#because she kinda boils it down to the very basics with the best examples for all of those who do not want their brain chemistry altered.
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hannibalismos-jaaneman ¡ 9 months ago
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i read a hannigram fic last night where op decided it was an okay thing to mention vatsyayana and my brain chemistry is fucked now.
#raj shitposting#afghdaklkjfdakjfgaskjgf#so for context i read the kamasutra as a joke earlier last month and istg i was not expecting what i read.#bro- listen i thought it'd be about heterosexual sex only but it's really not specified IN SO MANY PLACES IT MAKES ME WANNA YELL.#there's this entire section in the text about scents. now idk how many of y'all know seema anand but you should def check out her tedtalk.#because she kinda boils it down to the very basics with the best examples for all of those who do not want their brain chemistry altered.#and that was what got me into her stuff and i read the arts of seduction a couple years back but i wasn't unhinged back then-#-so i forgot all about it until like a month or so back when i came across a video of hers on yt and damn those floodgates BROKE man.#which lead to me finally putting my foot down and reading that shit and JESUS FUCKING CHRIST-#so back to where we were. there's this entire section about scents alright? and we all know where this is going so bear with me please.#so this section talks about how different scents stimulate excitement and how different parts of the body should be scented.#like seema anand does NOT warn you about how fucking DETAILED this shit is in the original text. AT ALL.#it's got i think somewhere around 600 different scents and the optimum intensity of the scents for like IDK TURNING INTO A MONSTER.#so like when i read the fic my brain thought HEY THESE ARE TWO UNHEALTHY OBSESSIONS OF THIS FUCKING SICKO THAT SHOULD ALIGN RIGHT? BOOM.#and i imagined post fall will experimenting with scents for fun and shit because why not who's to stop him at this point in his life?#and then my brain flashed me a very vivid image of hannibal BURYING his face into will's waist to smell the perfume he put there-#and then my brain short circuited because that is too powerful an image for a mortal brain to comprehend.#i don't think anyone will understand what the fuck it is that i'm on about but y'all should watch that ted talk.#and get ahold of the nearest fic writer you know and force them to write a fic on this BECAUSE THIS IS THE PROMPT THEY'VE BEEN WAITING FOR.#this is actual psychosexual bullshit and istg i've had SO MANY vivid dreams ABOUT SCENTS ALONE it's making me lose my fucking mind.#GAAAAAAAAAAAAH#hannigram#hannibal
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leffee ¡ 2 months ago
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question for you. What episodes do you think hold the angstiest potential for each pet?
For example: what episode do you think has the most angst potential for Russell etc. It could be an episode that centers around the pet you're talking about, or it doesn't have to be :D
(Am I making sense rn?)
Ok, so per your request I'm only including season 1 and 2 episodes since you haven't seen anything after that for now
Vinnie - "Sunil's Sick Day" - so many choices but I decided to go with this episode. Imagine after all that happened in the episode Vinnie thinks about it all and realizes that technically Sunil got mad at him for nothing. Because in the episode they argued about him breaking Sunil's wand but... the wand was never broken in the first place and Sunil knew that. So once Vinnie realizes that he is so distraught. Did Sunil, his beloved best friend whom he can't live without make up a reason to be mad at him? Why...? Does Sunil secretely not like him and wanted an excuse to be away from him? Lots of doubts appear here. And don't even get me started if he found out Sunil said about him and I quote "Between you and me he's not that good of a dancer." Oof, big big angst potential here.
Pepper - "Sweet Pepper" - pretty much everything you said in this one long post about this episode. The rest of the girls just tried to change her so much and even when Captain liked the way she acted normally they told her not to act like herself. What? Why? Listen, I believe Zoe could act like that but Penny and especially Minka? Nuh-uh. And don't even get me started on the whole "You handed me the picture of a pretty skunk," which implies she doesn't exactly think of herself as pretty. Her angst possibility in this episode basically boils down to it all making her feel worthless and like she needs to change to be loved, drastically change.
Zoe - "Eve of Destruction" - honestly she was really hard, not because it was hard to pick an episode out of many, just because I couldn't think of any episode that has angst potential for her. In the end we have this. Imagine her and Madame Pom went through with this whole modeling content and Madame would somehow be declred a winner. She already lost to her years ago and now again? It's Zoe, and it's something she cares about - modeling, of course she's not gonna be happy. Not to mention how other pets idolized Madame Pom, I mean Vinnie and Penny saw her opinions on their dancing as the most important, and the rest of them admired her pictures and such, yeah, Zoe wouldn't be too happy if that stuck for longer. ...Why do they never act this way with her? Is she not special?
Minka - "Bad Hair Day" - might be kinda obvious but yeah, definitely holds a lot of angst, just canonically. Her friends straight up used her for money, yikes! Aside from the whole thing with her wanting to paint for herself and not for money or fame she could definitely start thinking her friends are only around her for possible monetary value. Not because they like her, but because she can give them money.
Russell - "Russell Up Some Fun" - first scenes of this episode is everyone else criticizing how he is naturally to the point he decided to change himself completely, of course it's huge angst mine. It's basically the same thing as "Sweet Pepper", just Russell feeling the need to change himself drastically so others like him. Not to mention at the end when they begged him to return to being his normal self it could definitely make him feel like others only want him to act his usual way because it benefits them, not because they like it. Do they even like him...?
Sunil - "Lights, Camera, Mongoose!" - bruh, they were so rude to him at the beggining ("Good job, David Copperfied" okay, Vinnie). At least they had a reason. Not a very good one but it's something. Still, if I were him I wouldn't be this happy about returning to them at the end of the episode especially after getting a taste of how appreciated he could be. I bitch about them doing nothing when Vinnie went missing but now that I think about it they didn't do anything about Sunil going missing in this episode either! They barely even acknowledged it before Blythe returned. Also why does Sunil go missing so much in this show smh.
Penny - "So Interesting" - I genuinely feel so bad for her whenever I rewatch this episode, I mean the beginning. Thinking there's nothing interesting about her, oof. The fact that they kept being like "There's gotta be something interesting about you!" like that's just rude, they're basically calling her boring in such a rude way not to mention the pressure. Imagine she never made up that story because she wasn't a good story teller or maybe because of that pressure that would be stressing her out. She would have to live thinking others think she's boring and being so insistent everyone has something super exciting about them. With her sensitivity especially she definitely would be super hurt and I don't blame her. Can't she just have no interesting story involving her but still be liked by them? Doesn't she have any good qualities that make others want to be her friends...?
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spacejellyfish3 ¡ 3 years ago
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the utena show’s ending is extremely powerful on its own yes but utena’s final apology? to anthy of not being able to be her prince in the end never stuck right with me. and I think that’s cause in a sense it’s still centering the prince as important, as aspirational, that maybe it could have been a better ending for them—that utena could’ve survived if she were her prince. and of course I might be reaching with that possibly probably but I still wanted to air that opinion out (maybe someone else has similar misgivings as I do and can expand on it so there).
but the real problem for me is that show anthy still very much places utena as a savior figure, as her “prince”. while I live for anthy’s savage verbal takedown of akio as a powerless coward trapped in a Sisyphean game of pretend for all eternity but even so she herself is still shown to subscribe to the dogma of the heroic prince. even visually anthy’s idealization of utena is displayed with her dressed in pink. this visual marker is carried over into the movie with anthy’s bridal gown changing from red (which makes sense since anthy is indian coded and an indian bride’s sari is traditionally red) to white and pink, connoting her as utena’s princess.
movie anthy’s placement of utena onto a pedestal of princehood also often extends beyond subtext and into the text itself, a key example being the scene right before utena’s famed car wash makeover where anthy says “you’re the prince of the academy now, every miracle and all eternity is yours…so long as you stay in this world.” anthy believes that you can only exercise power, have power, be happy, be free within the system, and it’s important to note that there is very much truth in that notion but this power I’m referring to is that of self actualization, the power of maturity. yet…utena rejects that noise, she says no, she says fuck that let’s go be free in the outside world.
if the show is about breaking away from the confines of abuse, then the movie is about breaking away from the confines of trauma. it’s extremely powerful when anthy takes the steps out of ohtori; it’s hard even just to find the strength to leave an abusive situation let alone actively do it. but the pain remains, trauma doesn’t disappear it’s haunting it’s ghostly sometimes literally manifesting. both movie utena and anthy are hounded and bound to apparitions they’ve forgotten are actually dead.
touga died years ago sacrificing himself for nothing in the end and became princely an ideal to strive for and utena has to come to grips with that and she basically says no you don’t control me my grief my trauma does not control me thank you for being my prince but I can’t be a prince I don’t want to be it’s not real
anthy is real
I am real
akio is abuse he is torment and toxicity he is anthy’s monster, maybe a monster that she created once upon a time but he chose to perpetuate his monstrosity. and when confronted with his actions he couldn’t face it he hurt her more made it her fault for the hurt he caused her and he died he’s dead he’s gone but he remains in the ground anthy buried him beneath the roses. the rose garden is a prison she is the only one held captive by the roses and it grows up up high up but it’s still there the roses remain he’s still there in her mind and he’ll never leave but he’s not in control. he’s dead, he’s been dead for so long he remains but he’s not real and he’s no prince because the prince was a lie that never existed it’s not real
utena is real
I am real
and they blaze past everything. there are obstacles but there are friends too who aren’t there yet but they’re on the path they’re trying they’re growing they have high goals they want to reach and someday they will but you can now. it’s anthy’s story it’s anthy journey and it’s hard of course it’s hard
but they break free. they break the castle so huge so big so impossible but it wasn’t real
it’s just rose petals flying in the wind
akio doesn’t control her and though it might be so that she and utena can’t make it outside, that they have to continue as princesses stuck in the role that people give them but they don’t have power over them, they’re free and no longer draped in any costume or performance, they’re truth out of her well to shame mankind and that’s fucking awesome. they might not make it, they might fail like the broken down husks of those who came before them, but they can try they’re free to try. they have the power to try. to revolutionize the world. to revolutionize their world.
“the outside world has no roads, but you can always build new roads.”
I binged the entire series and the movie last year around March maybe, sometime right before quarantine…and I haven’t been able to stop thinking about it, analyzing it, since. I’m pretty sure it radicalized me and honestly I’m glad it did. revolutionary girl utena speaks truth to power and exists as a creative work in a way that I don’t think anything else has or will. it’s fundamentally itself but simultaneously thrives on external interpretation. it’s both an enigma wrapped in a mystery and as obvious and unsubtle as a trainwreck. above is my favorite quote of the entire franchise because it’s so simple but so profound—you could say it’s my equivalent of “what is grief if not love persevering”.
there are no roads to follow, but you’re open to build your own path your own way. no one defines you but you and that’s simple that’s kinda naive but what’s wrong with that. I’m not sure who originally said this or stated this proverb or whatever, I know I read it somewhere but I’m not sure where, and I’m definitely paraphrasing but
adults are so quick to say the world is unfair and be done with it, but a child would look at that and say: why not make it fair? that’s really simple and it’s innocent of course but it’s still true. why can’t we make things fair, because we definitely could it’s not impossible.
I’m not sure how to end this post—I definitely should cause it’s plenty long already—but rgu is highly foundational to me on a visceral level. it’s helped me in ways shifted me in ways I can’t describe and I can’t really imagine myself now existing without its influence. the best way I could describe its impact its power its importance really boils down to
the outside world has no roads, but you can always build new roads.
words to live by.
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starfast ¡ 4 years ago
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So you want to write an autistic character
So I watched the trailer for Sia’s movie just to see if it really was that bad. Spoiler alert: Yes it is. It made me feel like Sia was making fun of me for two and a half minutes. But it also made me really fucking angry because there’s not autism representation to begin with, and most of what we do have isn’t really that great, which is what drove me to make this post. I don’t have many followers so even if like 3 people see this, then at least that’s 3 people who have seen this.  
What would I like to see less of
Literally incapable of detecting sarcasm: “Wait,” you say, “But Starfast, there are autistic people out there who are like this!” Sure, there might be, but for me personally detecting sarcasm is a lot less difficult than literally every autistic character has made it out to be. Yes, there are times where it goes right over my head but those times are usually when there’s not enough context for me to figure out whether the person is being sarcastic or not. Some of us actually are able to tell when you’re being sarcastic, it usually depends on context.
The “Sheldon Cooper”:  Autism is really diverse and yet I feel like 99% of autistic characters are basically all just carbon copies of Sheldon Cooper from BBT. They’re maybe overly formal, blunt, or have a hard time picking up social cues. And while these are all things that are commonly associated with autism (although this type of character rarely shows any major downsides to having autism, more on that later), like I said earlier, autism is different for everyone. Not all of us are going to feel represented by this type of character. Honestly I don’t even relate to a lot of autistic characters because they just keep reusing the same autistic stock characters and that’s really disheartening to me. It’s almost like they’re not making autistic characters for autistic people.
The Burden: This probably doesn’t need to be explained that much but it was the one thing that really pissed me off about S**’s movie. In the trailer, I really got the very distinct impression that the older sister saw Music as a burden. Her life was just oh so difficult because she had this autistic sister. No one wants to be thought of that way. And idk if you neurotypicals know this but autistic people have feelings and we hear it loud and clear when you say these kinds of things and it hurts. 
Using autism as a punchline: I think it’s fine to have an autistic character to provide comic relief, BUT! if your comic relief involves laughing at an autistic character’s very autistic behaviour then you’re doing it wrong. This kind of goes back to my first point- the reason why I hate seeing the “incapable of detecting sarcasm” character is because it’s almost exclusively played for laughs. Please stop making fun of us. 
What would I like to see more of
Diversity: I feel like this doesn’t really need much explaining. Autism can affect anyone regardless of age, race, gender, sexuality, etc. And yet most autistic characters I’ve encountered are straight white guys. Let’s see more girls, more POCs, more LGBT+ who are autistic. 
Obvious drawbacks/struggles: When I talked about the Sheldon Cooper-type character I mentioned that this type of character doesn’t really seem to face many challenges that are directly related to autism. What I mean by this is that sometimes they’ll maybe just miss the odd social cue and it’s kinda embarrassing but it rarely gets worse than that. An autistic character is going to face challenges that a neurotypical won’t ever have to deal with and if you don’t acknowledge that then you’re not really properly portraying an autistic character. Show more autistic characters struggling to make friends, having meltdowns or experiencing sensory overload, having a hard time articulating themselves. The list goes on, honestly. 
Actually saying it: Have you ever seen it where there’s a certain character and a bunch of people go “hey, that character seems like they could be [insert literally any minority] and then the creator goes “Oh, yeah that’s totally what I intended!” I personally don’t really like this, because it feels kind of disingenuous. If you’re going to write an autistic character, it would be nice to have that brought up within the story. Autism isn’t a dirty word, you’re allowed to say it. The only exception I can think of would be if you’re writing a historical fiction or some other setting where autism hasn’t been recognized but most examples I can think of don’t fall into that category whoop there it is. 
Literally just anything that isn’t a stereotype. This seems to be setting the bar pretty low, but it still needs to be said. Autism looks different for everyone and just because someone doesn’t fit the mold for a stereotypical autistic person doesn’t mean they’re not autistic. No one wants to be represented by a stereotype. 
“I’m not autistic but I want to write an autistic character. Can I do that?” 
I can’t speak for the entire autistic community when I answer this but my opinion is yes, it’s ok provided that you’re being respectful and doing research beyond reading symptoms off of WebMD. That being said, here’s my final advice: 
Listen and talk to autistic people: If you’re not listening to the group you’re trying to represent then you’re not doing a good job. There are lots of people here out there who would be willing to answer your questions or be a sensitivity reader. There’s a lot of people here on tumblr who are willing to answer your questions (you can even ask me, but I’m just one person and I don’t have all the answers. I’d recommend talking to multiple people). 
Autism Speaks is not your friend: There’s been a lot of talk about why this organization sucks, but it mostly boils down to trying to end autism and not actually helping us. So make sure you’re steering clear of them while you’re doing your research. 
Reddit and Quora are actually great resources: Reason being is that these kinds of sites will give you lots of first hand information about being autistic, and that’s the best kind of information to have, usually. Most sites will just list symptoms, but the right reddit/quora thread will provide more insight about how these symptoms affect their daily life. Additionally, you’ll have multiple people offering their own views and since autism is so different for everyone it’s good to have more than one person’s opinion (psst... this tip works for writing other minority characters too!) 
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mskatesharma ¡ 4 years ago
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Hey sorry to bother you but I wanted to ask if you could rec some good sources on learning more about Indian Culture/history/customs. Movies books anything really. I have looked online but well, I always take things on the internet with several grains of salt. And considering I know very little on it, I can't say how reliable the information is. I would like to incorporate elements of Kate being Indian when writing about Kate (and Kate and Anthony) going forward and I want to do it in as respectful and accurate a way as I can. For example, I had a thought of Anthony seeing Kate and her fam celebrate Holi and falling in love with how happy and carefree she is and brushing some paint off her cheek before she dunks some pigment onto him or something 1/2
But considering I've never celebrated Holi or seen it celebrated before I don't think I'd do a good job to write it... I know I get annoyed when people get the basic customs and traditions of my culture wrong. Anyway sorry for rambling TLDR: I would like to learn more about Indian culture and idk where to begin so I would be grateful for any direction you can point me at 2/2
so this has taken me a while to answer because i needed to find time to sit down, think about it and answer it properly. it might seem like a somewhat simple question, but to me, at least, it’s complicated? (i’m probably going to be going over stuff you probably already know, but i’m trying to answer in a complete way.)
i need to start off by saying that my family is from north india (gujarat specifically), and because of that, i have a certain level of privilege, including how north indians and north indian culture is portrayed in the media (obviously including bollywood). i mention this because simone ashley is south indian, specifically tamil, and there is so much prejudice against south indians in general, and this obviously extends to how they are depicted and how their culture is shown in various forms of media; colourism (which simone has spoken out about) is just the start of it. (also, as someone who is north indian, i’m not the best placed person to talk about the prejudice and discrimination faced by south indians.)  
a big part of why desi fans are so excited about simone’s casting as kate is because she a dark-skinned woc, and typically, dark-skinned women aren’t cast as romantic leads, and they’re not cast in shows anyway, especially when compared to light-skinned woc. so the fact that she’s going to be a lead in one of the biggest shows on netflix is a big.fucking.deal. in addition, they changed her character’s surname from ‘sheffield’ to ‘sharma’, which on the surface seems like a great idea, but if you look a little deeper, there are so many problems to be found.
(this got long so continues below)
sharma is not a generic indian surname; it’s specifically a north indian hindu name, which throws up questions. is kate going to be a hindu on the show? does this mean her family is from north india?  are they going to talk about caste on the show because sharma is a brahmin surname? how are they going to explain kate being in england, and being out in society with the upper crust of the british aristocracy? (because of the time that bridgerton is set, and with them specifically setting up kate as indian, i honestly don’t know how they’re going to explain kate’s presence) i honestly think that the show didn’t think too deeply about it and they chose the name sharma because it starts with ‘sh’ and ~sounds indian. however, it’s thrown up so many questions that they can’t ignore, especially because they tried to explain race in the first season. 
i talk about all this because you ask about holi, and incorporating elements of kate being indian when writing. and i’m not trying to be mean, but i would maybe hold off altogether? i need to point out that holi is a hindu festival, and is not specifically tied to being indian. i know i mentioned that sharma is a hindu surname, but we don’t even know if kate is going to be hindu, she may be a christian, or another religion or an atheist. also, because simone is tamil, they may decide to have kate be south indian despite the north indian origins of sharma, if they chose to address it at all. and depending on where in india you are from, and your religion, you will celebrate different festivals. even indians of the same religion celebrate different festivals, and some celebrate occasions at different times (e.g. gujaratis celebrate hindu new year the day after diwali. this isn’t the case for most other hindus. if we take holi, i know that it tends to be celebrated more in north india, and the image you describe isn’t necessarily universal). 
there has been a lot in the tags regarding clothing, and seeing kate and her family wearing indian clothing, and while i get it, it makes me nervous. personally, i cannot wait to see kate in the same style of dresses that everyone else wore in season one. why? because seeing an indian woman in that period of dress is something i have been longing for. i don’t want to see an indian woman wearing a lengha or a sari or sabyasachi in that time period, i want to see her in a bonnet and empire waistline, because that is something we haven’t seen much of. 
also, talking about seeing kate and her family wearing indian clothing has the potential to ‘other’ her, and tbh, can come across sometimes as fetishy, especially when you consider the time the story takes place in, and all the implications of colonialism. (there’s also the fact that unless the show has hired indian costume designers, it would be kinda gross for them to use any kind of indian clothing, and that includes adding elements to the era-typical dress that i’m hoping for.) 
i’m going to be honest, i’ve seen pieces of fanart with kate wearing a sari and other indian clothing, while anthony has been in typical regency dress, and it makes me uncomfortable. it gives off coloniser vibes, and that’s a dynamic i have absolutely no interest in. there’s also the fact that i’ve seen art where simone as kate has been shown as light-skinned, to the point where she appears to be the same colour as anthony, and i mean, hello?!
full disclosure, i’ve made some posts regarding headcanons and music that i should have thought twice about. i’ve reblogged stuff that i should have thought more about before i did so. why? because they had overtones of north indian privilege, and/or orientalism. being indian (wherever in india that is) is part of someone’s identity, it’s not a gimmick to sprinkle onto things, and it’s not something to festishise, and i think, at least from what i’ve seen, that is the concern a lot of desi fans have, even if that’s not the intention of the original posters.   
i realise i’ve gone on a seemingly massive tangent, but what i’m trying to say is, i don’t think there is a need to specifically reference kate being indian, especially when when writing canon-era fic, even more so when you consider we don’t know how the show is going to address it. now, i’m not saying i have faith in the show when it comes to kate and her ~indian surname, just that until we know how the show addresses it, i don’t see why it needs to be referred to? i understand why one might want to, but i just think there are waaay too many potential pitfalls, and the risk of coming across as orientalist/patronising/fetishy too high. some fans have fears when it comes to kate sharma and how she is presented, and for good reason.
sorry for not answering how you expected, and not giving you the resources you asked for (which, tbh, i’m not sure i would know where to start). i get what you were trying to ask, and i thank you for asking in the first place, but the question felt a little unfair tbh. but, i would encourage to read up on orientalism, also about the privilege that north indian hindus have, and honestly, the british colonisation of india.
ETA: i put this in the reblog but im going to add it here as well
also, something i forgot to add, even though i talk about north indians/north india and south indians/south india, it is obviously more complicated than that. there are many different states in india, and even then, different regions within those states will have different customs to each other. and then you have to factor in religion. likewise, there’s no one language that everyone in india speaks. basically, it’s not one universal culture that can be ‘boiled down to the essentials’.
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blockgamepirate ¡ 4 years ago
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Hello! Not sure if you’ve had any asks about this but you’re really good at explaining anarchist theory and such. I was wondering what your response is for Jack’s criticism to Niki in his stream? (He visited about 20 min in) Basically it boiled down to “if there is no government or law here, what’s to stop someone from just taking everything?” This is a criticism a lot of people seem to share, that without structure the only people with power are the ones with pvp skill. What’s the solution in that case?
Thanks for the ask! (and thanks for the compliments haha) Okay, first off I wanna link an earlier post I made kind of relating to this subject because otherwise I’d have to get a bit repetitive. But I’m gonna elaborate on this a bit here:
Oh yeah also disclaimer: I’m obviously not an authority (hah!) on anarchism, I’m just one random anarchist. I haven’t even read that much theory tbh, I get bored really easily. Point is, other anarchists might disagree what I have to say, these are just my thoughts and ideas.
1: So to me it kinda seems like Jack is confusing “no rulers“ with “no rules“. He’s thinking of 2b2t when he could be thinking of Hermitcraft (well, Hermitcraft is kinda mixed, sometimes they have a police and a penal system, sometimes they have a mayor, idk, but like... thinking of season 6 for example, which I still keep saying was effectively a mutualist society). Yes, anarchy CAN be “no rules“, but it doesn’t HAVE to be, and as a societal system it usually isn’t. The important part is that if there are rules they must be decided by the consensus of the community. That is, everybody has to agree to them mutually.
2: “No police“ doesn’t mean “no community self-defence allowed“. The difference is that the role doesn’t come with authority; the idea is to intervene to stop an immediate threat, that’s all. The conflict resolution is handled between the people involved and possibly some mediators and with input from the community as a whole if it’s a bigger issue. Honestly, the details aren’t even that important, the point is just that you don’t have a specific group enforcing rules on others
Living alone in her city Niki is definitely vulnerable, there’s no denying that. The best protection would be to have other people there to outnumber possible troublemakers. (Okay I know some people on the server can fight even massively outnumbered, but I mean even someone like Techno tends to think twice before fighting more than three people unless he’s prepared.) If the other people aren’t available, they can go visit the offender afterwards to make it clear that such behaviour is not appreciated and amends must be made.
(I realise that while Niki can’t tell Jack, she actually has some VERY powerful allies now. But yeah, having more people there in general would help to prevent problems in the first place.)
3: This is less about Dream SMP (which actually is probably doomed to be kind of a chaotic mess due to the fact that conflict creates content) and more about the general trope because I can’t help responding to it every time:
The media in general tends to overestimate how prone to violence and destruction people would be without leadership. The example I like to give is natural disasters: in a major natural disaster, law and order tends to break down, often it takes a while for authorities to show up, there’s limited resources, there are immediate threats everywhere.... and usually what happens is that people help each other. Including complete strangers. Usually the first and most important rescue efforts are organised by the people who are right there, being hit by the disaster. The official rescue personnel would otherwise be too late for a LOT of people.
But people’s concept of what a world without laws and authority would look like is more like what happens as a reaction to authoritarian rule. For example the drug wars in Central America are directly linked to the War on Drugs in the USA. Extreme anti-drug policing enables organised crime. The Syrian Civil War was a response to Assad, made even worse by US intervention in Iraq which had already created ISIS which in turn was able to expand to Syria. And we’d be here all day if I tried to list all the wars and breakdowns of society caused by colonialism and its legacy.
4: Governments on the server really don’t have a great track record of stopping the kind of problems Jack brought up from happening. And in fact a lot of the time it’s the governments that do the stealing and griefing themselves. This tends to happen in real life too. Police brutality is a huge problem, because as it turns out, sometimes the asshole who comes and steals your stuff and kills your chicken decides to go into law enforcement first. And then you definitely can’t do anything about it, because who are you gonna call then? The police? (Sidenote: who do you call if the president is stealing your shit and calling it “taxes” lmao (Yes I’m talking about Tubbo in case it wasn’t clear))
Governments also start wars for resources, for territory, for straight up just reinforcing their own power. They usually allow some level of dissent, just to seem reasonable, but if the dissent gets loud and strong enough, they’re very quick to start persecuting activists, even if they have to come up with lies and excuses to do so.
Governments also prop up capitalism, which itself is exploitative and harmful in a systemic way. It might not reward physical power, but it rewards financial power. (I won’t go into it here because it’s a whole other tangent but capitalism pretty much requires some form of government and law enforcement to function, which is why “anarcho-capitalists” aren’t valid. Mutualists are though, mutualists are alright.)
And speaking of systemic power, it creates situations where even otherwise good people end up doing horrible things, because they’re just going along with the existing system. For example, denying disability benefits because someone doesn’t quite fit the requirements, deporting asylum seekers because they weren’t able to prove their lives were in danger, foreclosing on someone’s home because they weren’t able to make their payments...
Or more relevant to the Dream SMP: locking up a visitor in a max security cell for over a week, WITH the prisoner, because it’s what the prison protocol demands (Sam). (Not to even mention everyone who’s been drafted to carry out state violence against their will, like Tubbo, Ranboo and Techno at least, probably more.)
... Okay I’m kinda veering off topic here. But you get the idea. Governments and authority figures regularly fail to protect their people, in fact they’re often the CAUSE of the harm in the first place.
96 notes ¡ View notes
yukiwrites ¡ 3 years ago
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Behavior, Making the Difference
Thank you for the support as always, @xpegasusuniverse! This one was so fun to write, I hope you like it! I love exploring all of these different interactions!
Summary: Ricken, Lysithea and Hayato banded together due to their similar circumstances in their home world. They were now good classmates, who shared the same woes even in another world like Askr: why are they being looked down on, just because they were young?
Commission info HERE and HERE!
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The amount of Heroes being summoned in Askr grew day by day. The castle alloted to house the Order of Heroes had enough space for them all, yes, but there were some areas that a few groups of like-minded Heroes claimed for themselves.
For example, the western training grounds was now CHOP’s exclusive meeting spot. The eastern forest? Home to Heroes who would rather stay away from people to focus on calming their raging power. There was also a meadow past the southern garden, almost touching the outer wall, where the dragon-shifters liked to gather.
In the same manner, the central library was used as a classroom and gathering spot for the mages. It was big enough that classes could be taken on the second floor while others could quietly do their personal research on the first floor without one being a disturbance to the other.
Every other day, more experienced mages ministered classes on the second floor in favor of the apprentice mages. Merric’s was a particularly popular class due to how Young Merric also participated and asked many questions to his older self, which would extend the lecture for hours upon hours.
After class had finally ended, many of the students had stiff necks and sore legs for sitting up for so long. Be that as it may, one of the most eager students, Ricken, observed how Merric and his younger version interacted. On top of that, he noticed how younger Merric received different treatment whenever he went despite being the very same person who was just at the helm of the class.
Sure, the years of experience made a whole lot of difference, but younger Merric was in no way lacking in comparison to any other mage!
“Maybe it’s just ‘cause Merric’s tall.” Ricken grumbled to his deskmates, Lysithea and Hayato, as he looked up to his intentionally large hat.
Lysithea revised her notes calmly, resting her head on one hand. “At this point in time, young Merric has much more experience than Professor Merric had when he was that age. He’ll grow into a much stronger mage if he keeps up with this hunger for knowledge.”
Hayato nodded beside Lysithea, yawning loudly while he stretched his stiff muscles. “I do not know if it was due to the special summoning or if something different happened in his home world, but this young Merric has outstanding innate magical energy. It’s even larger than Professor Merric’s.”
“See? That’s what I’m saying. He’s much stronger than a lot of the adults, but he’s still treated like he’s not that capable because he’s young. They’re treating him like a little kid in favor of his older self!” Ricken protested with puffy cheeks.
“I do understand the hierarchy that comes with the territory of being a mage, so it’s not like I agree completely with you,” Lysithea pinched in, lifting her gaze to the red-haired young boy, “but I don’t disagree completely, either. They could treat him with the deserved respect of someone who holds that much power.”
“Though the man himself doesn’t seem to mind, unfortunately.” Hayato sat back down after cracking his neck a few times. “He sucks it all up, as though he himself feels unworthy of respect.”
“I suppose seeing how much you’ve grown can do that to people,” Lysithea mused, then mumbled so only herself could hear, “I’d be jealous if I wasn’t in such a hurry.”
Ricken’s cheeks only inflated more and more. Seeing people just like him, full of potential and stacking on accomplishments, being treated as less than they deserved made his blood boil. It reminded him of the constant ‘are-you-alright’s and ‘someone-your-age-should-rest-now’s he received on a daily basis.
“He shouldn’t be treated that way!” Ricken exclaimed, raising both fists up. “It’s the same everywhere! Back home, Chrom and everybody else treated me like a little, helpless kid and never saw how much I could do.”
Hayato crossed his arms, bobbing his head to the sides. “Just blow something in their vicinity; that will shut them up.”
“But I don’t want them to fear me! I want them to respect me! Besides, that’d probably just make them tell me I’m still too reckless for the battlefield.” Ricken’s shoulders dropped as he saw the exact scene being played in his mind, word by word.
“... Ah, you’re part of a specialized task force, right?” Hayato momentarily forgot that although the other two shared the same amount of potential and suffered from being berated by their ages, they weren’t the heirs of their tribes. He could get away with a lot of stuff because the heir was usually the strongest one, but that wasn’t the case with Ricken, who was simply one soldier amidst many.
Ricken sat back down, deflated. “Yeah, and there’s this other boy who got in after I did but no one treats him like they treat me! He’s only older than me by a few months, but everyone already sees him as a man and they never hold him back on doing stuff.”
Lysithea immediately remembered Petra, the princess of another country who studied with her under Byleth. They were both the SAME age, but no one treated Petra like a little kid. “... Is it the height?” She mumbled, though both of them heard it loud and clear.
… Oh.
It was the height.
Ricken took off his hat, then glanced up as though to remember how tall Donnel was compared to him.
… After a moment, he realized Donny was at least a head taller than himself.
“This is ridiculous!” However, Hayato was the one who slammed the table. He, too, was conscious of his height. “Bring it on, I’ll zap him with my magic and we’ll see-”
“Wait, wait, wait! I don’t wanna hurt my allies!” Ricken pulled on Hayato’s sleeve. “Besides, he’s not a mage, he’s- uh, I don’t know what he does exactly, but he’s a villager. Everyone trains with him and gives him tips and puts him on the frontlines without question… It’s unfair! I can hold my own, too!”
“That does seem like special treatment,” Lysithea nodded. “It’s unfair, but that only means that you have to overwhelm everyone with your effort. Study a lot and show them how good you can be to shut them all up.”
“Yeah... It’s my dream to be able to fight side-by-side with Chrom, but it’s not something for the far future. I can do it NOW, but they just don’t acknowledge me! It’s driving me nuts.”
Before the other two could reply, the sound of steps going up the stairs to the second floor interrupted them, which was unusual. It was an unspoken rule to use sound-muffling magic while walking around the library; not to mention that the second floor was commonly used for classes, so there shouldn’t be anyone going up at that moment, as the next class would only happen after dinner.
“C’monnn, up we go, Donny!” A familiar, peppy voice echoed. Soon, the blonde pigtails could be seen before the princess’ body: It was Lissa, Chrom’s sister and princess of Ylisse.
“W-wait, wait, Miss Lissa! I reckon we shouldn’ta be ‘ere now! Aren’t them egghead folks studyin’?” Being pulled by Lissa, Donnel held the pot on his head to hide his face, whispering in an attempt to be quiet.
“Nope, class was over a while ago, so now it’s Professor Lissa time! Take your seat, Donny, and let your big sister here teach you stuff!” She pulled out a monocle from her sleeve and a presentation stick from the other, pointing at the blank blackboard. “Now, todaaay we’ll learn about… Cloud formations!”
Apologetic, Donnel glanced around as he scratched the back of his neck, meeting Ricken’s, Hayato’s and Lysithea’s eyes as he sat down. He bowed to them before turning back to Lissa’s long winded explanation about Stratus clouds.
Lysithea’s expression turned cold as her optimal studying space had been breached. “Aren’t they from your world, Ricken? Don’t they know how this is a place of learning and not of fooling around?”
“Ah, um, yeah. He’s the boy I was talking about, too, but…”
“You said people don’t treat him like a kid, though? But look, even that young princess is making sure to even call him ‘little brother’...” Hayato commented, glancing between Ricken and the other two.
“I’m surprised, too. I only see people praising him and telling him to go to the frontlines more often. Princess Lissa can be annoy-erm, difficult to deal with, especially if you’re younger than her…” Ricken spoke with a jaded voice, as though he had experienced all of that first hand (he did). “I didn’t know Donny also went through that.”
Hayato cracked his fingers. “He doesn’t seem to be much older, just like you said.”
“Yup, I can only imagine they treat him differently because he wields a weapon, not magic. They might think I’m weaker than others just ‘cause I don’t have muscl-”
“That’s ridiculous.” Lysithea interrupted. “Mages are one of the most terrifying pieces of the battlefield. No one has any right to look down on a mage just because they’re more fragile than their weaponized peers.”
As both boys nodded, Ricken clutched his hands. “Yeah, but that’s the only conclusion I can come to, honestly. What IS the difference between us if not that? We’re basically the same age! I refuse to believe it’s because I’m- I… I’m s-shorter than him!”
As the three of them discussed, Donnel raised his hand to ask Lissa a question. “But ‘scuse me, ma’am, it’s the Nimbus kinda cloud tha’s the rainy one! Folks called ‘em that ‘cause no matter how fast you saw ‘em, they’d catch up with ya and wet all your laundry, that it would!”
“Weh? What? No! It’s the Cumulus one, I’m sure of it!” Lissa was bewildered for a moment before stomping her foot stubbornly. “I’m the older one here, so I know best, okay?”
Donnel scratched his head awkwardly. “B-b-buh… But the Cumulus kinda cloud’s the one’s looks likea’ tree, ain’t it? Mighty tasty-looking too, like a pretty treat I saw in one offa those fancy towns we gon ‘bout.”
“Nghhh!” Lissa shook with embarrassment and mortification. That wasn’t the first NOR the second time Donnel corrected her during her ‘classes’. She was the older sister here, darn it all!
In between the three mages, the princess and the villager boy, none of them could truly fathom the reason why people treated Donnel differently, despite their close ages. In other circumstances, perhaps, Lissa would be sitting at the table alongside Ricken, Hayato and Lysithea. However, since that was not the case, the group was fated to observe the duo.
If they had just a little more self-awareness, they might have realized that the simple and obvious reason was only one’s behavior and humility.
But perhaps, they were all still too young to realize...
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mimymomo ¡ 4 years ago
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Wynonna Earp 4x07 Scene Rewrite
Okay before any gets upset, I do like 4x07! (I’m not into episodes/scenes where the jokes are purposeful cringe/embarrassment scenes which 4x07 kinda is but overall I do like the episode). But there’s one scene that kinda rubs me the wrong way: the moment where Waverly and Dimitri are on the steps at Shorty’s. I feel like they could’ve handled the resolution to the Cupid plot line better, so I created my own version on how I wished it would’ve played out. Featuring: more Wayhaught!!
Some background stuff (new stuff in the bullets)
Starts at the commercial break after Wynonna spills the Cupid glitter
The scene plays out the same at the beginning (cuts to the group under the spell dancing/being lovey dovey with each other)
Waverly and Dimitri talk and he tells Waverly about him being in a relationship with Amon BUT Waverly doesn’t say that the ‘your heartbreak proves love is real’ (she tries but Dimitri shuts her down)
Dimitri reiterates that he’s not going to help Waverly (basically tells her doesn’t want to get caught up in her mess), which causes Waverly to get upset/frustrated
Nicole, still under the spell dancing, notices Waverly and pulls away from the ‘love’ group and walks over to Waverly
She immediately starts to comfort Waverly – wiping at her tears, grabbing her hands and squeezing them/kissing the back of palms and fingers, calling her Waves/Cutie and telling her it’s going to be okay. Her behavior is CLEARLY ROMANTIC but VERY different from how she was acting with the others – it’s less frantic and more soft and gentle
This throws Waverly and especially Dimitri for a loop: Waverly asks why Nicole is comforting her and Dimitri tries to brush it off as her being under the spell and asks Nicole if she’s hot (or some inappropriate question to ask if she’s in love with Waverly/under the spell)
Nicole says no; that what she feels with Waverly is different – it’s not this intense burning draw that she feels with the others but instead this shimmering feeling like a pot that’s at a rolling boil. It warms her entire body but not in a burning way, just want and pleasant feeling; it feels even better, like it’s right (as she’s saying all this stuff her attention turns away from Dimitri to focus on Waverly and they lock eyes. The spell looking like its losing its grip on Nicole)
Dimitri, now in even even greater shock, asks if she wants to go back and rejoin the group and Nicole says no: she WANTS to stay with Waverly, NEEDS to make sure she’s okay
Dimitri mutters that he’s never seen someone break through the love spell before, ever
This is is where Waverly tells Dimitri that he was wrong; the whole ‘your heartbreak proves love is real and sometimes it doesn’t last’ speech. And this is where Dimitri agrees to help and become Cupid again!
I added the whole ‘Nicole basically breaks the spell’ thing because think about it, wouldn’t showing Nicole breaking through a powerful spell because she loves Waverly that much be the best way to show that love exists and they are the truest love Dimitri has ever seen?? I think yes!! Showing and not telling at its finest! Plus it gives Dimitri a true example that love exist which gives more truth to Waverly’s words
I also tried to play with the idea that Nicole when she initially got under the spell actually fell for someone else and not Waverly but I changed my mind cause I’m lazy...
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jokertrap-ran ¡ 4 years ago
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(未定事件簿) EVENT!「致斯卡提的情诗」 [Tears of Themis] EVENT: A Love Poem to SKADI Translation (The Manor of Hermes: Mo Yi Route)
*Tears of Themis Masterlist / Mobile Masterlist *Spoiler free: Translations will remain under cut *The tracking tag for ALL Event Stories will go under: #Tears of an Event
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News Notebook:
MC: Dr. Mo, do you see that thing that's being sandwiched between two books?
Mo Yi: Well, I've already taken it down. It's a notebook, with lots of newspaper excerpts pasted inside it.
MC: Newspaper excerpts? What about?
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Mo Yi: They're all reports detailing about the treatment of mental illnesses, with no exception.
He instructed me to take note of the contents written within as he flipped through the notebook.
There was a string of numbers annotated above the newspaper snippet pasted on the last page of the notebook; "No. 0012".
Mo Yi: Additionally, there are also comments written beside each and every article here that says "tried", "not tried", "not effective", and so on.
MC: "Tried" and "not tried"...? Does this mean that someone was being treated with all the methods that had been in the news?
MC: Also, just who's collecting all this information?
Mo Yi: ……
He smiled, but never answered my question.
Mo Yi: Okay, let's not mull over such a complicated topic right now. I have something for you to see.
He gently took my hand, placing the thing he had been polishing off into my palm.
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MC: This is… A fragment of "Allie's Winter"!
Mo Yi: That's right. This one fell out of the notebook when I was retrieving it.
Mo Yi: I have to say, we're pretty… Lucky.
☆ Obtained: News Notebook! ☆ Obtained: Green Jewel Fragment!
☆⋅⋆…⋅───── ⋆⋅⋅⋆ ────⋅…⋆⋅☆
[News Notebook Info]
A notebook filled with a large number of newspaper excerpts. A series of numbers is written on the last page, "No. 0012"; this set of numbers seem to have a special connection to the code case in the same room where this notebook was found. These snippets of news are mostly reporting about how mental illnesses were being treated through Electroconvulsive Therapy, and Hydrotherapy, etc. It's worth noting that there are also comments beside the reports; there was someone who was paying particular attention to the contents of the reports.
☆⋅⋆…⋅───── ⋆⋅⋅⋆ ────⋅…⋆⋅☆
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Burnt Medical Equipment:
MC: These are all really badly damaged…
MC: Can you tell what they are, Dr. Mo?
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Mo Yi: ……
He remained silent for a while, for some unbeknownst reason.
MC: ???
Mo Yi: These are all… Mostly equipment that are used to treat mental illnesses, physically.
MC: Treating mental illnesses… Physically?
Mo Yi: That's right. If I'm not wrong, these destroyed equipment should be…
Mo Yi: An electrical shocking device to assist in the application of Electroconvulsive Therapy.
MC: Electroconvulsive Therapy!?
The words that he had just uttered gave me a fright.
Mo Yi: Yes. Various physical forms of therapy that are similar to Electroconvulsive Therapy have always been…
Mo Yi: The go-to of treating mental illnesses in the past, before the successful development of Chlorpromazine.
Mo Yi: And it looks like there was at least one such patient within the Manor.
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MC: Do you know the specific circumstances surrounding the person being treated here?
Mo Yi: I'm afraid we'll have to find other leads if I am to do that.
He scrutinized the things in front of him for a while.
Mo Yi: Wait… The green shards in this corner here look like… Jewel fragments?
MC: Fragments… From "Allie's Winter"!
☆ Obtained: Burnt Medical Equipment! ☆ Obtained: Green Jewel Fragment!
☆⋅⋆…⋅───── ⋆⋅⋅⋆ ────⋅…⋆⋅☆
[Burnt Medical Equipment Info]
The Electric Shock Device used in Electroconvulsive Therapy has serious scorch marks on it. Before the successful development of Chlorpromazine, various types of physical therapy similar to Electroconvulsive Therapy were widely used in clinical treatments of mental illnesses. Perhaps, those methods may have saved a couple of lives, but the most unfortunate thing of it all, is that it has only made a greater number of people fall into the throes of another type of “despair”. 
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Surgical Instruction Manual:
Mo Yi stopped in front of the bookshelf.
MC: What's wrong, Dr. Mo? Did you find something?
Mo Yi: There are lots of instruction manuals on how to perform physical therapy on patients with mental illnesses on this shelf.
Mo Yi: Just like this book here��
He took the book down from the shelf, handing it to me.
Mo Yi: The method that's mainly explained in this book is Hydrotherapy.
Mo Yi: Its therapeutic effect is attained by letting the patient recline in the bathtub, and then subjecting them to the continued simulation of icy cold water and boiling hot water over and over again.
Mo Yi: In addition to that, there are also books here about torture, interrogation, and exorcism methods.
Mo Yi: They're all once-famous methods of physical therapy that were commonly used.
MC: But it's absolutely impossible to cure the patients using such methods, I'm sure…
Mo Yi: That's right. Not only will they not be cured, but some of their conditions might also be further aggravated in the process.
Mo Yi: However…
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Mo Yi: Needing to read an Instruction Manual of this calibre? Is the person living here really a doctor?
MC: ???
Mo Yi: It's nothing.
Mo Yi: Right, how about you look into the depths of the bookshelf? Is there still anything in there?
MC: Oh? There's something sparkling brightly in there… It kinda looks like…
I attempted to retrieve the shiny thing.
MC: A Jewel Fragment!
Mo Yi: Looks like it's just the thing we're looking for.
☆ Obtained: Surgical Instruction Manual! ☆ Obtained: Green Jewel Fragment!
☆⋅⋆…⋅───── ⋆⋅⋅⋆ ────⋅…⋆⋅☆
[Surgical Instruction Manual Info]
A Surgical Instruction Manual found on a bookshelf. The contents of this book cover almost all of the more popular physical therapies used to treat mental illnesses back then, such as Hydrotherapy, Torture, Interrogation, Exorcism, etc. However, there are a lot of myths and exaggerated descriptions being written in it; clearly not a professional medical book, and obviously not for professional doctors to pursue.
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Special Surgical Equipment:
There were some oddly shaped tools inside the cabinet.
▷Choice: Open the cabinet's door
MC: What are these used for?
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Mo Yi: Don't touch those.
I attempted to get a closer look at them when he suddenly quipped.
MC: Dr. Mo!?
Mo Yi: I apologise for scaring you, but it's best if you don't touch those.
MC: Why? Is there something special about them?
Mo Yi: These tools are used for Lobotomies, and Ice-picking.
MC: ???
Mo Yi: Both of which are methods used to treat mental illnesses.
MC: But from the shape of these tools… Like this one, for example. It looks like an Awl; wouldn't it damage a person's brain?
Mo Yi: ……
He lapsed into a moment of silence.
Mo Yi: ...Lobotomy and Ice-pick Lobotomy; Ice-picking, in particular...
Mo Yi: They're both essentially methods to cut the very brain itself.
Mo Yi: Take Ice-picking for example. First, the patient will be paralyzed by an electric shock.
Mo Yi: Then, the doctor inserts a tool, shaped like an ice-pick, into the upper end of the patient's eyeball, through the orbit of the eye.
Mo Yi: After that, all the doctor needs to do is to continuously tap on the other end of the tool with a hammer, to cut off the cortex of the prefrontal lobe of the brain to achieve the desired effect.
MC: But this method will never…
Mo Yi: That's right. This form of treatment is basically self-mutilation.
Mo Yi: Many patients in the past suffered from severe post-op side effects and complications that arose, becoming what's essentially a "walking dead".
MC: So… You're saying that someone here, in this Mansion, has been, or was going to, be subjected to this sort of surgery?
Mo Yi: ...Yes.
MC: ……
For some reason, what he'd said made me feel deeply disturbed and upset.
Mo Yi: (Y/n), look deeper into the cabinet. Do you see anything else?
He pointed to something in the depths of the cabinet where a faintly discernible light flickered.
After that, following the light, he stretched out his hand.
Mo Yi: ...Looks like we're pretty lucky.
Mo Yi: It's a Jewel Fragment of "Allie's Winter".
MC: !!!
☆ Obtained: Special Surgical Equipment! ☆ Obtained: Green Jewel Fragment
☆⋅⋆…⋅───── ⋆⋅⋅⋆ ────⋅…⋆⋅☆
[Special Surgical Equipment Info]
A special equipment used in extracting white matter.
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Allie's Medical Record Ⅰ:
Some documents were laid out on the desk.
Mo Yi frowned as he looked at them.
MC: What's wrong, Dr. Mo?
Mo Yi: Look at this.
MC: A Medical Record?
Mo Yi: That's right. The attending physician is Geraldi, and the patient is Allie Modro.
MC: Mr. Lasture's daughter? What illness was she down with?
Mo Yi: Based on her manifested symptoms, I'd say that some of them correspond with that of mania.
MC: Did Miss Allie get better?
Mo Yi: Not only did she fail to get better, based on this report, it seems like her condition only went downhill from that time onwards.
Mo Yi: Miss Allie was still able to maintain stability and retain her sanity for a short period of time throughout the day.
Mo Yi: In the end, she became unable to maintain her sanity, and could only be forcibly locked in the house.
MC: I see… That's such a pity… But back during the era when the Mansion was erected, illnesses like mania were…
MC: Practically incurable.
Mo Yi: While that may certainly be one of the main factors at play, I believe that Allie's attending physician also had a part in attributing to how she ended up in this state.
Mo Yi: This Geraldi person is not a doctor at all.
MC: How do you know that for sure, Dr. Mo?
Mo Yi: Although this medical record looks like something written by an actual doctor, the way the illness is described is confusing, and nowhere near accurate enough for it to matter.
Mo Yi: And on the topic of applied treatment methods, all he did was to declare that he'd tried several well-known physical therapy methods on Allie's person.
Mo Yi: This far-fetched approach only served to further aggravate her condition and tarnish her health.
Mo Yi: Perhaps it was because he approached the matter with the wrong method, because based on her early symptoms…
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Mo Yi: She'd never have fallen this far down, to completely lose her mind, if she had received proper treatment.
MC: So, in the end, Miss Allie…
Mo Yi: The last treatment record is missing. We'll have to look for other leads.
MC: Okay.
Mo Yi: Oh, yes. I found something else on the desk other than this Medical Record.
MC: What else did you find?
Mo Yi: The Jewel Fragment that we're searching for.
Mo Yi: Be sure to keep it tucked away safely.
☆ Obtained: Allie's Medical Record Ⅰ! ☆ Obtained: Green Jewel Fragment!
☆⋅⋆…⋅───── ⋆⋅⋅⋆ ────⋅…⋆⋅☆
[Allie's Medical Record Ⅰ Info]
Allie Modro's Medical Record. Her attending physician is Geraldi, but the Medical Record isn't complete, for it is missing the report on her last treatment. From the contents of the Record, Allie Modro seems to be suffering from Mania; but as her treatment continued, get condition only continued to deteriorate, before she finally ended up completely losing her mind. Additionally, based on the content being written in the report along with the treatment methods that Allie's doctor used, there's a possibility that her doctor may have forged his identity.
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Allie's Medical Record Ⅱ:
MC: Dr. Mo, look at this, beneath the bed!
MC: Wouldn't you say that this is a Medical Record?
Mo Yi: It is; but it isn't complete. It's missing the contents that come before it.
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MC: What's written on this one though?
Mo Yi: "Patient Allie Modro's mental state has plunged into complete mania…"
Mo Yi: "...Lobotomy, or more conveniently, Ice-picking, is recommended."
Mo Yi: …...
MC: Dr. Mo…
Mo Yi: I'm fine. Let's see if there are any more leads lying around here.
MC: Yeah.
After that, Mo Yi and I thoroughly checked the objects and marks that were around the bed several times over; but unfortunately…
Other than the Green Jewel Fragment that we found in a corner…
We failed to find any other records detailing the treatment that Allie received.
☆ Obtained: Allie's Medical Record Ⅱ! ☆ Obtained: Green Jewel Fragment!
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[Allie's Medical Record Ⅱ Info]
Allie Modro’s Medical Record. The front part is missing; all that’s left is the last and final treatment that has been recorded. It is stated in the Record that Allie's doctor had suggested performing a Lobotomy or, more conveniently, Ice-picking, due to the fact that Allie had already fallen into a complete maniacal state.
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Treatment Case Records:
MC: (All the Jewel Fragments have been collected.)
MC: (The notch of the lock on this door resembles that of the sword segment on Allie's Winter…)
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MC: (I'll just have to piece the fragments I collected together and place them into it and see what happens…)
MC: (Johnny did say that the Jewels were able to open doors, after all.)
☆⋅⋆…⋅⋆⋅⋅⋆⋅…⋆⋅☆
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MC: Dr. Mo? I found this in the cabinet.
I passed the few documents I had on hand to him, and he quickly flipped through them.
MC: How is it, Dr. Mo? Find anything?
Mo Yi: These documents are Treatment Case Reports. Most of the patients detailed in these suffer from mental illnesses.
Mo Yi: There was a doctor who performed Lobotomy, or Ice-picking on them, and then paid close attention to how they reacted to it post-op.
Mo Yi: They hoped to find out whether either of these two methods were effective through these.
MC: And how did these people fare after the operation…?
Mo Yi: Very badly. Most of them faced severe complications and post-op side effects.
☆⋅ Obtained: Treatment Case Records!
☆⋅⋆…⋅───── ⋆⋅⋅⋆ ────⋅…⋆⋅☆
[Treatment Case Records Info]
A large amount of Treatment Records for patients stricken with mental illnesses. All of these patients either went through Lobotomy or Ice-picking, and the person who wrote these records had kept a close eye on how they reacted post-op. But what's unfortunate is that many of these patients faced severe complications and post-op side effects.
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Treatment Room's Code Case: Geraldi's Account Book
MC: It's open!
MC: Let's see what's inside…
MC: An Account Book!?
I scanned through the contents of the Ledger, shocked at what I was seeing.
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MC: What an astounding amount of money and artworks… Is the owner of this Account Book someone rich?
MC: (Let's see who wrote this Account Book…)
I flipped to the first page.
MC: "Geraldi…?"
☆ Obtained: Geraldi's Account Book!
☆⋅⋆…⋅───── ⋆⋅⋅⋆ ────⋅…⋆⋅☆
[Geraldi's Account Book Info]
An old personal Account Book owned by Geraldi. According to it, Geraldi managed to attain a large amount of wealth, including gold and artworks, in a certain period. However, there is no record written in this Account Book as to where all this money came from, nor is there any pertaining to where it all went to in the end.
☆⋅⋆…⋅───── ⋆⋅A Love Poem to SKADI⋅⋆ ────⋅…⋆⋅☆
17 notes ¡ View notes
hollandsmoose ¡ 5 years ago
Text
better than sex
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A/N: I've been writing on this for ages, holy shit. This is based on that thing Shawn said about performing being better than sex lmao. @particularrose​ basically wrote this one with all the ideas she gave me tbh so special shout-out to her for being so incredible! So here you go, dudes, here's 6k of some flirty sub!Shawn with a guest star appearance by Niall Horan himself!
part 2 in masterlist
-----------------
Summertime in Los Angeles is positively scorching. When the sun is high in the sky, it can feel a bit like you’re boiling. Niall’s house thankfully has stellar air conditioning, but it doesn’t stop things from getting a little heated at times.
When Niall had suggested that you could spend your summer with him in his Hollywood home, you hadn’t even hesitated to accept the offer. The prospect of spending several weeks alone with one of your best friends was almost too good to be true. And, of course, it was.
What Niall hadn’t told you when he made that offer was that he’d also made that same offer to someone else. Shawn. And it’s not that you don’t like Shawn; it’s more that you perhaps like him a little too much.
You’d met Shawn through Niall, and you’d initially been a smidge smitten with the curly-haired and brown-eyed boy who was nothing if not cute. But the more you got to know him, the more you realized that he wasn’t just cute; he was hot.
It’s even worse now, to be honest. The heat means that Shawn is never wearing too much clothing, and every goddamn time you see him, he’s got some part of his body on display. When you’ll be trying to read a book by the pool, for example, he’ll come out in nothing but swim trunks, his glorious torso on exhibition. The amount of times you’ve caught yourself fantasizing about running your hands over those defined abs or biceps or that back of his is astounding and almost worrying.
You don’t ever want to make it too obvious that you’re staring. Niall is much like a brother to you,  you treat each other like siblings, and openly thirsting for one of his best friends seems like a bad idea.
You catch Shawn staring too, though. When you’ll go to take a dip in the pool in nothing more than a bikini, his eyes will linger a few moments too long. When you’ll walk around the house in booty shorts, the looks he gives you when he thinks you’re not looking are definitely indecent.
Almost subconsciously, it develops into a game of who can be the biggest tease, and it’s exhausting. Your only break from it is when Shawn goes off to the studio to write, although he always comes back frustrated, annoyed with the writer’s block he’s going through.
Niall does his best to help him, but there’s not much to do. Niall says it’s just something that happens every once in a while and that Shawn just has to let it pass. Shawn is not one for patience when it comes to things like these, however. He tells you that he’s looking for inspiration, and about two weeks into your stay is when he finds it.
-----------------
It’s a slightly colder day than usual, yet it would be a lie to say that it’s actually cold. LA is never cold. Not to you, anyway. All it really means is that you eat your dinner inside in the kitchen.
Niall has cooked tonight. It's always either you or him who's responsible for food because Shawn is absolutely hopeless in the kitchen. Therefore, he's often the one in charge of loading the dishwasher as compensation.
Niall has made you fettuccine alfredo which is cooked to perfection. He's picked up a couple of bottles of good white wine, a type that has certainly not been cheap. You suppose the price doesn't mean much to someone like him, though. He doesn't exactly lack money.
It doesn't take long before you've finished eating, but you remain at the table, drinking the rest of the wine. And that is when the topic falls to Shawn and his writer's block.
“I just really wanna finish this album, you know?” Shawn says, a little frustrated, and you both give him sympathetic nods. “Like, as soon as I'm done with it, I can start planning tour and shit. And I can't wait to get back on the road,” Niall raises his eyebrows and nods, knowing exactly what Shawn means. “Performing is just… the best fucking thing. Even better than sex.” The noise that leaves you is not one you can hold back.
“Ha!” you exclaim, giggling to yourself. When the two men give you confused looks, you smile. “I'm sorry, it's just…” You lock eyes with Shawn. The wine is making you too brave. “What kinda sex are you having?”
At this, Niall bursts into laughter, a laugh you would recognize anywhere, and he actually slaps the table. You can't help but laugh at your own comment too, but when you take in Shawn's expression, he doesn't seem amused.
He squints a little. “What does that mean?”
You pick up your wine glass. “Well, I'm just thinking that you must be having some pretty boring sex to be able to say that,” This only makes Niall snort out loud, now resting his forehead on the hard surface of the table.
“Maybe I just really like performing,”
“Maybe you do,”
“I do,”
“Great! Then that's settled!”
“I don't have boring sex,” Shawn bites back with a smirk, not willing to let it go. “I just think performing is better.”
“So performing is better than having your face buried in pussy?” you ask, incredulous. Niall is practically dying at this point in the conversation, gasping for air, and Shawn's face burns bright red. “Or being balls deep in one?” The wine's influence has made you too confident, and you know you should probably keep your mouth shut, but it's impossible. “I'll need to show you a good time, then.”
Niall doesn't seem to hear what you said, and you're glad. Niall may not be your real brother, but he is as overprotective as a real brother would be. Shawn, however, does hear.
He chokes on nothing, coughing desperately, and his eyes are wide. Niall gives him a confused look, but he doesn't give an explanation, and neither do you. Thankfully, the older man soon finds himself distracted, and no questions are asked. Not unless you count the silent one that Shawn is asking with his eyes.
-----------------
It's not until a little later that you find yourself alone with Shawn. Niall goes upstairs, to the living room there, after dinner to pick a movie to watch, still quite fond of an old-fashioned DVD, and you stay behind to make some popcorn. Shawn, of course, is in charge of loading the dishwasher.
There's a great deal of tension in the kitchen as your words from before hang in the air, and you watch from behind as he puts the things into the dishwasher. His back muscles flex under his tight T-shirt every time he bends down to put something in, and you have to rub your thighs together. The microwave hums, and the kernels start to pop as you eye Shawn, leaning back against the chair behind you.
“You're watching me,” he states and turns to look at you. Of course, he's smirking. “Like what you see?”
“Hmm, maybe,” you tease, deciding to make this even more fun. Maybe it's dumb to even go along with this. You know you should probably shut him down, but this has been a long time coming, and you will never forgive yourself if you give up this opportunity. “I mean, I've seen better.”
Shawn tilts his head, arrogant smirk still playing on his lips. “You sure?”
You squint as he slowly approaches you. “Are you always this cocky?”
“Only when I have reason to be,”
“And you do now?”
Shawn comes to a stop in front of you, right as the microwave beeps. You're frozen to the ground, unwilling and unable to move. Your bodies are maybe a bit too close, and it's actually hard to breathe, every breath of yours shaky and laboured.
“Yes,” he confesses, his fingers stroking your upper arm. “‘Cause you think I'm hot.” Busted. You can’t let him win, though. Resting your hand on his hard chest, you smile.
“Well, how cocky am I allowed to be, then?” you retort, meeting his confused eyes. “‘Cause you think I’m hot too,” When Shawn blushes profusely, confirming your suspicions, your smile just grows even wider. “Thought as much.”
He gulps and bites his lip. “Y/N, I-” He doesn’t get to say more.
“You guys ready?” Niall says, walking into the kitchen, and you and Shawn jump away from each other, hoping to get as much distance between you as possible. Your heart starts to race with the thoughts of what Niall will say, but he is too busy staring at his phone that he thankfully doesn’t take much notice of the situation unfolding in front of him. “I picked a movie. I think you’ll like it.”
And then Niall finally looks up, but you and Shawn are far apart, looking perfectly decent. There’s no reason to suspect a thing.
-----------------
It’s hard to focus on the movie when you’re sat right next to Shawn who keeps glancing your way, meeting your eyes with sin in his own. Upstairs, it’s slightly colder, and therefore you’ve picked up a few blankets, something you’re very grateful for.
Because when your hand purposefully finds its way onto Shawn’s thigh, the blankets over your bottom halves manage to cover it up. There’s no covering up the surprised gasp that leaves his mouth, but when Niall looks at him questioningly, he just excuses it as a cough.
“You’ve been coughing a lot tonight,” Niall asks, and the worry he feels for his friend is more than clear. It almost makes you feel a little bad, but when Shawn blushes anew, you can’t help but feel just a bit pleased with yourself. “You’re not sick, are you?”
“No, no,” Shawn protests, and as your fingers trace circles into his skin, pushing a little at the hem of his gym shorts, the flush on his cheeks only deepens into a dark red. He gulps. “Just had to cough, that’s all.” And with that, Niall’s attention goes back to the TV.
Shawn’s shallow breaths are a good indicator of the effect you have on him. You revel in how his eyes screw shut every time you venture a little too close to where he really needs your touch, his hand on yours urging you to continue. You play with the idea of actually giving him what he wants and putting an end to your teasing, but you’re having too much fun to stop, and with Niall right next to you, it doesn’t seem like the best idea. That’s a decision you come to regret, though. Because when you pull your hand away with a confident, shit-eating grin, Shawn is quick to get revenge.
The first thing you feel is the tips of his fingers tracing circles on the side of your thigh, and you know exactly where this is going. Payback time. You don’t dare to take a look at him, keeping your eyes fixed on the screen in front of you.
A shaky breath leaves you when his hand moves to rest on the top of your thigh, and when Shawn squeezes your skin ever so slightly, you have to bite your lip to keep a whimper from escaping. You hear the small chuckle that comes from him. He knows what he’s doing to you.
A heat is definitely pooling low in your stomach. A part of you is praying for him to give you some relief, but you know it’s not likely - not after your teasing. From your calculations, you figure that there is still a whole hour of the movie left, and you sigh. It’s gonna be a long hour.
The movie ends just before midnight, and you can honestly say that you’ve only understood about 10% of it. You and Shawn have not been playing nice, and you’re terribly worried for your underwear, surely soaked by now.
“Great movie, huh?” Niall says as he gets up to take it out of the DVD player. “What did you think?”
“Uh, yeah, it was…” you stutter, forcing a smile, meeting his eyes. “It was good.”
Niall tilts his head, squinting. “You okay, sweetie? You just seem a little… off,”
You gulp. “Just tired, that’s all,”
“Yeah, maybe we should head to bed,” Shawn suggests, his tone even more suggestive. Oh God, yes. No matter what happens now, you need to be in private. “I’m pretty tired too.” Niall agrees, and so do you.
You’re not tired in the slightest, though. You’re quite the opposite. You and Shawn’s little game has left you on the edge, and you’re practically bustling with energy. It’s endlessly funny to watch Shawn as he gets up, leaving the cover of the blankets, and tries to conceal the tent in his shorts. Niall, thank God, remains oblivious.
Soon, you’re all walking to your rooms, and you bid each other goodnight. Niall’s master bedroom is in one end of the house, whereas the rooms you and Shawn are occupying are on the same hallway in the other end. The distance between you and Shawn’s rooms and then Niall’s makes you feel a little safer.
Niall wouldn’t notice. It’s this thought that goes through your mind when you stand in the doorway to your room, and you turn to look at Shawn in the doorway of his. There’s a look in his eyes that is hard to decipher, and, for a moment, you consider asking what it means, but then there’s a noise from the living room, distracting you.
“Sorry, guys,” Niall says, chuckling to himself, and he picks something up from the coffee table. “Forgot my phone.”
When Niall has gone back to his room, you decide to do the same. Biting your lip, you give Shawn a look too. You both linger in your doorways for a few moments before you enter your rooms.
-----------------
Just about an hour has passed since you started getting ready for bed, and you're wiggling around on your mattress, trying to get comfortable, but you know very well that, even if you wanted to sleep, it wouldn't be possible.
There's a distinct ache between your thighs, and it needs relief. Your fingers toy with the waistband of your underwear. Shawn hasn't tried to get in contact, and you're almost at your breaking point. You need relief.
But right when you're about to dip your hand under the elastic, a thought crosses your mind. What if Shawn's doing this right now too? It's enough to make you clench involuntarily, only furthering the ache. Making a hasty decision, you throw the covers off and plant your feet on the floor. You're going to walk down the little hallway and knock on his door. Damn the consequences.
You've only just exited your room and shut your door when you hear another door open. Just down the hallway, Shawn emerges from his room, and then your eyes meet.
Whatever confidence you had before has left you. Had it stayed, you would have marched right up to him and kissed those pretty lips of his, but it's different now. None of you say anything, but, almost subconsciously, you both start to approach each other. It's slow - agonizingly slow, to be honest, but you do end up within touching distance.
“Can't sleep?” Shawn asks in a whisper, and there's a certain breathlessness to his voice that tells you all you need to know. When you shake your head, he swallows. “Me neither.”
The ache you're experiencing is not helped by the sight of his bare torso, barely visible in the dimly lit hallway. It's visible enough to have you rubbing your thighs together. He catches the movement, and you're expecting a smirk, but what you get from him is more like a whimper.
Even Shawn looks surprised by the sound. It’s hard to see much, the only light coming from your room, but you can see how his cheeks redden. Without a word, you lift your hand to rest on his chest, feeling the soft patch of hair there. He sucks in a sharp breath at your touch.
“Do you want this?” you whisper, establishing eye contact, and you pray that he’s down for this because you need him, and you might just cry if he turns you down. “Do you want me?”
“Oh my god, yes,” Shawn answers, the words rushing out from his mouth. “I want you so bad.”
You give him a coy look. “Then take me,”
Shawn doesn’t hesitate. He pushes his mouth on yours with such passion that you actually stumble back, but he has lightning reflexes and places a strong hand on your back to keep you from falling. The hand manages to press your bodies flush together, no space left between them.
His other hand cups your cheek, a delicate touch compared to how you're kissing. You're unsure of what to do with your hands at first, but they end up gripping his shoulders, trying to get him impossibly closer. It's not that you can't already feel almost every bit of him, though. There is an unmistakable hardness pressing against you, and if you weren't in a fucking hallway, you would have dropped to your knees by now.
Shawn doesn't seem to care much about the whole hallway thing nor about the fact that Niall could walk out and see the two of you at any time. Instead of leading you to one of your rooms and to privacy, he guides you backwards until your back thuds against the wall. The whine is impossible for you to keep in when he detaches his lips from yours.
Moving his hands to under your ass, Shawn squeezes a little. “Jump,”
You eye him skeptically, but he seems confident in his ability to carry you, and you're confident in his confidence. So you jump.
You wrap your legs around him, but he holds you up as if you're as light as a feather. Shawn doesn't go back to your lips, yet you don't complain. Because shortly after, his mouth is on your neck, kissing and licking - no biting or sucking, though. You would have no chance of hiding the hickey that that would leave behind. Your fingers have tangled themselves into Shawn’s curls, and when you pull on them, impatient, he gets the clue and tears himself away from your skin. Instead of giving you what you want and kissing you, he shakes his head slightly and smiles.
“Oh god,” Shawn says, still quiet. “Niall’s gonna kill me.”
Sighing, you roll your eyes. “Don’t mention Niall right now,” It’s bit of a mood killer, really.
Shawn raises his eyebrows, his expression undeniably cocky. “Giving me orders now, baby?” That gives you an idea.
“Yes,” you answer with no hesitation, seizing control. “Yes, I am,” You tug on his curls with more force than before, and he hisses. The atmosphere changes. You can feel it. The ball is in your court now. “Your room.”
Shawn is more than pliant. He carries you, only putting you down when you’re inside his room. He leaves you for a moment to close and lock the door, but then he’s back. It is different now, however. He doesn’t reach for you or try to kiss you; he awaits your command. So when you tell him to lie down on the bed, he does it in an instant.
He’s left the lamp on the nightstand on, so you’re able to see much better than in the hallway. You can so clearly see his flushed cheeks, his toned abs and his brown eyes, darker than usual. You can so clearly see the way his lips part when you crawl onto the mattress and between his legs, sitting back on your knees.
“What do you want, Shawn?” you ask as you run a finger up his thigh, and your tone is deceitfully sweet and innocent. You’re fully expecting him to beg for your mouth or hands around him, but he takes you by surprise - and not in a bad way.
“I wanna taste you,” he tells you, voice shaky and absolutely wrecked. “Want you to sit on my face.” Fuck. You have to fight to keep a whimper from leaving your mouth. How can you possibly say no to that request? It takes a fair bit of manoeuvring, but you manage to pull off your teeny-tiny, exposing shorts and your underwear, leaving you in nothing else than your camisole. You tug his grey sweatshorts off, and his already prominent bulge just becomes even more prominent when he’s just in his boxers. Unconsciously, you lick your lips.
You crawl up his body, but you don’t waste any time, going straight for his face. Settling over his face, you shiver when his hands come up to grab ahold of your thighs. Shawn stares up at you, wanting reassurance that he’s allowed to touch you, and you nod. In fact, you might just die if he doesn’t touch you. That may be an exaggeration, but it doesn’t feel that way to you.
You pull your camisole over your head, and that leaves you naked. Shawn’s eyes widen, and you don’t even think he’s aware that he’s moving his hands until they’re cupping your breasts. You don’t tell him off for not asking for permission, though. You’re far too consumed by the fire that his touch ignites inside you. When his thumbs brush against your nipples, you emit a keen noise that you can’t even believe comes from your own mouth.
Shawn groans beneath you, and when you glance down, you see the conflict in him. His eyes flicker from where his hands are to your dripping heat. You know he wants to please you, but it seems he can’t decide on where to start. So you decide for him.
You move his left hand down, back to the back of your thigh where he grips your flesh, bringing you closer to where he needs you. When you lock eyes, it’s almost overwhelming. There’s a hunger in them, yet he still waits for affirmation that he can go on. Such a good boy. You nod.
And then his mouth is on you. You moan, and Shawn groans. There’s a relief in it for both of you. His tongue runs up your slit, spreading you out so he has better access to all of you. You desperately need something to hold on to so you grab the headboard of the bed. His fingers pinch your nipple, just as his tongue touches your clit for the first time, and you gasp, rocking your hips against his mouth.
The noise that leaves him can’t be described as anything else than a growl, and the vibrations from it are utterly thrilling. Shawn’s other hand comes down and grips your other thigh, and he pulls you even closer, even further down onto his face. You’re almost worried that you’re drowning him, but, to be fair, he seems quite happy to drown.
Everything you’ve dreamed of for these last two weeks is coming true. Shawn wraps his lips around your clit and sucks. Instinctively, one of your hands reaches down and goes into his hair, running through it. He almost moves into your hand, almost like he’s seeking your touch. He really is fucked for you.
“So good for me,” you purr. “So good.” The praise seems to please him; it seems to encourage him further. His tongue definitely becomes a little more forceful and pushes down on your clit with even more pressure than before. The pleasure shoots through your body, and the fire within only intensifies.
Several hours of teasing has left you sensitive, and when his lips close around your clit again, you’re made aware of just how close you really are. God, what is this boy doing to me? Shawn doesn’t seem to have a particular method to his actions; he just eats you out like he’s been starving, lips and tongue everywhere, licking and sucking. It’s kind of rushed, but oh dear God, is it good. And, besides, you really don’t need him to go slow.
His hands travel to your hips, and you understand his hint when he pushes you a little away from him. He comes up for air, and it’s such a sight to behold when you look down at him. The area around his mouth is absolutely covered in your juices, glistening in the light from the bedside lamp.
“You taste so good, baby,” Shawn pants, placing a few kisses on the inside of your thighs. “So sweet,” Your hand strokes his curls, all tousled and unruly from your treatment. “Wanna make you cum.”
You can’t resist a smirk. “Make me, then,”
Shawn curses under his breath, and then he can’t hold himself back anymore. Hands still on your hips, he begins to guide you back and forth, effectively making you grind against his tongue, making you ride his face. You have to hold back the cries that are so close to leaving your lips, knowing very well that you can’t be too loud.
You’re so close, and Shawn is doing his very best to please you, to push you over the edge. It’s like he keeps trying to pull you closer, although he’s already buried in you. He’s groaning and moaning against your pussy, clearly finding some kind of pleasure in this too. You’re trembling and shivering with every touch of his tongue, and you’re panting, mumbling barely coherent encouragements. You can feel it building inside you, that release you’ve been aching for. It builds and builds and builds, right until you can feel yourself right there at the edge of the cliff. And then you dive in.
There are no words to describe the feeling that courses through your body when your orgasm hits you. Words like mind-blowing, sensational and extreme all come to mind, but they’re simply not enough. You honestly have to hold back your noises because you know they would be far too loud. You can’t keep in a gasp of his name, though.
Shawn leads you through your release, slowing down gradually so you can come down. His hands gently stroke your skin in an attempt to calm you down. You’re still catching your breath when you start to move down his body, settling on his thighs, your own thighs still shaking with the aftershocks.
“Good boy,” you praise, and you catch how his cock twitches in the confinement of his boxers where his precum has created a small wet spot as well. “Such a good boy. All for me,”
He nods desperately. “All for you,”
Shawn seems to get the hint when you crawl up a little further up, and he wipes his mouth with the back of his hand. When you press your lips to his again, you’re still very much able to taste yourself. You’re not complaining, though. You deepen the kiss, your tongues meeting, and the taste of you is so strong on his that you actually moan into his mouth.
You don’t even mean to do it, but your hips grind down against his, and he moans right back. The friction is almost too much to bear for your sensitive sex, yet you need to feel it again. You grind against his clothed cock, feeling how hard it is for you.
Shawn whines when you draw away from his mouth, taking his bottom lip between your teeth before you let go completely. He doesn’t whine when you begin placing kisses down his neck and move further down, your kisses following. You pause for a few moments when you reach his abs, and then you lean in and lick a stripe up his six-pack. His muscles contract underneath your touch, and you enjoy how he makes this strangled noise in response, obviously having tried to muffle himself.
Upon reaching the waistband of his boxers with your kisses, you smirk. “Such a good boy deserves a reward, don’t you think?” He doesn’t answer, but you’re not surprised. He probably doesn’t want to be presumptuous. When you snap the elastic waistband against the skin of his stomach, he lets out a startled moan, and then he seems to understand what you’re asking him to do.
“Please, baby,” Shawn begs. “Please, just… please.”
Accepting his plead, you crawl back until you reach the end of the mattress, You keep eye contact as you move down to the foot of the bed and down to the floor, sinking to your knees. You yank on his one leg the tiniest bit, but he understands. Soon after, he’s wiggled down to where you want him, and Shawn sits up. He clearly wants to watch. He helps you to remove his boxers, and your mouth actually fucking salivates at the sight of his cock springing free. You don’t often call things perfect, but his cock certainly is. The perfect size, the perfect color, the perfect everything.
Shawn quite eagerly kicks off his underwear, desperate to be rid of them. He stares down at you, and you stare up at him. He’s leaking from the tip quite a lot, but that only makes your job easier. You don’t even have to spit on him or in your hand; he’s already lubricated himself enough. You maintain eye contact when you wrap your hand around him, and it’s almost amusing to watch how his eyes flutter, fighting the urge to close.
You tsk-tsk. “Keep your eyes on me, Shawn,”
It’s a challenge, and you’re aware. You want to challenge him. You run your thumb over his tip, spreading the precum over the length of him. He inhales sharply at your touch, and it makes you smile. You like knowing that you have an effect on him. His hands are gripping the edge of the mattress, fingers digging into it.
“Y/N,” Shawn says, voice shaky. “I’m not-” He’s interrupted by a hiss from his own mouth when you touch his tip again. “Not gonna last long.” You appreciate the honesty, although you’re not surprised in the slightest. You’ve practically been edging him for hours now.
You pump a few times, revelling in his responses, before you lean in and press a kiss to his tip. His chest is heaving, his lip between his teeth, and he’s visibly struggling to hold back his noises. You kiss down to the base of him, and you take a second to consider what to do next.
You’re in a mood to make him suffer a little. And when you lick from base to tip, he definitely suffers. He whimpers, his knuckles turning white. You make sure to keep eye contact the first time you wrap your lips around his cock. He lets out this gasp in response, high-pitched and a bit too loud, and it only makes you want to go further. You keep your hand wrapped around him, and when you start to bob your head, your hand follows the rhythm.
The sounds of your movements are absolutely obscene, and you suspect it all looks just as obscene. His cock is warm and heavy on your tongue, his precum a bit salty. Sucking dick is usually not something you enjoy, but Shawn makes it more than enjoyable. His reactions are encouraging, gasps and moans and whimpers all revealing just how good you’re making him feel.
You can see how he struggles not to lift his hips and thrust into the warmth of your mouth. Had this been a different situation, you might’ve let him fuck your face, but you’re in control now. You want to take this at your pace.
Not that you have any intention of going slow, to be honest. You even let one hand go down to his balls, making sure to stimulate him even further. It takes Shawn by surprise, though. He loses control for just a moment, and his hips move up. The accusatory look you give him when you pull out for air has him apologizing in an instant, and you soon return to business as normal.
You become sloppier towards the end, something that he seems to like. He screws his eyes shut, but you don’t bother to chastise him because you know he’s getting to where you want him to be, and you can’t blame him for not being able to control his body right now. The bobs of your head begin to quicken, your saliva coating him thoroughly, and you just know he’s approaching his release. His cock is twitchy, his breathing is unbelievably unsteady, and the words that leave him are unintelligible, although you can hear that he’s trying to say something.
Shawn does manage to get something out. “Gonna… gonna cum,”
His warning is a nice gesture; it gives you time to pull off him. But you don’t. He’s been so good for you, and he deserves a treat. You only pull away the tiniest bit, resting his tip on your tongue, while your hand keeps pumping what used to be in your mouth. His one hand finally lets go of the mattress to cup the side of your face, and it’s an oddly cute thing to do.
When Shawn cums, he almost shouts out a curse, and it’s far too loud, but you really don’t care. You take everything he gives you, and it’s only when he jerks a little away from you that you let him go. He watches you swallow, and the sight seems to be a smidge overwhelming. He groans and falls back against the bed, covering his face with his hands, his chest heaving and all flushed. Shawn only removes his hands when you’ve crawled up, and you’re face-to-face again.
“Y/N, I… fuck,” he pants. “That was fucking insane, holy shit,” You giggle, stroking a few curls away from his sweaty forehead. “C’mere.” He brings you closer, and his lips find yours. To be honest, you’re kinda impressed. He definitely isn’t too touchy when it comes to tasting himself.
“So…” you begin when he releases you again. “Is performing still better than sex?” He raises his eyebrows, giving you a shit-eating grin.
“Hmm, yes,” Shawn answers and laughs, and you scoff as if truly offended. You know he’s playing with you. “Well, I didn’t get to hear you scream for me,” He smirks. “And when I perform, I usually have thousands of girls screaming for me.”
You roll your eyes. “Honestly? I could have screamed. But Niall would’ve heard, and I have the feeling I’d have to attend your funeral, then,”
Shawn playfully shrugs. “Would’ve been worth it,”
“Speaking of Niall, though,” you start, getting off the bed. “It’s been fun, but I should be going back to my room. Can’t be found with you in the morning, you know?” There’s a sort of sadness to Shawn when he nods and watches you get your clothes back on. “Goodnight, baby boy.”
-----------------
The next morning, you wake up with a grin on your lips. Thinking about what happened last night almost makes you ache again. You get up, and while you’re getting ready, the grin falls off your face. You can’t be sure what it’s gonna be like to see Shawn again. You don’t know what he’ll say. You can’t believe you even care, but you do.
So it’s with a slightly erratic heartbeat that you enter the kitchen a little later, but to your surprise, the only person you find there is Niall, cooking breakfast.
“Morning!” he greets and offers a smile. “Sleep well?” You feel the heat travelling to your cheeks at his question. If only you knew.
“Uh, yeah… yeah, I did,” you answer, and then you make a bit of a show of looking around the room. “Where’s Shawn?”
“Oh, he left for the studio about an hour ago,”
“Really?”
“Yeah,” Niall replies and shrugs. “Said he found some inspiration during the night,” Oh god. “Dunno what he meant, but good for him. He’s been looking for it for quite a while.”
You know exactly what he meant.
-----------------
@sauveteen @peachnpomegranate @yellowitsmendes @me-a-hopeless-romantic @couple100miles @rishlo @bluerroses @nervousroses @shavvnmcndcs @crxssourbones @ashwarren32
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404-potato ¡ 4 years ago
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I’m going to share something because I really need to get this off my chest. Please feel free to ignore this - 
... I never really talked about it with anyone because I don’t think I really had it in me to fully acknowledge it even. “Embarrassed” is the best way to describe why quite honestly... as much as I hate to admit it
This... is how I ended up hating a series I loved. And the ship/fandom still makes me cringe because of a weirdly “traumatizing” (? maybe? not sure - i hate using that word/throwing it around;;;) incidents that wasn’t really even about the fandom directly at all?  
tw: relationship mess? 
So before IronStrange, how I used to deal with liking series was through cosplaying. There was a good base for it where I lived and good chunk of my friends cosplay too or at least familiar with the community.
I got into this particular series (that I won’t name here) because a friend (who I eventually got involved in a relationship with) was REALLY into it. It was great at first. I loved the series, it was fun, we cosplayed a pair she shipped hard at the time and at some point I liked it too (I think she’s still a bit obsessed with that pairing actually). 
Basically... she got obsessive. 
It started with the little things like... very...uh... predictable... she didn’t want me to cosplay with other people. She didn’t want me to cosplay with anyone else for this particular pairing. Wanted me to prioritize her during cons... sort of made it impossible for me to be flexible to make plans with any other people. When confronted eventually (the “hey so you know I only have so much time I can give to this hobby- if I make all these plans with you I don’t have time for other friends. We can still do things together but I want to spend time with other people too”)... she made it seem like she would give me space but when time came it was always “I’m not saying you can’t go hang out with your friends but you promised this.” “I asked you first.” ... which by promise btw was her mentioning it some months ago by passing. There were other little things here and there in the con/cos world like if any other friend wanted to put together a cosplay group and asked me she got upset I didn’t ask her to join? Her reasoning was that “well I always ask you so why don’t you.” which seemed like demanding I feel the same way about her as she did for me. ... I know... sounds terrible of me & maybe I should be more sympathetic but... you can’t... demand someone to return how you feel about them or get upset when they don’t? (by the way this was way before we dated even - she also repeated denied she had any sort of feelings for me)
And I honestly didn’t recognize it at first or thought it wasn’t a big deal. I had lot of incident in the past where friends, people I dated, etc. made some... perhaps unjustified demands and I did my best to accommodate if I was willing or situation allowed it. I truly, maybe arrogantly, believed I could fully take care of myself because i always had been that one person who could take care of themselves. ... and there was no possible way anyone could ever “take advantage of me” so to say? in any way. 
Then eventually we started dating. It was casual, lets see where it goes at first. ...then at some point we were in a relationship? ... quite frankly I don’t even remember how fully that came about. (I was not exactly in the best mental state that year due multiple disasters that was going on in my personal life - terrible timing because i let a lot of “red flags” go since I was so tired to fight). 
She wanted me to stop talking to certain friends. One was a friend who we went on couple dates (and it didn’t work out, & by then this friend was dating someone else). But she still didn’t want me be friends with this person. 
...And for those who think you shouldn’t be friends with your exes or not talk to them at all for some reason? F u. Yes it is fully possible to be friends with your ex if you both are at a good place etc. Esp if these people were not even exes per se it was like people you went on a date or two with that you both realized after “hey yea we’re friends not anything more”. 
Little by little I was talking to less and less people, interacted with less and less friends. I stopped cosplaying completely just so I didn’t have to deal with her getting upset at me. I didn’t have the energy. It felt like if I go anywhere I had to invite her. If I made any plans I should invite her. After a while I was so miserable to the point we had huge fights. I literally left the apartment to get away because she wasn’t listening to anything I was saying and all her rebuttal to everything was along the lines of “It’s because i like you so much” etc. 
Yea this whole “being loved” thing to the point they want to spend so much time with you at all times may sound sweet in theory ...but for someone who is an only child (with no distant relatives in the same country), who is used to be left alone to live my life with very minimal supervision since 5 years old, needs a lot of time to myself naturally... it’s a nightmare. But if I said I wanted to be alone or need time to myself suggest I’ll go to my parent’s (not my first choice but ya know... at this point i figured she’ll flip if I said any friend’s)... she’ll try to angrily (very recklessly) drive off saying she’ll sleep at her work parking lot?? or I came back after one of these fights and she had all these scratches because apparently she tried to take a bath with wine and she fell?? ... I feel like I couldn’t even leave. ...typing this now, it’s kinda occurring to me I felt very stuck. She says I can go, I can do things, but... i mean... I can’t?? because then she’ll go off and do something like this. That time she was physically hurt, I know I should feel bad but I honestly couldn’t feel bad. I felt suffocated. I was angry. I felt like she was doing this as some sort of attention seeking... thing. 
Oh and lets not forget comments here and there about how I should let her know what i’m doing all the time, all the change of plans. Example: barely one month after I started at a new job, it was the holiday party. I did let her know I’ll be trying to come home early but please eat without me/don’t wait up. Well as I was trying to leave, I got caught in conversation by my VP and then my CEO... i couldn’t just up and leave at that point?? And I couldn’t answer the 30+ calls I got from her. ...She was pissed. Saying how they waited for me to eat, how I said I’ll be home early, etc. I tried to explain what happened. It’s a holiday party, its loud. I can’t keep looking at my phone when i’m talking to my CEO. I did say i’ll try but shit happens and I can’t update her all the time 24/7...She said she got it but next day would still throw these passive aggressive remarks. Couple of her friends came to visit from out of town, we were supposed to spend the day together with them. I was obviously tired because of the holiday party still and I muttered like “damn i’m tired” by passing... her automatic reaction was “well you shouldn’t have stayed out then.” because in her words, during the argument that followed, we made plans to spend time with her friends so I should have prioritized it at all cost even over the job that I need. Nothing said I couldn’t just leave and come home early, I didn’t have to go in the first place. ...oh idk there is something called work politics??? esp when you are a minority girl working at 80~90%+ white male company. 
Then it all boiled up to a particular bad fight where I said I need her to compromise because I’m ready to lose it... I explained so many things from above that was genuinely becoming so unhealthy for me...  How she said she’ll be better in the past but she continued on, etc. 
...lol... and the first thing she says to that is how she still doesn’t want me to cosplay with other people. I literally had a moment of that’s what’s so important to you??? SERIOUSLY? fuck this i’m not cosplaying ever again. period. Because at that point... because of the whole incident... or many incidents, I had such negative feeling towards the hobby I didn’t want to do it anyways... let alone this pairing she really liked... or the series etc.  god there was... so many more... like the time we went to a bar to have fun, she over drank even when I told her multiple times hey maybe you should slow down... She basically did the whole “drinking excess as an excuse to say what she wants after” “i’m drunk so I’m saying this” thing. So in a very public place, the bar was crowded, there were people all around us, she yelled VERY loudly about how I didn’t seem to want to have sex with her anymore. When I asked her to keep quiet, please can we talk about this elsewhere... she KEPT GOING- LOUDLY YELLING. Hysterically crying. Honestly... considering everything going on... yea I didn’t want to. At some point it did occur to me I didn’t want to have sex at all (and that was whole another level of problem considering I’ve always been very sexual person...) I mean I would have been totally willing to have a serious conversation about this but NOT AT A PUBLIC PLACE WITH STRANGERS ALL AROUND??? I was mortified. (this is also why I stopped going to nice bars... i used to enjoy them. After my early 20s, I didn’t drink to get drunk but I loved visiting creative bars and having a nice drink or two... well... not anymore lol)  Again, these are not even 50% of all that happened with this person. .... honestly this relationship caused me so much issues personally I haven’t even begin to solve. It’s actually to the point I’m considering therapy. 
But yea... sure it may not be the biggest of things but sometimes I’m very resentful I can’t enjoy the series I used to enjoy because I just automatically have VERY negative emotions about it. Same thing with cosplay, a hobby I used to be very happily involved in to relieve stress. I now have this almost... fight or flight feeling when they are mentioned, i freeze... it sometimes feels like something is pressing down on your lungs making it impossible to breath.  
...And this is also why... I started tumblr and ended up seeking company of online people who doesn’t really know me because... yea now I’m avoiding my friends at this point or mutuals with this person since... well, everyone thinks she’s a very nice person, very good for me... because on surface level, yea she does really seem like she likes me, gets me all these nice gifts etc. They still comment from time to time about how I should be doing better. Treat her better. Because if someone screws up in a relationship, given my history and personality, its probably my doing. ...Okay. any normal situation, yea I would say that’s probably true but this? this was not... yea.
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heavymetalchemist ¡ 4 years ago
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So I gotta say that I agree 100% on your take on “are demonic cultivators innocent? I don’t think so” and I’m so glad someone else thinks that bc it’s a surprisingly rare take?? (Even tho I think it makes sense) PS: Can u rant to me about it? Bc I kinda wanna read about it :p
Ha ha I SURE CAN!
So first a disclaimer: I myself am not Chinese (or of Chinese descent). I’ve been doing a lot of reading because I love digging into the meta of things, but I am no authority on Chinese culture, historical or modern.
This post here which summarizes this twitter thread explains how culturally Demonic Cultivation is kind of fucked up, and that’s one of the best and most concise explanations for the cultural argument.
However, leaving aside that cultural shorthand, I feel it’s pretty clear in the show (CQL) that Demonic Cultivation is bad.  Some of this is muddied thanks to censorship rules, which, so I’ve heard, require a bit more black-and-white morality in the shows - our bad guys are Very Very bad, and our good guys may be misunderstood but they’re always really heroes. In the Donghua it’s a lot more gruesome thanks to the magic of animation (and this is true of the original book as well).
First, what is demonic cultivation? Basically it’s the idea that WWX had way back in the classroom at Cloud Recesses, when Lan Qiren threw a scroll at his head - the fourth way to handle hauntings, essentially.  The traditional method is first liberate, then suppress, then eliminate.  This means, first try to appease the spirit so it can move on (to, presumably, reincarnate). If that doesn’t work, put it in spiritual time-out (suppress) which I think means more-or-less that you’re hoping a long enough time will allow whatever resentment is keeping it here to dissipate, so it can move on eventually on its own. Finally, if you can’t put it in time-out, you have to eliminate it so that it can’t go around hurting people - which would mean that there is no hope of reincarnation, to my understanding.
The fourth way that WWX suggests boils down to “Ghost Fight!” In the classroom example, an executioner is haunting people and wants revenge by killing a lot of people. WWX suggests digging up a hundred corpses, chopping off their heads, and then using the angry ghosts you just created to fight the executioner ghost, so he gets to have his revenge “killing” a lot of people (that is, all those people you just dug up) and dispersing the resentment that way.
Except, like, hold on, you want to dig up a bunch of graves and make the ghosts fight each other??? Almost every culture has taboos about not desecrating the dead, but even aside from that, he’s proposing deliberately dismembering corpses in order to create resentful energy to fight some other resentful energy. Remember how everyone was shocked and appalled that NMJ was dismembered, and how it really increased his resentful energy and turned him into a terrifying fierce corpse that wanted to kill everyone? Yeah that seems like a bad idea. Plus, imagine that happening to your grandma that you buried, gave normal funeral rites to, and then some asshat comes along and digs up her grave to fight some other ghost? That asshat is not going to be on your friends list.
But WWX is basically like, look I made this seal so I can control it! I have everything under control it’s FINE.
Except that the resentful energy is, itself, a corrupting force. We see WWX’s deterioration in CQL, but notably in CQL we still have other people influencing things about Jin Zixuan’s murder and what happens at Nightless City. In the book/donghua, he straight up loses control. WWX’s death in the book is being torn to shreds by the ghosts he had enslaved.
Because that’s the other thing - he’s enslaved the ghosts. You can make the argument that using the ghosts to fight other ghosts is really effective, and it IS, but it also means that as a ghost, you got conscripted into a Ghost Army by someone who does not seem to be trying to liberate you at all. Is it any wonder that they turn on him at the end?
Then there’s the other aspect of demonic cultivation, which is in contrast to regular cultivation. In regular (orthodox) cultivation, one cultivates one’s own spiritual energy. This is developing the golden core, and it’s also learning to use that spiritual energy for cultivator stuff - when LWJ plays Inquiry, he’s using his own spiritual energy to lend it power. Demonic cultivation doesn’t use one’s own energy, it uses the resentful energy of the restless dead, which means that someone who has low personal cultivation can get real powerful real quick because they don’t have to spend years developing their golden core and a personal repository of spiritual energy to use. You just need a little bit to direct the resentful energy, and suddenly you’re able to wield a lot of power. But that’s power that comes at a cost, because as stated before, it’s a corrupting influence.
So here’s this new cultivation method that can make almost any random chucklefuck super powerful, and if, no, when they fuck it up, it’s going to cause a Ghost Explosion that will rend everyone in the splash zone limb-from-limb as the angry ghosts escape control and lash out at whatever’s close by.
It’s one thing for WWX, who was originally traditionally trained in cultivation and had developed a strong golden core, who is a prodigy and a genius, to play around with this. For a person without that background? They’ll be haunted as fuck much faster, have worse control, and be far more dangerous.  Or they’ll just sacrifice their entire spirit to summon an evil being to murder their whole family (Mo Xuanyu). Or they’ll curse someone and then be hit with the backlash of the curse themselves and suffer that way (Su She).
The person we see who manages to copy the Stygian Tiger Seal is Xue Yang, who uses it to control a bunch of people poisoned by corpse dust to make them into shambling living corpses, and control fierce corpses like Song Lan, and try to forcibly resurrect someone who was desperately trying to escape the situation he was put in. It’s very easy to be sympathetic to Song Lan because we know him, but realistically, EVERY controlled spirit and corpse is in kind of the same situation - being manipulated to do things that they wouldn’t choose to do themselves.
WWX invented demonic cultivation because he is an inventor, a pioneer, an experimenter, and also because he could no longer use traditional cultivation methods. He infused papermen with spirits and used them to bully teenagers. He kept ghosts in a spirit pouch and brought them out to shove into paper dolls and fight for him. He turned Wen Ning into a fierce corpse, and yes he managed to retain his consciousness, but he also turned him into a creature that could be controlled like a puppet and forced to kill people that Wen Ning himself would never kill.
As badass as all the necromancy is, there’s always the part where it requires using ghosts who used to be people to further your own ends. If you’re using them to try and neutralize resentful energy overall so that you can defuse spirits down to the point where you can actually liberate them, which seemed to be the point WWX was trying to make all those years ago in that classroom, then it seems like a good thing to do.  But we don’t see any demonic cultivators actually doing that, instead, we see it being used for vengeance, control, murder, power, and as Lan Wangji points out when he keeps trying to get WWX to come back to Gusu, no matter how good your intentions, it’s only a matter of time before the resentful energy consumes you. And in the end, that is what happened to WWX, after all.
EDIT bc I hit post too soon: And so anyone who practices demonic cultivation, knowing what happened to the Grandmaster and all of the rumors about him, is almost certainly not doing it innocently to just try to resolve a haunting near their home, but because they want power, want to hurt their enemies, want vengeance and don’t care who gets hurt in the splash zone. I would argue that in terms of what justice they should face would depend on what they’ve done, not necessarily just the use of demonic cultivation itself, but signs point to demonic cultivation almost never being used altruistically in practice, especially not by someone who chooses to practice it in place of traditional cultivation (with, again, the notable exception of WWX).
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gunnerpalace ¡ 5 years ago
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I belonged to another heated (but no longer debatable imho) ship were I've known a lot to be IH. And ofc I feel bad they have to bear witness to people so salty about the ending and hated Ino. I hate Ino too with burning passion, and that kinda made me feel guilty. But the psychology major in me was baffled as to how they conclude immediately w/ no analysis she was hated not only because of ships but because either she was written terribly, or she was written to be terrible. Or probably both.
Why cant Ichigo and Rukia be married to someone we could *infer* (because duh it’s not canon they will argue) they are in love with? Someone they have shown to share bond with? “Oh well, its becoming commonplace that the hero doesnt end up w/ main heroine, it’s revolutionary!” Bullshit. Sadly that is logic fallacy you dumbasses. Where’s the progress? Kubo tried, barely even. And again, it’s not even about the ships, its the entire work that has become an anomaly–Bleach as became Bleauuughch.
Again, I feel bad they have to bear the weight of evert criticism, the insult, and the salt of basically a majority of bleach fandom. But I hope they can tell that majority (like 99.99999999998%) of the criticisms are valid and not just hate. If they couldnt bear to actual do analysis of why people hated it, then dont bother plead or guilt trip or go to ppl inboxes why should we just move on. Well, majority already did that’s why all was left were ppl who couldnt be bothered with actual quality.
Here’s the ugly truth about people: they can’t read.
Or they don’t want to.
We have this holdover idea from the Enlightenment that if you can gather enough evidence in fine and exacting enough detail, that you can not only discern some kind of truth, but convince other people of it through the preponderance of evidence. And we have structured our society around that idea, from politics to law to science to academia in general.
The trouble is that that idea is bullshit outside of academia.
That is not at all how regular people approach the world.
And the more we rely upon an idea that people are rational, the more we will be lost at and disappointed by the actuality that people are irrational and emotional.
Consider climate change. The scientific community has had roughly 97% consensus that climate change is being anthropomorphically driven (that is to say, somewhere between overwhelmingly and entirely caused by human activity) since at least the very early 2000s, if not back much earlier. Indeed, we know that the oil companies were aware of it at least as early as 1981! And here we are in 2020, with some 31% of the population either unsure of or disbelieving in it.
Whenever the matter is debated politically, scientists will trot out their facts and drop them on the table and point. The facts are self-evident, they feel. And then the conservative politicians will shrug and say, “I don’t believe you.”
And the scientists have no idea what to do about that. Because to their minds, facts are indisputable. You cannot argue with them.
But you can, as the conservatives illustrate. You just choose not to believe in them.
We are witnessing something very similar with COVID-19 at the moment, with large swathes of the (American) population simply not believing it to be a threat, in spite of all available evidence to the contrary.
We see the same thing with political leadership debating the question of whether to prioritize health or economics, and our media treating this as if it is a legitimate policy debate, when we already know the answer to that question from the Spanish Flu of 1918: towns and cities that were locked down and quarantined suffered fewer casualties and had much faster economic rebounds.
People generally do not read.
People generally do not process.
People generally do not analyze.
People generally do not learn.
And if they can’t do those things for very large-scale existential threats that can threaten anything from tens to hundreds of millions of people worldwide, to the entire ecosphere of the planet, why would one expect them do so for a piece of fiction?
If people cannot handle cold, hard statistical facts, or simple arithmetic, then they certainly cannot handle something as “subjective” as facial expressions or dialogue. I have written recently about how the attitude toward non-fandom things (e.g., politics) increasingly resembles that of fandom, of approaching everything as though it is merely an aesthetic exercise.
That is really what we are dealing with here: ignorance. And not merely ordinary ignorance, not even willful ignorance, but an ignorance so deliberate and cultivated that its goal is nothing less than the total erasure of the facts. (The problem here, in this particular example, are of course the people who say unequivocally, “Ichigo always loved Orihime,” in spite of all evidence to the contrary. Someone who says, “It is clear to me this wasn’t a thing, but I like IH aesthetically,” is a non-issue.)
(Demanding or trying to force this former perspective does, as you suggest in the third ask, indicate a certain insecurity and a tacit admission that the perspective being advanced is illegitimate or poorly substantiated. However, for the people so enthralled to openly admit that is a psychological admission of defeat so severe that most would literally rather die than own up to being wrong to such an extent, and to suffer the attendant internal loss of face. So they seek continual external validation of it to shore it up.)
There is, in essence, no point in communicating with this kind of fan whatsoever. They are functionally like how Kyle Resse describes the Terminator in The Terminator:
Listen, and understand! That Terminator is out there. It can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity, or remorse, or fear! And it absolutely will not stop, ever, until you are dead!
There is a lot of tepid discussion out there in political circles that the degree of polarization in society today is unprecedented and that a way to bridge that gap could be through shared interests and values. But in my opinion, fandom proves exactly the opposite is true: the reasons people like things that are nominally “shared interests,” and their view of those things and why they are good, are completely and utterly irreconcilable. There is, essentially, virtually zero overlap in a Venn diagram of the perspectives. Shared interests divide as much as they will ever unite.
In that regard, Bleach should be treated as both a warning and a grim assessment of our world as a whole. It is not really an aberration.
It is the future.
This community (among others) has simply been living in it a few years in advance of other people. Everyone else has gotten their first big taste of it with Trump. (The Republicans have been constructing an alternate reality since 1964, but comparatively few people were aware of how deep the rabbit hole went.)
In my estimation, it is not worth engaging with people over a shared interest with sincerity, let alone in good faith, unless you have done some degree of vetting of their perspective. Most likely observing them or their works for a time. Without that, you simply open yourself up to these people who show a total lack of discernment or rationality.
And that is a large part of why social media is such an absolute garbage fire, because as platforms they are built around precisely the opposite notion. (And largely in defiance of the idea that people might want to curate their experiences or might not want to have “healthy debate,” which is almost never healthy and seldom ever debate). Some would argue this leads to echo chambers and hug boxes, but it’s not like the alternative that these companies have produced (for profit, of course, rather than for of any ideological mission) is any better.
To boil it all down, what we are really forced to rely on (quite sadly) is a free market approach: no matter how much that side rages and waves their “canon” status around, they simply do not produce much content. They will starve long before our side does, regardless of any other factors. (Their “canon” status did not help them any in the past four years.) And the people who are agnostic (e.g., the “I’m Still Bleach” crowd that is for some reason vaguely invested in the series as a whole) will lose interest and move on to the next shiny thing.
The only thing that is necessary in the face of all this is really patience. In the meantime, the best thing is simply to ignore the existence of such parties utterly.
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psyga315 ¡ 4 years ago
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Prelude
With Volume 7 just beyond the horizon, I figured to look back at my thoughts for Volume 5 and, through more cooled down eyes, boil down why I consider it to be the worst volume of RWBY. When I wrote my review of Volume 5, it was literally the night the episode premiered, so I was boiling. But now? I’m going to look through the review with fresher eyes and clarify what sort of problems I had with RWBY.
First, a bit of backstory. There was an interview made during the summer in between Volumes 4 & 5 that had the cast say what sort of themes one could expect for Volume 5. Among these were stuff like “building yourself back up again”, “shouting ‘we’re not done here!’”, “solving problems on your own”, and lastly, from Barbara herself, “Strength” and “Growth”. For someone who was just starting to realize why people were turned off by the darkness of Volume 3, this was uplifting to say the least…
Shorts
The Character Shorts kinda hyped the Volume, though they sunk in their own way. Weiss’s Character Short effectively foreshadowed her loss to Vernal. This tough and talented girl gets her ass stomped rather quickly and needed to be bailed out. Winter’s line about how she “won’t be around to save her” was foreshadowing to her not actually being in the season, but when I first heard it, I thought she meant “Hey, I’m going to die this volume, lol!” and that’s without bringing up how the trailer fails to hype Weiss up like the other trailers did.
Blake’s Trailer was alright, especially in taking steps to address a problem regarding Menagerie, but it felt more like Ilia given the backstory dump we got that feels all the more like mandatory reading. The problem is that, and it’s perhaps the very first problem I’ve heard about RWBY, is that the trailers (and by extension, anything that’s a spin off of RWBY like World of Remnant) feel more like you need to watch this rather than you can watch this. It’s confusing, but let’s use Blake’s Short as an example.
Ilia talks about her backstory as it is contrasted with a chase between Blake and a random dude we never see again. Assuming you’ve never watched the trailer, you’d just get the truncated version of “MUH PARENTS ARE DEEEAAAD!” and not the bits where she was forced to resent her own race because it was easier to blend in to her surroundings, like a chameleon. It’s ironic, since RWBY would do the reverse problem with Adam, where his trailer isn’t mandatory but we barely get a backstory for him beyond “I got branded, but everyone will speculate that it’s because I did something bad and not that it drove me to do bad things”.
Lastly, there’s Yang’s short, which had the minor hiccup of contrasting what an interview said about running out of Aura means you can’t use your Semblance. The Aura thing is something that can be discussed for another day, but the basics you should take away from this is that, for some time, people didn’t know how running out of Aura is symbolized. Most people take the flickering as the signal as the next hit on those guys are usually the one that does them in. As such, you had this huge debate on what kind of flickering means Aura broken and what just meant Aura is low, which, personally, could have been avoided if the writers and/or animators just utilized that Aura dust thing (seen prominently in the Bumblebee vs Adam fight) as their definitive “aura broken” animation instead of just using it some of the time.
First Episode
The first episode proper promised a lot. In fact, a good chunk of the first half promised a lot. However, it became much clear in a second viewing that a lot of it was just padding at worst and showing us where the characters are at best. But what I think was done dirty the most in this episode was introducing Mistral. We were hyped in Volume 4 (thanks to World of Remnant) that Mistral was this dichotomy of rich, cultural people and the seedy underbelly of criminals and that, at least one of the elements would be utilized in Volume 5. Unfortunately, all we got were a few mat paintings that contrast what Lionheart was saying in regards to Mistral being in chaos.
And so, the most we get out of Mistral are those mat paintings and a perpetually raining downtown that we don’t see much of, even when it gets briefly revisited in Volume 6. We’re supposed to be invested in the city and yet all we get are empty rooms and 2D art. They took great steps to improve this in Volume 6 with Argus, though, so if there’s any consolation, it’s that they learned from their mistakes here.
But we now get into the biggest problem of why Volume 5 is disliked. Because of the situation, the group are left to basically wait until Lionheart convinces the council to get them some Huntsmen. The heroes. Wait. In a volume where the writers were talking about the themes of improving yourself and pulling through with your own strength.
Do you guys see the problem here? I know people have bitched about Volume 5 to hell and back and you’ve probably heard the complaints to high noon, but this entire issue is what rots Volume 5 to the core the most. Not the piss poor fight scenes, not the inconsistent characterizations, it’s that the plotting decides to take a back seat when the volume was meant to be about taking action.
As the episode goes on, you see the problem unfold. Ruby and friends hit a dead end until Oscar appears and has Ozpin exposit things to them, Weiss is denied a chance to save people and fight the Grimm until the Grimm come to her, Blake is hit with the dead end of the Albains deflecting blame, and Yang had the chance encounter with Bakugou where he knows the hideout of her mom.
The closest person who is taking action here is Yang, who established that she is actively looking for Ruby (technically Raven, but as we see later on, moot point). Blake’s situation is being handled by her dad, Weiss is sitting in the plane until the Grimm come for her, and Ruby is sitting on the couch that I’m pretty sure has her grooves molded into the cushion with how many times she’s sat there.
Episode 2
A minor complaint before we go to Episode 2, we had the Stinger repeat itself because the crew thought that people wouldn’t see the stingers. This is the show, mind you, that makes a point to include scenes at the end of every volume, regardless of how long they are or what point they serve in hyping the next Volume. Hell, one of the major complaints about Volume 2 was about the stinger not mattering. So why did they suddenly decide that the viewers might not see the stinger in a culture where the MCU exists?
Alright, cooling things down, we have three major scenes in Episode 2. Salem’s chat with Lionheart was meh at best and wtf at worst. I get the idea of Salem using different approaches to get people to do what she wants, but the cool aspect of Salem was that her approach was not what a villain would normally be. Instead of berating or choking her minions should they fail or talk back, Salem instead talks people down like she’s a mother to them. Even when Tyrian fails, she doesn’t hurt him, but rather tell him that he disappointed her. So, having her choke Lionheart, even when in hindsight it made some sense, is kinda an odd thing to do.
But not as odd as Salem’s whole “Not you, Arthur” bit. A lot of people drew points to that and the best I can explain is that it’s either a typo (she’s meant to say not yet or not now) or Arthur and Watts are some sort of Jekyll & Hyde thing. Unfortunately, it seems Watts is more a parallel to Watson rather than Jekyll, so that brings me to believe that it’s a typo and so, rather than have an easy explanation for a problem, we just have a compounded problem. One of many.
And there’s something funny to be said about Salem warning Cinder about Silver Eyes when Ruby barely learns about it this Volume. And also that she wants to speak with Tyrian but we never see what comes of it. At all.
I only have one new thing about Weiss vs. the Bees. Originally, the pilot was supposed to be gay, but held off on it because they’d be killing off their first revealed gay character, something that wouldn’t look good to the fanbase. Now, while I understand the reason behind it, I have to question the logic behind why they think it isn’t okay for their first LGBT character to be offed, but instead be someone who seemed okay with murdering her crush’s parents while sending said crush to her abuser.
But more on that later, we have Sienna to discuss. Now, there’s a lot to dissect. For one, RT has obviously realized that they’ve messed up and brought Sienna back for a bit (while taking the heat for “if she’s so badass, why did she go out like a chump”). However, in hindsight, what purpose did she actually serve outside of some cute nod to Shere Khan?
All she did was tell Adam that he’s going too far and that’s it. And really, it just seems hypocritical for the leader of the White Fang to effectively restructure the organization into a terrorist group, murder tons of people, and then suddenly back away and say “woah, too much” when Adam proceeded to help torch Beacon. It’s to the point where one question most people want to ask at cons is “did Sienna order the hit out on the SDC”, since we don’t actually know and that it could be a radical leader of that quadrant like Adam.
It felt more like Sienna should have been just the leader of Mistral’s White Fang faction instead of ruling over all the White Fang, which would make more sense as Adam would need permission to attack a kingdom that isn’t his stomping ground. Then there’s the introduction of Hazel, who at first is presented to be a pretty decent character, not wanting to kill people if he had no choice, but as time goes on, is basically your stock “big soft guy with a secret hulk side” character.
Unfortunately, this episode didn’t help enforce the theme of taking action when it’s the villains who are doing it and seeming to be two if not twenty steps ahead of the heroes.
Episode 3
Episode 3 has that whole speech thing I overlooked. Barring Ghira’s speech that the crew said is based off Obama’s “we killed Osama” speech (which, if it is, paints the whole situation of Sienna’s death in a rather dark light) before Ilia interferes. Now, I actually liked that Menagerie is hesitant to stand up for Haven. After all, humans hated their guts so much that the island was originally planned to be a place where people could dump Faunus on. There were lynchings and enslavements that are still going on to this day, just in subtler forms, Of course the Faunus wouldn’t want to fight.
Then Ilia swoops in and robs Blake of any agency she has with the scene. If RT wanted to not let Blake convince the people until three quarters to the end, they should have cut the subtlety and have some annoying kid go “IT’S TOO EARLY IN THE PLOT TO DO YOUR SPEECH!”. Hell, let Blake tell her story about her team, but the audience balks at the fact that she’s not only friends with a Schnee, but also a human who crippled a guy on live television. Remember that plot point?
We then cut to Oscar and this is perhaps the reason I decided to do this revisit of Volume 5. The way Ozpin talks of action and resolve, it felt like we’re going to the root of the themes of taking action. No more being subject to the events of the plot like in previous Volumes. Now? Now is the time to fight back! And that built up to… what? One training scene and Ruby learning headbutt?
Granted, we see later on that there was a bit more to the plan, but for the most part, it seemed like an excuse for “character growth” as opposed to actual character growth. A training arc isn’t just some short scenes of a person lifting weights and jogging up stairs. Its meant to be a sort of means of growth for the character. There’s a reason most training montages have the character suck at first, but then get better by the time the montage ends. It’s because it’s the quickest way to show growth. But even without that, you could get some serious mileage for a pulled off training arc.
Rocky IV and Star Wars: The Empire Strikes Back have some good examples of it. Rocky IV had the titular hero train and work out in the middle of a cold, mountainous range, while his opponent is simply given steroids. It shows the dichotomy between the two and how they view their eventual fight. Empire, on the other hand, had that masterful scene with Luke in the cave, where he has a huge moment of both foreshadowing and character growth.
Here? We just have Ruby learn headbutt like she’s nothing more than a Pokemon. There could have been a lot more done with it, like having Ruby put a lot more force in her punches, causing others to realize she’s extremely angry about what happened to Pyrrha and Penny, or, if the need to exposit about Semblances is needed, bring something new to the table that isn’t going to confuse the fuck out of people… Something like:
“Your Semblance might not reveal itself until you need it most” or something like that. Not “A semblance is someone’s personality, but not. Wow! Exposition!” or “Hey, remember how we said Aura was passive? Welp, not anymore!”
Not to mention that Jaune is seemingly cool with Ozpin suddenly coming back from the dead. Here’s the thing, last Volume had him upset with Ozpin about what happened to Pyrrha, something that didn’t seemed to resolve itself. Keep in mind that, for all rights and merits, Jaune believed Ozpin to have died. In fact, it was that confirmation that Ozpin had lost against Cinder that convinced Pyrrha to kill herself. Now here he is, seemingly stuck in the body of another kid and he just outright said this is a normal thing for him.
You’d expect him to have something more than “golly!”. The fact that he didn’t seem to have any aggression towards Ozpin until after he ran to his hidey hole in Volume 6 seems rather odd given that his entire character is that he’s angsting about Pyrrha and angry at Cinder for what she did. The group seem rather content to just sit back and let the plot happen, which is the opposite of what the crew was trying to convey with their themes.
Episode 4 and Episode 5
I still stand by what I said regarding how Episode 4 was a good episode, finally having a reunion between two members of Team RWBY, but it’s perhaps one of the last good things about RWBY we’ll ever see in Volume 5. Because Raven’s promise to tell Yang “the whole truth” turns out to just be regurgitated exposition at worst.
But first, we need to have Blake, the woman who doesn’t want her race to be labeled, turn out to have labels for her friends. Okay, granted, it’s not that dumb but it is kinda patronizing that we need to have a character tell us what another character is. While the rest of her speech is pretty effective in defining Blake’s character, making her perhaps the only character these themes of growth and strength actually apply to, it still is annoying that the most we take away out of this is her boiling down every character to a single word, then bringing up how Adam is going to ruin everything for the Faunus. You’ll see why this is a problem later. I liked the setting of Menagerie’s Shallow Sea marketplace thing and felt like Menagerie is wasted potential.
Ruby’s whole speech still feels like damage control, but with the added complaint of Ruby deciding to blame Salem for something Cinder did. Now, I heard the common excuse a lot: “Salem told Cinder to do it so it’s all her fault”, but that problem with that? Cinder told Emerald to kill Penny. So… Yeah. It is her fault. Hell, I wouldn’t have minded this if Ruby didn’t word it like Salem personally killed Penny and Pyrrha. Like as in, she just up and appeared out of nowhere and shot both Penny and Pyrrha in the head.
It still doesn’t fix the fact that Ruby is basically “hey, remember how I’m supposed to be upset?”
Lastly for Episode 5, we have the White Fang do the brilliant plant of murdering the chieftain who just spoke out against them. It’s dumb. Extremely dumb. What the hell do they think will happen after they murder the chieftain in cold blood? Menagerie is just gonna magically bend over and obey the White Fang? But perhaps the biggest waste is the White Fang in general.
You have these two sneaky fox brothers who seemingly oversee everything and even state that they’re only letting Adam do what he wants until he’s no longer of use to them, a buff bat dude, and a spider-lady… And they’re never seen again after this Volume. I get the idea, because RT is trying to wrap up the Faunus subplot as quickly as possible, but the problem that you can’t exactly introduce new characters or hidden depths if you’re just gonna throw them out with the bath water.
If they wanted to end the subplot, why did they put all the effort in some random characters that are just gonna be defeated off screen with a tea tray? Then again, this is a problem endemic to RWBY. Introduce this character, then quickly shoo them away before you’re committed to writing a plot for them. If you know you were going to half-ass the White Fang conclusion, why bother with stuff like more White Fang members or the SDC brand? In fact, why bother with the White Fang to begin with if you’re going to do so little with them?
Episode 6
Moving on before I lose my cool, we have Qrow aimlessly walking around downtown Mistral. Now, the crew said that Maria was supposed to be here… But… Why? What purpose would she serve? If she’s just gonna be a “hey, look, cameo to foreshadow Volume 6”, then that’s a horrible purpose. You know how most Cinematic Universes tanked because they spent more time hyping the next twenty movies when they should focus on their pilot? That’s what she would have been like.
Not to mention that she would have been caught in the crossfire of why Volume 5 was bad. “So here we have this random old lady who doesn’t matter at all to the plot so why is she even there” and then “Oh wow, she’s a SEW. They’re doing damage control to justify her unneeded presence in Volume 5”. And, don’t get me wrong, Maria is a fun lady and all that, but there needs to be a reason she was there beyond “hype for next Volume”.
What makes the problem worse was that they’re planning to include Maria so as to have a sort of Yoda to teach Ruby. This makes the complaint of “why didn’t Ruby ask about the Silver Eyes” even more of a complaint because now it seems like they decided “hey, we’re going to address it next volume, so let’s not bother bringing it up here”. Which is even worse than “hey, people noticed we didn’t address this so let’s completely invent this character for the sole purpose of addressing it!”
And then there’s Raven who is all “lol, I know more than you realize but I’m not actually gonna answer anything trolololololol” AARHG!
Okay. Okay. Before I completely lose my marbles, there’s one thing about the scene with Raven that’s stupid.
It’s the “there’s no such thing as magic” thing.
Okay. I get it. Turning into a bird is something that, in the world of RWBY, seems impossible. But there’s a ton of problems with this:
What makes summoning dead Grimm to fight for you so much more different than magic?
You’re willing to believe in magic rocks that augment your fighting style and are in fact part of a company that profits off magic rocks, yet turning into a bird is the messed up thing?
The guy who gave her this ability is currently inhabiting the body of a young boy and has said to basically devour his soul in due time, as well as create the magic that’s responsible for torching your school and your friend… And the BIRD is the most messed up thing!?
“But Raven made it sound like she was forced into it”. She didn’t seem to have any fucking problem with it though. Not only that, but it didn’t seem like a big dark secret that Ozpin wouldn’t want uncovered. In fact, he even said he gave Qrow and Raven the ability to turn into birds in an amused way.
Even more so when everyone but Yang seemed to respond to it with disbelief rather than outright anger. There’s a reason this whole bird issue was made fun of in Jello’s “So This is Basically RWBY” video.
Also, before we move onto Episode 7, I wanna bring up that the scene where Qrow visits the Shields is perhaps the reason why I hold Ozpin’s censorship of Lionheart’s role in the Battle of Haven to be one of the most scumbag moves he could have made. “Your mom’s dead, but don’t worry, the guy who sold her out is a hero!”
Episodes 7-10
Right, back to Episode 7. Okay, I’ll admit, it was a nice reunion scene all things considered, albeit with some rather unnerving things like Yang asking Weiss if she let the Boarbatusk skewer the trophy wife or even the dumb, patronizing “we haven’t made character arcs for us to go through so I’ll just say we had some”, since they had the great idea to use Ren, who is voiced by Monty’s brother, as the mouthpiece for that.
Unfortunately, this is the episode I always think back to when I think of Volume 5. The perfect epitome of a slow, monotonous Volume. The problem I have is that, yeah, it’s meant to be this breather episode, a calm before the storm, but this just feels like a long lull that’s made even more insulting with the cliffhanger. All it has is people dumping exposition that viewers have either figured out or weren’t even burning questions and I think the awkward silence that followed Ozpin saying how he was the wizard that gave the Maidens his power is the perfect epitome for just how boring the volume is. The dude just revealed a massive plot twist and it’s treated as nothing more than a “did you know” factoid.
While I liked how they addressed that Blake leaving Yang would have had some serious negative emotions in Yang, it felt rather half-assed that they basically resolved it with “hey, my mom’s drunk, so shut up and accept Blake the moment she comes back”, especially since it comes from Weiss, who told Blake at the end of Volume 1 that if she ever runs away again, she best let RWBY know. If they wanted to ship Bumblebee so badly, this would have been a great hurdle for them to come across instead of just “hey, let me resolve this plot for you”.
Now, the whole thing with Ilia… Let’s get the elephant out of the way. The way they revealed her sexuality, I feel, could have been done better. “You wanna know why I’m gonna kill your parents and bring you to your abuser? Because I wanted you to look at me like a lover!” There’s a reason why some fans label her as a “psycho lesbian”.
However, I want to bring up that Rooster Teeth did an excellent job at building tension during the climax of the Menagerie Arc. Sure, the cliffhangers were tiresome, but you couldn’t help but admit you were at the edge of your seat and it even did a good job at subversion. Even if they allegedly didn’t even intend for it to happen.
The constant dryness of exposition and dialogue exchanges is what made Episode 10 so much better than the other episodes. Not just because it’s action-orientated, but because it finally tries to get back to the themes that it was originally supposed to tell. Throughout the entirety of the middle portion of Volume 5, the group basically took a backseat and allowed characters and plots to happen to them rather than advocate for themselves. The closest thing we got to the theme of “building yourself back up” is Weiss talking to Yang about Blake.
In fact, the only actual characters taking action are the villains. Constantly roadblocking the cast, setting them in for a trap, and even aiming to screw each other over. These guys have more advocacy and agency than the main characters. The most any of them did was…
Burn down their own house and blamed everyone else for it, all while saying that the house is the message Adam wants to send.
Use a girl’s unrequited feelings towards them to their advantage, straddle them, and guilt tripped her enough for her to consider switching sides.
Cry about how things are not going their way until their hands start magically glowing.
Yelling at someone until they cry bitch tears and then have them run away without even bothering to close the door leading to the dangerous artifact everyone had been working so hard to keep out of enemy hands.
In the volume where the theme is “solving problems on our own”. Just because Yang drops the word strength a few times when bitching out at Raven doesn’t mean that the theme had been accomplished. In fact, they do nothing of their own accord and just follow a script. Even Ozpin, the supposed smartest guy in all of Remnant, doesn’t even bother to figure out a way to counter the trap. Just instead walk in. Hell, if Yang didn’t spot Raven, they’d be mulched.
But, back on track. Episode 9 was an entire waste that failed to pay off the expectations of what we had with the cliffhanger set up in Episode 7. “But it subverted your ex-” NO. There’s a good way to subvert expectations and being promised a fight after episodes of bland exposition only to have it be “lol, no, it’s just gonna be more talking” is not a good subversion.
No. Here’s a better way. Set up the cliffhanger like normal, but don’t show Cinder’s dragged out negotiation with Raven. Instead, have her “allying” with Cinder be a twist. That way, people’s expectations for what happened are actually, you know, subverted?
The Battle of Haven
But, you know where this is leading to… The Battle of Haven. Really, I don’t think I can say anything that hasn’t been covered by someone else. We all know it makes all the Vytal fights look like masterpieces by comparison, we all know the jokes about useless Weiss or Lionheart hogging the staircase, or even the plot holes of Raven knowing Cinder’s arm being Grimm but doing nothing about it or Blake, despite spending the past volume saying how Adam must be stopped, suddenly doesn’t care about him…
So let me cut it simply:
The reason this battle sucks might have to do with the crunch.
We don’t know how long this issue with Rooster Teeth had been going on for, but if it is indeed what people say it is and that animators don’t get paid for the last quarter or third of their work, then that might explain all the cut corners animators and writers made. Why the fights are broken up into one on ones or why fights are cut out entirely. Maybe they weren’t getting paid enough and thus, the quality of RWBY suffered as a result of it.
And that’s perhaps the shittiest thing about the Battle of Haven. It could have been this epic fight that would have made up for all the boring, drawn out scenes of exposition and chatting, but because Rooster Teeth got too greedy or even because of our own impatience (which, again, isn’t helped by the aforementioned long, drawn out scenes), we are treated to a final battle so broken and tiresome that the Battle of Winterfell manages to be a better final battle, with the only thing holding it back being that Haven had a better identity twist.
And if, for whatever reason, it isn’t due to crunch issues, then we have another problem. This was meant to be this hyped up rematch between the heroes and villains, who haven’t seen each other since the latter ruined the lives of the former. This would have been excellent to see how the killers of Jaune and Ruby’s friends would interact with them, how Yang would react to the person who framed her, even how the group had grown since their last battle…
But… if crunch wasn’t to blame for the quality dip and the writers intended for the fight to go the way it went… I have to say… What the fuck were they thinking!? So many moments could have been brought up here and yet they decided that they weren’t important enough to focus on! And now, with this battle over and done with, those moments lost their luster. If they decide to bring them up, it’d be too little, too late at best and “why the fuck are you bringing this up now” at worst.
I’ll deal with one commonly used example to get what I mean. Adam was established in Volume 3 to be a threat only made strong because he uses Blake’s emotions against her and has a Semblance that lets him dish out aura-breaking damage. Blake easily defeats Adam and has him on the ropes, only to let him run with a few excuses that some people have debated to death and back, when it would have been much easier for Blake to have to choose between apprehending Adam and helping Yang. Then, when he inevitably returns to haunt Blake next volume, suddenly he’s a threat that Blake is afraid of again despite Blake having “grown” to oppose him.
They wanted that “triumph” over him, but realize that by doing so, they’ve burned that opportunity to have the triumph be meaningful. Same goes with Emerald and Mercury. They had a good opportunity for Ruby to effectively call them out for their crimes like how Jaune did to Cinder, but instead she just headbutts Mercury. Yang had at least some closure on her arc with Mercury, but it was meh.
The Point in All of This
Hell, speaking of wasted opportunities, the reunion of Team RWBY, something that the opening had hyped and one that the fans had been waiting for since Volume 3 ended, is nothing more than an afterthought. They couldn’t even be assed to show Blake’s first fight back with Ruby and Weiss. That’s how little they cared. It’s like everyone was just wanting to get that paycheck but they needed to rush that final episode out the door and also need to make room for Gen:Lock and Nomad trailers. They didn’t even care about the stinger, as they basically ignored any sort of information relating to the stinger.
Perhaps the biggest reason why Volume 5 sucked so hard was that it was running off the heels of Volume 3. Everyone basically accepted that Volume 4 was meant to be a breather Volume, with lower stakes and lower drama (with the exception of possible death flags for Ren and Nora), but the moment they made Volume 5 the grudge match everyone wanted, then the stakes got raised back to the heights of the third Volume, only for it to fail to live up to the expectations. Sorry, I think I mean to say “subvert the expectations” in this day and age.
Though, I think the huge problem with all of this, and perhaps the biggest bottom line I can say, is that it might be due to Volume 3 going too over the edge. By killing important characters and even dividing the team, the villains had raised stakes up so high, that people began to take the show more seriously. When characters were vaguely hinted to die, be it through threats from the villains or even flashbacks, people fretted that they would die. When the villains go back to striking distance with the heroes, people desired a grand battle. When the show tried to deal with the ramifications that happened with RWBY separating, people wanted to know what was going through the characters’ heads.
And when Volume 5 failed to deliver/“subverted their expectations”, people considered it a bad volume.
But worst of all, it failed to live up to its own themes. Jaune was the only person to build himself back up again through deus ex hands, and we saw next Volume that it needed a statue for him to feel better. No one was in a position of giving up only to be defiant and shout “we’re not done here”, but instead cry “it wasn’t supposed to be like this!”. The big problem of Volume 5, make sure the relic is secure, is only solved because two characters had a catfight in the basement and the survivor didn’t bother to lock up because their daughter was too busy bitching at her. No one really grew or strengthened their resolve. The triumph… wasn’t theirs to have.
Although, it seems Rooster Teeth had learned from their mistakes, with Volume 6 being leaps and bounds better than Volume 5, regardless of what you thought of the latter half. Best of all, the themes promised in Volume 5 were shown prominently in Volume 6, albeit some of the scenes capitalizing on those themes feeling more like a child is having a tantrum because they couldn’t have the airplane.
To close out this rather long winded discussion, and to give people a tl;dr on the whole matter, Volume 5 failed to address the themes it had presented and instead just padded itself out, expecting people to accept it because it’s RWBY.
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cousinmarcustalkswrestling ¡ 4 years ago
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Best NXT Matches of 2020 - The Top 5
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DIY vs Moustache Mountain - Worlds Collide
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Man that Worlds Collide card was great. This was a simple tag team dream match between two awesome tag teams that have never really crossed paths. Crazy talented Tyler Bate has some silky smooth wrestling sequences with Gargano and Ciampa that makes me clamor for singles matches with both of them. Ciampa and Seven have a funny posedown where Seven bows out before he officially hold his L. Its a fatphobic moment, but I ain’t gon trip. It’s a playful babyface tag match until Ciampa remembers that he’s a psychopath and he decks Seven with a forearm. Repentant babyface Gargano joins Ciampa and superkicks Bate and from there this match takes off with high octane action and some creative sequences.
Ciampa and Gargano tear into Bate and Seven gets the hot tag in a fun reversal of how they usually do things. Gargano hits the Final Beat DDT at the same time that Ciampa hits the Widows Bell DDT. Bate goes for a flying back elbow on Ciampa, but gets V Triggered out of the sky. There’s a great sequence where Gargano tilt-a-whirls into Gargano Escape on Bate, but Bate counters to the Airplane Spin, but Gargano rides him back down into it. Ciampa locks in a double armbar on Seven and we got a flashback to DIY vs Revival at Toronto. Bate and Seven escaped the stereo submissions and we get a fun double airplane spin. Bate accidentally rebound clotheslines Seven and they have a sweet moment where Seven protects Bate from Meeting in the Middle. They coldcock DIY though and land a sweet Burning Hammer/Flying Knee combo on Ciampa. In the end, DIY kills Seven with Meeting in the Middle and end this dream match.
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Finn Balor vs Kyle O’Reilly - NXT Title - Takeover 31
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Kyle O’Reilly being in the main event of a Takeover was a pretty far out idea, but one torn shoulder and a seemingly unplanned 30 day turnaround between Takeovers has made it so. Balor beat Adam Cole for the vacant title on September 8 and O’Reilly won a Gauntlet Eliminator for the title shot two weeks later. NXT’s always succinct video packages edged Kyle babyface and boiled him down to a dude who just really loves wrestling. And wrestling is exactly what we get. Not just wrestling, but some of the best pure wrestling of the year.  This is a great display of matwork, pacing, and psychology. This reminds me of Shingo vs Ibushi from the G1, where they could easily go full throttle all action, but instead they’re way more patient and we still get a great match from it.
Kyle has an awesome performance here as his selling is super sympathetic, while his work attacking Finn’s arms and legs is vicious. Finn, in my favorite Balor incarnation as The Prince, appropriately responds with his own nasty offense. In particular, one spinning kick looks like it ruptures Kyle’s spleen. Kyle goes for a cross armbreaker at one point and there’s a great sequence as we get a close up view of Balor’s fingers unlocking one by one until Kyle locks the armbreaker all the way in. Kyle legit breaks Finn’s jaw with a running knee in the corner and shortly after that, Finn ends it with the Coup De Grace. The ending was a leeeeetle too sudden and out of nowhere for understandable reasons. It definitely feels like they had a 4-5 more minutes to really build to their ending. No matter what, its an excellent wrestling match that basically sealed Finn as NXT’s male wrestler of the year and elevated Kyle to another level.
3
The Broserweights vs The Undisputed Era - Tag Team Titles - Takeover Portland
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You know that point in long-ish tag matches where there’s a hot tag and everything breaks down and everything is just super entertaining chaos. This match is like that from the start and its awesome. There’s a relentless amount of double teams, nearfalls, nearfall saves, and momentum shifts. I had the very sneaky suspicion that one of the Broserweights were gonna turn on each other. The match kinda supported my theory because there’s moments where Dunne accidentally hits Riddle & moments where Riddle accidentally hits Dunne. Throughout it all, the Broserweights win this tornado of a match and take the tag titles. This was by far the best tag team match I saw this year. Unfortunately, the pandemic forcing Dunne to England and Riddle’s sexual assault allegations and call down to Raw broke up this team and completely derailed NXT’s tag team division for the entire year.
2
Candice Lerae, Toni Storm, Dakota Kai, & Raquel Gonzalez vs Shotzi Blackheart, Io Shirai, Rhea Ripley, & Ember Moon - War Games Match - Takeover War Games
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Once the Charlotte experiment was over, the women of NXT were featured more and more on TV and emerged in the fall as the best division in the world that carried the show while the fellas were affected by injuries and weird direction and stuff. Shotzi and Candice lead their stacked teams to this WarGames match that felt like a violent feather in the cap of a tremendous year for the ladies.
Ember & Dakota start things off and have a great five minute segment showing off their chemistry before Shotzi comes in. The babyfaces having the advantage is an odd decision, but they work pretty simply and Dakota is crafty enough to not make it a weird dynamic where she turns herself face. Big Momma Raquel is next and things get ugly for the faces. Rhea is next and has a great staredown and brawl with Raquel. Toni Storm is next and she chooses violence bringing in numerous kendo sticks and takes off the turnbuckle pads. The action is brutal, creative, and constant and very rarely feels phony or choreographed. There’s a required Tower of Doom spot and a lot of weapon shots. Io Shirai is next and she wants to introduce more weapons, but Raquel keeps her out with a few hard big boots. Io dropkicks a chair into her face, but Toni locks the door to keep Io out. Candice Lerae is finally in and she has Indi Hartwell take out Io so the heels keep their handicap advantage, but the match can’t officially start without Io. In one of the funniest spots of the year, Io climbs to the top of the cage puts a garbage can over her head and leaps onto everybody.
With the match officially started, we get a bunch of super entertaining action. Rhea and Io have some awesome tag team moves, Ember hits Dakota with a crazy Eclipse two chairs, Shotzi sentons Candice off a ladder onto chairs. Its an awesome blend of skillful wrestling, creative spots, and brutality. In the end, Raquel catches Io going for a super rana and powerbombs her through a ladder to secure the win for Team Candice. An awesome spectacle of lady excellence.
1
Io Shirai vs Rhea Ripley - Women’s Title - November 18
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Io Shirai had an incredible year as Women’s champion and saved the title from the terribly booked Charlotte reign, by being one of the most consistent performers in the world and having great matches with the every name worth a damn in NXT. Rhea’s momentum from early this year was severely damaged by her disappearance after her loss to Charlotte Flair, but she slowly recovered, had some damn good matches and before you know it, she had all her swag back. It makes sense for this to be a big match up, but the unique thing about it is that Io Shirai took the initiative to call out Ripley. That instantly gave their match a very different dynamic that they play into and we got one of the best matches of the entire year.
Io’s brings the aggressive mentality of her challenge to the match and goes right after Rhea. She gets the best of her with her athleticism until Rhea yanks her into an electric chair drop on the apron. Even when she’s being overpowered though, she never alters her approach and she never sticks and moves. Staying in the pocket with Rhea is a dangerous proposition, but Io is just that crazy. Io slips out of a superplex attempt and delivers a sick German suplex from the turnbuckle. As great of a powerhouse that Rhea is, her bumping and selling is brilliant and she really puts over Io’s damage. Rhea gets extra angry after booting the hell out of Io, but Io snatches her left arm and goes crazy trying to disable Rhea and limit her power.
Rhea is still strong lady and gets a superplex and her reverse cloverleaf while still selling the arm, but when she goes for the Riptide, Io brilliantly counters to a cross armbreaker. Rhea escapes and decapitates Io with a clothesline, but Io counters another Riptide attempt to a spike DDT. In the awesome final sequence, Io catches Rhea on the apron with a sunset flip powerbomb THROUGH THE ANNOUNCE TABLE!! Rhea is a dead woman, but she manages to drag her corpse in the ring, but as soon as she crawls in to beat the count, Io crushes her with a moonsault to the back and ends this classic match. Great unexpected psychology, great selling, great finish,. The Ladies of NXT just got better and better as the year went on and this is probably their crown jewel example.
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jcmorrigan ¡ 5 years ago
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im curious (again XD); do you have any favorite mozenrath headcanons/or headcanons in general ? :D
I mean, I see him as a very anti-social person most of the time - his ideal fun day is just reading in his library all day - but I do think if you met him up with people who shared his lack of moral compass and ambitious fervor, his walls would come down a bit. (I mean, I have a whole crossover fic about this, and then I got into a Disney villain RP where I wrote as him and the exact same thing ended up happening with a different group of characters entirely)
I think it’s pretty canon at this point that his favorite color is blue, but in case it isn’t - he loves blue. Everything must be blue. It’s an AESTHETIC.
I’ve modified my backstory for him a few times, but it usually boils down to: he was one of Cassim’s children (I used to have him as Aladdin’s twin but now he’s a half-brother who peaced out of that house when Aladdin was a babey), he felt his father was an absolute jerk who didn’t understand his intellectual pursuits (and really, his instincts were kinda right, since Cassim ran off), he set out to find the most feared man in the Seven Deserts on purpose, Destane was impressed that a kiddo had managed to make it all the way to the Black Sands without dying, too bad Destane was more in the mood for a personal servant and test subject than an actual apprentice, but don’t get me wrong, as horrible as he was to Mozenrath, Mozenrath had actually fantasized about world domination BEFORE turning up on his door - and then, finally, Mozenrath got a lucky shot and managed to suck the life out of Destane.
Also, Destane at least kept the people of the Black Sands human while he subjected them to his iron-fisted rule. Mozenrath was the one who decided they should all be shambling undead
He doesn’t want to talk about the actual two weeks he spent inside Dagger Rock. I’m thinking Mirage let him out for a lark because she knew the playing field was just that more evil with him on it
Mozenrath can literally necromance - the Mamluks aren’t just drained of life force; they were killed and brought back intentionally half-souled. He’s a one-in-a-million case for having this ability; however, necromancy =/= healing and therefore he cannot extend his own life force with his own magic, nor can he resurrect himself once his own soul hits the afterlife
He isn’t a Muslim but actually closer to a Zoroastrian/Mithraist. This ties in to how I am pretty sure the Black Sands is Persia/Iran (but this is a more common larger headcanon). He may have been born into a Muslim family, but the moment he turned his back on Destane, he decided to adopt a practice that made more sense to him. However, in Mithraism, the belief is that Mithras, the good god, will defeat Ahriman, lord of evil. Mozenrath wants this to be the other way around. I actually like subbing in “Ahriman” for him for expressions where we might casually use “God” - “Oh, goddammit” for us = “Oh, Ahriman curse it” for him.
He also has a thorough knowledge of the other gods of the world. Just in case.
It’s canon that he knows about at least one other world, as he pulled the Thirdac from it. If you like thinking about Mozenrath in the Kingdom Heartsverse, nobody needs to explain to him what a Keyblade is; if Sora drew one in front of him, he’d just be “Oh. One of THOSE. All right, you’re a world-hopper.” He might’ve even toured a few.
This is more of a general Agrabah headcanon - ever notice how in the series, there ALWAYS seems to be a new sorcerer whose time has passed but left a MacGuffin lying around? Wizard Khufu, the Witches of the Sand, Khartoum, Shamash, Destane...I have it that before the generation Aladdin is set in fully took hold, there was an “Age of Sorcery” where these sorcerers controlled all. Jafar was basically the end of it; Mozenrath is a one-man revival who takes his cues from the sorcerers from old and studies their legacies. (Well, okay, Ayam Aghoul is another example in his own way)
Mozenrath and Ayam Aghoul are the two most compatible Agrabah rogues; we were robbed when they never had a team-up episode. Most of the folks at the Guild of Thieves, such as Amin Damoola, Abis Mal, or Mechanicles, Mozenrath could not STAND. Aghoul GETS him, though. They both have morbid fascinations with death and ample collections of magic. Total bros.
Mozenrath isn’t afraid of death. Well, mostly not. What happens is that when the gauntlet starts to burn him too fast, he panics and realizes this might not be exactly what he wanted. But usually, he doesn’t mind spending a lot of his life force at a time because he feels it’s worth it, and sometimes, when faced with a near-death experience, he’s just...ready, only to be glad when he finds himself alive. His actual greatest fear is of dying sick/old/weak in bed. He wants to die going out with a bang: using up his last life force on some amazing spell that lets him get the last word.
The gauntlet has his affected body in constant pain - wherever the edge of his flesh is. (I used to think that around the time of the series, it was only his arm; then I saw an AMAZING fanart of him with his skin stripped from half his upper body so you could see through to his beating heart and I LOVE THAT so that’s where I place him.) However, it’s comparatively mild; just incessant. His pain tolerance is slightly better than most, but not completely (the Mukhtar’s ropes backfiring on him were significantly a different beast than the eating away of the gauntlet).
Gay, but during the time of the series, has never really cared enough about finding a partner to even wonder what his sexuality is. When your company is countless rotting undead, you don’t really have much room to find your type (though Ayam Aghoul would disagree and say that’s the BEST place to find your type - incidentally, to follow up, I don’t ship Mozenrath and Aghoul. They’re just bros. Aghoul is pretty straight and also incredibly not Mozenrath’s romantic type - though I did once read an amusing AU fanfiction that suggested Mozenrath was the person who Aghoul tried to “marry” with the enchanted pendant and also the one who turned it to backfire on him).
Don’t give him coffee. Just...don’t. He doesn’t handle coffee well. He gets incredibly hyperactive (read: destructive) and then just crashes unconscious.
I think that’s all I can think of for now. As soon as I hit “Post” I’m going to realize something super important I forgot, I KNOW it
Well, okay, this one is not really relevant to canon-compliant works but his drag name would be Brandisia Black it’s a long story
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