#because it really is baffling

[isfjmel-phleg]

The "Return of the Hero!" arc works as an introduction to Triumph because he is the narrator. We're in on his thought processes and everything he keeps under wraps, which informs how he presents himself outwardly and gives complexity that we wouldn't have otherwise had if we had just seen him externally as this incredibly arrogant guy showing up out of nowhere to make wild claims.

His appearances in Justice League Task Force work too, because even though he's not the narrator there, we are constantly getting his thoughts, just as we do those of his teammates, so we understand where he's coming from even when he's being a jerk (which is like 95-99% of the time).

There are multiple reasons that his solo series turned out to be less than effective. I don't think it had enough space to fully flesh out the story the writer wanted to tell (only four issues, should have been six). There was too much going on (the writer has said that he was going for "layers of complexity" but overdid it), making it difficult to follow. But it also lacked the amount of access to the protagonist's thoughts that his previous appearances provided. It's Will's own series; he should be front and center when it comes to telling the story. The distance from him that the solo has is typical of his tendency to hold people at arm's length, but he should be doing that with the rest of the cast, not with the audience. There's little opportunity to get into his head and follow him as he deals with the unresolved issues with his father and with the realization that he's cut himself off from his humanity. So a lot of his actions don't make total sense. Why, for instance, does he not seek medical treatment when his back is broken? Why does he seem to be fine after this extremely serious injury? The solo never explains either question, and we have to learn in another book entirely about how he uses his powers to stave off pain and paralysis. We miss out on a lot of emotional impact too, having to infer what's going on with Will internally from his expressions and actions alone.

Will is one of those characters who function best when we can get inside their head. He not only is a natural introvert who doesn't share much of himself but also is hiding behind his self-constructed Triumph persona that ramps up his (unfortunately very real) arrogance while concealing the emptiness and loneliness he can't quite acknowledge. The effectiveness of his character is in the tension between what he projects and who he really is, and without half of that conflict, he's just...an inexplicable jerk.

[taffywabbit]

I finally watched breaking bad (all within the past week or so while I worked, finished it and watched el camino last night) and I'm confident this isn't a new thought I'm expressing or anything but genuinely how DID an entire generation of dudes convince themselves Walter White was cool and admirable and intended to be sympathetic. I know ppl just lack media literacy sometimes but I'm still so confused

I don't think I've EVER watched a piece of media that so blatantly depicts a guy making the worst possible decisions at every turn and having his life ruined for it and not being redeemed or made sympathetic in any significant or lasting way. the kinds of justifications villains USUALLY give that make people consider them "morally grey" or "tragic" or whatever (everything I did was for my loved ones, I did what I had to to survive, once I was in this I couldn't get out, I just needed you to trust me so I could keep you safe, etc etc) is ALWAYS framed as complete self-serving bullshit when Walt says it, and one of the only shreds of personal growth he ever exhibits in the whole series is when he finally fucking admits that. every time he does something even remotely cool or drops a quotable one-liner, something terrible immediately happens that makes everything worse and makes him look like an unreasonable idiot asshole again. by the end of the series the ONLY characters they can still contrast as being morally "worse" than him are literally a bunch of bloodthirsty neonazis who kept a guy in a cage for several months. this show is practically SCREAMING at you the entire time not to admire Walt. why did every dude I knew in highschool have his face on tshirts and Facebook pfps.

I just don't get it. at least with The Dark Knight's Joker it was like, a feature-length movie and that's it. you spend a lot less time with the Joker and it has a lot less time to delve into his motivations, so there's way more room for flanderization and misinterpretation as people extrapolate the few cool/interesting/sad things they saw into a whole nuanced misunderstood guy in their heads and online. Walter White has 5 seasons' worth of 45min episodes to convince you beyond a shadow of a doubt that he is a miserable fucking loser who ruins everything he touches because of greed and selfishness. if you weren't watching it for that, what WERE you getting out of this. what DID you think this show was about. am I just missing some key piece of context from 2012 or whatever that would help me understand this

[fishyfishyfishtimes]

Man what the hell, saw someone on Instagram say “I mean sharks are definitely machines” on a video of that wonderful woman who removes hooks from sharks’ mouths 💀 “Whether or not sharks are sentient and experience joy, idk,” they say, on a video of a shark acting distant until she had a hook taken out of her throat, after which she became very cuddly and friendly with divers and would just lay in their laps. Not to mention these new sharks with hooks would just keep appearing to get their hooks removed! Some people do anything to assign fishes the title of “unfeeling machine”..

[fantastic-nonsense]

got a message out of the blue about that 'why Batman doesn't kill' explanation I left on someone else's post like two years ago but it was just "wait is Alfred dead????" and I sort of forgot that most of tumblr Batfam fandom doesn't actually read comics and so largely has no idea that Bane killed Alfred back in 2019 and he's stayed dead since

[bixels]

Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.

Breathes in.

I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."

We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.

We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.

By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.

The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.

There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.

I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.

[dootznbootz]

Fascinating how Polites, the character who is the personification of Odysseus' optimism and is only in 5 songs, is more grieved and appreciated than Eurylochus, a character who is his own person and is in 11 songs.

[caligvlasaqvarivm]

Why The Ending Sucks

Ok I figured it out. Hear me out:

The entire comic has a running theme best summed up as "who is controlling the narrative, and why are we listening to them?"

Hussie plays a caricaturized version of himself that he describes as "buffoonish" and "oafish". Caricature!Hussie is well-meaning, but a dumb idiot who's incredibly biased in favor of certain characters and in disfavor of others (the most obvious example being his "love" of Vriska, but there's also the way he constantly disparages Eridan). As a result, you have to be VERY SKEPTICAL and VERY CAREFUL when approaching Homestuck's narration, because even when the "best" narrator is at the helm, he's not 100% trustworthy and incapable of giving the readers an unbiased view of the story.

I say "best" because, importantly, Hussie isn't the story's only narrator. He and Doc Scratch explicitly fight over control of the story - Doc Scratch, the child abusing predator who engineered Alternia's fascist murder society, whose shaping of its history is explicitly described by character!Hussie as "fanfic". He is then killed by Lord English, who is described by Hussie as embodying the "toxically masculine" and by extension, the patriarchy, and Caliborn explicitly takes control of the story. John even grapples with Caliborn's version of events, calling out how sexist and misogynistic and shitty it is.

So if we're keeping score: control over the narrative is LITERALLY wrested away from Hussie (who was already struggling to be unbiased) by fascists, abusers, and the patriarchy. It's stressed multiple times that Caliborn/LE are responsible for literally everything that ever happens; the reason the Game Over timeline ends the way that it does is because the alpha timeline is, in essence, the narrative LE is telling: the forces of fascism get to claim the new universe, thereby propogating itself, while friendship dies and all hope is lost.

Who's in control of the narrative, and why are we listening to them?

There are other minor examples of this, too: Aranea is an exposition fairy, and she's biased as fuck and wrong ALL THE TIME about her own teammates. Karkat's explanations and rationalizations are constantly tinged with his own self-loathing and self-blame. Sollux and Meulin are both prophets as per their Mage class, but are both so bogged down by their own emotional issues that the futures they pick out are actively harmful. So on and so on. At nearly every turn, you have to interrogate who's telling the story, what their motivations are, and what they're overlooking or deliberately obfuscating.

So given that this theme is so prevalent, and so thoroughly weighted toward "well, actually, maybe you shouldn't take narration at face value and should interrogate it and come to your own conclusions," it would be Really Weird for the story to go "actually, you can totally trust the narrative now because everyone gets a happy ending".

So, I know that it makes me sound like a conspiracy theorist, but here's my genuine take on Homestuck's ending:

The ending is shitty on purpose because the viewer is intended to take it as a dare to refute the narration and make something better.

Why are we letting character!Hussie tell the story? He's a biased idiot. Why are we letting the various avatars of LE and Caliborn tell the story? They're fascist, misogynistic, predatory assholes.

And - because Homestuck is a story about life - why are we letting idiots, assholes, abusers, and creeps dictate the story of real life? The world is full of forces that would try to take control of the story and make everyone else play along, represented in microcosm within the text of Homestuck. We cannot let those forces win.

So please go out and do something kind and hopeful and loving in the world today. Thanks for reading.

[starbylers]

You only really need to understand 5 things to know why Byler is happening:

Mike’s arc in season 3 was about pretending to be someone he’s not in the pursuit of “growing up”. It was about kids playing at relationships. This was the only season with focus on the state of M!leven while dating & not separated and it was treated as an immature joke.

Season 4, instead of proving to us why M!leven are right for each other, quite literally does the opposite and shows us nothing except them having awful communication & not finding emotional safety in each other. There is not a single scene between them which is an exception to this.

Meanwhile, Mike and Will are attached at the hip. We see how they resolve conflict maturely and between themselves. We see a strong emotional connection. We see how Mike feels more comfortable being vulnerable with Will than he is with anyone else, and how Will is always always there for him. We see how…

Will’s painting & monologue (aka his romantic love for Mike) soothed Mike’s insecurities and boosted his confidence. It made him ridiculously happy. And being reminded of this lie about El by Will himself ends up being necessary to encourage Mike to go ahead with his “love monologue”, which winds up indirectly causing a literal apocalypse. You cannot make this shit up lmao.

M!leven is entirely framed through Will’s experience. He’s in every scene except their fight, his pain and misery over them is never not the focus. Literally never. We are not seeing the story of M!leven’s love, we are seeing the story of Will’s heartbreak.

Nothing else matters. Like in the most clinical story writing terms, Mike’s character is not going to find out that the person who made him feel the most loved & understood is in love with him and is the one who actually feels all these things about him that just happen to align with exactly what Mike needs to hear to embody the truest and best version of himself, and instead of realising he loves that character back, goes nah I’m good I’ll end up together forever with the person who whilst dating them I became someone I was not and also had terrible self-esteem—oh and also the relationship is insanely immature. It’s that simple. Whether or not Mike currently believes he loves El or currently wants to remain in a relationship is so so so irrelevant. Storytelling doesn’t care what the character thinks he wants, it cares about what the character needs!

[turtleblogatlast]

Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.

Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.

Mikey being paired up with Meatsweats? Yeah that checks out!!

Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…

And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????

[cautiouslyyyoptimistic]

I saw a post once talking about a bingqiu scott pilgrim au where LBH had to fight all of SQQ's suitors, which is a cool concept and all, but have you considered the comedic potential and insanity of a bingyuan Scott pilgrim au where SY has to defeat LITERALLY HUNDREDS of bingge's exes??

[psalmsofpsychosis]

Me: yeah no i can cook gutwrenching Batman headcanons

Gotham TV: baby Bruce curls besides Alfred's hospital bed after Alfred gets stabbed in the heart, never leaves his side for one moment to the point that Gordon has to bring him food, he's red faced and hicking up all the time, whispers to Gordon "i can't lose him; he's all i have," and after Alfred comes back to life he brings books from Wayne Manor and softly reads horror bedtime stories to Alfred during the day until Alfred eases down and falls asleep

Me: god nevermind

[circle-around-again]

wwoww i wonder why he's so messed up

[gaffney]

miguel diaz is both robby keene's strongest advocate and the one who makes him feel like he’s constantly falling short, and i just don't know how to feel about that

[ecoterrorist-katara]

I kind of love how Zutara has two distinct ship dynamics

dynamic 1: “I will save you from the pirates,” enemies-to-lovers, Zuko is dangerous but sexy, bad boy x good girl, morally grey antihero, Dramione vibes etc

dynamic 2: Zuko is an awkward turtleduck, idiots-to-lovers, pining for your best friend, having each other’s backs, thinking she’s the coolest thing since sliced bread, Percabeth vibes etc

We can argue about which is the correct interpretation until the cows come home, but I love that the possibilities exist in the first place. From s1 to post-series headcanons there are such distinct stages in their relationship, and you can basically pick whichever point that appeals to you and run with it. There’s something for everyone. Yet another reason why they’re the best ship y’all

[septimusmoonlight]

You doing ok?

hi

[bixels]

Be honest, what are your thoughts on appledash? Do you hate it or its more of not a big deal

Not a big deal to me. I like it, I see all the appeals, I just personally like Rarijack more.