#because we honestly deserve him

[whatohitsonfirewelp]

You know what? I don’t WANT an awkward double date. I don’t WANT buck coming out and people having the ‘I know’ reaction or the ‘is it Eddie’ reaction.

You know what I do want?

I want Buck panicking over what to wear for the date. I want Buck flopping on his bed like very teenager after their first kiss all giggly and happy and touching his lips because he kissed a boy

I want Buck smiling every time he says Tommy’s name because maybe it isn’t forever and maybe he’s not even looking for forever anymore but he’s so happy and he’s so light and being with Tommy feels good

I want Tommy to keep calling him Evan, because before Buck was Buck he was Evan and Evan deserves to be happy to be treated so softly and lovingly and Evan deserves to be free.

I want Buck to be happy. To be happy and free and queer in the way we all deserve.

[noperopesaredope]

Me: Ooooo, I wonder what this "Mouthwashing" thing is that everyone's been obsessed with lately. I should check some of it out.

Me, 30 minutes later: I would kill myself for you, Anya.

[homoeroticgrappling]

Danhausen tweeted this after his GCW match and I couldn't help but think about his tweet when he started looking for bookings

[a-compass-without-a-needle]

Gotta love when you can tell that a character has absolutely been through/witnessed a form of The Horrors when the metaphorical light leaves their eyes.

[dailykugisaki]

Day 349 | id in alt

She on da phone.

[dykedvonte]

Preston x Danse is the only companion ship I think would actually work because Preston’s inner turmoil is sort of a loss of faith in himself due to the traumatic experiences he’s faced while Danse is looking for something to have faith in and would find the fact that despite the desire to give up Preston held out so long not just for the honor of the Minutemen but because he had some hope.

It would 100% start off as a lotta unhealthy on Danse’s side as I believe he completely lacks the emotional intelligence (due to a combination of factors) to recognize the he’s feelings as anything but a sort of respect for a superior along with leaning too much into Preston as a substitute for the BoS. Preston may not really have a title but he’s like THE Lieutenant of the Minutemen. Realistically he’s the only companion Danse would probably be comfortable taking instructions from especially for how trusted Preston is by the Sole Survivor and his adherence to military standards despite how unstructured the Minutemen are. It would be him waiting for orders, approval, anything from Preston and he thinks it’s just the desire to have the regiment of the BoS again but he also like when Preston compliments him on being useful or resourceful. He likes the stories of Minuteman glory days and he trades the stories of the BoS that don’t hurt to talk about. He likes the familiarity Preston would provide and he’d be oblivious that it’s not just new found loyalty to the Minutemen.

Yet Preston explains it himself that he’s not a natural leader. He’s not an instructor. He helps manage what the General has put in place and he content on doing that. He relays what needs to be done and does major upkeep but I don’t think he’d know what to do with this guy this literally marches up to him and practically begs for a mission that doesn’t exist. Like the formality and respect is nice but he can tell it’s covering something even if Danse doesn’t.

Danse could go to Sturges for the many repair and upkeep assignments he gives him and has the freedom to go straight to the Castle if he really wants a big mission, but he chooses to come to him everytime. He’s aware enough that Danse only trusts him out of all of the Generals confidantes but it would take a bit for him to understand why. If anything Danse should be strategizing with him as equals seeing as he almost got the Minuteme wiped out and Danse was a Paladin for the Brotherhood with many successes under his belt before Preston even led his first scouting mission. It’s like he sees him as some figure of hope, some one who can come in and add stability. Someone with a fresh outlook who can provide a new perspective for him.

It’s like he sees him like he saw/sees the Sole Survivor but that would be crazy because that would also mean… and then oh, it clicks.

The revelation is both flattering and he doesn’t know what to do with it cause how do you address “I know you respect me but is that the only feeling you have for me?” To the guy who like refuses to rest unless you tell him at ease? He has to reevaluate his whole manner of interaction with Danse cause this is a very slippery slope that he’s sliding down and it’s even more perilous due to Danse’s repressed emotions regarding… everything. There’s an equal chance Danse will try to open up as completely shut down and he’s not just concerned about it cause Sole Survivor cares for him but because he has grown to care for the guy too. It’s not like he doesn’t also enjoy Danse’s company and value as a Minuteman member. He’s not a love at first sight guy but he’s played with the idea, anyone would when you’ve spent nights trading stories, historical facts and beers by the fire in a little home you’ve carved for yourself through literal blood, sweat and tears.

I think it’s one of those cases where it’s agonizingly slow to the actual relationship but neither part are anguished about that. If anything happened to soon Danse would be too dependent and Preston not equipped to handle it. It’s a case where I genuinely think they’d bring out the best in each other cause theyd want to figure out what is best for the other and not just apply what they think is the best. It’s the care that Preston would ask Danse what he wants to do and encourage it and at the same time Danse would be incredulous everytime Preston second guesses himself.

Long story short it’s a good ship to me because it’s just two guys with broken confidences and faith in their roles being each other’s hype man and kissin a little about it.

[yippie-madness]

my parents are proper fighting uhm

[bugeyedfreaks]

How would you characterize the Punks?

You mean how do I think each of the Powerpunks would act? I mean, they’d probably just have the opposite of the OG girls’ good qualities. Berserk would be an unrelenting authoritarian who would eschew any kind of intellectual pursuit (she would never read a book, that’s for loser nerds), Brat would be totally uncaring and unsympathetic to everyone (plus would probably only cry if she didn’t get her own way), and Brute would just be a full-on jerk through and through, would 100% kick an innocent dog for fun.

[glindyupland]

I just think it’s silly that so many people complain about Villain Amaya as “wasted potential” and that “we were robbed” like-

My pals, post canon fan fiction is right there. The desire to free her husband is right there. Either by touching an evil book while being too eager to remember the obsidian oil, or being possessed by contact (ie what she believes is true loves kiss) when trying to reason with him in the dungeon.

We don’t need a rewrite, we can have a continuation. Both can be true. Amaya is a complex character, she can handle it.

[twpsyn-who]

Something something soulmate au in which you dream little moments of your future up until you meet your soulmate for the first. The catch? First, you dream only of your future with your soulmate. Little moments of you two together. If your soulmate isn't there, you ain't seeing it. Second, it is a dream. Not everyone is going to remember those. Third, it stops once you meet your soulmate.

Now this but JeanMarco. And I don't know about Marco, but Jean 100% remembers his dreams. It just sucks because more often than not there's more people around so, you know, finding out who's actually the soulmate takes some time on his part. Also he takes notice of the fact that he only sees moments of his time as a trainee. Aka something happens. Cue to Jean spending all his childhood trying to understand what his dreams are trying to say and eventually trying to keep them both alive during Trost.

[coquelicoq]

having the weirdest time in the love & basketball tag because everyone is hating on it in there???? calling it "problematic" like omg okay have you ever seen a romance movie. can we consider this work within its context.

[wellhungspeaker]

sometimes i feel a little weird doing fandom-y things for rhps (because ive never been in a fandom this small before also because it just feels a little weird sometimes) and ill doubt myself and think "does everything NEED a fandom?? scoffs" even though. im hyperfixated super crazy style.

but then i remember that i have no mouth and i must scream has a fandom and i realize that life (fandoms) finds a way and if there is at least one person who likes something, there's probably going to be fanfic about it and some kind of ship WILL be involved

[notmoreflippingelves]

Hi! I just read your post about Mateo recently. If I may, can you give me any specific instances in the narrative of the show where Mateo isn’t called out as heavily as they should have? I’m just curious?

During the Shuriki returns arc in particular, Mateo makes some pretty glaring mistakes that I feel like he should've gotten much more flack for (and based on what we see elsewhere in canon, I feel pretty confident that if Gabe, Naomi, Isa, or Esteban at least --and possibly even Elena-- had made these mistakes, they wouldn't have been swept under the rug nearly as quickly as they were for Mateo).

While it's unfair to completely blame Mateo for Carla's manipulating him during the "Rita" arc, I feel like it's reasonable to hold him a *bit* accountable. He did after all blab highly confidential information (on more than one occasion) to try and impress a pretty girl with how clever and important he was. (Something tells me that if any of the others had done likewise, they would've been called out for it. But because it's "beloved" Mateo, we don't even get "wait, you told Rita how to get into your workshop? And you've known her for only a few weeks? What were you thinking, Mateo?") Moreover, he never even apologizes for this or promises to do better/be more careful with such important, sensitive information in the future.

Even more aggravating is his behavior in "The Scepter of Night." Mateo is so eager to play the hero and claim all the glory for himself that he twice (!) disobeys a direct order/abandons the plan and goes looking for the scepter piece on his own. This directly leads to Fiero and Victor finding the scepter piece and (temporarily) stealing it. And it's really only due to luck and very conveniently-timed infighting amongst Shuriki's allies that Elena and co. are able to get the scepter piece back. While Mateo does receive some (brief) criticism, it's nowhere near the level that it should be.

Also noteworthy Elena doesn't really get particularly "mad" at him (especially considering how angry we see her get at other characters even for more minor things) . She's not truly, actually angry at Mateo (and Gabe and Naomi are only a bit angrier); she's just a little frustrated and disappointed at him in the moment. And apart from a (very short) little "do better next time" speech, Mateo doesn't face any real consequences or lingering resentment unlike other characters who do.

When Isa obeys direct orders in "Sister of Invention," she has to face consequences (Elena grounding her). Similarly, Elena holds a grudge against Esteban for days (if not weeks) after he interfered with the Feast of Friendship (a much lower stakes mistake than Mateo's imo). Moreover, it's possible to interpret Esteban's staying behind in Avalor when the others go to see the Norberg Lights as a punishment (either self-inflicted or imposed by Elena) for his actions in the previous episode.

In contrast, Mateo just gets a brief "I expected better from you" speech from Elena and Gabe jokingly assigning him push-ups as punishment (which he immediately takes back when Mateo tries to do them). I'll give Mateo a little bit of credit for actually apologizing this time (which he doesn't always do). But it's still frustrating that everyone is so ready to forgive and forget Mateo's missteps immediately while this same courtesy is seldom shown to others.

I think it's worth directly comparing a few Mateo-centric episodes with a few more similar ones that focus on other characters so that we can see how there does seem to be a noted narrative bias in his favor compared to the others.

Let's start with two "feeling kind of insecure" episodes: "Spellbound" for Mateo vs. "Naomi Knows Best" for Naomi. In the former, Mateo expresses doubt that he's capable of rising to the occasion as royal wizard. No one (except Gabe and he gets over it by the end of the episode) blames him for not having reached his full level of confidence and potential right away and not being able to immediately solve the problem. And Elena in particular (and by extension the narrative) gives him so much validation and support. Whereas in "Naomi Knows Best" (and to a lesser extent "Finders Leapers" and the "Carla-as-Rita" arc as well) the narrative "punishes" Naomi for her feelings of self-doubt. We're told that *if only* Naomi had trusted her gut instincts and stood her ground right away, Elena and co would not fallen right into the trap and that Naomi needs to screw her head back on straight and embrace confidence ASAP to fix her mistake.

When Mateo feels insecure, the narrative gives him every reassurance about how capable and special he is, that he can learn at his own pace, and his insecurity isn't really such a problem after all. When Naomi feels insecure, the narrative encourages her to get over her doubts as quickly as possible because unlike with Mateo, there's "no time" for her to wallow in self-doubt and actually the fact that she even had said doubt in the first place is what "caused" the disaster.

On a slightly different note, Naomi is also called out for taking a little free, fun time for herself in "The Last Laugh" when the group needs her, and yet somehow I have a feeling that Mateo would've been allowed to take a day off if he wanted without any protest. He complains about long hours in "Movin' on Up" and Elena gives him the big royal wizard's chambers for him to relax and unwind in. Naomi asks for one (1) day off to spend with her childhood friend for her birthday , and suddenly it's big drama. (And at the time, Naomi asked for said day off, all Elena needed from her was help doing paperwork. The Team Ash stuff came up unexpectedly.)

Similarly whenever Gabe and Mateo get their little rivalry on ("Spellbound," "Party of a Lifetime," "Captain Mateo" and a few other examples) , the narrative either presents them as equally at fault or Mateo as the only one in the right.

When Gabe brings in Bronzino to train the Royal Guards in magic, it's specifically because Mateo failed to explain how and why he was training the guards in the way he was. If he'd just explained how they were going apply the seemingly basic exercise they were doing to real magic, Gabe likely would've allowed Mateo to continue the training at his own pace.

(Also like. it's super hypocritical imo for Mateo to get annoyed at Gabe feeling impatient/impulsive about their apparent-lack-of progress when Mateo himself is easily the second most impulsive character in the show after Elena.) Mateo feels entitled to keep important information to himself (or blab it to a cute girl he barely knows) even when its no one else's best interest. He's only okay with being "cautious and patient" when he specifically is the one setting the pace. And yet, Gabe is the only one who is called out for his behavior in this episode--even though he might not have acted as he did if only Mateo had trusted him and the guards with an explanation in the first place.

And then there's just a few other "dude not cool" little moments that never really get acknowledged/Mateo never apologizes for. For instance, there a two low-key terrifying Mateo moments in "Captain Mateo" that are not only not acknowledged but are also framed in context as Mateo being just "so funny and quirky". Near the end of "Should be in Charge," Mateo magically gags Gabe so he can't protest anymore about Mateo taking over as leader of the mission. And this is after having already enchanted one of the stationary suits of armor to come to life and fight Gabe. (Gabe admittedly does lightly shove Mateo out of the way during his parts of the song, but that's still a far cry from literally drawing a sword on Mateo as Mateo does via magic to Gabe.)

It's played for laughs (The Grand Council is just smiling happily in the background throughout the scene which is so yikes), so it's easy to overlook what's actually happening. Frankly, it's pretty horrifying that Mateo's natural instinct upon his experience/authority being questioned is to literally attack and then silence. (And attack and silence someone who is supposed to be one of his best friends and closest allies at that!)

Rather than the narrative acknowledging that maybe it's a bad idea to immediately grant power to someone to someone who is so retaliatory against fairly minor criticism, the Grand Council just gives Mateo exactly what he wants and doesn't even offer a "maybe next time, let's not gag or attack our friends, okay?" alongside it. I mean sure Mateo does step down as captain at the end of the episode, but it's very specifically presented as his and Gabe's voluntary choice and not an order from Elena/the Council.

[simcardiac-arrested]

[katyspersonal]

3 for Aldrich, Aldia, Willem & Laurence

9 for Maria

11 for Micolash & Aldrich

24 for Laurence

(Asks from this ( x ) meme)

3) What first drew you to this character?

As for Aldrich, I vaguely recall finding out that he checks the traits I like the most? He was one of the characters I've learned about through fandom and not on my own, and I think this ancient meme about summarises it:

Also:

@val-of-the-north SHUDDUP you're basically so horny for Laurence/Logarius/Snatchers that you can't even picture them in your mind in any way but being naked!!!!!!! *casts the stone back at u*

With Laurence, like with Mico, it was the very first glance at the character in Youtube compilation with boss themes and concept art image. I did not know the lore yet, but the design and the music made me imagine Laurence as sort of aged, sagely librarian. I could not imagine back then that his boss fight would be him being a "helpless abhorrent little mewmew" as kids call it! Heck, I thought he'd have dialogue despite the monster form x) In a way, my first impression was not wrong, with the cut content of him actually talking even in a beast form, and implication of him being a son of Cainhurst cut content librarian NPC! I have intuition for cut content before having information, hahaha!

I have nothing to say about Willem. It might be a memory gap thing, but I swear at some point I feel I was turned off and then booted back up with liking this character already installed in my system x) As for Aldia.... ugh for fuck's sake... yeah, it was this legend:

I was absolutely floored by this stupid vid even without knowing any context, but I also instantly liked this character. I didn't even know his name yet, but the voice acting and long yapping about philosophy already pulled me in XD (Also unironically, this video is precisely how I give relationship advice fhfhdds)

9) Does this character remind you of anyone you know? Does that affect how you see them?

Yeah, I know this person. I know them very well. I know them more than anyone else. Someone who was misguided (by their destructive influence mentor figure, by their own foolishness and past history, or combination of both, who can tell anymore?) into committing awful things, then despaired over their sins and attempted redemption but also failed in some way? This person is me. At some point I've found myself in front of horrible truth about my past life and personality, and knew I was guilty and sullied forever. That it was over for me as a human being, but that didn't matter, and I could only keep people safe by locking myself away and trying to serve something better.

......annnnd it took a few years of more informed people to (metaphorically) shake me and slap my face into lucidity, explaining to me that I've fallen for the "BPD demonization" that was going far beyond than my individual failure as a friend, and we are always accused of abuse and causing irreversible harm when the worst we do is being emotionally overbearing. I kept losing trust to those friends, telling them that they were enablers who tried to gaslight me into thinking I was not 'that much of a monster', until it was other people with BPD who 'shook me and slapped my face into lucidity'. xd Nonetheless, even though now I know the truth about how society treats BPDs, I remember the feeling of being so monstrous and harmful that I was not even allowed to "touch" people with my dirty hands, how my reality used to be. So, I could write Maria going through this effortlessly, especially considering what she did was more plain and tangible!

In fact... thank you for asking me about this, because I kept wondering why I had such frequent dreams about being Maria, and why the Maria in my dreams acts like abused child that took back control against Gehrman despite my portrayal of the guy being so different. And now the puzzle is solved! That part of me still lives inside, it seems.

11) How did you “fall in love” with this character?

Already answered this for Micolash here: ( x )! As for Aldrich, it was through properly analysing the bigger picture and context of his actions. I've figured that his madness was, in fact, being informed on what was far too ahead of everyone else around him! He, like the rest of the cast, is trapped in the rotting, doomed world in which the only choices are 1) "die with dignity" or 2) commit something unthinkable from moral standpoint for a chance to escape. And will morality of the rotting world will matter in the new world anyways? Won't it all be left behind and be forgiven?

The guy also tried to take everyone else he could with him, like sort of a fucked up Noah's Arc! I can tell that they reused the concept with Rykard, at least, I am glad they know what works xD I'd say that the sadism he experienced upon eating people was either result of insanity (he understood a thing no one should understand), or still didn't exclude the bigger purpose (egotistically revelling in how holy he is helping everyone and doing what no one else dared, which would be like my Laurence). In any case, I have the strongest respect to the courage it takes to transcend the bonds of morality and compassion in order to to greater good. Being burdened with the knowledge of how the world really works, and choosing to push through instead of still being bound... This is why I also like Fauxsefka; learning how this world works, she chose to turn people into Kin so they can't ever become beasts. I am weak for this trope, you don't understand.

24) Do you ever dream about this character? If so, describe a dream you once had about them.

Laurence appears in my dreams only in two contexts: 1) Micolaurence or 2) dreams about finding secret files in Bloodborne that reveal his canonical appearance before beasthood! I can tell the latter comes from my everlasting unsatisfaction with my design for him, because I love it but it doesn't feel "fitting" and I can't identify why!

The former, I think, fandom rubbing onto me x) In two of these dreams, I was Laurence. In other two, I was Micolash. In one of Laurence dreams it was mutual, in the second one I was in love unrequited. In one of Micolash dreams, it was mutual, and in another it was not.. Basically, my dreams allows me to experience this ship from every possible angle. o_o Waiting for more I guess fhhdfsfd

______________

Thank you for asking! And.. without exaggeration, you've just done quite a psychological work on me by just asking the right thing. I need to think about that, hahaha

[astro-b-o-y-d]

I also said it before but I cannot find the post, but there's probably a very specific reason people are quicker to sympathize with Pacifica over Gideon and/or focus more on giving her redemption than him and it starts with an f and ends with a phobia 🫤