, without them, you felt unmoored, trembling. You needed her. You needed her. 
Her eyes caught yours, and for a moment, just a flicker, her gaze softened, something quieter slipping through the crack in her control. “Just going to the closet, Little one,” she murmured, her voice dipping into that gentler tone she only used when you were already falling apart. And even though the warmth in her voice was slightly forced, it was enough. 
She disappeared into the closet without another word, leaving you alone in the thick, buzzing quiet, your breath shaky, your body still thrumming with heat. When she returned, it was with her strap, a deep scarlet colour, the sight of it enough to make your breath hitch, and your mouth water, the anticipation knotting low and tight in your stomach. 
Your thighs shifted instinctively, trying to press together, to find even the smallest flicker of relief, but the restraints didn’t allow it, and your frustration only made the ache worse. Wanda noticed. Of course she noticed. Her eyes dropped to the movement, her gaze catching the way you writhed and failed to hide it. 
The smirk that curled across her lips was sharp and knowing, and in an instant, the softness was gone again. The Wanda who looked at you now was all shadow and fire again, dark and certain. The Wanda who would ruin you, just to put you back together again, mark by mark, breath by breath.
She crawled back onto the bed, her eyes locked on yours, hungry and unyielding. She moved between your legs and settled into place without hesitation. “Just stay still and let me use you,” she murmured, her voice low and controlled, but with that same simmering edge that had been there all night, that quiet storm of rage and want and need barely restrained. 
And then she buried her strap inside you, hard. No warning, no warm-up with her fingers, not even any gentle licks against your folds to get you ready. Nothing, as if she couldn’t bear to wait another second. As if being inside you is what gave her air to breathe. 
The sound that ripped from your throat was sharp, raw, somewhere between a cry and a scream. The stretch hit you like a wave, sudden and overwhelming, pain blooming fast and bright. 
For a heartbeat, it was too much. Your breath caught, your muscles tensed. But then, just as quickly as it came, the sharpness blurred, twisted into something hotter, something unbearable in an entirely different way. 
Wanda’s thrusts started slow, deliberate, and deep, her movements laced with restraint, but it was a fragile kind. 
But you could feel the tension winding tighter in her limbs, in the way her breath hitched, the way her jaw clenched. She was holding back, barely. She was trying to stay composed, to be gentle, or at least gentle enough, but it was written in every shaky inhale, every flicker of heat in her eyes that she was close to losing it, again. 
With every thrust, her desperation climbed higher, simmering just beneath her skin until it bled into everything she did. There were no soft praises, playful degradations, or the coaxing, honey-sweet lilt you’d come to expect; just raw, consuming need. 
Your body arched beneath her, straining hard against the restraints, every muscle taut, your thighs trembling with the effort of keeping up. You were gasping now, breath hitching in sharp, uneven bursts that never seemed enough, stolen too quickly as she thrusted again, deeper, rougher, like she couldn’t help herself.
“Such a pretty little fuck toy for me. Mine, my pretty whore, Mine,” she whispered the words into the crook of your neck as she sank into you again, barely audible over the thundering of your heartbeat and the rush of sensation unravelling you from the inside out. It didn’t even feel like she was speaking to you, more like a reminder to herself.
You whimpered, your hips twitching helplessly, straining for more. You had heard the word ‘mine’ more today than ever, and it hit something raw inside you, something so deep it felt like your soul reached out for her in response. Yes. You were hers. You wanted to be hers.
And then suddenly her rhythm shifted, less controlled, more frantic, every thrust and motion sharpened by her unraveling restraint. Her mouth was everywhere again, biting, branding, her lips dragging across your neck, your chest, down your stomach, as if she couldn’t decide where to leave the next mark.
Her hands tightened at your hips, fingers digging in with a bruising kind of need, anchoring herself to you like she might fall apart without the contact. She was slipping, further, faster, into that frenzy of need, of fury, of desperate, aching possessiveness that she'd tried so hard to cage since attaching the stap to her hips. 
But now with her cock slamming in and out of you, your moans and whines gracing her ears, it surged forward, unfiltered, dragging her under. You could feel it in the way she clung to you, in the way her breath hitched and her nails pressed harder. She wasn’t trying to hold back anymore.
And then she was chanting. “Mine. Mine. Mine. Mine.” Over and over again, like it was the only word she remembered, the only thing that mattered. She was barely even present now, barely aware of the room, of anything but you. 
Your entire body shook beneath her, your lungs struggling to keep up with the broken sobs and gasps that kept clawing their way out of your throat. Her voice was low, hoarse, and relentless as it poured over you like a spell, dragging you deeper under with every breathless repetition.
And you didn’t fight it. You couldn’t. You just let go, let yourself be hers. Be claimed. Be ruined.
—-
You had no idea how long it had been, but you were both so far gone you didn’t hear the door open, didn’t register the familiar creak of the floorboards or the call of “I’m home” echoing down the hall. Nothing existed beyond the frantic rhythm of Wanda’s body against yours, the relentless chant spilling from her mouth, her teeth grazing your skin, her hands branding you with every touch.
It wasn’t until you heard a sharp, animalistic growl, low and guttural, torn from Wanda’s throat, that your hazy focus shifted. Your eyes blinked sluggishly through the haze, breath catching, and when you managed to look past her, you saw Natasha standing in the doorway.
Her arms hung at her sides, her expression unreadable. But her eyes dragged over you like a blade. Every bruise, every mark Wanda had left behind, every shiver and tremble of your overstimulated body catalogued in a single glance. Her jaw clenched, the muscle ticking once, like she was biting back something sharp.
Wanda didn’t stop. Didn’t falter. She kept chanting under her breath, a broken, breathless litany of “mine, mine, mine” spilling from her lips like it was the only word left. She was lost in it, lost in you. Her hips were steady, relentless, as though Natasha’s presence didn’t even register.
But you felt it. The air went taut, almost brittle. Natasha’s silence carried weight, thick with jealousy, with hunger, with a cold, simmering possessiveness that was entirely her own. She stepped forward, slow and measured, her gaze locked on yours, and something inside you fluttered and clenched all at once. You didn’t know what she was going to do. Punish? Claim? Interrupt? Join?
And yet, even with her rage coiled under her skin, even with her dominance thrumming off her in waves, her first move was exactly what you needed.
She shifted to your side with quiet purpose, her presence grounding as she reached for one of the wrists Wanda had bound. Her fingers ghosted over the edge of the restraint with precision, double-checking its snugness. 
The tenderness of it made something flutter deep in your chest, a soft ache blooming in contrast to the intensity you’d been caught in. And then, without a word, she laced her fingers through yours, anchoring you with that simple, intimate gesture: A single squeeze.
Because no matter how tightly jealousy coiled in her gut, no matter how fiercely the hunger flickered in her eyes, Natasha’s instinct was always the same. 
Just like Wanda earlier, she put everything else aside, possession, dominance, the sharp edge of being left out, and she checked on you first. 
That was who they were. That was what it meant to belong to them. Your safety, your wellbeing, your headspace…All of it came before anything they might want for themselves. 
The squeeze said everything she needed to ask: Are you okay? Are you still with us? Do you feel safe?
She didn’t bother to use words. She knew you couldn’t answer like that, not now. Not with your mind fogged and your breath stuttering and your body twitching with every slam of Wanda’s hips. She could read it all, your eyes, your moans, the pitch of your breath. So you squeezed once in return. Green . 
She knew what that squeeze meant: Yes. I want this. I want her. I’m safe. And something else, less clear, buried beneath the rest. I want you too. I miss your hands. Your voice. 
Her body eased, just barely, the tension rolling back a single inch. But the hunger in her never dimmed. It sharpened instead, focused and precise as she looked back down at you, at the mess Wanda had made of you.
After a beat, Natasha’s focus finally shifted, her eyes dragging away from you and locking onto Wanda, taking in the sheer, unhinged desperation driving every thrust of the strap into your battered pussy. She saw it immediately, the way Wanda had spiralled, and Natasha knew it couldn’t go on like this. 
She moved without hesitation, stalking around the bed with quiet authority, climbing on behind Wanda, one hand fisting in her hair and yanking her back just enough to make her spine arch. “Yours, huh?” she bit out, voice low and edged with something dangerous. “Just yours?”
But Wanda didn’t falter. Didn’t even slow. She snarled the word like it was a war cry. “Mine.”
The scene throbbed with tension. Wanda was still pounding into you despite Natasha’s hold, her chant relentless. “What the hell happened?” Natasha asked, voice tight but controlled, like she was clinging to the last shred of calm.
You couldn’t speak, your mouth too slack, your body too gone, and Wanda didn’t answer either, not until Natasha gave another sharp tug, pulling harder, her tone slicing through the fog. “I said,” she growled, “what happened?”
Wanda whimpered, her breath catching like the question had torn through something raw. Her voice came in pieces, ragged and splintered, every word punctuated by a desperate thrust. “Carol. Tried. To. Take. What’s. Mine.”
Natasha’s gaze snapped back to you. It was cold and brimming with something territorial. You braced yourself, expecting her to descend with that same consuming intensity, to tear through Wanda’s marks and press her own into every inch of you until her claim was carved just as deep.
But she didn’t. The sharp edge dulled, tempered by understanding as her eyes swept over you and then her wife. 
Wanda wasn’t just fucking you. She was holding on for dear life. Natasha saw it clearly now, recognised it for what it was. Wanda had lost too many people, too many pieces of herself over the years. The fear of losing you had cracked her wide open.
Natasha could’ve taken what she wanted. Could’ve made her own claim in kind. But for now, instead, she exhaled, letting her dominant instinct soften just enough. You needed grounding, and Wanda needed pulling back. And Natasha would be the one to do it. Even if every part of her still ached to take.
She reached around, her hand locking firm around Wanda’s waist, stilling her movement with ease. “What’s ours,” she said evenly, the correction deliberate as her grip tightened. Wanda whined at the restraint, hips twitching against Natasha’s hold, and you whimpered too, aching at the loss of friction.
Wanda’s control began to splinter the moment Natasha kissed her, slow, grounding kisses against her cheek, tender in a way that cut through the haze like a balm. 
Her head lolled back against Natasha’s shoulder, her body still tense, but wavering now. “Do you need to safeword, Wands?” Natasha murmured against her skin, the calm, coaxing cadence unmistakable. “You seem... out of control, lyubov' (love). ”
Wanda shook her head, a near-frantic movement, “No! Need to cum, wanna cum!” Neither of you had cum yet despite how long it had gone on, despite the desperate grind and the bruising rhythm.
Hearing that desperate plea fall from Wanda’s lips while she held so much power over you felt dissonant, but it lit a fire in you all the same. She usually took what she wanted, came when she wanted, without a second thought, but now it was clear she was floundering. 
The scene had shaken her, and no matter how hard she had been trying, she couldn’t do it alone. That crack in her composure did something to you. It slipped under your skin, tangled in your chest, and before you could stop it, a moan fell from your lips, needy, involuntary, betraying just how much it affected you.
Natasha turned to you at the sound. “If she hasn’t,” she murmured, voice gentle now as her eyes found yours again, “then I’d wager you haven’t either, have you?” You shook your head, breath still coming in shallow bursts.
Something in her expression changed again the moment she realised you’d been holding back this entire time. The flicker of pride came first, swift and searing, lighting her eyes with approval. “Good girl,” she murmured, and the praise landed like a reward you didn’t know you’d been waiting for. 
But then her gaze gentled, the pride ebbing into something softer, sadder, closer to regret than triumph. Like she could see how much you’d given, how much you’d endured, and how long you’d waited. “I think you both need Daddy, hm?”
It wasn’t often that Wanda submitted to Natasha, twice, maybe three times since you’d all been together, and only ever when she wasn’t fully in control of her headspace, when she needed grounding but needed to continue. But Wanda nodded slowly, the fight draining out of her body as she leaned back into Natasha’s hold, surrendering.
Natasha’s hands moved, settling on Wanda’s hips, allowing her to move again but slowing her movements with firm, steady pressure. “That’s it,” she murmured low against Wanda’s ear, her voice soft but commanding. “She’s been so good for you, Detka (babe). Took everything you gave her, didn’t she?”
Wanda shuddered, still panting, still half-lost, but she nodded, her body giving into Natasha’s lead without resistance. 
Natasha kept her tone gentle, coaxing, like she was taming something raw and shaking. “How about you let her finish now, hm? Let her cum for us.”
Wanda didn’t speak, she didn’t need to. She just followed, pliant under Natasha’s hands, her breath catching as she thrust her hips in rhythm with the guidance she was given. And Natasha, her mouth brushing Wanda’s temple, praised her low and warm, “Good girl.”
Wanda whimpered at the praise, her body trembling and her mind still fogged with the frenzy that had consumed her, but Natasha’s presence gave her something to hold on to, something solid to ground herself against. 
You could feel the shift, the difference in how Wanda moved now. Her thrusts lost their wildness and turned into something more intimate, more focused, like she was being taught how to feel again.
And god, you felt it too. Every inch of it. Your breath stuttered, hips jerking involuntarily with each movement, your body already so close to the edge it ached. The pressure coiled tight in your core, a simmering burn that had been denied too long. Natasha’s eyes were on you, catching every flinch, every gasp, every tremble.
“She’s close,” Natasha murmured into Wanda’s hair, her voice rich with heat and reverence. “Can you feel that? I bet her cunt is so tight around your cock.” Wanda let out a broken moan and nodded, her pace faltering for a moment under the weight of Natasha’s words.
Natasha’s hand left Wanda’s and slid up to her throat, not choking, just holding, grounding, a firm reminder of presence, of who was in control.
Her other guided Wanda’s towards your clit, silently reminding her to provide the stimulation you needed, and it shattered you, the added touch stealing your breath as you cried out.
“That’s it,” she purred, low and commanding.. “Let us have it, Little one. Let go.”
And you did. It crashed into you like a wave, hard and fast and all-consuming. Your back arched, the restraints biting into your wrists as your body bowed under the force of your release. 
You screamed and whimpered, and they were both there, holding you through it, Wanda clinging to you like she could anchor herself to your pleasure, Natasha murmuring praise that bled into your skin like balm.
With Natasha’s guidance, Wanda stopped thrusting and began to grind, the base of the strap finally giving her the stimulation she needed. She came not long after you with a desperate sob, body trembling violently. Natasha’s voice, a blend of filthy praise and affection, slid into her ear, coaxing her through it. As Wanda’s body went limp, attempting to collapse against you, Natasha caught her effortlessly, aware of the soreness you’d likely feel.
Wanda whimpered at not being able to snuggle into you, and Natasha pressed a kiss to her temple. “She’s right here,” she murmured softly, before gently laying her down beside you. Wanda instinctively curled into you with a sigh, seeking the comfort of your warmth.
Natasha pressed another gentle kiss to the top of Wanda’s head before shifting her attention to you. Her movements were practiced, instinctive, and soft as she moved to unbuckle the restraint on your wrist.
The second the leather came loose, your arm dropped like dead weight, boneless and sore. Natasha caught it gently, guiding it to rest over Wanda’s back. You curled your fingers into her skin instinctively, craving the contact, the reassurance.
The other restraint came next, then your legs, Natasha working with slow, deliberate tenderness, her hands steady and reverent. Every time you winced, she soothed it with a murmur, a stroke over the inflamed area or a kiss.
Wanda wasn’t moving much now. She was pliant, completely surrendered, clinging to you with the last threads of adrenaline. Natasha knew that look, knew Wanda had dropped deep, and you weren’t far behind.
Her voice softened even further as she pulled the blanket up over both of you, tucking it around your bare limbs like armour. She leaned down, her hand brushing tenderly over your cheek, her thumb tracing the line of your jaw. “There’s our girl,” she whispered, her voice low and thick with pride. “You did so fucking well. Mommy really used you, huh?”
Your throat was too raw for words, your mind still floating in that hazy space between pleasure and exhaustion, but you nodded. 
Natasha kissed you once more before slipping away from the bed. You assumed she was going to get water, and you were right; she was back within seconds, moving with her usual calm efficiency. 
She guided your head gently, coaxing the glass to your lips until you took a few slow sips, then shifted to pry Wanda up just enough to do the same for her. Neither of you drank much, but it was enough to get you at least a bit hydrated.
Wanda exhaled, her breath hitching before she whispered, “Didn’t mean to lose it like that.” A pause, a stillness between you, broken only by her unsteady breathing. “Carol wanted you...said that...that she could...treat you better.”
Her voice cracked slightly, the words filled with vulnerability, and your chest tightened at the pain in them. 
Then her tone shifted, rising into a whine, hurt lacing her every syllable as she clung to you tighter. “She tried to take her from us, Nat,” Wanda whimpered, her eyes flicking to Natasha even as she clung to you like you were the only thing keeping her anchored.
Natasha’s jaw tensed, her eyes flicking up for a moment, but she said nothing. Instead, she settled in behind Wanda, wrapping herself around her wife like a shield. Usually, you were in the middle, the one cocooned in their arms, but it was clear Wanda needed that security now. 
Natasha began to stroke her hand gently over Wanda’s spine, her touch slow and comforting. She didn’t forget you either, though. Her other hand reached across the space to where your wrist was still faintly marked, fingers brushing the bruised skin in slow, soothing circles.
Time passed in a slow, syrupy kind of stillness, thick with warmth and the quiet hum of three heartbeats finding their way back into sync. Wanda lay curled against your side, her face pressed into your collarbone like she could disappear into you, her breath evening out in slow pulls that softened with each minute. 
You felt the shift in her, how the tension bled out of her muscles with every exhale, how her fingers that had clutched you with bruising desperation earlier now merely rested, featherlight and unmoving.
Natasha’s hand never stopped. She trailed her fingers lazily up and down your arm, over Wanda’s spine, keeping you both tethered to the present. 
Eventually, Wanda stirred. Not much, just a shift in how her legs tangled with yours, a blink that stretched long enough to signal she’d returned to herself. She looked up at you, her cheeks still pink, her hair tousled from earlier. But her eyes, they were clearer. Worry creeping back in.
“You okay?” she asked, her voice hushed. Her gaze scanned your face like she expected to find something broken.
You gave her a tired, lopsided smile. “Course I am. I don’t break that easily,” you said with a wink, even if your voice was still a bit scratchy from earlier. 
She looked relieved. Kissed your forehead, then your nose, then your lips, a soft, fluttering press that made you giggle as her breath brushed against your skin. “Good,” she whispered against your mouth, and you could feel the last of her tension ebb as she rested her head against your shoulder again.
“Alright,” Natasha said eventually, propping herself up on one elbow and glancing down at you both, her voice light but edged with unmistakable command. “Time to soothe those marks, you must be sore, hm?”
You groaned immediately, flopping back onto the pillow. “Do we have to?” you whined, dragging out the syllables like a sulking child. “Can’t we just stay here? Forever?”
Wanda let out a sympathetic sound and buried her face back in your chest for a second. “She has a point…”
Natasha raised an unimpressed eyebrow. “You two are impossible. Yes, we have to. Wands, you went feral. She's covered in bruises and bites.”
You couldn’t help but laugh, even as you rolled your eyes. “You make it sound like she mauled me.”
Natasha sat up straighter, grabbing the lotion bottle off the nightstand. “She did maul you. Look at this—” She tugged the sheet down just enough to expose your chest, your stomach, the inside of your thighs. The marks were everywhere, hickeys darkening by the minute, deep, vivid bursts of colour in the shape of Wanda’s mouth. “You’re a goddamn work of art. Or a crime scene.”
Wanda peeked down at your skin and let out a low, sheepish laugh. “Oops.”
“‘Oops,’” Natasha repeated dryly, her tone somewhere between fond and chastising. She gave Wanda a light nudge with her shoulder. “You’re lucky she likes being ruined.”
“I love being ruined,” you chimed in helpfully, grinning as both their eyes snapped to you with matching looks of exasperated affection.
Wanda leaned down and nuzzled your jaw, her voice a little lower now, velvet-soft and sincere. “I do still feel bad. I got...swept up. Possessive. Jealous. Like I had to prove something. I didn’t mean to hurt you.”
“I know,” you said gently. “And you didn’t. I promise.”
Still, she dipped her fingers into the lotion and rubbed them together slowly to warm it, her movements suddenly careful. She started at your wrists, your poor, bruised wrists where the restraints had bitten deep, and touched you like she was handling something sacred. Her fingers glided over your skin in slow circles, whispering apologies into every motion. 
Natasha joined in a moment later, taking your other side. She pushed the sheets down further, exposing more of your bruised body to the soft lighting, and began to work the balm into your sore muscles. Their hands moved over you in tandem, smoothing across the worst of the bruises, ghosting over the places that still burned faintly from overstimulation.
And for a while, no one spoke. The only sounds were your soft sighs, the quiet slick of lotion on skin, the muted creak of the bed as they shifted around you.
Once they were done, Natasha glanced down at your neck and snorted. “There is no way you’re going to college looking like this,” she said with a laugh, dragging a fingertip lightly over a particularly brutal hickey under your jaw. “You look like you tried to join a vampire cult.”
You snorted softly, still squirming beneath their slow, soothing touches. “If Wanda were a vampire, I’d definitely let her bite me.”
You thought it was harmless. Wanda certainly looked pleased. Her eyes glinted, teeth flashing as she leaned close again, brushing her lips along your throat. "Careful," she breathed, her voice low and smooth, “I might take you up on that.”
A shiver ran through you at the sound, your breath hitching as her words sank in, stirring something deep inside. Your body responded without hesitation, already aching, already yearning for more despite the evening you’d already had. 
And just like that, Natasha froze, her eyes locking onto Wanda, as she once again threatened to claim. But now, as she saw the way you were reacting, the way you were craving more, Natasha’s restraint faltered. It was different from before. You were ready, and that knowledge twisted something deep inside her, making it harder to hold herself back.
“I better be allowed to bite too,” Natasha murmured, her voice low and simmering with tension. It wasn’t loud, but it had a sharp edge to it, a warning wrapped in something darker. “You’re lucky I’m not already. Wanda stole you, made you hers, and hers alone.”
You opened your mouth to speak, to deny it, but she was already moving. Her fingers left your skin only long enough to catch Wanda’s chin in a firm grip, tilting her face up, forcing her to meet her eyes.
“You ever forget that she is ours again,” Natasha said, quiet and razor-sharp, “you will regret it.”
Wanda swallowed hard, the flush on her cheeks deepening, her pupils dilating wide as she whimpered under Natasha’s hold. Her legs squeezed together as if that could do anything to stop the ache building between them. Her body instinctively allowed Natasha to take the lead again, as if it knew that was what Natasha needed. She nodded once, quickly. “Yes, Nat.” 
“Good girl,” Natasha praised, brushing her thumb across Wanda’s cheek with maddening softness. But she didn’t let go. “You don’t get to take her like that without me, ever.”
She finally released her chin and turned back to you, eyes darker now, warmer, but hungrier.
“And you,” she murmured, smoothing both palms down your sides, fingers slipping over your hips and between your legs, “you were very good letting Wanda use you, weren’t you? Letting her get drunk on jealousy and ruin your pretty little pussy without even thinking to let me join.”
You gasped as her fingers brushed over your slick again, slow and unhurried. You were soaked already. Every part of you felt raw and needy, but Natasha was in no rush.
“But you are ours,” she said, sliding two fingers through your folds, not yet pressing in, just letting you feel the threat of it, “Ours .”
Wanda let out a soft, broken noise, eyes fixed on where Natasha’s hand was between your legs. Her hand moved as she was about to reach for you, but Natasha caught the movement without even looking.
“Don’t you dare touch her,” she said, like it wasn’t up for debate. “You don’t get to help until I say so. You had your fun.”
Wanda whimpered, chest rising and falling fast, her cheeks glowing with shame and lust.
Natasha finally slipped a finger inside you, slow and shallow, barely enough to satisfy, but your back still arched up from the mattress. Her other hand splayed across your hip, holding you still.
“You’re so fucking wet,” she murmured with a smirk, leaning down to kiss your inner thigh. “You like this, don’t you? Being good for us. Letting her make a mess of you, and then letting me put you back together.”
Wanda’s breath caught as she watched, her hands fisting in the sheets beside her thighs. “Natasha—”
“Shh,” Natasha interrupted. “You don’t get to speak unless I tell you to either.”
You whimpered at the sound of Wanda’s submission, it added fuel to the fire burning through you. Natasha added a second finger, pressing deep this time, and you cried out, your whole body tensing around her.
“That’s it,” she cooed. “Such a good girl. Ours. Not hers. Never just hers.”
You nodded frantically, brain already fogging under the slow, relentless pace. “Yours, yours, yours. Daddy, please!”
Natasha smiled, pleased, eyes gleaming as she leaned in to kiss your jaw, your ear, her tongue darting out to taste the sweat there. 
Wanda’s hands were trembling as she watched, the heat between her thighs unbearable. She couldn’t stand the fact that she had to watch.
Each sob, wail, moan, and sigh that left your lips only deepened the ache in her chest, reminding her of what she had done, of how she had left Natasha out when she should have known better. 
It was the perfect punishment, but Wanda couldn’t help but try her luck again. “Please, Nat,” Wanda whispered, her voice thick with need and desperation. “Please let me—”
Natasha turned her head, eyes flashing. “No,” she said simply. “Not yet. You want her? You earn it. You wait.” 
And then she curled her fingers just right, again and again, dragging you higher with each pass, her thumb barely brushing your clit until you were trembling, too far gone to do anything but moan.
The room pulsed with the sound of your breathing, with your soft cries and the wet sound of her hand moving in and out of your cunt. Every stroke, every whispered word sent a rush of heat through you, the world narrowing to nothing but the feeling of her fingers inside you. 
Even as the waves of pleasure crashed over you, Natasha never let up. Her movements were unrelenting, rhythmic, a steady push and pull that kept you coming without giving you so much as a chance to truly catch your breath. 
You didn’t know how many times you’d screamed in release, each one blurred into the next, an unending rhythm that left you gasping, skin slick with sweat, your body trembling under her control.
Eventually her pace slowed, and your eyes fluttered open, the world around you a haze of soft light and warmth. You turned your head slightly, and your gaze found Wanda. Her eyes were wide, her breath equally as erratic. She was flushed and panting like she’d been the one writhing beneath Natasha’s hand.
“God, look at you,” Natasha murmured, eyes still on you, even as she addressed Wanda. “So fucking needy, you only had her an hour ago. Pathetic.”
Wanda whimpered as her hands twitched again, and this time, she couldn’t resist; she reached out, just enough to brush her fingertips against Natasha’s arm. “Please,” she begged again, her voice barely a whisper, but it was a plea nonetheless. 
“Fine, but only because I’m generous,” Natasha murmured as she kissed your temple, and then your cheek, her fingers never stopping. “I’m not cruel. I share.”
She tilted her head, her gaze soft yet commanding as she finally looked over at Wanda. “You want to taste her?” Natasha’s voice was low, deliberate, as if she already knew the answer.
Wanda's breath hitched at the words, her entire body tense with yearning. Her eyes flicked to Natasha, wide and pleading, before they dropped to you. 
Your skin was glistening with sweat, your chest rising and falling in the haze of pleasure still swirling through you. She nodded, the movement almost frantic, her voice trembling with need. “Yes, yes, please, Nat! I want to please!”
Natasha’s lips quirked into a small, wicked smile, a brief flicker of satisfaction passing across her face before she leaned down, her kiss slow and deep. It was a kiss that said she was still in control, even if she was letting Wanda in. She pulled away just enough to speak, “Then come here.”
Unlike her usual poised self, Wanda wasn’t graceful as she moved, urgency in her every motion. The moment she reached your legs, her gaze lifted, her eyes locking with Natasha's. 
Natasha moved her hand, slowly, so slowly from between your folds, her fingers glistening with your cum. “Open your mouth.”
Wanda obeyed. Natasha pressed two fingers past her lips, watching her take them in eagerly, greedily. 
“Good girl,” Natasha praised, eyes softening just a little. “Now you can touch her. You can thank her. And you can show her just how sorry you are.”
She shifted to one side, but not far, not giving up control, just…allowing space. Letting Wanda kneel between your legs, hands shaking as she lowered her head.
Wanda’s tongue slid over your folds and your clit gently before diving in fully, like a woman starved. It was as if the act of watching had only intensified her need, making it raw and undeniable despite the fact that she had already claimed you so thoroughly. 
“That’s it,” Natasha murmured, stroking your stomach, watching Wanda devour you. “She’s ours. Not yours. Not mine. Ours.”
Her hand slid up to cup your breast, squeezing gently, her thumb brushing over your nipple, squeezing and teasing in perfect time with Wanda’s mouth. 
Every touch sent waves through you, every whisper tangled around your spine. Natasha’s voice wrapped around you, her praise both tender and unrelenting, while Wanda’s lips and hands moved like a vow, her remorse bleeding into every lick and every suck as she drank you dry, bringing you closer and closer.
You couldn’t hold yourself together. The intimacy, the intensity, it was too much. You splintered under it, unravelled into the space between their bodies, between their worship and their claim. And this time, when you broke, it wasn’t just your body giving in. It was your heart, your trust, your submission. 
And through it all, Natasha's voice, low and reverent at your ear, became the centre of everything, grounding you even as you soared.
“That’s it, Little one,” she murmured, almost like a prayer. “That’s what you needed. That’s what we give you, together.”
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mostlysignssomeportents · 2 years ago
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Kickstarting a book to end enshittification, because Amazon will not carry it
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My next book is The Internet Con: How to Seize the Means of Computation: it’s a Big Tech disassembly manual that explains how to disenshittify the web and bring back the old good internet. The hardcover comes from Verso on Sept 5, but the audiobook comes from me — because Amazon refuses to sell my audio:
https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation
Amazon owns Audible, the monopoly audiobook platform that controls >90% of the audio market. They require mandatory DRM for every book sold, locking those books forever to Amazon’s monopoly platform. If you break up with Amazon, you have to throw away your entire audiobook library.
That’s a hell of a lot of leverage to hand to any company, let alone a rapacious monopoly that ran a program targeting small publishers called “Project Gazelle,” where execs were ordered to attack indie publishers “the way a cheetah would pursue a sickly gazelle”:
https://www.businessinsider.com/sadistic-amazon-treated-book-sellers-the-way-a-cheetah-would-pursue-a-sickly-gazelle-2013-10
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[Image ID: Journalist and novelist Doctorow (Red Team Blues) details a plan for how to break up Big Tech in this impassioned and perceptive manifesto….Doctorow’s sense of urgency is contagious -Publishers Weekly]
I won’t sell my work with DRM, because DRM is key to the enshittification of the internet. Enshittification is why the old, good internet died and became “five giant websites filled with screenshots of the other four” (h/t Tom Eastman). When a tech company can lock in its users and suppliers, it can drain value from both sides, using DRM and other lock-in gimmicks to keep their business even as they grow ever more miserable on the platform.
Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die:
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
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[Image ID: A brilliant barn burner of a book. Cory is one of the sharpest tech critics, and he shows with fierce clarity how our computational future could be otherwise -Kate Crawford, author of The Atlas of AI”]
The Internet Con isn’t just an analysis of where enshittification comes from: it’s a detailed, shovel-ready policy prescription for halting enshittification, throwing it into reverse and bringing back the old, good internet.
How do we do that? With interoperability: the ability to plug new technology into those crapulent, decaying platform. Interop lets you choose which parts of the service you want and block the parts you don’t (think of how an adblocker lets you take the take-it-or-leave “offer” from a website and reply with “How about nah?”):
https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah
But interop isn’t just about making platforms less terrible — it’s an explosive charge that demolishes walled gardens. With interop, you can leave a social media service, but keep talking to the people who stay. With interop, you can leave your mobile platform, but bring your apps and media with you to a rival’s service. With interop, you can break up with Amazon, and still keep your audiobooks.
So, if interop is so great, why isn’t it everywhere?
Well, it used to be. Interop is how Microsoft became the dominant operating system:
https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay
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[Image ID: Nobody gets the internet-both the nuts and bolts that make it hum and the laws that shaped it into the mess it is-quite like Cory, and no one’s better qualified to deliver us a user manual for fixing it. That’s The Internet Con: a rousing, imaginative, and accessible treatise for correcting our curdled online world. If you care about the internet, get ready to dedicate yourself to making interoperability a reality. -Brian Merchant, author of Blood in the Machine]
It’s how Apple saved itself from Microsoft’s vicious campaign to destroy it:
https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay
Every tech giant used interop to grow, and then every tech giant promptly turned around and attacked interoperators. Every pirate wants to be an admiral. When Big Tech did it, that was progress; when you do it back to Big Tech, that’s piracy. The tech giants used their monopoly power to make interop without permission illegal, creating a kind of “felony contempt of business model” (h/t Jay Freeman).
The Internet Con describes how this came to pass, but, more importantly, it tells us how to fix it. It lays out how we can combine different kinds of interop requirements (like the EU’s Digital Markets Act and Massachusetts’s Right to Repair law) with protections for reverse-engineering and other guerrilla tactics to create a system that is strong without being brittle, hard to cheat on and easy to enforce.
What’s more, this book explains how to get these policies: what existing legislative, regulatory and judicial powers can be invoked to make them a reality. Because we are living through the Great Enshittification, and crises erupt every ten seconds, and when those crises occur, the “good ideas lying around” can move from the fringes to the center in an eyeblink:
https://pluralistic.net/2023/06/12/only-a-crisis/#lets-gooooo
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[Image ID: Thoughtfully written and patiently presented, The Internet Con explains how the promise of a free and open internet was lost to predatory business practices and the rush to commodify every aspect of our lives. An essential read for anyone that wants to understand how we lost control of our digital spaces and infrastructure to Silicon Valley’s tech giants, and how we can start fighting to get it back. -Tim Maughan, author of INFINITE DETAIL]
After all, we’ve known Big Tech was rotten for years, but we had no idea what to do about it. Every time a Big Tech colossus did something ghastly to millions or billions of people, we tried to fix the tech company. There’s no fixing the tech companies. They need to burn. The way to make users safe from Big Tech predators isn’t to make those predators behave better — it’s to evacuate those users:
https://pluralistic.net/2023/07/18/urban-wildlife-interface/#combustible-walled-gardens
I’ve been campaigning for human rights in the digital world for more than 20 years; I’ve been EFF’s European Director, representing the public interest at the EU, the UN, Westminster, Ottawa and DC. This is the subject I’ve devoted my life to, and I live my principles. I won’t let my books be sold with DRM, which means that Audible won’t carry my audiobooks. My agent tells me that this decision has cost me enough money to pay off my mortgage and put my kid through college. That’s a price I’m willing to pay if it means that my books aren’t enshittification bait.
But not selling on Audible has another cost, one that’s more important to me: a lot of readers prefer audiobooks and 9 out of 10 of those readers start and end their searches on Audible. When they don’t find an author there, they assume no audiobook exists, period. It got so bad I put up an audiobook on Amazon — me, reading an essay, explaining how Audible rips off writers and readers. It’s called “Why None of My Audiobooks Are For Sale on Audible”:
https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff
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[Image ID: Doctorow has been thinking longer and smarter than anyone else I know about how we create and exchange value in a digital age. -Douglas Rushkoff, author of Present Shock]
To get my audiobooks into readers’ ears, I pre-sell them on Kickstarter. This has been wildly successful, both financially and as a means of getting other prominent authors to break up with Amazon and use crowdfunding to fill the gap. Writers like Brandon Sanderson are doing heroic work, smashing Amazon’s monopoly:
https://www.brandonsanderson.com/guest-editorial-cory-doctorow-is-a-bestselling-author-but-audible-wont-carry-his-audiobooks/
And to be frank, I love audiobooks, too. I swim every day as physio for a chronic pain condition, and I listen to 2–3 books/month on my underwater MP3 player, disappearing into an imaginary world as I scull back and forth in my public pool. I’m able to get those audiobooks on my MP3 player thanks to Libro.fm, a DRM-free store that supports indie booksellers all over the world:
https://blog.libro.fm/a-qa-with-mark-pearson-libro-fm-ceo-and-co-founder/
Producing my own audiobooks has been a dream. Working with Skyboat Media, I’ve gotten narrators like @wilwheaton​, Amber Benson, @neil-gaiman​ and Stefan Rudnicki for my work:
https://craphound.com/shop/
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[Image ID: “This book is the instruction manual Big Tech doesn’t want you to read. It deconstructs their crummy products, undemocratic business models, rigged legal regimes, and lies. Crack this book and help build something better. -Astra Taylor, author of Democracy May Not Exist, but We’ll Miss It When Its Gone”]
But for this title, I decided that I would read it myself. After all, I’ve been podcasting since 2006, reading my own work aloud every week or so, even as I traveled the world and gave thousands of speeches about the subject of this book. I was excited (and a little trepedatious) at the prospect, but how could I pass up a chance to work with director Gabrielle de Cuir, who has directed everyone from Anne Hathaway to LeVar Burton to Eric Idle?
Reader, I fucking nailed it. I went back to those daily recordings fully prepared to hate them, but they were good — even great (especially after my engineer John Taylor Williams mastered them). Listen for yourself!
https://archive.org/details/cory_doctorow_internet_con_chapter_01
I hope you’ll consider backing this Kickstarter. If you’ve ever read my free, open access, CC-licensed blog posts and novels, or listened to my podcasts, or come to one of my talks and wished there was a way to say thank you, this is it. These crowdfunders make my DRM-free publishing program viable, even as audiobooks grow more central to a writer’s income and even as a single company takes over nearly the entire audiobook market.
Backers can choose from the DRM-free audiobook, DRM-free ebook (EPUB and MOBI) and a hardcover — including a signed, personalized option, fulfilled through the great LA indie bookstore Book Soup:
https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation
What’s more, these ebooks and audiobooks are unlike any you’ll get anywhere else because they are sold without any terms of service or license agreements. As has been the case since time immemorial, when you buy these books, they’re yours, and you are allowed to do anything with them that copyright law permits — give them away, lend them to friends, or simply read them with any technology you choose.
As with my previous Kickstarters, backers can get their audiobooks delivered with an app (from libro.fm) or as a folder of MP3s. That helps people who struggle with “sideloading,” a process that Apple and Google have made progressively harder, even as they force audiobook and ebook sellers to hand over a 30% app tax on every dollar they make:
https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112
Enshittification is rotting every layer of the tech stack: mobile, payments, hosting, social, delivery, playback. Every tech company is pulling the rug out from under us, using the chokepoints they built between audiences and speakers, artists and fans, to pick all of our pockets.
The Internet Con isn’t just a lament for the internet we lost — it’s a plan to get it back. I hope you’ll get a copy and share it with the people you love, even as the tech platforms choke off your communities to pad their quarterly numbers.
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Next weekend (Aug 4-6), I'll be in Austin for Armadillocon, a science fiction convention, where I'm the Guest of Honor:
https://armadillocon.org/d45/
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If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/07/31/seize-the-means-of-computation/#the-internet-con
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[Image ID: My forthcoming book 'The Internet Con: How to Seize the Means of Computation' in various editions: Verso hardcover, audiobook displayed on a phone, and ebook displayed on an e-ink reader.]
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14dayswithyou · 5 months ago
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Some long-term followers may have noticed this subtle shift already (especially those who are in the 14DWY Discord server or have read this post), but I figured I'd make it official.
I'm no longer associating myself with the yandere VN community.
The TLDR is that the energy here really fuckin SUCKS!! And I don't want to be part of something so hostile and needlessly competitive.
The constant infighting and epicaricacy between communities is deeply upsetting, and it's very disheartening to see aspiring developers cancel their projects because of the unwarranted backlash and harassment they face.
Some entitled folks on here reeeeally need to understand that constantly harassing others for updates, encouraging developers to belittle others to make themselves/their project look better, complaining about a project not meeting the expectations you specifically put in place, attacking other communities because of the parasocial relationship you share with another developer, getting mad that you chose to ignore important PSAs or warnings and faced the repercussions, or even sending in hate messages on anon because you're bored are not things you should be doing — let alone be proud of.
I try to avoid bringing up these topics as it's not the vibe I want to have on this blog (nor do I want to negatively contribute to the Streisand Effect and blow things out of proportion), but I'm genuinely getting tired of being on the receiving end of all this harassment and negativity, seeing it happen to others, and watching other indie developers encourage such vile behaviour. I'm done.
For those wondering what this means for "14 Days With You": for the most part, everything will still continue like usual. I've said this from the very beginning, but 14DWY is just a passion project I pursue whenever I feel like it. It's something I do for fun as a hobby — not because I want to publish a well-known game or turn it into a career. I've been on Tumblr for over thirteen years now, and it's taught me how to grow thick skin, so everything that I'm yapping and yammering about won't stop me from working on 14DWY.
However, this does mean that I won't be as interactive with other developers or their communities anymore; many ill-natured people have ruined this for me.
Because of them, I'm no longer able to voice my opinion on other games without some opinionated rat whispering in my ear about how the developer is "problematic" or that I could get cancelled for simply following them on Twitter. I can't interact with certain games without its parasocial community becoming hostile or gatekeepy towards anyone they don't like. I've seen communities belittle and devalue promising demos because in their eyes, nothing can compare to their favourite game (or their favourite developer). I have been harassed, bullied, and doxxed by other communities and have seen the same thing happen to others as well. I've heard about the developers who weaponise their community's loyalty to attack and drive out their competition. And I've witnessed more than enough developers expressing how badly they want to take a hiatus due to how much unwarranted negativity they receive, but don't want to disappoint their community by doing so.
By saying all of this, you can understand why I dislike being here so much, as well as why I no longer find any enjoyment in interacting with the yandere VN community.
Many people here — fans and developers alike — are so needlessly pushy about their standards and personal opinions being the norm, and if anyone else goes against them, they'll purposefully try to ostracise and bully them out of the community. This place isn't as laid-back or inclusive as it used to be, and I don't want to be associated with a community that acts so hostile and aggressive towards anyone who shares a differing opinion — nor do I want to be part of a space that caters towards developers who'll tear down others in order to have a moment of relevancy.
We're all doing our own thing and making our own games; it shouldn't be a competition. But if you see it as such, then I urge you to take a moment to stop and rethink your actions — or, at the very least, understand how it's affecting you and others around you.
So until there's a reasonable change and people can go back to being less... demanding, hypercritical, and gatekeepy about who interacts with what, I'll be stepping away and continuing to stay in my own bubble, as I have for the past two years now. I've already unfollowed everyone associated with the yandere community many months ago, but I think I'll just unfollow everyone entirely now for my own peace of mind. I will also no longer be interacting with any yandere VN communities (aside from close friends), nor will I be as public with my interests from this moment on. Everything on this blog will be strictly related to 14DWY like usual, and I will continue to block and report any spiteful "anons"/burner accounts sent my way and delete their messages.
Again, this isn't really much of an announcement — it's more so just paragraphs of me bitchin and moanin 🫶 — but I wanted to get this all out there instead of leaving things unsaid and having people come to their own conclusions as to why I've suddenly become less active, less optimistic, and why I've stopped engaging with a majority of the yandere community in the last two years.
So, yeah... ^^; If there's anything I want y'all to take away from this entire post, it's to be kind, open, and understanding towards everyone — developers and communities alike — and to spread support rather than negativity. It's what I want my own community to be known for, so please be mindful of how you treat others online.
And if you find yourself being surrounded by constant toxicity and negativity (be it from friends, mutuals, or even other developers or communities), please don't feel ashamed to step away or cut them off entirely. Put yourself and your mental health first. I also think it'll be good for me to leave all this negative energy behind and continue to kick off 2025 in a better light, so if y'all need to let out any frustrations of your own, feel free to go ham in the replies (obviously, be kind and civil though jghsjg T_T)
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antwuzhere · 3 months ago
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SSAW DAY 4 - AU
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Divorce quartet modern au lets gooooo ❤️💙💚💜
Basically just a qpr roommate au
Prompts by @ju5tanarti5t
OK SO I’m just gonna treat this as a master post for this au I drafted months agooo
I can’t write, but if I could, the main plot would be focusing on qpr divorce quartet straight after a massive fallout (cough cough like the start of double life) learning to love eachother again as they are stuck living in the same house <3
here’s the character pages! Warning, it’s purely self indulgent, I made this a long while ago just for fun and jokes, so it won’t be exactly accurate to how the characters are presented in the life series
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I really like the idea of Cleo being into medicine cause the zombie thing lmao
ALOT MORE DOODLES AND NOTES UNDER THE CUT
And snowbugs. Wink
Ok FIRST, more notes about the characters and the world around them;
* it was originally the 3 gs living together until 2 years in
-> * They were looking for a new roommate (more than enough room + expensive rent) and pearl vouched for her ‘friends friend’ martyn.
* They were a qpr for a while (gs invited martyn to join aswell) but they had a major fallout and are still trying to work past that. - they are stuck living together soooo :> awkarddddd
* All polyamorous <3 most people are probably poly (I’m poly and self projecting) i just think everyone should hold hands and love eachother sometimes
* Gem and the Scott’s exist <3 small cover band, they play in pubs and small venues sometimes
* Scott works at a florist shop called ‘poppie blooms’ teehee
* Imp + skizz + tango work in a tattoo /piercing shop - Zeds a glorified receptionist
* Cleo has stitches on her neck because of an accident when she was younger - but kids called her a zombie growing up because of it
* Grian inherited a small bakery, and begrudgingly opened it with his mates. He now runs the bad boys bread bakery, his friend jimmy and Joel are employed.
* but They seriously call each over bad boys.
* And babe.
* Martyn becomes and honorary bad boy because he was desperate for work.
-> *it’s actually been going really well for them in the bakery, they didn’t know until after it opened, but Joel’s surprisingly good at baking
* however Scott’s notoriously known for loving baking + being good at it, and Joel despises him for it lmaoo
* Ren is a high school drama teacher.
* Martyn’s been trying to turn rens ‘indie comic passion project’ red winter into a film
* Ren, doc, martyn and false have a dnd campaign together that’s been going for 5 years now
*cleo crochets and sews. Most of Scott’s cardigans were made from Cleo.
* Tilly is a rescue dog - she was neglected by her previous family. Pearl insisted on taking her home from her work.
* The others don’t actually like Tilly, but they don’t say anything because they know how happy she makes pearl
->* Scott has a mild allergy to dog fur
->* Cleo is scared of big dogs ( won’t admit it)
->* Tilly just decided she and martyn were opps one day (she steals his food and chews his stuff - he’s not pleased)
* Martyn and scott have really unhealthy sleep schedules but scott wakes up ridiculous early and martyn falls asleep ridiculously late
* pearl sleeps a lot.
* Scott’s love language is physical touch
* Cleo’s is gift giving
* Pearls is words of affirmation
* Martyn’s is acts of service.
AND NOW, BONUS DOODLES!!
And a celebratory snowbugs if your still reading for that
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wttcsms · 6 months ago
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⋆౨ৎ˚⟡˖࣪ hallmark holiday !!
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ᝰ.ᐟ tis the season to sit by the fireplace and indulge in cheesy, cliche, ever-so-predictable hallmark movies where we know the main couple will always get their happily ever after. alternatively: a scenario post detailing the cliche holiday romance you and your fave would be ♡ྀི ( fem!reader & sfw )
starring keiji akaashi, atsumu miya, shoyo hinata, seishiro nagi, shoei barou, yoichi isagi, jinpachi ego, noel noa, rin itoshi, oliver aiku, kento nanami, naoya zenin, porco galliard, colt grice, levi ackerman
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:¨ ·.· ¨: `· . haikyuu films coming to a theater near you ౨ৎ
⋆⁺₊❅. dedicated to you starring keiji akaashi synopsis keiji akaashi finally gets his dream promotion to the literature department — sort of. see, first he's given what the company calls a "trial run", where they're testing to see how well he'll do. if this book that he edits makes it to the bestseller's list within its first month of publication, he gets the position permanently. fail, and he doesn't just get demoted — he gets fired. this dream of his becomes a nightmare whenever he realizes the author they're assigning to him is you — famous literary critic turned author. well, almost an author. this will be your first book you're ever writing. see, you've got a bit of a reputation. your reviews of novels, whether they'e indie books available only on kindle unlimited or works considered to be modern classics, are nothing short of scathing. rarely is there ever a book that seems to impress you. and while your reviews are valid, a group of scorned writers (who are all beloved by the booktok community, which, in your opinion, invalidates everything they do by default) publicly challenge you: if their writing is so bad, why don't you publish a book and show them how it's done?
exclusive sneak peek! "so you're my editor?" you raise an eyebrow at the man sitting across from you. he's wearing a brown blazer, his hair neatly parted with gel, and he has such a mild-mannered aura about him that you want to groan in agony. of course, the only shmuck who'd be willing to touch your book (book is generous; you barely have half of a first draft) would be some dweeb who's probably been out of work for like, the last year. "yes. i'm keiji akaashi. we spoke over email." he reaches into his workbag, probably to hand you a business card that you'll end up tossing in the cafe's trashcan. "oh. from the tone of your emails, i was expecting someone..." you don't finish your sentence. "someone what?" he asks. "it's nothing." you wave your hand, as if to tell him that the comment was useless anyway. "listen, i'm sure i'm not your ideal client, but we don't have to keep meeting. i'll make your job easy by making sure you never have to edit or touch a single letter on my drafts. just let me handle this my own way, and i'm sure—" "no." you don't normally let people interrupt you, but the shift in his tone makes you pause. you stare at him curiously, only this time, you notice that keiji akaashi doesn't seem so mild-mannered right now. he continues. "i'm not sure where you got the bright idea that you would just write this book on your own, but you don't make a deal with a major publishing house just to go about the project like all the indie authors you criticize in your little column. the minute you signed that contract, you became my responsibility." akaashi looks you in the eyes as he tells you, "so from this point forward, your book is about to become our book. and i only plan on producing bestsellers." you smile at that, leaning forward and matching the intensity of his gaze. "good. because i only plan on writing a bestseller."
⋆⁺₊❅. make it to christmas starring atsumu miya synopsis break-ups can be tough. coming home for the holidays can be tougher. combine these two situations, and throw in the fact that no one can know about said break-up, and this might be the toughest situation to go through. here's the deal: you and atsumu, who've been together for the past four years, are deemed "most likely to get married". your friends, family, and even strangers on the internet all think you two are the couple that will make them believe in the power of love again. with this type of pressure, neither of you are willing to wreck the holiday spirit by announcing your break-up, and really, mama miya just got a particularly bad diagnosis. the last thing either of you want to do is break her heart some more. so, you both agree to pretend to still be together, all for the sake of "saving christmas", so to speak. but then, mama miya walks in on the two of you in the kitchen at the worst possible moment. atsumu is down on one knee, kneeling in front of you. finally, some good news this season: her baby boy is getting married to the love of his life.
exclusive sneak peak! "atsumu, this whole thing is a mess!" you whisper-shout at him, leaning down and examining the space beneath the floor kitchen cabinets in search of your missing earring. "well, you can't back out now!" he whisper-shouts back, crawling on all fours to help you look for the damn earrings osamu's new girlfriend gifted you. "what would we tell everybody?" "how about the truth?" "we will tell them the truth! right after christmas." "you idiot, your mom has her next appointment the day after christmas! the whole point i agreed to this was so that way we wouldn't crush her with a whole day of bad news!" "you're right." your back is turned to him, but even without looking, you know he's nodding his head. "we should just wait 'til the month's over then." "that's even worse!" now you finally do turn around, crossing your arms against your chest. "i really think this was a bad idea. we need to figure out how to come clean before this whole thing blows up in our faces." he sighs, knowing that you're right. you always are. it's what he loves — loved; he's not quite sure if he's still allowed to use the L-word concerning you — about you. then, he perks up, catching a glint of your missing earring. propping himself up on his good knee, he presents the ring to you earnestly. "oh!" you grin, happy that atsumu found the damn thing. now, osamu's girlfriend will be properly placated. before you can reach for it, three things happen in rapid succession. one: the kitchen door swings open. two: mama miya assesses the situation quickly, and lets out the biggest shriek of excitement heard 'round the world. three: this whole thing definitely just blew up in your faces.
⋆⁺₊❅. v for valentine starring shoyo hinata synopsis you hate valentine's day — after you found out your (former!) boyfriend of three years was cheating on you on this very special holiday, you see what the 14th is all about. commercialized "love": packaged in bright pink packaging and red hearts that get sold to unsuspecting fools. however, as a wedding planner, you still have to love love. it's just hard to whenever the wedding you're planning is set for feb. 14th... and it's to your ex-boyfriend and the girl he cheated on you with. you know it's petty and ridiculous and horribly immature, but you're plotting and scheming ways to ruin their wedding without it being tied directly back to you. the only obstacle in your way, though, is the bride-to-be's annoying cousin who immediately catches onto your plans and seems intent on putting a stop to you.
exclusive sneak peek! "what do you think you're doing?" you jump up, startled at the sudden intrusion. everyone else is supposed to be occupied, oohing and ahhing at bridezilla's reception dress reveal. "nothing." you say, in that tone of voice that makes it very, very obvious to anyone who can hear that you were definitely up to something. "really?" hinata asks. "because it looks like you're trying to convince the dog to tear up my cousin's high heels." busted. (you're too flustered and trying to come up with an excuse as to why there's peanut butter on his cousin's designer heels that you don't notice the way hinata looks like he's trying to hold back his laughter.)
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:¨ ·.· ¨: `· . blue lock films coming to a theater near you ౨ৎ
⋆⁺₊❅. married by christmas starring seishiro nagi synopsis as the only daughter of the mikage business empire, not to mention having an older brother who could care less about the family business, you should be rightfully inheriting a good majority of mikage corp. on the day of your twenty-fifth birthday, you anticipate the metaphorical keys to your family's empire. instead, you receive the worst news of your life: reo's going to lead mikage corp starting on christmas day (a gift that he never asked for), and since you're still unmarried at the decrepit age of twenty-five, your grandparents are demanding you start going on blind dates with the men they've found for you. when you angrily confront your parents, wanting to know why everything will be handed to reo, who doesn't even want this responsibility, the answer is clear: they need a man to be the face of mikage. if you marry someone, even if you're the one pulling the strings from behind, you can still inherit the business by having your husband look like the one in control. your parents know that you don't want to get married, but what they don't know is that you're willing to do anything to get what you've worked so hard for. you didn't spend years abroad to study at the best business school in the world and to build connections all for it to go down the drain. but then you realize that all these men your grandparents found for you won't be willing to just sit back and let you do all the work. they want power of their own. where in the world could you possibly find someone you can trust to be married to in these conditions? and then it dawns on you: your older brother's best friend! from what you remember of him during high school, nagi wants nothing more in life than to just be able to make easy money and relax, left to his own devices. he's never taken advantage of reo, so he'll probably stay loyal to you. and a quick google search reveals that nagi's never even been in a public relationship. he's perfect.
exclusive sneak peek! "you bought me a ring?" you stare at the velvet box resting on your living room table, eyeing it like a bomb that might explode at any minute. "huh? oh yeah, why?" nagi's voice is cracking through the speaker of your phone. you're not sure where he is; you don't really know much about your husband-to-be, you realize. you should get him to email you his daily schedule. you plan on making note of that in your outlook calendar, after this call. "i didn't expect you to get me a ring." you frown. "forward me the invoice for it, and i will make sure to reimburse you. in the future, please refrain from making any purchases related to our relationship unless i clearly allow it and expect it. christmas in front of my family, and public birthday celebrations, for example, are occasions in which i'll allow gift-giving." "you're sayin' my future wife doesn't want gifts?" nagi wants to choke reo. he's the one who said you expected to be spoiled, and all the guys on his team seem to be adamant that buying gifts for your significant other is the way to go. if he knew you were going to start talking business around him, he wouldn't have gone through the hassle of finding a decent jeweler in this city. "this is a business partnership, nagi. not a romantic relationship. in business, you buy gifts only to bribe. are you trying to bribe me right now?" no, he thinks. he was only trying to make you happy.
⋆⁺₊❅. a king for christmas starring shoei barou synopsis serving as king but hated by a small, powerful group of witches, the ruler of the kingdom, shoei barou, is cursed and expelled to another world where his tyranny will not be tolerated. the only way to return back to his world is for him to learn benevolence and empathy. they certainly gave him a challenge; it'll be hard to be kind and empathetic whenever you're magically transported to the twenty-first century without a single clue as to how the world works. luckily, he ends up transported here, unconscious, on the front porch of a tired, overworked, graveyard shift ER nurse. you signed an oath to protect and save all lives, so you can't exactly kick the large man passed out by your front door, now can you?
exclusive sneak peek! "where is your horse?" barou asks you, following you around your house. him being your shadow is odd, considering how he towers over you so much, he's actually casting a shadow onto you. seriously, he's blocking the sunlight peeking through your blinds. "my horse? you think i'm a horse girl?" you whirl around to meet him, nearly bumping into his muscular chest as you do so. he makes a face, not sure what to make of your exclamation. "how will you travel into town?" "like everyone else. with a car." you hold up your key fob, and he immediately snatches it from your hands, staring at the fob curiously. "you travel using this?" he points to it, and you nod. "witch." he says. "what did you just call me?" you stare at him, stunned. "witch." he repeats, still holding onto your key fob. "to travel in a contraption so small... magic is the only reasonable explanation. you must be a witch. why didn't you tell me this sooner? we can use this—this car, and you can take me back to my kingdom at once!" he straightens his back, holding your key fob out of your reach. "witch, i demand you transport me back home." "i should've kicked you when i had the chance." you mutter, wondering how hard this stranger banged his head to forget what a car is.
⋆⁺₊❅. the perfect playbook starring yoichi isagi synopsis bastard munchen is forcing all of its players to dedicate their time during the holiday season to an approved community outreach initiative. isagi sees nothing better than to return to his hometown, and help volunteer to coach the local little league team that's 1) underfunded and 2) currently coached by the only person kind enough to volunteer: you, the fresh-out-of-college brand new, bubbly elementary school teacher. yoichi might not be the biggest believer in team work makes the dream work, but you don't make a bad teammate... not in the slightest.
exclusive sneak peek! "isagi," you frown as you stare at the whiteboard, trying to make sense of all the x's and o's and arrows he's scrawled on them. "you want to train this group of seven to nine year olds... to become strikers?" he nods, pleased that you're finally starting to see his vision. "yes, exactly!" "the recreational elementary-aged youth team... is going to undergo a simulation of what you went through as a high school boy?" "well, it'll be tweaked accordingly. with your guidance, of course! it'll be a more tame version, but i'm sure the results will be the same." when he smiles at you like that, you can't help but want to give in. "and besides, i'm proof that project blue lock is a very beneficial program. look how i turned out!" you think back to when you curiously searched him up on the internet. "top 10 isagi crash-outs on the field" was not the result you were expecting. but he's been nothing but kind and enthusiastic around you and the kids. it's not like he's some egotistical maniac who only cares about soccer, right? "okay." you nod slowly. "project baby blue lock it is, then."
⋆⁺₊❅. cease and assist starring jinpachi ego synopsis former collegiate athlete with a professional career ahead of you, your dreams of becoming the world's best women's soccer player gets crushed the minute you suffer the worst injury possible. now, you spend your time trapped in an office, working for the japan football association, waiting for the decades to pass you by so you can finally retire and die. until the head of the association pulls you to his office and lets you know that you're going to be going undercover; apparently, jinpachi ego is creating a soccer program that's supposedly going to change japanese soccer, and he wants you to report back to him and the jfa so they can anticipate everything ego plans on throwing at them. hired to project blue lock as ego's personal assistant, you spend practically the whole day with him. he's annoying, never listens to your advice, mansplains everything, and refuses to eat anything resembling a vegetable unless you force it down his throat. he's also the only person to match your passion for the sport, and the only one to call you out for not continuing to chase your dreams. the more time you spend by his side, the less and less you want to report to the jfa...
exclusive sneak peek! "sir," you grit your teeth, clutching onto the files in your hand because you know if your hands are unoccupied, you'd be sprinting across the room so you could personally choke jinpachi ego out. "i have an mba from the top business school in this country. i've played soccer since i was a child, and was one of the most decorated d1 players back in college. i know i'm just your assistant, but i can promise you, i am capable of far more than heating up your cup ramen." he doesn't even turn around his chair so he can face you; instead, he's still laser focused on the massive monitor in front of him, his eyes occasionally flickering to the other dozen screens surrounding the room. he doesn't even acknowledge your words. "are you seriously going to ignore me?" you snap, strangling the poor papers in your grasp. "are you done speaking? last time i tried to answer back, you yelled at me for not letting you finish." he still isn't looking at you, but you're certain he sees the nasty scowl that crosses your face. somehow, ego is capable of seeing everything. "forget it. you're impossible." "and you're a failure of a player." he tells you, right before you can storm out. "excuse me?" "you keep talking about how good you were at soccer, yet you never even bothered to pursue it after you got out of physical therapy. good in college doesn't mean anything when it's been so long. that's why i don't listen to you." he turns his chair, finally staring at you. "when you prove to me that you're still as good as you claim you used to be, maybe i'll take your advice. until then, get out of my office until i call you back."
⋆⁺₊❅. the only exception starring noel noa synopsis at thirty-three years old with not a single serious romantic relationship for the past decade or so, and with society basically treating any single woman in her thirties like a cow put out to pasture, you have come to terms with the fact that you'll be a spinster. it's fine. you have a successful career in a male-dominated field, you're still as beautiful as ever, and it's not like romantic love is going to fill the void. you have a supportive family and even more supportive friends; you don't need anything else. at thirty-five years old, with a successful soccer career and a body still performing at peak physical fitness, noel noa is considered to be one of the most eligible bachelors in the world. the public considers him to be at his prime, even. and yet, he seems to want nothing to do with romance. he plays his sport, he does a damn good job of it, and then he goes back to his isolated home in the french countryside to spend his days and nights entirely and utterly alone. for two people content to spend the rest of their lives without a partner, the minute you walk into his life as the new assistant coach for bastard munchen, you both slowly start to realize that maybe, you both could just try being alone together.
exclusive sneak peek! he doesn’t pay you any attention whenever you enter the locker room; after all, this isn’t the first time one of his teammates’ girlfriends walked in here unannounced. he can only hope that your heated rant and accusations of cheating don’t take a long time because practice starts in ten minutes, and noel noa is known to be particularly anal when it comes to sticking to a strict schedule. “hey!” igor says, being the only one bold enough to block you from taking another step further in the locker room. “you can’t be in here, even if you are dating or related to one of the players.”  “well, that’s certainly a respectable rule, but it doesn’t apply to me.”  “i'm the vice captain of this team.” he replies, letting his title to do the rest of the talking. right now, in this room, he’s the authority, second only to noel. noel, who's too busy stretching his legs to really concern himself with something as silly as a female intruder in the men's locker room. the altercation between you two is nothing more than white noise to him. “oh? that’s nice.” you hum, before adjusting the lanyard around your neck so that the little ID card, the one that’s used to allow people entrance into the gym during practice, is showing. it must be brand new because it shines underneath the fluorescents of the locker room. “i’m your new assistant coach.”  well, you’ve certainly got noel's attention now.
⋆⁺₊❅. all in starring rin itoshi synopsis even with worldwide fame, rin itoshi still prefers to be left alone. deemed the "prodigal recluse" by the media, no one knows what he gets up to during the offseason. the truth is, rin returns back to his hometown and spends his free time training by himself in the frozen field he used to train in during middle school. he's never been found out here, and that's how he likes it. until you, an ambitious sports journalist visiting your parents during the holidays, gets lost and stumbles upon him playing soccer by himself. you're convinced that this is fate. no one else in your field has ever gotten this close to him, especially outside an official game, and you're begging him for an exclusive interview. you're persistent and annoying, and rin finally agrees, with one catch: you have to score against him on a one-on-one soccer match. (he just doesn't anticipate how persistent and annoying you can be. when you set your mind on a goal, you're going all in.)
exclusive sneak peek! "you have to admit, it's pretty impressive i even kept up this long." you're panting, the palms of your hands digging into your knees as you hunch over, struggling to catch your breath. the icy air makes every exhale visible. rin looks like he hasn't even broken a sweat. "a child could've kept up for even longer." he says, the soccer ball resting underneath his right foot. "if you're this tired already, you might as well just head home and go enjoy your vacation with your family." the and leave me alone goes without saying. "why? intimidated by my shocking athletic abilities already?" you think you've finally got your breathing situation figured out, and you straighten up. "i'm going to get that interview, itoshi." "if you say so." he shoves his hands in his pockets, his own breath visible in the icy air. "i'm ready for our rematch." you tighten your ponytail, giving rin such a fixed, determined stare that it surprises him. you really are serious about this, aren't you? "and don't think about going easy on me." the corners of his mouth nearly turn upwards. he matches your gaze, preparing to shoot the ball. "i never will."
⋆⁺₊❅. meet your match starring oliver aiku synopsis tired of cleaning up his messes and struggling to reform his playboy image, oliver aiku's publicist has to break out the business card locked away in her "in case of emergency" glass case. she's calling in the calvary — you, the celebrity world's most respected matchmaker. every celebrity couple you've set up has either dated for years (and more to come) or even got their happily ever afters by saying i do at the altar. you've got a one hundred percent success rate. you're making the perfect matches left and right. hinge who? when your publicist bestie calls you, begging to help her most troublesome client finally find love and quit playing around, you already know who she's referring to. oliver aiku. he's hellbent on ruining your perfect run, and you're hellbent on finding him the love of his life so he can finally settle down and stop causing your best friend to spend her whole paycheck on migraine medicine. in his hyper-competitive field, he's never quite met someone as obnoxiously stubborn as you — nor has he ever had as much fun playing games with anyone else. it looks like the two of you have finally met your respective match.
exclusive sneak peek! "what the hell is the matter with you?" you glare at him from across the table, but oliver doesn't seem the least bit ashamed. you're not shocked; you don't think he has the capacity for shame. "what are you talking about?" he tries to sound innocent, but it doesn't work. look at him — there's nothing innocent about the man sitting across from you. "i'm talking about you bringing another woman to the date i set up for you!" you hiss, trying to remain calm and not draw attention to the two of you. he takes a long sip of his coffee, dragging out the silence as you wait for his explanation as to why he wants to make things as difficult as possible. "i was just testing her." oliver is smiling. you want to punch him in his stupid face and see if he'll still be grinning at you. probably. he's annoying like that. "during a situation like that, you can tell if the girl's gonna be a struggle to deal with depending on her reaction." "you know what my reaction would be if you did that to me?" you lean forward, and he meets you halfway, also leaning in closer. he's still smiling. you hate his stupid smile. "oh? what would your reaction be?" "nothing. you'd never even get the chance to pull that shit on me. as if i'd ever be dumb enough to go on a date with the likes of you." you lean back in your seat, opening up your phone and furiously marking off girls from your list. the list gets smaller after every one of his failed dates. oliver sits back, too, watching the way your brows furrow as you stare at your screen, not even giving him the time of day. he never stops smiling; finds it hard not to smile when he's in your presence.
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:¨ ·.· ¨: `· . jujutsu kaisen films coming to a theater near you ౨ৎ
⋆⁺₊❅. the roadtrippers starring kento nanami synopsis you're traveling solo for the first time ever after your fiancé breaks things off with you to date his 19 year old neighbor. kento nanami's a single father/investment banker trying to make it back home in time for his daughter's birthday. you're both trying to travel across the country, but when a massive snowstorm delays the same flight you two were going to take home, you decide to team up and just travel together to try to make it your respective destinations on time. from weirdos on the train, flat tires on scarily cheap rental cars, and posing as a married couple at a strict, christian-owned bed&breakfast, you go from strangers traveling cross-country together to being connected together in ways neither of you have ever connected with your previous partners before.
exclusive sneak peek! "whoa, you're doing this like it's nothing." you stare in awe as nanami rolls up the sleeves to his button-down, exposing his strong forearms as he turns the wrench, loosening the lug nuts of the flat tire of the rental car. "that's because it is nothing." he tells you, glancing up at you. you're wrapped up in his blazer, but the chill of the outside air still bites at you. "you should go back inside the car and wait for me. i'll be done in a second." "it wouldn't be fair." you explain to him. "you've been doing all the work this entire trip. braving the elements with you for a few minutes is the least i can do." "you don't have to do anything." he looks up at you, his stare bringing heat back into your body. "you don't owe me. i really don't mind helping you. if you really want to do me a favor, then go back inside the car and stay warm."
⋆⁺₊❅. snowed in starring naoya zenin synopsis you've never had great luck, but with your good attitude, you don't let life get you down. good karma finally comes your way when you win an all-expenses paid trip at a luxury ski lodge. this is where your good luck ends. apparently, the ski lodge accidentally double-booked the cabin: you're supposed to be staying there... and so is the rudest, most arrogant and condescending lawyer you've ever met. naoya zenin booked this place to get away from the city and work in peace, away from the incessant nagging of his family and employees. instead, he's met with even more inconveniences, the biggest one being you, some teacher from a small town he's never heard of and couldn't care less about. before either of you can head back to the main lodge to complain, a snowstorm comes rolling in, effectively leaving the two of you snowed in together for the time being. no cell service, no internet, and no one but each other. fantastic.
exclusive sneak peek! "where are you going?" he asks, eyeing your towel and pajamas in your hand. "to go shower?" you point to the bathroom door. after claiming he wants nothing to do with you, and then setting a ground rule that you can't speak to him unless he allows it, you figured he'd just leave you to your own devices. "unless i need permission from you to do that, too." "i checked the water tank. there's barely anything, and even less hot water." "and this is my problem because...?" "i need to shower, too. i know women have a tendency to take hour-long hot showers, but that isn't going to work here." somehow, you find it hard to believe any woman would want to be close enough to naoya to where he can track their shower-time. "fine. i'll take a lukewarm shower for fifty-five minutes then." you reach for the bathroom door handle. "will that satisfy you?" he's up in a flash, his body so close to your own. you've got nowhere to go but to back up against the closed door, trying to get some space between the two of you. "you don't want to know what'll satisfy me."
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:¨ ·.· ¨: `· . attack on titan films coming to a theater near you ౨ৎ
⋆⁺₊❅. falling onto you starring porco galliard synopsis when you’re forced to return to your hometown to take care of your grandmother after her hip surgery, you’re roped into volunteering for the town’s fire department charity event. paired with the constant scowling firefighter who rescued you from a tree back when you two were kids and classmates, you’re tasked with organizing the firefighter calendar auction. between awkward photo shoots, bickering over decorations, and trying to outbid a local rival for the best auction spot, you start to see that maybe porco galliard isn't all scowls and shambles arrogance — after all, he's there to catch you every time you fall.
exclusive sneak peek! "no." "it's for charity, galliard." you toss him the santa hat, not the least bit shocked that he manages to catch it without batting an eye. "you're like, morally obligated to do this. unless you want to ruin christmas. that's fine by me, too." "i won't be ruining christmas. you're just a pervert." you gasp. "i'm not the one who came up with these positions!" "you're still going to buy the calendar." he points out. "yeah, for charity! not to actually look at it!" "you sure about that? because you seem pretty damn persistent that i should take off my shirt and let you take pictures of me in nothing but suspenders, my work pants, and this ridiculous hat." "that's the most stereotypical firefighter photoshoot for a sexy christmas calendar!" he pauses. "you callin' me sexy?"
⋆⁺₊❅. the one starring colt grice synopsis colt grice has the worst luck known to man. when it comes to pay-it-forward chains, he always gets stuck in front of a minivan for a family of nine. naturally, the only people who crash into his car are the ones with no insurance. he felt bad for a coworker during a work potluck, stomached some of their disgusting food, only to end up getting food poisoning from it. the only thing colt ever seems to have good luck with is relationships... specifically, his good luck seems to transfer over to the girl he's currently dating. see, the thing is, every time colt gets dumped, his exes always end up finding the love of their lives. all his exes are happily married or in long-term relationships, with all of them finding their soulmates right after breaking up with him. he thinks no one else in the world has luck as terrible as his, but then he meets you. after a conversation exchange during a long line, you reveal that it seems like every ex you have has found their soulmate directly after breaking up with you! which is when you two hatch a plan: in order to help each other find "the one", you both agree to date each other for a period of time and then dump each other, all in the hopes of finally meeting your soulmate.
exclusive sneak peek! "your soulmate is super lucky, by the way." "what makes you say that?" colt turns to his side so he can look at you. you're still laying on your back, gazing up at the stars above. "just... i can't imagine why anyone would want to break up with you. you're honestly the best boyfriend i've ever had." colt's heart jumps at your words. he's glad it's so dark outside; otherwise, you might see the blush creeping on his cheeks. you continue on. "i'm going to be really sad when we have to breakup." he knows it's not in the agreement, but he can't help it. he thinks, then let's not. instead, he swallows hard and makes a half-hearted joke. "don't worry. you'll meet your soulmate soon, all thanks to me." you laugh, but you don't tell him how you're really hoping that he's the one for you.
⋆⁺₊❅. girls just wanna have fun! starring levi ackerman synopsis you're the prime minister's daughter wanting to get the proper college experience during your very last year of university. he's your marginally older, no-nonsense, militant bodyguard. you're determined to check things off your college girl bucket list (skip lecture, eat questionable dining hall food, go to a frat party), and he's determined to keep you safe.
exclusive sneak peek! you’ve been meticulously planning this all week. the perfect outfit is tucked under your oversized hoodie, and you’ve even plotted out the quietest route to avoid any of the creaky floorboards in your family’s massive home. all that’s left is to slip past levi, who seems to have an annoying sixth sense for every bad decision you attempt to make. sliding your shoes on, you tiptoe toward the front door, holding your breath as you slowly twist the handle. almost there. just a few more seconds, and— “you have exactly five seconds to explain what the hell you’re doing.” the deep, authoritative voice freezes you in place. slowly, you turn to find levi standing in the shadows, his arms crossed, one eyebrow raised in disapproval. the flat line of his mouth isn't forming a frown or a scowl, but the disappointment is evident. “levi,” you start innocently, trying to cover your tracks. “i was just—” “if you're just going to lie, don't bother saying anything.” he interrupts, stepping into the light. his eyes flick to your shoes and back to your guilty expression. “where are you really going?” you sigh, crossing your arms defensively. “it’s just a party, okay? everyone’s going, and i’m not some teenager who needs her parent's permission to go out at night.” “you might not need your father's permission,” he says, his voice low and deliberate, “but you do need my protection. and if you think i'm letting you sneak off to some frat house full of drunk idiots without so much as telling me, then you’re dumber than i thought.” you glare at him, your frustration bubbling over. “you’re not my dad! i can take care of myself.” he leans against the doorframe, unflinching. “if you could take care of yourself, you wouldn’t have tried sneaking out like a common criminal." “ugh,” you groan, childishly stomping your foot. “why do you always have to ruin everything?” “why do you always have to make my job harder?” he counters, his tone sharp but his eyes softening just slightly. for a moment, the two of you just stare at each other. then levi exhales, rubbing his temples as if you’ve given him the worst headache of his life. “here’s the deal,” he finally says. “you stay home tonight, and i’ll consider letting you go to the next party — with me shadowing you the whole time.” your jaw drops. “you can’t be serious.” “correct. i never plan on letting you go to one of those idiotic parties.” he says. “now go change out of that ridiculous outfit you're wearing under your sweatshirt, and get some sleep. you've got class at eight.”
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klausinamarink · 1 year ago
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based on this hilarious video with Gianmarco Soresi whom I’ve been watching his comedy work for a few months now
read on ao3
“What do you do?” The standup of the hour - the guy had introduced himself as Eddie - points at Steve.
Flustered at the attention directing every eye in the club to his table, Steve tries not to stammer as he answers, “Well, uh, I make movies.”
“Oh!” Eddie genuinely looks interested. “So you’re a director?”
“Yeah, pretty much. At least I started out as an indie, but I have a big project that’s out and a couple more on the way.” One table nearby claps and Steve tries to wave them off to stop.
“So what was that big project? Was it something we would’ve seen?” Eddie repositions himself so he has one leg up on the stool. Steve stares at how lean they seem with the tight black jeans. He’s got them daddy long legs. His brain suddenly burps out and it nearly makes Steve lose his composure.
“Uh, ha, I did The Final Bat. It’s on Shudder.” Steve shrugs nonchalantly, perfectly hiding his internal cringe. The horror genre is way out of his league and Steve’s already seen The Final Bat being on a few critical lists damning the title as another cliche-filled mess. He only did it because he had finally caved to Dustin’s pleading to make at least one horror movie.
Eddie, on the other hand, seems ecstatic by this revelation. “No way! That’s sick, dude! So the next time you make a horror flick, you’re gonna watch Blumhouse and A24 coming in at each other with steel chairs for distribution rights.”
Everyone laughs, including Robin. She smacks on Steve’s bicep with a wide grin. He smacks her back before he turns back to Eddie and clarifies, “I don’t like horror! I’m not doing it again!”
Aghast, Eddie throws an invisible hat to the ground and stamps on his feet. “Come on! Then what’s the point of watching the studios bite each other’s dicks off when you’re slipping out to watch - I don’t know - the Barbie movie! Now they’re just fighting for the next shitty horror movie to exist!”
Steve covers his mouth but fails to hold back in the laughter. Eddie’s infectious energy is starting to get to him. It makes his chest clench with something other than the usual pains.
Eddie patiently waits for the patrons to quiet down before continuing, still attentive to Steve, “I’m just wondering actually if you ever done theater class.”
“Sure did! Two years in high school,” Steve confirms.
“Let me guess, they did Hamlet?” Eddie raises an eyebrow like it’s meant to be accusatory.
“Yep, soon after I joined.” Steve nods, the memory of that production flashing before his eyes. It had its ups and downs but it was one of the most fun things Steve had ever experienced.
“No wonder they started as soon as your handsome ass walked in the club.” Eddie says low and flirtatiously into the microphone, staring directly into Steve’s eyes. It echoes across the room and back, bringing the howling laughter with it.
Heat crawls behind his face. Steve keeps his hands on the table, forcing down the urge to hide behind them. “I-” He stops to cough, “I wasn’t supposed to play Hamlet.”
Eddie’s eyes go wide, “What do you mean?!”
Robin answers loud enough for everyone to hear, “He was the grave robber, but the other guy who did Hamlet got into a coma a week before the show and Steve knew all the lines.”
“W-Woah, woah, woah!” Eddie holds his hands out, looking scandalous. He throws looks around the club. “Everyone, shut the fuck up right now! This is more important than caring about the rest of you!” Eddie drags the stool over and perches on it like a very much invested gargoyle, almost oblivious to the audience’s reaction.
“Okay, let me go through this.” He points at Steve, still holding eye contact as if Steve’s soul would provide the answer. “You weren’t Hamlet. You were meant to be the guy who gives him the skull to monologue. The OG Hamlet got into a coma for some reason-“
“Car accident.” Robin interjects.
“Yeah, no need to elaborate, ma’am. You, Steve-” Eddie breaks off for a second, holding back a laugh of his own. “You somehow knew all the Hamlet lines because you were waiting to skin OG Hamlet’s head and make his skull yours to do the monologue.”
There’s a scandalous outcry from all tables. Even when they mostly calm down, Steve uses the growing anticipation to ‘think’ about what Eddie just said before he casually shrugs and says, “Sounds about right.”
Eddie drops his face into his arm, letting everyone laugh at him. Steve lets himself break, his laughter bubbling out of him in a way that doesn’t sound so self-deprecating or hollow. If he was in a cynical mood, he would’ve thought it was pathetic that the only person who made him laugh so lightly again was some random standup.
After a moment, Eddie finally looks up, his face broken in disbelieving grin. He chuckles into the mic and looks back at Steve, “Sorry, it’s just I hear some wild stories in the crowd some nights and I think yours takes the cake.”
Steve smiles, “Thanks, man.”
Eddie stands up back, half-leaning onto the stool. “Do you still remember those lines? To be or not to be?”
The whole damn thing. “Uh… some of it?”
Eddie’s grin shifts into something more mischievous. “Let’s see who knows more.”
A collective oooh goes around the room, including Robin. She already has her phone out for recording. Steve rolls his eyes at her and takes a quick sip of his water. He clears his throat and starts, “‘To be or not to be, that is the question.’”
“‘Whether 'tis nobler in the mind to suffer, the slings and arrows of outrageous fortune..’” Eddie says without missing a beat.
Oh, he thinks he knows it all. The sense of competition that Steve thought had died out with his future of a sports career reignites in his chest. He sits up even straighter. “‘Or to take arms against a sea of troubles and by opposing end them.’”
“‘To die-to sleep, no more.’” Eddie slowly walks over to the edge of the stage, “‘And by a sleep to say we end the heart-ache and the thousand natural shocks that flesh is heir to.’”
“'tis a consummation devoutly to be wish'd.’” Steve almost shivers as he recites the line, uncertain if it’s from the club’s cooling temperatures or the intense gaze from Eddie’s eyes. “‘To die, to sleep.’”
“‘To sleep, perchance to dream—ay, there's the rub,’” Eddie suggestively rubs a hand on his chest as he squats down. Steve’s eyes flicker to the hand, almost hypnotized by the motion. Nay, he shakes himself out of it. No distractions!
“‘For in that sleep of death what dreams may come, when we have shuffled off this mortal coil.’” It’s getting harder to remember the following lines. That hasn’t happened before. Steve has never forgotten the damn soliloquy in years, even when other people try to challenge him.
Eddie continues, “‘Must give us pause—there's the respect that makes calamity of so long life. For who would bear the whips and scorns of time, the oppressor's wrong, the proud man's contumely.’”
“‘The pangs-’” Steve feels his breath catching in his throat when he realizes, for the first time, what beautiful eyes Eddie has.
Oh. 
Eddie suddenly perks up in excitement. For a second, Steve thinks that Eddie has come to the exact same thoughts for him. But then he remembers that he hasn’t completed his line, so Steve feigns defeat.
“I win!” Eddie stands up with a triumphant cry. He spreads his arms out to embrace the cheering whoops and applause. “And I’ve only got to play Hamlet in-” He spins around and crouches down so he can look Steve in the eye again as Eddie’s voice booms into the mic, “-FOURTH GRADE, MOTHERFUCKER!” 
Steve’s not even mad. He just throws his head back, laughing and clapping along. 
Almost too soon, Eddie moves on to heckle on another table. But he keeps glancing over at Steve, his smile widening every time. And Steve smiles back, feeling a laugh slip out of his slips at every joke. He watches Eddie more closely, feeling his heart pound faster in his chest the more Eddie stays onstage. 
By the time Eddie has to depart and thank everyone for being here, Robin announces her need to go home and snuggle with her girlfriend. 
“Man, that was the most I’ve ever laughed in this place.” Steve stretches his back, groaning at the little pops. God, being in his early thirties can be a bitch sometimes.
Robin only hums, moving her eyebrows up and down suggestively. Steve pointedly makes no further comment as he pays the tab.
Outside, the crisp night air welcomes him. Steve takes in a whiff, staring up at the light-polluted sky as he bids Robin a goodbye. Then he hears his name being called. He turns around and sees Eddie hurrying out the doors.
Steve feels a smile already on his face, “Hey, Hamlet.” 
Eddie grins at him, teeth and all, “Hey, yourself.” 
They stare at each other but it lacks the competitive intensity earlier. Steve likes this. But he already has a feeling that this won’t be the first time either one of them would challenge the other.
“Sooo…” Steve says when the silence stretches a little too long. He gestures between himself and Eddie, “Wanna restart our introductions?”
Eddie’s eyes brighten, “Yeah! Right, sorry.” He clears his throat and thrusts a hand out. “My name is Eddie Munson. Self-proclaimed comedian and musician. You may recognize me as the guy who beat you in Hamlet’s famous speech.”
Steve takes his hand. Eddie feels bony and thin, but large enough to fit perfectly into Steve’s palm. He tries not to sound so eager as he says, “Steve Harrington. Film director who doesn’t like horror. Believe it or not, I actually know the whole stupid thing.”
Eddie tilts his head, narrowing his eyes, “Really? Like, no offense, but even if you remember that much-”
“‘And thus the native hue of resolution is sicklied o'er with the pale cast of thought, and enterprises of great pith and moment with this regard their currents turn awry and lose the name of action.’” Steve winks with the Harrington Charm, smile and all. 
Eddie stares at him for so long that Steve feels his heart racing for a different reason. And then, Eddie turns around and muffles a loud scream into his free hand. When the man turns back to face him, he’s sporting the widest smile Steve has never seen.
“You knew the whole thing!?” Eddie’s eyes sparkle with utter adoration.
“Yep.” Steve pops the ‘p’, grinning like a little shit.
“But why did you forget that line?”
“Let’s just say,” Steve squeezes Eddie’s hand, intertwining their fingers together, “I got distracted by the pangs of love.”
Eddie bites on his lower lip as he swoons his body over so they are pressing against each other. With half-lidded eyes, Eddie whispers, “You know that part is Hamlet referring to missing his dead dad, right?”
Of course Steve couldn’t help but kiss him.
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nicohii · 3 months ago
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(No because I have an Actor!Caleb brainrot and I need to get this out of my system; reader is not MC)
tags: Actor! Caleb x Non-MC Writer! Reader, angst, friends to lovers??? might write a second part idk
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Writer! Reader and Actor! Caleb growing up together--but only one yearns, and it's not him. He compliments you on your writing, they win awards, they have been a cult favorite in the indie fandom and coming of age genre. He sees a pattern, there is pain, there is longing, there is love buried there deeply, yet he never seems to realize how it's all an ode to your admiration of him.
There are times when you do want to tell him how much he means more than what he thinks he means to you. And it's not helping that there are knowing looks shared by family members when you visit each other's houses.
He's one of the top leading men now. Projects here and there, promotes luxurious brands he had problems pronouncing when he was child. He has a colorful love life too, one that is often followed by flashing lights and intriguing issues.
It all comes to head when he falls out with this particular leading woman. He calls you, sometime around 1:30 am, in the darkness of his apartment. You arrive around 30 minutes later, he's just a block away so, sue you. He reeks of alcohol when he opens the door, not his best moment. But he can always count on you not to judge.
"You know what she told me? " There's a slur in his words as you try so safely guide him to his bed.
"She asked me when did I become someone she doesn't know? Really? Me? I'm not the one who got caught having feelings with my new co-star you know? 'S too ridiculous. "
"Yeah well, tell me how'd you two met again? " You ask in a sarcastic tone, a teasing grin on your lips as you try to put a cold towel on his forehead. He scoffs and laughs, eyes closed.
It's pathetic really, knowing him we'll enough to know where exactly you stand in his life, and still hold on to the undying feeling in your heart. A backburner in the purest form, when looked up in the dictionary, was probably your picture.
"Can you hold me, please?" He whispers, before slowly looking at you with those eyes you grew up with, those eyes you spent your entire lifetime with.
You feel his breath relax as he falls asleep to the rhythm of your chest. You hope he doesn't hear it breaking. You hold him tight, one last time, as you look at the sun rising. The blue hues look lovely, and for a moment you pretend that there wasn't hurt, maybe in another timeline, you both would have this with a different context. You bury your nose in his hair.
You both wake up later in the day. There is a bashful look in him; you don't know what hurts more, waking up alone in his bed or the way he can't seem to look at you in the eyes. You call him out on it and he tries to deny it at first, but you don't know what and when it exploded- he becomes defensive; you become more irritated.
"That's pathetic, man. You call me when you need someone to cry on, 'oh she broke up with me, hold me, I need a friend, and pretend it didn't happen' " You tell him, you might've tried to imitate his voice in a mocking manner just to add that extra impact.
He looks at you as if you just asked him for a duel and he draws his own gun.
"Yeah, well , how is that any different when you call me when you hit a writer's block? 'I just don't know how to perfectly write love, Caleb. I feel like I don't do it any justice, it's so unnatural... ' . Well guess what? You know the real problem? It's because you don't know anything about it! You've only been with yourself waiting for who knows who! What do you know about love anyway?! "
There was a moment of satisfaction when he finishes and there's no retort to be heard. Only a moment, because you stare at him blankly. There's a thin layer of water in your eyes that seems to stare at his would before they silently fall from your cheek. If this was acting, you could've given him a run for his money.
Your shoulders slump as you close your eyes, swallowing thickly before wiping your cheeks with the back of your hands, sniffling as you wipe them against your pajamas. You wet your lips before nodding to yourself. Closure, you think.
"You're right, Caleb."
You brave to look at him. There is a concerned expression in his face that confuses you. You look at him in his entirety, you mull over the things you had tried to do to reach him. You wonder what did it meant to him? Wondered what it meant to you, and what it would mean from now on.
---
There is silence when you leave. But your words replay in his head long after you left.
"You're right, Caleb. What do I know about love? "
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