#because lbr

[16th-of-a-twigg]

I like to think that as a personal project and accompany type of therapy, Peeta starts to plant stuff in Victors Village. Into the bombed soil around 12.

Just the thought of how calming itd be for him to spend his time and energy building, caring and seeing growth in a place that has been destroyed.

That perhaps Katniss eventually sees the impact it is having on Peeta but also the town to see some beauty growing. Rebirth.

That Katniss helps in their personal garden at times. It turns into a dual project. It changes and ages with them. It reflects their moods and mental states. The clippings brought inside the house and placed in vases to bring some nature inside to Katniss on the tough days when she can't seem to get outside of her own head let alone her bed.

Pressing flowers in books for Peeta to use for creative projects. Edible flowers which can be shared with the town on baked goods.

They plant a new, specific tree for each child of theirs that is born. It grows with the child.

Mellark and Everdeen, strive for an ever-green garden.

[forzafinally]

I'm not mad. I'm not mad. I'm not mad

[itsclydebitches]

Holy shit I'm not ready for another Ted Lasso episode. It's been two weeks? Yeah, that's nice and everything but I'm still mentally bluescreening over "Sunflowers." Honestly, how do they expect us to function if they keep throwing the most insane shit at us on a weekly basis?? Give a girl time to process!

[azurescaled-archived]

because i missed sunday i will now do so in the tags of the post

[etz-ashashiyot]

No see results, we die like artisans

[claraoswalds]

#mrs flood who are you: time lord edition

[sneakyboymerlin]

Merlin is kind of like a dog to Arthur. I mean this in all of the good and all of the bad ways.

[anghraine]

It's always been intriguing to me that, even when Elizabeth hates Darcy and thinks he's genuinely a monstrous, predatory human being, she does not ever perceive him as sexually predatory. In fact, literally no one in the novel suggests or believes he is sexually dangerous at any point. There's not the slightest hint of that as a factor in the rumors surrounding him, even though eighteenth-century fiction writers very often linked masculine villainy to a possibility of sexual predation in the subtext or just text*. Austen herself does this over and over when it comes to the true villains of her novels.

Even as a supposed villain, though, Darcy is broadly understood to be predatory and callous towards men who are weaker than him in status, power, and personality—with no real hint of sexual threat about it at all (certainly none towards women). Darcy's "villainy" is overwhelmingly about abusing his socioeconomic power over other men, like Wickham and Bingley. This can have secondhand effects on women's lives, but as collateral damage. Nobody thinks he's targeting women.

In addition, Elizabeth's interpretations of Darcy in the first half of the book tend to involve associating him with relatively prestigious women by contrast to the men in his life (he's seen as extremely dissimilar from his male friends and, as a villain, from his father). So Elizabeth understands Darcy-as-villain not in terms of the popular, often very sexualized images of masculine villainy at the time, but in terms of rich women she personally despises like Caroline Bingley and Lady Catherine de Bourgh (and even Georgiana Darcy; Elizabeth assumes a lot about Georgiana in service of her hatred of Darcy before ever meeting her).

The only people in Elizabeth's own community who side with Darcy at this time are, interestingly, both women, and likely the highest-status unmarried women in her community: Charlotte Lucas and Jane Bennet. Both have some temperamental affinities with Darcy, and while it's not clear if he recognizes this, he quietly approves of them without even knowing they've been sticking up for him behind the scenes.

This concept of Darcy-as-villain is not just Elizabeth's, either. Darcy is never seen by anyone as a sexual threat no matter how "bad" he's supposed to be. No one is concerned about any danger he might pose to their daughters or sisters. Kitty is afraid of him, but because she's easily intimidated rather than any sense of actual peril. Even another man, Mr Bennet, seems genuinely surprised to discover late in the novel that Darcy experiences attraction to anything other than his own ego.

I was thinking about this because of how often the concept of Darcy as an anti-hero before Elizabeth "fixes him" seems caught up in a hypermasculine, sexually dangerous, bad boy image of him that even people who actively hate him in the novel never subscribe to or remotely imply. Wickham doesn't suggest anything of the kind, Elizabeth doesn't, the various gossips of Meryton don't, Mr Bennet and the Gardiners don't, nobody does. If anything, he's perceived as cold and sexless.

Wickham in particular defines Darcy's villainy in opposition to the patriarchal ideal his father represented. Wickham's version of their history works to link Darcy to Lady Anne, Lady Catherine (primarily), and Georgiana rather than any kind of masculine sexuality. This version of Darcy is a villain who colludes with unsympathetic high-status women to harm men of less power than themselves, but villain!Darcy poses no direct threat to women of any kind.

It's always seemed to me that there's a very strong tendency among fans and academics to frame Darcy as this ultra-gendered figure with some kind of sexual menace going on, textually or subtextually. He's so often understood entirely in terms of masculinity and sexual desire, with his flaws closely tied to both (whether those flaws are his real ones, exaggerated, or entirely manufactured). Yet that doesn't seem to be his vibe to other characters in the story. There's a level at which he does not register to other characters as highly masculine in his affiliations, highly sexual, or in general as at all unsafe** to be around, even when they think he's a monster. And I kind of feel like this makes the revelations of his actual decency all along and his full-on heroism later easier to accept in the end.

------------

*The incompetently awful villain(?) in Sanditon, for instance, imagines himself another Lovelace (a reference to the famous rapist-villain of Samuel Richardson's Clarissa). Evelina's sheltered education and lack of protectors makes her vulnerable to sexual exploitation in Frances Burney's Evelina, though she ultimately manages to avoid it. There's frequently an element of sexual predation in Gothic novels even of very different kinds (e.g. Ann Radcliffe's The Mysteries of Udolpho and Matthew Lewis's The Monk both lean into this, in their wildly dissimilar styles). William Godwin's novel Caleb Williams, a book mostly about the destructive evils of class hierarchies and landowning classes specifically, depicts the mutual obsession of the genteel villain Falkland and working class hero Caleb in notoriously homoerotic terms (Godwin himself added a preface in 1832 saying, "Falkland was my Bluebeard, who had perpetrated atrocious crimes ... Caleb Williams was the wife"). This list could go on for a very long time.

**Darcy is also not usually perceived by other characters as a particularly sexual, highly masculine person in a safe way, either, even once his true character is known. Elizabeth emphasizes the resilience of Darcy's love for her more than the passionate intensity they both evidently feel; in the later book, she does sometimes makes assumptions about his true feelings or intentions based on his gender, but these assumptions are pretty much invariably shown to be wrong. In general the cast is completely oblivious to the attraction he does feel; even Charlotte, who wonders about something in that quarter, ends up doubting her own suspicions and wonders if he's just very absent-minded.

The novel emphasizes that he is physically attractive, but it goes to pains to distinguish this from Wickham's sex appeal or the charisma of a Bingley or Fitzwilliam. Mr Bennet (as mentioned above) seems to have assumed Darcy is functionally asexual, insofar as he has a concept of that. Most of the fandom-beloved moments in which Darcy is framed as highly sexual, or where he himself is sexualized for the audience, are very significantly changed in adaptation or just invented altogether for the adaptations they appear in. Darcy watching Elizabeth after his bath in the 1995 is invented for that version, him snapping at Elizabeth in their debates out of UST is a persistent change from his smiling banter with her in the book, the fencing to purge his feelings is invented, the pond swim/wet shirt is invented. In the 2005 P&P, the instant reaction to Elizabeth is invented, the hand flex of repressed passion is invented, the Netherfield Ball dance as anything but an exercise in mutual frustration is invented, the near-kiss after the proposal in invented, etc. And in those as well, he's never presented as sexually predatory, not even as a "villain."

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[sen-ya]

Sen's Important Info Post

Post last updated 10/29/24

Hey I'm Sen and I draw One Piece too much! I am terrible at keeping things easy to find, turns out when ur job is project management you don’t want to also do it in ur down time. My current theme is following the dopamine, keeping it as fun as it can be for me to draw. Below the cut is information on the different AUs & serializations I've got going on right now :^)

Important Links

[How to use Airtable]

[Sen's Digital Comic Book] - a database of every comic I've made that is woefully not updated often I am sorry. I gotta work on a better system for easy viewing.

[Life After Digital Comic Book] - a database of every page of Life After

[See Comics Early on Ko-Fi!]

[Life After Info Post] - Life After is currently on hiatus!

Posting Schedule

Thursday - Serialized Comics (current: Family AU//Forgetful)

Universe: Main Timeline

Comics that belong to this timeline are meant to follow through the events of canon, many of them were written while I was actively reading and didn't know what would happen next! Every comic that receives this tag happens in the same universe, so they may refer to each other in both plot-important and not important ways. These comics are largely LuLaw but include sprinkles of Heart Pirates (in general and as family), ZoSan, and general shenanigans.

Serializations:

Getting Together - Will they/won't they? They will, but they're gonna be stupid about it. Anything tagged into this series you can assume they haven't established that they're romantically interested in each other.

Established LuLaw - Two idiots in love. Anything tagged with this series you can assume they're together. They may not refer to each other as "boyfriend" or "partner" but whatever it is that's going on is clear to the two of them and that's what matters.

Law Loses - Most comics in this series deal with the aftermath of Winner Island. Law feels like a curse.

Goofs Only - These comics don't require serialization. They're just some good fun. If they include LawLu/LuLaw, they'll also be tagged as either "Getting Together" or "Established" so you have context for their reactions.

The Heart Bros - Law, Bepo, Penguin, and Shachi found each other as kids. Comics in this series act as glimpses into their time growing up and other brotherly interactions. This is noncompliant with the Law novel. Once they form the Heart Pirates, they consider each other brothers.

ZoSan - I don't draw these two a lot anymore, so this series is just a general ZoSan category!

Heart Pirate Shenanigans - I went all in on Heart Pirates Week 2024 and wrote a bunch of comics about the various crew members! Leaving this as an open series for when I inevitably fall down another Heart Pirate rabbit hole.

Universe: Older/Family AU

Comics that belong to this timeline are meant to follow through the events of canon, many of them were written while I was actively reading and didn't know what would happen next! Every comic that receives this tag happens in the same universe, so they may refer to each other in both plot-importanComics in this universe take place anywhere from 7 - 30 years post canon. Mostly LuLaw with sprinkles of other shenanigans. You can assume events from the main timeline are canon in this AU.

Serializations:

Accidents Happen - Law gets a cold and stops running a few effects that he'd taken for granted.

Getting Married - Did you know if two pirate captains want to get married, they can just say they're married?

Extras - This series is for posts that offer context/additional information about what's going on in the AU

Family Fluff - These are a series of comics where the focus is on Law and/or Luffy as a parent.

Forgetful - Law gets hit by a devil fruit that makes him forget everything that's happened since just before Marineford.

Get back to it - After spending some time on Zou in Rocy's first 18 months, it's time for Luffy & Law to get back to pirating.

Universe: The Worst Timeline

Comics in this universe branch off of the main timeline around Whole Cake/early Wano. These comics may refer to earlier 'main timeline' events, but what happens in them is so terrible I've refused to make them part of my own personal canon. Sometimes it's just too temping to make them suffer :^)

Serializations:

Rightfully Worried - This series is an AU in which Luffy gets the absolute shit kicked out of him in Whole Cake and when he arrives on Wano Law has to save his life. It's not the first time he's performed surgery on him, but it is the first time he's had to since he's cared so much about his patient.

The Worst Wake-Up Call - During an intense battle, Law makes a decision. The ones who love him deal with the aftermath.

[bravenot]

Caleb being overly protective of Luc Brenatto: a compilation

[kanjichris]

"why don't you want him to know how much you love him?" "that's a little personal. he knows." "uh-huh."

[turtleblogatlast]

Imagine the boys getting cursed to bear witness to “some of the most negatively impactful things in their lives” and they’re terrified, thinking it’ll be stuff like the invasion or Shredder or something-

Only to be met with multiple scenarios of their family. Saying offhand, but hurtful things. Doing hurtful things. Lots of scenarios that were inconsequential to everyone but the one most affected.

And they’re all scrambling, desperate to make sure the others don’t look too deep into it haha it doesn’t really bother them- but they all know the truth. Because they’re all in the same position here. It wasn’t on purpose, and they all know it wasn’t on purpose, but it still hurts.

It’s almost a relief, that they’re going through it all together. That they can apologize for mistakes, and accept that they’ve held onto hurt too long when they could have dealt with it sooner.

And that’s how they break the curse, reversing it into something different, as they’re told that before it leaves them for good they’ll bear witness to the most positively impactful things in their lives. And now they think they’ll see some of their best victories, some of their grandest adventures-

The scenes they see then are of the same cloth as their negative ones. Simple scenes, ones that most wouldn’t remember. Times where someone managed to make someone else smile, times where they were just so content to exist by the other’s side, times where they were just happy being there with their brothers, their family.

It’s the little things that go the farthest, because that’s what you experience the most in life. And they’ll mess up again, of course. Things happen, and they’ll never really know how their actions and words will be taken. But through the good and the bad, they’re family.

Besides - turns out, there’s a lot more good.

[faunandfloraas]

The Nobleman or 양반 (yangban): The smiling face represents the bluff and composure that an aristocrat is often known to have. The chin is a separate piece from the top of the mask, and the actors can lean forward and back to make the mask smile or frown as needed.

This monk who abandons his doctrines, or 취발이 (chwibari): Chwibari was originally a monk, but he had no intention of joining the monastic order, so he came down to the world and wanders. Represented with a forehead full of wrinkles and spots.

The widow or, 부네 (Punae/bune): represented to be a widow, or a kisaeng ( a woman who sang, danced, or played an instrument to provide entertainment for company at a drinking party), or a mistress of the Yangban. She has a very small mouth, round cheeks and forehead- giving a general look of happiness good-humor.

[katnissmellarkkk]

it’s super funny to me that in the first scene with haymitch in the entire series, he loudly proclaims he likes katniss, and then goes on to spend the next five hundred or so pages pretending the exact opposite.

[isan0rt]

You know, when you consider Azure Moon as a self-contained narrative, the use of ‘unanswered questions’ and ambiguity as a reinforcement of the themes of the route are really effective. I honestly think having the route not address the Slithers was the best narrative choice IntSys could possibly have made given the themes of Azure Moon.

Like. The developers didn’t really expect people to actually play all the routes; they designed the game so ‘everyone would have a different experience.’ As a result, all the routes have very different themes and scopes. Azure Moon is the tightest, most character-driven narrative despite not being the shortest route.

And Azure Moon is about grief.

Grief hangs over the entire route; except for Mercedes, every single one of the Blue Lions is haunted by the Tragedy of Duscur and the unanswered questions surrounding it. Felix loses his brother directly, and his worldview and best friend to the aftermath. Ingrid loses her fiance, but also her sense of security; without Glenn, her people may starve, and her personal future is now uncertain. Sylvain and Glenn were the same age, so we can assume they were friends, though his loss is less direct; Sylvain is surrounded by people broken by loss, including his own father. Annette’s father leaves her family in disgrace over being unable to stop the tragedy. Ashe loses his foster brother to the aftermath; and later his foster father as well. 

Dimitri and Dedue lose everything.

All of them spend the whole route wanting to find answers and some kind of closure for this event. It drives the entire narrative for all of the Lions actually from Faerghus. Mercedes, meanwhile, stands as an outside observer to that tragedy - but she is also dealing with her own personal tragedy and unanswered questions about her brother, and that drives her during Azure Moon.

And the thing about grief is that sometimes you never get closure. But you still have to move on, anyway.

That’s the whole point of Azure Moon. Dimitri has to move on. All the Lions have to move on. 

Mercedes cannot regain her brother, whether you find out his identity or not in the route. She has to move on anyway. Dimitri cannot reconcile with his family, not with Rufus (Did Dimitri kill him? We the viewer can never really know for sure) and not with Edelgard. He never finds out whether Patricia wanted to kill his father, or whether she loved Dimitri at all (and we the viewer don’t, either). He has to move on anyway. The Lions never find out the cause of the tragedy.

They have to move on anyway.

Involving the Slithers at that point would not only add a bunch of last-minute narrative complications that aren’t necessary in Azure Moon, it would undermine the emotional impact of the route (in much the same way the last map of Verdant Wind does, honestly). The themes of Azure Moon not only don’t need to answer the question of the Slithers; not answering that question is the point. Bringing up the Slithers at that point would take all the air out of the personal drama the route takes its entire runtime addressing.

Dimitri hesitates at the end. He stops, and tries to look back, and Byleth stops him. He has to move on. He can’t keep looking back at Duscur. He’s got to walk forward. 

And that means leaving his questions unanswered.