#because sometimes that is actually the thing that has to be done
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meshaamem-li · 3 days ago
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yeah sure, because y'all never used the free tool that mimicks human dialogue because instead of talking to a Human Being or using google.
googling "how to do groceries" isn't going to give you any productive results, your parents aren't always gonna be available to baby you or they might have never been there for you, and yeah some people are not good at preplanning this shit when they also have a full time job and have to pay bills and take care of a million other stuff, asking chatGPT how to manage groceries is better than surviving on instant ramen and takeaway (like how boomers used to make fun of college-aged millennials)
sometimes you have no clue where to start searching for a topic, so you either make a post on social media asking complete strangers for guidance (hence the Reddit forums) then double check it to make sure you didn't get answers from an idiot, orrrr you use the Free Tool that might have some sort of information on it and then double check it to make sure it didn't hallucinate.
have trouble summarising shit? I used to have a friend who was better at writing than me while I understood the materials of the lesson better, so we covered each others' weaknesses whenever we studied together, I'd help them learn and they helped me summarise (not exactly, and we didn't study a lot together, but kinda). I may have failed creative writing but I did pass my physics exams.
use... a fucking calculator.... why do you need a language model to be a calculator.....
chatGPT is free and it's convenient especially if you don't have friends and if a search engine has trouble giving you results. is it still a fucking language model that's pushed everywhere and is a massive problem? yeah. should you avoid it? absolutely. but it's also inevitably helping all these people, as long as they don't over-rely on it and learn to develop their skills, its not harming anyone.
we dreamt for years about personal assistants and intelligent robots. Siri was always meant to be AI powered eventually, all of these futuristic movies where they ask the computer to do something and it answers like a person is AI, this is the direction people wanted to go towards for DECADES, and now you're surprised it helps people with little things that they probably could've done on their own? it's its entire point of existing!
the problem with chatGPT is that it's used to replace people in the ART FIELDS where HUMAN CREATIVITY is key, used to replace HUMAN CONNECTION with apps like character.ai when it CAN'T ACTUALLY FEEL, and that it's being presented as a DATABASE that knows FACTS when it DOESN'T KNOW HOW TO ANSWER "I don't know" or provide proper sources for what it "knows". that and the fact it was illegally trained on data that - while public - was still owned by hundreds of thousands of people.
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thrfted · 1 day ago
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꩜ DATING MR. CRAWLING .ᐟ
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SFW GN!Reader HCS after the blissful love life ending.
Italics is in the other world’s language! Sometimes more the implied message rather than a direct translation. I'll probably do Mr. Hood later too :3 !
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Your bed is much more comfortable than anything in the other world, and it only makes it better that mr. Crawling gets to be in it with you. He grows accustomed to your nightly routine and is always excited to cuddle up. Big spoon, little spoon, facing each other—all of it makes him as happy as can be!
(^ As someone who still has a twin size, some of us have to invest in a much bigger one lol)
Generally so so affectionate and loves when you’re physically affectionate !! You can kiss his head and he’ll giggle, maybe point at his face and ask “Again!” You leave kisses all over his face, and his hands pull you in close when you finally kiss his lips.
One of Mr. Crawling's strongest traits is his patience—especially when it comes to you. The first day you come home without him trailing behind (much to his dismay, and honestly yours), he’s at the door to greet you, smiling and giggling as you wrap your arms around him. You find out he hadn’t done much but wait for you to come home. (With no complaints of boredom on his part, and all the worry on yours.)
He'll sit as you play with his hair, trying out new hairstyles or putting in clips. “Me cute? Pretty?” he asks. And if you let him do the same in return, he'll giggle and compliment you too.
I think he’d look through your closet and enjoy watching you try on clothes too. He compliments you and feels each of the fabrics, liking the ones that feel softest. He might try on some of the accessories if none of the actual clothes (sort of…) fit, and is really happy when you match!
Mr. Crawling is a fast learner. You worry he'll feel overwhelmed with all the new technology and words and whatever else, so you focus on making sure he’s comfortable. But he points at things and ask what they are, repeating after you. “You teach me language?” he asks and you laugh softly before nodding. “I teach you language.”
He will accidentally touch a hot stove top or pot if you don't remember to warn him beforehand. Then whenever you cook he gets worried you'll hurt yourself, watching to make sure you're alright (forgive him if he pulls your hand away and says “Danger! Don't touch!”)
Since he doesn't know his birthday, you make the day you returned special instead! He's happy to just stay in with you, eating a good meal and watching or learning something new.
Mr. Crawling also learns when yours is and does his best to make it a good day for you too. He tries singing happy birthday and makes food with what you have at home, mimicking the meals he's seen you prepare.
You teach him how to call your phone while you're away. It's supposed to “be for emergencies,” but you both know he's going to call just to hear your voice, and who are you to complain?
I think he gets sad sometimes when he sees or hears you talking to friends—the way you communicate and laugh so easily compared to conversations with him. The other world's language itself is limited, and he hasn't learned enough of your own. You spend some evenings reassuring him, reminding him learning is a process, and it doesn't change your feelings!!
He does his best to learn on his own. You buy (exercise) books and show him shows for younger kids and he spends a lot of time alone with them, both to surprise you, and also just because he loves talking with you and wants to talk more and more.
The first time he speaks your language is a special day. After many days of calling out that you’re back, he decides to say it himself. “You home!” You almost drop everything in your hands, and that’s when he continues, “Miss you.” It feels odd hearing it in his voice, but he’s grinning so wide, and you won’t find out for a while just how excited and nervous he was waiting for you to get home.
One of Mr. Crawling’s favourite things to say and hear is “I love you.” Every time you say it, he gets all giddy and tries to get closer to you (as if that’s possible while already cuddling in bed). He says it a lot while you’re doing chores or really nothing, just to remind you and see you smile. There’s no way in his mind for those 3 words to lose their meaning, or become any less special.
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spotaus · 1 day ago
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Eyy, King Reaper and his beloved Mage Geno designs <3
#new age au#Geno is very tall (tall Geno supremacy <3) and Reaper usually floats so he's just slightly taller than Geno on any normal day <3#if he unties his robe in the back it drags along the floor at the perfect height to feign being very tall-#ohh I have so many thoughts about them :]#Geno's magic manifests as crystals so he wears some on his outfit (and keeps more in his pockets)#the black and purple ones on his belt are meant to be a little reference to Reaper (and Dust. before meeting him he only has a black one-)#Geno also uses a Cane! he's insanely skilled and powerful but on sone days magic fatigue finally catches up to him and he has to use it#the black half-robe was also the only accessory Reaper could convince Geno to adopt from his kingdom- that and the Sandals haha-#(I like to think Error made Geno's scarf-)#and ofc Reaper...#he's been ruling for so long that he lives in comfort rather than appearance because. i mean. no one is going to doubt him at this point#he leaves his ribcage exposed as a show of his confidence in his rule (direct access to his soul basically-) but also because. well.#he thinks he's eye-candy 🙏#and in his kingdom the crown/sign of royalty are those olive branch circlets#he wears his over his hood usually. Geno recieved one when Reaper officially finished courting him. Dust would eventually get one. though#for him it's more the equivalent of a wedding ring since his loyalty lies with Nightmare still and he has little official ruling power in#Reaper's kingdom.#oh! Reaper also wears a littlr band Geno made him once on his ribs. it's a nice red gem that he's vaguely aware is actually a tracking spel#Geno thought he was being subtle about it. he. in fact. was not. but Reaper let him get away with it 🙏#oh!!! last thing#Geno sometimes wears a nice silk wrap over his bad eye that's a nice clean white. it usually depends if he's doing magic or not#because his eye tends to get melty again if he strains during casting. and he's always overdoing it lmao-#anyways yeah#mm lied one more note#Reaper's wings are optional. kinda like a manifestation of his Ecto in a way since he doesn't need them to float#more just sonething to make him more regal or appear more threatening!#now I'm done#my favorite goofballs <3#spot!drawn#my art
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faithshouseofchaos · 3 days ago
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Max' older brother who charles has had a crush on since they first met, where charles figures out that older brother has been holding back in raceing so their dad focuses on him so he doesnt hurt max, and charles is in awe because older brother could have made it into formula 1 a while ago and charles doesnt think hed be able to do something like that if it were him, so charles decides to help male reader as much as he can without being noticed.
I had someone else try and write this to see if theyd been as enthusiastic as you in writing it but no its like they didnt understand the ask @/playinbillie if you want to see what they wrote. Also this was kinda one of the two stories i had for you i didnt actually know the pairing i wanted for this one so i just made it charles, but the other is a oliver x kimi x male reader.
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Unspoken sacrifice — Charles Leclerc x male!reader
Word count— 1777
Fluff slightly angsty
The sound of the engines roaring around the track echoed through Charles' chest as he sat in the stands, his gaze fixed on the cars speeding past. But his attention wasn’t on the race; it was on him—Y/N.
Max's older brother. The one who could’ve been great.
For years, Charles had watched from the sidelines as Y/N, despite his obvious talent, kept himself from rising through the ranks of racing. Every time they’d go karting, every practice session, Y/N would leave everyone in the dust—except for Max. The family dynamic was always clear. Their dad, a former racer himself, was invested in Max. Obsessed with Max.
But Y/N? He was always the silent presence in the background, holding back in ways that didn’t make sense to Charles at first. There was something about Y/N’s racing that seemed... off. Too controlled, too careful, like he was playing a different game entirely. Charles hadn’t realized why until recently.
It was after one of the practice races, as he sat next to Y/N on the cool metal bleachers, watching Max celebrate his victory with their dad, that it clicked.
“Y/N, why didn’t you go for the win?” Charles had asked, his brow furrowing.
Y/N gave him that knowing smile, one that always seemed to hide more than it let on. “Because he needs to be the one who shines. Max... he’s the one Dad focuses on. You know that.”
Charles stared at him, confused. “But you— you could’ve taken that first place. You’ve always been better than me, better than Max.”
Y/N’s gaze shifted toward the ground, his voice quiet. “Sometimes the best thing you can do is step back.”
Charles frowned, his mind racing. “But why? Why hold back? You could’ve been in Formula 1 by now. Why give that up?”
Y/N was silent for a moment, the weight of the years they’d spent together suddenly sinking in. “Because, Charles, if I push too hard, Dad would want me to push Max harder, too. And Max isn’t ready for that. He’s not me. I’d rather see him succeed than risk seeing him burn out.”
Charles was stunned. He hadn’t realized how much Y/N had sacrificed—not just his dreams, but his entire future—for the sake of his younger brother. It wasn’t just about racing. It was about family, about love, about keeping Max safe.
And it broke Charles’ heart.
The thought of his older brother never having the chance to race for real, to chase that Formula 1 dream, made him feel a sharp ache in his chest.
"That's... that's really something, Y/N," Charles said quietly, feeling an overwhelming surge of admiration for the older brother he'd never truly understood before.
Y/N shrugged, a bittersweet smile tugging at the corners of his mouth. “It’s what family does, right? You put them first.”
But Charles wasn’t sure if that was enough anymore.
He’d never be able to do what Y/N had done. He would never have the strength to hold back when it mattered, to throw away his own potential for someone else. Y/N had given everything, and Charles had only just realized it.
And now, watching Y/N quietly fade into the background again, Charles made a decision.
“I’m going to help you, Y/N,” Charles said suddenly, surprising even himself. “I don’t know how yet, but I will. I won’t let you fade into the background.”
Y/N looked over at him, a surprised yet knowing look crossing his face. “Charles, you don’t need to—”
“I know,” Charles interrupted, his voice firm. “But I want to.”
Y/N gave a small chuckle, ruffling Charles' hair. “You don’t have to do anything for me, kid. You’ve got your own career to focus on.”
Charles didn’t reply, his mind already planning how he could work in the shadows, how he could help his brother rise again without anyone noticing. Without Max ever knowing.
He wouldn’t let Y/N’s sacrifices be in vain.
And maybe, just maybe, they could still achieve the dream Y/N had set aside for so long.
Over the next few weeks, Charles found himself subtly changing the way he approached his time with Y/N. Every practice session, every karting weekend, he was paying more attention—not just to his own racing, but to his older brother’s every move.
It wasn’t hard to see how much Y/N was holding back. He wasn’t just playing it safe; he was actively limiting his own performance, choosing more cautious lines, braking earlier, and settling for second or third place when he easily could’ve taken the win.
It frustrated Charles more than anything. Watching Y/N squandering his potential, doing exactly what he’d done his entire life: taking a step back for the sake of someone else.
And it made Charles feel helpless. He wanted to shout, to demand that Y/N race to his fullest, that he deserved more than the life of a background player. But he couldn’t. He understood now why Y/N was doing it. He’d made that sacrifice for Max—and maybe even for their father. It wasn’t just about being in the spotlight; it was about keeping the family dynamic intact.
But Charles wasn’t going to let it go on forever.
One night, after a particularly difficult race where Y/N had barely edged out Max for a second-place finish, Charles made up his mind. He needed a plan. He needed to help Y/N, even if he had to do it in secret.
"Y/N," Charles said casually as they were cleaning up their gear, the two of them alone in the garage. Max was off with their dad, discussing strategies for his next race. "Have you ever thought about going to some of those off-season testing events? The ones where they bring in reserve drivers, or... younger talents?”
Y/N gave him a sideways glance, his expression unreadable. “I’ve been to a few. A long time ago. But you know as well as I do, they won’t give me the time of day. Not with Max in the picture.”
“I think you’re wrong.” Charles smiled, trying to hide the excitement bubbling up in him. “What if I can get you into one of those events? Just a test run, no pressure. I’ll set it up.”
Y/N gave him a bemused look. “And how exactly are you going to pull that off? You don’t have the connections—"
Charles leaned in closer, his voice low but confident. "I do now."
For the next few weeks, Charles worked quietly behind the scenes, making calls and sending messages to everyone he knew—engineers, team managers, even his own contacts within the F1 world. It wasn’t easy. Y/N wasn’t exactly a household name, and most people were only interested in the young stars, not a 25-year-old with years of untapped potential. But Charles didn’t care about the odds.
He couldn’t let Y/N’s talent slip away, not when he knew what his brother could truly do.
It was a month later when Charles finally received the response he’d been waiting for—a private testing session for a mid-tier team looking to give fresh talent a shot. It wasn’t Formula 1, not yet, but it was a step in the right direction. A foot in the door.
He waited until the perfect moment, when Y/N wasn’t expecting it, and told him about the opportunity.
“Y/N, I got you a test with an F1 team. You’re going to drive at their private session next week.”
Y/N blinked, looking at him as though Charles had just said something absurd. “What?”
“I did. You’re driving for them next week.”
At first, Y/N didn’t believe it. He laughed, like Charles was making a joke at his expense. But the more Charles pushed, the more he explained how hard he’d worked to arrange it, how he’d bent a few rules and called in a few favors, the more Y/N’s expression shifted from confusion to disbelief to... gratitude.
But even then, Y/N hesitated. "Charles, you know I’m not—"
“You are ready,” Charles cut him off, standing firm. “I know it. I know you could’ve made it into F1 years ago if you’d wanted to. I won’t let you give up on it.”
There was a long silence. Then, slowly, Y/N nodded, a quiet smile tugging at his lips. "Alright. But you better not tell Max about this. He’ll never forgive me if he finds out.”
Charles grinned. “Deal.”
The week of the test, Y/N’s nerves were palpable, though he tried to hide them. As they stood by the track, Charles watched him suit up, a wave of pride crashing over him. His brother was about to show the world what he could really do—and no one would know who had pushed him there.
Charles knew it wasn’t enough just to get Y/N the test. The hard part was making sure Y/N knew he had someone in his corner. Someone who believed in him—not as the background player or the second-best brother, but as the talented, driven racer he’d always been.
The test went better than Charles could have hoped. Y/N drove like he was born for it. Fast, fearless, and precise, he outpaced every expectation. By the end of the session, the team’s engineers were already talking about bringing him back for more testing.
But Charles didn’t want to get ahead of himself. This wasn’t the finish line. This was just the beginning.
As they packed up to leave, Y/N clapped him on the shoulder, a grateful, somewhat overwhelmed look in his eyes.
“Thanks, Charles,” he said quietly. “I don’t know what to say... I didn’t think I’d ever get a shot like this.”
Charles smiled, the weight of the unspoken promise hanging between them. “You don’t have to say anything. Just keep driving. I’ll make sure you get there.”
The next few months passed in a blur. Y/N’s performance in the test had caught the attention of several teams, and before long, he was back on the radar. Charles helped when he could, keeping things quiet and making sure that Y/N’s success stayed under the radar. Max never knew what had really happened. And Y/N, though hesitant, slowly began to believe that maybe—just maybe—he could make it to Formula 1 after all.
But it wasn’t just about racing anymore. It was about a bond between brothers, one that went beyond the track. A bond that said: I’ve got your back, no matter what.
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fairyminnie444 · 3 days ago
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when i persist i always get thoughts like "what if my desires stay in imagination ans never externalize?", "if i do this in a certain way then i won't get my desire", etc, thoughts like those and they always seem so important and like if i don't give it real thought then my desires won't manifest. and there's always more thoughts like those that come to mind. any advice?
I have the same thoughts, sometimes even more, like "I need to do something to manifest and I can't stay still because if I don't I won't receive it or I don't deserve it”
This is the logical part of the brain wanting to shape us, so first we remember it’s normal, its part of process so we shift focus to what we already know and what is actually true. How?
1.Understand the Nature of These Thoughts
• These doubts are not the truth—they’re simply old mental patterns trying to protect you from disappointment.
• They’re a sign that your subconscious is working through resistance. This is a good thing because it means you’re challenging limiting beliefs.
2. Don’t Fight the Thoughts
• When you resist or argue with these thoughts, you give them more energy.
• Instead, acknowledge them and let them pass. For example, say to yourself:
• “This is just a thought. It has no power unless I give it power.”
• “I see you, but I choose to focus on what I want.”
imagine the sky and these thoughts are like clouds passing by, they don’t mean nothing cause u don’t agree with that and u don’t believe in that.
3. Redirect Your Focus
• When a doubtful thought arises, gently shift your focus back to your desired state:
• “Even if this thought exists, I know my desire is already mine.”
• “I trust the process, regardless of what my mind tries to tell me.”
4. Reframe the Fears
Let’s address the specific fears you mentioned:
• “What if my desires stay in imagination and never externalize?”
• Reframe: “Imagination is the foundation of reality. If I can imagine it, it’s already on its way to me.”
• Neville Goddard teaches that imagination creates reality—the 3D always catches up to your inner state.
• “If I do this in a certain way, I won’t get my desire.”
• Reframe: “There’s no wrong way to align with my desire. My persistence guarantees my success.”
• Remember: it’s not about perfection; it’s about your dominant state of being.
5. Use Affirmations to Neutralize Doubts
Affirmations help override negative patterns. Use ones like:
• “Doubt is powerless; my imagination is the true reality.”
• “My desires are inevitable, no matter what my thoughts say.”
• “I trust the process of creation completely.”
6. Practice SATS or Relaxation Techniques
When doubts feel overwhelming, use Neville’s State Akin to Sleep (SATS) or relaxation to anchor yourself in your desired state:
1. Lie down in a relaxed state, close your eyes, and visualize your desire as if it’s already done.
2. Feel the emotions of already having it.
3. Let this state soothe any doubts.
The more you practice SATS or similar techniques, the less attention your mind will give to intrusive thoughts. It's a process and the more you do it and the more natural it is for you, the less you will have these thoughts.
7. Remind Yourself of This Truth
Your dominant feeling and belief determine your manifestation—not every passing thought. Intrusive doubts don’t have the power to stop your desire unless you dwell on them and make them dominant.
Summary:
• Acknowledge the doubtful thoughts without fighting them.
• Redirect your focus to your desired state.
• Reframe fears into empowering truths.
• Use affirmations and SATS to anchor your belief.
You don’t need to figure everything out or get it perfect. As long as you persist in the feeling of your wish fulfilled, the 3D will catch up. Trust yourself—you’re on the right path.
Ps *mostly important*: Don't overwhelm yourself, don't do anything that seems forced or false, if it's a moment of very intrusive thinking remember: NEUTRAL STATE before affirming. Take your time, there’s no rush it will come for you.
There is nothing that can stop you from receiving what you want if you believe you already have it.
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"Sure, besides maybe having someone to share it with." She says this in the long-vowels teasing tone she usually applies to Ajax. At first I think she means herself, and I think she's right. It does feel better now that she's here, and she's the only person I've ever been able to truly say that about. I'm about to muster the courage to put the sentiment into words when she continues. "Thing may have blabbed about your date with Tyler. How did it go?" This is such a hard one-eighty that it takes me a moment to calibrate. It's certainly no longer time for a compliment. I haven't thought about Tyler all night, even when I was coordinating Xavier's arrest with his father. But Enid seems to want to discuss the date. "It was....interrupted," I say. It's the only word that feels honest. Enid's smirk widens. "Maybe it's time to finish it? I heard Tyler is working the late shift..." It would never have occurred to me to do any such thing, but then I think maybe this is what Enid wants from me. Someone to discuss boys with. Dates. All the trappings of adolescent girl friendships I've always avoided like the plague. Maybe this is what she shared with Yoko. The thing that made the other girl the more attractive option when all I could do was fixate on attack patterns and organs in jars. There's more to parse out, of course. Part of me wants to confess that I'd rather stay here...."I'll tell you all about it when I get back," I promise her, and I head out for the Weathervane.
-from the novelisation of Wednesday.
So...
Wednesday notices that Enid is addressing her, while talking about having someone to share things with, in the same tone she uses to address Ajax-which is explicitly described earlier as flirtatious.
From earlier:
"Ajax," Enid says in that flirtatious way people sometimes do. Drawing out the last vowel.
And Wednesday, thinking Enid is talking about herself and Wednesday....agrees, and is about to reciprocate.
And then Enid reveals she was talking about Tyler and Wednesday's date-meaning she was definitely talking about having someone to share things with in a romantic context-and Wednesday reveals she hasn't even thought about Tyler all night.
And even with the knowledge that Enid was definitely talking romantically-Wednesday is disappointed to realise Enid wasn't talking about herself and Wednesday and had been about to reciprocate the sentiment to Enid.
And then Wednesday admits she doesn't even want to go and find Tyler-but she does so because she thinks that this way, she and Enid will have something to talk about, and that their bond will be less likely to end. (It's also made clear she doesn't want Enid to prefer Yoko to her.)
So Wednesday reluctantly goes out to continue the date with Tyler-with the clear implication that if Enid had been talking about herself and Wednesday, she wouldn't have done. She's only going because, in her mind, Enid just made it clear that she sees Wednesday and Tyler as a couple-and because she wants to have something to talk about with Enid in their friendship that Enid actually enjoys talking about, with her thinking that "maybe this is what Enid wants from me". Which kind of has a note of "Maybe this is only what Enid wants from me."
I was going to say it reads like that trope of the main character going on a rebound date when they've been about to confess feelings for their love interest only for a miscommunication to lead them to think the love interest doesn't reciprocate and then realised that's basically exactly what it is.
In the novelization, at least, Wednesday canonically believes Enid is talking in a flirtatious, romantic context to her and is about to reciprocate.
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chuliann · 10 hours ago
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Thank you for the tag and also after having read the whole list... WHAT!? A lot of interesting things sure happen to people that go outside... 👀💧
Anyway my own lore is far from being as wild I think? I don't want to talk about my health, but at least as I implied before I'm a recluse, but I'm working on that.
Something more interesting... Hmmm, I considere that more than half of my character development is from the stories I have read and I do use a lot of vocabulary linked to stories because of the time I have spent reading (like character development of personality growth or whatever the normal term is supposed to be).
I also often have a voice in my head that do the narration, sometime of my actions sometime of a random scene that has nothing to do with anything, simply because I have gotten so used to reading narration that it's my usual state.
Because of that, when I'm feeling comfortable I sometime accidentally start talking in third person. Or I might says things like "sigh" outloud instead of actually sighing... Are these interesting lore? Either way I'm done X)
it's so weird to me that everyone on this website is a human person outside of their weird internet niche so rb this with a random bit of your lore
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luxcuriousao3 · 1 day ago
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Dove: A Zombie Ghost Story (Chapter Six)
Summary: She had tried so hard all her life to be the perfect daughter, the perfect wife, in hopes that maybe someday, someone would love her. But that day had never come, and now it never would. Because who could ever love a dirty, broken thing like her? She had never been a person, only a piece of art—beautiful and silent, to be enjoyed and admired, but easily replaced. She had been traded from her father’s private collection to her husband’s, and he had knocked her off the gallery wall, had smashed her frame and ripped apart her canvas, destroying her value and leaving her with no sense of self. Who was she, if not the pretty, proper little thing the men in her life could show off and gain approval for? Who was she? Word Count: 3942 Warnings: still no smut (but Ghost has explicit thoughts), non graphic mentions of past abuse Notes: This chapter is pretty fluffy/funny actually! It's one of my favorites that I've written. Triple asterisk (***) denotes a POV change as usual, dash asterisk dash (-*-) is a time skip but not a POV change AO3, Masterlist
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There was no food in the cabinets of the house, nor of the next five—though there were several other infected that Ghost had to kill. But in the seventh, they got lucky.
Lelia practically cried when they opened the pantry in the basement to find a shelf fit to bursting with canned veg and soup. She opened a can right then and there and devoured it like he had the buck, desperation in every swallow. He’d tried to stop her, to get her to slow down, but she wouldn’t listen, dancing out of reach every time he tried to clumsily take her spoils from her. Of course, she had thrown it all back up not two minutes later.
Ghost awkwardly held her hair back as she heaved, careful not to touch any other part of her, no matter how badly he wanted to rub her back soothingly.
When his dove finally stopped retching, she straightened up with a groan that sounded like one of his, her small hands clutching her belly. He reluctantly let go of her hair—or tried to. His stiff fingers got stuck in a tangle, and when he began to move his hand away, it pulled on it, startling a yelp from Lelia. He let out a panicked, apologetic gurgle, and tried again to free his fingers—only to pull her hair once more. This time, she whimpered, and for one delusional second, he thought it sounded like one of pleasure.
“Simon,” Lelia gasped, hands reaching up to grasp his own. He jumped at the sudden warmth, fingers twitching, wanting to curl around hers and soak up their heat. “You’re going to pull my hair out if you're not careful. Just— just let me do it.”
Ghost obeyed, going still as he simply savored the feeling of her skin against his. She carefully collected each strand of hair from between his fingers, sometimes grasping the cold, stiff digits and guiding them out of the bigger tangles. It took several minutes, and those minutes were the very best of his undead life.
He couldn't help but hold onto her hands for a few seconds even after she was done. She looked over her shoulder at him with a raised brow, thankfully amused and understanding rather than disgusted. She was so kind. She was far too kind.
“Did they lock up again?” She asked him. He groaned out a no but it sounded like nothing and so she took it as a yes, just like he knew she would. She gave him a sympathetic look and squeezed his hands lightly and—oh. He— he felt that.
He stared at her in awe as she twisted awkwardly around, her hands still in his. He knew he was being selfish, stealing her body heat when she needed it more, forcing her to touch him… but he could feel it. Not the softness of her hands, but the warmth and the pressure when she tightened her grip. Unbidden, he thought of another part of her that could give him the same sensations…
Ghost quickly let go, feeling guilty and terribly ashamed with himself. He kept having these dirty thoughts about her, and that would have been bad enough back when he was alive, an old man creeping on an innocent young thing like her. But now? When he was dead and decaying? It was foul. He was foul.
“Better?” His dove asked, oblivious to the disgusting images of her in his mind, of her beneath him, on top of him, on her knees, bent over a table—
He turned around with a noncommittal grunt, putting his back to her. He grabbed the rucksack they’d found in house number four, and began swiping the cans of food off the shelf into it. Several missed and fell to the floor, but he ignored them, not wanting to risk catching sight of Lelia if he went chasing after them.
Of course, it couldn't be that easy.
“You’re making a mess,” she scolded lightly, with no real heat behind it. He wished there was. He deserved her censure. “Let me do that. I’m not feeling nauseous anymore. Though if we stay in here much longer that might change.”
It did smell quite bad, the dust and mildew overpowered by her puddle of sick. But as always, Lelia’s sweet scent was the most prominent to him, delicious and tempting. The vile part of his infected brain that he couldn’t seem to shut up wondered if eating her out would be enough to satisfy his hunger for her.
He ignored just how enticing the idea was.
Ghost was silent as Lelia took over packing up the cans, hanging back, but he did take the rucksack from her once she’d zipped it up. She gave him a surprised but grateful look, eyes wide and a little smile on her face. He wanted to kiss her. But his fucking lips had rotted off, because he was a walking gods-be-damned corpse.
He was all out of sorts just from her holding her hand, like he was a virgin touching a tit for the first time. If his blood was still pumping, his dick would be hard as steel in his trousers. It was pathetic. And if his little dove knew, she’d run screaming for the hills.
For once, he was glad he couldn’t talk. It made it that much harder for her to tell that something was wrong.
***
Lelia walked next to her zombie as they searched the rest of the house for warm, sturdy clothes that fit her—a surprisingly difficult task—sneaking worried glances at him every few minutes. Something had upset him, but she wasn't sure what. Was he still embarrassed about the drool incident? He’d seemed to put it behind him, after they’d left that first house. She wished he could talk so she could just ask him…
They didn’t find satisfactory clothes in the next few houses. Simon had vetoed the pretty dress she'd wanted to bring with them—”I’ll only wear it inside, Simon, I promise! Just look how beautiful it is!”—pointing at the full rucksack to show they had no space for it. Lelia had eventually given in and put the dress back with a sad sigh, and they'd continued their search.
The sun was setting by the time they found something Simon didn’t growl disapprovingly at, but at least he no longer seemed so bothered, anymore.
The clothes—and the room they’d found them in—looked like it had belonged to a young teenage girl going through a very intense emo phase. Her jeans were skinny enough that they didn’t immediately fall off Lelia’s hips, and her shirts were incredibly tacky, full of what Lelia assumed to be band logos. She wrinkled her nose when Simon shoved one with overlong sleeves and thumb holes at her, aghast.
“You want me to wear this?” She asked, disbelieving. “It has thumb holes, Simon! Thumb holes!”
Simon’s face almost always looked blank, but right now, she had the distinct impression it was because he was trying not to laugh at her. She huffed, but didn’t protest any further. She did complain, though.
“A fashion travesty,” she mumbled under her breath, not caring if Simon heard her. It was strange. She usually didn't complain—complaining always made things worse, in her experience—but she felt safe with him. It made no sense—he was a zombie, and he'd admitted to wanting to eat her earlier that same day—and yet it was true. Simon, her undead companion, made her feel safer than anyone else in her life ever had. “I understand that it's the apocalypse, and options are limited, but thumb holes…”
When she returned from the toilet after changing into her new clothes, Simon held out a black leather jacket with studs on the shoulders to her. She physically recoiled. And to think, she thought things couldn’t get any worse.
“Absolutely not,” she said instantly. He shook the jacket in her direction, and she crossed her arms stubbornly, turning up her nose at it. “I said no, Simon! That is the ugliest thing I’ve ever seen in my life!”
Simon rolled his cloudy eyes, and then gestured at his face and grunted disbelievingly. She didn’t understand what he was saying at first, and she looked at him in consternated confusion, before it dawned on her.
“That jacket is far uglier than you,” she replied honestly. Though Simon couldn’t be described as handsome, she’d grown used to his visage in the last few days. Ironically, seeing his sunken, colorless face, with its permanently bared teeth, broken jaw, and milky, white eyes brought her comfort, now, since she knew it meant that she was safe. That she wasn’t alone.
A face that was now looking at her with a distinct air of skepticism, despite its lack of expression. She could just tell—she was getting better at reading into the slight narrowing or widening of his eyes, his body language, and each noise he did or didn’t make. It was still impossible for him to communicate more complex ideas to her, but she usually understood his reactions to her own words.
“I’m being serious!” She replied to his pointed silence. “Leather jackets are vulgar. I would never be caught dead in one.”
Simon growled, stepping closer and shaking the jacket at her more aggressively. She made no move to reach for it, arms stubbornly crossed over her chest. Her zombie growled again, louder this time, closing the distance between them and draping the jacket over her shoulders. She let out a noise of protest, but one quelling look from Simon had her shutting up. He was very close, close enough that she could smell the ever present scent of rot and death that clung to him. It was worse now than it had been after he'd first cleaned himself back at the cabin—likely because of whatever animal he'd eaten earlier—but not nearly as bad as it was when they'd met. Besides, she had started to get used to it. It wasn’t pleasant, but it no longer made her nearly gag every time she caught a whiff of him.
Undistracted by his scent, all she could think about was his proximity. She’d known he was tall, but he’d never been so close to her that she had to crane her neck to look up at him, even when their hands had been locked together back in the basement.
Inexplicably, she found herself blushing. Though his hands had been cold and rough, and he’d not actually been holding them of his own free will, they had cradled hers so gently, fitting perfectly around her own. It had felt nice, and she wanted to hold them again. She was just so starved for gentle touch. She had been her whole life, with parents who didn't love her and a husband that found joy in her suffering.
And how ironic was that? That a zombie was the first person in months—years, had it not been for the occasional shoulder squeezes from her governess Ulyana when Lelia did particularly well at something—to touch her with no intent to hurt her?
Spurred on by the memory, she uncrossed her arms and slid them into the sleeves of the ugly jacket, looking up at Simon hopefully for his approval. Another thing she had been denied constantly, growing up. She had never been good enough for her parents, no matter how well she did in school or how perfectly she behaved. She had tried so hard all her life to be the perfect daughter, the perfect wife, in hopes that maybe someday, someone would love her. But that day had never come, and now it never would. Because who could ever love a dirty, broken thing like her? She had never been a person, only a piece of art—beautiful and silent, to be enjoyed and admired, but easily replaced. She had been traded from her father’s private collection to her husband’s, and he had knocked her off the gallery wall, had smashed her frame and ripped apart her canvas, destroying her value and leaving her with no sense of self. Who was she, if not the pretty, proper little thing the men in her life could show off and gain approval for? Who was she?
She didn’t know.
She wasn’t sure she’d ever known.
Suddenly, she felt cold fingers brush against her cheek, and she was pulled out of her spiraling thoughts. Simon was looking down at her with what she could swear was concern, and he groaned softly, head tilted to the side in question. It was then that she felt the wetness on her face. She was crying, and she hadn’t even realized. And now Simon was gently wiping away her tears.
Her eyes grew hot and she could feel a sob building in her throat. She resisted the urge to lean into his kind touch, sniffling as she reached up to scrub at her face harshly.
“I-I’m sorry,” she whispered, embarrassed. Simon tugged lightly at her jacket, like he was trying to carefully pull it off, clearly assuming that was what had made her so upset. She let out a wet laugh, though there was very little humor in it, and shook her head, gently pushing his hand away. She hoped he didn’t notice how she let her fingers linger against his for a few seconds longer than necessary. “It’s not the jacket. I just—I was thinking about something sad, is all. I’m sorry I worried you.”
***
Ghost felt like an arsehole.
The second his dove had looked up at him with those big brown doe eyes of her all shiny and wet, his undead heart broke. He’d never meant to make her cry—he just wanted her to be safe and warm, and the jacket he’d found would help do just that. The tough leather would protect her from glancing bites, as well as conserve her body heat. He hadn’t expected her to put up such a vehement protest at the thought of wearing it, though he supposed he should have. She was clearly used to the finer things in life, and her style was quite feminine. He remembered the look she’d had on her face as he’d presented her with the hiking boots he’d found back at the cabin, and she’d had to leave her dainty ballet flats behind. She’d seemed sad, then, but also relieved—though he figured that had more to do with the painful looking blisters on her feet than approval of his fashion sense.
Nonetheless, he hadn’t been about to give into her—admittedly adorable—pouting. He’d draped the jacket over her shoulders, and had been trying to figure out how he could get her arms into it without crossing any lines when she’d shrugged it on herself. For a second, he thought she’d come to her senses—and then he’d seen the tears.
Instinct—human, this time—had kicked in at that moment, and he’d reached up to tenderly wipe them away. The distant look in her eyes had disappeared, and it almost seemed like she’d leaned towards his touch before she’d pulled away, but Ghost knew he had to have imagined that part.
He let out noise between a groan and a gurgle at her apology, waving a hand dismissively as he tried to communicate that she had nothing to be sorry about. He was the one who should be apologizing—he’d clearly touched some sort of nerve, to remind her of something that made her cry. He only wished that he knew what it was. He only wished that he could ask.
They didn’t spend much longer at that house, using the last dredges of daylight to search the one next door. And it was a good thing they did, because they found a half empty water cooler in what appeared to be a home gym. Lelia, who hadn’t had anything to drink since they’d run out of boiled stream water, was overjoyed. Though thankfully, she did listen to him this time when he warned her to take it slow.
Ghost handed over a can of veg, then rolled up one of the yoga mats on the and shoved it into the backpack. If Lelia had to sleep on the ground again, which he knew she would, the mat would make it a little less uncomfortable… or so he hoped.
When his dove finished eating and had drunk her fill, she reached over and tugged the zip he was having so much trouble with closed. He grunted, half annoyed, half grateful, and she patted his hand soothingly. It made him jolt, that shock of heat, and as always, he struggled not to grab ahold and pull her as close as physically possible. She seemed far touchier today than usual—though that wasn’t saying much, as she had only ever briefly brushed her fingers against his hands before when removing his wet gloves—and he wondered if it had to do with him running out on her earlier to hunt. Like she was trying to show him that she did want him around, that she was glad he’d come back.
Or maybe she was just in a good mood now that they’d found food and water.
Yeah, that seemed far more likely.
“Do you think they’ve got toothpaste here? I’m sure my breath smells something awful.”
Ghost jerked his shoulders up in a shrug, but when she moved to stand, he did too. He straightened from his crouch with a creak and a pop, muscles locked from rigor mortis protesting the movement.
He followed Lelia into the toilet, her hulking, undead shadow, and his eyes crinkled a bit in a smile as she crowed happily over finding a mostly empty tube of toothpaste. She put some on her finger and began to brush her teeth with it, wisely forgoing the dirt covered toothbrush next to the rusting tap. When she was done, she turned to him, reapplying the minty smelling paste to her finger and holding it up to his mouth.
“Your turn,” she said, but lightning quick, he grabbed her hand, stopping her. She jumped, but didn’t pull away, just looked at him with those big brown doe eyes of hers. He grunted, shaking his head as he gently pushed her hand away from his face. He could feel drool collecting in the corner of his mouth again. He was floored by just how much she trusted him. He knew she had very little survival instincts, but even she had to know better than to go sticking her fingers in a zombie’s mouth. And yet, she’d been about to do just that. And he had no idea if he’d be able to stop himself from trying to bite down the second he tasted her hot, sweet flesh on his tongue.
He clumsily grabbed the dirty toothbrush—he was already dead, what were the germs going to do? Kill him?—wiped it off on his tactical vest, and then handed it to her with a pointed grunt.
“You want me to brush your teeth with this?” His dove asked, cute little nose wrinkled up in disgust. He would have nodded, but he could still feel the drool on his chin, and the last thing he wanted was a repeat of earlier. So he just continued to stare at her until she gave in with a sigh. “Fine, then. But sit down. You’re too tall.”
You're just short, he thought but couldn’t say. Instead he let out a grumbly huff of laughter, and then sat down on the closed toilet seat. She stepped closer so she was right in front of him, and his gaze was perfectly level with her small, perky breasts. The shirt he’d found for her clung to her tightly, accentuating the slight curves of her chest and waist. She was far too skinny, ribs showing through the fabric, but she was still beautiful.
He started to drool again.
She wiped it away on her sleeve, mumbling about thumb holes apparently being good for something, and then gently—more gently than he ever remembered being touched in his undead life or the bits of his actual life before that—cradled his broken jaw in one of her small hands. He blinked up at her slowly—not out of an actual need, but out of shock—and let out a strangled groan. She paused, looking at him in concern.
“Did I hurt you?” she said, wide-eyed. “I’m so sorry, I didn’t realize it still caused you pain…”
She moved to let go of him, and he lightly grasped her hand again, bringing it back to his jaw. In truth, he could barely feel it. Just a scant pressure and her addictive heat. But it was the fact that she was willingly touching such a destroyed part of him, and so tenderly, that undid him. She was… ethereal. Everything that he had ever been denied—softness and warmth and light and kindness. He didn't remember very much of his old life, but he knew enough that he had never experienced something like this—like her—before. Her existence was proof of heaven. He just didn’t understand what an angel like her was doing down on earth. Especially after it had turned into Hell.
And he certainly didn't understand why such a pure being would deign to touch a wretched monster like him.
He should have moved her hand away, should have stopped tainting her with his undead skin. But he was selfish, and so he just shook his head, tilting it back a little to look up at her.
His dove smiled at him, caressing his broken jaw sweetly for a second. His eyes went half lidded in pleasure, watching her as she carefully brushed his teeth.
“Your breath smells even worse than mine,” Lelia said with a little giggle, even as she grimaced in disgust. Somehow, she made the expression seem adorable, and her pure laughter took the sting from her words. She was teasing him, like she would a friend. The thought made his eyes crinkle slightly in a smile. She was being playful, and it looked good on her. Everything looked good on her, but happiness most of all.
His dove took her time cleaning his teeth, growing quiet as she focused. He could feel bits of flesh and fur unsticking from between his blackened gums, and he knew it must have disgusted her from the little wrinkle of her nose, but she didn't complain. She just let him spit into the sink before applying more toothpaste and continuing her task.
“There we are,” she said nearly fifteen minutes after she’d started, finally removing the brush from his mouth for good and letting go of his face. He mourned her touch, but her bright eyes made it a tad easier to bear. “Minty fresh.”
Ghost groaned quietly in thanks, and she wiped her hands off on a towel—he’d drooled quite a bit during the cleaning process, but she hadn’t even flinched—before yawning. He stood up, gently nudging her towards the door with his elbow.
“Yes yes, it’s bedtime, I know,” she said playfully, nudging him back. She looked excited. “There's a king mattress in the master bedroom—it will almost feel like home.”
Ghost huffed a laugh as he walked her down the hall. He took up his post outside the door, and her hand brushed against his as she slipped past him and into the room.
“Goodnight, Simon,” she said quietly, giving him a sweet smile. “I’ll see you in the morning.”
With that, she was gone, the door shutting behind her with a soft click.
And once again, he was alone.
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cerastes · 22 hours ago
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I totally respect that. I wish I was that person who never needs a guide but that usually doesn't happen for me 😅
No yeah all the power to you, if you ever want to try and be that person, given you are saying you wish you were, how about you give yourself a number of attempts on a map before you hit a guide up? Like, 5 attempts, an arbitrary number, you try different compositions, deployments, etc, and then you hit the youtuber up. Hell, another thing I’ve suggested in the past that has worked is that watching guides right can actually help you improve. Defining “right” here by actually picking the guide apart, dissecting it, and figuring out why what’s being done in the guide works. It can actually help you out a lot, and I think that’s a super productive and fun thing to do.
People on my streams sometimes tell me watching me play helped them improve, not because they copy what I do or who I use (no one else has invested Roberta or Akafuyu to copy after all lmao, or such a propensity towards non-Summoner Supporters as I do) but because they figured out that there’s plenty to learn from play style and why the style works in the first place. Busting out the surtrs and mlynars works because they are strong units, but that’s focusing on why the unit works and what the unit can do, whereas a clear with the same amount of effort and ease using Roberta and Akafuyu instead focuses on why you can make the unit work and what you can do with the unit in a given map; you never need the raw amount of firepower top of the shelf units offer, mid range units absolutely get the work done, so you start studying why the mid range units can succeed, and what it is you are not doing that’s not letting them clear. In that self-reflection, you develop skill. This works for the majority of games and other life skills, by the way. But it all starts by giving yourself a chance to fuck up and lose because there’s no wiser sensei out there than the stone you just tripped with.
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neptunescore · 4 hours ago
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Still seeing so much shit everywhere abt both charles and carlos, like it's reaching a peak.
I just don't understand why both fanbases are destroying the other, when the only one to blame is the TEAM. ITS FERRARI. THEY ARE THE PROBLEM!!!
I'm not even gonna talk abt the pitting calls, bc that was just one major fuck up after another. However, I will talk abt the absolute shite communication that ferrari had with both drivers that led to whatever war between fans is happening right now.
On one hand, we have ferrari telling Charles that carlos wouldn't overtake him, and on the other, we have ferrari telling carlos not to pressure Charles. Most of you might think it's the exact same thing, but it really isn't guys. In no way did Carlos pressure Charles. Carlos' tyres were 2 laps old. They were heated up. Charles was PARALLEL to Carlos upon pit exit (NOT ahead). Charles had new, cold, dead tyres, all carlos literally had to do was drive arnd him, there was no pressuring.
A lot of ppl are also talking about how the results for ferrari would've been much better if Carlos had let Charles past... yeah no. They wouldn't have. Mercedes was absolutely on fire this week. There was genuinely no way Ferrari could've gotten any better result than a P3 and P4, and telling one driver to give up a podium position just to try and cement your other drivers standing as SECOND place in the drivers standings?? Um... yh that's just in bad taste.
Also, ppl are arguing over the stat they showed that if the team would've just listened to Carlos' requests about pitting earlier, he would've ended ahead of Lewis. Personally, I don't think that would've happened, BUT I do believe there would've been a much larger chance of Carlos and Charles being closer to the Merc if Ferrari had just LISTENED to their drivers.
And abt this radio msg:
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I honestly don't think Charles was even talking abt Carlos here, this is just him talking abt the team. I feel Charles has ALWAYS blindly trusted the team, done whatever they told him to do. Then we have Carlos, he argues back. Tells the team what he thinks would be better. Ignores orders sometimes to do what he thinks would be better, and it ALWAYS is better. This is Charles being over it, and I'm glad. I'm glad he's over it. Ferrari need to get their heads out of their asses and listen to their drivers because it is reaching a point.
Sidenote:
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This radio msg mad me laugh so hard (literally as a carlos fan), idk why y'all are talking abt how it's XENOPHOBIC??? LMFAOOO that's a MAD reach. Carlos is literally a slightly tanned European man BWAHAHAHAH, as a POC I feel slightly mad abt all of u losing ur ahit over this yet when it comes to injustices done to ACTUAL POC drivers, everyone stays silent?? Yh shut up.
I feel u guys forget that this is a competitive sport where drivers are filled to the brim with adrenaline, ofc Charles is gonna make some comments when things don't go the way he thinks they will.
Anywayyy, that's my rant done. Just had to get all this shit out. Even if none of this is true or what acc happend I still stand with my drivers rights and wrongs, so Carlos my pookie dw I love you ur so real.
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memori662 · 19 hours ago
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KIAN vs ALEXA (my two dear snipers...)
Spoiler: they end up as besties
And sorry if the P.O.V. is strange. Idk why sometimes they're written in first person and another times in third person.
Bang!
Alexa dogdes the bullet just by a hair.
Bang! Bang!
Now, what the fuck?
“Hey, to whoever is trying to kill me: I'm sure I have no debts. And if you're looking for any debts my parents might had...” She smoothly takes out her hand-gun. “I'll make sure you don't get your prize.”
Her eyes search for any strange movement. Any sound. Anything. And they land on a green fluffy ball (?) on one of the buildings.
The green fluffy ball (?) must've noticed her eyes on ‘itself’, as ‘it’ —in an abnormal velocity— changes placement.
“It's a solo sniper? Snipers don't usually attack alone. Or it's a very good sniper or there's more enemies.”
Shit. She has lost sight of ‘it’.
“Are you being a coward?” Maybe provokating whoever that might be lure ‘it’ out. “I mean, if you're a sniper that some dark organization hired to kill me, I'd feel honored to be such an important figure.” For fucks sake, I sounded just like Memori or Mimi...
It doesn't work. Bang!
Oh, they're good.
Alexa isn't one that works in dodging —unlike a particular blonde girl named Memori—, she's also a sniper. And she recognizes a good job done —thing that Memori definitely wouldn't...— Wait, don't think of her everytime??! Maybe those are things that happen when you're a competitive person and is paired with someone who enjoys remarking ‘how much better she is at everything’. But anyway, as I was saying— Bang!
“We're gonna be bad blood...” she mutters.
Her red eyes scan the place quickly, taking notes of anything she could use at her advantage and anywhere more enemies could been hiding. I should probably ask for help— Bang!
She would've been already dead if it wasn't for her quick thinking. She's been doing this practically since her birth.
I should confront them directly. Snipers usually don't have good hand-to-hand combat skills.
And with a quick and quiet running, she luckily makes it to the top of the —gladly not too tall— buildings without being shot.
She knows the green fluffy ball —that now takes the shape of a young adult probably with her same age, that wears a fancy mob-like suit that which would give off an intimidating aura if it wasn't for his puppy-like expression— allowed her to actually come closer, because he clearly isn't a normal human.
“Wow,” the puppy-looking boy speaks, “it's been a while since someone succesfully dodged my bullets.” His voice doesn't have any venom, just genuine interest. “You're good.” He smiles.
“I know I am good.” As she speaks she fires her gun. “No need to remember me.”
“If I shoot now, you cannot dodge.” The green-haired boy smiles slyly as he easily dodges the bullet. “Are you sure it's wise to keep attacking me?”
“Who said I couldn't dodge?”
“It's basic knowledge. You're so close to me that if I fire right now, you wouldn't have time to dodge.” he speaks lightly with a sing-song tone.
“Are you suggesting we chit-chat this over? Because I'm no diplomat.”
“Neither I am.” Even though his voice and overall appearance were so soft and puppy-like, the sniper in his hands right now says the contrary.
He probably isn't half bad in hand-to-hand neither. I need to be careful for any ambushes or hidden trap.
“Are you thinking about my skills right now, Alexia?”
“It's Alexa.” Oh no, this man is giving me déjà vu...
“I think Alexia sounds cuter, don't you think so?”
... Definitely déjà vu.
“Hehe, but I think Alexia suits you better, don't you think so, Ale~xia?”
Ugh, get out of my head, you fucking egocentric bitch—
“My name doesn't have anything to do with being ‘cute’. And how do you know my name?”
“Your name?” He widens his eyes —so fucking adorable—. “I thought you'd know me!”
Nope. This guy's on drugs.
“I'm Kian. K-I-A-N!” If he had a tail, it'd be swinging happily right now. “And you're Alexa. A-L-E-X-A.”
Why is he spelling the names again...?
“I asked you a question.”
“Memori is your Boss or something like that, right?”
Of course.
“You know her?”
The glimpse of sadness in his eyes disappears as quick as it appeared. “Yes.”
“What's she to you?”
“...” He seems to be struggling to find the correct words. “We- She was a close friend.”
... Is this some sort of pattern? Thinking of all the similarities...
Being unclear as fuck, acting as if everyone should know what you're talking about, being in your own world, switching personalities as a light switch, loud, child-like, asking how your name's spelled... There's definitely some patterns.
“Are you implying she hired you to kill me?”
“I'm not,” he whispers to himself. “It was just because.”
“Just because? Nobody hired you, no ‘a higher power demanded me to’? Nothing?”
He nods with apologetic eyes. “Memori seems to like you very much.”
Hell yeah she does and doesn't even try to hide it.
“You're asking why Alexa has to go with me?” She asks with a nonchalant expression. “Obviously because she's better than you all.” Her words are often impossible to understand if they're seriously or not. But it wasn't the first time that she admited a clear favoritism with Alexa.
“But Alexia, what do you man with a high—”
“Dude, did she reject you or what? You look so hopeless always talking 'bout her.”
“No?? I don't see it.”
“Ya sure?”
“Sure. She's like my sister.”
“... Really?”
“Really. She's like a black cat.”
What. Definitely no.
“Uh-huh,” I continue. “Why did you think it's a good idea to attack me?”
“Well, since Mori bullies you—”
“She doesn't.” Mori.
“—she must like you very much! And I wanted to see what it is that she likes about you so much!”
“You're nuts.”
“I'm not a nut- I'm not an aliment!”
“I know you're a real human.” He recoils just a bit when I call him a real human. “I meant you're crazy.”
“Ohh!” He has fangs. “That's what you meant!”
“Are you four or what?”
“I'm the same age as you!”
“Really? I don't think so. And how the fuck do you—”
“Ah, sorry for this,” he says as he lowers his sniper.
“No worries.” A total weirdo after another weirdo. “And where ya from? Your work, I mean. You look too fancy to be a normal sniper. Don't tell me you're a blue-blooded rich?”
“Ah, that is... Hm.”
“Very helpful,” irony fills my words. “So ya aren't a rich?”
“Ah, you could say... Kind of rich. My work pays me well.”
“Are riches becoming more and more common by the time?”
“People are getting better and better at finding suitable jobs!” He exclaims with optimism.
“I don't think Memori's your friend.”
“She's an angel! Who wouldn't be her friend?”
“An angel, you say?” She asks skeptically.
“She may be nicknamed sinner now, but I mean it as her personality—”
“She's nicknamed sinner now?! Since when?”
“Ah, between a circle of rumours,” he half-lies smoothly. “Nothing big, really. Some people simply resent her for her former job.”
“That chick was probably in some illegal trade. Tell me otherwise,” she rolls her eyes in exasperation.
“You don't know where she used to work?”
“At least me, no.” She looks at the sky. “She's a real mistery among us. Classic rich person behaviour. How delightful.”
“You don't have a very limited vocabulary!” He seems oddly excited about it. “I thought you wouldn't know words like ‘delightful’.”
“It's not a bad thing.”
“Why the hell wouldn't I.” No, this man right here? He's also a total fucker.
“Uh-huh.” Of course it is a compliment. Of course. Very obvious. Totally expected.
He suddenly grabs my hand and shakes it with both of his hands with a bright smile, but quickly stops after what seems like remembering etiquette. As if there is an etiquette for shaking hands. There isn't, right? ... Not that I would know, anyway.
A little late, no? “Alexa. Pleasure's mine. Is that what I'm supposed to reply?” I ask genuinelly this being the first decent handshake I've ever had.
“Excuse me,” he apologies with a smile as he lowers up his right-hand and looks at me expectanly.
??? What does he wants me to do?
“Uhm... What do I do?”
“Ah, nothing,” he dismisses.
Oh, a headshake.
I offer my left-hand to him. He stares at my hand, as if it was strange. Fuck, do headshakes have some etiquette I'm not aware of? “Am I doing something wrong?”
He focuses his attention back to my eyes as he accepts my headshake also with his left-hand. “It's not a big deal. Usually, handshakes are with the right-hands.”
So it does have an etiquette.
“Oh. I'm left-handed. I didn't know.”
“Don't worry your pretty little head about it.” He replies as he shakes his hand four times, completely different from how his behavior was a minute ago. “My name is Kian. A pleasure to meet you.”
“Mhm, maybe a little bit more formal, but yes,” he chuckles and nods. “You are cute. Like a mouse.”
Like a mouse. That's new.
“And you're like a dog.” It's an implied insult.
“Why, yes! I get told that often.”
“Figures.” I stare at this green-haired man with disbelief at his obliviousness.
“Welp, I need to go now.” He adds, “Boss expects me...”
Boss? So he does work for someone, huh?
“Bye-bye, Alexia! It was nice to meet you!” He waves his hands with excitement.
“... Nice to meet ya too, I guess.”
And with that, he jumps swiftly away.
Huh, what a strange man.
Randomly pick 2 OCs. Make them fight. How will it go?
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dear-ao3 · 20 hours ago
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hi it's me the person from like a week ago who's writing that college paper about f1 i was gonna respond and then i immediately forgot lol. the paper is on the different media strategies and narratives of the fia, teams, drivers, gp locations, etc, and how they interact with each other. and also how the ways liberty media and the fia are marketing the sport and drawing in new fans is actually alienating people and suppressing the authenticity of the sport. especially post drive to survive.
i'm a comms major lol i am a massive public relations nerd
also a couple questions: idk how well versed you are in business stuff but how would you say f1 has changed its branding, especially pre liberty media to now? and how were drivers marketed before the era of portraying them as like,, pop stars? when was that shift? also if you have any specific examples (or places i could find examples) related to that stuff or sexism in f1 or just how f1 tries to control the narrative i would appreciate it because jesus christ the lack of research is terrible
ok dump over the essays not due for another like 3 weeks but when its done i can send it to you if you want to read it :)
aaaaa this got lost in my ask box i hope i’m not too late posting it :/ unfortunately i have no real sources for you. i know the shift was post drive to survive, but i think it also depends on the country because like f1 hasn’t really been a huge Thing in the us, but like ferrari has been italys second religion for years. so it might make sense if you focused it on a country. like in the time since dts first released they added two more us gps: miami (2022) and las vegas (2023). i know there’s a lot of british bias, especially by sky sports and sometimes in the penalties as well. i think fernando alonso called that out this year (?) and max also usually mentions it a few times (at brazil this year he definitely called out the british press) i know there’s also interviews of drivers saying post dts people recognized them way more (maybe this was daniel? or lando?) but some of them really like it (daniel) and some of them don’t (like max) you could also play the angle from social media, like george used to i know at least run his own twitter way back in the day (might have been pre f1 but i think he was still running it loosely in 2019 or at least tweeting himself) and now he doesn’t really touch social media At All cause of the comments he gets. lando used to run most of his own social media also until i think like 2020? 2021? (as in i don’t think he had a social media team) before he passed it off to someone else, though i know he still goes on for sure. i think a lot of them definitely cleaned up their media presence post dts (like lewis was certainly a pr nightmare at one point earlier in his career which a lot of people don’t realize or remember and we’re not even going to talk about fernando alonso). the sport has gotten more tame for sure over the years, they used to get away with doing and saying way more but that could also just be a general cultural shift, there’s also i know pockets of people who are like oh this sport used to be so respectful and manly and blah blah blah and like. there’s photos of michael schumacher at a party in a wedding dress. david coulthard used to pretend to kiss his teammates on the lips in front of the cameras. as for sexism, there have been female drivers before, usually only doing short stints. i know susie wolff has talked about this with the f1 academy how pretty much only lewis consistently shows up to support it. i think max (?) said earlier this year that academy is great but if they want them to make it to f1 they need to give them faster cars. there’s also the whole horner fiasco from earlier this year.
idk if any of this is useful. or if you’ve already turned in your paper. in any case, good luck :)
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aveadore · 1 day ago
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Tumblr, hear out my Arcane thoughts. Some of it is slander, though, so don’t read if it’ll bum you out. In the end, I decided to go with one topic mostly, because I had too much to say.
Spoilers, obviously
Tw: suicide
The way the show handles suicide is SO irresponsible. Call it heroic sacrifice, if you must, but I won’t. The same song that played before, during Jinx’s attempts, played again, during her sacrifice, so the intention is clear.
Do they not realize that so many people that relate to Jinx in some ways are watching it? It’s like they are trying to say: “yes, your intrusive thoughts are right, you are better off not being there. It’s best for your loved ones, if you disappear.” So weird. And, fine, she’s probably not dead. But why hide it? Why not make her end be, openly: “sometimes, you can only heal if you cut everyone off and start anew” Fine. That would be way better. I just can’t believe that such a high profile show, in year 2024, uses suicide in such an irresponsible way. Makes it “cool” looking, gives vulnerable people a playlist, actually. Says “wait a minute, not yet”, and later LETS HER FINISH IT? Wft. Like it’s okay? Like it’s a good end for her?
Isha’s story is also part of this problem. I can’t believe her earlier end was not mentioned later. What was the point of it? Was it a good thing for a seven year old to sacrifice herself? You would think so, they way the show sidesteps the whole thing. The way Jinx is repeating what Isha had done, with no reflection on it. I also have no idea WHY Isha has done it. Was it a consequence of something someone else did, or said? Didn’t seem so. Jinx didn’t really fuck that one up, I think. I thought Isha was jinx’s foil, but it ended up not meaning anything. Was it going to show Jinx her own actions as a child, so she could find some empathy towards Vi? But Isha was not mentioned, so who knows what they were trying to say.
Summary of my other opinions, with no details as it’s too long already:
-I liked Victor and Jayce’s ending. Their relationship had enough time/buildup throughout the whole series to pull of the weight of it. It was a little bit rushed at times, but not as much as the rest of S2.
-I absolutely hated how they handled Cait, and she definitely ended up as my most disliked character.
-Mel was one of my favourites, but her story was the most rushed one is S2. I also wasn’t crazy happy that she also ended up mostly fighting at the end. I have no idea what the Black Rose lady was talking about with the whole empathy thing.
-I really liked episode 7, it was the best one from S2. Because they focused only on Ekko and Jayce, the story had time to breathe. The whiplash between their parts was crazy, but in a good way.
-The way they introduced the third faction, just so all main characters could unite was such a cop-out. The systemic problems were much too big to just be fixed by that, and the show just brushes it all under the rug. And the end is just fighting. Ugh.
-Well, it was obviously very pretty. Every frame a perfect picture and all that. Weird complaint, but some designs were “too good”. Too polished. Too much like a high-end commercial for a new skin that costs 200$. It was so distracting for me :P Especially with some Victor “outfits”
-The biggest, most pervasive problem was the time. So much stuff, so little time. It should have been three seasons. There was no time to breathe, no time to understand what’s going on. Characters running from one massive scene to next, with no build-up in between. Just so everyone can end up similar enough to their LoL variant. A bit disappointing.
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ryuichirou · 1 day ago
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are any of the twst girlies embarassed of their tits? wether it's because they're too small or too big or too generally existing?
Continuing with our boob special weekend lol Let’s talk about them some more. Thank you once again for the most important prompts in the world, Anon!
For those who missed it, yesterday we talked about twst girlies’ attitude towards their partner’s boobs. And also, a while ago we had a post in which I talked about boob hcs in general… In the latter one I briefly talked about the girlies’ relationships with their own boobs, so this time I’ll try not to write too much (a task that is Ryu going to fail in 3, 2…)
Riddle – when she isn’t focusing on it, she isn’t insecure about it, but when people (mostly Ace or Floyd) tease her about it, she gets very defensive and says that her breasts are not done growing yet. I guess she does have a complex … she fits into the trope of flat girl being jealous of bigger girls too nicely. Maybe it’s because the Queen of Hearts was quite a busty woman herself.
Ace – she isn’t embarrassed at all, she actually considers herself lucky because her boobs aren’t really big and don’t bother her at all, but she also isn’t really flat. The existence of boobs doesn’t bother her either. Of course, that doesn’t mean that she won’t compare her size to Deuce’s all the time.
Deuce – for the most part she forgets about them and isn’t super bothered, even though wearing a bra feels like a chore for her sometimes, since she used to not wear it for a long time. Her breasts also get pretty tender during a certain time of the month, and it makes running more difficult, but that’s about the only complain that she has.
Trey – she isn’t really insecure; her breasts began to rapidly grow when she was pretty young, so she is used to being a big girl. They do get in the way sometimes though, especially in the kitchen (which is annoying) or in the lab (which is dangerous), so if asked, Trey would say that she would actually like to have smaller boobs. She also gets a big embarrassed when others comment on it.
Cater – she is pretty comfy! Sometimes she makes jokes about wanting to be bigger, being jealous of Trey and stuff like that, but she really feels pretty okay with her boobs being medium-sized (closer to smaller ones).
Leona – not really insecure, but kind of inconvenienced. She doesn’t like wearing bras, and she is pretty big+her nipples are dark, so it’s pretty obvious that she doesn’t. It’s not like she cares about what other think of her, of course… one thing that she hates it when she falls asleep in a bad position and squishes her boob. Ouch.
Ruggie – oh she’s very okay with where she’s at, she’s happy that she never really had to buy herself a bra, and that her boobs are so small she pretty much forgets she has them. There’s never been a moment in Ruggie’s life when she was upset about having small tits.
Jack – she is both one of the biggest and the most physically active girls of the cast, so she would love to have smaller breasts. It’s pretty okay when she’s skiing or snowboarding because the layers of clothes compress her boobs very neatly, but when she’s running, she is having a very hard time. She has to get special types of sports bra, otherwise she wouldn’t really be able to run… In her ideal world, she is a B, in reality though, she is at least a D and growing.
Azul – there are moments when she is annoyed with her boobs, and she complains about them being big on a very rare occasion, but in general she enjoys being between C and D (she should be more of a C but I keep drawing her significantly bigger lol). She thinks that her boobs are one of her many assets and she is proud of this asset. A girl with a face this cute and boobs this nice can’t be not-trustworthy, right? She also puts them on a table when she works a lot, but that’s just a habit.
Jade – having big boobs isn’t something unusual for a mermaid, but having them underwater and on land makes a lot of difference because gravity and all. Plus, she and her sister are pretty big even by mermaids’ standards… so she is inconvenienced sometimes, but not too much. For the most part she doesn’t care. Her boobs do bother her when she is hiking though, she can't help but feel it would be much easier to walk, climb and even wear her backpack if she had boobs that are somewhat smaller than her enormous ones.
Floyd – she is way more inconvenienced than Jade, and the only one in the Octa-trio who actually complains about her boobs enough to ask for Azul to make a potion to make them smaller. But then she changes her mind and decides against it. She is very active, and she hates bras, so her boobs either bounce around too strongly or jump out of her shirt, and both are kind of bad. For the most part because everyone is acting so weird about it… it’s their problem though, not Floyd’s.
Kalim – happy girl, not a care in the world. She is also on a bigger side (similar to Azul), and it never really concerned her in any way. Of course it bounces a lot when she dances, but it’s like she isn’t even aware of that or really doesn’t care. She is pretty comfortable in her own skin!
Jamil – she is also perfectly fine, actually. When she was younger, she was kind of annoyed with Kalim’s boobs suddenly growing bigger when hers were much smaller, but she doesn’t care anymore; having smaller ones is more convenient anyways.
Vil – pretty comfortable, doesn’t really have any insecurities about it: she finds her small breasts aesthetically pleasing, plus it really works with her overall androgynous aesthetics. There are some clothes and looks she’d like to wear that are better for big-chested girls though, but it’s okay, even if it doesn’t look good on her, she knows someone who would look good wearing it.
Rook – she used to be very disconnected with her big boobs when she was younger because it actually caused a lot of discomfort to her during her hunts; she used to tie them up with bandages or pieces of cloth; she remembers being jealous of her brothers because they could run around the jungle topless and she couldn’t. But that was before; she is very comfortable with herself now and actually has a lot of appreciation of her breasts: Vil helped her to pick up proper underwear and support for them, and helped her a lot in general.
Epel – she hates her boobs, even though they aren’t even that big, but that’s already too big for her. Plus, they’re kind of round and perky, and she always feels like everyone’s looking at them (they’re not, no one’s looking). She is jealous of Ruggie…
Idia – for the most part she is very pleased with being one of the flattest girls in cast. There are so many headaches related to boobs, and she feels like she is excused from that annoying conversation entirely. She finds some comfort in deciding pretty early on in her life that she would never be busty and sexy and desirable (as if any of that has anything to do with having big boobs). Sometimes she thinks about what it would be like to have bigger boobs, but stops herself from thinking about it.
Ortho – ironically I think AI!Ortho would care about it more than real!Ortho. Real!Ortho is a little bit bigger than Idia, but she is pretty tomboyish and doesn’t really care about boobs at all (only other people’s boobs…). AI!Ortho, however, feels like this isn’t fair sometimes, and acts like a capricious child that wants something she isn’t really supposed to have. But overall, she just wants to be cute, so…
Lilia – the proudest flat girl in the world. Even more proud and even more flat than Idia lol Yeah there was never a moment in her life when she doubted herself because of that, even when she was mistaken for a boy. She has unshakable confidence and love for herself.
Silver – there are times when her boobs are in the way, but as long as she wears a proper bra or ties them up, it’s not an issue. She used to be a little concerned when she noticed that her boobs are growing (because Sebek’s didn’t start growing yet, and Lilia is completely flat), but that moment of panic was pretty short. She isn’t super big, but a bit bigger than Ace and Deuce, and she is pretty okay in her own skin.
Sebek – she is somewhat inconvenienced, and she also ties everything up when she’s training, but she also learned to live with her big boobs. She never felt like getting rid of them or never wanted to have them smaller; she is actually kind of proud of herself even though it is a pain in the ass to do everything that she does to keep them both healthy and not in the way of her activities. Horse-riding is especially difficult to her though, the bounce is too much sometimes.
Malleus – even though she is inconvenienced with how big and heavy they are, and with how much extra attention she needs sometimes because of them, she is pleased with her boobs in the same ways he is pleased with her horns, wings and tail – all of it is an indication of her being a Draconia. But also, when she gets tired of her big ones, she could just temporarily make them into smaller ones with magic! Just like she does with her tail and wings.
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sopaprimordialy · 3 days ago
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Boppers, hear me out.
Victor is Luther's father.
Ok, now, you might be thinking: "what the actual fuck are you talking about?" Well, in this essay I'll expose favorable arguments to my theory/theses/head canon that, in the album, the police officer Victor is Luther's father. Keep your radio tuned tight, boppers, bcs I might be crazy OR I might be onto something.
(There will be spoilers)
1. First of all...
For context, Victor is the cop that kills Fox. He's played by David Patrick Kelly, the actor who plays Luther in the original movie, The Warriors (1979). This alone is a huge reason for me to believe that they are somehow connected, BUT THERE'S MORE!
I think we already established that what a character claims to be their reason for doing something is not always their real reasoning, or, at least, not the entirety of it. I do believe Luther kills Cyrus because he enjoys the chaos and has a lot of hate in his heart, as Swan wisely says, but I don't think that's all.
We have hints among his lines that he's also misogynistic and racist. "Well, duh?" You might say, because there were few white men who weren't those things by the time this story takes place, but sometimes we may underestimate how heavy this stuff weighs in the narrative. If he really likes chaos that much, why not kill, Idk, a police captain? That would certainly create generalized chaos just as he likes, but instead, he deliberately targets marginalized groups' leadership — he kills a black woman, a powerful black woman who was trying to unite her community.
She was obviously an obstacle for the cops to keep up with their oppression towards these groups because unity is strength, and all they don't want is strong communities that knows their rights and won't accept to be chased down like animals when they've done nothing but trying to survive.
In the very first track of the album, the question "but is Cyrus atractin' police action?" Is asked. The answer we find further on, especially when the police invades Van Cortlandt Park right after she's killed, is: *yes*, of course she is.
* Also, the timing here is too convenient, don't you think? Just like the police knew exactly when to attack, when the desperate crowd would be disorganized, when they would be easy prey... anyways 😛
2. That weird af phone call
Now that we have established that there would be a lot of interest on the police's part to have Cyrus killed, let's move on to the next topic.
Suddenly, without any further context or this being ever mentioned again, Luther talks to *someone* on the telephone. This happens in the album, and in the movie as well, it is not confirmed who the hell Luther was talking to on that phone call. I've already seen some people theorizing that he has contacts inside the force and that he's talking to them, and I agree, but I think he's not talking with some random cop, I believe he's talking to Victor.
Come think with me: how did Luther instantly knew Ajax had been taken by the cops ("Holy shit, Warrior down [...] Picked the wrong fight / now she's in for a long night", I'll talk about this later btw), and most importantly, what exactly was Victor doing at Union Square's station?
Let's compare this approach with Barnes' one at the park.
Barnes was alone in the bench, and only when Ajax approached him (and started beating the shit out of him), he called for police reinforcements. It didn't feel planned, even tho he was trying to bait them to come closer to him, I think it was much more about sexual harassment than him actually intending to arrest them. With Victor, however, it doesn't feel like a random encounter.
"Officers are on the scene". This line repeats a lot during Reunion Square, that alone indicates that there are a group of cops there, like they've been called. They knew the Warriors, specifically the Warriors, would be there, and why was it so important for them to get the Warriors if they're just a "likkle Coney Island crew"? Because Luther would be FUCKED if the Riffs reached them alive.
Of course, the Riffs could just not believe the girls, but he was not willing to risk it — after the phone call, Luther tells Cropsy the Riffs wanted the Warriors alive, but they don't. And he was right, wasn't him? Cleon being alive and telling the Riffs the truth was the only reason for him to be caught and... well, we don't know for sure what they did to him, but we can imagine they weren't gentle.
That being said, we have strong evidence that Luther was in touch with the cops, else he would have no way of knowing Ajax was grounded. And Victor needed a reason to be there as well; not only an informant, but also a motive, and if we consider the theory that he was talking to Luther, we have both things.
3. Trust in the impunity of a daddy's boy
During the entire musical, Luther thinks he can get away with about everything. I atribute that not only to the fact that he's a white man targeting women of color, but he must also have other reasons to believe he's immune to justice of any kind, and there's where I start to try to convince you that he's Victor's son.
I mean, when Cropsy shows that he's worried the Riffs would go after them, Luther, rather ignorantly, responds with "they're looking for the Warriors, remember?" As if the fact that the Riffs are going after the Warriors is enough for him to believe they would never even think about interrogating them, trying to find the murder weapon, etc.
This behavior suits someone that has never been held accountable for any misdeeds at all, and who would fit this description better than a cop's son?
Let alone that Victor is a captain. He holds even MORE power within the police. Being the son of a cop, even if you're a fucking gang member, you'd feel safe enough to do just whatever the fuck you want without even thinking about the consequences.
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Like, how many times he could have been caught doing something illegal, just tell the cops "do you know who my father is?" AND IT ACTUALLY WORKING? I firmly believe he was the one to inform the cops about all of this — the gathering, the Warriors' location, and the fact that he needed daddy to arrest the women who could potentially cause something to happen to him, because the Riffs are not the police, they'd not give af abt who his father is, even someone like him would have to be a little worried about being taken by them.
4. Fox & Luther — Parallels
I bet you did not see that one coming. "What do you mean there's something in common between Fox and Luther specifically that makes Victor killing her an interesting parallel with his (supposed) son?"
Well, games. That's kinda it. Old games.
So, there are only two characters that canonically like games in the musical, because they actually mention them: Fox ("A-yo I'll take you on an Odyssey like Magnavox") and Luther (with his multiple references to Pacman during the entire thing and other game expressions, like "I was at the top of the screen when I took that shot")
The Magnavox Odyssey is actually mentioned on the movie (according to my own father. I confess I don't remember this part, but I trust my nerdy father who actually have a connection with old consoles to notice that) by the Lizzies (fem version of the Bizzies), and Fox was not even there at the moment. Actually, movie Fox does not have a lot of... personality, if you ask me, he was kinda irrelevant. Anyways, even if Lin and Eisa wanted to reference this specific part in which the Lizzies offer to play Odyssey with the Warriors to lure them, why not have the Bizzies saying that? Why Fox?
Because that would be a bitter irony in the future. I might be crazy, BUT HEAR ME OUT, Victor killing a young woman that shared his son's interest for games was a foreshadowing for him being responsible for Luther's death as well — because he failed.
This is other thing they share: they failed. Victor failed to stop the Warriors from going home, Luther failed to kill Cyrus and blame the Warriors with no consequences, they failed together at silencing them, and this CAUSED Luther's (probable) death.
5. A gang member who endorses the police?
Ok, this last section is based in my belief that, even tho the crews fight and have their diferences, they all share a common enemy: the cops. That was the reason for them to accept the truce after all, the cops are their common enemy.
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But somehow that doesn't feel true for the Rouges.
First of all, they killed Cyrus, which obviously means they were not in favor of the truce. But why? They sure would suffer from police brutality too if they were a normal gang. And we can all agree that they are even more violent than the average gang (I mean... have you listened to their leader?).
Also, this line intrigues me.
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I mean, "picked the wrong fight"? It is clear that Luther's view is biased to take the cops' side. In this case, one could argue that his misogyny would play a big part on him diminishing Ajax's will to fight against an abuser. Anyhow, I think that this evidences that, even tho he's a gang member, he has a strong connection with the police.
CONCLUSION
I think we can all agree that Luther has something going on with the police, and I hope I have convinced you that he has something going on with Victor specifically.
It is possible to argue that their connection is only "tactical", or even go as far as to say that they are friends or something (tho, I don't think that's possible. One thing about brats like the Rouges: they don't go well with old people, with all due respect. I don't personally see this working as a friendship), but I'll stand with the father-son relationship till the day I die!!
Thank you for reading this madness and please lmk what you think! If there's something that doesn't make sense, if you have your own theories... I mean, I'm far more invested in this than I ever thought I would be, please give me more content 🙏🙌
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nausikaaa · 18 hours ago
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Six Sentence Books Sunday
hello y'all! i've been having a busy week, trying to get all my christmas shopping done before December even begins, because otherwise i know the entire month will escape me and i'll wind up realising i've missed someone on christmas eve. despite my efforts, i still haven't got anything for my dad- usually he's the easy one to buy for, but this year i'm just stumped.
i'm also putting my billy goat Hadrian out with the girls (Juno, Daisy, Lucy and Mina) in just under a week, but Daisy was getting pushed around and picked on, so i separated her last week so she can put on a little weight and relax beforehand, because if she's stressed, she may not come into season. then it snowed. goats are herd animals, they prefer to have company, so i made sure she could see the others through the fence, but it turns out she is absolutely loving having her warm little hut to herself while the others all share the big shed, while Hadrian has a corner of the hay shed to himself, with wickets keeping him from the hay.
flattering photos of the handsome chap and damsel in distress before the snow hit:
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sorry for the ramble. anyway! writing! well... i haven't been doing much lately, to be honest. when i'm in a writing slump, i like to read instead, and i view it as putting words in my brain so that it can make it's own words. it also helps me pick out things i do and don't want to emulate in my own writing. so instead of sentences, here are six books I read this year which i took something from:
We Solve Murders by Richard Osman, from which I am taking that it's okay to just use "said" instead of using a billion synonyms, as it blends in to the background and allows the story to flow more naturally. unless the way something is said is really relevant, it's better to show a character's feelings another way.
American Hippo by Sarah Gailey, which has such easy to follow yet engaging action and fight scenes, which I aspire to.
Home Fire by Kamila Shamsie, which had me sobbing inconsolably at the end. if a book prompts a physical reaction in me, that's an instant 5 stars. it's based on the ancient greek play Antigone, and though you don't need to know the play to enjoy the book, it really does deal an additional sucker punch to know how that story ends and yet hope so desperately the whole time: maybe it will turn out okay this time? a masterclass of foreshadowing and implication, somebody can literally die and it go unsaid, but you will know and it will destroy you.
Alcestis by Katherine Beutner. I hated this book. Plot? I barely know her. Consent? What's that? Resolution? Nah, pass. I learned what not to do from this garbage.
Percy Jackson: Wrath Of The Triple Goddess by Rick Riordan. I actually read both of the new pjo books that came out this year and honestly, they've shown me that sometimes a book can just be fun. There's no world ending drama, but still emotional moments and tension, and the whole story takes place over a matter of days. It doesn't have to be perfect, it can just be a good time.
The Amber Fury by Natalie Haynes. As somebody who writes a lot about grief, this book really helped with that by depicting it in such a raw and honest way, allowing the audience to connect with it even if they've never experienced the kind of loss the main character has. I do draw on my own experiences, but this helped me put it into words. It also shows how healing is always possible, no matter how severe the grief, so long as you have the right support system, something I am still muddling through.
an invitation to share some sentences or some books: @forabeatofadrum @cutestkilla @run-for-chamo-miles @roomwithanopenfire @prettygoododds @bookish-bogwitch @ic3-que3n @blackberrysummerblog @j-nipper-95 @youarenevertooold @larkral @that-disabled-princess @orange-peony @aristocratic-otter @thewholelemon @alexalexinii @confused-bi-queer @shrekgogurt @comesitintheclover @raenestee @hushed-chorus @you-remind-me-of-the-babe @noblecorgi @shemakesmeforget @ileadacharmedlife @supercutedinosaurs @artsyunderstudy @otherpeoplesheartachept-2 and @ninemagicks
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