#because they keep doing this to original stories

[threeacttragedy]

Entry 3 – The One About That Guy, That Girl, and the Dragon

I’m just going to jump right on my magical pixie pony for this one – because why the fuck not? But, I promise this speculation has a foundation of fact. So, there’s that.

On Sunday, November 10, 2024 – seemingly out of nowhere – Zoe McConnell posted to her IG stories a picture of Nicola from a photoshoot from November 2022.  Yes, you read that right – 2022. Zoe reposted this to her stories exactly two years from the day she first posted it to her grid.

Why?

Uh, happy anniversary to the picture? [feel free to scratch your head in confusion because I sure as shit did – but only for a second]

Who cares about a photoshoot from 2022?

And, don’t even get me started on the weird ass suggestion this was a push for Nicola to win – what bullshit award show is up next? – People’s Choice Awards. Actually, do get me started on that because that theory just makes my eyes roll.  The only connection I see here is that the dress Nicola is wearing was from her 2022 Glamour Awards appearance.  What exactly does that have to do with People’s Choice? Nothing.

Now, forget all about that shit and keep reading.

What IS interesting about this post from Zoe is that, if you’re a certain creator or anyone who has ever read this certain creator’s timeline, you’d know that this picture is referenced in said timeline (P.S. My disclaimer today is that I am not a fan of said creator but that doesn’t negate the information she has distributed to the masses).

Here’s what happened two years ago:

On November 9, 2022, Nicola posted one of Zoe’s images to her own grid, thanking Glamour for her award. Luke liked this post.

On that same day, Nicola posted a second set of pictures from that same photoshoot. Luke did not like that post.

The following day, November 10, 2022, Zoe posted one of those additional pictures to her own grid. Luke liked that post from Zoe’s grid. But, he did not go back and like Nicola’s second grid post from the day before. Why? Why go to Zoe's grid instead of Nicola's to like the pictures? I could speculate on this for the next eight minutes but I’ll let you come to your own conclusion.

So, this past Sunday, Zoe posts to her stories a link to that November 10, 2022 grid post that Luke liked. Nicola reposted Zoe’s story to her own IG stories. If you’re a Nicola fan, I can probably guess what you're going to do next. You’re going to click on Nicola’s story – which takes you to Zoe’s page – and when you click on Zoe’s stories – it takes you to the original November 10, 2022 post, which Luke liked at that time.

Odd, that.

And, by “odd,” I mean odd in the fact that no one cares about a two-year-old picture. I mean, really, who fucking cares? Except Lukolas who see Luke’s like on the original post.

Let’s keep moving.

On November 11, 2024, Zoe was right back at it. She posted to her IG stories another picture of Nicola from the same photoshoot. This time it was the one Zoe originally posted back on November 11, 2022. Yay, another anniversary. Zoe put a cutesy little caption that read: “Princess Peach.” Nicola did not reshare this story. I mean, at this point, we’re all watching Zoe, right? No need to reshare because our Lukola interest has been peaked, in my opinion.

Then, a few hours after Zoe’s post, Rachell Smith, also a photographer, posted an old picture of Luke to her grid. This picture isn’t as old as Zoe’s but it does go back to May 2024. Rachell follows it up with an IG story of the same image with the song, “Lifting You” by Jungle. Take a moment and go look up the lyrics and meaning of that song. Fine, fine, fine. I’ll just tell you. The song is about being deeply committed and doing whatever is needed to make a relationship work (this, per Mr. Google). Rachell’s caption? “[O]ur knight and shining [Luke].”

Well, fuckety fuck fuck fuck.

We have a princess and we have a knight.

Interesting.

I mean, we grew up with this idea that the knight in shining armor saved the princess, right?

To be honest, yesterday, I had no clue what that was all about (and I really didn't care -- the seas have been rough for the USS Lukola lately) so I went about my day like normal.

But, this morning, the wheels and cogs in my head started working together.

I wondered how that ever came about – the idea that a knight saved a princess.

So, I asked Mr. Google: “Where did the story about a knight rescuing a princess originate?”

Okay, yeah, I see Perseus and Andromeda…and in Western culture….Saint George and the Dragon…

Wait --

What?

Saint George and the Dragon?

Nope. Not possible.

But, I was certain it was.

I scurried over to Tiktok to find the post I’d seen a few months earlier about the medallion Luke wore for a long time – the one Nicola allegedly gave him. The TT creator believed that the necklace depicted none other than Saint George and the Dragon! Now, I must add that this has never been confirmed but the TT creator did make a fairly convincing argument for it. This is also the necklace Luke was allegedly wearing in the “Polin” picture that was released simultaneously by Nicola and Luke on October 21, 2024 (based on the chain of the necklace he was wearing).

Delulu?

Yeah, maybe.

But, we also can’t make this shit up.

Edit (11/14/2024): Today, Luke's People Magazine photoshoot came out. Guess who his photographer was? Zoe McConnell.

Again, we can't make this shit up.

[beloveds-embrace]

How would Dukedom141 react if the duchess was, like, legitimately fond of Graves? Like, I'm thinking about the part where she went to Price before they're all together and said she wanted to take him as her lover... but like, what if she already had? Idk, I'm just in love with Graves and I think their beef with him in the story is so funny 💀😭

Original post

He’s just a little guy. A traitor and an arrogant bastard, but still just a little guy so i get you anon 🙂‍↕️

Unfortunately for them, this means no killing Graves because then that’d make you terribly sad and they don’t want that </3 they do make his life harder, though, and just be petty bastards in general by keeping you busy and away from him and giving him more duties to do.

Graves still has his quality time with reader tho. Somehow, someway. That makes all the extra duties worth it because he still gets to be a smug little shit lmfao

(Now if we are talking abt a slighter darker settings… death. Death is his only choice lol. Grief will lessen and dampen with time, they reason, and Graves isn’t irreplaceable.)

[bookishmeow]

I swear, all I am doing lately is defending the Lucanis romance. Listen: When Mary Kirby, his main writer, got fired, the game was in its beta testing. This means that the main written story was done. Beta phases are for making sure there are no graphical or gameplay issues. Not for writing issues. You're past that point. The argument I keep seeing is that they think the Lucanis romance was "unfinished" because of Kirby leaving. Also saying whoever filled in didn't like romances? No, that was Kirby who didn't like them, but she did still write this one.

Lucanis, and the crows, were also written by Courtney Woods. Courtney originally wrote Lucanis in the various shorts, including the ones in Tevinter Nights. She knows the character just as well. So if they needed any writing done for the character, Courtney, having been the original writer of him in all the other media he's in, would have easily been able to finish anything.

The pacing seems off with him because he is one of the first companions you can get and so you can get some of his scenes very early on, before you even get the full roster. THEN he has some of his later scenes after the crows are addressed in the plot in Act 2. These come near last in the actual story plot, right before Act 3 and the point of no return. So it feels like there's a bigger gap in scenes than there is because of this. His romance scenes actually clock in at more time than Hardings. The romance scenes themselves aren't the issue, it is pacing in actual plot that is the issue. Him not being immediately flirty is his personality and him dealing with a lot. He does have flirty dialogue and does make comments on the two of you in banter and ambient dialogue if you go visit him. He's not completely devoid of it. He is not the "Dashing Hispanic" trope (even though antiva is supposed to be Italian adjacent) ala Zevran or his cousin Illario. He has some of the qualities, but is really bad in the flirting with ladies aspect of it. okay, sorry, it's been building. Thank you for reading my ranting.

[scopophobia-polaris]

So, to add on to Navi's post, because her whole read for the original was getting screenshots from the game to debunk what was said, of course....we are now here. I want to tell you that no one here disagreed with your conclusion about Ganondorf being a victim. What we here disagreed with was the method you used to get there. Simplifying Ganondorf down to solely good or solely evil is something this Fandom does all the time with little to no nuance. And even though you have written an eloquent essay, Published even! You twisted or outright made up parts of the game to get to your conclusion. In essay writing, that's called a logical fallacy, and the whole essay either twists what happens in the game or outright gets it wrong.

Now people are probably gonna wonder why I'm treating this like a big deal or why I'm speaking so blunt, because this is by all means very stupid fandom drama.

But I think when you're a college prof and you get an essay published and it's online for people to read everywhere without you, one, not giving the context behind Ganondorf's creation and the coding of his appearance and motivations, two the complexities of a corporate conglomerate in a notoriously socially conservative country taking aesthetics from countries who were historically colonized. And Three, The way that video games are a collaborative effort with usually no singular vision, this is very true at nintendo despite what people may think, and at any moment changes can be made for any reason by team leads or executives that would hinder or even hurt a story. It detrimental to the audience reading it that you do not provide them more of a couple of screenshots

Basically, many things go into a story and now I'm taking this more from a DOYLIST view right here talking about Nintendo. But I'm doing this because you keep trying to say..... well fuck man do I need to pull up more examples? Navi got them all, the whole essay is you trying HEAVILY to imply that Nintendo MEANT to do all of this, as in intentional in the story, idk I feel crazy, words have meaning, specific wording has implication, oh and this dosent even get into how localization can change things 😃😀 wording has meaning and sometimes translators don't have cultural contexxxtttttttt and to not even mention about Nintendo's history or even the short hand that comes from Ganondorf's design and the historical Orientalism behind it feels like a disservice to the paper, but much more qualified people then I have discussed the way Ganondorf is written and probably would love to discuss or link to previous writing again if asked.

And this is a cold take but Nintendo isn’t the place you should be looking to for deep story telling, they will always be a corporate entity first and the bottom line is a general audience, this does not mean JUST KIDS this means to a generalized population. And this is extremely cynical but a lot of people cant even handle the complexity of a female character who is mean, like Midna, do you really think people would handle a Ganondorf like how he is in Tp being portrayed in any form of film language as good????? This game dropped 5 years after 9/11, Nintendo was never gonna lose out in money like that.

And Dude people have given so much shit to HUGE fanartists and comic authors about their work portraying Ganondorf in a sympathetic light, you would of thunk more people would of picked up on Ganondorf's story being written as tragedy if there was something in the game that actually DID that. Maybe they would of written a blog post about how Midna saw Link kill Ganondorf and was ashamed of that or Ganondorf TOTALLY said the history of light and shadow will be written in blood thing before the final battle, you think people would of talked about huh why did Ganondorf say that there or something and maybe went 🤔 instead of it being argued that Tp Ganondorf had the weakest writing of the series until TotK threw a pile of flaming shit at my door with a picture of Ganondorf on it.

Navi also goes in depth on how Hyrule has not exactly stagnated like what was claimed in History of Light and Shadow by using the Goron merchants and Yeto as examples.

Rynling has stated that the cause of the stagnation and decline is due to an ineffectual leader that has "Not allowed its people to be revitalized by change and diversity."

Now I am familiar with the flaws of an undetermined national unity, I am very familiar with the subject, but I’m not going to speak like an authority. Id rather let someone much more qualified make that post and I link back to it, because i know its coming. But Navi said in her post that the idea of what could of happened at Arbiter's Grounds can completely blow over someone's head if they didn't play OoT first, and I think more or less this is accurate, certain things are lost in Wind Waker even with the recaps, but I wanna join in on this in my own way...

Rynling....you may say Hyrule has been on a decline during Tp......you may even think OoT had a more stable Hyrule or some shit.....i THINK YOU FORGOT ABOUT THE PLOT OF OCARINA OF TIME BAYBEEEEEEE

THE SUPPLEMENTAL MATERIAL THAT I CAN PULL UP TO PROVE MY SHIT ABOUT OOT HYRULE BEING DOG SHIT IN COMPARISON TO TP

Like if you're seriously gonna link me and Navi to your essay then I am about to go full BTW it's a Sativa and eat that bitch after midnight cuZ we YELLIN ABOUT OCARINA OF TIME ON THIS POST FOR EVERYONE🌟🌟🌟🌟🌟

All of Ocarina of Time's narrative is haunted by the civil war, the whole reason why Link is being raised in the woods is cuz of the civil war, the Sheikah are implied to have died out during the same conflict, and well its said that Hyrule was unified during it

Civil War yet the translators use unified the country like it WASNT under a sole ruler before? Hello? I need to go back through the Japanese script for the game again to see if i missed something of the game and freak it harder. And do realize the Deku sprout in this screenshot says fierce war but every where else, including the Zelda wiki (not fandom) its CIVIL War.

The Gate to Death mountain and Simultaniously the fence at Zora's river gives us and idea that peace was....tenuous at best downright hostile at worse given relations with the Gerudo

so today we gonna do some fun comparing and contrasting the Gorons and how they are treated in OoT to TP

and we gonna start with his racist ass BHJBHDBHKCJW

I mean, damn remmeber how mad Darunia is at Link for being the supposed royal family messenger? Link Unlocking the door to Darunia's room with Zelda's lullaby, I think it's a little funny that Darunia is hung up , you know, like he knows this is some disrespectful shit

Hey wannna hear some shit? The gates at the edge of death mountain aren't guarded by Gorons and were not built by them you can tell, the only way to visit the mountain is to get permission from the King to go up and not from the people that actually live there

God and like, there is something about the way Darunia locks himself in his room, like he does it to keep the ruby safe from all the other Gorons being so hungry that he's frightened they're gonna eat it, he doesn't know what to do on how to act about the Dodongos that Ganondorf summon on him for not giving over that rock. It qlmost sounds like when Ganondorf came in and Threatened Darunia, and that he (Darunia) sent a message to the royal family asking for help, why else would he be expecting someone to come meet with him?

"If I'm not mistaken, you came out here to eat the red stone too! Well, too bad! It's not here! What? That's not why you're here? You're looking for a "Spiritual Stone?" You must mean that delicious-looking red stone that was once displayed above the city! I was so hungry that I thought it would be OK to just give it one tiny, little lick...so I snuck up there. But it was already gone! I think Big Brother took it away. He always says that everyone is after that red stone! Big Brother has shut himself up in his room saying, "I will wait in here for the Royal Family's messenger!" this is a quote from the Goron that you can find on the middle of the rope bridge thing in Goron city.

Yeah so he sent a letter or something and no one answered yeesh.

contrast this all with TP where OH LOOKS WHO'S GUARDING DEATH MOUNTAIN

so in TP spoilers, this happens

Kakariko is more connected then ever! Renado here is wondering what the hell is going on with their FRIENDS. And yeah the Goron elder Gor Coron is trying to keep the last few people from kakariko left safe, and other Gorons, i mean, theyre keeping a piece of the fused shadow in there. also the way that entry into the temple goes in this game is cute, Darunia was freaking it cuz everyone is starving, but here Link wrestles his way up a mountain to ask the Gron elder whats happening since he was asked to come here by Renado, Gor Coron goes DAMN

unless......?

IDK ITS LIKE? ITS SILLY? Idk Hyrule isnt the best place but why try and act like this doesnt happen during TP?

so where am i getting at with this? the hell was going on back during OoT? If things are so odd and weirdly tense with the gates gaurds and non responses

"As time passed, the Triforce became a legend, and the different people of Hyrule forgot the laws and wisdom that the goddesses had left behind. Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo. It seemed every race of Hyrule was at the other's throat. Only the secluded Kokiri, sheltered by their magical forest and the Great Deku Tree, were spared the destruction of Hyrule's civil wars.

After 50 years of ceaseless combat, there arose a Hylian King of great wisdom, courage and power. Through his brilliant military campaigns and wise diplomacy, he was able to bring the varied people of Hyrule into a tenuous harmony. Treaties of peace were signed, and prosperity once again seemed to bloom in Hyrule. But no sooner had people declared peace in Hyrule than trouble once again stalked the land."

Tenuous Harmony, could you imagine if they dropped a line like this in Creating a champion? The tumblr side of the fandom would go fucking nuts with that info like OHHHHH SHIT WAS GOING ONNNNNN

This was ALL on the offical Nintendo Zelda website back when oot was the big game out, we have this cuz someone saved it to the wayback, THIS SCREENSHOT WAS FROM DECEMBER 14TH 2001, ABOUT A FULL YEAR AND A DAY UNTIL WIND WAKER WAS RELEASED IN JAPAN. THAT'S INSANE RIGHT???? ‼️‼️🔥🔥🔥🔥🔥🔥

And then it all probably got deleted once wind waker became the new thing!!! Or when they wanted to modernize and deleted it!!! THAT SUCKS RIGHT????

And what's worse is that it introduces some new info and also clarifies something. Hey you know when I made that post like damn Darunia racist as hell

"Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo."

NO WHERE IN THE GAME THE LEGEND OF ZELDA OCARINA OF TIME IT SAYS THIS, IT DOES NOT STATE THERE WAS CONFLICT BETWEEN THE GORONS AND GERUDO.....LIKE DIN GET YA KIDS.....IM LOOKING EVERYWHERE FOR SOMETHING I MUST OF MISSED.

But Like oh hey a fucking explanation to why he just fucking says that, I figure it was cuz of Ganondorf trying to almond mom all of them or that he kept talking to the King and well.....Navi already showed the GENERAL reaction to the Gerudo in castle town.

it went from oh hes just racist to dARUNIA AND GANONDORF HAVE HISTORY????

But the interesting one is why did thy Zora "marched on the Hylians."

Like sitting here like, I know a comic made in Germany shouldn't be a be all end all in shit I knew it never was and it would like. If you put this in warrior cats canonicoty categorization would be considered lower down supplementary material dubious canon, but their are things in the comic AND the Himekawa manga that behinds some behind the scenes actions given that LINK'S MOM HAS A MOSTLY CONSISTENT DESIGN WHAT THE HELLLLLLLL. And I always thought the Goron Zora war thing was stupid but Nintendo then had that out on their website, what the hell was going ON.

Because idk i didnt think much of Zora De Bon XVI and the Hyrulien King's relationship but

Now a days the Zelda website is much different and does not have lore pages like this anymore, it's more like a summary of the timeline. But yeah actually Nintendo approved shit, Hylian/Zora war.

Hyrule is progressing, its just going slowly, Hyrule is not AS stifled by its monarchy or a lack of integration during TP because Hyrule IS integrating, is people's are intermingling like is hasn't before during this game.

And this isn't even to get started on the E3 demo of Twilight princess that the trip that Link is supposed to take at the beginning of the game was to be the representative of Ordon at the "Hyrule summit

and Hyrule is described in a VERY specific way

Kingdom of Hyrule and neighboring realms? like theyre all not under the crown? so like???? FUN, that didn't end up making it in the game. the dailouge that is, But the remints is still there in the way the game is made up, like how OoT is built off is civil war bones

actually funny, Navi just got me screenshots of the way the dialouge was changed here

Like stuff clearly changed during the demo and finished game, I should of been touching more on the intricacies of how like shit was just change for no reason sometimes but uh....

But maybe @rawliverandgoronspice would want to one day like about games industry stuff if you ever want to 😭 I know you're super passionate on this and I wish I like even off hand mentioned something about how like TP is also effected by how games are made but I didn't and I'm a fool but games are complicated as hell and that post you made talking a bit about it was fun ya know 👉👈 and the Beta of Tp changes a LOT of stuff, one Rusl really is like a brother to link in the way he messes with him, it actually makes some weird Nintendo licensed shit saying hes like a big brother to Link made WAYYYYY more since with the Beta in mind, but....that also mean they tried to keep the big bro vibes....but then put the dad ones in there too like.....uh...did..someone not change his summary anywhere?

that was my big thing i wanted to talk about, navi's already touched on everything else i just think the parallels here between the Goron quest between OoT and TP changes in such a nice way.

And like this doesn't get into other shit about TP, like if we wanna deep dive into shit ya don't gotta do it by twisting the story, like I was going and talking to @blackautmedia to ask with some help when it came to like.......god idk what i even said anymore i was going a mile a minute. He wants to write his own thing on Twilight princess so im not gonna step on his toes but he has recommended Arabs and Muslims in the Media: Race and Representation after 9/11 by Evelyn Alsultany, the link I provided here is too her website and her page on the book this link here is from her own site that has a pdf of a part American Quarterly with a paper by the same name.

Anyways i wanna reflex for a moment cuz ive been up for hours finishing this because my brain wont stop unless i do. But the thing that by all means started this, was not your reblog linking me and Navi to your essay, or that there is 2 versions i found out where the paper published one had a lot more context to why you wrote your tumblr post the way you did, Navi helped me get the parts that were cut, please realize removing these does not remove the sentiment from the essay, its baked in.

fanfic, its a popular Fan interpretation that there was fighting between the Gerudo and Hylians after Ganondorf was caught trying to take the triforce, but this is not stated to of happened in the lore itself or even has evidence to back it up other then the Implications of Arbiter's grounds theory

UGHHHH AND THIS AGAIN "Twilight Princess Delivers a subtle yet poignant protest against neoliberal discourses of empire reflected in the rhetoric of heroism inform the geopolitical movements of Japan throught the twentieth century"

WHAT ARE YOU FUCKING TALKING ABOUT......

i dont mean this in a stupid ass way, im saying where the hell was about the protest thing, wait i really shouldt take from the published one cuz you actually dumbed down the line for tumblr

anyways again, where, Navi made it clear enough with her own post that, no, the way that Ganondorf is animated has no sympathy for him until the light is literally leaving him. Hell Twilight princess inst very kind to the gerudo either given that the only thing said about them is that they were thieves and nothing more. Like somehow OoT is more empathetic to the Gerudo, it doesn't just call them thieves, it aint great its not even good its just a bad portrayal of a people, and yet somehow OoT is willing to show the Gerudo in a neutral light at points then TP ever did.

but the reason i decided to just throw down a post is cuz i was pissed that you went after Ezlo for reblogging ME and NAVI's posts and purposefully misunderstood their fuckin wind waker post about ZELDA YOUTUBERS

dude you had them getting genuinely harassed by people with 0 reading comprehension that thinks a snarky reply to a tumblr post means its 100% correct. Webbed. Site.

anyways, I hope people don't take this as a right or wrong way to interpret a piece of work, as stated before, I read your essay, navi read your essay, you changed parts of Twilight Princess to get to the conclusion of you paper...And im gonna be real but it's kinda crazy that you're using post colonial melancholia for this when it's got some.....well something like idk i need someone to do a full ass review because there are point where i gently raise an eyebrow im gonna be real. but also like

like how do you read his book and then miss out on this, one of your whole big aruments is that hyrule is stagnate and not multi cultural and i had to grab screenshots and Navi had to get shit from the game.

like damn, do yall ever uh feel a strange sadness when dusk falls? i do. Idk this is one of the first and last times Nintendo ever delt with Ganondorf with some form a sympathy for him, cuz we got the dragon explosion in totk its like oh he's turbo evil now and he exploded you exploded him and yet the Gerudo probably still gotta pay for his shit from a billion years ago anyways idk idk idk pot shots at totk again.

I know you dug around a little for that post, and I understand from the numerous people that dmed me about that, you probably went on making an essay on their post so you could sound smart again.

And to be clear, I was told to drop some shit i was about to say about you because no one wants to start fandom drama, neither do I truly and any jab on the post itself would just be rude. people change and some people only learn to shut the hell up, so we'll keep it at that. I just hope you really don't truly recognize some of these people you started shit with.

So yeah tldr, uh.....idk, im going in for an autism screening in a month

also me watching the ending to windwaker cuz i wanted to say something about stong endings TP fans im sorry But Wind waker's ending hits no matter what best sequal to OoT thats isnt Majora's mask

The History of Light and Shadow

At the end of Twilight Princess, Ganondorf delivers one of his most memorable lines, “The history of light and shadow will be written in blood.” He is not wrong. As the player has witnessed over the course of Link’s adventure, Hyrule is haunted by ruins and ghost towns, a mere shadow of what it once was. The landscape is filled with numerous sites of past violence and empty spaces visibly marked by decay and wasted potential.

When Zelda tells Link and Midna that “these dark times are the result of our deeds,” she is referring to specific historical acts of imperialistic aggression. Hyrule established hegemony over its outlying territories by crushing the rebellions against its advances, but the kingdom has suffered from cultural stagnation as a result. Without the dynamic diversity symbolized by Ganondorf, Hyrule finds itself in economic and political decline, isolated from any contact with the world beyond its shrinking borders.

As a representative of a marginalized group of people who have been attacked and driven from their homes, Ganondorf is a tangible manifestation of the horrors of imperialism. He must be defeated, but doing so does not address the underlying problems that have resulted in Hyrule’s decline. I therefore want to argue that Twilight Princess uses Ganondorf to deliver a subtle yet poignant protest against the discourses of empire reflected by the dualistic “light and shadow” rhetoric of heroism that has resulted in tragedy and regret.

Keep reading

[scribeofmorpheus]

Veilguard Review: Doom Upon the World

Warnings: Spoilers for Veilguard, very political review (considers race, gender, religion and choice consequences centred around established Thedas).

Another long post: 4k words

In my first review (Love, Wisdom and Pride), I focused on the relationships most pivotal to Solas’ arc reaching resolution: Inquisitor and Mythal (though heavily Solavellan inspired, I tried to be aware of how the Inquisitor’s role as a rival/friend outside of romance was still considered as an important relationship in his story). This review, on the other hand, will focus on the worldstate and what we lost [x], as well as my speculations on which story beats/companions/advisors I feel should have been integrated into the story for a deeper emotional payoff for past Dragon Age players (and overall story cohesion).  

N.B: This review is definitely a critique of something I love, born from love, because—yes, I had expectations; yes, they were high; no, I don’t think that’s a problem; no, I do not hate the game we got, but I mourn for what the devs clearly were building towards with the last 3 games in the series, and from what we know from the internal struggles with Bioware under EA’s helm (as evidence from the development time, layoffs, staff’s disappointment, and the differences between the final game and the concept art) the only thing getting in the way of a truly epic game was corporate meddling and greed.

Spoilers below the cut.

Without further ado, the primary criticism I have is that Varric should not have been our advisor! I read a post somewhere that succinctly surmised the that Varric was chosen as our Advisor so that:

Solas would make an “irredeemable” mistake for all the Solas haters to use as an excuse to simply view him as an antagonist, simplifying the goal of the game to: stop the elf from bringing down the Veil.

Varric was used for marketing purposes rather than story depth choices; he’s popular, beloved and an easy carrot for the EA stick to dangle in front of loyal fans.

His writer has literally been trying to kill him off for the last 2 games! Varric was supposed to die in Inquisition! (lol)

I firmly believe he should have been holding the blight back in Kirkwall, and that his position as Viscount of Kirkwall should have affected the outcome of the blight spreading in the South!

Advisors in the North

Right off the bat, the two best choices for advisor, (excluding the Inquisitor out of favouritism) should have been Dorian and Morrigan.

Dorian: because we’re in the North, the Shadow Dragons are by far the more “grassroots organisation against imperial power” kind of organised body the Inquisition started out as. Since we don’t have a calling to fight against like the Wardens in Origins or a family to try and keep together in a city on the brink of implosion like Hawke, or a pseudo religious-political body to inspire Hope in the faithful like the Inquisitor, Valour, Love and Hope cannot be at the heart of this story. It has to be JUSTICE [x].

Justice for the culmination of Anders’ story; for Merril and everything she endured to repair the eluvian; for Fenris, the origin of his lyrium tattoos (which according to GhilDirthalen’s post, there was a plot point linked to elves whose lyrium bodies did not possess latent magical prowess) and the slaves in Tevinter; for the rebelling elves that should have formed factions as the Dread Wolf’s Agents like the Trespasser epilogue hinted at; for misunderstood spirits hurt by mages like Cole; for the ancient elves like Abelas; for the templars who saw the corruption in their ranks but had no way out because of lyrium addiction like Sampson; for those corrupted by red lyrium that was spreading throughout Thedas with no cause or cure; for the dwarves like Branka, obsessed with the answers held in the Anvil of the Void, or Harding, or Shaper Valta who saw a Titan and witnessed the death of the Legion of the Dead; for Sandal’s prophecy!; for the qunari oppressed by the Qun, turned talvashoth, searabas, hisraad like Bull! Justice for two decades worth of worldbuilding on the part of the writers and the devs who loved telling these stories.  

Morrigan: is self-explanatory to the story they were crafting between Solas and Mythal. And what would have been even better is if they actually just explained away the Well of Sorrows’ choice unaffecting the Inquisitor because Morrigan eventually had to assimilate the essence from the well to keep the Inquisitor from going mad—like the anchor had to be tempered by Solas in Trespasser. Easy as that!

The best part is that pitting Morrigan and Dorian as foils of each other further allows the game to have greater stakes and tension because Morrigan (changed by Mythal’s righteous anger and need for justice for what was done to her by the Evanuris) could champion making choices more detrimental to Thedas but ultimately in line with Solas’ plans. And Dorian could make choices that put the safety of Thedas’ citizens at the forefront by sacrificing headway in stopping Solas and his Agents from advancing with their plans!

Best yet, we could have had a hardened vs softened Dorian depending on whether you recruited him in Inquisition, and/or did his quest.

[Inquisitor concept art by Matt Rhodes]

Favouritism Bonus Round: The Inquisitor (or alternatively Morrigan) should have been the voice to champion Rook to seek out the wolf statues, and they should have been present when discussing the memories, as it would have given them more gravitas when uncovering the literal story of "Solas is Andrastian God creating the Veil" or "the Dalish Dread Wolf is being proven to be a saviour" or "Elves originally being spirits in the beginning", or "Titans were at war with the elves" beyond comments like: “Oh, Solas regrets this” or “They were doing it”. (This is the issue with having a “couch setting” for a “war room”—discussions feel less intellectual, factions don’t necessarily bring their own unique viewpoint into the interpretation of Solas’ decisions/Elgar’nan and Ghilan’nain’s presence, etc.) Everyone is not digesting the material given like it’s a clue to stopping the world from ending but rather like gossip. With the Inquisitor, as either a friend to Solas, a rival or a romanced Lavellan, finally finding the Dread Wolf’s Achilles Heel after vowing to stop him would have rung true, closed the loop.

Sigh.

This is also why I feel the Inquisitor should have been the one in Varric’s place—like literally. I mean recovering from an injury after failing to catch up to Solas in ACT 1, possibly dispatched by Agents of Fen'Harel! Because they could then be forced to pass the mantle to hunt down Solas to “Rook”. Not dead. Or a blood magic illusion. Just, Inquisitor, wounded, making small talk, sometimes bringing up plot points from Inquisition—your Hawke on the battlements in DA:I or Alistair in the gardens with Morrigan and Keiran.

It would also make more sense for the Inquisitor to be able to use the eluvian to travel between Skyhold and the Lighthouse, allowing for believable absences during plot points where their lack of action inspite of their presence wouldn’t make sense. Not to mention more gut-wrenching if we heard about the South from Inky rather than reading 4 letters!

Previously, I stated how the Inquisitor’s presence needed more weight in the non-Solavellan endings! Some people’s Inquisitor befriended Solas, some hated him, either way, the Inquisitor should have been present for the final showdown beyond a passive observer! If the Inquisitor ended up being the last friend/former love that Solas destroys (in a bad worldstate end where you don’t collect Mythal’s essence), which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that would have added so many layers! The Inquisitor falling is the last straw for Solas too, whether friend, lover or foe, he fought beside them, stopped Corypheus with them! The Inquisitor was partially his making of a hero; his first “good” mistake! It would then make sense for him to snap, choosing to be a villain in the hopes of being stopped because he can’t stop himself, he’s come too far! Rather than the ‘I am a God’ ending they gave us.

Agency of a “Rook” on an Empty Chess Set (Factions and Backstory)

Personally, from both a writing and a viewer’s perspective, I think our protagonist should have always been linked to the Shadow Dragons (and the factions choices shouldn’t have been incorporated. This is more because, framing one’s backstory as being a member of a faction—not a people with established political positions in Tevinter—siphons the narrative of personal stakes. Imagine being a mage who could have begun with higher approval in Tevinter but lower elsewhere, maybe they’d be saved from the Venatori’s thrall that was linked to Neve’s companion story—again linked to Ashur and the Dragons. Or an elf mage could begin a storyline like that of the city elf in da:o but focused on the Shadow Dragons’ tackling slavery’s presence in Tevinter. A Qunari origin could explore being a refugee aided by the Shadow Dragons as they flee the Qun because they don’t fit in the dogmatic religion. A warden could be a criminal in Tevinter, showing us what is considered ‘rules for criminality’ in a city that corrupt and extremist.

Overall, the factions don’t add much diversity to Rook’s background, backstory, dialogue tree or influence on the world state beyond a last name that doesn’t really matter. With a Shadow Dragons’ background, the very ethos of “Rook” would have been about overcoming oppression, and then the nickname makes sense too, a name to stay concealed, to keep loved ones safe while DAV’s protagonist battles politics, blood mages and blighted gods. It would have been even more meaningful if the nickname “Rook” paralleled “Dread Wolf”, in that it was bestowed by your origin-based backstory antagonist and then used as a call to freedom (we wouldn’t even need a cutscene, this could have been revealed in part of their banter/dialogue). This simple choice would have allowed us to focus on Treviso and the Antaam’s occupation and Tevinter and the Venatori’s rise to power on a more personal level. It would also place our Rook in a position to be a foil to Solas’ “do what is necessary for the greater good” vs “be better than those that came before” plot lines. Building off this, the hardened companion status between Neve and Lucanis should have formed a parallel, with one tilting towards understanding Solas’ extreme efforts to stop the Gods, whereas the non-hardened character should have taken the role of foil. Both of whom would add balance to the tension when discussing Solas’ memories or even in exploration banter during missions (one the “devil” on your shoulder, the other your “angel” depending on where Solas’ actions stand for you since Inquisition).

Finally, the Shadow Dragons' should have been linked to Dorian more directly, potentially created with backing/support from the Inquisition’s advisors/Inquisitor directly (since their default attire is the Shadow Dragon apparel).

Companions: Cole for Compassion; Briala for Rebellion and Revenge

Cole

In my review Love, Widsom and Pride, I briefly touched on the fact Cole (whether recruited, not recruited, kept spirit or changed human) was absolutely necessary as a companion. Because it doesn’t matter which version was present in the world (RIP the tapestry), every iteration of Cole works synergistically with appealing to Solas’ spirit side:

If he wasn’t recruited in Inquisition, he could simply have his default origins as a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly.

Recruited-to-the-Inquisition Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history of corruption by preventing a spirit from becoming something against its nature.

Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. And he could still offer insight into Solas' mind via 'remnants' of the time he was more spirit.

Briala

What I enjoy about this companion head canon is that Briala is literally Solas’ direct parallel story-wise:

She’s in love with Celene, the ‘best’ choice for ruler in Orlais even though she burned Briala’s alienage. They share a great power imbalance, with Celene able to affect the fate of all elves in Orlais, yet is unwilling to free them, return the Dales, or concede power even though she claims to love Briala, too. Briala is a rebellion upstart, raised by Felassan for crying out loud. She controlled the eluvians and knew how to get around the crossroads, she has more of a bone to pick with Solas than any other NPC not close to the Inquisitor! (Celene and Mythal share many similarities as well, with Celene seen as the more benevolent of rules when compared to Gaspard the Warmonger; and if Gaspard is in power but controlled by Briala, her being dethroned from her seat of power by Agents of Fen’Harel when she lost access to the eluvians would have been a great story arc to explore).

Sidenote on DAV's Romance, Companions and Choice Consequence

Building off having either Cole or Briala as a companion, I do think it would have been nice to have them as non-romanceable too. Don’t get me wrong, I know it's great to have options, but I do feel making everyone “pansexual” wasn’t the right way to go for all the companions. It takes away character choice, personality, taste and individualism from the companions. Dorian’s story would not be nearly as impactful if he could have been romanced regardless of gender. Solas being unwilling to romance any race besides elf (though a direct correlation to the developers being afraid of the ‘evil bisexual’ trope that was popular in the 2010s) also adds to his story; where he’s reluctant to see the world as real, to accept non-elven people as having agency, because that would mean he wasn’t walking through a see of Tranquil, but instead, he was the Forgotten One out of time.

I also firmly believe that a possible reason Cole wasn’t a companion despite there being plans in place that he’d return (Trespasser epilogue slide, I remember you), is because I can 100% see an EA big-wig being like: “He’s unfuckable. Give us someone hot and brooding and slap a demon in them and you’ve got fuckable-Cole” and then we got Lucanis.

I like Lucanis. I’m not crazy about him, but I enjoy the Machiavllian family drama. Very Renaissance Medici story beats. I adore Mary Kirby as a writer, too, but I feel the introduction to the Crows of Antiva should have been Zevran’s mantle, or he should have at least haunted the narrative and missions related to the Crow factions (of which there should definitely have been factions within the Crows). Considering the fact I romanced Lucanis, I couldn’t shake the fact that a lot of his “acceptance for being bound to Spite” beats paralleled a Human Cole having been ‘cured’ from Compassion.

The romances seem less… memorable to me than past games. The importance of choice means you have to accept the story unfolding based on the consequences of your choices; and gender-locking at least one companion would show the cause and effect of beginner choice. Taash is actually written to prefer women over men, which is vital to their arc around gender dysphoria and being non-binary, they would have been a perfect candidate! I imagine their story would also be a great way to explore how being one race attempting to romance another could have a slower progression rate (again, because of Taash’s multi-cultural background, and their complex feelings at having been raised by a mother so tied to the Qun, them being cagier around a qunari Rook romance would also have added layers!) But with everyone available to be romanced, and having no initial repercussion for early game choices despite which character model would have bruises or cuts (Neve or Harding), genuinely roleplaying as Rook, and not as someone using Rook as a stand-in for ourselves, is more disconnected than previous games. This is why the romances feel off to me. Doing the romanceable companions’ storylines seem like I’m the one trying to date them, not Rook. Maybe it’s because Rook’s established personality is the direct repercussion of a sanitized worldstate!  

Foibles of being ‘Unproblematic’: A Sanitised World

The issue with trying to make a game that won’t touch on difficult topics, is that, when you make that game a sequel to a series that was literally built on the backs of tackling real world politics, it makes a lot of the world seem plastic. A poor imitation perhaps.

The World of Thedas book actually tells us that Thedas is a fantasy setting that uses the real world as its backdrop for conflict and world building. Andraste is Joan of Arc. Andrastian faith is Christianity founded by a woman. Orlais is the French bourgeois era. Fereldan is more Highlands/Celtics region if it never had a chance to expand because of the blight. Elves are the disenfranchised (and a direct parallel to popular elven cultures that were often portrayed as the pinnacle of advanced magic/civilisation). City elves live in alienages (literal ghettos). Dalish elves (native to the land) are being run out of their homes, the Orlesian’s are trying to claim the territory for their Empire, and their numbers are dwindling, their culture and language a poor imitation of what it had been, barely surviving colonialisation! Dwarves have a caste system that determines everyone’s future! Dagna had to leave her home! Harding grew up on the surface. Varric’s whole plot thread anchoring him in act 1 of DA2 is helping his brother discover Deep Roads riches so they can get their family’s title again.

And through all 3 games prior to Veilguard, we’re told the Ventaori are monsters, the Imperium is crueller to its elves/slaves than any place in the South! The best option beyond turning Feynriel tranquil in DA2 (one of the few Dream Walker mages) is to send him to Tevinter. What becomes of a half-Dalish mage in Tevinter? Neve, our first companion beside Harding, is determined to make Dock Town a place worth living! So, to walk into Veilguard and have no slavery storylines in a place called the fucking TEVINTER IMPERIUM (modelled after the fucking Roman Empire close to collapse) is so jarring. So unbelievable. What injustice is Neve battling? What woes has Dorian been dealing with in the Magisterium?

The closest we get to seeing the darkness that exists in the world (besides the hanging corpses lining the streets of Dock Town if you save Treviso, is the side quest where a father makes a deal with a demon to keep his child alive by sacrificing so many innocents).

And then there's Tevinter's "savage" neighbours, the Invading forces of the Qun! Frightening, right? But from the blasé manner the Qun's rigidity is discussed, it is framed as though anyone can simply up and leave the Qun if they so wished it, according to Taash’s mom. Yes, Taash is being hunted, and their mom is taken prisoner, but it was all in service to a tablet that discussed fire-breathing, not about returning to the Qun. Iron Bull being deemed hisraad holds less severity when the consequences of leaving a subjugating, dogmatic, religious-political society are simply... nothing. There's no anchor to Taash being raised in Rivain for safety reasons beyond keeping their fire-breathing secret. And what of all the elves that commit to the Qun? Why are there no elf converts among the Antaam? What about the fucked-up stuff the Dwarves of Kal-Sharok were doing before Veilguard? Kal-Sharok dwarves apparently were changed by the First Blight, and are supposed to have a ‘tainted’ appearance according to the World of Thedas concept art book. Why are they just... normal dudes in booby armour (lol)?

[Imshael! A demon/spirit of choice & Calpernia as potential companions is insanity>>!]

I possibly wouldn’t have these strong opinions if the games gave the companions more… just more ‘controversial’ stories with harder choices! Veilguard in a way feels like playing a game with child-lock on. Yes, what happens to Tevinter or Treviso looks awful when you see it, but the side-quests, companion stories, NPC dialogues and world around the ‘mise-en-scene’ don’t reflect this--it's like set dressing. The “I can’t believe the Venatori are evil” side comments by Rook in Tevinter when the Venatori takes over become whiny, child-like and “hopes and prayers” coded. Do something then, Rook. You are the hero of this story, are you not?

I am forever grateful that Lucanis is actually hardened and removed as a romance interest if you sacrifice Treviso (finally, good old dragon age consequences).

Now onto good criticism of our companions!

Companions: The Good, the Balanced and the Essential

Good: Neve and Davrin.

Neve is our eyes and heart to Dock Town, our humanising presence for the Tevinter Imperium. She is also written in a way that I find her to have the best agency as a non-romanced character than most.

Davrin is a breath of fresh air for the reputation of the Grey Wardens, he’s the genuine article. Him owning up to being young and foolhardy when he rejected the Dalish ways in search of adventure, only to be battle-hardened and then become more appreciative of the fact he was taught to live in harmony before he was exposed to the discord of the Deep Roads is such a good character growth moment.  

Balanced: Harding. Harding grows into a much more invaluable story piece when she unlocks the Stone Sense and uncovers her people’s history. It’s a rather short-sighted choice to have her be one of the Ultimate Sacrifice characters because what becomes of the story of the Stone? Who hears the song? Who will speak of the Titans to other dwarves if she is chosen to go on the final mission?

Essential: Antoine and Evka! No notes, they should have been conditional companions in a side quest! They’re fleshed out so well, and their relationship is real and built into their character, but it’s not all they are! Antoine is smart, hopeful and also tortured by the new blight. Evka is powerful, pragmatic and also caring.

The Red Herring that should have been: Bellara as an Agent of Fen’Harel! Her storyline would have worked with the concept of being found ‘suspicious’ by players if the Agents of Fen’Harel were an active group. A Veil Jumper in Arlathan whose brother got entabgled with a Forgotten One? Someone who is an outright believer in the elven pantheon? O, Bellara, the power you would have had as a possible double-agent in our midst, only for us to have been wrong in doubting her and having it be someone else! Race and position to power should have inforced so many story beats in this game, man!

Finally: Religion, Where?

I’m a little exhausted, so I’ll wrap this part a little quickly. Religion is paramount to understanding the decisions and states of mind of so many characters in Thedas. Leliana’s arc alone is one of the most intimate insights into Andrastian faith! The Inquisitor is literally responsible for appointing the Divine! The Divine can call for an Exalted March! The Black Divine is a huge plot point when discussing the differences between the Southern and Northern iterations of the Chant. Tevinter’s Old Gods (Archdemons) are blighted dragons linked to the Evanuris that whisper the will of their masters to humans. Archdemons are responsible for the Blight, our first “save the world kiddo” moment in da:o! So where is the disbelief in the streets that Elven Gods exist? Why is it always “Our Gods” are back? What about city elves who believe in the Chant of Light? Where is the Black Divine? Why is everyone okay remaining Andrastian when the fact Solas made the Veil is revealed? Where is the politics and religious civil war in the streets between NPCs?! Between companions? Why isn’t there a cultish, zealous group of extreme Andrastians following Solas around? Why isn’t there another version thinking of Solas and all elves as the second coming of Maferath? How are city elves fairing compared to Dalish elves at the reveal it’s their pantheon gunning to end the world? Again! RACE AND POLITICS MATTER! They always mattered in Thedas before, yet here they are anecdotal at best.

The Veil Should Have Come Down

It’s apparent to me, and numerous others, that Veilguard was stunted by its attempts to be an entry piece that wasn’t alienating to new players of the RPG game format, but it was also haunted deeply by it’s very EPIC tapestry mechanic (chocies mattered!). Ironically, Veilguard served to be a soft re-boot of the series. This, I think, was the grandest mistake. If they meant to reboot the series for future instalments, we should have fundamentally changed the physics and rules of Thedas completely to allow the next instalment to start from the literal ground up. By bringing down the Veil, we’d finally free the Titan’s, introduce the concept of Dwarves with magic, awaked the Forgotten Ones and maybe allow for new species/lore/concepts to shape the future. And to work around the tapestry, they could have simply set the next sequel 200 years later. Sent our heroes to rest. Ended with a new canvas.

It should have concluded with the very ending that was prophesied by Sandal in DA2:

“One day the magic will come back. All of it. Everyone will be just like they were. The shadows will part, the skies will open wide. When he rises everyone will see.”

Bonus: Anaris should have been a DLC boss with Fenris involved!

Why, you ask? Just this data-mined codex entry still present in the game:

Truth be told, like they did with Corypheus in the Origins DLC, I think they could very well bring him back as the big bad of DA5—which I think should have always been about fleshing out the war between the Titans / the Forgotten Ones / Evanuris!

Anaris and a waking Titan?! That would have been beyond amazing!

Which… again, is why the Veil should have COME DOWN!

P.S.: I know a lot of these criticisms seem like unhappy nitpicks, but I did enjoy Veilguard, I got an ending I could live with. BUT I am so angry by how many roadblocks are placed before game devs with a clear story in mind--as is obvious with the concept art book. Obvious threads were leading to Veilguard having always been the end of the Dragon AGE! We kill the last Archdemon! The last dragon linked to the Gods and the blight! The game developers have even alluded to having fought tooth and nail with EA's suits, but could only manage to give us the game we got. And I'm beyond grateful. But MAN does it hurt!

Remember to say thank you to the writers/artists/voice actors on their socials, they deserve a little love too.

Fin!

[arcane-ish]

I'm low key intrigued by this shot in the trailer:

That's the Vander statue, right? I almost didn't recognize it, by how stern and general like it looks. In s1, the Vander statue always felt kind of warm and protective and affectionate. It's obviously a place of solace for Silco and it's full of doodles by Ekko's people and little things the Zaunites left on it.

Here, he looks like a british admiral on his fleet ship or something.

I probably expect way too much but I'd love the idea of Sevika being the one who knows the truth about the original revolution attempt and who is maybe aware of the difference between the narrative and the reality and decides to intentionally keep mum about it to preserve the revolution. I could picture her keeping quiet about how dangerous it was because she just wants the revolution to happen, or even throw Silco under the bus and conceal Vander's flaws because she sees people want to rally behind his positive image, or she could do the opposite, amp up stories about Vander and the revolution and conceal that he wanted to call it off.

I can't help but think that the statue looking so different to Sevika might symbolize how she saw him. That from her perspective he was a lot meaner or colder. Or that the way she looks up represents the mixed feelings she has towards him. To that he looms large that the big shoes that have to be filled just like Cait talked about filling Cassandra's shoes.

I wonder if this shot symbolizes (again with looking up) Vi being unsure whether she should join the revolution. Since we know that Vi will at some point be saving enforcers again, I suspect an original revolution attempt will fail in some way.

I could picture it like this, Sevika lies about how much Vander was in favor of the revolution. Vi is torn when she sees the melding of Jinx and Vander, because if Vander is on it, it must be good right? And then she finds out what really happened and she's no longer keen on the revolution.

(that said, I think it should be distinguished between whether Zaun defends on its own turf or attacks topside. We know somebody is attacking Singed at some point (only to get eaten by Warwick I presume), though that could easily be chem barons wanting access to shimmer, we also have shots that suggest more bridge level confrontations, but we don't know if these are current shots or from the past, we have Ekko and firelights flying in on Piltover but that doesn't necessarily feel hostile)

There we'll probably have this whole aspect of the Pilties will probably find out that the medicine (Noxians) is worse than the disease (Zaunites) and we have this whole other secret, Cait likely has to figure out at some point that Ambessa organized the Memorial Attack.

(I could picture Vi finding out and if she thinks the revolution is going bad rush to Cait to call off the attack on Zaun till she figures out the Noxian involvement. Or reverse, I could picture Cait finding out and rushing to Vi and asking her to help against the Noxians)

Sidenote: I don't really have super high hopes for getting young!Silco and Vander flashbacks, but in my perfect world the whole "the tale about the revolution is different from what it was actually like" thing would have Sevika giving this rousing speech about how the ones before them were these heroic and disciplined revolutionaries intercut with flashbacks of Vander and Silco getting drunk and goofing off at the Last Drop.

[darkbluekies]

2nd year anniversary get to know the author

I have always loved the "chosen one" concept.

ever since I was little, I've written stories where the main character is special. I've always liked it when the character is chased for something only they have/do. Like, they're not just replacable or killable.

Ex. When I was 11, I wrote a story about a pair of twins that have different blood than normal people, which becomes a "super weapon" once their blood touches. By this, the main characters can't be killed, but they're hunted because they're different. Chosen.

Which is probably why I like the yandere style. The main character is chosen and special, something that can't be killed but can be imprisoned.

Some of the best book plots I have ever written are fanfictions I made during my teens

It's insane how well my brain was thinking when making up certain stories. Like me today are still in love with the plots (need reworking though, but the core of the plot is amazing) and I'm jealous of that now.

I painted my room when I was 12 to match the bedroom my character had.

I love(d) that character so much (at the time she was the main of the mains, if you get what I mean) and wanted to be her. She was one of the twins with special blood. There was something about her that just resonated deeply with me.

I feel like I can't write certain things

My notebooks are private, no one is allowed to read in them. Never will. But I have this feeling that either when I have children, they'll read my notebooks because kids are curious, or they'll be published once I'm dead.

I want to explore writing sexual scenes so that they keep up with the rest of the style in a story, if the plot asks for a sexual scene, but I don't feel like I can write them becuase they'll never feel private enough. It feels like someone is always watching whenever I try anything that commes close to sexual scenes. Like I'm doing something bad. Which is stupid, because I'm an adult lol.

I had another oc planned instead of Hedwig

I knew that i wanted one yandere to exist in a school, like the original yandere concept (for me that's yandere simulator) and created a "quiet kid" oc. Funnily enough, i actually found what I had written for him. I thought I had deleted it

But then I decided to make it a girl, because I wanted it to be more similar to the original concept<3 and that's how hedwig came about<3

There was another Edmund

While finding the quiet kid oc, I also found a king yandere oneshot I had written before writing the very first Edmund oneshot in January 2023. This is ALSO four days before writing my first oneshot for this account. This oneshot is older than the entire darkbluekies account. Older than Silas. Older than all of them!!!

Doesn't really feel like Edmund though, does it? Too nice

[jetspikepub]

No one ever really talks about it in the fandom and it NEEDS to be discussed because it's hilarious to me. I have to ask where all the crazed spike x julia fans come from 😭 like say one thing negative about the ship or ship spike with someone else and there's this one person (who I think owns multiple spikexjulia accounts snd pretends to be different people😭😭) that starts sending their "CAnoN aNd facTuAL eviDencE" with so much hostility

I've also noticed that Julia fans either always hate Faye and/or don't give a damn about Spike's well-being and just want him paired up with Julia even if that costed him his life, which I don't even think Julia herself wanted for him to do in the end lol. It's a little disturbing

Oh trust me, this is a looong story. It's not like we don't see it, we just got tired of it. You're not alone, I give you a warm hug🫂

This user has been terrorising Bebop fandom across multiple platforms since 2022, I think. If you ever see this bitch harassing someone just flag the account or ban it. A collective appeal could do the trick, but it's gonna be like chopping off Hydra's heads. This pain in the ass keeps posting weird commissions on X (Twitter), Deviantart, Reddit, Pixiv (for Christ's sake, please DO NOT search Bebop tag on Pixiv, it's a total disaster in there right now) and edited Bebop wiki, describing Faye as Spike's no 1 enemy and Julia as a goddess of doves and roses 🤢 It's hard to track down every account, the only way to stay safe is to not interact with them and blacklist. "If I ignore it, maybe it will go away" tactics is the best in this situation, don't let them take away your time and emotions, they cannot be reasoned with.

Another thing that bothers me is that stupid localisation of guide books with SpikeJulia nonsence the translators added just because they wanted to and ruined the original idea that implies multiple ways of story perception. I've aready dispelled that "truest lover ever" myth by presenting the original texts from my collection of Japanese books. They fucked up with "love" kanji meaning in Eng and this changed a lot (I did some analysis here and here). Now we can see what happens when these love stories fall into the wrong hands: haters cite it like a Bible in each and every thread about SpikeFaye😩 Also there was a post about some Julia's love letter to Spike (wtf?) written on the back cover of the vol. 6.

I wanted to make a post about it and took pictures of a Japanese edition but forgot. Now it's the right time to dispel another myth.

According to quick translation results, this guide was made to inform fans about some Bebop episodes which weren't aired on regular TV and appeared later on WOWOW (premuim satellite broadcasting) because of censorship.

There was no mention of Julia writing letters to Spike in the original series. It was Spike who gave her a note describing rendezvous point or whatever and she tore it to pieces🤷🏼‍♀️

Just remember: Spike's well-being is up to the viewer. Noone can convince you otherwise if you don't want to and noone has right to insult you. Spike is for everyone 🌸

The situation is so annoying, those who loved SpikeJulia or didn't give a damn about them now hate this. If someone is going to use "SpikeJulia" as a safeword I will understand 🤣

[blue-eyed-beastie]

Oh my goodness! This is it!! Thank you for this!

I was able to find the original novel through Project Gutenberg. It's free to read on any web browser! Helpful hint: If you use Firefox, it gives you the option to translate it automatically (but with varied and sometimes hilarious results).

Anyway, as far as I can tell, the story is told through a series of letters. The excerpt from Belle's book is from a letter written by one Annette Bourdon to her friend Adelaide Fairlie, dated 19 September at Les Frênes (in case you want to look up the exact chapter, since they aren't numbered).

I won't include the entire translation, because it is quite long, but it's worth the read. By the way, I'm not at all disappointed that my earlier guesses about the context were wrong. I'm just thrilled that someone else knew what the excerpt was from so that I could read it in its entirety!

For those who don't have the time to read it right now, the summary of it is that Annette is discussing her engagement to Paul, and what has happened since, and how she feels about it. She also wonders what comes after marriage (and yes, she means the bedroom!):

There must be novels that talk about these situations, novels that I'm forbidden to read. As soon as I'm married, I'll read everything that's been forbidden to me; so I will be informed and I will know what I must do, in case of necessity. I am determined to be very good to my husband, but I would not want to cause anyone unnecessary pain. If someone courts me, I will be happy. I like to be looked at, and to be talked to. All alone, I get bored and sometimes I have done extravagances to attract attention. I told you about the one in the river, but it was my sister who had the idea. No matter, I see that the idea was not bad, because it is since that moment that Paul began to look at me with completely new eyes. As for me, if I saw a naked man swimming on the surface of the water, it would frighten me and I would start running. Men are braver; they are not even afraid at all. They both seemed ecstatic, and I almost laughed, which would have made me drink water and drown. What a pity, but what an opportunity for Paul to fish me out and hold me in his arms, like a languid siren!

Ah, the languid siren that was mentioned at the beginning of the excerpt! One translation suggested "mermaid", which I actually prefer in this context, since sirens tend to want to drown their victims. Mermaids, not so much! (See: The Little Mermaid, as a case in point.)

Now, I won't quote the entire excerpt again, but I did want to know what the very last fragmented sentence turned out to be, so I will include it below in its full context, plus a little more:

Paul is more handsome than I have ever seen him before. He is pale with large eyes full of fever and love. I find him sublime when he kneels down beside me to look at me as if in prayer. I want to pray to him too, sometimes, and to lay my cheek on his knees, but when I have that desire, I get angry with myself and I sulk at Paul. It is very difficult to keep a man within the bounds of respect. He addressed me informally once; I did not like that. No one has ever addressed me as "tu" [you] except women. In the mouth of a man, this familiarity seemed unbearable to me. Nothing vulgar pleases me. A woman must be a queen to be completely a woman. This is the attitude I want to take from now on; even when I play hide-and-seek, people feel that I am a princess and they do not pull me carelessly by my crumpled dress. I turned eighteen the day before yesterday. At that age, one has a scepter or a fairy wand. When I laugh, there are eyes that are worried; and when I smile, people look at me to share in my smile.

The last of Annette's letter sees her looking forward to marriage, but wishing this feeling would last. She ends with this last romantic thought:

I feel that I am embarking on a long pleasure voyage. Everything laughs. Autumn itself is spring-like this year. There are languors of the month of May and freshness of new grass. One would say that it rains love every night…

While there are no sword fights or magic spells in this one, there seems to be plenty of romance, and that's all right with me. ❤️

A Closer Look at Belle's Book: Part II

In Part I, I went into some detail about the illustration inside Belle's book, but now I want to turn the page, so to speak.

Thanks to the magic of 4K, I was able to zoom in on some details in Beauty and the Beast that I had never noticed before, and this time I wanted to see what story Belle was reading. I've seen theories that it was either foreshadowing Aladdin or referencing Sleeping Beauty, and I myself noticed that it bears some artistic resemblance to Snow White... but it turns out that it has nothing to do with Disney, or its fairy tales.

It's something else entirely, and it's in French!

After zooming in and studying each frame, I managed to make out the following text:

une languissante sirene! Enfin, il sera bientôt heureux, si c'est là ce qui doit causer son bonheur. Je sais que je suis agréable à regarder, puisque j'y ai du plaisir moi-même, et de ce plaisir je ne priverai pas mon mari, au contraire. Je ne sais si je l'aimerai, je l'espère; mais je veux qu'il m'aime lui, et je ferai pour lui plaire tout ce qui lui plaira. Ah! chère Adélaïde, je suis pleine de rêves absurdes et de pensées contradictoires! Je songe à des choses qui me semblent à la fois douces et vilaines, et j'ai des imaginations qui me font rougir en même temps que pleurer! Au moins, je ne m'ennuie pas. Je vis plus en une heure de ces journées que l'an passé je ne vécus en toute l'année. Chaque heure me renouvelle, me grandit et m'épanouit. Je me semble un rosier qui fleur rirait à vue d’œil, je suis fraîche et parfumée; je suis légère et forte: j'attends le bonheur. Paul est plus beau que je ne l'avais encore jamais tu. Il est pâle avec de grands yeux pleins de fièvre et d'amour. Je le trouve sublime quand il s'agenouille près de moi pour me regarder comme en prière. J'ai envie de le prière aussi, parfois, et de coucher ma joue sur ses genoux, mais quand j'ai cette envie-la, je me fâché contre moi-meme et je boude Paul.

Which, roughly translated into English, means:

a languid siren! Finally, he will soon be happy, if that is what will make him happy. I know that I am pleasant to look at, since I take pleasure in it myself, and of this pleasure I will not deprive my husband, on the contrary. I do not know if I will love him, I hope so; but I want him to love me, and I will do whatever he pleases to please him. Ah! dear Adelaide, I am full of absurd dreams and contradictory thoughts! I think of things that seem to me both sweet and ugly, and I have fantasies that make me blush and cry at the same time! At least, I am not bored. I live more in one hour of these days than I lived in the whole year last year. Each hour renews me, makes me grow and blossom. I seem to myself a rosebush that blooms laughing before my eyes, I am fresh and fragrant; I am light and strong: I await happiness. Paul is more handsome than I have ever seen him before. He is pale with big eyes full of fever and love. I find him sublime when he kneels down next to me to look at me as if in prayer. I want to pray to him too, sometimes, and to lay my cheek on his knees, but when I have this desire, I get angry with myself and I sulk at Paul.

By the way, there is one more sentence (maybe even two) at the bottom of the page that is partially obscured by Belle's shoulder and right hand. It may or may not be important to the rest of the excerpt, but for completion's sake, I'll share it here:

Il est ... maintenir un homme dans les ...

Which translates to:

He is ... to keep a man in the ...

Intriguing, isn't it? What was she trying to say?

Overall, the author appears to be an unwed woman dreaming of her future marriage to a man named Paul. Her confidante is someone named Adelaide, but I suspect she is actually writing to herself. Regardless, she is either betrothed to Paul or she longs to be, since she calls him her husband. Perhaps it is an arranged marriage? She goes on to dwell upon his handsomeness, and how she longs to be close to him, but then she gets angry at herself for feeling this way. The last line of the passage is incomplete, but my best guess is that the author is saying that Paul is not to blame for her sulking, so it is not right to keep a man in the dark, i.e. ignorant. I could be wrong, though. In any case, she is conflicted about her feelings on the matter. You could even say that her feelings are "new, and a bit alarming".

I can see why the filmmakers chose this passage for Belle's book.

It may not be a fairy tale, but it certainly has elements from the film. There are references to beauty, roses, imagination, and eyes filled with love, and passion.

Belle:

"Oh, isn't this amazing? It's my favorite part because—you’ll see Here's where she meets Prince Charming But she won't discover that it's him 'til Chapter Three!"

Do the lyrics match the story hinted at on the page itself? No, but I really respect the filmmakers for going out of their way to include this kind of detail in the film. They could have taken the easy way out, by writing out something like "Once upon a time" to echo the opening narration, or used "Lorem ipsem" Latin filler, or even meaningless brush strokes just to fill the page... but they didn't. They chose something in French that Belle herself might have liked to read. And I think that's really cool.

[locuas642]

Dandadan and the Roof

(CW, mentions of suicide)

Okay so, I have seen people commenting on how Dandadan Episode 7 (A Kinder world) changed the scene to make it a lot more subtle that Acro Silky commited suicide by jumping off a rooftop. Particularly talking about how this might have left anime-onlies confused or did not quite fit how it looks in the manga, where it is a lot more clear.

First of all, I tihnk it's important to acknowledge the obvious. And other people are in agreement that, first of all, it just wasn't gonna happen that japanese TV censors would allow Science Saru to make it explicit she had commited suicide. This is not even a Japan thing, all countries have guidelines or a general rule for what is and isn't ok to show on television. The US has them and they have guidelines about how to portray suicide.

this is because there are things that are fine to show in one medium, but which would be controversial to show on another. For example, in the book Alive, which chronicles the rugbier team that crashed in Los Andes, there is a particularly haunting part of the book that goes into detail how the survivors were forced to commit cannibalism in order to survive, the most famous part of the real event. It's haunting, nauseating, horrifying and what real people were forced to do for them to survive and which the book chronicles not for shock value but to tell an accurate picture of what the survivors went through.

it's also something that no movie could actually explore in as much detail without having to be cursed with carrying the highest of ratings. And the truth is, there are things that are easier to swallow, to experience, to process, by reading about it than in watching a movie.

that is to say, what is OK for Manga to show (and this can vary depending of the magazine) may also happen to be very hard or even impossible to get the approval to show in an anime or live-action. and it's important to acknowledge this fact before going any further: for Science Saru to acomplish the hard task of keeping the scene but leaving it ambiguous enough to please the censors? that is something to be praised. And I talked with someone and we both agree, I suspect Science Saru might have, at some point, seriously considered changing it to her bleeding out on the street, given the focus we got on the blood, which was non-existent in the original scene.

With that said. I also think this is the version of the scene that best takes advantage of the strenghts of it's medium of animation.

I am of the opinion that any anime adaptation that tries to do a 1:1 copy of the manga, to recreate panels exactly or which keeps every single narration box is a bad adaptation. This is because they become slow, scenes become awkward and characters become weirdly static in a way they aren't in the manga.

But manga (and comics in general) is the art of telling a story through static images, while animation is the art of telling a story through movement. it's to use motion and music to create a feeling in the same way manga creates striking images to convey a specific feeling.

And that's what Dandadan did. it used motion, movement, music, it's ability to give life to images, to make this family of two feel more alive. they extended their scenes, because Animation allows them to show more and drive it home how alive they were.

And by this same token, they extended the scene in the rooftop to create this dreamlike sequence that leaves the unaware viewer trying to guess what is going on, to try to process the scene and understand it. to dare them to understand it and guess what happened. Using it's limited time as a strenght by finishing it and leaving the audience to think the answer for themselves.

And in all honesty? it's fine if people don't immediatly guess what happened, that they have to re-watch and and process it and think and feel. Or even be told. It is not a failing of the episode, but an invitation for the viewer to try to understand it, to grasp it's meaning.

It's what makes it richer than just trying to be 1:1.

[siriusremusblack]

GUYS- ok I honestly don’t even know lol

I feel like. If people hadn’t stolen Snape’s characteristics and given them to other characters like Sirius, Barty, Regulus, and even James- practically worshipping them for those stolen traits- but then completely dehumanizing and Villainizing Snape, removing those traits or making them seem like they’re just so undeniably wrong. That the marauders fandom could’ve been something so much better.

Snape does not deserve all the hate he gets within that fandom. However, I feel like. If you take away the characterization that belongs to Snape that was given to the others and come up with new characterizations for the Marauders- something original, not based off Snape. We could have a cool adventure story they seem to be wanting??

And I mean. If it’s an adventure story anyways. Why make them good people? That’s lame, overused, boring (at least to me). Keep the marauders as the bad guys. Keep their horrible canon personalities. Explore their bad traits! Don’t make them heroes, don’t make them good people. They’re not.

Maybe they get character development and improve during your story through shared experiences. That’s great! That would be amazing! But don’t right off the bat completely change them- making them basically into ocs.

What I think a lot of people may enjoy is some bad dudes hanging out. Going on adventures, breaking rules, stabbing people in the back, just being total jerks.

They sound horrible when I put it like that? GOOD. How fun would it be too see that? I mean. If adventurers are following the rules, the laws- are they really adventurers? They’re staying within reason. They’re not pushing the limits. They’re just. Normal, boring people that like to travel.

A lot of people like pirates. Pirates break the laws, they go on adventures, they can be real jerks, they can be horrible people- but they’re still well liked.

So, I feel like. If people had stuck to the original characterizations of the characters- explored it a little, made them worse by a lot or a little- focused on them breaking the rules and going on adventures similarly to how pirates do- (very important part here: WITHOUT VILLAINIZING SNAPE) we could’ve gotten a lot better fandom there. Now, I’m not saying everyone apart of that fandom is bad, I’ve met a couple people that were chill that were in that fandom. But, think of how much more interesting the stories could be if we focus on the bad traits of the Marauders.

You can still put random characters with them like Barry and Regulus- but tell us why and how through the stories, because realistically speaking, James would absolutely despise people like Regulus and Barty. Not because of their ideals- but because they’re slytherin.

Bad guys can be extremely interesting too! You don’t need to change the Marauders to make interesting enjoyable stories- it’s ok to like characters with horrible or questionable morals (as long as you don’t agree with them, if you agree with them… ehh.. maybe seek help-? I don’t know-!!)

BUT COME ON. Marauders being total jerks, bad people- but going on adventures. That’s interesting- and Snape? He can be his curious self. Suspicious of their actions. Maybe as he gets older he’d be apart of the law enforcement- who’s looking for the Marauders for their crimes, to make sure justice is served.

Y’all I don’t know- but I find this more interesting than whatever the current marauders stories are.

[lottielovelace]

công chúa

(ghost x könig's-sister!reader)

summary: You're just a student trying to make through med school with your sanity intact. That last thing you needed was to be kidnapped to serve as a hostage for a half-brother you've never met.

At least the special forces operative here to help is cute.

originally posted on ao3 (wordcount: 3.8k)

Rating: T

Relationships: Simon "Ghost" Riley x Reader, Kate Laswell x her wife (I call her Jean), König & Reader <- PLATONIC

Ao3 Tags: meet cute! in a prison camp / First Meetings / tries to follow canon characterization / less so canon events/timeline / so some things (like the villains) are VERY vague / Past Suicide Attempt / Undercover Simon "Ghost" Riley / Unmasked Simon "Ghost" Riley / (Temporarily) / reader has a name & backstory but I tried to make it unobtrusive

this is a part of a series

Author's note: I do write this story with a specific OC (check the series masterpost if you want a full breakdown of her) in mind just so characterization is consistent, but I tried to make it possible for you to replace her with whoever you imagine. I do have to explicitly mention details unique to the OC (most obvious example here being her ethnicity), but for the most part I'll try to keep things open ended (ex: using "your hair" instead of "your dark hair").

Also, as I mentioned, the OC's ethnicity (half-Vietnamese) is pretty plot relevant this chapter, but if that disrupts your reading flow, feel free to mentally replace it with whatever makes sense for your own personal read-through. I'm not used to writing in second person, so the verb tenses are kinda screwy.

Also this is in the tags but TW: DISCUSSION OF A PAST SUICIDE ATTEMPT (character has for the most part fully recovered)

công chúa:

People could be so fucking stupid sometimes. Bold and stupid. Newbies especially. New recruits—or in this case, new criminal organizations—always think they’ll be special. The exception to the rule.

Take for example, this new group who had the bloody brilliant idea of trying to control special forces (and a handful of top PMCs) by kidnapping anyone ransom-worthy they could get their grubby little hands on. Which meant a lot of missing parents, kid siblings, and SOs.

Ghost couldn’t tell if they actually thought that would work or if this was just some distraction. Perhaps an intimidation ploy or a small part of some greater plan. Either way, in reality, all they ended up with was a whole bunch of pissed-off—and very well trained—soldiers, many of whom were willing to do anything to get their loved ones back. Even allying with their greatest rivals. Ghost didn’t predict to end up working with KorTac of all bedfellows, but even their lads weren’t safe. 

In the past month, he'd had to bear witness to his comrades and competitors getting wrecked, worried sick over their nearest and dearest. Laswell might’ve single-handedly revived the tobacco industry and he’d never seen Johnny so torn up.

Ghost himself had been spared any grief. He would’ve liked to pretend that it was because his mask had protected his identity so well, but the reality was much simpler and bleaker. He had nobody to take. Tommy and Joseph and Beth and Mum were all already six feet under. Nothing would ever change that.

That being said, the mask wasn’t useless.

The hostagers had done extensive research into all their personal lives. They needed to in order to find out who they could kidnap and how. They had become intimately familiar with every combatant their cobbled alliance could send—with one glaring exception.

They certainly knew about Ghost, but not even they knew Ghost’s face—at least according to the dossier smuggled to the Task Force.

After that was discovered, going undercover was less of a choice and more of a duty.

----------

“Jean?”

The woman’s head jerked up at the whispered sound of her name. Finding no one in front of her, she swiveled. Her eyes landed on an idle balaclava-ed guard.

“Don’t look at me,” the guard commanded. He followed his own advice, keeping his gaze trained on the horizon. His voice was low and rough. Familiar.

Jean Laswell hazarded one last glance at him. She squinted, trying to place where she'd seen him before.

A stifled gasp rang out as her eyes widened in recognition.

“Ghost?”

“Keep your voice down, I’m undercover.”

Jean tried to keep her body language innocuous, eyes now glued to her own clasped hands. The last thing she wanted was to blow Ghost's cover.

“It’s good to see your face— or er, hear your voice.” Pleasantries aside, she went straight to the first question on her mind, the one that had plagued her sleepless nights. “How’s Kate?”

"Smoking like a chimney, but otherwise holding up. She misses you."

"Are you here to…"

"Not yet. KorTac and the team are planning a mutual offensive, but we need more intel before exfil becomes viable. Intel I was tasked with collecting."

His tone didn't reassure her.

"But…"

"I ran into a little roadblock. I was supposed to receive, memorize, and orally deliver crucial information about the compound’s layout and security flaws. We’d had some limited online communication with our informant, but couldn’t get anything sensitive past the security systems. So I volunteered to get it directly. Unfortunately, we didn’t know that our informant only speaks Vietnamese, Cantonese, and some very broken Russian. The dictionary he’d been previously using isn’t complex enough for the level of detail we need. Our shared Russian skills aren’t much better. I can’t leave until I have the intel memorized and I can’t memorize it until we find a translator."

"Could you leave and come back with a translator? A digital one maybe if you can't get anyone else past the guards?"

Ghost shook his head, “They know that we're trying to infiltrate them. They’re very strict about what technology gets in and out. Besides, my cover is only so good. I should be able to get a believable excuse to leave camp, but the scrutiny required for re-entry would compromise it.”

Jean pursed her lips in thought, running over the possibilities. She paused, half thinking out loud.

“I think the princess speaks Vietnamese.”

“Princess?” Ghost’s eyes widened beneath his mask. Shit, no one told him they'd taken someone so high profile. That significantly complicated security procedure. “I thought all their targets were lowkey.”

“No, no, she’s not royalty. She’s a med student. It’s just a nickname,” Jean hastily corrected with an embarrassed laugh. “We have a lot of those here. We get kinda bored.”

Ghost silently thought back on his own POW experiences.

“Things could be a whole lot worse than boredom.”

“The perks of being a hostage," Jean responded dryly. "Need us in one piece.”

“So where’s this ‘princess’ of yours?”

“There,” Jean pointed at the upper level of the compound's eastern turret. “You can see where the nickname comes from. She’s in solitary, but she has a window that we talk to her through during yard time.”

“What'd she do?” Unless the hostage takers were worse than he thought, they wouldn’t put someone in solitary for shits and giggles.

“She’s… a special case."

“Who’s she tied to?”

“That’s the thing. We don’t know. Not even she knows.”

“What do you mean?”

“Well, I know I’m here because of Kate. Ritchie’s here because of his uncle. Troy because of his brother. Eileen… could be her nephew, but it’s probably Soap. But Elise—that’s her name, Elise Veidt. Do you know any Veidts in Special Forces or KorTac?”

“Not to my knowledge, no. Could it be her boyfriend?”

Jean shook her head, “No. The common theory is an uncle or half sibling. Both her parents were civilians, but her father had family and an ex-wife on the other side of the Atlantic. She has no idea where they are now or if they’re even still alive, but it seems the most likely—if not the only—possibility. Plus she was single when she was discovered.”

Ghost's brow furrowed.

“Discovered? What do you mean by that?”

“There was… an incident. It ended with her being taken into custody.”

Ghost wanted to press for more detail, but Jean flashed him a look that stopped him in his tracks. She was married to Laswell, and that doesn't happen without being able to hold her own in an argument.

“It’s not my story to tell." Her tone was measured, but Ghost could tell this was non-negotiable to her. “She’s a good kid. Just got in a bit of a rough patch. Along the way she had her blood tested and it must’ve pinged… something. Next thing she knows, she’s getting transferred. They refuse to tell her where. When she resists, she gets knocked out and wakes up here.”

“That still doesn’t explain the isolation.”

“We think that whoever she’s related to, it must be someone important. Or someone very dangerous. Someone they’re scared to anger.”

“Then why did they kidnap her if they’re so bloody afraid of pissing the bugger off?”

“Taking her was probably a calculated risk. Returning her damaged a death sentence. They wanted to make sure she doesn’t get hurt, either by her own hand or someone else’s.”

----------

Ghost cautiously approached the cell door. According to the directory, this was “Detainee #934287: VEIDT, Elisabeth.” He peered through the grate, careful not to get too close to the opening—he knew firsthand how solitary confinement could warp the mind and liked having both his eyes intact.

From what he could see, the cell had a tiny cot, stripped of its sheets on the left. On the right was a wash basin and bucket. In between was a small window—just large enough to stick your face out of. It wasn’t the worst cell Ghost had seen, but it wasn’t homey either. It also appeared to be empty.

“What the—” he muttered under his breath.

The low rumble of his voice almost made you jump from your position, sitting leaned against the door. The window was your only connection to the outside world, but it also made your cell freezing so you tried to stay as far away from it as possible when there was no one outside to talk to. You paused, confused then intrigued. You didn’t think they had a British guard. Slowly, you got up.

He was closer than you assumed. Right up against the door, you almost had to suppress the urge to jump again. You silently mourned the fact that such a pretty pair of eyes were wasted on some terrorist dipshit.

Still, you were bored enough that anything seemed intriguing.

“You’re new.”

“You’re Elise, right?”

Your lips quirked with all the cockiness of someone who knew they couldn’t be touched.

“Shouldn’t they have already debriefed you on that?”

“The only person who’s briefed me on you was Jean.”

Your eyes narrowed. You may have only been able to communicate through a tiny window, but you trusted Jean. You knew her. She wouldn't rat on you, not without a fight.

“What did you do to her?”

“Nothing,” his voice grew even gentler. Soft in a way that commanded you to hang on every word. “I’m here to help.”

Attractive voice and eyelashes aside, you were still unimpressed.

“Really?”

“I'm on a reconnaissance mission for Special Forces. I was supposed to memorize this file. I wasn’t told it was going in Vietnamese.”

You perked up at this. Finally, things were making a little sense.

“I speak Vietnamese.”

“So I’ve heard.”

You took one last look at him, trying to figure out if this was a trick or some sick game. Then again, if it was, what would they even do? Your captors didn’t seem allowed to punish you physically, and mentally there wasn’t much more they could do. Fuck it, you had nothing to lose.

You reached out your hand, “Gimme.”

He slipped you a folded up piece of paper. You unfolded it to reveal an annotated set of blueprints.

“Pen or pencil?” For all you know, he could be picky about that sort of stuff.

The man stood up to dig for something in his vest. You quietly realized that he’d been bending down to look you in the eye. This man, whoever he was, was tall.

He passed you a pen. You noticed that while his hands were gloved, a whisper of a tattoo peeked out as his sleeve rode up. It looked like it could be the bottom of a skull. Or a very small picket fence. Probably the former.

You figured he'd turn away and leave you to your work, but he doesn’t.

“Are you going to…”

“No,” he responded firmly. “If either of us get caught, at least two of us are screwed. I know I can get myself out of it, but our informant can’t. I won’t have his blood on your or my hands. So I’m going to keep watch.”

It’s slightly awkward with him just standing there, but you did your best to lay the blueprint flat against the wall and start scribbling away. Still, you couldn't help but let your eyes flit to him, now with his back to you, standing guard.

“Where are you from?”

“Hmm?”

“Your accent, where’s it from?”

“Shouldn’t you be focusing on your work?”

“I could do this with both hands tied behind my back."

He made a doubtful noise.

You let a cheeky smile grace your lips, “Pen in my mouth, paper on the floor. Handwriting might be chicken scratch, but it’d still be legible.”

If you could see his face, you would’ve noticed his eyebrows raise as he tried to picture it. You on your knees, leaned forward with your ass in the air, hands bound, tongue twisted around the p—

“So, the accent? Where?”

“That’s classified.”

You tilted your head in thought, “It’s Northern, right? British, not Scottish. You don’t sound like Eileen.”

He bristled, quiet in a way that tells you you’re on the money.

“Look, how about this. For every question you answer truthfully, I’ll do the same. I won’t ask you anything I know you can’t tell me, not even your name. I just... wouldn’t mind a little conversation. They’re kinda in short supply here.”

A beat passed.

“Manchester.”

“I knew it!”

He made another noise. You think it was a laugh. You think it sounds beautiful.

“My turn. How do you know Vietnamese?”

“My mother. She immigrated from the South when she was young. Judging from some of his vocabulary, I’d guess your informant is from the North, but the dialects aren’t all that different, especially in script. What food do you miss the most?”

“Anything that isn’t an ORP.”

“An ORP?”

“Operational ration pack.”

If your hands were free, you would’ve crossed them.

“That’s a cop out.”

“Fine,” he relented. “I could go for a Nando’s takeaway.”

“What sort of food is that?”

“Chicken. Flame grilled with this Peri-Peri sauce and—”

He groaned. It’s a noise you want to hear again.

Mimicked him in commiseration. The plates the guards slid through your food slot were pitiful, to say the least.

He starts to ask you something but seems to stop himself.

“What?” you asked.

“It’s… I shouldn’t.”

You were many things, but you weren't a coward.

“I can always choose not to answer. Hit me.”

His voice was still hesitant as he asked, “What did you get arrested for?”

You were worried that the question would be gross or embarrassing, not utterly nonsensical.

“Arrested?”

“Jean said they found you because you were taken into custody.”

“Oh,” your cheeks flushed. “It wasn’t that type of custody. I was 5150-ed. Or more accurately 5250-ed.”

“Pardon?”

“I tried to kill myself. I failed.”

The man froze. He turned around, trying to get a glimpse of you—and any wounds—through the grate.

“Do you need medical attention?”

“No,” you reassured. “I stole some valium and then drank myself silly. I was found in time and they got me help before any irrevocable damage happened. If they hadn’t spotted the note they would’ve just written me off as some foolish party animal, pumped my stomach, and let me be on my merry way.”

You haphazardly glanced at him, expecting him to be stone cold. A proper soldier. To your surprise his eyes, those stupidly beautiful eyes, are trained on you with more care than you've seen in the last three months combined.

“Were you a user… before?”

You shake your head but your eyes remain locked. You couldn't bear to break contact.

“No. Too busy with school. But then my mom died and suddenly everything was… too much. Going to med school and becoming a doctor was what she wanted. The loans, the sleepless nights, the blood, sweat, and tears. It was all for her. Not me. I wanted to make her proud. Happy. And now that will never happen. Without her, I didn’t really see the point of continuing to put myself through hell. I tried to drop out, but the program wouldn’t let me. So I figured might as well cut out all stress in my life instead.”

“Are you planning to try again?”

“No,” the answer is honest. “I’m not giving these bastards the satisfaction. Plus I need to find whoever put me in this situation in the first place and give them a piece of my mind.” You turned back to the blueprints, gently trying to shift the tone back to the comfortable rapport you had earlier. You missed it and you need him to stop looking at you like that or you might do something stupid. “That was like three extra questions. It's my turn now. Any hobbies?”

“Hobbies?”

The very word sounded foreign on his tongue.

“You know. Do you have a secret passion for knitting or something?”

“Embroidery, actually. And that’s no secret.”

“So, anything you do outside of… espionage or whatever your job is?”

“I dunno. Football. Tattoos.”

“Giving or receiving?”

“The latter, though I have been curious to learn it.”

“Got a steady hand?”

He smiled, thinking about something you know he won’t tell you.

“You could say that.”

“Anything else?”

He paused for a moment. You can tell there’s something on his mind. He just hasn’t resolved whether you’re worth it to tell to.

“There’s a bare knuckle boxing club I like to go to when I’m on leave.”

You haven’t seen him in combat, but there’s something in the coiled posture of his stance that tells you he knows how to handle himself.

“I bet you kick their asses."

He says nothing, but you swear he almost preens.

"Could you teach me?"

His lips quirked.

"How serious are you being?"

"Pretty decently. They got me this time. I won't let that happen again. Not without a fight."

"If you're ever in Town, visit Stuart’s and ask for Simon. Might be able to give you a few pointers."

You look up at him, grinning.

"Simon, eh?"

He smiled. His gaze was still intense, but its stifling mixture of pity and worry was replaced by something warmer that made your chest flutter.

"Can't promise I'll be there, but the lady at the desk should be able to tell you when I'll be back."

You folded the blueprints, neatly passing them through the cell bars.

"Well, Simon. Here's your translation. Give them hell."

----------

Chaos. Complete and other chaos.

Smoke and bombs and bullets. You agonized over whether or not to look out the window. The unknown of what was happening was almost scarier than the reality. In the few furtive glances you spared, you caught the bodies. So many bodies. The only relief was that all of the dead seemed to be guards.

You thought back on Simon, dressed in the guard’s garb. These are probably his people. He must’ve gotten out and they must’ve gotten the intel. By now he’s probably on his next recon mission. You were able to learn a little about military structure from what the other hostages told you about their families. If his specialty was infiltration they probably weren't going to waste him on a direct assault like this.

Manchester. Stuart's. Simon.

You didn't need to see him before then. You just needed him to stay alive, wherever he was.

The cacophony slowly grew closer. You didn't know whether that was a good or bad thing.

A loud buzz rang out as the power grid malfunctioned and the hallway outside your cell was plunged into darkness.

Something was happening and all you could do was sit back and listen.

There were screams. Some seemed to be of pure joy, others of painful death. Many you couldn’t tell apart.

There were gunshots. Often followed by gurgles and the sickening sound of someone falling to the ground. There were footsteps. Heavy ones. Slowly drawing nearer.

Someone jostled the cell door. You froze, holding your breath. Maybe they wouldn't even notice you.

The darkness outside your cell moved. A single blue eye peered through the grate, surrounded by black.

"Stay back," the eye commanded. You were all too happy to oblige him.

There was a quick bang and the cell door swung open, revealing a man. A large man.

He bent down to enter the cell before standing up to his full height. Clad in black with a mask you'd expect on a cartoon executioner, he unfolded like an eldritch piece of origami. He just seemed to keep on going.

“Are you Elisabeth?” Hearing it again, you realized his voice was accented. Up close, his demeanor transformed. He seemed... nervous. Incredibly so, barely even able to get the words out.

“Yes,” your voice is almost as hesitant as his.

“I— I am— Ah—” his feet shuffled about anxiously. Any bravado he had from battle has melted away, leaving him almost curled against the wall. You catch sight of a patch on his left side. Red. White. Red. The Austrian flag.

“Sprechen Sie Deutsch?” ( Do you speak German? ) you asked. Maybe talking would be easier in his native language.

The man perked up, surprised but excited.

“Ja! Du auch?” ( Yes! Do you? )

You nod, “Mein Vater war Österreicher.” ( My father was Austrian. )

You knew this was a possibility. Even with the covered face and the giant height difference. Still, his next words caught you off guard.

“Ich weiß. Ich bin dein Halbbruder.” ( I know, I’m your half-brother. )

----------

The tall man, your brother, escorts you out. He promises to tell you everything and more once you’re away from this wretched place wo die Wände haben Ohren ( where the walls have ears ).

After being cooped up for so long, your legs protest the walk, but you pushed through. You were a free woman and you would never take that for granted again.

The exhaustion was worth it to step into the daylight with your own two feet.

Once your eyes adjusted, you realized that two portable camps had been set up on the perimeter. As predicted, there was no sign of Simon. You did see a couple familiar faces though, along with a plethora of heavily-armed strangers (including a man wearing a skeleton mask of all things!). Eileen was deep in conversation with a mohawk-ed man, but she threw you a warm smile as she spotted you heading to the other wolf-emblemed camp.

"Are you alright?" a voice called out at you. It was British: Northern, but rougher and gruffer than Simon's had ever been. Still, you allowed yourself to revel in the fantasy for a moment before you had to face the speaker and ruin the illusion.

You didn't know who you were expecting when you turned around, but it certainly wasn't the skull-masked man.

Up close he was even more striking. You could just barely make out his shaded eyes, alone in a void of black and white. He was shorter than your brother, but still tall by any measure. Even at that size he managed to sneak up on you two.

Your heart was racing. You didn't know why.

"Ye—yes," you managed to stammer out.

Your brother noticed your distress. It seems to give him a confidence to act that he couldn't summon for himself.

He wrapped a protective arm around you and began to lead you away.

“She’s with KorTac,” he said, like that explained everything.

During your confinement, you had plenty of time to think about what you would say to whoever got you into this mess by joining the military. You had dreams of really digging in and tearing them a new one. All of those dreams flew out the window now.

It wasn’t like you couldn’t or were afraid to antagonize someone as big as your brother. But, seeing him… you didn’t want to do that, or anything that could hurt him.

You wanted to talk to him. To get to know him. To—silly as it was—protect him.

After all, he was about the only family you had left.

[bi0mass]

Thanks for the tag @gioiaalbanoart! I'm adding a chapter from a separate story called Stage One. Same ocs in an AU! (Alina meeting Eris in the lab instead of after it escapes) not finished, just something I've been doing on and off because I enjoy different scenarios. This part is still canon to Malignant though, which is why I'm adding it.

Stage One - Chapter one

Content Warnings: Slight torture/mention of torture, mention of feasting on human flesh.

Shrieks of agony rang out, echoing eerily off of the sleek, metal walls of the small containment chamber.

The little one could do nothing against the orange-suited, cruel human that was currently slicing its carmine biomass open as if it were nothing but a soft fruit. It had no control over any of its cells anymore, and wouldn’t until the weaponized aerated chemical had worn off.

All of the test subjects knew something bad was going to happen anytime that the aerosolized chemicals shot out from the small vents in each corner of the containment cells, but they had never been able to stop themselves from succumbing to its power.

None of them knew why the humans had brought them there in the first place, besides using them for their own gain to cure something that they called cancer. The lifeforms had been compared to the disease on many occasions, and the scientists thought that they could learn how to combat it by using the extraterrestrials in their research.

They had even come up with a scientific name for the creatures, calling them Endoparasitum. The term SIL, sentient infectious lifeform, was used frequently as well, but certain researchers preferred calling them abominations, a blight to mankind, and cancer incarnate, as if the creatures weren’t there by the humans’ choice to begin with.

Eris, who was watching its offspring being tortured from its own confines across the room had learned as much as it could about the strange species that had locked them away.

It was close to living out its plans for escaping, but the timing had to be just right for it to properly work. The humans still hadn’t learned of all of the things that its species could do, and it couldn’t wait to see the shock on all of their faces when it was too late for them to save themselves.

The little one, still officially unnamed by the researchers, hadn’t even been created by Eris’s own will. The researchers had collected eggs from it, and the other subjects, and grew them inside of an incubator. The process was unnatural, and resulted in all but one of them not even making it to the neonatal stage due to the researcher’s ignorance.

The one that did survive was the unlucky one. Eris couldn’t help but feel a pang of sympathy for the runt, and knew that its entire existence would be nothing but pain and suffering if it didn’t act soon. It had only known that the youngling was its creation due to the fact that the egg batches had been separated and labeled, but its feelings about the situation wouldn’t have changed much if it had been another’s.

Several crimson tendrils slammed against the thick glass that separated Eris from the rest of the facility, keeping the humans safe for now. Its daily attempts at breaking the barrier had been futile. None of the other four adult subjects had successfully escaped either, but Eris had been formulating a plan.

It didn’t get along with any of the others, and was basically an outcast, due to reasons that the humans didn’t understand yet, but it still wasn’t going to leave them here to die when the time came to leave the place behind.

Troy tossed the steel blade to the side as he looked deep inside of the paralyzed youngling. “I know there’s something about you fucking abominations that we haven’t discovered yet, and I’m going to find it…you all seem to possess a higher intelligence than I originally thought, and I have a feeling that you all can understand me. Must be the human flesh scraps I’ve been tossing in there. Heh.”, he spoke loudly, making sure all of the extraterrestrials could hear his grating voice.

Eris felt an ounce of smugness at the fact that Troy still hadn’t figured it out yet. He hadn’t been entirely wrong; feeding them human remains had allowed them all to internally study the DNA that was brought into their biomasses.

Some used it to gain size, while others, like Eris, just converted the meat into energy, but they all stored the genetic codes in their system, waiting until the right time to use it properly. Troy never fed any of them enough for Eris to be able to even properly mimic something the size of a human, at least not yet. Gaining energy was the priority, then the mass.

Learning the behaviors of other lifeforms came as second nature to this foreign species. Humans were complex, especially their language, but it wasn’t impossible to study it from a distance, and understand what they were saying, especially after processing their varied DNA.

Eris had no idea what it was going to do once it actually left its sterile prison, or if the environment outside of the facility was even livable. The researchers had done an excellent job at not speaking about such things around the amorphous carnivores, but Eris would try to find out as much as it could before leaving in order to secure its own future.

It could hardly wait to sink its barbed tendrils into the large man’s supple flesh, and hear his screams for mercy. Soon, Troy would be nothing but a unrecognizable mess on the floor, it thought, as it menacingly stared ahead with many atramentous eyes.

---

Idk who to tag who hasn't been tagged yet, feel free to share anyways!

Xena’s Share Day

todays a free day! have something you wanna share? here’s your chance, doesn’t matter what it is!! lemme see it!

[witchofthesouls]

Hi uh I'm taking the last few posts as indication that you've watched TF:One so do you have any thoughts? Any discussion points, anything you adored/despised and thing you'd like more context on?

I only managed to see at the last week before it was pulled out at my local theaters, but I did enjoy it.

The visuals and designs were top-notch, the movements and background settings were amazing (like hello underground cityscapes my beloved), D-16's pretty optics, Megatronus Prime never becoming the Fallen, return of the Quintessons, the Cybertronian fauna of the surface, and Sentinel's character were just chef' kiss.

In terms of complaints: it basically comes to pacing, plotholes, and personal preferences.

The movie really did show the epic bromance between D-16 and Orion Pax in short scenes with so many details, and yet D-16 to Megatron was, in my opinion, a fast-paced downward spiral. Understandable, but considering D-16 played the brakes to Orion's impulsive plans... It was jarring.

The team really put in a lot of thought into so many iconic characters, even as a cameo, but nearly all the Autobot High Command used to be Cogless? Really? Yes, there was Dr. Ratchet, but everyone else was stuck as a miner and didn't have the chance to develop all those crucial skills that were instrumental for the war against then legendary High Guard (on a side note, they didn't starve to death and had no mention of other city-states for support)? Also, where's the administration and support systems that run Iacon? Shoot, where's Sentinel's own aides, Councilmembers, and other political entities? He took down the Thirteen all by himself? No one else in the conspiracy? Really? (I'm a little low-key salty that the Primes don't have that divine flare, but that's the fantasy/horror part in me talking.)

Okay, so the personal preferences... as much as I liked the concept of Optimus and Megatron coming from the same origins, the execution on Orion Pax's part kinda flopped. It felt like it fell into the same trap with the Aligned verse's handling, where they really tried to underscore the differences but sacrificed the cohesion of the story. @lets-try-some-writing 's post on their thoughts of TFOne, particularly on Orion Pax, really resonates with me because why does he constantly sacrifice his safety to find the Matrix compared to everyone else? A similar complaint for Elita. I'm not expecting sugar and floof, but the way her character was handled left me floundering since the creators put a lot of thought on D-16's and Orion's relationship but left us hanging on a different vibe, a completely other spectrum, with Elita compared to other iterations.

Granted, it can be the Opilita shipper in me mourning, but Elita got done dirty. The 'hardass boss' would have served someone else, like Ultra Magnus, Kup, or Scrapper, if they used another 'main' character, or they could have pulled Terminus that's playing between keeping the topside goals and minimizing underground casualties. Plus, I think it could have been interesting to see Terminus being the driving force between Orion's quest and D-16's admiration for Megatronus Prime. I would move Elita into the Cogged Cybertronians and let her be Orion's partner-in-crime. Maybe as a dock worker as an ode to her G1 origins and acts as a smokescreen/voucher for Orion outside the mines, and Orion is showing her all the secret passages and knowledge she would never had access because of her own station. It could have shown so much more of that Cybertron under Sentinel's rule and the policies he implemented. Plus, I need Elita and Orion to be dumbasses together (and for D-16 to rib Orion over his crush and Chromia to do the same with Elita).

Overall, it was a solid movie. Definitely recommend it.

[thejaytapes]

So, I ended up seeing Elemental. I'm not gonna lie, when I saw all the trailers, I didn't see the appeal or draw at all, and I was the first to start picking it apart about how bland the film looked and how much the comedy it was presenting made me cringe.

But here's the thing.

The advertising did this movie so dirty. Whether you like the movie or not, you can't deny this. What the advertising campaign did essentially tried to sell a character drama as a comedy, and they took the film's jokes out of context and edited voice clips over different shots to frame the jokes in a different way. They almost built the advertising the way Illumination tried to sell the Secret Life of Pets, where it capitalized on a series of silly jokes and "memeable" moments, but like. That was all the Secret Life of Pets was really banking on. But for Elemental, I think there's a genuinely good film that the advertising for some reason didn't have faith in.

And the key reason for that is the director Peter Sohn. I really haven't heard much discussion at ALL about him. I've heard critiques about how animated films attempt to explore the ideas of racism through objects or animals, and they are valid critiques for sure. There is something to be said about applying concepts like chemical reactions or the structures of the natural world being compared to the cruel and illogical mindset that is racism. But I haven't heard enough discussion about WHO was behind this film. This isn't a film attempting to cover the topic of immigration by a white director. It's directed by someone who was directly inspired by his own life.

There is such a genuine and earnest heart behind the story of Elemental. While the analogy isn't a perfect 1-to-1 comparison to the nuances of human existence, I don't think it needs to be. Because it's about the emotions and personal experiences of one second-generation Korean immigrant, and the way his imagination, storytelling, and worldbuilding melded with it.

The movie paints such a loving and empathetic picture of Ember's parents, even though they cause internal conflicts within Ember. Because Sohn clearly knows how much of a risk immigration can be, and how difficult it can be to build a new life and a new home in a place that doesn't really understand or fully accept you. And how hard it can be to leave behind everything you've ever known to start something new. Especially when that new place is built to put you at a disadvantage, and built around discriminating against you, while other people are born into success and comfort. And how important it is to remember the culture where you came from while also looking forward to the future and how to continue to burn even brighter, to make your family proud.

But it also understands and empathizes with the children of immigrants, who are both a product of the culture their parents imparted to them as well as the culture they grew up around beyond their household. And how those two things can coexist, even if it causes some culture clashes along the way. And more than anything, how much those second-generation immigrants' perspectives still matter, and they can make their families proud while also pursuing what they are passionate about.

So yeah, is using elements a perfect metaphor? No. But I think people really need to take a closer look at this movie to see where it succeeds in telling the story Sohn wanted to tell.

...Oh yeah, and why the HELL is that kid Clod so heavily advertised when he's barely in the movie?

[poorly-drawn-mdzs]

Call that a Cave Story.

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