#because of the media attention. It’s much easier when it comes to fictional characters | Explore Tumblr posts and blogs

parlerenfleurs · 1 year ago

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Hi!

I'm the anon with the Xue Yang&Wei Wuxian ask from a while ago.

Thank you for answering. I am a big Wei Wuxian fan too and I don't like it when he is misunderstood on purpose,to raise up the moral quality of other characters.

But about screenshotting. You've opened my mind!!

So,to me,screenshotting is the worst that you can do. Take someone's words out of context and criticize without ever interacting with the person. Rude anon asks are way above that,in terms of ethics. And angry reblogs would be preferable,instead.

BUT. apparently this is normal practice? So I really want to know now,is it a me thing or a cultural thing?

If you are also from the US I guess it would be a cultural thing. But if you are not,then it could be strictly a me thing,possibly?👀🤯🥸

(about finding your post: it was just in one of the common tags,so it was easy to find)

Well, for starters, no country/culture is a monolith, so don't worry about that anon, but no I'm not from the US, I'm French.

I have no idea if it's a me-thing, but I suspect I've been on the internet longer than you, and it's very simply that I value my tranquillity above drama. What I can tell you is that if you do want to talk about what someone said but you disagree with, if you put their name with it, then it's rude because it paints a target on their back while they may never know where it came from and don't have a chance to respond, or simply block. That's where the angry anons can come from.

On the other hand, cropping out the name is considered the polite and decent thing to do, yes. Same principle as making your own post instead of derailing someone else's.

We can never all agree and sometimes it's cathartic to just... Have a good laugh/sarcasm-fest about something we read that someone said.

But life is too short to care about a few words taken out of context if none of the angry feelings are making their way to me, you know? Social media is largely designed to maximise engagement, and to do that it chiefly exploits anger. It's profitable for sites if users get angry and just... respond.

Anger is paralyzing in the long term, very bad for the body and the brain, and reacting without thought is how useless drama happens. Especially if it's about a fictional character! There are more worthwhile causes to put energy into.

That's why I largely don't follow mdzs blogs. There is too much drama, and I just want to enjoy a good book that brings me joy. An angry reblog would not bring me joy. It would be useless to both parties AND put drama on people's dash. But venting about some words might be a relief, and it has nothing to do with me because they had the decency not to come and bother me about their opinion, that is irreconcilable with mine, so I don't care.

I would advise you to reconsider why you feel it's more ethical to confront someone than to just have your own emotion in your own personal space. When you think about it, this is the difference between shit-talking something you overheard with your friends and going in a stranger's face to start a fight. Which is more ethical? Which is a better use of one's energy and time? Of course a constant state of criticism is toxic and disagreeable, but the baseline is not to make it someone else's problem.

Seems to me you feel like your words, written thoughts, are a part of you, and thus if they are "taken" in this way, and you don't know what they become or how people react to them, then you lose then and thus a part of yourself. Your ego feels threatened, and I mean that in the most neutral way. We all have an ego that feels threatened all the time. The key is to recognise when it's a real threat to our well-being, or just an eternal immature, attention-seeking part of your psyche with irrational views about how the world functions. You'll have an easier time in life, and on the internet, if you take a page out of Budfhism's philosophy, and detach your sense of self from such fickle things as words.

Yes, words have power, and that's why I vastly prefer not to receive angry anons or reblogs, but words are not "me". So it doesn't matter what someone says about them, with no name attached, in my back.

People will react to your existence and your actions. We all can't help doing that. Commenting on a stranger's appearance/behaviour in public, out of earshot, is okay - loudly telling them what you think about it is not. (Talking about harmless behaviour here, of course you can speak up if someone does something dangerous or rude.) Creating a blog dedicated to making fun of an appearance/behaviour with faces or names displayed is even worse.

In this metaphor, what these people did was the first option, and you're saying that you would find it the moral thing to do to do the second one instead, while I'm just happy they didn't do the third.

People will always react, and as long as they don't make their reaction to you your problem, and you don't in return, then the world is a kinder place.

#Bloom answers #of course the superior course of action is to block and think of something else #but I think that might be a bit much to ask of people who deem it important to defend a character like Xue Yang lol #But we all act less than ideally from time to time it's okay

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proxylynn · 2 years ago

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Warning: Rant/Vent

Good news: my gums are almost completely sealed up, and I can eat whatever I want now.

Bad news: A crown implants on one of my OTHER teeth popped off, because apparently there's a cavity there. So they put it back on...

But it's BROKEN.

They put a broken implant on PURPOSE.

So I can eat, but my tooth is shifted to where it's like my jaw has an underbite (like an overbite, but reverse.)

So since my teeth are fucked up, I can eat whatever I want, but I have to eat sloooooowllly. Or else it feels super unfortunate (but not painful.)

So, I tell my mom, and basically she's like "Well be thankful you're not in pain anymore."

(Which yeah, but I'm still uncomfortable cause my jaw is fucked up.)

And my dad is basically doing a pain competition, countering my teeth uncomfortableness with "Well, I had surgery and am going to get another tomorrow"

I'm not trying to complete in injuries, I'm just saying my teeth suck!

And I have to wait a MONTH, to fix my broken tooth, which may lead me back to square one where I can't eat much again.

And on TOP of all else, I'm in college, and my grades are ASS because I've been in pain and almost haven't turned in jack shit. (And didn't even do my midterm.)

And if I fail this semester, I'll owe my college OVER $1,000.

So, I walked into my bedroom...

Closed the door quietly so no one would notice and ask what I was doing...

(And basically just say "pray about it" and walk away thinking "I'm such a good parent".)

And began silently sobbing.

(I'm almost on the verge of crying right now.)

After a good 30-45 minutes, I stopped, went to the bathroom to wash my face so my eyes would stop being red, and didn't even bother trying to eat.

(I'm in my bed now @ 11:32PM, and couldn't eat dinner.)

All of my thoughts are crowded in my head, fighting over my attention, and my intrusive thoughts aren't helping...but I don't have anyone to ask for help.

My parents? I already know they'll basically just say "Read the Bible and pray about it."

So I don't bother. And they think everything's fine, and if you know me in person or on social media--

(follow me on Tumblr creaturefeatureanimation and Twitter @phonehome_e lol)

I do try to be that person of "hyper friendliness" (as Lynsie herself said to me in my Twitter DMs once).

And I do make people believe I'm all good by making them smile or laugh. Turns out it's easier to make others feel good than yourself. That's actually kinda funny.. ha... Heh... Heh...

Well, since I don't have anyone to talk to, boyfriend(s) to the rescue with words of love and comfort.

(Which just shows I have a good imagination.)

I just wish I could talk to someone face to face.

[Oh Ann. Dear sweet Ann. How I wish I knew better ways to comfort others. Alas, this reality we have spawned in has us failed in so many ways. If I could, I'd be there to at the most be offering hugs and a shoulder for you to lean on as you tell me your worries. I'm sorry that once more your teeth are being a hindrance. I hope your school is even just a bit more understanding how crippling pain can be a work killer. And when it comes to your folks...That one I wish I knew something, anything at all, that would shine a light on them into understanding you better. I am in no means a doctor in any sense. I struggle with mental well-being and physical sometimes too. But if my dumbass can do anything, I hope it is to provide a space in which venting troubles is safe. Where if needed, I can be a fictional character that provides you with sweet words that you deserve to hear. This world is flawed. It's more difficult to maintain one's self than tending to the needs of others. So, if needed, I will offer what I can to make you smile. *hugs*]

#to op

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delicrieux · 4 years ago

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☆ﾐ 𝚖𝚊𝚔𝚎 𝚢𝚘𝚞 𝚜𝚊𝚢 “𝚘𝚑”

PART 24: OH...HI

after months and too much longing, you finally meet corpse in person.

─── corpse husband x reader ─── soc. media + written fiction! ─── word count: 3.8k

author’s note: we did it joe.

ultimate masterlist. ҉ myso masterlist ҉ previous. ҉ next.

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You woke up. That’s a lie, you didn’t sleep. Too much to plan, too much can go wrong and you’re...Not nervous, no, that’s not quite accurate. Excited. Yes, excited, so excited that two Redbulls and three coffees (so far!) make you jitter around the apartment like a butterfly that can’t find a flower bed to rest on.

Rae has almost had enough of your...random spurts of energy. So what if you ran a few laps, climbed a few tables, sang karaoke a bit too loud and yet another noise complaint had been issued? It arrived exactly an hour after your concert via your displeased landlord. Rae was, of course, the one to apologize because you were too busy trying on miniskirts. After that ordeal was taken care of, no sooner than Rae shut the front door with an exhausted sigh, you emerged from your room clad in your prettiest outfit. You present it to her with a bright smile and flourish.

She is not impressed.

“Will you quit it?” She questions, arms crossed over her chest. Your grin does not damper -- you’re used to such harsh treatment, having accepted her backhanded way of showing love long ago. Instead, you flick your wrists, showing off an ungodly amount of rings. You’re not certain of the exact number because you can’t count, “Y/n.” Her voice gains an edge, but you persist. Show off your shoes that have cute lil’ charms that jingle jangle not unlike the spurs on a hot cowgirl’s boots, “Y/n.” Her eyes narrow in displeasure, her stern tone making you falter in your dramatic stride down the imaginary catwalk, “Just stop.”

Okay! So maybe you’re not as used to her coldness as you thought you were. Your expression sours, and you quit the act, even if a part of you - one you barely fight off, goodness, you almost perish in that battle - wants to continue but even more annoying. As if you could somehow block her rationality with manic energy.

“What?” You ask, trying to keep the mood lighthearted despite her squared shoulders and tight frown, “I’m just having a bit of fun!” You say with a joyous little laugh, reaching for a glass of much needed water.

“No, you’re panicking.” Her words make the glass still, hoovering by your painted lips, but it’s short lived. You take a greedy gulp and it tastes fresh with a pinch of lipstick, “Look, I get it...” She shakes her head softly, “You’re meeting the guy you like for the first time, you jumped the gun straight to dating and now you’re...Anxious. It’s normal, you know.”

“But I’m not anxious.” You persist, and you really do mean it. You don’t like how she looks at you as if you’re the one that’s misunderstanding your own feelings. You set the glass down with a soft clink, heaving your own sigh, “I’m not, I’m really happy actually.” You explain softly, “It’s just...my way of dealing with it. I’m more... Worried about Corpse, to be honest.” You add, a tad quieter, “But, like, it’s all good!” You exclaim, strolling up to her and landing your hands on her shoulders, “I prepared.”

And it’s true! You had spent the night scouring the depths of the internet. Read every WikiHow article on how to deal with someone with extreme anxiety, how to not make things painfully awkward, and how to talk to boys (just in case. The last time you stumbled upon that particular article was way back in middle school when you had a crush on that one guy you saw in your school’s cafeteria every now and then. Naturally, that led you down the rabbit hole, and according to WikiHow’s How To Tell If A Boy Likes You guidebook, you found out that he was absolutely enamored with you because he glanced in your direction, like, two times. Safe to say that love story went nowhere. The point still stands).

So you forward all of this information to Rae, nestled in her bed whilst she lazily folds her clothes; clarify that you know that nothing much can happen, and that this whole situation is delicate, and that you must tread carefully because you don’t want to overwhelm him. She pauses her actions, glancing behind her to watch you staring idly at the ceiling, so peaceful, so thoughtful. And it’s not the eerie calmness you had displayed during your murderous spree in the last Among Us game, no, it’s just...quiet understanding.

“I’m actually impressed.” She says. You merely hum, counting the dust slowly descending in the cascading light, “You’re not as clueless as I thought.” Your lips quirk into a shy smile at the compliment- “Or as tactless.” - and turn downward just as quick.

“That implies that I’m always tactless.”

“You are.” She states and you sit up, a soft frown pinching your brows, “Not like, in a terrible way. You just...don’t think about your actions. Or the repercussions. You just know that you can get away with everything.”

“And I can!”

“That doesn’t actually mean you should do something just because you can. You know I’ll always support you. Literally everyone will always support you. But I’m not gonna coddle you. You’re just...a lot. Online and especially in person. But the fact that you’re actually taking this seriously and taking his feelings into consideration is...well, the bare minimum, but still, good job.”

...Much to think about. You don’t like thinking, it makes your head hurt. Though, that could just be the lack of sleep. You cross your legs and plop your head in your hand, tired eyes blinking owlishly, “Do you...think I should change what I’m wearing?”

Prompted by your question, she gives you a careful once over, “I mean, it’s signature you.”

“Signature me is a hoodie and some sweatpants.”

She smiles, “Then go change. Your outfit is a bit distracting for just...Hanging out indoors, no? I’m sure he wouldn’t mind either way, though.”

“I just...” You bite the inside of your cheek, mulling your words over. Truly, the last time you were so attentive was when you went Psycho Mode in Among Us, which, to be fair, wasn’t that long ago. Perhaps there wasn’t a chance to let your mind dull - it’s almost as sharp as your butterfly knife, “I figured that if, like,” You vaguely motion with your hands, “if I be, like, all over the place, and wearing something cute, he’d be, like, distracted? And less anxious? No...awkward silence?”

“First meetings are always awkward, it’s natural.” She chimes, “I mean, if you’re so nervous-”

“I’m not nervous!”

“-then just don’t overthink it. I know it’s easier said than done, but you’re you, and Corpse is Corpse, and he likes you for who you are, and even if it is a bit awkward, I’m sure it’ll, like, blow over in a second. It really doesn’t matter how you look, Y/n.” She grins, “Plus, it’s not like you’re greeting him in your underwear or something.”

You will not admit that that was your plan B, not when you just landed in her good graces. You nod, “...I’ll go change.”

And so you do. Pick out your cutest hoodie and some sweatpants. Put away your jingle jangle shoes with a broken heart, instead of them donning your fluffiest socks; slip off some rings because they keep falling off of your fingers. It’s almost like all of those transformation scenes in rom-coms that are still popular for some reason, except you’re hot before and after, so there’s really no transformation at all.

Now you wait. Just wait, all other activities are excluded from this. Rae comes back to find you sitting on the edge of your bed, back straight, hands neatly folded on your lap. She compares you to a Sim’s character and you allow her. After mercilessly mocking you and snapping a few pictures - for blackmail, you assume - she helpfully informs that she is leaving because she doesn’t want to get in the way, but your psychic abilities which you acquired just now tell you that she simply doesn’t want to witness this train wreck. Not that it’ll be a train wreck, it would be if you were nervous, but you aren’t.

You just aren’t. You fidget with the rings adoring your hand; toy with the hem of your hoodie; bounce your leg up and down. It’s just caffeine, okay?! Fuck this, Twitter time.

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[ADDING A MUSICAL INTERMISSION, LISTEN TO THIS IF YOU WANT (I WROTE THIS CHAPTER WITH IT IN MIND)]

The waiting commences, only now it somehow feels more intense. The sun is setting, and you really want to be one of those cute girls that fill their camera roll with pictures of the sunset and the roseate sky, but your hands are trembling and holding up your phone feels like too much of a hassle. You’d rather just sit there, alone in the apartment, in the pin-drop silence, extremely uncomfy and tense, as if waiting for the end of the world.

A notification sounds off and your life flashes before your eyes. Hastily, you check it, a sticky mixture of delight and something else, something unpleasant constricting, making your stomach churn. He’s here. Holy shit, it’s happening. You order your anime plushies to stop fucking panicking, they’re like, totally embarrassing you at the moment! You wonder if they have their own little group chat, but instead of Totally Spies it’s called Total Embarrassment. Yikes, okay, that was harsh. After a good scolding, and a heartfelt apology for getting so heated, you smooth down the non-existent wrinkles on your modest outfit, and quickly waddle over to the electronic apartment thingie something something... you unlock the main door, okay!? This is for some reason feeling very not cash money, so you break out in a little dance number.

The doorbell does not sing that shrill, unpleasant tune; rather, there’s a soft knock on the apartment’s door, and you pause your shuffling, your renegade, and perk up at the imposing future hidden behind a slab of wood. Your heart beats a melody all on it’s own, and it’s loud, uncoordinated, like a musician that’s still familiarizing themselves with their instrument. And there’s that knock again, as uncertain as you’re feeling, and your clammy fingers latch onto the lock and turn it and now there is no more hiding - such a possibility is no longer an option; no more sporadic dances or sitting in disheartening silence and letting your thoughts weight you down.

You’re not quite sure what you were thinking about before you saw him in the threshold, head tilted slightly, fluffy dark hair obscuring the bags under his eyes, hunched, one ringed hand clutching onto the strap of his duffel bag, the other frozen mid-air, ready to knock one more time lest you didn’t hear him the first two. No, truly, you can’t, for the life of you, remember what all the fuss was about.

“...Oh.” It’s a soft sound, so quiet, but not surprised, rather...relieved. Faint shimmers of a smile reach you, hidden behind a black face mask - the panini chic! You must stan a respectful king - but there’s something about the way he looks at you that makes you question it’s sincerity. He fails to return your gaze, rather choosing to stare somewhere over your shoulder. His eyes seem unfocused. Apprehensive. A wild thought occurs to you that he expected you to trick him somehow, and wild thoughts invade the land of your mind often, but never in such a way. You clutch the handle just a bit tighter.

His hand retreats to his side, up to his mask and you think he’s about to unhook it but he stills, and there’s panic there, as if he had been moving unconsciously, as if he hadn’t realized what he’s doing. He plays it off by idly scratching his cheek, muttering an equally quiet, “Hi.” to fill the silence.

Finally, your WikiHow knowledge can come in handy, along with your common sense, “Hey, pretty boy.” You mutter, pulling away from the door, “Make yourself at home!” You slide to the kitchen, your socks acting not unlike ice-skates cutting through the Arctic frost covered ground. You hope that with you occupied and not watching him as closely he’ll feel slightly more at ease.

You’d like to hug him. Kiss him, definitely. But if he’s so uncomfortable that he can’t bring himself to shed his mask in your presence, then there’s really nothing you can do.

You hear the door shut and lock behind you as you pull out two glasses from the cupboard, humming a song you can’t quite recall the name of. You ask him if he’d like something to drink - it was a short flight, yet a flight still, and planes always make you thirsty, and there you go talking his ear off. You end abruptly, but smoothly, like a true diplomat; if he notices, you have no way of knowing - he doesn’t provide even a hint. He’s hard to read, and literature was never your best subject. But you’re trying.

He sets his duffel bag down on a nearby chair, “I, uhhh,” His voice is raspy and low, another indication of a pathetic lack of sleep, “I...got you something, uhh, I dunno-dunno if I should...give it now, or?” He sends you a questioning glance, but it doesn’t linger. Your offer of drinks is momentarily forgotten, though you hardly mind.

You grin, “Sure! I love gifts, gimmie gimmie.” You make grabby hands, and he snorts, and it would’ve sounded endearing if he didn’t sound so fucking tired. He unzips the bag, and you pad your way to him, mindful of personal space (something you, in most social situations, chose to pretend does not exist). You note his hands quivering lightly, just like yours had in the agonizing wait, but he hides it well. You wish you could hold them. You’re afraid to try.

He pulls out a black hoodie and you recognize the custom art on it instantly - it’s his merch. He presents it in awkward flourish, murmuring a “Tadaaaa” under his breath; your heart skips a pleasant beat, and you have to bite down on your lower lip lest you smile appears too big. The fabric is soft under your fingers, and you accept his gift with a dramatic bow, and he turns his head away with another little laugh. You’re chipping away at the ice around him; it’s a slow process, but it’s worth the effort.

Truly, your own hoodie is shabby in comparison - icky, how could you have ever worn such a thing in the first place?! You’ll have to do extensive research in fashion magazines and Printerest so such a slip-up may never happen again. You discard it hastily and put his on instead; it smells like washing detergent with hints of cologne, one you instantly pin point belonging to him, “It’s, uhhh, it’s mine? I hope you, uhh, I didn’t have any spare ones, so-I hope you don’t...mind.”

He’s finally looking at you, but he’s still tense, still hesitant, and you shake your head softly, “No,” You admit, “I like it even more now.” You pull on the hood, toy with the strings and yank them quickly; your face is concealed, save for your nose, “Comfy.” Your commentary is unmatched, best of it’s kind - eloquent and effortless, much like yourself.

Another small laugh reaches your ears, and it sounds a bit livelier than the others had been. Success!

“Stop that.” He says gently, and you see moving shadows; his hands loosen the strings and your face is revealed to him once again. He’s close now, and he doesn’t move away; his hands come to rest on your shoulders, warm even through layers of fabric, “I came all this way to see you, don’t hide your face from me.”

Your eyes narrow playfully, your finger rapidly tapping away on his clothed cheek, “What’s all this then? Hm? Hm?” Instead of swatting your hand away, which you figured he’d do, he complies and finally tugs that fucking mask off. Your breath catches in the back of your throat and you halt your ministrations - truly, seeing him smiling on screen is nothing compared to him smiling in person. You can’t quite contain yourself any longer - your excitement might burst out in another dance number otherwise - as you throw your arms over his shoulders and pull him flush against you. He’s quick to return the embrace. Maybe it was all the encouragement he needed.

“Wow,” He mumbles, only slightly offended, “so I finally show my face to you, in person, and you just-...you just look away?”

“I’m hugging you, dumbass.”

“...Touche.”

Things fall into place after that, like a dozen puzzle pieces fitting together. He won’t let you go - he doesn’t want to. You put on some music, something easy and indie and that doesn’t require too much effort to listen to, as the two of you contemplate what to eat. Cooking by yourselves was dismissed due to the unstable relationship between yourself and cooking utensils. The stove and you had had a falling out recently, but this feud had started long ago, back in pre-school, with only short intervals of friendship. He listened to your extensive explanation absolutely enraptured and only moderately confused.

So you settled on ordering pizza from Domino’s. You have no trouble calling or receiving phone calls, because you have no trouble doing anything, and he admitted that he only really calls you because he gets too anxious to do more, so you’re tasked with ordering the food. You accept this mission with pride.

You stand tall, gazing out the window into the wild California domain: massive buildings and towering eucalyptus trees, bleeding skyline and the sun slowly getting swallowed up by the ocean. Corpse looms behind you, with his arms snaked around your waist and his chin resting on your shoulder, looking at you through the corner of his eye. You wait patiently for the underpaid, overworked staff member to pick up, and once they do, you have the audacity to grin brightly and chirp, “Hi! I want pizza.”

Conversations flow smoothly, and you make hot chocolate - because you are hot and you crave chocolate - and he insists he wants one too, because you want one, and you don’t hesitate to overflow his cup with whipped cream and an ungodly amount of miniature marshmallows. A premature heart attack, just for him. Whoever said romance is dead has clearly never met you. When the doorbell chimes, you’re astounded that an hour flew by so quickly.

After the delicious meal, the movie night must commence. So what if you watched 10 Things I hate About You yesterday, you insist that you have already forgotten the plot. You lead him to your room and he tries not to stare, but can’t help himself. Pretty boy in a pretty girl’s room. His eyes linger on the massive posters of Chrollo on your walls, and you sense his displeasure rolling off of him in waves.

“What?” You huff, fluffing the pillows, “You don’t like my husband?”

He jabs his finger into his chest, into the spot of his heart, “I’m your husband.”

“Side hoe, then-”

“-No.”

You didn’t lie when you said you love to cuddle, or that you’re clingy. It’s a good thing he’s just as clingy as you are, because when he lays down and you latch onto his side. He doesn’t complain, rather wraps his arm around pulls you close. His thumb draws lazy circles on your side; with your head resting on his chest, you feel each rhythmical rise and drop.

The opening credits play on the projector, the room dark enough for your pile of plushies to look like a whole fucking human just standing in the corner. A ghost! Sucks for it, you’re not scared. You feel safe. Protected. So comfortable in Corpse’s hold that you’re honestly wondering how did you manage to be so long without him. To think all of this started when Sykkuno followed you on Twitter. What a lucky accident.

“Can I ask you something?” Your voice cuts through the bopping 90s soundtrack and Julia Stiles’ voice. He hums. You take it as a yes. Tilting your head upwards, you find his eyes again, a thorn of displeasure picking you as you note that that apprehension you had seen previously is still very much there, “...You really wouldn’t date me if I was a worm?”

His chest rumbles with a laugh and his lips split into a grin, “I would.” He presses your side for emphasis, “I really would.” He repeats, reassuringly. You, however, are not convinced.

“But I’d be a worm.”

“I know. We’d... roll around in the dirt together, or something.”

“But you’d be human.”

He frowns softly, “Why couldn’t I be a worm, too?”

“Those are the rules.”

“What kind of shitty fucking rules are those?”

“I dunno, it’s like the Thanos snap or something. I just turn into a worm. I’m the only one.”

“That’s fine.” He smiles, “I’d take you out on a fishing date or something.”

Shocked, offended, and heartbroken, you hit his chest and pointedly turn away with a pout, which he finds very funny for some reason, but you fail to see the humor anywhere except the movie. Despite the fact that he’d sacrifice you for a fish, you smile shyly and close your eyes. He did say you would take a nap together, and if he really thought you’d stay awake for movie night, well, then he’s just an idiot. You had decided you would fall asleep as soon as he was next to you. It’s a miracle you managed to stay awake for so long.

“...Sleeping already?” You don’t appreciate his teasing tone.

“’m not sleeping...” You murmur, “’m resting my eyes.”

“Sure.”

You’re not quite certain (of anything, really) how much time drifts by, but you’re nearly lost in unconsciousness, in the warm, nice feeling that comes along with him like a cloud. Perhaps he thinks you’re asleep, he has to, else he wouldn’t say anything at all, “You’re stuck with me now, you know.” It’s such a soft admission, riddled with the same notes of anxiety that always prevail in his speech; with the same hopeful sincerity he had been gazing at you the whole evening.

Moving your lips is such a hassle, but you manage, “’m...stuck...” You mumble, “’m...stuck...what are you doing step-”

“No!” He laughs, and your lips quirk into a lazy smile, “No, no, no. Just no. Do you talk in your sleep?” You fake snore at that, loudly, “You’re like a little dragon.”

“...Fuck you.”

“Fine, a kitten, then.” That’s better. You feel something chapped, but soft, press onto your forehead, “Goodnight, Y/n.”

God, you’re so fucking happy. Does he know how happy you are? How happy he makes you? But you’re too tired for screaming and flailing around, too tired to even crack an eye open. You want him to know all the same, “...like you.” You whisper, but you don’t know if he hears you over the movie, “...I like you.”

His reply is instant, breathless, “I like you too.”

Good, you want to say, and maybe you do - can’t tell anymore. Sleep takes you too quickly.

✼　 ҉ 　✼　 ҉ 　✼　 ҉ 　✼　 ҉ 　✼　 ҉ 　✼

tags (in italics is those i couldn’t tag! make sure all’s ok w your settings!) : @littlebabysandboxburritos - @fairywriter-oracle - @tsukishimawh0re - @ofstarsanddreams - @bbecc-a - @annshit - @leahh19 - @letsloveimagines - @bellomi-clarke - @wineandionysus - @guiltydols - @onephootinfrontoftheother - @liamakorn - @thirstyfangirl - @lilysdaydreams - @pan-ini - @mxqicshxp - @tanchosanke - @yoshinorecommends - @flightsandfantasy - @liljennyx3 - @bingusmode - @unknown-and-invisible - @sinister-sleep - @fivedicksinatrenchcoat - @mercury--moon - @peterparkerspjsuit - @unstableye - @simonsbluee - @shinyshimaagain - @ppopty - @siriuslystupid - @crapimahuman - @ofthedewthesunlight - @mythicalamphitrite - @artsyally - @corpsesimpp - @corpsewhitetee - @corpse-husbandsimp - @hyp-oh-critical - @roses-and-grasses - @rhyrhy462 - @sparklylandflaplawyer - @charbkgo - @airwaveee - @creativedogs - @kaitlyn2907 - @loxbbg - @afuckingunicornn - @fleurmoon - @yeolliedokai

more tags are in the comments bcs tumblr only allows me to tag 50 people max 💙

#corpse husband #corpse #corpse husband x reader #corpse x reader #corpse husband x y/n #corpse husband fanfic #corpse x y/n #corpse social media au #corpse husband social media au #social media au #myso #make you say oh #reader #xreader #imagine #imagines #fluff #wtf i have never been this soft no one hmu

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whump-whump-baby · 4 years ago

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So your Fictional Universe has Horses in it

Alternatively: People Ride Horses in Your Fic, and you’re Not Sure What to Do About It

horse rider/owner and baby writer here, throwing you an infodump that will maybe help with the whole ‘There’s a Horse in the Background here but I Don’t Know What to Do With it’ thing I sometimes see in writing!

Inside this infodump: Horse riding, horse care, horse tack (equipment), falling off a horse (and what usually gets injured), horse lingo, and behaviour.

1. Tame that beast (aka, riding the horse)

a couple things here: Getting on the horse, getting off, steering, etc

Honestly, I’m only including this part because I find that a lot of people skip past the whole ‘getting on the horse’ bit and I find it hilarious. It’s not a weird thing but it can be weird to describe. I get it!

Getting On

Experienced riders will always mount from the left side of the horse. It's a weird tradition that doesn’t really make sense anymore, but it’s still followed because most don’t really see a reason to change it. It supposedly dates back to medieval times and has something to do with where a sword would traditionally be hung on a person’s hip- mounting (Putting your foot in the stirrup, grabbing up high on the saddle, pulling yourself up and over while using your foot in the stirrup to help yourself) from the left means you wouldn’t accidentally poke your horse with your sheath. Not sure if this story has any validity to it, but we all still follow the left rule unless we’re specifically getting a horse used to mounting from the other side for whatever reason.

Getting off

I have a bone to pick with this. Nobody gets off their horse by swinging a leg in front of themselves, over the horse’s neck in front of them, and hopping down facing away from their horse. It’s not the safest bet to attempt because 1. It actually requires a lot of hip strength to swing your leg like that without kicking your poor horse in the neck, and 2. It doesn’t give you a legitimate way to hold onto your horse after dismounting, which is inherently unsafe. Even if you are in possession of The World’s Best Behaved Horse Ever, you always want to be holding onto the reins. Riders usually dismount by leaning forward, swinging a leg behind them and over the horse’s butt, pivoting sideways on their stomach, and sliding down off the horse- keeping a hand on the rein and one on the saddle to slow their descent. That way you always have a hand on your wild beast, who may decide at any given time that the nearby grass is more important than standing still for your dismount. Plus, swinging a leg like that is basically impossible in saddles that feature a saddle horn, like a western saddle.

It’s a little hard to see in this photo, but Geralt’s saddle definitely has some kind of high pommel to it- so he’d most likely dismount the normal way. It’s just easier!

If you tried to dismount like that in this western saddle you would definitely bruise something.

In this saddle (a Dressage saddle) you could probably pull it off.. but why?? All that struggle just to slide down on your butt and land funny, sprawled away from your horse. It’s just not worth it.

Steering and Etc.

Believe it or not, most steering movement actually comes from the rider’s weight in the saddle than their grip on the reins. If we’re looking at this from the realm of something like The Witcher (which is probably going to be my go-to media example because it’s still pretty recent) a relaxed turn is going to look like Geralt isn’t doing too much with his upper body, because he’d be weighting his seat bones in the saddle. Despite his saddle looking a little bulky, Roach could definitely feel it and respond accordingly- horses are pretty sensitive little friends and can feel most of what you’re doing up there, including looking down. (Protip, if you’re learning to ride horses, don’t look down- it’ll unbalance your upper body and make you pitch forward, unbalancing your horse and making yourself more likely to fall off)

A good way to have a character look experienced with riding is to describe someone relaxed but upright, shoulders back, hands closed but relaxed on the reins. They don’t have to be bolt upright, but at ease. A good way to describe a character with little to no riding experience would be to describe them as tense, probably hunching forward a little; hands too high or low and reins too long. See the lovely photos below:

A Dressage rider: she’s looking pretty evenly balanced, is sitting tall but not bolt upright, hands are low, elbows relaxed. Wonderful!

A Beginner: Absolutely no hate to beginners! We all have to start somewhere, But there’s definitely a difference in body language between this rider and our dressage rider. (Side note: PLEASE always wear a helmet on a horse, especially if you’re a beginner, good grief)

2. Horse Care

I don’t think too much needs to be said here, but there’s a couple things that are worth noting.

Grooming

Most horses love a good brushing. They’ll even lean into it if you find an itchy spot!

If your character has a ton of experience, grooming their horse makes a lovely backdrop for conversations. Riders usually brush their horses before and after riding, to remove dirt and mud and sweat. Manes and tails are brushed if you want to be detail oriented, and feet should always be picked out (A good chance for Character B to oogle Character A’s butt, if thats the kind of story you’re writing) to remove dirt and stones.

When Not Riding

Your furry partner-in-crime should be untacked and eating grass somewhere. Untacked means all gear removed and put away for the day- in stories like The Witcher, tied to a tree branch or a rest area in a halter is fine. As a horse person it wouldn’t make sense to leave their tack on all night- you’d leave it nearby, but not on them. If your characters are just pausing for a break or something, it’s totally ok- but done for the day? Nah. Let your pony be naked.

Injuries

Horses, like most prey animals, will hide injuries and illness until they physically can’t anymore. Small cuts and scrapes, dependent on where they are, will probably not give a physical response unless you manipulate them somehow (cleaning, applying antibiotics, etc). A horse may show discomfort by a number of signs, but if it really hurts your horse will probably shy away from your touch or may lash out at your hands to keep you from touching it. Signs of discomfort can be pinning their ears back against their head (aka Ow Ow OW, DON’T TOUCH IT, I’m UPSET) to straight up trying to run from you if they think you’re going to attempt to touch it (a more severe reaction for a more severe wound, like a deep cut/laceration/puncture etc). If a horse is in very dire straits you might get no reaction at all- your horse might be hanging its head low, not really responding to your voice or touch, appearing bleary eyed or dull eyed or sleepy. Generally that kind of severe behavior change is considered Very Very Bad and definitely grounds to call a vet for, especially if there’s no sign of physical injury.

3. Horse Tack (Equipment!)

Here’s a quick rundown of horse tack.

All these pieces make up the bridle, reins included.

*Side note- Bits are not cruel, and riders choosing to use them with their horses are not abusive. Bits are a tool riders use to communicate with their horses and there are hundreds of metal finishes, textures, shapes and sizes to fit a horse with a bit that makes them happy and keeps them comfortable. There are some horses who refuse to take bits, and their owners usually turn to a bitless bridle to keep them comfortable- however this is not “kinder” just because of the lack of bit. These bridles are just designed to exert gentle pressure to tell the horse to slow or stop instead of the gentle pressure on the bit. Different horses prefer different things, and none of these things are harmful to the horse if used properly and with care.

This is a diagram of a close contact or Hunter saddle, but the terminology generally applies to all different kinds of saddles. Girths are considered their own piece of tack and not as a part of the saddle.

Riders who are riding consistently usually at least wipe their tack down with a wet cloth after finishing with it for the day. Because tack is almost always leather, well cared for leather lasts a lot longer if cared for. This is also a great thing to have a character talk over in a fic- have them clean tack while having a hard conversation, or maybe show how quick and not-great of a job they do on their tack if they’re angry or trying to get away from another character closeby. Lots of opportunities! (If you really want to get detailed, cleaning usually looks like: a damp cloth to wipe dirt off and then rubbing a leather conditioner into the tack, which may smell lovely or a little weird depending on the brand)

4. Falling off

I see you, whump writers. (and I love you.)

So You Want your Character to Fall Off:

Falling off is rarely graceful. It can be caused by anything from an unexpected trip to your horse spooking at something, to a jump taken at the wrong spot/speed/angle... opportunities are endless. I have fallen off my horse at the walk because he startled at a dog and I slipped to the side, and I have fallen off over jumps, because my horse actively tried to get me off, or because I just wasn’t paying attention and Oops, how’d I get in the dirt? Generally if you’re looking for a reason for your character to fall off, they are endless. If the one at fault is the horse common reasons are the rider becoming unseated and slipping back/forward/sideways by the horse startling (at legitimately anything sometimes, depending on the horse.. let your imagination go wild!) changing speed or direction suddenly. All of these things will affect how your character comes off and how they’ll hit dirt with what body part. IE- pitching forward will probably land you on the top of your shoulders, if you’re lucky- if not, you’ll land on your head. Most people will land on the tops of their shoulders as the instinct to protect their head kicks in, but sometimes gravity is a bitch. It happens.

This is where experience comes in, too- Experienced riders will usually react quicker and will try to save themselves, either grabbing onto their horse’s mane or neck or even just keeping a death grip on the reins as adrenaline kicks in- all of which keeps your upper body higher than your lower and can lead to landing on your bum/side/feet instead of your head. Beginner or inexperienced riders might not react that quickly and end up landing roughly. This is not to say that more experienced riders will always come out less injured than beginners, but that experienced riders sense of self preservation will kick in faster frankly just because they’ve fallen off more. This is also why you see more beginners breaking arms in riding accidents- as you learn to ride you are taught (if you were taught like I was) to NEVER throw your arms out to catch yourself during a fall- it’s more likely that you will land on top of your straight arm and give yourself a wicked compound break. Your instinct changes from trying to save yourself to trying everything you can to staying in your saddle. Self preservation is a wonderful thing!

If Your Character is Sick/Already Injured:

The motion of the horse, even in walk, is going to make them feel worse- especially any injury to the lower stomach area. That’s where the body absorbs most of the motion from the horse’s gaits, especially in the hips/lower abdomen. So if Character A has a stab wound in his stomach and Character B has gotten them into the saddle to bring them to help.... Character A is gonna be in some pretty decent pain until they can dismount. For head injuries the same motion might make them dizzy or nauseous. But, good news! If your character slumps forward completely while keeping their arms on either side of the horse’s neck, they will probably manage to stay in the saddle for a decent amount of time. Their lower body and leg (hopefully still in the stirrups) will keep them in the saddle unless jostled out of it. (This, of course, only making sense if the saddle in question doesn’t have a horn, because otherwise your character won’t be able to slump forward far at all. )If they manage to slip off the horse in this position, they’re going to land head/chest/upper body first, especially if only semi-conscious due to previous injuries.

If dealing with any other injuries, getting on the horse might be nicer than walking but will definitely not keep anything still- any motion the horse makes will make the rider’s body move and jostle the injury, no matter where the injury is.

5. Wrapping it up: Horse Lingo and Behaviour

Horse terms are easy to find and but a google search away, but here’s some of the main terms:

Gaits: A horse’s movement. Walk, trot, canter and gallop with gallop being the fastest.

Aids: what riders use to communicate with the horse. This includes your hand (on the reins) your leg (squeezing to ask for gaits) and your voice.

(Riders talk to their horses! all the time. Even if just to say good boy/girl. Commonly we say things like hoooh, whoa, easy, no, etc. Sometimes just talking to your nervous horse helps calm them down)

Green horse: Inexperienced horse, usually new to being ridden, usually young.

Mare: Female Horse.

Stallion: Male horse, not neutered. Stallions can have a reputation for being hotheaded and sometimes hard to handle, but not all are like that.

Gelding: Male horse, neutered. Most people who have male horses will refer to them as geldings on paperwork.

Pony: a small horse. Not a baby horse. Just smaller.

Colt: Baby male.

Filly: Baby female.

You can probably use google for anything else without concern that you’re using a term that's unnatural.

Behaviour

My rule of thumb for writing behaviour is this: If it seems like a disney dog in a movie would do it........ it’s safe to say a horse wouldn’t. Writing a horse like a disney dog is too unnatural and will definitely make any horse people reading your story give an eye roll.

An example:

Your character has just dismounted their horse after a long ride.

A horse would: maybe sniff your pockets for treats (especially if you had some before you got on) stand next to you as you talked to someone, try to rub their head on you (scratches!! especially if they’re sweaty) maybe perk up at something in the distance if distracted enough

A horse would not: Shake their head at you, whinny at you, prance around and “smile” at you... roll their eyes at something you said... point like Lassie at something in the distance... etc.

Horses definitely have personalities! They can be affectionate and snuggly, nervous or brave, flighty or stoic... but they don’t emote the same way a cartoon character would. The best example i’ve seen of horse interaction in media would probably be the horses in Disney’s Brave. If you pay attention to the way horses interact with each other and react to events in the movie, it’s pretty spot on!

Follow your gut. You can still have a horse with a personality, but if it feels too cartoony, it probably is!

This is a great infographic that explains body language as well.

I hope this helps anyone who wants to include more horse interaction in their writing!

#writing #fiction #writeblr #writblr #whump #whumpblr #fanfiction #hopefully tagging this right!#photos are not mine

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ruby-whistler · 4 years ago

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therapy psa

hey there! have you ever said, “(character) needs to go to therapy! they need to get them help they need” in fandom context?

that’s cool! nothing wrong with that! i used to say and still say that a lot both before and after i went into therapy, because to put it simply, characters in nowadays’ media face a lot of very traumatizing and stressful situations in quick succession. however before i got my own treatment i had a lot of very confusing thoughts about what therapy actually entails, so as someone who has been going through cognitive-behavioural treatment (for ptsd and anxiety) for about a year, i’d like to perhaps just inform people who are unsure about the concept.

so uh, welcome to my essay! the gist of it is:

1. what a therapist does and doesn’t do 2. why that matters when talking about therapy or writing about it

just a quick note, again, that i am not licenced or professional or anything of that sort. i have an interest in psychology, but i’ve picked all of this stuff up by observing my own psychotherapist. if you feel like you need professional help, please reach out and try to schedule an appointment close to where you live.

1. so... what is therapy?

let me preface this by saying the main point of this post, which i will probably be repeating a couple of times throughout this: therapy =/= emotional support. your therapist isn’t there to hug you and tell you everything will be alright. so, what does a therapist do?

- professional diagnosis

your therapist will most likely give you sheets of paper to fill out at your first appointment, ask you questions, give you tasks to complete, psychoanalyze you and diagnose you. they will find out exactly what is going on with you; after all, they’ve been to school for that and as much as you might feel lost in your problems, they know what they are called, why they happen and how to solve them.

- instructions

the psychologist will not “therapize” you on the spot. think of it as piano lessons; you come there once to twice per two months for a one to (rarely) four hour session. most appointments sit around the one hour mark. much like on a piano session, you show off your progress in that one hour and talk about what things you’re having difficulty with. your therapist will then give you advice as to what you should try to do, and send you off for a few months to deal with life.

your therapist, and this is hard to swallow but important, will not coddle you. if you keep bringing up a problem over and over again because it seems large to you, but they keep changing the theme to something else, you might even get frustrated. but a (good) therapist knows more about your brain than you do. they’re not there to validate your feelings, they’re there to help get rid of the ones that stop you from functioning normally.

what they will do, is go; “hey. stop focusing on that so much. i know it makes your life hard, but it’s part of a larger problem. from an objective perspective, you should shift your attention to this issue and solve it instead. if it keeps happening, you do the breathing and mental exercises i taught you, but the only way to stop it is to try and resolve this underlying problem.”

a therapist 99% of the time will not have an emotional attachment to you. you’re a name in their many alphabetically sorted files from which they take out yours and check through their notes before each session. then they will help you solve your issues by explaining the things happening in your brain and instructing on how to fix them. nothing less or more. you will usually not have an attachment either, because that’s not the point of going to therapy. therapy isn’t emotional support.

- further help

if your mental health issues/mental illnesses cross a certain line, your therapist will direct you to a psychiatrist for further help such as medicine or other kinds of treatment. most therapist do cognitive-behavioural therapy, which “helps people learn how to identify and change destructive or disturbing thought patterns that have a negative influence on behavior and emotions.” however, in intense cases this is not enough. your psychotherapist will help you get the additional treatment you need.

another thing they can do is legal things! documents, things to give to your school, job, the authorities, other technical things. they are a higher authority when it comes to a lot of things, and can make your life easier.

- other

this doesn’t mean you can’t talk about life or must be all objective or only talk about the negatives. your therapist will often try to get you to view your issues in a more positive light, ask about other things that make you happy or distract you. you are pretty much free to ramble to them! they’re happy to know, and if it makes you feel better, there is no need to be all gloomy at your therapist appointments. if your therapist is alright with you rapping the entirety of hamilton at some point, or you explaining c!dream’s arc on the dream smp, feel free. if you feel happy talking about something, that’s good! you have something to latch onto and distract yourself from the hell in your brain.

i’ve learned that thinking about things that give you comfort when things get rough is a big part of cognitive-behavioural treatment, in order to stop that good ol’ thought spiral of anxiety.

2. why is this important to know?

well, i think a thing many people overlook when talking about fictional characters going into therapy is the fact that,, therapy by itself often isn’t enough.

i asked my therapist a few days ago what my family could do when i’m having an anxiety attack. she replied, “they can be there for you. they can keep up conversation, distract you from the stressor, assure you that nothing bad is really happening and that they care about you.”

this is something really important that people forget; emotional support does wonders. your friends, family, whoever, if they provide support it’s suddenly much less terrifying to go through the healing process.

a character being sent to therapy and left to fend for themselves is not a happy ending. it’s not going to heal them quickly, it will be extremely difficult to go through all that on their own. the more the people who care about you understand your struggles and try to be there for you, the less scary it gets. they’ll ground you, they’ll hug you, they’ll make you a mug of hot chocolate and they’ll hold your hand and say “everything’s ok. everything will be ok”. because the mental harm in your brain is more often than not a consequence of things being not ok in the past. remembering that it is ok now is important. having emotional support can both remind your that it’s all in your head, and assure you that your feelings are valid and people will be there for you for as long as it takes for things to finally be ok, or as ok as they can be.

as much as professional help is very important, this is vital to the healing process. having people be there for you and just having people who support you in general.

i think people should put more weight on that than just “character needs therapy.” character needs therapy and emotional support. these two go together, and character needs both. you might be, or try to be strong, but it’s comforting to be.... well, comforted. “get them the help they need” no. get them the help they need and then on top of that provide the help they need.

that’s all. just something i thought was important to remember.

- ruby

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snailsnfriends · 4 years ago

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Dream SMP and the Effects of Grimdark Media: An Essay

Hello! For those who don’t me, I am snail, and I have been interested in the Dream SMP since October, but joined the Tumblr community not too long ago. As a writer and actor myself, the work of those on the Dream SMP has absolutely blown me away. However, I and others have noticed a trend in the writing of the Dream SMP: a good sum of it is very grimdark, and I began to notice people really feeling the effects of that, and I wanted to look more deeply into it, and how that can be altered.

NOTE: I am completely aware that all of the writers on the Dream SMP are amateurs, and likely do not have any sort of “training” other than what they were taught in school. I would not be critiquing the writing of the Dream SMP if I did not believe that it could be “fixed.” Later in this essay, I offer suggestions to “fix” the problem that I’m bringing up. All references to factual information used in this essay will be linked at the end.

Now, before we can talk about the Dream SMP and its writing, first we need to figure out what grimdark media is and how that affects those who watch it.

What is grimdark media?

According to the google the definition of grimdark is “(of fiction, especially fantasy fiction) characterized by disturbing, violent, or bleak subject matter and a dystopian setting.”

So now that we’ve established what grimdark is, how does depressing media, or any form of media for that matter, affect our emotions as the viewer?

As we are consuming any form of media, whether it’s a movie, a TV show, a book, a podcast, a live theatrical performance, or a Dream SMP lore stream, we as the viewers are completely aware that what we are watching is purely fictional, and that those who are performing are acting. None of the events are real, none of the characters are real, and none of the settings are real.

So why do we react so heavily to certain moments? Why do we cry during heavy lore streams if we know that none of it is real?

A lot of it has to do with the human capacity to feel empathy/sympathy. Empathy allows us to understand the experiences of others, even complete strangers. Sympathy, on the other hand, allows us to share the feelings and/or emotions of others. As we are consuming media, we are aware that all of it is fake, but we still feel empathy and/or sympathy for the characters. So much so that a physical response, such as crying, is a result.

Even though the characters of the Dream SMP are not real, a lot of their characters’ responses to traumatic events ARE, so we as an audience sympathize with them heavily. For example, c!Tommy shows very clear signs of PTSD after being killed by Dream, such as extreme emotional distress or physical reactions to something that reminds the victim of the event (c!Tommy freaking out after taking fall damage), trying to avoid discussing the even or avoiding activities, people, and places that remind the victim of the event (c!Tommy refusing to go into depth about what happened to him), memory problems (does not really remember how long he was dead for), easily startled, always on guard, extremely irritable, angry outbursts or aggressive behavior, and difficulty keeping close relationships (his current relationship with c!Tubbo).

Even though we as an audience know that c!Tommy and his experiences aren’t real, his reactions to these experiences are realistic, and can be relatable to a lot of viewers, those with PTSD and those without (which is why it is VERY important to be careful with your word choice when discussing these characters; this connects with the problem of villainizing characters with mental illnesses, but that’s another topic for another day). We as viewers empathize with c!Tommy because it is likely that we have reacted the same way to traumatic events, and we understand them fully. They may remind us of our past and/or current selves, so we react emotionally to them.

We as people also mirror the reactions and emotions of others. If someone starts to cry, real or fictional, it’s likely that you will as well. If someone is angry, you will likely get angry as well. This is not odd, and is very normal for humans to do. Regardless, getting angry or crying are emotional responses, and will hurt you in some way.

Another thing to note is that this fandom is made up of mostly minors, and some of the most traumatized characters on the Dream SMP are also minors. It can be hard to watch kids your own age go through so much, even fictional ones. As an adult, it can be just as hard to watch these young kids go through so much, especially when you try to compare those characters to who you were at their ages.

Even those who have not gone through these events will likely sympathize with these characters heavily because what they have gone through is emotionally heavy. Because of all of this, watching heavy lore streams can have a negative effect on a viewer’s mental health.

Okay, so why is the Dream SMP storyline at the moment so dark and angsty? Why do people keep engaging with it if it is negatively affecting their mental health?

This sort of “angst spiral” of sorts is usually something I notice in fanworks such as fanart or fanfiction. It is sometimes a lot more fun to write or draw heavy, emotional moments, and they garner more attention.

It sort of goes like this: the plot has a normal amount of angst in it for the story, and at this point it is balanced with more happy or “fluffy” content, the angst gets more attention from fans, the writer (or in the case of the Dream SMP, writers) notice this and write more angst as a response but it is still bearable, the audience feeds off of this heavily and create more fanart/fanfiction/theories based on it, writer really notices this and (understandably) comes to the conclusion that angst/grimdark things are the best/easiest way to get the audience excited for the plot, the plot gets very very grimdark and is not balanced out with any upbeat moments, random angst plots are started with no real ending in sight despite that not being the original plan for the character/plot (feet are too small for the big shoes) and the rare upbeat moments are short/not given any attention, and at this point, it can be almost unbearable to watch because the plot has become too grimdark. Once we reach this point, or even a few before it, it can cause a big toll on the viewers’ mental health.

The reason why someone who has been negatively affected by the grimdark content of the Dream SMP may still watch it is because the Dream SMP has not always been this way, and the writers have proven that they can do upbeat/fluffy content, so they keep watching. A big example of this is the Disc War Finale. Although the first half of it was more angsty, the final parts where everyone came together to put c!Dream in jail and to protect c!Tommy and c!Tubbo was upbeat and even a bit cathartic to watch. C!Tommy and c!Tubbo sitting on the bench, listening to their discs together in the end was much needed for the audience. This can even be seen in smaller examples, like c!Tommy exclaiming, “I’m free!” while flying around with c!Dream’s trident, or c!Tubbo and c!Ranboo adopting Michael and getting married.

The Dream SMP also may be someone’s hyperfixation, so they are unable to simply stop watching.

So now that we know all of this, what can the writers of the Dream SMP do to fix this, and what can we as viewers do to help ourselves out?

As I said in the note before this essay, I will be citing examples of a more balanced lore/angst plot that the writers have shown that they are capable of doing.

The writers:

Make designated lore streams shorter

The best example of this is c!Tommy’s 25-30 minute prison streams. These streams were short, sweet, and to the point. We got all of the “lore” we needed quickly, and if you happened to miss it, it was easy to watch it back later. If the lore bits were too heavy to watch, then you would not be missing too much.

I know that this is definitely not always possible, so this is most likely the best way to go:

Balance out lore and funny bits in streams

Cc!Tommy’s last lore stream, pretty much all of the Pogtopia streams, and most of cc!Tubbo’s streams are like this. They are a mix of lore and funny moments where the CCs are actually speaking and joking with each other. These are a lot easier to watch because it is not heavy the entire time. The joking moments provide a break in between the angst, and it can also be used as a good way to remind the audience that the Dream SMP is purely fictional. These streams are also better for those who do not really care for the lore and would rather just watch the CCs mess around with each other.

For me, these funny moments are what caused me to fall in love with the Dream SMP and the creators behind it, and I know that the same applies to a lot of people in this fandom. I think this would probably be the best way for the Dream SMP to operate around lore.

The viewers

Try to take a break from lore streams if it becomes too much

As I stated before, the Dream SMP is not real, but the characters’ reactions to events can be very realistic and hard to watch. If things become too much for you, try to take a break from it. Stop watching the stream, don’t go on social media if you follow stan accounts or Dream SMP dedicated blogs, and go do something that calms you down. If you feel that you’re feeling good enough to go back to the stream, go ahead! If not, then that’s completely okay too!

Follow lore recap accounts/blogs to stay up to date on the lore

The fear of missing lore streams is centered largely around missing something crucial. There are plenty of accounts on Twitter and blogs on Tumblr that recap lore streams so you can stay up to date on the plot without having to watch the streams.

The VODs will be there to watch later

If things are too much, remember that you do not have to watch the streams in real-time. You can always watch them later if you aren’t in the right headspace to watch them live.

Conclusion

The Dream SMP’s writing and acting is very impressive. The amount of awesome fanart, fanfiction, analysis posts, and other work is absolutely amazing. It is so cool that so many people enjoy this Minecraft roleplay so much. The amount of people who love it is good proof that the writers are doing an amazing job, and the amount of people having an emotional response to it shows the same thing. However, the amount of angst can be hard to watch and can put the writers in a tough spot to get out of.

I have a lot of faith in the writers of the Dream SMP, and I believe that it is possibly on the right track, with Tommy’s latest lore stream being an example of this. I really do think that the amount of grimdark content can be altered and streams can be easier and more fun to watch. Hopefully we’ll get a more mixed bag of lore and angst soon to make things more enjoyable for everyone involved.

Sources:

https://www.mayoclinic.org/diseases-conditions/post-traumatic-stress-disorder/symptoms-causes/syc-20355967

https://www.psychologytoday.com/us/blog/the-moral-molecule/200902/why-we-cry-movies

https://www.vice.com/sv/article/exqgqm/why-do-we-cry-when-we-watch-films

https://www.merriam-webster.com/words-at-play/sympathy-empathy-difference

#dream smp #dreamsmp #dream smp analysis #dreamwastaken #c!dream #tommyinnit #c!tommy #tubbo #c!tubbo #ranboo #c!ranboo #long post #dream smp essay #snailtrail.slimes

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reflections-in-a-critical-eye · 3 years ago

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I’m gay and I think shipping real people is weird. Shipping them with girl groups is included. it’s weird in general. The thing is that a lot of creepy women love shipping men together for their fetish. They all have a similar pattern of only/mostly shipping men, sexualizing male homosexuality it’s borderline creepy how these fans behave especially the delusional ones.

Anon, I fully understand your point of view, but I think it's necessary to have a more nuanced discussion on this topic, as generalizations often do not help in trying to fully understand a phenomenon.

Although shipping originated in fandoms created around works of fiction and basically meant to want two characters to get together, the definition has changed throughout the years and has been modified according to the category to which it is applied. In the K-Pop industry, shipping has ended up as not only wanting two people to get together, but the practice now also involves speculating about possible relationships while trying to find clues or simply observing content. While there are those whom we can categorize as extremists who are focusing on their fantasy, my belief is that usually it stems from curiosity and because there are many unknows which leaves a huge space for speculation. Now, why does this happen in particular and why are women, in general, drawn to it? When it comes to fiction, I recently heard someone talking about it on a social media platform that most of the time, the male characters are better written than the female ones, who are one dimensional and often in the background. So, the male protagonist and his best friend, or the enemy, all male, have better characterization and the writers pay more attention to how they write their relationship. I think this is an interesting point to take into consideration because if we look at the media landscape, especially films and tv shows, we have countless examples of such situations. Sometimes it can be transformed into queerbaiting, sometimes it's fully the writer's intention to do that, even though there is no classic outcome of what we have come to understand as a romantic relationship and I can give you as examples Hannibal or Black Sails. Intent is the key word here.

Can this be transferred to shipping real people? With some adjustments, yes. One of the reasons is the type of content released and the fans automatically engage with what they have. As I have mentioned already in my post about shipping culture in BTS, they present a homosocial brand which consists of men being quite affectionate with each other. Some of the behaviors can get lost in translation, which is where K-Armys come in by explaining cultural differences, but even stripped away from that, there's still room for some speculation about possible relationships. Fans rarely see BTS members interact with other people, regardless of gender. It doesn't mean they don't, but this is not what is shown to fans. And when they do get in contact with other people, it's mostly in a very professional environment, as we have seen them with Chris Martin, Megan Thee Stallion or Halsey, acknowledging their friends during award shows, some scattered backstage conversations that eventually stopped being shown in BTS content or simply bowing to fellow peers in the industry, again regardless of gender. Add in the fact that fans barely know anything about the private life of the members and there you have it.

The desire to ship two people together in this context comes from the level/type of interaction. It's easier to ask questions when you look at two people who are friends and who are close to each other, than let's say X member from a group who says hello to a presenter during an award show, if they are of the same gender and that is because the fan doesn't really have much to work with, when it comes to information. The exact opposite happens in the so called straight ships where lack of information can actually be a driving force in shipping two people. A stolen glance or what seems like it, it's enough and that is because people in general still have a heteronormative mindset. All shipping involves a certain level of fantasy and imagination, but at various degrees and if we want to look critically at it, we should try to understand it.

Of course fetishization happens, especially from fans who ship because it's taboo so it becomes a bit exhilarating or they have no support towards the LGBTQ+ community and they only care about their ship, looking for tea or engaging in ship wars, as it becomes an ego competition that has nothing to do with the ship anymore.

#bts discourse #shipping discourse #bts ships

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1spooky-dad · 3 years ago

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Back when i cared what my mother thought of me and my creative prospects, aka college, i sometimes read stories to her that i was particularly proud of. This always, always led to more heartbreak and frustration than any real critique could bring, simply bc she had zero concept of what a story is, somehow.

1. When i was actively writing my overwatch fanfic with all my ocs, i told her about the concept for a secret civilization of Australian natives, who, on their own, with their own advanced tech, had discovered an easy cure for most illnesses, including cancer brought on by radioactivity. This was after i had written a paper about the terrible treatment of Australian natives and how they have so often been erased in history, despite being one of the oldest groups of people on earth.

I had explained this all to my mother before explaining my concepts. She proceeded to ask why my civilization had to be futuristic and tech based, and why the native people couldn't just "find a magic root or something" instead of invent their own, superior tech. You know, instead of making them hard working, smart people, give them a magic root that they don't have to think about to use, and is the primary source of power, instead of the people themselves.

Even after explaining that that concept of natives being ~magic~ is white Hollywood bullshit and can be harmful to these groups of people, she couldn't grasp why i would design the civilization the way i did. She genuinely wanted me to change something i had so excitedly shown her, simply cause she was hand fed white culture version of native people and couldn't comprehend anything else in media.

2. I read one of my own original pieces to her, really, REALLY proud of it at the time. She only paid half attention to it, and then at the end said she couldn't follow it because two characters both had names that started with V. The names in question were Vladis, and Vervain. Very different names. Not really any rhyme to them, or matching mouth feel. She told me to change at least one name so it would be easier to follow. All my names are carefully chosen to properly fit character traits, even if you don't know that, i do, and the naming is very special to me. There is purpose to the names.

Big reason why i never shared my story where two characters are named Hokani, and Honani. There's reason for this, but i didn't have the energy to explain to her that their names are important.

3. When i was in high school, and going through very difficult mental illness, i vented through writing darker stories. No, they weren't any good, but writing about characters going mad and suffering through psychosis but still making it out and becoming better for it really helped me through a lot of hard times. The only time I read this kind of this to my mom, she scolded me for writing scary things, and told me to write happy things only.

4. This situation, over and over again without fail:

Mom, walks into my room to check on me: hey, what are you up to?

Me, writing in bed: working on a story, wanna hear what i have so far?

Mom: of course!

She sits down on the end of the bed and settles in as i start to read. A paragraph in, i look up and she's asleep.

5. The genuine shock she'd give any time i tell her about how my fictional world works, because every time, over the course of literal years, she can't fathom that i care so much about the thing I've been working on for so long. The "how do you remember all this?" That she must think comes off as amazed, but really just comes out as confused and honestly, disappointed bc i never put so much thought into, idk, math? As a general rule of thumb it's good to not show shock at how much someone knows about something if you know they've been working on it for years of their life, i think.

But then again, coming from the woman who, when asked point blank, couldn't remember the name of my best friend in high school, the only person who showed up for my sweet sixteen party, who was my writing partner, and who i spent most of my time with, maybe caring so much about something that you remember basic details about it just isn't her forte

#shit parenting #rant #just thinkin which is always bad #erin if youre reading this my mom doesnt remember you at all #right after she tokd me she was sick of being my mother i asked her how could she be my mother uf she didnt know me and she claimed #that she DID know me so i asked her who my best friend in hs was and she went uhhhhhhhhhhhh and said a random name ive never heard #hell i wouldve accepted Micheal cuase he was close second but no it was some random name and she then claimed i had too many friends to #keep track of which is a total fabrication. that was my sister not me i had like 3 friends who werent terrible people #idk what triggered this all but now im mad #anyways erin miss u love u you should play the old gods rpg with me when it comes out cause i really want it and will be getting it

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clumsyclifford · 3 years ago

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3, 11, 20, 75 please -hazel

yes i WILL answer these! and then i will go fix my slides on the final project. i am a terrible person. the worst, some might say

3. Do you share your fic ideas, or do you keep them to yourself? yes! both! i am kind of weird about it. there's probably a psychological basis for why i share some ideas but keep others under lock & key, but i don't want to psychoanalyze myself tonight, so let's just say it's fairly random. if a particular idea is giving me trouble though then i will definitely share them with someone, usually megs or meghna or you sometimes, to help me brainstorm a solution. actually literally today (no. last night??? yeah last night) megs solved a big ol fic problem i was having. that's not really relevant, i just wanted to give megs a shoutout.

11. Do you write scenes in order, or do you jump around? i try my level best to write in order. on occasion i'll be struck by a piece or a few sections of an idea that i'll write out, and then when i go to flesh out the idea i realize i have to write around them and in between the existing scenes, and in those cases i necessarily have to write out of order, but if at all possible, i write in order. i just find it a lot easier for my brain, because time goes in order, so. like. yeah.

i will say as a disclaimer to this: when i say in order, i mean in chronological order. so i think that hypothetically if i was writing a fic with a non-linear narrative, i would maybe try writing that in chronological order and then breaking it up and rearranging it. actually, i'm thinking about the merrikat today was a fairytale/stay stay stay fic and i feel like i wrote that one out of order, but it did feel like i was writing two different fics - one for timeline A, and one for timeline B several years later. if that makes sense. anyway the point is. in order when possible.

20. Do you prefer writing AUs or canon fics? canon! to be honest i never realized just how much i love writing canon compliant or canon mostly-compliant, mildly-divergent fics, but recently it's come to my attention that...like...i almost exclusively write that shit. when it comes to fictional media, that is. rpf is a different story because it's all technically AU/non-canon (because what even is canon for real people lol) so in those cases i think i weigh canon and AU equally. but when there's actual source material, i really like writing within the sandbox of the source material. sometimes i do some canon divergence to, like, make a character be alive who died in canon because i think their death is bullshit, or have two characters be dating in the background when they weren't in the show, or incorporate some fun fanon like making a character jewish who really deserved to be jewish in the first place, but generally, it's most fun for me to take existing canon characters, with all (or almost all) their canon experiences/memories/trauma, and just. see what they do.

75. Is there a particular fic that readers gravitated towards that you didn’t expect? fucking spiderman lashton got so much traction. like SO much more attention than i was expecting. i shit you not while i was writing that fic i was like this is so dumb this is so silly this is so stupid and then i posted it (didnt even make a PROPER LINK POST, just made a textpost and put the link in the text) and somehow that bullshit became one of my most popular fics, stats-wise. like three different people have made moodboards for that fic. LIKE????? i'm not complaining because i really enjoy spidey lashton it's a funny fic very lighthearted very enjoyable but i swear to god i was not expecting it to be NEARLY as popular as it became. like that fic was posted in june 2020. that was. like. i had had my bellawritess ao3 for a month at that point. JUST ONE MONTH!!!!!!!! WHO WAS OUT HERE FINDING THAT FIC??????

fanfiction writing asks!

#if tumblr had not been down that night spidey lashton would never have been written probably can you believe that #can you believe one of my most popular fics (literally top 10. out of two hundred and twenty fics.) only exists because #my favorite social media website malfunctioned at a critical time of night #WILD #these are such good questions hazel i really love these ones #ask #hazel #allsassnoclass #fic talk #don't know if this counts as fic talk

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screamin-abt-haikyuu · 3 years ago

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Can I just say how I like that you never seem to villainize the other girls in your jealous series?? I have seen a lot of these jealousy prompts with the other girl always portrayed as though she is starring in a Mean Girls movie and it puts me off a little. I'm glad I haven't seen that in your series (yet).

Ah, I am SO glad you noticed???? Like, this was a very very conscious decision and now that someone has brought it up, please allow me to ramble about it for a bit.

I totally get what you mean by the Mean Girls thing. I have read prompts where some of these fics went on to degrade the other girl's looks and morality and what not (through no fault of theirs except that they had feelings????). It would have made sense if the girl had actually done something bitchy but it was just the reader instantly disliking her because she was a "bad girl" or *insert the usual reasons people use to villainize girls just for existing*.

Honestly, the stories would be written faster and it would be easier for me to make them flow if I used this trope but I hate perpetuating the same idea over and over again that has been shoved down our throats by popular media that somehow, the other girl is always a bitch and a villain trying to "steal your man". When it is a totally normal thing to experience feelings like these and it does not make you a bad person as long as you don't do Bad Person Things™.

That said, I have nothing against writers who do write this kind of stuff. I get that it's a popular trope because, as a reader/viewer, it can feel satisfying to put the other person down and see yourself portrayed in a higher and superior light. After all, this is all fiction and we use it to escape and fantasize and there is nothing wrong with finding this trope satisfying.

I just, personally, think it's even more satisfying to know that the other person is just as good, if not "better", yet the character chooses reader because reader is equally worthy and valid and has qualities that the character loves so much that they would choose reader regardless of who the other person is. But that doesn't mean the other girl was horrible or not worthy of attention. She was just not his choice.

I've never made reader dislike the other girl either. Whatever angst the reader experiences is their own insecurities/doubts/regrets. Reader and the other girl interaction is very less (till now) but whatever opinions reader has expressed about her has been and will continue to be positive.

Basically, what I'm trying to say is: You are all beautiful people and worthy of all the love and attention in the world. And so are other people around you. :)

I hope this did not come off as preachy or lecture-y pls that was absolutely not my intention.

Also, mini update in case anyone was wondering: The third part of the jealous series should hopefully be up by tomorrow night. If not tomorrow then Sunday night definitely. (why do I have 0 control over myself and end up writing long-ass fics that take time to finish??)

#even in fics i do not like sending messages i wouldn't send out in real life y'know?#not even if it makes the writing process easier for me #I'd rather write 1k extra words and build a kinder and more accepting world #you're lovely - they're lovely - everyone is lovely #zaira's thoughts #zaira replies

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sarcasmandships · 4 years ago

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why derek hale deserves better:

derek hale’s character had so much potential to bring attention to male survivors of sexual violence, particularly when perpetrated by an older, attractive female and break away from the ‘oh but she’s hot, you’re so lucky’ (looking at u ryan murphy) trope that is disgustingly common in media but jeff davis is a weak ass bitch and just introduces a character with endless trauma but refuses to recognise or develop it??

he also has endless trauma from his family being hate crime’d to death and his surviving sister being murdered and having her body mutilated but apparently derek is unaffected with this and the only time we see him express a feeling about it is when the plot needs tension between the werewolves and the hunters??

throughout teen wolf we see examples of bodily autonomy and consent being taken away, most notably with stiles and the nogitsune and lydia being controlled by peter - but the same attention never seems to be given to derek who was taken of advantage to by kate (twice!!) so that she could burn his entire family alive and then use him to control her were-jaguar impulses - a series of events which leads to him (temporarily) losing his powers and making him feel overwhelmingly helpless and vulnerable as he becomes more human/loses a key part of his identity

tw: rape mention

not that the weird kate/derek dynamic needs to be pointed out but he was an emotionally vulnerable teenager and she was a grown woman who committed statutory rape (im not sure of derek’s age to say whether it was legally statutory rape but in my brain she took advantage of someone much younger and more naive than her and im going to consider this statutory rape from my own moral standpoint) against him whilst actively hunting people like him

even when derek is an adult the dynamic between them is toxic like when she shoots him with a wolfsbane bullet and that weird scene when she has him locked up and licks his abs? their dynamic always has derek in a vulnerable position regardless of his age, and show kate to have the upper hand, and their scenes (the scene when kate reveals werewolves to allison comes to mind again) always seem to have a degree of sexual coding like was it necessary for derek to be shirtless in that scene? no - and it was probably intended to be from more of a ‘let’s show of tyler hoechlin’s abs’ perspective but (to me personally and likely for others) it doesn’t come across that way it just shows derek again in a vulnerable position, at the hands of a woman who has taken advantage of him in the past and he is being unecessarily sexualised

not sexually motivated but he was also manipulated by his uncle (who at this time he seemed to trust) into a series of events which ended in him having to kill the girl he loves (which in turn leads to being used and manipulated by another woman years later) and the only residual impact this seems to have on him is ‘ooo he has blue eyes’, this undoubtedly puts derek in an emotionally vulnerable position which may have aided in kate being able to manipulate him but we still never see any real impact of this on derek in canon

i know he his portrayed as a private and reserved character but there was so much wasted potential here and the lack of attention given to the trauma in derek’s past really minimises the horror of it and makes it easier for the casual viewer to dismiss the impact that trauma like that would have on a person if they were not a fictional character - he doesn’t even seem to get any attention from the other characters in the show who are made aware of derek’s past including kate, paige, and the fire but it’s like ‘derek will be derek’ rather than ‘wtf this guy needs help and support’, although i would’ve liked a developed plot where derek confronts and overcomes all the shit he’s been put thorough I’d have accepted a crumb of derek getting the emotional support he needs

jennifer (who we know to be a master manipulator) is the second woman who uses sex to manipulate derek as she tries to use him to help her take down the alpha pack and in the process of her plan she nearly kills derek’s sister and derek gives up his alpha powers to save her, once again leaving him less powerful than he was before and leaving him vulnerable

isaac makes a comment about how derek was ‘rolling around the sheets with the real killer’ as though derek was supposed to know that jennifer was the darach when no one else had figured it out/even suspected her - jennifer kills stiles’ friend and nearly kills lydia, but she doesn’t have as much impact on any other main character as she does on derek - we don’t know too much about the nature of their relationship but derek does go to her after he is injured episode 3x05/3x06(?) and he does have some feelings for her and wants to protect her - at the very least they have an emotional connection and jennifer uses sex and intimacy to manipulate derek like a pawn in her overall plan

continuing with the themes of bodily autonomy and consent derek’s body is repeated used against his will - like in season 2 when scott forces derek to bite gerard (although this was part of a larger plan this doesn’t take away from the fact that derek’s autonomy was stripped away again) and in season 3 when derek’s claws are used to kill boyd- not only painful for him because he is taking the life of a friend and a member of his own pack but also because of derek’s ‘im a predator but i don’t have to be a killer’ line which shows us that CHOICE is important to him and he wants to have control over the actions and path he takes (which is probably fair to say for most people but is specifially an important part of derek’s character)

overall, derek is repeatedly manipulated by people he is supposed to trust and care for - he has a whole lot of trauma for his teen years which could have been so well addressed in the show and brought awareness to male sexual violence (already unrepresented) and teen wolf could’ve really stood out against other teen dramas but jeff davis and the writers weren’t willing to go in that direction (but they still gave us the train wreck of season 4??) and instead derek’s character is left as this stoic, eye candy guy with so much wasted potential

rant over x

(soz for any spelling mistakes/bad grammar but it’s half one in the morning here n i had a lot of thoughts to get out before i went to sleep)

#Derek Hale deserved better #this was LONG so shoutout to u if u read all of my rant x #teen wolf #Jeff Davis #stiles Stilinski #Derek Hale #kate argent #lydia martin #scott mcall #derek hale deserves nice things #sarcasmandships #tw: rape mention

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beggingwolf · 3 years ago

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hi so I've just eaten too much ice cream, feel vaguely ill, and I'm here to tell you All About How I Failed At Outlining for SGKF this year!

that's partially just a fun tagline, but it's also a bit true. I told my friends I'd be trying to use several different outlining methods to try and knock out a plotty piece for the fest, and things did not go to plan!

important to begin with: I am what is referred to as a "pantser." I tend to just start writing. this is strangely contradictory to my personality, which deeply loves plans. unfortunately, what often happens is plans and outlines ruin my excitement and drive while working on a project (it tricks me into thinking I've done all the work and resolved the plot), leading me to abandon it.

and though I can throw together pretty words and made a decent fic, my fics never turned out as good as they could have been. I kept telling myself that if I planned in advanced and worked out what I was doing BEFORE I did it, I'd be able to craft a fic with such care and attention as to make it really SHINE.

so, uh, kinkfest rolls around, and since I was a mod I could see all the prompts before they even got released to the public, so I basically had a WHOLE EXTRA two-ish weeks to start planning and writing.

did I? NO.

so, despite the fact that I collect writing advice like a magpie , I'm not the greatest at implementing it. if you go into my SGKF google folder, you'll find a few instances of me TRYING to implement writing advice like metawriting:

(and you'll see some fics that didn't get finished/make it into the fest!)

my issue was (and still is) that I think I value every little word too much. this is a bad thing: I'm an overwriter by nature. when I get words down, I want to keep them because I feel like I worked hard for them, even if they're not great or don't actually serve the story in the way they should. that's not to say all my metawriting was bad; it wasn't. I tried it out for A Drowning in California as well [which will henceforth just be referred to as "California").

I had a whole subfolder for California. what kind of amazed me is how different my initial notes for the prompt are from what the story actually ended up being. here, take a look:

literally almost none of this is in california. the WWE and UFC stuff made it in, and so did sid wrestling with horny, but that was it. I was going to start this fic in the locker room, with sid wrestling someone, and it was seriously going to be a story about sex—about sid wanting to hold geno down in bed. that was the premise.

and instead, we got a really emotional story about familial rejection and the isolation it can make people feel. SO! something happened along the way, right?

when I started getting into the plot that would support this supposed sexfest, this is where I went at first:

geno wants the relationship to get serious, sid is like mentally still a 12 year old who just wants to wrestle people and doesn't want to talk about his emotions, and prefers to use physicality to communicate. this doesn't work for geno, who wants ... more

we can start to see the actual emotions come through, the things I was interested in: sid using touch to talk, and geno desperately wanting more

what did the most good for me, in the end, was "doing" the metawriting by talking with my friends.

I told them what i thought this story was about ("I'm thinking about making this a story about relationship-defining, maybe? and the communication needed for a lasting adult relationship? I think I'm going to set it in california/LA, where Sid has invited Geno along for the first time for his California Summer Fun/Training/Escape, whatever, and Geno's going to be emotionally preoccupied with Defining The Relationship—maybe they've been on-again-off-again? maybe they're just new to this, like almost a year deep, and they're not getting younger—and thinking this trip is about that [or hoping this trip is about that, and realizing it isn't, and being disappointed].") and they told me what jumped out at them.

Jes told me what would ramp up the tension would be a deadline of some sort; "Geno’s going to break up with Sid or make some decision or something, or there’s something approaching where they have to make a will they or won’t they decision of some kind related to the core ‘defining the relationship’ issue. Geno’s going back to russia and in previous summers they’ve always slept with other people while apart? or Sid has a wedding coming up and he’s offhandedly mentioned taking someone else as his plus one?"

I liked her thoughts. it made sense to add an external pressure to all this, and that wedding idea stuck out to me the most.

Lis said I should add a jealousy angle, so you can largely credit her for the club scene: "one thing i like to sort of headcanon/imply about sid's california trips is he uses them to hook up anonymously. so you could have, like, sid and geno seeing sid's friends, but also accidentally running into some of sid's friends. and geno's like oh, great, so here i am doing this horrible summertime training that i hate because i don't need to train in the offseason actually, and i'm learning what exactly sid gets up to when we're apart."

My magical solution these days is GOING FOR WALKS. do it if you're able. it clears out your brain. so on my walks I ended up deciding that I wanted a taylor crosby wedding. I like taylor as a character, and as a person with sisters I just like writing her in. best of all, she and sid are close and I like writing "I'd do anything for my family" sid.

and then I was like. oh. what if it's not that sid is afraid/nervous to bring geno, it's that he can't.

I... wasn't as conflicted as I thought I'd be about writing sid's parents as homophobic. I prefer to write them as supportive; I think troy crosby's been eviscerated more than he should have been in older fanworks, and though I respect their right to make fictional!troy whatever they want, I've been a little skeptical of outlandish takes on him ("he doesn't say I love you to his son because a camera caught them mid-interaction once!") ever since I read how the media has found him a convenient narrative villain while he tried to keep his underage son safe from the media as a child and while they needed to cook up Spicy Stories about squeaky-clean sid.

uh, tangent aside, I always thought I'd never write a "parents are the villains" story, but I did here. it felt right. it was easier, too, because they're not PRESENT in the story. I didn't have to write trina actually being horrible to her son. I just had to skirt the edges of the wound.

which works well on two fronts: I don't have to actively write the crosbys being horrible to sid, and I also leave more to the imagination of the reader, and that almost never fails to make the work better. whatever the reader imagines them saying to sid, it's going to be 10x more hurtful than anything I'd write.

I dug really deep on some personal emotions and fears I experience as a gay person for a lot of sid's arc here. sid is deeply imperfect in this story, and he's internalizing his pain and the horrible thing that's happened to him, which is making him pull away from his partner, and sid is not responding how geno wants, nor is he responding well, period, though he's trying in his own wounded, stilted way.

and beloved geno, whose tender heart is so hidden away for fear of someone hurting it. I really like writing geno; he's huffy and emotional and sometimes bitchy and feels things SO deeply.

once I had more of an idea, I was already working on a more detailed outline. this is where I seriously took Jes's advice and WROTE EVERYTHING OUT! it made it so much less daunting, because I didn't have to be figuring out my next steps AND crafting sentences at the same time. also this is where I tell you that the title of this post is mostly a lie, it was metawriting I failed at.

This outline also meant I avoided writing large swaths of things that should've been cut. Another beta told me I should delete three scenes and condense a bunch of emotions into the club scene, and she was SO right. Cutting events out of an outline is WAY easier than cutting out pages of text.

Ironically my outline kind of deteriorated after the club scene, but that's alright: after I wrote the club scene, I actually had a clear vision of what I wanted the end to be. I just had to trust myself. I CAN do this, I CAN still just write intuitively sometimes!

I think California did what I wanted it to do. I'd love to try something out that's longer and has more story arcs in it (jes has a post for that too!) but I think that's best saved for another, longer project, though 18k isn't short.

next up is maggie stief's writing seminar that I bought a month back. I'm going to start working on that this month and see how I like it. I have a few halloween fic ideas, plus spookfest, so these next two months we should be cooking in the kitchen!

#on writing

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lincnok · 4 years ago

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Disney Princesses are all excellent role models

Nowadays, we see something called the feminist movement, something that was born to empower young women, and equalize society, a noble cause; now it is nothing like it’s original goal, and some even bash more feminine, or soft spoken women in the fictional media. I have seen many ‘feminists’ go off about how earlier princesses, like Snow White, Cinderella, Aurora and Ariel are all ‘weak’ and are ‘unfit to be role models for young girls’ whilst princesses like Moana and Elsa are praised for their ‘empowerment’. In all of these events, both on the opposite sides of the spectrum, there is barely ever any space for the girls in the middle like Tiana and Pocahontas. Whilst these characters aren’t recognized, some get bashed, and others praised above the rest, which is unfair as they are all excellent role models and here’s why.

(I’m gonna start from the first movie cuz I find it easier that way)

Snow White:

This princess is overlooked and consistently talked about as weaker and ‘less than’, when in actuality, she is as strong a role model as any other. Even in the face of death, she is kind-hearted and care-free, choosing to clean the dwarves home, and never saying one bad word about her step mother. Yes, she did open the door to a stranger and eat the apple, but she was fourteen, and in the original story, had been living with the dwarves for two years, essentially leaving her ‘sheltered’. She lived in the middle of the forest with a group of tiny men for God’s sake, do you really think she would understand the no strangers rule? And even then, eating the apple was something she did out of politeness, rather than stupidity. It was her innocence taken advantage of that got her poisoned, not stupidity or weakness. She is a positive role model because she was able to stay level-headed, polite and innocent, even under severe pressure.

Cinderella:

Now in her story, she is claimed as weak because, in some people’s eyes, she did nothing in the face of abuse. Is that true? Absolutely! But not because she is weak, but because she is strong enough to know when not to fight. She cried and had bad days, but still chose to do the things she was asked in order for things to remain peaceful. She worked hard to achieve what she wanted. When she was told she had to do all her chores and more in one afternoon to go to the ball, she did, and made a dress on top of that. She would’ve gone to the ball anyway if it were not for her step-family’s spite, all she need the fairy godmother for was a change of clothes and a ride. She was honest and hard working, unbending even in the face of abuse and pain, something all girls should aspire to be.

Aurora:

This is the one that gets the worst media, as she had little lines and screen time and ‘slept through her whole movie’. But in all honesty, the girl lived in the forest with three fighting fairies, who did little to help with education and knowledge of the outside world, keeping her as sheltered as possible. She was happy and loveable, with a definite affinity for singing, something she did on the regular. Of course, we don’t get to see much of her personality there, but I’d like to say that she was something of a carefree spirit, happy and optimistic, trying her best to keep others happy too. She was a little boy crazy, yes, but she was fifteen, and Prince Phillip was the first man she had ever seen, so you can’t really blame her for her fascination with him. She had no idea about a curse, and if something possesses you, you don’t really have anything to do about it, and you can’t do anything if you’re asleep for one hundred years. But she kept herself happy and cheerful even in loneliness, as the prince was not only the first male she’d seen but also the first human she’d seen since she was a baby, and yet she was obviously happy, jubilant enough to sing for hours in the forest, despite being alone for most of her life. Happiness can be found in the even in the loneliest of places and that is what Aurora teaches us.

Ariel:

This girl gets bad media too because of her choice at the end of the film. Through out the film, she is presented as a curious soul, wanting to find out how the humans lived, collecting the trinkets and items from the shipwrecks said humans left. She did go too far in her curiosity, though, signing her voice away for legs. But she was eager to learn, and that is something all girls should aim to be. As I said before, she is bashed for making the decision to stay on land and get married, rather than going back home, but that is a very common thing to do, more common that people think. If a girl falls in love with someone in another country, she has every right to stay there with him, and thus Ariel shouldn’t be penalized for something so common and accepted. Her family didn’t condemn her, they came to her wedding and were happy for her. She chose her happiness over cultural norms, and that kind of confidence is something we should all aim to have.

Belle:

Belle isn’t bashed so much as diagnosed, and I feel like that isn’t right to do. I’m not saying that it isn’t true, but there is so much that is ignored about Belle’s story that should be mentioned. Like the fact that she is educated. This is something that was very rare in the time period in which she lived, and she definitely needs to get more recognition because of that. In an essay I read, it was said that she would be the equivalent of the village’s ‘IT guy’ and that is exactly right. When she rejected Gaston, she never said a bad word about him, nor wrote off his affections or was rude, she simply declined, which is something that should be respected and applauded rather than bought down. There is also the fact that she is quite feminine in appearance and picks a decidedly feminine dress despite being raised by a single father, which is a detail I rather liked, as it lets Belle be on both sides of the spectrum, being able to expertly communicate with her male friends, whilst also being ‘girly’ with her female friends, and thus makes her a well rounded character. Her falling in love with the Beast, may have well been a psychological disorder, but it wasn’t like her feelings weren’t reciprocated. And she wasn’t kidnapped. Kidnapping is abduction, meaning that you are taken or held somewhere against your will. She chose to stay. And it wasn’t like she was held in particularly bad conditions, the only condition was that she couldn’t leave. Yes, she was provided an ultimatum, but she chose to stay. And then made the best out of it. The falling in love was a side effect. Belle was educated, but not arrogant, kind and humble, polite and feminine, and those traits are wonderful, and make the princess an incredible role model.

Jasmine:

Jasmine is one of those princesses who is forgotten about, but I’ve come here today to let you know she is an absolute girlboss. In her movie, she was the crown princess, and her family ‘needed’ her to marry so that they could have a king and her dad could retire. But she wanted to marry for love instead of just political power and wealth and thus turned all her suitors away. This meant that she never gained any of the rights she would get if married and had to live in the palace for the rest of her life until she found ‘the one’. And if you pay attention, you’ll realize that Jasmine was the ruling monarch because Jasmine was royalty and Aladdin was not. She was also only 17 when she became queen, which makes her queendom so much more impactful. Her little outing one the outside gave her that little bit of compassion that she would’ve needed to become a great sultan. She may not have been a warrior, but in terms of political prowess, she was one of the most powerful. She is the ruler that girls should want to look up to and follow, a role model to her community as well as her audience.

Pocahontas:

I don’t really know much about her, but I know enough to say this. In the film (not real life), she made the opposite decision to Ariel, and chose to stay with her tribe rather than stay the man she loved. That was a brave decision, and the fact that she made it in the face of pressure is to be admired.

Mulan:

Ah, yes. The great feminist icon. But the one who gets condemned for having a prince. Yes, she was a great warrior, and yes, she was professional, but that all doesn’t mean she’s not allowed to find love. She can be all those things and still be a mother and a wife, they don’t have to go separately. And, you know what? The fact that she had a prince just made it all the more inspiring, because thats what the #MeToo movement should be about, embracing all kinds of women, and not separating the roles of mother and wife from the roles of leader and independent. Having a husband doesn’t make you any less, and that, among other lessons, is what Mulan teaches us.

Tiana:

Tia should get about as much hype as Mulan, but in reality, she doesn’t. She is very much forgotten about other than the fact that she is black. Her story isn’t about ‘conquering racism’ or anything attributed mainly to ‘black media’, but instead is about a working girl, doing just that, working. She worked hard to achieve her goal, and not once did she even try to take a short cut. She found love along the way, made some friends and lost some friends, impacted some friends for the better, and achieved her goal, no short cuts and a whole lotta jazz music. That’s what the Princess and the Frog is about, working hard to achieve your dreams. That sentiment is something everyone should learn, and the fact that that’s a black girl up there being that role model for us just makes it even better.

Rapunzel:

Rapunzel, the queen of self-isolation. But despite that, she was always happy and optimistic, which is something us cynics could stand to learn about. She was curious, but had some common sense. She was probably the most organized out of all the Disney princesses, as she had a set schedule for everything. She was probably the most artistically gifted as well. She definitely not stupid, but instead innocent and gullible, but capable of defending herself and running a good negotiation. She could’ve been a lawyer! She was a perfect example of someone talented using their talents to better the people and that’s what makes her someone to look up to.

Merida:

Another warrior, except this time, set in Scotland without a prince. You guys know the story. Bought up in a home where all she was expected to do was get married and have kids, Merida yearned to be outside with her bow and arrow, but instead was told no. Eventually, tired of the pressure, she goes to a witch to get a charm to make make her mother more lenient. Instead, the charm turns her mother into a bear, and turns her curious little brothers into bear cubs. The race is on for Merida to get the cure before it is too late. She successfully cures her mother and brothers, fights the evil Mor’du and comes to appreciate her mother more. This little family story shows a headstrong girl getting love and affection from her family without condescending, and the best interests at heart. She sets of to fix her own mistake, something still not really shown in media. She teaches girls to love their family even when you don’t agree, stand up for themselves, take responsibility for their actions and try their best to fix their mistakes.

Elsa:

I’ll start with her because this list is oldest to youngest. Another Princess without a Prince, she’s actually a queen for most of the movie, and isn’t even the mainest main character. She still teaches girls something. With her headstrong character, she was morally sound despite dealing with an immense feeling of self-hatred and fear. Only when she really broke did she ever intend to hurt anyone. She shows you how to be yourself in spite of the of the danger. She is brave and strong, with powerful abilities and love for her sister.

Anna:

Anna isn’t in the spotlight as much as Elsa was, seemingly naïve and gullible. Except, you have to realize that Anna is that she was left literally alone for God knows how long. Hans was the first person she’d met and liked who didn’t leave her alone. She liked him a lot, and it is believable that she would’ve said yes to Hans when he proposed. But still, as the story went on she became more mature, but didn’t lose her childlike spirit. She teaches us to go to the ends of the Earth for the ones you love, but to not be a push-over. To stand firm in the face of danger, but to not be reckless. Anna teaches us what true love is.

Moana:

“If I go there’s just no telling how far I go!” Moana is an adventurous soul, unafraid of nonconformity, and in love with the great unknown. She falls in love with the sea, and, even though she is prohibited, follows her dreams. She is the picture of determination and willingness to go out into the unknown, and she isn’t afraid to be herself, even amidst hardships, rejection and danger. Such a sprit is something to admire and aspire to have.

Every last one of the girls on my list is a role model and I hope you now understand why. So don’t look down on a little girl when she says her favorite princess is Cinderella. Don’t cuss out the little black girl who says she wants to be Snow White for Halloween even when there’s a princess that looks like you or vice versa. Don’t roll your eyes at the girl who says she likes Anna better than Elsa, or she wants to be a queen like Jasmine. Don’t hate on these characters because of circumstances they couldn’t control or because they’re not like you, because every single one of them is and can be a role model to a little girl, they all just cater to different types. Yes, the Disney princess line isn’t all representing, and many of these tales are taken out of context or made more light hearted, but no matter what the story is, these girls are their own characters and we should respect that, and everyones opinions on them.

Aight, I’m out.

#respect #disney princess #disney pride #merida #snow white #tiana #disney movies #modern disney princess #aurora #moana #mulan #rapunzel #pocahontas #everyones a princess #elsa #anna #jasmine #ariel #cinderella

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hexalt · 5 years ago

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Schitt’s Creek and the Transformative Power of Love

I first watched the pilot for Schitt’s Creek in the early part of 2019 and found it...eccentric. Not really funny, the characters weren’t speaking to me (except for Stevie (Emily Hampshire), whom I felt a kinship with), and the story seemed odd. I decided this show just wasn’t for me, and I had given it my best shot. Many months later, one of my best friends was posting about it frequently. Since we have the same taste, I thought maybe it was just the pilot. Maybe I should give it another shot. Maybe this time I’ll actually like it. So I started it from the pilot again, and I kept watching even if I wasn’t thoroughly entertained. I soon grew to love the two black sheep and having characters you understand always makes things easier.

What I didn’t realize when I started the show was that the characters were each more than they seem, they weren’t meant to be shallow jokes of themselves and their personas. The way they acted was often a façade hiding their insecurities of not being good enough in a variety of ways. The only other show that I’ve seen with a somewhat similar premise is Arrested Development, but there the characters are supposed to be absolutely ignorant, privileged assholes with no redeeming qualities.

I didn’t realize each season is better than the last, an astounding and rare feat in television. The quality of each season improves as the show quickly finds its footing by discarding early storylines that didn’t really work and letting the characters slowly becoming more grounded and open. This family that was once so distant that the parents didn’t even know their daughter’s middle name eventually develop genuine relationships for the first time with each other and other people.

Schitt’s Creek, co-created by father and son, Eugene (American Pie, Best in Show) and Dan Levy, wanted us to ultimately empathize with these characters, even if the remnants of their wealth can make them profoundly delusional and hilarious a lot of the time. Before writing the show, they created timelines going back to their characters’ elementary school years, detailing everything from where they worked to what they wore.

The fashion on the show is distinct and the best dressed I’ve seen in any show (and most films). Dan is huge into fashion and personally selects a lot of pieces worn in the show (some of David’s clothes are even from his own wardrobe). Instead of constantly telling the audience that this family used to be rich, we are reminded of it through Moira’s wall of wigs and couture black and white ensembles, David’s patterned black sweaters and low crotch pants, Alexis’s bohemian dresses and headbands, and Johnny’s array of business suits. When they enter any room in town, they are clearly fish out of water.

Schitt’s Creek centers on the Roses, a once-disgustingly wealthy family who lose their fortune and are forced to move to the only asset they have left: a small town named Schitt’s Creek that Johnny Rose (Eugene Levy) bought as a joke for his son, David (Dan Levy). So dilapidated is Schitt's Creek and so destitute are the Roses, they don't even have a house of their own; instead they are forced to live in a motel with two connecting rooms, forgoing all the luxury they had become accustomed to and, more terrifyingly, are now physically closer than ever.

While at first the family is horrified at the prospect of living in such a small town with townies, they eventually embrace the weirdness of the town, and it makes them grow in unexpected ways. Johnny was once the owner of the second-largest video rental store in the country and retains his businessman-like self through and through, but he also began the show more uppity. While he is often the most reasonable of the Roses, he often sees himself as above others in town and gets into awkward situations because of it. Over the course of the show he ends up developing a friendship with the town mayor to whom he initially had yelled “get the fuck out!” While he’s always devoted to his wife, he wasn’t so keen on his children, but being forced to live together makes him take a larger interest in their lives and become a better father.

Alexis (Annie Murphy) is the quintessential “dumb blonde” socialite who’s had a Schitt-ton of relationships with powerful men, making stories of her past highly entertaining, often illegal, and frequently frightening. She clearly grew up way too fast, never having had proper adult supervision. She’s reliant on men, and all she can think about in season one is trying to date cute guys. In the following seasons, she realizes it’s time to start growing up and gets her high school and Associate’s Degree to start her own PR business. She becomes a more enlightened version of herself, still deeply kind but also willing to put the happiness of others above her own. The Alexis who previously couldn’t see beyond her own nose becomes independent and more selfless.

David’s had hundreds of flings with people of all genders, but they seem to be replete with abuse, manipulation, and a lack of care for his being. This is unsurprising when we see how he hides his insecurity behind sarcasm and sometimes downplays things he doesn’t like to fit in. He fears showing kindness to anyone because others haven’t always been so kind to him. Early on, he has a panic attack and comes to the realization that he’s “really lonely here,” but he’s been lonely for a lot longer than that. What he doesn’t expect is to make his first best friend or find his soon-to-be husband in this backwater town. In the process, he learns to shed some of his armor.

Moira (Catherine O’Hara) was once on a soap opera, Sunrise Bay, and retains the melodrama in her day-to-day life and demeanor. She is constantly trying to become what she believes is a star: someone who acts in film, someone who everyone mourns when they die, someone who people will just pay one sliver of attention to. She’s desperately trying to cling to the spotlight, but in “Life is a Cabaret,” she finds what I believe will be her place come this final season. Rather than trying to constantly soak up attention, she gives Stevie the starring role in the town’s production of Cabaret (which Moira comes to direct) because getting that role was a “gift that once jolted [her] out of [her] little podunk routine.” From the wings of the stage, as Stevie slowly builds into “Maybe This Time” with such breathtaking passion and joy after starting off unsure and quiet, Moira is shocked at what she was able to bring out of Stevie. She’s finally realizing that her place isn’t center stage but in bringing out the best in others and helping them find their place in the world.

Stevie Budd begins as the desk clerk of the Schitt’s Creek motel until her great-aunt passes away, and she inherits the motel. From there she has to decide whether she’s ready to grow up and take over the family business, and she’s terrified. Johnny soon teams up with her in the business, renovating the motel and renaming it after both of them, so she sees the Roses aren’t going to abandon her. She is part of the Rose’s found family. Her and David are similar in their bluntness and sarcasm, but Stevie is insecure about never making it out of the town, never being more than a motel desk clerk, never having a long-term romantic relationship. She worries while everyone moves on with their lives, she’s “watching it all happen from behind the desk.”

Dan describes creating Schitt’s Creek as “writing a world that examines the transformational effects of love when the threat of hate and intolerance has been removed from the equation.” While homophobia is often front and center in any media depicting LGBT characters, Schitt’s Creek doesn’t give it as much thought. Where small towns are usually seen as ripe for homophobia, transphobia, and other discrimination, Schitt’s Creek doesn’t fall prey to this trope. Instead, this small town is bursting with love.

Dan purposely made David pansexual (it’s also the only show I’ve seen use the word) to challenge the viewer’s biases and push the boundaries of what it means to be masculine and feminine. David’s parents and others in the town never discuss it as anything strange or bad, it’s something he simply is and as common as the sky being blue. When David tells Stevie about his sexuality (“I like the wine, not the label”), she’s a bit surprised at first because she thought he was gay, but ultimately she doesn’t care.

This doesn’t mean the show never discusses what homophobia can be like, but it comes at it from a different lens.

For example, in “Meet the Parents,” David decides to throw a surprise birthday party for his boyfriend, Patrick Brewer (Noah Reid). What David doesn’t realize is Patrick hasn’t come out to his parents yet, they think David is solely his business partner. He tells David, “I know my parents are good people, I just...can’t shake this fear that there is a small chance that this could change everything.” David himself is prepared for homophobia from Patrick’s parents, but when they tell him they don’t care about that, just that he was hiding such an important part of himself from them, David who’s been trying to stay strong through it all wipes a tear.

“When I found myself in a position to tell stories on a global scale, I seized the opportunity to make a television show that might, in its own way, offer some support, encouragement and love to those who might not have it in their homes or in their schools or in their day to day lives. It’s a place where acceptance incubates joy and creates a clarity that allows people to see themselves and each other more deeply. It’s fiction, yes. But I’ve always been told to lead by example and this felt like a good place to start.”

— Dan Levy

I would be remiss to not touch on the comedic style of the show. This is a comedy that relies heavily on the physicality of its actors. Their facial expressions, accents and tonality, their limp wrists, each create uniquely funny characters with mannerisms unlike any I’ve seen. The cast brought nuance to the characters, when they could have easily fallen into vapid stereotypes.

As season 6 premiered on January 7, Schitt’s Creek is not done yet, and I can’t wait to see how its final season concludes. The characters are all happier now that they are achieving dreams they may not have known they had, they have fulfilling relationships with family and friends, and they all have grown into better people. Schitt’s Creek truly was their saving grace.

I’m in a TV group where we wrote essays on our favorite shows of the 2010s, so here is mine on Schitt’s Creek.

#schitt's creek #television #tv #lgbt #lgbtq #writing #mine #long post #*

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