#because this idea is personal and yet also me just trying to make a good story

[jjkbambi]

the morning after luigi mangione x reader (18+)

summary!!! part two of is it new years yet because you do not get back together just cuz he has good dick OMG 🖕🖕🖕🖕😒 he also has a great personality and loves eating pussy

warnings: smut, kinda angsty, he’s manipulative but honestly he’s such a nice guy, you should really give him a second chance

^ not edited let’s alll just practice gratitude 🙏

seven days, thirteen hours, and nine minutes and thirty six seconds.

that’s how long it had been since luigi had seen you. not that he’d been counting, he was truly trying to be normal about the distance this time around.

he replays the morning after on a loop, searching for the slightest hint he’d done something wrong to no avail. as a matter of fact, your quiet body was beside him until deep into the afternoon, nothing but soft snores exchanged between the two of you. he wakes before you, kissing your forehead before taking his leave. his frat brothers whistle at him as he enters the wretchedly messy house, throwing him a water.

“happy new year, big guy,” one of them, hasan, greets. “did’ya spend your night thinking about new goals or scoring the same one?”

luigi rolls his eyes. “fuck off.”

another brother chimes in, bright-eyed. “when are we meeting her?”

“in your dreams.”

he had no intention of sharing you in any way; the thought of anyone else even looking at you irritated him. but starting the new year off by your side was far too great a fate to be stoic about. he grabs a plate of what’s left of their shitty communal breakfast (jar salsa from the night before, scrambled eggs, and two pieces of mostly burnt toast) and brings it into your room.

“y/n,” he calls out while entering. the door to the bathroom is now closed, and he sees your shadow shuffling around the room.

hesitant, the door creaks open. youre back in your black minidress, holding onto your heels. “hey, pretty.”

“hi,” you say tightly, the mistakes and soreness from the night before lingering in your mind. you’ve just wiped away the tears still streaked on your face, yet your ex-boyfriend hardly looks hungover.

“dressed up just for me?” he jokes, kissing your cheek. he offers you the plate of food but you shake your head.

“lacy’s waiting for me. i’ve got to go.”

“stay,” he says, his voice honey-sweet, like the boyfriend you knew months ago. it makes you feel sick, the familiarity of it all suffocating you. the room feels too small.

you push away from him. “i have to go.”

“baby,” he drops everything he’s holding to grab you again. “what’s wrong? is everything alright?”

he always blows your mind with his audacity. “no, everything’s not alright, luigi,” you spit back. “we shouldn’t have—none of that should’ve happened.”

“what do you mean?”

“luigi,” you sigh. “we’re over, alright? it’s done.”

“y/n—”

“i mean it,” you raise your voice so slightly, but still it breaks. “you cheated on me, then pulled all this shit, i can’t do it anymore.”

“you can’t do it anymore? are you serious?”

“yes!”

“you ignored me for weeks then showed up at my fucking party, dressed like that,” his voice was low, but angry. brows furrowed, he doesn’t lose his grip on you. it scares you. “you can’t tell me you weren’t bartering for my attention.”

“i wasn’t.”

his jaw sets. “then who’s?”

“oh my god. nobody’s!”

“don’t fucking lie to me—”

“lu, stop, seriously.” your voice trembles this time, and you both notice it. he drops your hand.

“i didnt mean to hurt you,” he says, soft at your upset. “i swear—i dont remember cheating on you. i’m not gonna mess up like that again, i promise.”

he leans in to kiss you, to seal the pledge with his gentle touch, but you pull back. “it doesn’t matter that you didn’t mean to hurt me—you did. you can’t just pretend it didn’t happen.“

his big brown eyes bear into yours and he swears, “i can make it up to you.”

“luigi,” you hadn’t even realized you’d been crying until he brings his hands up to wipe your tears away. “i just don’t think this is a good idea, i’m sorry.”

“come on,” he says, frowning. “i love you. only you.” his lean-in to kiss you is successful this time. the kiss feels much better—softer—than last night’s. he’s gentle with his desperation, intent on making you stay. “‘m sorry, okay?” he says between kisses. “let me make it better.”

“no, luigi, we shouldn’t—”

“you’ve got to hear me out, y/n,” he takes your lips again. his hot kisses move down your neck—and it all feels so different this time around. even the air in the room feels lighter. his voice is against your ear when he swears, “i’ll be good to you, sweetheart, i promise.”

saying no to him is near impossible—it’s why you shut yourself off of him for weeks, avoiding places he frequented, deactivating your social media, ignoring his constant stream of messages and calls. now, he has you, and within minutes, you’re pressed against the wall again.

“feels good?” he teases, grinding his hard-on into your core. you melt underneath him, you can’t help it, he’s so warm.

“lu,” you whimper. you’re still sensitive from how selfishly he took you the night before, you can’t help but react to his touch so quickly. it felt so raw.

“wait—” he never does. his hands are on your hips again, moving your body against his.

“just let me take care of you,” he says, trailing kisses down your neck again. this time, he was sure to leave marks.

he keeps the dress on this time. he places you back onto the bed, and as you gather the courage to take him in again, he moves beneath you.

“knew i recognized these,” his voice hot against the fabric of your panties.

you told yourself the lacy black panties were just meant to match the dress, but it all seemed so intentional—the party crash, the kitchen drive-by, the fact that you were wearing his valentines day gift. whether this was a manifestation of your greatest fear or desire, you couldn’t tell.

he kisses your thighs, then runs his tongue against your core through the fabric of your panties before ceremoniously ripping them off. he kisses and sucks at your wetness. you tremble at the suddenness of his movement. his big nose is so prominent in your pussy, you can’t help but grind yourself against his perfect face and whine as he drinks you in.

“you’re such a fucking mess,” luigi says, smiling into your warmth. his unshaven stubble tickles your sensitive cunt, sending a tremor through you. “so wet, i’ve barely even touched you.”

“i can’t help it,” you whimper.

he grabs your ass, pulling you closer to his relentless mouth. it’s ridiculous how good he feels. he’s completely shameless in his endeavor to ruin you.

“look at me,” luigi orders, so you do. you look down to see him, finding that he’s already gotten to touching himself. his hard length at the edge of the bed, furiously red, as he strokes himself. “i think about you everyday,” he admits in between licking at your core. “i missed how this pretty pussy tasted. i missed having you like this. holding you down so you can’t squirm away. missed hearing you beg.”

you’re almost there, fidgeting underneath his hands. “luigi, please. it’s too much.”

“you’ve taken worse,” he growls into you.

he feels like he’s on fire. one hand moves up and down along his cock fervently, while the other lends itself to fingering your frothing pussy. you mewl at the sudden entry, back arching.

“luigi,” you whine. “please.”

“i’m trying to do a nice thing for you, y/n,” he hums, “but you want me to be selfish, hm? want me to take you?”

“yes,” you say, breathless.

“fuckin’ slut,” he grumbles, pulling himself away from your wet cunt. he grabs your ankles and pulls you to the edge of the bed. “what d’you want from me, huh?”

“want you.”

“course you do,” luigi says, surprising you with hard slaps against your sensitive clit. you cry out at the sensation, the unfamiliar storm of bliss and torment, and he chuckles darkly. “you fuckin’ belong to me.”

he grabs your chin and forces you into another kiss, your wetness now staining you both. he lifts your leg up and slides himself back into your wet warmth. “you’re dripping,” he praises as he pounds into you. the exhilarating pain sets your senses alight, you grip onto him tighter without even realizing. “all for me, yeah?”

“all for you.” you nod. this is not how you expected this conversation to go. you writhe at how big he is, how hard.

“you can take it,” he grunts. he’s not fast, this time—his thrusts are agonizingly slow and tortuously deep—just as you think it’s all entirely too much, one hand grips your clothed tit, the other lifts to cradle your chin, forcing your lips to part open. he spits into your mouth. “swallow,” he orders.

you do.

“good girl,” he places sloppy, wet kisses along your jaw, your neck, then goes to bite at your tits. “so fuckin’ pretty.”

“i thought about you too,” you admit sheepishly, out of your mind. he looks up at you, raises his eyebrows, urging you to go on. “i missed you.”

to your surprise, he scoffs. “fuckin’ bitch.” he suddenly loses the interest in being gentle with you, returning to your body rough and angry. his fingers massage against your clit, unraveling you. “you’re just as crazy as i am, you know that? running around town like you don’t belong to me. like you don’t touch yourself late at night thinking about this cock. wishing those fingers were half as good as mine, huh? fuckin’ idiot.”

“luigi,” you cry out. was this him being nice?

“be a good girl f’me,” he grunts. he feels you pulse around his cock and drives into you with even more force. “cum all over me, baby. have my fuckin’ kids.”

“luigi,” you mewl again, desperate for release.

“come on, pretty, show me how good it feels.”

his lips return to yours, hot wet and desperate, as he cums inside of you. you’re a complete mess—squirming and whimpering as you unravel onto his cock, he catches your moans with kisses and leaves you shaking underneath him.

“good girl,” he hums, kissing your forehead.

for a fleeting moment, the two of you are perfect. everything feels just right. he slips into the spot beside you, the disarray of tangled sheets forgotten as he pulls you into his warmth. you sink into the nape of his neck, and though there are no more words spoken, the air is thick with an undeniable love, quiet but all encompassing.

but when he stirs awake, reaching for you, all that lingers is the soft, fading smell of your spring perfume.

send requests ! <3

[aliciavance4228]

Now that the musical is officially complete, what are your thoughts on Epic? I’m curious to see your analysis.

I didn't prepare any essay, therefore I will try to verbalize my thoughts and organize them in the best way possible.

Epic's Odysseus is completely different compared to Homer's Odysseus. Jorge explained in one of his videos that throughout his journey Odysseus has to learn that ruthlessness is necessary if he wants to see his wife and son again. Odysseus from the Iliad and Odyssey never really puts himself morality questions or has an inner conflict with himself. He commited war crimes, enslaved people (and consequently killed them), murdered a baby he wasn't even forced to kill in the first place etc. Eventually you could say that the ten years journey "humbled" him and made him a better person, and even this idea is headscratching.

There are two aspects from the entire Album which dissapointed me and I would gladly change them:

a) The moment when he tells Circe that he cannot sleep with her because he loves his wife too much, and she's like "Okay, then let me help you!" Circe was the daughter of Helios and a powerful goddess, not just some ordinary chick he could've avoided whenever he wanted to. The moment he arrives on her island he finds himself in a position of inferiority, and is treated in a similar way a woman or a slave from where he comes would be treated. He cannot simply refuse her nor do anything against her without consequences, and yet the album failed to show the power imbalance between them two and made it look as if Odysseus from the original ancient poems could've simply said no and that's it. The subject becomes way more complicated when you think about male victims, and how rape or SA towards them still isn't taken seriously.

2) The moment he fought with Poseidon. A mortal cannot physically fight with a god and win unless they receive divine intervention. Diomedes was helped by Athena when he fought Ares. Perseus received Hera's blessing when he fought Dionysus. The only guy who managed to effortlessly wrestle a god was Heracles, because dude was basically steroids on legs. Not to mention that physical strenght wasn't Odysseus' most helpful, distinctive trait, but his intelligence, cunning and ability to lie. It would've been way more realistic if he would've outsmarted Poseidon, whereas Athena and Hermes would've helped him escape and go back to Ithaca.

There are also other small details, such the fact that they chose the roman version of Scylla's background story, or that they depicted sirens with fish tails instead of bird wings.

Overall I enjoyed the entire musical. I know that adapting an entire epic poem into an album isn't easy and I appreciate the fact that Jorge talked about the differences between EPIC and the Odyssey, as well as explaining why he decided to make them and pointing out that his album shouldn't be used as a source of information at school. There are the small details though that could've made it a compelling adaptation rather than just a good one. 7.5/10.

[quibbs126]

So I also ended up making this this afternoon

So basically the story behind this is that I decided “eh screw it, I said I’d try making that megop kid idea, might as well try making some helm designs to start out with”. And I made a bit of one for TF One, though specifically inspired by their cogless designs since I’ve drawn them a fair bit

But then it dawned on me that outside of TF One, I haven’t actually drawn that many Megatron and Optimus designs. Like I drew Animated Optimus like a couple times when I was starting out, but that’s it. And also the idea itself doesn’t really work with TF One, since as it stands the war hasn’t technically even broke out yet. It works far more in a series where it’s actually been happening

So I figured, I should start at the basics and get myself some practice on g1 Megatron and Optimus, since you know, they’re the classic designs

Also side note on g1 that isn’t really related but I wanted to add in anyways, today I got the complete set of the g1 cartoon (minus the movie but that’s okay). It was a Christmas present that was supposed to come earlier but finally came in today. And I learned my PS4 can play Blu-Rays (which really shouldn’t be a surprise, I’m aware that’s what made the PS2 sell so well, but I didn’t realize they kept doing it), so that means I am now able to watch g1 on an actual TV, legally, with presumably higher quality, and possibly even subtitles

So you know, I’m doing pretty good right now. I’m glad my dad is supporting my Transformers fixation and the fact that I’m insisting on using a DVD player (for the movies at the library, but still), which means actual DVDs

Anyways, side tangent aside, back to the drawings

I think they turned out fairly decent, they don’t really bother me. I do kind of wish I added shading/lighting so the drawings weren’t so flat, but regardless

Admittedly I think I do need to work on actually doing poses and things with these designs, I’m doing a whole lot of nothing with them right now. I need to pose those cubes

Also there’s some colors shared between the two. I don’t know if this is something actually done in the show, and maybe it makes the colors look inaccurate, but I think it’s neat to use the same colors elsewhere

Now on to random things about the characters’ designs I just wanted to mention

First off, this isn’t really a character design thing, but these were the pictures I used for references, outside of some concept art I have for full body basic anatomy (getting screenshots from the show is my preferred form of reference), and I gotta say, it took a fair bit longer to find a picture online with a proper look at Optimus’ head than Megatron’s

Like it didn’t take that long, like 1-2 minutes, but I just noticed how a lot of screenshots don’t really focus on his face, unlike Megatron. I assume because in g1, he doesn’t really have much of one, given his mask covers half of it

Also while Megatron’s helm itself is relatively basic looking and doesn’t really have a lot going on, the rest of his face has got a fair amount of details

Like he’s got defined cheek bone lines (I think), but he’s also one of the few (again I think) characters to have the shadow around his eyes that becomes more common later on

Then there’s also that whatever he’s got going on above his eyes. I’d say it’s eyebrows but I don’t think that’s what it’s supposed to be, given these characters don’t really have those yet

I saw someone, aka the person who makes Transformers Until One, granatu888 (idk if I should tag them here or not), turn the thing into a battle mask that drops down onto his face, and frankly I think that’s really cool, and that’s what I now choose to believe it is. Hasbro, make that what it is

Anyways, moving on. I don’t really have a lot to say on Optimus other than his helm being a lot more simplistic in its shapes than I’m used to, as well as very triangular. Like compared to TF One Optimus, who’s got a lot of details going on, his is super simple. I also didn’t make his antenna full triangles going down because I thought it looked weird, now they’re more like TFA Optimus

Also one last thing, but I swear the way I drew him looks just like that how one artist does, the one who draws Sparkplug (sorry, unlike the last mention I don’t actually remember the artist’s name, probably because I don’t follow them. Which tbh I should probably rectify, I like their Sparkplug stuff). Sorry it was just something I noticed afterwards and can’t unsee it. This also applies specifically to the face, they draw the actual rest character much better than me

Anyways, back to Megatron. Random thing, but he’s got a whole control panel on his torso. I’ve known he has it, because he has it in TF One, but why does he have it?

This kind of goes hand in hand, but random other thought I had today that connects, his design in general is a bit off compared to other characters because in g1, he doesn’t transform into a vehicle, he turns into a gun. Like that’s not to say he looks out of place (I mean I still think his helmet looks weird), but like, he doesn’t have a lot of kibble because of it. Like he’s one of the characters with no glass on his body because guns don’t have glass

Also does he have two guns? One on his shoulder, another on his back? I don’t know, I’m only now realizing that. They probably combine together when he transforms. Also I think his fusion cannon is just supposed to be his scope in gun mode, which ironically I’m pretty sure aren’t actually involved with the damage part of shooting. I don’t know, random observation

And uh, I think that’s it. It was mostly just random design details, and honestly not as many as I was expecting. I didn’t really have much to say on the art itself, mostly since it was just me trying to draw the g1 designs

But yeah, it was neat, I think I have a better understanding of their general designs, at least here. Now to actually use them in any way

[icewindandboringhorror]

It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.

Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.

[wanderingmind867]

Listening to Christmas music today, remembering my mom's birthday was on christmas, and thinking of my own issues led me to end up writing a 10 page outline for a Mr. Freeze miniseries involving a lot of personal connections to stuff i feel like i've gone through (also, the phantom stranger ends up playing an important role). So here's what I wrote:

In reference to the Twelve Days of Christmas, we'd have a 12 (possibly 14, if I do a prologue and epilogue) Issue Mini-Series about Mister Freeze on Christmas. It's a story all about him, in fact. While Batman's away from Gotham, Victor Fries escapes from Arkham only to find that someone stole Nora away from him, and left him a note: If Victor doesn't find her within 12 days, she'll die.

This story would explain everything about Victor Fries: His childhood, how he met Nora, how she got Cancer, how he became Mr. Freeze, etc. We'd also address some big unanswered questions, like: did Victor and Nora have any siblings or living parents? What happened to them? What was Nora's childhood like? All of these questions would be answered. The story is a story of Victor Fries in the present, but it's just as much a big biography of the lives of Victor and Nora Fries.

The story would be arranged in 14 parts; a prologue, an epilogue and 12 chapters in between. On his quest, Victor Fries ends up helping people, reconnecting with his and nora's family, and rediscovering the joy of christmas. Grief counseling through trauma, in a way. But the story would feature as many characters as I can fit in it: The Phantom Stranger, The Spectre, Superman, Captain Cold, Captain Marvel/Shazam, Batman's Rogues Gallery (pretty much all of them), etc. It's a big story, with long chapters.

But since I know I'll probably forget it if I don't write it down now, let me reveal the real villain of this story. The one responsible for kidnapping Nora and blackmailing Victor is… Ferris Boyle, with an assist from Nora's vindictive mother. Ferris Boyle lost all of his money after Victor's story made it to the presses. Gothcorp went bankrupt, and Ferris lost everything. His brain couldn't cope with that, and he swore revenge on Victor. He then found an eager accomplice in Nora's mother, a vindictive and judgemental woman who always felt hated her daughter (yet who also felt Nora was too good for Victor). She blamed him for Nora developing Cancer, and she eagerly agreed to team up with Ferris Boyle.

For 12 days, they lead Victor on a wild goose chase across the country, until he finally manages to confront them back where it all began: in the wreckage of the old house where him and Nora lived together. Seeing what Ferris Boyle is trying to do to him (and that Nora's mother is still trying to take her daughter away from him, when he knows how she treated her), Victor snaps.

In the chaos of the fight in the wreckage, Nora's cryo-chamber breaks. The shrapnel shoots into all three of them. Ferris Boyle is impaled on a chunk of glass shortly after talking about how love is fleeting, while money is everything. Victor's suit breaks, meaning his life is now in danger. And Nora's mom got a chunk of metal caught in her leg. Victor cradles Nora's body, and he just cries, knowing it's hopeless. He has no time to build a new cryo-chamber and save her. It's all over…

And that's when the miracle of Christmas comes into play. The Phantom Stranger appears, and he promises to get Nora safely to a hospital. Victor gently passes her over, and the Stranger begins his walk to a hospital. Meanwhile, Victor has to deal with the injured form of Nora's mother, and the dead body of Ferris Boyle. Knowing that Nora's mom doesn't deserve to die in agony (even if she is a horrible person), he bandages her injuries and trudges off in the snow towards The Phantom Stranger. But the twist: Boyle isn't dead yet; he's merely dying of blood loss. But he trails them too.

At the hospital, Victor and The Phantom Stranger succesfully get Nora back into a cryo-chamber, and then get her mother into a hospital bed. The Stranger vows to look after them, while Victor goes for a walk. Victor goes to sit in the snow outside and think, and that's when a dying Ferris Boyle ambushes him. Pulling the shrapnel out of his chest, he uses it like a knife and tries to stab Victor. He misses, but he keeps trying to fight. He mumbles incoherently about how Victor took everything from him, only for Victor to snap and punch him in the face. And that punch was the finishing touch. Ferris Boyle finally dies, his broken body falling into the snowbank…

And now, for a somewhat happy ending to this story (and something that just feels religious enough to work in a christmas story): Victor hears crying near Ferris's body. Trudging over to it, he finds a baby in the snow, clearly abandoned by his mother. Seeing this as a sign (him and nora could never have kids, and christmas day was nora's birthday), victor takes the child in as his own. And then our epilogue would show Victor finally reconciling with as many of his and nora's family as he can, and then him having a big christmas gathering with all the people who helped him during this twelve day quest.

Then, when he's finally alone, he cradles the baby in his arms and tenderly talks to a photo of Nora. He'll never stop working on a cure for her, but these twelve nights have felt like a sign. A sign he needs to try and stop living in his past, in isolation and loneliness. And he's going to try to fix this, for Nora's sake. She'd want him to do it, for himself if nothing else. And as he cradles the child and rocks them to sleep, The Phantom Stranger watches over it all from the shadows…

[lucaniisdellamorte]

I havent talked a lot about my Rook but trust me when I tell you I love my little Crow

[seafoam-taide]

You know I thought for awhile that I was just a rare type of person who sure, liked people well enough but was okay being alone didn't necessarily need anyone and NO. NO. NO. OH MY GOD . YOU GIANT DUMBASS. NO HAHAHA NOOO NOPE

[13eyond13]

.

[ourceliumnetwork]

y'know that post that's like everyone's got their special super power or whatever, it might just look a little different from the super hero movies? right?

yeah my bio family's version of that is Impeccably Bad Timing

[carolinanadeau]

Yeah I should not have engaged with that person. geez

[krysmcscience]

At long last: either an alternate explanation for or continuation of my prior comic regarding how Bill was ABSOLUTELY naked in Ford's karaoke night drawing. (Because errors in art do not exist. Artists do not make mistakes. So if you see any in this comic, No You Do Not.)

I am so normal about these old dorks.

I'm not really clear on exactly when Bill started throwing his desperation book at Ford just like a needy ex do, but I find it extremely funny to imagine it happening literally the day of or after the makeshift funeral. Bill just gets this weird sense of 'Ford is taking steps to move on' and CANNOT FUCKING ABIDE.

I hope you enjoy all the goofy things I added to each page of Bill's sad spieling. (Everything SHOULD be readable so long as you view the full size, but I have added basically this whole little fanfic in the image descriptions, LMAO, which lays out all the little written notes and such.) Also don't ask how Bill managed to sneak that vampire pen in there. I have no idea, and honestly? I don't wanna know.

Oh, and a little bonus comic:

Of course Bill would take it as flirting. Because between the two of them, Bill is the bigger masochist By Far. :)

Also I have continued applying The Good Place logic to any of Bill's attempts to swear. Case in point, one last bonus image, this time with a motivational line from my slapdash Theraprism OC, EV-01:

Yes, its name is just 'love' backwards. No, I will not be taking any feedback on this. Yes, EV-01 was only ever assigned to Bill's case due to the Theraprism being desperate to make some progress in rehabilitating him. No, it did not work anywhere close to staff's expectations - Bill didn't even appreciate EV-01's matching fondness for bowties! (He claimed the fondness to be "cultural appropriation" and insisted he'd been traumatized by it.)

Anyway, if you like my stuff, reblogs are very much appreciated, and if you really really like it, perhaps consider my commissions or yeeting a teeny tiny tip my way? I am trying to recoup over 500 dollars in vet bills, ahaha... 🙃

In other news, I loved all the fun tags people added to the prior naked-karaoke comic (such as 'the hat and bow-tie stay ON during sex' and the classic '[insert keysmash here]', as well as the many amused/bewildered remarks about how I either made the bricks a piece of clothing or just straight up peeled Bill's skin off). However, I think my favorite thing by far was the several people losing their shit over the fact that I gave Bill toes. Like, excuse me? The magical talking triangle can have fingers but not toes??? Since when was that a rule????? 🤣 (Also the one person who reblogged with the cropped panel where Bill's fishnets pants are falling off to ask why Bill peed himself. Dude, I want to examine your brain...?)

Okie-dokie, I'm sick of looking at all of this stuff now and I'm off to go to work, after which I will either scribble some more goofy "Billford" comics or perhaps draw my lame human!Bill in Situations, idk yet. Maybe I'll even finally draw more than just a single other person's human!Bill...? Who knows, but I sure hope I can mix it up a little and not turn whatever I draw into a month-long fukken project. >:\

[seiwas]

₊˚⊹。take my time (i’ll spend it all on you) | gojo satoru

wc: 1.6k

summary: gojo sees you in lingerie for the first time. 

contains: f!reader, suggestive almost nsfw (they make out… maybe a bit steamy), 18+ just in case, reader is in lingerie, shy feelings!! gojo down bad!!

a/n: i hc that the first time gojo sees you in lingerie, it’s like seeing you walk down the aisle—he’s a bit sappy like that! i also think that he’d love seeing his lover in pink! idk! it’s just the vibes! (col reader would look cute in pink too i think hehe complements the personality!); takes place later on, around col #4 (wip)

collection masterlist: conversations on love 3.5b. —will i ever bring you peace? <- you are here -> +04b (extra). if you're ready (let me) + 04. these traces of love, they outline you

MINORS DO NOT INTERACT.

There are few things in life that have earned Gojo’s double take: 

A sign for a newly-opened gelato shop with ‘exclusive flavors for the first 30 customers!’ written in fine print; Megumi, back in middle school, being confessed to with a sweetly handcrafted box of chocolates for Valentine’s Day; a small cut, right at the tip of his nose from that time you sparred with him and he let you get too close (or so he says). 

And now you. 

In something pink—

—that if he backtracks just a bit, steps one foot behind the other to glance again at the space left open by the bedroom door, and squints—

He’s certain, 200% sure. 

It’s lingerie. 

He blinks once, twice, rubs at his eyes even as his mind attempts to catch up to whatever it is–you–he just saw. This must be what wires feel when they short circuit. 

You know he’s home, right? You have to, you just told him to rinse the dishes after snacking.

And he was in the middle of doing that—walking across your apartment from couch to kitchen, stopping only to do a double take at the sight of pink in his periphery, at you, once he looked again, clearly. 

Or were you doing this on purpose? Did you want him to see you? 

He gulps, warmth spreading from the tips of his ears down to his neck, lingering. 

There’s only one way to find out, really. 

He walks down the hallway leading to the bedroom, keeping his footsteps light so as to not startle you.

If he’s being honest right now, his mind is full to the point of feeling empty—too many thoughts swirling around the fact that behind this very door, he’s about to find you in pink lingerie. 

And when he takes a deep breath, fingertips pushing on wood very slightly as he calls out, “Bab—“

“S’toru!” you squeal from the other side, panicked as you instantly push it back closed.

So you didn’t do it on purpose. 

“Sorry, give me a minute!” you call out, and he can hear your footsteps from the other side, frantically walking around for what he can assume is you looking for something to cover yourself with. 

But he doesn’t want that. 

Not when he already has the visual of you, pretty in what he suspects is pink lace.

Not when the way you said ‘S’toru’ sounded so much like ‘‘Toru’, your ‘‘Toru’, the way you usually say it pressed against bed sheets, under him, expression blissed out from—

Do you have any idea what that does to him? 

“Are you wearing lingerie?” 

You freeze. Gojo can tell from the other side of the door, and you think, damn it, because he isn’t supposed to know you bought a set, much less see you in it. Not yet. 

You could try to lie, but Gojo always sees through you, through every change in inflection, the way your eyebrow twitches before speaking. 

“Can I come in?” he asks softly, almost hesitantly. 

How can you possibly resist him when he speaks to you like this? Asking permission as if this space you live in isn’t as much his?

You sigh, flustered at being caught this way, “Can you close your eyes first?” 

He follows, laying one hand over his eyes for good measure before knocking on the door. You open it slowly, wood creaking as he steps inside. 

You feel a little naked right now despite how he isn’t even looking your way, opting to face the side opposite from where you’re standing. It’s on purpose, you know, he can tell where you are—Six Eyes and all. 

There’s a smile that he’s hiding, biting his lower lip to stop it from showing. His toes are wiggling from the excitement coursing through him.

You know Gojo will like you in anything; in fact, he’s made it very clear that he prefers you in nothing—but still. Your stomach feels queasy and you can’t get rid of how nervous you’re feeling. 

And you guess, it’s really just because this was meant to be a surprise for him—the design you’ve chosen, how it looks on your body, how it looks to him, especially. You’d ordered the lingerie set months in advance to leave a lot of time for returns, whether it turned out ill-fitting or just unflattering.

You didn’t expect him to catch a glimpse of it now, months before his birthday, before you were even ready. 

“I’m waiting…” he teases, voice sing-song in that way he usually does to annoy you. It always makes you smile though, and it’s an odd form of comforting with how it dulls your jitters right now, just a little bit.

“Okay, you can look.” 

As soon as he turns, you squeeze your eyes shut, hands on your sides as you fiddle with your fingernails. Seeing, knowing his reaction in real time is still nervewracking, regardless of every reassurance you tell yourself—because, what if this is the off-chance that you’re wrong, and he doesn’t like it? 

Or worse: what if he has to pretend he likes it?

You frown a bit—it doesn’t help at all that Gojo isn’t saying anything.

But—

How can he, when there are no words, no adjectives, no possible descriptions to articulate what he’s seeing—what he’s feeling?

If he didn’t die then, in every instance he’s brushed with death: by Toji’s hands, locked up inside that box, in that final moment with Sukuna, nearly halved—

He thinks he might have just died right now. 

Because this? You? In lingerie as pink as all he’s feeling—his cheeks, his nose, flushing down his neck, maybe even his chest if it were exposed. 

It’s heaven. 

You’re a sight. 

While Gojo has certainly seen you in much less, and done with you things much more than just stand with you like this, he’s never seen you in lingerie.

And you’re so pretty. Sexy. All his, he can’t believe it.   

He’s noticing all the little details on it–on you–its shade, almost salmon with a bit of baby pink; its material: sheer net as the base for everything—it’s practically see-through save for the delicate floral lace running across the bra cups and panty front.

The set itself is nice, sure, but he knows he only likes it this much because it’s on you. And he knows he’ll always like anything on you. 

The heat in his stomach is building, spreading, to the single part of him that—

“Is it that bad?” you scrunch your nose, eyes still closed. He looks at you confused, before he realizes: he hasn’t said anything.

He chuckles and you open your eyes, pouting. 

And God, he wishes you didn’t do that. That look on your face—what it does to him.

“I ordered it in advance for your birthday,” you start, pout deepening as you ramble on, “it was supposed to be a surprise, but if you don’t like it, I can still–” 

That’s enough. 

He can’t believe that you actually think he doesn’t like it. 

Gojo steps into your space, close enough to grab you by the waist as his other hand reaches up to slot itself in the area between your ear and your jawline, tilting your head up slightly as he leans in to kiss you. 

It’s rushed at first, almost desperate—hungry, the way he releases his breath only to take you in; your lips, soft in the way he knows them to be, his hand on your waist squeezing. Your fingertips trail to his cheek, almost cupping as his kisses turn deeper, more languid, lips moving against yours slowly, savoring. 

Gojo is a fast learner, and he shows it best in the way he kisses you, as if he’s memorized every way to build that familiar heat within you. You lay your other hand against his chest, gripping at the fabric of his t-shirt as he pulls you closer. 

You bite his lip and suck, just a little bit, the way he likes it, and he moans, lowly, vibrations rippling through your mouth as he holds you steady. He’s hard already; you can feel it pressing against your lower belly. 

And you realize, as a small laugh tears itself away from you, how ridiculous it was for you to even worry. 

You break the kiss, leaning your forehead against his as you keep your noses touching. It’s impossible to tell how Gojo looks, but you have a hunch with how he’s breathing so heavily; the skies in his eyes must be darker, almost gray, turned on by desire—the same one settling deep in your stomach, aching, needy. 

“It’s perfect,” he whispers, lips grazing yours. He traces hearts by your shoulder, something born out of the many times you’ve lain in bed together, playing with the strap of your bra before pulling, a short snap! as he lets go. 

“You like it?” you whisper back, a lilt in your tone, teasing. Your fingers come up to trace his lips and he holds them in place, nipping. 

“Mhm,” he grins, smoothing his hand over the lace details on your bra, his thumb rubbing, “so pretty.” 

He leans in again, a small peck, before asking, “Does this mean I can get my gift now?” 

You laugh, hitting his chest, “It’s not your birthday yet!” 

“Yeah, but what is time anyway?” 

And you know, with the way he’s trailing kisses down your neck, licking and sucking—you’re going to have to find another thing to surprise him with on his birthday. 

.

Later that evening, with your head lying right on his chest, you remember. 

“Oh yeah, the set also came with one of those belt things. Garter, I think? But I wasn’t sure if you’d be into–” 

You’ve never seen Gojo get up from bed faster.

thank you notes: for that anon that asked about whether col reader wears lingerie! + @stellamancer @soumies @crysugu for validating me that pink is in fact col reader's colour ᰔ i also just luv u guys 🥺

comments, tags, and reblogs are greatly appreciated ♡

[lycandrophile]

i clicked on the original tweet just to see if anyone else felt as weird about it as i did because at this point i’m just tired of seeing people going on and on about trans men dating cishet men who try to convince them not to transition as if it’s a funny joke about a trans man doing something silly and not a manipulative and generally very unhealthy relationship dynamic that can hurt the trans man involved really deeply (as forcing someone back into the closet tends to do.)

did i find anyone else feeling that way? no. there were a few people pointing out that it was weird in general, and plenty saying it’s a weird thing to say about a cis woman, but nothing expressing any sort of concern about the tired stereotype it’s perpetuating.

but you know what i did find? replies like the one in the second screenshot, using the tweet as their chance to tell the world how much they hate trans men and how repulsive they find the idea of ever being compared to us. and replies like the third one, shaming trans men in relationships like that as if the fact that they’ve found themselves in an unhealthy relationship makes them deserving of public shaming, as if their relationship is hurting anyone other than them.

stereotypes like this just feel like yet another way of indirectly calling us stupid little girls who don’t know what’s good for us, and the fact that a picture of a woman is being used (even jokingly!) as an example of what trans men “like that” look like should make the implications of rhetoric like this all the more obvious.

it’s relationships like these that keep us miserable in the closet for so long and drive up our sexual assault rates even more. they’re not funny and if anyone is going to be making jokes about them, it certainly shouldn’t be people who have never been in that situation. if you actually cared about us you’d be looking for ways to support the trans men you know who are in relationships like that instead of hopping on twitter to joke about how stupid they must be.

i don’t care if it’s a joke. if it victim blames trans men for the transphobia we face in our personal relationships, adds to the common idea that we can’t be trusted to make decisions about our own lives, and invites even more blatant transphobia against us by people who unabashedly admit they see all trans men as “disgusting and phony”, it’s not fucking funny.

(i also want to note that the people making these jokes never like to mention that this also happens to trans men in relationships with queer women. they also hate those trans men, of course, and are happy to express that when they get into fights about trans men who date lesbians, but they’ll never talk about it in the context of this particular stereotype. it’s always a man being manipulative in a relationship and pressuring trans men to not transition, as if a woman would never be capable of such a thing.

they also like to conveniently ignore the existence of older trans men who transitioned after already being in a committed relationship with a cishet man and were able to make that relationship work despite their transition, because acknowledging that would require recognizing that trans men can be in seemingly contradictory relationships and genuinely be happy with their partner. who needs nuance when you can simply choose to judge all trans men for our relationships regardless of what they’re actually like?)

do you think they also would call me “a trans man being purposefully misgendered” with this kind of vitriol because i’m still living with parents who don’t recognize my gender instead of moving out before i’m ready to be financially independent? at this point, i’m starting to feel like they might, with the way every decision a trans man ever makes is the subject of a public debate and people have decided that trans men are secretly using being misgendered as a weapon to somehow hurt other trans people.

as a general rule, i’d say the only people who should be making “X looks like a trans man” jokes about literally anyone/anything are trans men, and posts like this show exactly why those jokes being made by anyone else (even by other trans people) just isn’t a good idea.

[katiekatdragon27]

Hello Dandy's World fans.

I've recently been playing the game on Roblox with my friends and sibling, and it's been a ton of fun! Sure, I'm horrible at it, but it's the thought that counts ig.

And don't worry, I draw normal things too.

Like these things.

But it's mostly angst and unhinged things lol.

Below is a silly goofy Shiny Shrimp (that's the ship name I made up for Glisten x Shrimpo lol) AU that's just angst and tragedy and bullying Shrimpo emotionally lol:

OKAY SO CONTEXT: I thought it would be funny if Shrimpo had to keep Glisten company while exploring the floors but was also the one to witness his change into his full twisted form and almost die lol.

SO, I'd imagine it going down like this.

Basically, during one of the missions below, Glisten doesn't make it to the elevator in time. Shrimpo gets wind of this and gets very pissed. Despite everyone's protests, Shrimpo decides to join on of their runs to gain iquor, but mostly to fine Glisten.

And boy does he find him and all his shattered face glory.

Glisten: "Shrimpo!?" Shrimpo: "G-Glisten?" Glisten: "I knew you'd come back for me!"

Shrimpo attempts to leave the situation, seeing that Glisten is indeed twisted, despite Glisten's insistence that he is not. As Shrimpo tries to leave, Glisten gets more attached, constantly asking Shrimpo to not leave and to stay with him. Another person in the party (haven't decided who yet), tells Shrimpo to stay with Glisten and keep him company until all the machines are done. Shrimpo reluctantly agrees (and says "I HATE YOU" a couple times) and spends the rest of the round with Glisten.

However, the whole time Shrimpo's trying not to get attached because deep down, he knows it's too late for Glisten.

At the end of the round, everyone is called to go to the elevator. Shrimpo goes to leave. Glisten tries to block him off. Shimpo forces his way through. Glisten gets pissed and rips off his ribbons in anger, letting the infection take over his whole body. As Glisten's shifting, Shrimpo grabs one of his discarded ribbon pieces and beelines it to the elevator (as fast as Shrimpo can run). However, it is not fast enough, and Glisten easily catches up. He knocked over Shrimpo and lunges at him, ready take him out.

That's when Goob comes in. While everyone is trying to get the elevator to close faster, Goob grabs Shrimpo from below Glisten and pulls him into the elevator. Glisten hits the floor and breaks his face even more. As he gets up, he shouts at Shrimpo, who is shaking in Goob's arms watch Glisten break down.

Glisten: "YOU PROMISED YOU'D STAY WITH ME-- YOU PROMISED!"

Then, the doors close. Glisten is gone, and Shrimpo is angry and traumatized. How fun.

Shrimpo does not do well after the whole incident. He is much more reserved, but still just as angry. Except to Goob. Goob saving him gave Shrimpo a soft spot for the guy. Also, Goob let's Shrimpo vent to him like the supportive icon he is.

Shrimpo: I think I miss my partner, Goob.

But he's not the only toon Shrimpo talks to.

Vee: "Geez. This crying is ruining your "tough guy" persona."

My sibling gave me the silly idea to have Shrimpo and Vee be "friends" in this bc Shrimp hates Dandy waaaaaaaaaay more after the Glisten incident. And Vee hates Dandy in general, so boom, situation friendship. However, Vee sucks at being a supportive friend.

And some silly stuff my friends requested. Shrimpo chucking Dandy into the stratosphere and Goob being Goob. Healing the world one crappy doodle at a time.

Thank you for looking at the dooles and mindless rant of a grown adult about a Roblox horror game for 9-year-olds. You're a real one. Have a good day broksies.

[inbarfink]

One common Undertale misconception that really frustrates me is when Sans is portrayed with a strong innate sense for RESETs and alternative timelines. Like, that he remembers the RESET timelines better than the other characters who only have occasional feelings of deja vu or even that he can sense when a timeline is RESET.

And that’s, like, almost the opposite of the actual text of the game. While pretty much every main character can have slightly-different dialogue in a Not-True-RESET, especially if the Player had previously befriended them, based on the idea that they have lingering memories/feelings from before the RESET - 

Sans has no real dialogue changes based on this conceit. All of his changes are based around noticing Frisk has different reactions based on their memories of the precious timelines. 

Other characters do also make observations like that about Frisk, like Mettaton and Toriel. But Sans is distinctive because this is the only way his comments change between RESETs and there are a lot of them from him.

Because that is what really frustrates me about this misconception. People mention it as one more thing that makes Sans cool - but the actual truth is far more badass. Sans is one of the people in the Underground who remembers RESETs the least. I think memory-resistance to RESETs is probably tied to Determination. Flowey, the second-most Determined person in the Underground after Frisk, can remember everything perfectly.

Everyone else has some vague feelings and deja vus. And Sans, he’s the least motivated person in the Underground - both in the sense he’s lazy and in the sense he’s fucking depressed.

That probably means he has very little Determination. Thus, he doesn’t remember anything that happens between RESETs.

And yet, he is still the character most aware of them. Because he has the technological know-how to read and analyze timelines.

And because he has the observation and analytical skill to notice a RESET from other people’s reactions and behavior. Whatever it’s Papyrus thinking he recognizes someone or Frisk’s behavior implying that they know something they shouldn’t have. Sans main RESET-related skill is just being able to identify these moments and come to the correct conclusion about them. And with that he manages to be the most aware character in the entire Underground.

Like, the one point where it might seem like Sans remembers something from a previous Timeline is the Fake Spare scene during his boss battle. 

But it’s all pretend. Unlike the previous lines from other characters that I mentioned, this dialogue plays even if the Murder Route is the first time the player touched the game. Sans isn’t remembering anything in this scene. But he makes an educated guess that the Immoral Time God probably tried using their powers for good at first, so they were likely ‘friends’ in a previous timeline. And in most cases, his guess is right on the money - tricking many players into thinking this is another case of the game actually reacting to their past actions.

And as always, Sans can only tell if his lil’ trick worked or not based on the expression of the Player Character.

Arguably, Sans even uses his lack of Determination and cross-RESET memory to his advantage in his boss battle. After all, the whole point of this fight isn’t to kill the Player - Sans understands this is impossible. This is a war of attrition, trying to get the Player so frustrated and annoyed with the unfair fight that they just ragequit or RESET the Timeline. And this war of the Player’s patience versus Sans’ stamina and will is infinitely easier for him when he doesn’t actually perceive all the Player’s previous attempts against him.

Like, for the Player this might be the billion time they go up against him, they’re aware of some of his patterns and tricks now but they’re probably also frustrated and angry and exhausted. Meanwhile, from Sans’ POV, this is still the first time this is happening. He knows it’s not from the Player’s behavior and Frisk’s expression - but he doesn’t feel it like the Player does. 

He doesn’t feel the frustration and repetition of the endless stalemate. So he’s always as fresh as a daisy no matter how rugged the Player is getting.

And that’s part of why Sans is so cool in the first place, like, in general. He’s technically the weakest person in the Underground, lacking in every standard evaluation of power in the setting - no ATK, no DEF, no HP, no DETERMINATION. But he’s darn clever enough to overcome these weaknesses and even use them in ways that make them into strengths, enough to be one of the most dangerous and most aware guys in this whole setting.

Sans can’t remember anything, and that makes him awesome.

[covenofagatha]

Birthday Girl

On your 21st birthday, your friends drag you to a bar to get wasted when you decide it's a good idea to drunk-call Professor Agatha Harkness.

Word count: 3400+

Warnings: smut, fingering, oral, intoxication, mentions of underage drinking, teacher x student (legal)

“One, two, three!” Wanda chants and you and your friends tap your shot glasses on the bar counter and quickly down them. 

You gasp at the burn and they laugh at you. It’s your 21st birthday and your best friends Wanda, Rio, and Natasha had dragged you out to the closest bar to get you wasted. They had all already turned 21 the year before; you were the baby in the group. 

“Fuck, that’s disgusting,” you groan. 

“Another round, please!” Rio motions to the bartender. He sets down four more tequila shots and one is shoved into your hand. 

“Think you can get to 21?” Wanda jokes and the thought of 20 more shots makes you want to gag. 

“I might puke after this one,” you say and your friends laugh. You were never a partier in high school or college, always preferring to curl up on the couch and watch a movie. You’d only had some sips of alcohol a few times, but you had never been drunk. 

“You deserve this!” Nat shouts in your ear. “Harkness has been working you to the bone!” 

You shrug and wave your hand dismissively, suddenly uncomfortable. Agatha Harkness is your History of Witchcraft professor at Westview University. She’s known around campus for being cold to everyone and rarely giving out A’s. She expected nothing short of excellence and would not put up with excuses. Everyone was terrified of her. 

Everyone except for you. 

Something about the older woman captivated you. You were obsessed with meeting her standards, dreaming of the day she would look at you with pride. You poured over your books for her class, rereading every sentence you wrote thrice, just to try to impress her. It had taken your friends days of begging to convince you to come celebrate your birthday with them because you had a paper for Agatha’s class due in a week and you were already worried about it. 

“I don’t know how you’re surviving,” Wanda says. “I had her last semester and got a C in the class. Third highest grade. She’s the worst.” 

“She’s not that bad,” you defend, not quite sure why. Something about Agatha getting so much hate for pushing her students rubs you the wrong way. 

“Yeah she is,” Rio joins in. “I heard that she’s a real witch.”

You roll your eyes. “Can we please stop talking about her? I thought you guys brought me here to get away from school.” You take the shot that’s still in your hand and it goes down smoother this time. 

“Yes, there we go!” Rio whoops. 

Two more shots later and your head has gone completely fuzzy. You feel as if you are floating on air and everything around you is happening in slow motion. You get off your stool and immediately stumble, Wanda catching you with her arms. 

“I think I’m a little drunk,” you tell her. She laughs like it’s the funniest thing you’ve ever heard. 

“No shit, y/n, you don’t have to yell!” 

You didn’t even realize you had. “We should probably go back to the dorms!” You look around to see Nat chatting with some girl and Rio throwing darts at the board in the corner. 

“Not yet,” Wanda says, picking up her rum and coke. You’re not sure how she’s still drinking after she also did four tequila shots. “I’ll get you some water.” She signals to the bartender and you squeeze your eyes shut, willing your vision to go back to normal. 

When you open them, you see dark hair in the corner. Is that–? You shift so you can get a better look and feel sorely disappointed when you realize the person is not Agatha. Why are you disappointed? The thought echoes in your head for a second, and then is replaced by a sudden urge to see your professor. 

“Drink this,” Wanda orders, pressing a glass of ice water into your hand, but you’re too busy scrolling through your phone. You know she put her number on the syllabus somewhere and you are too far gone to think that this might be a bad idea. 

You feel a thrill run through you when you find it. You read the number over and over, like you’re afraid it’s going to change somehow. 

“I’ll be back,” you slur to Wanda and then step out the side door into the alley. You type the number into your phone and your finger hesitates over the call button. You know you shouldn’t. But fuck it. You press the button and lift the phone to your ear. 

It rings. And then rings again. You’re about to hang up to spare yourself the rejection when the call connects. 

“Hello?” It’s actually her. 

Your breath catches in your throat and you stand up straighter. “Professor Harkness?” 

“Y/n? Is that you?” 

“Yeah.” Shit, this was a bad idea. Even with your head still swimming, you know that. You can’t just hang up though. 

“Why are you calling me at 10:30 on a Saturday night?” 

“Um,” you say, trying to think of something. You’re definitely going to have to drop her class after this. You’ll never be able to face her ever again. “It’s my birthday?” You offer lamely. 

Agatha scoffs. “Happy birthday. Can I help you with something?”

“Oh, no, Professor, I just wanted – we’re at a bar – I thought you were – and just wanted to say hi,” you ramble, knowing you’re not making any sense, and you can almost hear her smirk through the phone. 

“Y/n, are you drunk right now?” Her voice perks up and it sounds like she’s finally interested. 

“No!” you protest. “Well, maybe a little. But I’m 21 now!” 

“What bar are you at?” 

“Jimmy’s.” It’s a local dive bar that is a popular place for Westview students to hang out at. 

“I’ll be there in ten. Wait out front.” There’s a click and then she’s gone. You stare at your phone, dumbfounded. Is Agatha coming to pick you up? Why?

You walk back into the bar and order a Dirty Shirley. The call had sobered you up a bit and if you had already drunk-called your professor, why not get even more hammered. Wanda comes back over to you and giggles when she sees the new drink in your hand. 

“Alright, time to party!” she exclaims. You pick up on the fact that she’s a little drunk as well. You stand up, vision blurring for a second. 

“I actually called an uber,” you lie, even through your hazy mind knowing that your professor coming to pick you up might sound strange to them.

Wanda pouts and then throws her arms around you. “Happy birthday,” she says into your ear and your arms tighten around her. 

“Thank you,” you breathe back. You’re close with Rio and Nat as well, but they don’t have the same bond you and Wanda do. You pull back and then go say goodbye to your other friends. 

The wind outside does very little to sober you up and you shiver from the coldness. You’re wearing a purple crop-top and a black mini-skirt, something Nat had found buried deep in your closet. You watch the time on your phone, heartbeat picking up as it gets closer to ten minutes since Agatha had hung up on you. 

And then right on the dot, a slick black Range Rover pulls into the parking lot, and you immediately know it’s her. The car stops right in front of you, the passenger window rolling down, and your breath catches. 

It’s Professor Harkness, clad in a maroon suit, wavy hair falling over her shoulders. 

“Do you need me to open the door for you, too, princess?” Agatha says, sarcasm dripping over the words, when you haven’t moved. You shake your head, partly to answer and partly to clear the fog. You settle into the seat, not missing the way Agatha’s eyes rake over your skimpily clothed body.

“You didn’t have to come get me,” you mutter, putting real effort into not slurring your words. 

She glances at you and sees you struggling with your seatbelt. She reaches over and you freeze at her close proximity. Her breath is hot against your cheek and her fingers brush your stomach as she takes the seat belt from your hand and buckles it for you. “Thought I would spare the other people you drunk-called,” she says. 

Embarrassment runs through you. “You were the only one,” you say meekly, picking at a scab on your hand. You dare to peek at her, only to find her smirking, one eyebrow quirked. 

“Oh?”

“I shouldn’t have called.” This time, it’s harder to keep your words from running together. “We were talking about you and then I thought I saw you and I just wanted to see you.” You need to stop talking, now. 

Agatha hums. “Did you, now?” She tucks a piece of hair behind her ears as she shifts the car into drive and you watch her fingers. 

“You’re really hot,” you blurt out and then clamp a hand over your mouth. Fuck. 

Instead of pulling over and making you get out, like you thought she would, Agatha simply reaches over and pats your leg. “And you’re really drunk, sweetheart.” 

The pet name makes you swoon inwardly. “Not that drunk,” you say unconvincingly. “I only had one…two…” You trail off, attempting to count the number of drinks on your fingers. Agatha stifles a chuckle. 

“Is this your first time drinking?” She asks, amused. 

“No, but it is my first time drinking this much,” you admit. “My friends dragged me out since it’s my birthday. I was going to work on the essay for your class.” 

“You were going to spend your 21st birthday doing school work?” 

“Your essay’s due in a week. I wanted to make sure I-it was good enough for you.” 

She notices your slip of tongue and her smirk sends heat down low in your stomach. “You’re always good for me. Your essays are some of the best I’ve ever read.” 

Your heart skips a beat and your face flushes. “I have a B in your class.” 

“You have an 88 in my class. That’s the highest I’ve had in years. Can’t make it too easy,” she says with a wink. 

“You could make it just a little easier,” you grumble, the alcohol clearly getting rid of any inhibitions. 

“You keep doing what you’re doing, sweetheart, and it’ll go up, I promise. I’m very impressed with the work you’ve been turning in.”

A hot flash runs through you. “Just wanna be your good girl.” And if it wasn’t clear how you feel about her now, it sure is. But she doesn’t look disgusted or creeped out, only intrigued. 

She finally stops the car and you peer out the window, expecting to see your dorm. You haven’t been paying attention to where she’s been driving at all, and you’re quite surprised to see you’ve arrived at a two-story house in a cute, suburban neighborhood. 

“This isn’t where I live,” you say dumbly. 

“No, it’s not,” she agrees, getting out of the car and walking over to help you. You stumble up the steps to the front door, Agatha’s tight grip on your shoulder keeping you upright. You can feel her fingers playing with the ends of your hair. 

She unlocks the front door just as a wave of nausea hits you. “Oh, god,” you say weakly, holding a hand in front of your mouth. Agatha doesn’t even seem phased; she leads you to a bathroom in the hall and leaves, only to re-enter with a glass of water moments later. You gulp it down and feel better. 

“You okay?” she asks softly, stroking your cheek, eyes tracing up and down your face. You’ve never seen this side of her and you really like it. 

“I think so. Thank you again,” you murmur and you realize that you’ve been staring at her mouth. 

“Anything for my favorite student.” 

And then, because you’re apparently determined to fuck everything up even more, you lean in and press your lips to hers. Agatha stands still for a second before you pull back, horrified with yourself. 

“Professor, I am so sorry, I didn’t mean to–” 

She draws you back in for a longer kiss this time, tongue licking into your mouth. You let out a long moan and she breaks away. 

“You’re drunk,” she tells you again.

You clasp the lapels of her blazer. “I know. But I want you.” 

She softly pries your fingers off her suit and smiles. “You need to sleep. And then we can talk about this in the morning.” 

You pout and she runs her thumb over your bottom lip, slightly pulling it down. You suck her finger into your mouth, delighting in the way her eyes darken. She steps back.

“Let’s go. You can sleep in the guest room. I’ll find you some pajamas and toiletries.” Her hand on the small of your back guides you up the stairs and to the room on the right. The guest room is simple but cozy and you immediately go to the bed and flop onto it. “Don’t fall asleep yet,” Agatha warns and then leaves the room. 

She comes back in a few minutes, an old shirt and sweatpants in one hand and a toothbrush and toothpaste in the other. She pats your legs in an effort to get you up but you can barely move, suddenly weighed down by all the drinks. 

“Come on, hon,” Agatha says and helps you stand up. You don’t move as she works to take your shirt and skirt off, your cheeks and upper chest flushing red. You try to cover yourself and she smirks. 

“M’sorry,” you mumble. 

“Don’t be. I’m enjoying the view.” You stare at her longingly, silently begging her to fuck you right there and then, but she helps you step into the sweatpants and pull the shirt over your head. She watches you brush your teeth and moves the covers so you can get into bed. “Do you need anything else?” 

Your hand grabs hers. “Just you,” you try again hopefully, but she chuckles and wrenches free of your grip. 

“Good night, birthday girl,” she whispers and leans down to press a kiss to your forehead. And then she turns off the lights and leaves the room.

You fall asleep immediately. 

***

Sunlight streams through the blinds, waking you up. It takes you a minute to get your bearings and then the events of last night come back to you. 

The bar. Four shots of tequila and half a Dirty Shirley. Calling Agatha and her coming to pick you up and taking you to her house. Kissing her in the downstairs bathroom. Shit. 

You groan, head pounding. You see a container of Advil and a glass of water on the nightstand beside you. You take two Advil and drain the glass, heart warming at the thought of Agatha taking such good care of you. 

And then you remember that your relationship with her will forever be complicated by your actions. 

You solemnly brush your teeth and pull back on the clothes you wore to the bar last night, neatly folding Agatha’s pajamas and placing them on the bed. You hope she hasn’t woken up yet so you can sneak out without her having to tell you how inappropriate you behaved last night. 

No such luck. The second you get downstairs, Agatha perks up from where she’s typing on her laptop on the couch.

“Good morning, darling,” she purrs, shutting her computer. You gulp, taking her outfit in. She’s wearing a robe that ends mid-thigh and the neckline drops low. 

“Hey,” you say casually, trying to hide how much you’re internally freaking out. 

“Do you want something for breakfast? I can cook you something.” She stands up and walks to the kitchen and you follow like a lost puppy. You involuntarily lick your lips at the way her hips are swaying. 

“What are my options?” Your voice is raspy, still feeling hungover. She glances back at you and her eyes dart up and down your body. 

“I can make eggs. Bacon. I think I have pancake mix in the pantry. What would you like?” 

You’re a little confused that she hasn’t scolded you yet. And then you remember something else. She kissed you. 

You swallow hard. Whatever else you may have done last night that you can’t remember, she doesn’t hate you for it. She might even want you back. 

“Are you on the menu?” It comes out before you can even realize what you’re saying. 

Agatha freezes and turns around. You shift your weight nervously, but then you see her pupils blown out. Her eyes are so dark you can barely see any blue. “What?” She asks carefully.

“You kissed me last night,” you say, a little breathless. You have absolutely no idea where this confidence is coming from. “You wouldn’t do anything else cause I was drunk. But I’m not drunk now.” 

She steps toward you and roughly grasps your hair. She tilts your head back, exposing your neck just a tad. “No, you’re not.” She regards you for a second. “You know you’re not going to get extra credit for trying to sleep with your professor.” 

You laugh. “That’s not why I’m doing this.” 

She smirks. “Good.” And then she licks a hot stripe up your neck and bites down, sucking a mark on your skin. You gasp loudly and tangle your hands into her hair. 

“Professor,” you moan and you drag her into a filthy kiss. She backs you up until your thighs hit the table so she lifts you up onto it. Your legs wrap around her to pull her closer. Agatha pushes up your crop-top and kneads your breast, thumb stroking your nipple, never once breaking your kiss.

Her hand creeps under your skirt and cups your mound over your underwear. Your hips jump on their own at the stimulation. 

“Please,” you beg. Her lips curl into a smile. 

“What do you want?” Her fingers have pushed your underwear to the side and have started lazily stroking through your folds, spreading your wetness. 

“You,” is all you can say before she sinks a finger into your hole. 

“Like this?” She asks innocently, thrusting hard. 

“Yes,” you pant, quickly untying her robe so you can touch her. She’s completely naked underneath and you lean down so you can take a nipple into your mouth. 

“That’s perfect, baby,” she sighs, setting a relentless pace with her fingers after she slips another one in you. “Is this what you hoped would happen when you called me last night?”

“I’ve been hoping for this since the first day of the semester,” you answer, and she falters for a second, thrown off by your honesty. 

She pulls out of you and panic runs through you, terrified that you said the wrong thing. But she just pushes you down so your back is resting on the table and she pulls out one of the chairs from the table. 

“What are you–” Before you can finish your sentence, she leans forward and sucks your clit into her mouth. Your back arches off the table, hands rushing down to hold her in place. “Fuck, Professor!” 

She devours your pussy like she’s a starving woman, pulling all sorts of loud noises from you. 

“Oh my god, I’m gonna cum,” you chant, hips grinding on her face, trying to get the last bit of stimulation you need to send you over the edge. She knows what you need and presses her fingers inside you, curling them just right and gives your clit a hard last lick. You cum harder than you ever have before, her name on your lips like a prayer. She helps you ride through the aftershocks and then trails kisses up your body until she can kiss your mouth. 

“How was that?” she asks after you pull away to catch your breath. 

“That was probably the best birthday present I’ve ever gotten,” you say, which cracks both of you up. “But I’m not finished.” 

Her eyebrow quirks up and she smirks. “Oh?” You stand up, putting your hands on her hips and flipping her around so she’s leaning against the table. 

You sink to your knees in front of you, not even bothering with a chair. You slowly push her robe up so it bunches at her waist. “Can I return the favor?” 

A glint appears in her eye and she fists one of her hands in your hair preemptively. “I’d like nothing more.”