#because it ends up showing not just the product but also the intent

[d0d0-b0i]

Word of advice from a guy who gets shit on by people hating his comfort medias. People are assholes sometimes for no reason, they hate art on a surface level because they want something to hate. Your favorite medias aren't bad, in my opinion they're really cool (people who can get into rwby are like superheros to me same with sonic but I'm slowly getting into that) don't listen to the haters and keep loving what you love!

ty fr 😭🙏 i am a consistent enjoyer of what people often consider "bad" media, but i never understand why its bad. it simply doesnt register

[would-you-punt-them]

I just want to tell you this:

Thank You So, SO Much for informing people about the horrid Mr. Beast situation occurring within his Squid Game Beast Games.

I don’t think would’ve known about this awful and disgusting event occurring as much as I do now if you didn’t post about it on this blog.

Thank you.

I do think it isn't something that should be brushed under the rug, and I also feel that the more people know about it, the worse it becomes for Jimmy when the Beast Games show actually comes out.

One thing I forgot to include in the post is that the Las Vegas shoot is going to be uploaded on YouTube as an extended qualifier to the actual show on Amazon Prime.

It's worth noting that the contestants didn't know that until they arrived at the stadium. They'd been told that the Las Vegas shoot was the Amazon show, and there would only be 1,000 competitors (which is how it is marketed by Amazon). They only learned that the player-count had doubled and this wasn't going to be on Prime once they were on set, and were shown a video message from Jimmy saying he forgot to mention that actually there were 2,000 people and this wasn't the Amazon show (though MrBeast later claimed that this was always the intent).

I don't know when the video(s) will be uploaded, but I honestly can't wait because I'm dying to know how they're planning on editing the footage to cut out the horrors that took place during the challenges.

Like, how are they going to show the Red team losing the first challenge with the rope and pulley? On the one hand, surely they've got to show the 400 people who were eliminated in that challenge. But on the other hand... what exactly do they have to work with?

The production team refused the Red team's pleas to stop the challenge and demanded they keep going to the end, presumably because they needed them to do it for the sake of the video. Instead, anti-capitalist icons that they are, the entire team abandoned the challenge mid-way anyway so they could go help their teammates who were literally being strangled, throwing the game. And once they'd abandoned the rope, they never picked it up again.

Obviously, the producers can't show competitors being throttled. But that means that they also can't explain why the Reds lost the challenge. If the throttling happened toward the end, maybe they'll be fine, but if it happened closer to the middle, there's no way for them to explain why those 400 people just gave up so early.

It also presumably means any overhead shots of all the teams are ruined, because that would require them to explain why the Reds just aren't participating.

Maybe they could show the Reds giving up, but give a different reason. But no reason I can think of works. If they say they "tried their best but knew they couldn't win", they would then also have to answer the question of why the challenge was impossible for them - the reason being that their team of 400 consisted of about 380 women, while their opposing teams consisted almost entirely of the youngest and strongest male competitors.

And I'm not sure how they're going to explain that, because if they show the challenge of everyone going for coloured jerseys, they can't reveal why the teams ended up so unbalanced, as the actual reason is that the male contestants were hoarding jerseys and were physically violent against the female and elderly contestants, and organised themselves to guarantee they were all on the same team, resulting in a gender split.

I'm also not sure how they plan to edit around challenges like the briefcase game, where in the middle of the cramped field the male contestants were attacking and trampling the women. It's going to take a lot of editing to cut around that. And while they can edit out the injuries occurring they can't edit out the fact that by the end of the challenge there are suspiciously fewer female contestants remaining than there were to begin with.

Additionally, they're going to have to justify why the contestants started off so diverse in gender and age, only for the 1,000 who made it to the actual Amazon show predominantly being young and male, without it becoming clear that no one else had any chance. They can't introduce new contestants to re-diversify the cast, because 1,000 were promised by Amazon, 1,000 qualified, and people will complain if they try to fudge the numbers or cheat by introducing last-minute entries, which is especially bad now that he's currently under fire for allegedly faking and rigging competitions.

Jimmy also can't just not upload it at all, because then he'd have to explain that as well, and this is such a massive event people, both fans and detractors, are going to notice.

The more people know about it, the worse his situation becomes, because there's just no way out of it without inviting questions he doesn't want people to know the answers to.

While this is obviously too much to hope for in this timeline, in an ideal world enough people start talking about this that Amazon cancels his show due to the controversy - Jimmy has said Beast Games is intended to be his break into more traditional media, and I think it would be nice to shut that down.

[blindbeta]

Exploring How Toph Beifong Could Be Played By A Blind Actress and Refuting Reasons Some People Believe She Couldn’t

[Image Description: Toph Beifong from Avatar: The Last Airbender. She is waving her hand in front of her face after joking that she spotted the great library, tricking the Gaang only to remind them that she is blind. She rides on Appa who is flying above a desert landscape. End I.D.]

The live-action adaptation of season 2 of Avatar: The Last Airbender is underway. This means people are discussing Toph again, much like they did during pre-production of season 1. I have seen and even participated in promoting the idea of Toph being portrayed by a blind actress. Similarly, I have come across push-back against the idea.

Instead of if Toph Should Be Portrayed by a Blind Actress, Let’s Focus on How She Could

(should and could are bolded for emphasis)

This post will address common misconceptions that serve as barriers to the idea of a blind actress portraying Toph.

A Few Notes Before We Start

These points come from posts on online forums, YouTube comments on videos related to the casting of Toph, and tumblr posts. No one will be specifically called out here, as while these points may be attributed to certain individuals online, they represent much wider views that are shared by many, even without malicious intent. These common misconceptions stem from unchecked ableism and general lack of information. Keep in mind that my intention is not to call out any individual person, as ableism is a widespread, collective problem. The reasons I refuted in this post showed up repeatedly and were not isolated opinions of one or two people.

1. No, it would not be too difficult to find an actress who is Asian, blind, and the right age

[Image Description: Toph as The Blind Bandit uses earthbending to create three pillars of rock that shoot at an angle from the ground and smash into her opponent, throwing him against the arena wall. End I.D.]

This point suggests that it is difficult to find candidates fitting Toph’s description. I suspect this is due to racism and ableism, in that a white and abled person is considered default and therefore believed to be more common, especially by Western studio standards. This is not truly the case. People of color and disabled people are auditioning, especially for the comparatively few roles that seek them out specifically, such as Avatar: The Last Airbender.

Blind Asian people exist. Some of these people are also actresses. Some have backgrounds in dance or martial arts, especially because many actors do similar activities to increase endurance and versatility. Finding a pre-teen or teenager to play Toph would not be as challenging as many people believe, especially those who already underestimate the amount of blind people in the world and their abilities.

Those who argue this point may be under the impression that a blind actress would be out of reach due to low numbers and lack of interest in auditioning. Blind people are auditioning. The reason you don’t see them on screen is because most of them are ignored in favor of abled actors. For example, in this video, Molly Burke discusses not being chosen to play a blind character whom she was told was based on her own life. The actress chosen to play the character was not blind. You can watch it here.

Additionally, Netflix has the ability to hold a widespread casting call. They are not a tiny studio doing productions in someone’s backyard. They have access to a wider pool of actresses than the average person might think, particularly if said person is not familiar with the resources big studios often have at their disposal.

In fact, Netflix is doing just that. Below is a link to their casting call, which encourages blind and low vision actresses to audition.

Link to casting call here with alt text.

2. Some people believe Toph isn’t really blind and therefore the actress who plays her needs to be able to see

[Image Description: Toph as The Blind Bandit using bending, with shots showing her hands and feet. As her bare foot slides sideways across the ground, the camera zooms out to show her sensing vibrations. The image turns greyscale, with circles of white vibrations emanating from around Toph’s body, where they expand and flow outward. End I.D.]

The rationale behind this is probably the same as it is for Daredevil, meaning some don’t consider Toph to be blind because of the way she uses her bending.

An argument could be made that Toph’s powers erase her blindness or that her powerful abilities make her less relatable to the average blind person. However, I suspect that many sighted people engaging with these discussions of Toph’s casting are not also concerned with questions of erasure or relatability. In discussions questioning her blindness, the evidence given mostly centers on Toph’s physical abilities rather than relatability to real blind people.

Her bending aside, Toph is certainly blind. She experiences ableism from her parents and general community. Blindness shaped her life in a lot of ways, even with her bending, which is also influenced by her disability.

We see Toph being guided while running on the airship, needing assistance while walking on ice, and struggling to travel in a desert. She uses her other senses, including hearing and tactile senses. She has limitations regarding how she is able to interact with an unaccommodating world, such as inaccessible reading and writing systems.

There are also lifestyle and cultural implications of blindness extending beyond the inability to see. Being blind is not only about what one can and cannot do, which is true of Toph’s experience as well. Blind people may have different values, experiences with family and friends, different senses of humor, or may place higher value on other sensory experiences compared to sighted peers.

Whether or not Toph is good blindness representation can be argued. However, she is still a blind character. Her blindness influences her whole life, even as she is more than her blindness at the same time. Her life as a blind person is about more than limitations and abilities. Reducing her, and any blind person, for that matter, to only these facets of her experience oversimplifies what it is like to be a blind person.

Claiming that she isn’t a blind character because of her ability to do x, y, and z can be incorrect for a lot of reasons.

Blind people are more than what we can do or what we produce. Our experiences are rich and varied. Our lives are inherently meaningful no matter our abilities or limitations. It is both ableist and inaccurate for sighted people to attempt to put us all into boxes.

Additionally, blindness is a spectrum. [Bolded for emphasis.] You can read about it at the following posts on my blog:

here

here

here

and here.

Here is a good list of legally blind YouTubers with various types of visual experiences.

According to various sources on the blindness spectrum, about 85% to 95% of blind people have some remaining vision:

93% according to RNIB

This Perkins School For the Blind fact sheet estimates about 90 to 95% of blind have some remaining vision

American Foundation for the Blind estimates about 15% of blind people are totally blind and discusses the spectrum of blindness here

The spectrum of blindness is important because our experiences become even more diverse when the spectrum is considered. This means that assumptions about what we can and cannot do become even harder for sighted folks to guess accurately.

This accuracy is important if sighted people are going to try to put limitations on blind people, which they have no business doing anyway. They are not the authority on what blind people can do, what we cannot do, or what is good for us. Only blind people can answer that for themselves.

Lastly, blind people are already used to navigating and interacting with their surroundings. They have had anywhere from months to a lifetime of experience, which would translate better to Toph’s ease with her blindness and confidence in her bending.

While an actor wearing contacts to obscure their vision might stumble around and have difficulty on set, someone who is actually blind could lend Toph’s character a much more relaxed, confident attitude in addition to possessing experience navigating in a way that works for her. She is used to being blind. Therefore, an actress who is also used to being blind brings a lot to the performance in terms of physicality, attitude, and the ability to focus on portraying the character, rather than simulating blindness.

Which leads me into the next point.

3. The idea that Toph doesn’t move like a blind person relies on stereotypes of blind people

[Image Description: A GIF from the episode “The Runaway”. Toph, Sokka, and Aang all con some con artists and cheer after their victory, Toph raising her arms high before snatching the prizes. They all run away. End I.D.]

There is no specific way of moving like a blind person. Like sighted people, the way blind people move may be influenced by many factors, such as level of vision, how long they have been blind, their mobility aid, navigation techniques, familiarity with their environment, level of confidence, feelings of safety, other disabilities, energy levels, cultural factors, and more.

While there are mannerisms that are recognizable to blind communities, there is no one way to move like a blind person. Just as there is no one way to look blind.

The ideas of “not moving like a blind person” or “not looking blind” come from stereotypes of blindness. In fact, these ideas can be so pervasive that blind people who don’t fit stereotypes may be accused of faking. I explore this subject here.

In this video, Sam from The Blind Life discusses the experience of performing blindness or being pressured to act more blind than he is. Link here. He explains while he has some vision, he uses his cane to indicate to others that he is blind. This is one of the main functions of a cane. Sam explains feeling pressure to adhere to certain stereotypes about blindness or risk being accused of faking.

Similarly, in this video linked here, Molly Burke discusses the stereotype that blind people’s eyes look noticeably different from sighted eyes. This includes the inaccurate belief that all blind people have cloudy eyes, blank eyes, eyes that are always closed, or eyes that simply must be covered in dark sunglasses to protect the sensibilities of sighted people. Molly explains that while blind people can certainly have these attributes, not all of us do. Molly laments that the phrase, “You don’t look blind,” is either used to invalidate her or to praise her for passing as a sighted person, which is ableist.

Just as blind people don’t look the same way, we don’t move the exact same ways either. That applies to Toph as well. For example, she prefers to keep her feet on solid ground for bending purposes, orientation, and possibly due to cultural factors valuing stability and connection to the earth.

4. The idea that accommodations would be impossible to provide is rooted in ableism

[Image description: A GIF of Toph and Zuko sitting beside each other on the floor at the Ember Island theatre episode. Toph punches Zuko’s arm. Metaphorically for the purposes of this post, she is punching ableist ideas that have nothing to do with Zuko. End I.D]

Here is a thread I shared in the early days of this blog, wherein the topics of blind actors and accommodations are discussed. The entire thread might also be helpful for this post, as I explore the same points, which shows how common these misconceptions are. While this may seem to be an isolated online disagreement, none of these arguments are new. That is why I believe this topic is important— these arguments about accommodations being too difficult or a burden on others also pop up in conversations about other workforces and other disabilities.

A blind character not being played by a blind actor is one thing. A blind person not being hired for a job they are qualified for due to resistance to providing accommodations is not so easy to ignore, not so seemingly isolated a concern. These barriers don’t only apply to blind actors looking for work. They apply to all blind people looking for work.

That means most of this isn’t really about Toph, nor the opinions of random people online. Instead, I hope to highlight common patterns in ableist thinking and dispel these ideas using a character people care about. This is, of course, in addition to my own desire to have a blind actress play Toph.

With that said, let’s explore what work accommodations might look like using examples of blind actors.

Dionne Quan is a blind actress who has an extensive filmography for voiceover work, including popular characters such as Kimi from Rugrats. In this article from when the character was first introduced, she discusses how she performs. Link.

Quote from the article: “Most of the recording was done in a studio with just a mike and a stand for the script. I had the lines in braille, and I would read them on the way over to get into character. You have to have your bag of tricks ready to go.”

Most of the work Quan discusses involves typical acting stuff. The accommodations given to her are similar to adaptations that might be made in an office setting. Additionally, with all the technology available now, it is easy to make a script accessible through large print, VoiceOver and memorization, Word document instead of a PDF, a Braille display, etc.

And as of August 2024, Quan can add adult Toph Beifong to her list of characters. Which is super exciting and, I thought, an appropriate fact to include in this post. You can read more here.

To continue the discussion of accommodations for actors, I would like to discuss Ellie Wallwork. Wallwork is a blind actress who has performed on Doctor Who.

She describes her experiences on set, such as blocking scenes and using tactile accommodations in this short video from the SeeSaw podcast. Link here.

Transcript:

Elie Wallwork speaking:

“Obviously, markers are just normally flat bits of tape on the floor. I had to have some sort of tactile ones so I knew where I was stepping onto. And it takes longer. It definitely takes a bit longer. I guess the thing that frustrates me about the industry is that sometimes casting directors will think, ‘Well, how could a blind person possibly do this, do that? How could they do stunts? How could they even navigate around set?’ But it’s perfectly possible if you— for example, with the crew that I had on all the productions I’ve been on, they’ve all been really kind, really patient with me and able to understand that, yeah, okay, it might take me five minutes longer to block a scene, but that’s fine because it means it’s authentic.”

End transcript.

You can listen to the full episode here.

Lastly, I find that many sighted people are not generally knowledgeable when it pertains to what blind people can or cannot do. Examples of this lack of knowledge include frequent questions about how blind people read, exist in online spaces, cook, etc—and these are simply from posts on my own blog.

Here is a link to a discussion thread that explores ableist assumptions people often make what blind people are or are not able to do. It particularly relevant for this topic. Link can be found here. Please remember that while I did respond to some folks who expressed opinions colored by ableist assumptions, that post is not about them. Just as this post is about addressing ableism in general rather than from a specific source.

The point is: consider why abled people are so comfortable stating what blind people can and cannot do, when one of the most common questions about blindness is still “how do you use a phone or the internet?”

People who aren’t blind often fail to grasp what our limitations actually are. Many people are still surprised to learn that technology or accommodations exist for us, despite having access to various forms of technology themselves. They struggle to understand that we can live our daily lives, possibly because they personally cannot imagine themselves without the vision they rely on, such as that time a professor asked blind content creator Stephanie Renburg [quote] “How do you live?” when the conversation was supposed to be about school accommodations [Link here].

This brings me to an assertion that is often made when sighted actors obscure their vision in order to play blind characters. It is often noted that it was too hard for them emotionally, mentally, and physically. Because of this reaction, the assumption is made that a blind person cannot possibly perform the role.

For example, in the article linked here, this is stated about Jamie Foxx in his role as Ray Charles. “Some actors, including Jamie Foxx as Ray Charles in “Ray” (2004, best actor) and Blake Lively in “All I See Is You” (2017), have chosen to wear ocular prosthetics, rendering them literally blind during their performances. But this creates a new problem: Unlike real blind people, who can spend years honing their orientation and mobility skills, the blindfolded sighted person becomes lost, confused and frightened with the sudden loss of sight — Foxx told interviewers he began hyperventilating as soon as his eyes were glued shut with the custom prosthetic eyelids that the filmmakers affixed over his eyes.”

Being blind is different from a sighted person temporarily obscuring their vision. Blind people have a better handle on being blind because we’ve been doing it longer. Blindness is part of our lives. Of course blind people are going to have an easier time portraying blind characters. This means most of the concerns people bring up when discussing sighted actors struggling with being unable to see won’t actually apply to blind people who have been at this for far longer.

I also wanted to address the idea that hiring blind actors would cost more, according to the assertion made in that thread about hiring blind actors, which you can read here if you haven’t already. While I can understand why someone might believe hiring a blind actor would cost more, I believe it would actually cost less.

Blind actors can use their own canes or other assistive devices used by the character, which saves money on expensive materials

Blind actors likely already have experience with O&M training, saving money and time that would otherwise be spent training a sighted actor, such as described here

Blind actors don’t need contacts or prosthetics, which may otherwise be used help an actor simulate blindness

And blind actors would have an easier time navigating sets, dancing, or doing required physical activities while blind, which reduces the learning curve that sighted actors with obscured vision need

A few Disclaimers:

1) Blind people learn from our communities and through life experience. While we naturally have more experience being blind, our knowledge is enhanced through learning from other blind people and participating in training designed to improve our life skills. I maintain that a sighted person obscuring their vision for a few hours will not have the same level of experience.

2) Reminder that blindness is a spectrum that a blindfold cannot replicate.

and 3) This post is not to say that sighted actors cannot do well or cannot put effort into their performance. According to the article above, Charlie Cox won an award from the AFB for his commitment to portraying Daredevil. However, just because there are sighted actors willing to put in the work does not mean blind actors can’t. I wanted to include this disclaimer in case someone sees the AFB article I shared and worried I’m trying to disparage actors who have already portrayed blind characters and happened to do a good job. After all, I love the original performance we received from Michaela Murphy, who originally voiced Toph. That doesn’t mean studios should not make an effort to cast more blind actors moving forward, nor does it justify any of the silly or explicitly ableist reasons people give for why sighted actors must be chosen over blind ones.

Let us return to refuting those excuses with the last thing I wanted to address.

5. Some people are concerned that a blind person might get hurt doing martial arts, but so can literally anyone else

[Image description: GIF of Toph dressed in Fire Nation attire. She punches through a rock.]

Kids can get hurt in any kind of sport, yet society doesn’t try to keep children from these activities for their own safety. However, disabled kids—and adults for that matter—are often reminded that we are being kept out of spaces for our own protection. Which we didn’t need, nor ask for.

This need to protect disabled people can be not only infantilizing, but hypocritical as well. For example, a blind person might be discouraged from playing recreational sports in a misguided attempt to protect them. Conversely, structures that keep blind people at risk are allowed to stay firmly in place, such as discrimination around transportation, inaccessible infrastructure, and poverty.

Blind people play sports anyway. Often, these sports carry their own risks of injury, as most sports do. Blind people have the agency to understand this and consent to it. Examples include blind football [link] and goalball [link].

Here is a video of Sadi the Blind Lady discussing goalball with Eliana Mason, a Paralympic athlete who plays goalball professionally.

Transcript: “Goalball is sport for blind and visually impaired athletes. It was created after World War II for blinded veterans and is now a Paralympic sport. The coolest thing about it is that everyone wears eyeshades so no matter what your level of vision loss is—because blindness is a spectrum— it equalizes it. The ball has bells in it and the court is straight with tape over it. It’s on a volleyball sized court. It’s three on three. And basically in offense, we are throwing the ball as hard as we can with a lot of technique involved, about 30 to 45 miles an hour to have it hit the ground and roll and hit the other players on their bodies. And on defense, you are throwing your body out and diving in front of this 3 pound ball and blocking it. So essentially you want to get hit with the ball.”

End transcript.

Getting hit with a ball, especially in the face or stomach area, is going to hurt. That is okay, because as long as safety precautions are taken, pain might be part of the experience depending on the rules and anticipated possibility of injury.

Martial arts and dance, which are backgrounds sought specifically in the Netflix Toph casting call, can also lead to accepted forms of pain or discomfort. While one could argue that sports injuries could and should be preventable, this post is more concerned with the expectation of pain, injuries, and what steps are taken to prevent them, such as protective gear or an experienced coach / teacher.

A blind person auditioning for Toph knows that martial arts will be involved. She will spend time learning choreography, building trust with co-actors, and figuring out works best for her. This structure is similar for blind people playing football or goalball or tennis or fencing or whatever else they want to do.

Lastly, people who aren’t blind also experience pain or injury during sports. Same with martial arts or dance.

The actress who plays Toph might get hurt. She might not. Some pain might even be an expected part of training. That is no reason to exclude a blind person from participating. That is no reason to say Toph couldn’t be played by a blind actress. [Bolded for emphasis]

Lastly, anyone training actors on fight choreography already knows how to do so safely. That fact that this is choreography is also helpful, allowing for memorization of actions and reactions. Conversely, the sports and physical activities I listed above are not choreographed, with the exception of dance, and are therefore less predictable. Therefore, if blind people can get head injuries playing on a recreational blind football team, a blind actress can handle fight choreography.

Closing

Thank you for reading all of this. My points still stand whether or not a blind person is actually cast for Toph.

Too Long, Didn’t Read:

Unchecked ableism can lead to oppression even if it is unintentional

Blind actors exist

A blind actor would better capture Toph’s ease and confidence with her blindness

Blind people can do a lot more than sighted people usually think they can

Blind people also face discrimination and limitations that sighted people may not have considered

Blindness is a spectrum and most blind people can still see something

There is no one way to look or move like a blind person

Accommodations are not that difficult to provide

Hiring a blind person would actually cost less money

Most of the popular reasons people believe Toph cannot be played by a blind actress are rooted in ableism

This post is not only about Toph or actors, but an example of how unchecked ableism can be harmful

For example, low employment rates for blind people, inaccessible online resources, or Toph-related posts shared without image descriptions

Toph Beifong could totally be played by a blind actress

[idolomantises]

I find Sarcastic Chorus's video on why he's quitting Helluva Boss really interesting but I'm kind of baffled by the number of people straight up not understanding his reasoning for quitting. I think it's interesting how both his video and the online reaction to it is basically the consequences of modern fandoms treating art like its something to mindlessly consume and not worth analyzing and critiqing, or else you're consuming it "wrong".

Like his argument isn't that he hates the show or that he was forcing himself to criticize the show, in fact one of his main problems was that he couldn't be MORE honest in his reviews because of how fans would react to it. The problem was that when your job is to analyze a show, and it has way too many problems to ignore, and you're dealing with a hyper-sensitive fanbase that's hostile to criticism, you end up feeling exhausted or flat out disinterested in reviewing it.

I actually find it really concerning that fans are coping so hard with him quitting that they're framing it like its his problem because he was "looking for problems on purpose" when it was pretty obvious that it genuinely makes him kind of miserable trying to pick apart the show's issues. I remember when he was SO confident that Hazbin Hotel would be amazing and "prove the haters wrong" only for him to acknowledge that it was a complete mess. I'm honestly more confused by the fans who watch a reviewer and then get mad when he... reviews things. It's not even that they disagree with him, but the audacity to even point out very noticeable flaws in the product is enough to set them off and accuse him of being a clout chaser and a hater. Like do you want to see a review or did you just want to watch someone lie to you and blindly praise a series for 30 minutes, because i find it really odd that so many fans are insistent that he should've done the latter.

I also got pretty annoyed by this insistence that he wouldn't have turned on this show if he didnt criticize it and "turned his brain off" instead which is the same stupid excuse people gave for Hazbin's sloppy writing. and I just find that just... baffling? Hazbin Hotel and Helluva Boss, as extremely flawed as they are, are clearly shows made with the clear intention of being taken seriously. Ffs the crew calls Helluva Boss "queer Bojack Horseman". Helluva Boss tackles topics like abuse, trauma, classism, racism, toxic relationships and redemption and Hazbin Hotel tackles themes like sexual trauma and abuse, redemption and religious oppression. But the problem is that both shows do it so poorly that people genuinely think that it's meant to be slop content that you're just supposed to turn your brain off and listen to.

I'm not going to forget when these fans were treating Helluva Boss's season 1 like peak queer representation and writing and insistent that Angel Dust was this amazingly well written gay male character that people only hated because he was messy and imperfect. Honestly kind of funny that I was chastised for saying that Angel Dust is just a sex joke only for the show, the crew, the merch, and even the damn playbill reduce him to just that. Slapping on trauma (especially knowing that its more of a fetish than a genuine exploration on male sexual abuse) doesn't really negate the fact that Angel Dust is poorly written. Side note: his fans are way too unhinged and aggressive, its getting very weird.

So its funny to me that now that Helluva Boss season 2 completely nose dived and Hazbin Hotel is a sloppy mess that feels more geared for children than adults, that now people are being told they're not allowed to analyze these shows or even pay attention to their problems, and are treated like idiots for doing so.

I think the problem is that I kind of think fans also notice the lowered quality of writing in both shows. because why aren't people actually defending the writing and character progression? instead of "Sarcastic Chorus is wrong because his criticism is incorrect and misses these points" its "Sarcastic Chorus is wrong because he should have shut his brain off and treated these shows like its cocomelon for adults"

[power-handmaiden]

Chuck Tingle interview

OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!

-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?

the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving

-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?

DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.

-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?

i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 

similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time

-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...

yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me

-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?

same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points

-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?

oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.

as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us

-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?

probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.

-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?

-a ghost of a regular human

-a regular human vampire

-a human/fish mermaid

-a sentient winged horse

-a sentient centipede large enough to wrap around a mountain several times (she is handsome)

alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification

a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories

MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.

WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid

a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler

-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)

i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug

-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?

honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more

THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL

[ask-codeearasure]

So... About that shitty Cross take that one person made....

If you've been following certain creators, even this account, I'm sure you've spotted a specific idiot going around complaining about Cross being Trans-Coded and using Republican talking points to say that it's "forced" or "doesn't make sense" and whatever other bullshit that shouldn't even be looked at let alone acknowledged. HOWEVER, instead, we are gonna sit down and talk about how the Trans Experience is so versatile and why Cross (and similar characters) being Trans-Coded is actually extremely important.

Gender nonconformity is fucking terrifying to Republicans, this is why it's been one of this generation's favorite punching bags.

If you look at the women who are tied to the Republican Party, you see a lot of hyperfemininity, so much so it's easy to tell that Barbie is considering suing them for stealing all her plastic.

Jokes aside, gender affirming care is gender affirming care and they are using the same gender affirming care that trans people have been using for years. This isn't only about nail products and cosmetic surgery, but also breast reduction or implant surgeries.

Gender affirming care however, is demonized by the right because they don't get it nor do they acknowledge that there is a range to it.

I once read a story about how one person had realized they were trans because a friend of theirs pointed out that when they had the option of choosing the gender of their playable characters in gaming, they always went with the gender they were not assigned at a birth. Example being an AFAB person constantly choosing male characters.

Though I have not finished watching Underverse this is applicable of XFrisk and XChara shoving the name "Cross" onto... Cross. They are pointing out he is not Sans despite being assigned that name since creation. Their true intentions here had cruelty in mind, but Cross made the name his own.

He is in denial about it which is applicable to how a LOT of trans people are in denial about it sometimes. Hell I remember a Right Wing talking head on Twitter who had tried to transition, detransistioned due to pressure from their family and then stayed at their assigned gender because of it and falling for the Republican propaganda.

Denial isn't just a river. It never has been.

Some people are in denial about their gender identities and sexual orientation and with the coming presidency we are going to see a rampant uptick in that statistic. With that coming, characters like Cross are needed far more.

Cross's story, as far as I've seen, is rough and follows a lot of self-acceptance and self-advocating storylines. Even when it comes to the biggest things that anyone from the LGBTQIA+ has to face, one of these struggles being the fear of rejection and/or being rejected by one's peers.

From what I've seen when it comes to spoilers is that Cross does end up being rejected by those he was close to before meeting Ink, and thus has to come full circle and accept himself by saying "I am Cross". He has to deny the name he went by in the past. He has to because if he doesn't, he'd be giving in to living in denial of who he truly is and thus be living a life of suffering for no reason than to keep others comfortable, setting himself on fire to keep people who couldn't give a damn about him warm.

A lot of Trans people have to show their rejection of their past or even the acceptance of that past to come to terms with themselves. Each person is different when it comes down to finding who they are and accepting that. It depends on the individual.

Some treat their past and their deadname as though they're a completely different person or someone who died so they could live. Think of a phoenix rising from the ashes.

Others treat it like their past self was the caterpillar where their new and true self is the butterfly.

Is it perfect?

No.

Is Jakei a perfect writer?

No. Neither are a lot of my favorite writers and franchises (I'm looking at you Riot Games and your shitty centrist takes on the worst of human history's sins).

But some of the things that imperfect writers make are beautiful and Cross is one of them. He is one of the few characters that speaks for the writer when it comes to saying "I see you, I see your pain. I see your suffering. You are not alone. You deserve to live your life the way you want to. You are valid."

But there are a few questions that the more clueless of people are going to ask.

Why bring Politics into this? And why do Republicans like the media made by progressives?

The answers are FASCINATING.

I bring Politics into this because Republicans, specifically Cishet white people, have made everything political since the beginning of time. Everything they don't like, everything different from them, everything they don't understand, and everything that directly rebels against their patriarchal idea of "paradise" is now considered "Political".

I remember a Republican had argued the dumbest thing once, and I was so dumbfounded I had to take a step back because holy shit.

Their argument was that black people enslaved each other which made their enslavement by white people their own fault.

Now if your jaw is on the floor, you already know where the problem is. If you don't get where the problem, is let me ask you something.

If that is the case, who was the one who made it all about skin color?

I'll tell you.

It was the white people (who were Democrats before the massive party switch, which makes them modern day Republicans).

Who were the ones who made having jobs all about gender? It was the Cishet white men (99% of whom are Republicans).

Who constantly demonized the LGBTQIA+ community during the Stonewall Riots? Mostly Cishet White Republicans.

Who are demonizing Trans people right the fuck now? Republicans and Pick-Me Gay people who vote for Republicans and side with Republicans thinking that the Republicans will finally accept them when they know Republicans won't fucking do it.

Being LGBTQIA+, making non-white characters, making a character a woman, it makes that character "Political", and "Political" characters are always the ones put on the spot for accusations of "forced diversity" and "perversion" where anyone with a working sense of conscience will understand this is a talking point butthurt Republicans or those warped by Republicans pulled out of their assholes looking for a problem where there isn't one.

All art, be it animation, digital art, traditional art, singing, writing, is political. They've always been political.

Do you want to know why Republicans are always bitching about coffee orders? It's because the Enlightenment era thus leading to the Romantic Era of literature was started because of coffee shops it was where all the best writers hung out. The moment they met each other and started talking to each other, the Enlightenment and Romantic Eras started taking off in full force.

It is because of the Enlightenment and Romantic Era writers we don't have Child Labor anymore. A lot of their writing brought talks of nature and the horrors of Child Labor into question. You can't talk about the history of Child Labor without talking about William Blake's Chimney Sweeper and Elizabeth Barrett Browning's Cry of the Children. You fucking can't. Without Blake and Browning we'd still have children in mines and on rooftops risking their lives to clean your fucking chimney.

And here is where we get to the why. Why Republicans LOVE progressive media.

Here is a little secret.

All shows and media made by Republicans are shit because it is all Propaganda.

I know. Shocker.

Look around.

Mr. Birchum, New Norm, Leo and Layla, it's all propaganda. It's all the same Republican talking points that they never shut up about and even then they don't know what they're talking about.

Ask a Republican what "intersex" means. Do it, I dare you.

They won't fucking know but they'll tell you that it's Satanic and shouldn't be allowed near children.

They'd never guess that it's a spectrum of natural gender nonconformity and mixed sexual/hormonal characteristics such as having PCOS or being AMAB and still having a functioning uterus. They don't care that their delusions about there only being "male" and "female" for reproductive sex options has led to medical malpractice, social abuse, murder, and erasure of intersex individuals, and the ones that do know about intersexuality diagnose it as a "Differential Sexual Development Disorder" as if just being born intersex makes someone's existence inherently wrong with an inherent need for surgical and hormonal "correcting".

Republicans like progressive media because it knows how to say something and still be well written. This is why Republicans LOVE Star Trek, Star Wars, My Little Pony Friendship is Magic, and Arcane.

It's all progressive media but it all knows how to build a world and say something. Good writers are progressive and know how to write.

Don't get me wrong there is a LOT of fucking garbage that tries to be progressive but that is a small outlier that Republicans LOVE to bring out and bash on to say that we're the ones who ruin media. They make false equivalences to try to make you stop thinking. They need stop-thinking clichés and talking points because it's all they have. But they are so fucking terrified of anything different from what is in their stupid bubble that saying "Oh yeah the champion Taliya is trans" will send them screaming and crying.

Yeah, Riot Games danced around the fact that one of their characters is Trans because they knew she'd scare off the entirety of the Republican player base. They had to hide it and use her magical girl skin to gently hint at it with "Yeah when I'm in this outfit I feel more like myself!" and the entire multi hour long Star Guardian album animation having the Trans Flag being the main pallet on everything.

I honestly wonder how many Republicans ran off when they saw THAT CaitVi scene in Arcane.

Republicans just hate anything that isn't Cis, isn't Hetero, isn't a man, and isn't white. This is why it's not uncommon to find that cishet white men are always found at Klan rallies or the modern Klan rallies which are called "Trump Rallies" these days.

This is why a lot of exhausted Democrats, Liberals, and BIPOC, Feminists, and LGBTQIA+ people have been laughing their asses off at the Pick-Mes who are getting fucked over now that they realize that surprise surprise, Project 2025 was the plan! We fucking told you so, dipshit!

This is what you asked for dumbass! We tried to warn you. You didn't listen. LESSON FUCKIN LEARNT!

Republicans like progressive shit because we make good media.

Republicans HATE anything that isn't CISHET and WHITE.

Now, am I saying all this to claim the person who made that anti-trans Cross post is a Republican, an abuser, or anything else that contributed to this systematic nonsense? Absolutely fucking not. That's an extreme statement to make and they're most likely just a very mislead kid who may or may not have been influenced by a couple of these problems, and them acting out the way they did is perhaps a reflection of how important it is to acknowledge these things even if our community is just fandom and the point is to have fun, to have a distraction from all the bad powers at play.

Either way, their actions pissed me off. Hope they learn.

Thanks for coming to my Ted Talk. Get the fuck out.

-- Ouija

[nose-nippin-fun]

Huskerdust Intimacy Headcanons Part 1 (contains nsfw)

* Above all else, Husk values consent. If the boys are drunk, it’s a no-go on sex. Later in their relationship, he’s fine if it’s only him that’s tipsy, but he’ll never go further than kissing when Angel’s not all there.

* Husk is careful about his movements near Angel. One time he lifted a paw to gesture or grab something, and Angel flinched. It broke his heart, so now his movements are very intentional.

* Husk doesn’t have many personal possessions, but he is a dice gremlin. When Angel finally sees his collection, he sets out to find another impressive set he can gift Husk.

* During their first time, Husk refuses to let Angel service him, focusing entirely on Angel’s care and pleasure. Angel is shocked to discover that softer “vanilla” sex is extremely hot when there’s feelings involved. Husk either lets Angel stay on top or makes sure he’s not pinning him down, giving Angel control over everything.

* Angel helps Husk get back into self care with hair and skin products. When they’re not hanging out at the bar, they’re lounging in Angel’s room having spa nights. Husk also discovers a love for candlelit baths (especially if Angel joins him).

* Husk comes to approximate when Angel will be home after every shift and always has a drink and an open seat waiting at the bar. If Angel’s ever later than expected, he just gives the old drink to Niffty.

* Husk makes it a point to befriend Cherri. She’s important to Angel, so she matters to him too. He ends up learning a lot about Angel through her, and in turn, he lets her open up about herself.

* When Angel leaves Fat Nuggets in Husk’s care, he gets stupid protective over that pig and potentially spoils him more than Angel.

* Husk actually enjoys when Angel carries him, often forgetting just how physically strong Angel actually is from all his pole work.

* Husk actually has major rizz, but he’s often oblivious to when he’s turned the charm up to 11. He eventually catches on if Angel gay panics hard enough.

* Once they’re an established couple, Angel and Husk coordinate their daily outfits so they’re always matching like cute old people.

* Angel likes to kiss the heart patterns on Husk’s ears, forehead, and hands, and Husk melts every time.

* Angel convinces Husk to bring out his overlord/demon form in the bedroom when they’re feeling extra spicy. Everyone else can tell when this happens because Angel has trouble walking the next day.

* Angel starts practicing with aerial silks because he wants to have an elegant/non-sexual talent to show off for Husk.

[still-cookiedough]

Five reasons why you should watch The Loyal Pin if you enjoy sapphic content:

A complete story: In the last couple of years countless US shows with sapphic couples have been canceled and most of them have been in the middle of the story with no conclusion. This show will give you a complete story with a beginning, middle, and an end you don’t have to worry about cancellation because the whole story is contained within 16 episodes. And if you end up enjoying the genre there are more shows to enjoy!

Sapphic romance to the max: One thing that I hate in US media is the death of the rom com and romance stories in general. Because these genres cater to women they are seen as lesser. The shows/movies that do get made are typically 95% to 100% straight. So my recommendation is that while we wait for the sapphic season of Bridgerton we enjoy a period romance that is entirely focused on two girls. Do you get annoyed by sub plots with straight characters? That’s okay because there are literally none in this show.

It’s free! In the time of 10 million subscriptions you can watch this on YouTube for free.

Quality sex scenes with more to come: An episode of this show opened with a 7 minute sex scene - if anything it was too long! Which is probably the best complaint to have. The intimate scenes are tasteful and clearly were made with the intent of the female gaze. Both actresses are comfortable with each other and have great chemistry. Over the course of the show it would be my guess that there will be 5 or 6 sex scenes if not more, and while the scenes are fun and hot there is no nudity (which can be a pro or con depending on who you are). Of course everyone has a different opinion on what they consider to be a good lesbian sex scene and quantity is not always quality, but aren’t you at least a little curious to check it out yourself?

Representation: It’s so refreshing to watch media that is not produced in the west. I think it’s so worth it to give international media a chance. Some things will be different, tropes that we typically rely on may not be the same and the production methods may be different. But that is part of the fun! Also I think we all know that we can use more queer content that does not center white people.

If you’re tired of your shows getting canceled by US production companies and just want to watch some sapphic romance, try it out! Almost half the episodes are out now for your binging pleasure!

[lizpaige]

okay wait I find the TRC graphic novel major arcana tarot assignments are so interesting and I am assuming that MStief had a say in this, so let me share some quotes from her book about tarot for the individual card meanings. Tarot has all different meanings with similar themes, but I thought it'd be interesting to look at what stief thinks about these cards herself.

All quotes are from Illuminating the Prophecy by Maggie Stiefvater. I highly recommend the book if you're interest in tarot or just are obsessed with the series.

BLUE - JUSTICE "When you see the Justive card, it reminds you that you may have fudged the rules a little and got away with it, or you may have persuaded others that your dubious choice was a correct one, but the universe believes in an absolute right or wrong, and you will get what you deserve based upon that. This card is also a reminder that your reward or punishment is often unseen. A bad turn performed on someone else will haunt you years later, and likewise, an unnoticed kind event will create its own reward inside you. At the end of it, you will become the product of these actions: you are the Justice. There's an intense comfort to knowing that you have this control, especially if you feel your good intentions are being taken poorly." - pg. 41-42

ADAM - THE MAGICIAN "Regardless of who or what you believe in, the Magician is an extraordinary master of all trades, and he is resilient because no matter what the world throws at him, no matter how much he loses, he will always have the most powerful tool at his command: himself." pg. 21-22

GANSEY - THE CHARIOT "The duality that the Lovers card mutters about becomes a proper problem by the time the Chariot shows up in a reading. There are two sides to you, seemingly opposite, and you keep being thrown from one to the other. In many decks, this card depicts two beasts of different color pulling a chariot; when they agree on a direction, the chariot moves forward swiftly. When they disagree, the chariot grinds to a halt. You've ground to a halt... "The chariot's not moving because you can't figure out how to get yourself in line. You can't figure out which you you want to be. The Chariot isn't really about choice, though. It's about balance. You aren't cutting one of the beasts free so that you can move on without it. The chariot will move with only pone of them, but not as fast as if you found a way to make them both move in the same direction. The Chariot tells you that there is a way to satisfy the warring parts of you. Find your self-control, embrace your dark and light sides, and enjoy the ride." pg. 33-34

RONAN - THE LOVERS "This card can represent actual lov ers, and when it does, the love pictured is epic - the pairing pof two souls so complementary that it seems obvious that some greater power has designed them for each other. But it can also represent a duality inside you, and the complementary pairing it refers to is your inner self and your outer self. Just like in a great love affair, everything is perfect when both sides of you are working in harmony. And just like in a great love affair, the world crumbles when you war with yourself. The card speaks to the power of wholeness and knowing yourself." - pg. 31-32

NOAH - THE HANGED MAN "The Hanged Man is all about sacrifice - not a martyr's sacrifice, but a scholar's sacrifice. He goes not only willingly, but pleasantly toward his hanging, certain that the time spent in agony will be worth it... When this card shows up in your reading, it's a sign that whatever answer you seek is not going to simply be handed to you. You need to level up in some way, and it's going to require a genuine effort on your part. It doesn't mean that it requires hard work or a huge sum of money... It requires you to literally prostrate yourself on the altar of wisdom, holding yourself vulnerable, looking deep inside yourself for answers. You've got to let go and be willing to let knowledge and transformation take you." - pg. 43-44

[valictini]

I was watching a video analysing how the Yiga clan were handled in botw and how the person analysing it lamented the fact that Kohga was a joke character who totally destroyed the much more threatening image the yiga clan had all throughout the game. Although I do understand the sentiment (I felt that way for a long time) I’ve come to realise that we might not be viewing it in the right perspective. I ended up writing a comment under that video explaining how I saw things, and realised that maybe it could interest people here too? So here is the fleshed out version of it:

I think part of why they made Kohga extremely goofy compared to a way less goofy clan of literal assassins is to emphasise how even though the clan originally held some understandable beliefs, it has become a cult of personality over the years, and like most cults, the leader is way less charismatic than his followers make him out to be. Indeed, from the outside, it seems absurd how anyone could take Kohga seriously, let alone kill under his command, but from the inside, Kohga is the Beloved Leader That Guides Them Towards Victory, and anyone threatening him deserves to die.

In a way, yiga clan members feel like vulnerable, impressionable people who were enrolled into a cult and given a Big Family and a purpose (and a lethal weapon) by their lovable Master Kohga who wants the best for them… Except if you want to get out, then you’re a filthy traitor who also deserves to die. It’s especially visible when you beat him and they all get personally mad at you for killing him. They didn’t care about Ganon, they didn’t seem to actually understand the bigger picture, they only cared about Kohga.

It also shows how, like the rest of Hyrule, the Yigas are very much disconnected from their own history, seemingly holding on the grudge their ancestors held more as an excuse to continue to enact violence and perpetuate the cult of personality than fighting for a “noble” cause. Only Kohga seems to actually care about Calamity Ganon, and the rest of the yigas seem to be just tools to him. Wether or not he’s actually conscious of what he’s doing is unclear. Is he a fully aware con artist, or is he purely another product of Yiga indoctrination?

So yeah, to me it feels like a parody/critic/mockery of cult dynamics. It shows that this gang of assassins are indeed a real menace, but for seemingly no reason other than “that one lunatic they admire told them to” and “if they go away they get killed”. The reason why the clan was originally created becomes almost anecdotal. Under the current leader, no one is required to actually know what they’re doing, they just need to follow orders.

In the end, I think it is the intention the developers had because cults are a rampant problem in Japan. At the very least, even if it’s not a actually conscious critic, it’s a concept that is much more present in their cultural landscape than ours and that almost certainly influenced how they handled the Yiga clan. Basically, cults are not cool and can even be dangerous both for the public and their members. Cult leaders especially are not cool and often are con artists. Therefore, Kohga couldn’t be badass, he had to be a doofus getting beaten in the most unexceptional way possible.

[befuddledcinnamonroll]

We Are and the evolution of Thai BL tropes

The QL discord started a rewatch of My Engineer a few weeks ago, and damn, has it been an interesting experience. At the time I originally watched My Engineer, there was little that stuck out to me, because so much of what happened felt so incredibly common in a lot of the (admittedly rather limited) number of BLs being produced. It felt like pretty standard fare.

But going back and watching it in juxtaposition with We Are airing has been so fascinating. This genre has been evolving, y'all.

As much as we all joke about always getting more university BLs, there is something to be said for a format that can be used as something of a metric for the genre. And though there's only four years between My Engineer and We Are, seeing them both at once gives me such an incredible appreciation for the direction the genre is going in, the impact of having more queer voices involved in the creation of QLs, and how there's a lot of good we can find in seemingly simple spaces.

Obligatory disclaimer: This is just my perspective and subjective interpretation of what I have seen as a BL viewer of some time; also I don't have time to go in and do a university deep dive, so this isn't a real analysis, but more of a brief writeup of observations.

Trends are not black and white, of course, there is a spectrum. I'm sure we'll suffer through more Dinosaur Loves. At the same time, having such predominant production companies as GMMTV putting effort into hiring queer creatives and subverting old cliche tropes is an encouraging thing. (Especially as they were the creators of the original university trendsetting BL with Sotus).

Note: For newer QL viewers, I highly recommend @absolutebl for brushing up on trope history. For university BLs in particular, this post and this post are great starting primers.

Let's talk tropes!

Ok, one more note - some tropes are being what I would consider subverted, some more adapted to a newer framework, and some just played with - I'm going to talk about how they appear to me, but I'm not going to be super pedantic over it, because this is just for fun.

Trope: Bullying/hazing behavior

This did not age well in My Engineer, and I would guess hasn't aged well in a number of BLs (and other media, because the whole "he's mean to you because he likes you" bullshit has been around forever). Not just because the behavior was shitty, but because it was played off in the script as cute, and implied that it was completely justified for the seme to do whatever he wanted in his pursuit of his uke.

(There was also quite a strong tone of internalized homophobia, with the lead feeling more comfortable in expressing his interest through harassment than honest emotion, but the show never actually engaged with that in any meaningful way.)

We Are sets up a very traditional enemies to lovers/bullying start to the story, with Phum taking advantage of Peem's economic situation to make him his "slave".

And yet... there's some important elements here that make this more than the standard use of the trope.

Phum keeps it pretty light in his bullying behavior, and clearly is using it more to keep Peem around as company, versus the kind of bullying in My Engineer, where Duen is literally hit by a car, and yet still expected to keep jumping to Bohn's whims.

As soon as Phum realizes he really upset Peem by leaving him waiting at the mall, he genuinely feels awful about it. It's clear that his intent is not to cause harm, and that he has a conscience. He wrestles with his feelings on it quite a bit, and it ends up being the thing that gets Phum to finally express an honest emotion with Peem.

And most importantly, the script does not let him off the hook. His behavior is bad, and is identified as such by the writing. Peem pushes back and is shown to be right to do so, Beer openly says he disapproves.

So instead of a cliche story beat that's used just to start the action, or a seme who's allowed to do whatever he wants because "passion" (blech), we're seeing it used for characterization, giving us important beats about who both Phum and Peem are in how they engage with each other through the use of the trope.

Trope: Obsessive/jealous behavior

Oh, this one was painful in My Engineer. Duen couldn't even talk to another human being without Bohn getting jealous and angry and dragging him away.

Phum gets jealous, particularly around Kluen, but what makes it feel so subversive here are two key things.

Phum's jealousy has a purpose here, it's not just for drama's sake. It's not the cliche seme doing whatever he wants and being treated as justified. It's deliberately being used to explore his insecurities, and give him a challenge to overcome. Phum doesn't stomp over and drag Peem away, he retreats, he hides. When his jealousy causes him to lash out at Peem, he is immediately aware he fucked up.

And again, the script is making it clear that this behavior is not ok. Peem chides Phum when he acts unkind to Kluen, and Beer makes it clear that the solution is not petty behavior, but actually figuring out a way to communicate his feelings with Peem before he misses his chance. This is portrayed as a barrier for Phum to overcome in order to be with Peem, not an expected part of a romantic relationship.

Trope: Friendship group

There are not enough words to express how much I love the friendship group in We Are. To be fair, this is one of the better historical tropes. We've gotten a lot of amazing friend groups, even in mediocre BLs.

But it's still different in We Are, for one simple reason. In most university BLs, the friend group is a supporting structure. But here?

The story lines may be about the romance, but the point of We Are is the friendship.

I will die on this hill, y'all.

I don't have enough time to go into it fully here, but this show is a love letter to friends. It's a tribute to finding the people who see the real you and have your back unconditionally. Who cheer your successes and commiserate over your defeats, who pick you up when the world knocks you down, who call you out when you make mistakes, and push you to be better.

And romance is lovely, but all of these budding relationships are about being friends first, and then lovers, because that friendship is just as important as everything else, if not more.

Trope: Pink milk

Lol, ok, kinda kidding, kinda not. I know we all got mad over the drink wastage, but also check out these visuals - it's about diversity baby!!

TanFang speed round

My two little trope-busting bebes. These two are already so beautifully non-traditional in their composition, but I love how frequently they are used to make fun of and play with tropes just on their own.

Introduced as pining crush/friend's older brother pair, but actually secret enemies to lovers.

Grumpy/sunshine pairing, where the sunshine used to be a fighter, and grumpy smiles when he thinks no one is watching.

Wound-tending where they keep poking each other instead of acting soft.

Openly mocking the jealous boyfriend trope.

Setting up the possessive trope when Tan doesn't pick up Fang's calls, only to immediately have Fang question if he's being unreasonable.

Setting up their own cute eating scene for kicks.

"First time" sex scene making it clear this is anything but their first time.

Tan holding Fang down in the cliche possessive pose, only for Fang to take the agency of kissing Tan. (And overall saying eff off at the cliche top/bottom roles old BLs were such a fan of).

In Summary

I'm sure there are more tropes that will come to me, and we do still have 5 episodes left of We Are, so there are some potential trope uses that I am keeping an eye on. This is by no means an all-inclusive list.

But I wanted to write this, because I was genuinely shocked to realize how different my My Engineer watching experience was this time compared to my first time. How over the last few years I'd come to expect more thoughtfulness in my QL media, even in the ones that seem shallow on the surface.

Considering how fast and furious the QLs are coming these days, it's easy to forget how recent it was that we were much more starved of content. And I think sometimes we forget to take in the big picture, of how far we've come in just a few years.

Critique is always going to be important, of course, it's part of what helps us make progress. At the same time, it doesn't hurt to take a moment to look around and see some good in where we are.

@sailorbryant thanks for the push to get this written! Feel free to add thoughts!

[justawritterwithideas]

law in pink | s.r

♡ previous part | next part ♡

summary: A case takes them to Massachusetts, where you are reunited with your past and the people who carry it.

warnings: a bit of jealousy on Spencer's part, though overall nothing so far in this part.

this story is spencer reid (season 7) x ssa elle woods!reader

words: 1,185 words.

a/n: after a while, I finally bring you the third part of law in pink, the truth is that I've been wandering a lot about what to write, but I finally found it. I want to point out that this "chapter" will be divided in two or three parts (I'm not sure yet), to reward you for your time. Without anything else to add, thanks for reading.

Working in the FBI field always ended up surprising you.

Not because every day was a new adventure, with new cases that could border on the edge of human sanity, but because it could bring you face to face with people from your past.

A new case had dragged you to Massachusetts, where you saw old faces you recognized on your way to the police station.

The conversation with Emily was what was stealing your attention, and even more so when it was about one of the topics you dealt with the most, besides the criminal code, and that was hair care. You had recommended a new product to the woman and she was talking to you about how good her hair looked, it even looked shinier than usual from both perspectives.

"I know! Plus, it's not tested on animals and their products are 100% natural, it's like a little bit of paradise in your hands." You commented sipping from your coffee, placed your bag to the side as you watched Spencer walk in with a folder in his hands and well focused on it.

It was no secret that after his gift it had caused the two of you to connect a little more than usual, and everyone could tell with the little love language gestures you each had on each side, like how every morning you gave him his coffee the way he liked it because you had memorized them or how he took care to save you a spot next to him on the jet where the sunlight would hit so your skin would get the vitamin D it needed for the day.

You quickly pushed away the chair that was in front of the map the opposite had drawn up and watched him sit down, returning to your conversation with Emily. Spencer thanked you with a silent gesture, causing you to smile as you listened intently to Emily converse about the difference in her hair from week to week.

But, their conversation was interrupted as Derek and J.J were entering the room with a box of donuts.

"The breakfast express had just arrived, ladies... And Spencer." The smell of frying and sugar made you immediately turn to the table to see that they had found just the donuts you had been chatting about a couple of days ago.

"Are those the gluten-free donuts? I haven't seen them in years, they look just as delicious as when I was here." Your voice let out a soft sound of joy, approaching the one glazed with pink and had a flower drawn on top. "These are the best donuts you'll ever taste, and it's also suitable for the gluten intolerant."

The sweet taste of the donut made you stir as you brought a hand to your mouth in surprise, it was as if the past had just slapped you in the face.

You turned in the direction of Spencer, who looked quite immersed in his work.

"Spencie." The man looked up at your call. You brought the doughnut close to his face and smiled, letting the scent of your 'Miss Dior' perfume permeate his nose. "Try it."

"Ah, no thank you. I am at the moment somewhat busy, Y/N..." His hand was trying to push yours away, plus you kept watching him with that look that caused Spencer to give you the whole world. "B-besides! I'm faithful to my chocolate donut with sprinkles-"

"With sprinkles on top... Come on, Spencer, I'm not asking you to eat it all, just taste it."

The tasting-not tasting fight they were carrying on was interrupted when Hotch walked in where his face showed quite a bit of annoyance.

"What's going on, Hotch?"

"The suspect's lawyer is in the interrogation room." Commented Rossi, who simply modulated 'he's a jerk'.

"He's coming to talk to us now." Finished Hotch, who was heading straight for a cup of coffee but didn't quite reach for it when a rather annoying voice interrupted him.

You didn't know if it was your imagination or the memories of that place that made you cough, the smell of expensive cologne and mint made you push the donut away from your hands. You set it down on a napkin, listening as it echoed back to that voice that once spoke honeyed words to you.

"Agents, a pleasure. I'm defense attorney, Warner Huntington III."

Where was the closest place to hide from that character? You thought, but you wouldn't let the man you used to call "teddy bear" get you down at that moment.

" Lawyer Huntington, this is the BAU team. Agent Rossi, Morgan, Jareau, Prentiss, Dr. Reid and Agent Woods."

Your gaze connected with Warner's, who let out a gasp of surprise at the sight of you.

"Y/N... Wow, it's been a while, darli-"

"It's good to see you, Attorney Huntington." You commented as you watched him from your position.

You watched him approach you, plus Spencer's body made it so he couldn't take any more steps than intended, well... Spencer's leg was the one that separated you, as he stretched his legs out, separating you both just enough so that nothing of your bodies would rub together in any way.

A safe distance for both of them, thanks to Spencer.

"You two know each other?" J.J. asked, who watched intrigued.

"We were coupl-"

"We were part of the same Harvard Law generation, actually. We both graduated, but we took different paths." You lied in front of them, and they could read it when Warner's face grimaced.

It was clear that the two of you had a bond that was more than close, but the way you didn't want them to find out was the answer to resolving that which the others had to find out until you decided to talk about it.

"Rather, both of us-"

"Counselor, what exactly is the reason you're here?" asked Spencer, who watched from his position, with that feigned smile you already knew how to distinguish.

"Ah, yes. I was coming to introduce myself as the defense attorney, as well as discuss the legal issues surrounding my client." He turned to look at Hotch, who was drinking from his cup with that face that the situation displeased him. "I'd like to discuss a few things with Agent Woods, since we both graduated from Harvard and have the same degree from-"

"Actually, Agent Prentiss is also a Criminal Justice graduate, you could discuss with her along with Dr. Reid in addition to Agent Woods."

The way Hotch had cut Warner off made you let out a small chuckle, thanking in the direction of the major, who was simply giving you a discreet wink.

"Yeah, right. Three's better than one, you're right." Warner's voice wavered a bit before he opened his mouth again. "Good, then I'll come by later to discuss these details, they're calling me from the firm, excuse me."

Silence immediately settled in the room, but before they could blurt anything out, you immediately turned in everyone's direction and blurted out.

"I have a good explanation for this, I promise."

♡ first part | previous part ♡

If you like it, don't forget to like and repost it.

a lot of love, alme. ❀

[sunmoon-starfactory]

New Feature - Story Mode

Moving forward, we are unlocking the "testing options" that beta users and ourselves use for various cheaty testing quickness. This should make it easier for everyone to get into the" supply chain" aspect of Sun&Moon sets.

We are dubbing it "Story Mode". Mostly because cheating sounds icky, but the Sims 2 is a single player game...so no one should care if you cheat anyway but also there is no need to make a player feel called out if they used a shortcut to get to the good parts of a single player game am I right?

Sun&Moon was always a project meant to simulate realistic supply chains. As we made more sets, things have become more intertwined than ever. We get that this is confusing for newcomers and truthfully, it can sometimes complicate testing. Story Mode can make it easier to get into the gameplay and get your supply chain started, or allow you to skip that entirely and still enjoy the sets.

Please note this is intended for sets from September 2024 forward. There are still intentions of updating older stations to the Crafting Points system and as that is done, this feature will be added in. A proper update notice for each set will of course be announced.

Options that can be found under the Story Mode pie menu option will include:

Fully Stock Station - This will stock the station with everything needed to make a product, no need to direct a sim to stock or even have the items gathered. Your sims will still need the proper skill levels, writs, or traits to complete the task.

Receive All Products - Don't want to even go through the manufacturing motions? Or wait for a timer to run to get to the end products? Or build up skill levels/have writs in your inventory? This action grants all end products to the sim's inventory, no fuss. This will include any Skill Level reward, such as Writs of Mastery. Warning, this can result in cluttered inventories.

Spawn - This is to force a spawner to reproduce or summon the attached item, bypassing timers in items like hunting spawners, or self propagating plants.

Action! - Makes a sim complete the animations associated with a station, but results in no ingredients needed, and no products made. Just for the looks and photoshoots really.

Of course as things develop, more options may be added to Story Mode. Note, that Decoration options are not part of Story Mode and will stay on the standard pie menu.

Turning On Story Mode

Story Mode is OFF by default, and can be activated by one of three ways:

Trait Restrictions - Built into the code already, if you use traits and don't mind adding one more into a sim's inventory add in the Story Mode trait and these menus will auto show. This method allows you to restrict by individual sims.

Lot Controller Object - Built into the code already, if you place the Sun&Moon Lot Controller Object on a lot then all the menus will auto show. This works on all sims per lot.

SimPE Edit - In the object you want to turn Story Mode permanently on; Navigate to the TTAB, select the Pie Menu Functions resource, and select a story mode option you wish to edit. Select the Pie Menu Option you wish to enable, select all numbers/text in the Guardian BHAV box and hit delete to clear the box. Commit and Save.

Recompress.

Lot Controller Object & Story Mode Trait

Including these two files here, as they directly affect this feature. Both can be found in the Misc>Misc category for $0.

Using the trait is simple, just put it in a sim's inventory and forget about it.

The Lot Object Controller however, has had several features coded into it so it's not just useless deco. More features will be added as they come up.

Hide/Show all Blocks of Blocking and Mini Blocks of Blocking

Hide/Show Sun&Moon made specific OMSPs

Inventory Transfer tool between sims. Code taken the original by mike_1102, using the mesh and texture features of Fractured Moonlight's version. Also has an invisible option.

Download

View Use/Instruction Manual

[babyangelsky]

Peat's acting is stupendous and it's hurting my feelings

I need to talk about the bedroom scene and the fight that preceded it because it felt like I was having a mirror held up to me and looking at my younger self and in doing, so I've come to love Tongrak as a character even more than I did before.

I talked about the expressions already but I just cannot get past this one. Rak's eyes are so dead and he looks so tired in a way that I understand so deeply. He knows what's about to happen. He screened Prin's call earlier precisely in hopes of avoiding it but she showed up anyway.

I do have to acknowledge that a lot of my interpretation and feelings about him and these scenes are very much a product of my own experiences, but believe me when I tell you that having a family as fucked as his and having to deal with relatives like this drains you. You fight back because you have to, not because you want to. You don't go seeking the bullshit but somehow it always seems to arrive at your door.

I know exactly how he must be feeling because I've felt it. Because I've fought back and made sure my mask was firmly in place for as long as I needed it to only to break the second I could turn my face away.

I'm impressed that Rak didn't run from Mut and that he didn't start crying on the way to his bedroom. That powerwalk he did instead though? I know it all too well.

To Rak's mind, Mut has already witnessed far more than Rak ever intended for him to. That fight was nasty. It poked at so many wounds, touched on so many painful, intimate things about Rak's family and about him. Prin wanted to hurt and humiliate him and she succeeded.

I can confidently say that if someone I cared about witnessed that happening to me, the last thing I would want is to break down in front of them on top of it, so I completely understand why Rak's first instinct was to put distance between him and Mut. You know the breakdown is coming and the only thing you want is to have it in private.

I know people feel some kind of way about Rak's refusal to let Mut into his bedroom and essentially shutting him out but Mook tells us in episode 4 that no one is allowed in Rak's bedroom. This isn't just about Mut. Everything we have learned and seen of Rak so far tells us that he's a person who needs a safe place to hide. A place where he can close the door and know he won't be intruded upon.

Sure, it's his house and ideally he would have the freedom to break down wherever he wants to inside of it but given that Mook comes and goes pretty freely, he doesn't really have that luxury by his standards. There's always a chance she'll walk in. And he certainly doesn't have it now that he's no longer living alone.

So he goes to hide in his bedroom so he can process and feel what he needs to.

And when Mut comes after him, this happens. Mut pushed at that boundary out of genuine care and concern and he's not wrong for that. I've been on his side of this equation too and the impulse to help in whatever way you can is impossible to resist, even if all you can offer is a meal.

But I also understand Rak. God do I understand him. That need to be alone, demanding to be left in peace, lashing out when someone won't despite it being with good intentions. When you've been pushed to your limit and you know a breakdown is coming and that there will be shrapnel when it does, the very last thing you want is for the people you care about to get hit with it.

Like @bird-inacage said in their post, Tongrak is a caged animal at this point. He's feeling vulnerable and defensive and he lashes out. He doesn't want to, he tries to stop it, but it ends up happening anyway.

And he regrets it. He does. The way I see it, he couldn't bring himself to knock on Mut's door both because he'd exhausted all his nerve in the fight with Prin and because a part of him was probably worried that he'd be rejected if he did. When you lash out, especially when you don't mean to, there's always a worry that you've done irreparable damage to your relationship with whoever was on the receiving end and that you won't ever be forgiven.

Sometimes it really is something as simple as a sticky note that brings you to tears and has you sobbing into your dinner in the middle of the night.

The note and the meal are proof that Tongrak hasn't been rejected, that he's still cared for despite the way he reacted after the fight and the things that he said. We know that Mut wasn't going to reject him but Rak needed to know that as well.

And now that they had their moment in the dressing room and the issue of the money has been talked about, we're paving a way forward for Rak to be able to express what he feels without using it as a defense mechanism. He still will, and he will hurt me many more times before we're done, but we're making progress.

[lame-cameoliob]

The Narritive Potential of lower level! Kallus

Alright literally nobody asked and this is totally just me thinking way too much, but I NEEEEEEDDD to talk about the Kallus from the lower levels headcanon and just how much narrative potential it has

(also If you see anything spelled wrong or phrased weirdly NO YOU DIDN’T)

To be completely frank I think that Kallus’ character is almost out of place in a children's TV show– DO NOT GET ME WRONG, he is a fantastic character that is integral to the Rebels plot, but many implications made by his character are much more fitting in shows with higher ratings– that’s why he comes of so fucking ridiculous half of the time, he is a character with massive implications, but he has to be readable to a younger audience. PLUSSS Rebels was made on a tiny budget compared to other Star Wars animated projects, so the producers could not put time or money into further delving into his arc because they needed to focus on the main cast. They couldn’t afford to go into smaller character-centric arcs like in the clone wars. Now, taking that into account, it is no doubt that Kallus has an incredible character arc (tbh I’d say the best in Star Wars, but i might be glazing idk) but there are aspects of that arc that could not be explored more due to the aforementioned restrictions on the production side.

Thing is, Star Wars is all about making connections to the real world (ex. Return of the Jedi was an allegory for the vietnam war– or also THE ENTIRETY OF ANDOR) And although Kallus’ arc already does that on a baseline level, its potential for drawing these connections was for sure not explored to its fullest. 

Now, I know you didn’t sign up for a lesson in world history and politics when you started reading this but you’re gonna have to stick with me to see where I’m coming from; 

It is no secret that the greatest defense against propaganda is education. That’s why maps that show which states have less extensive education and maps that show which states are conservative look nearly identical. That’s why conservative states are far more likely to pass legislation that bans books with political content; they need people to continue to be uneducated in order to keep the state conservative. Even if we omit nefarious political intent, in order for educational institutions to truly thrive they need funding (which tends to be severely lacking in conservative communities) State legislation aside, some school systems literally cannot afford to give their students an all encompassing education. And next to that, in many impoverished rural communities, you end up having kids that need to start working early on in order to make money to support themselves and their families OR they start working early just cause they want to (bootstraps mentally and all that); these kids do not have a reason to set aside their time to sit down and think about the politics of the world around them, which is why a lot of people end up just falling in line with the conservative mindset that surrounds them. 

“What about the people who aren’t conservative / patriotic? How do they play into this?” You may ask– AND LET ME TELL YOU– it’s not really a huge secret that the United States Military does this quirky little thing where they pay for your college and give you financial benefits while you’re an active service member. That’s actually a MASSIVE recruitment tactic that they use in schools! IN FACT, (as someone who grew up in a blue state) wherever military recruiters would come to my school to yk…recruit people, they would almost ALWAYS stress the financial benefits more than promoting the whole “SERVE YOUR COUNTRY RAHHH AMERICA” thing . 

So basically it’s a system that sets children up for failure by leaving them broke and struggling, and some of those children grow up in areas where they are funneled into having certain political beliefs without the resources needed to form their own opinion, OR you have kids that just want to reap financial benefits because living is too damn expensive. (And of course there are people who fit into BOTH or neither of the categories; I’m generalizing a little bit for the sake of keeping this post shorter than it could be) (This is a very nuanced subject and I know that, I just don't want to make you all read an entire essay)

The issue comes when these misinformed children grow into adults, and those adults become dangerous. 

BACK TO STAR WARS

So there’s not really a whole lot of extensive canon lore (at least that I’ve seen) about how the Coruscant economic system works, but I think it's fairly obvious that it is operating on a capitalistic system not unlike the united states, where the richest of the rich own most of the wealth, and the rest of the population are left living paycheck to paycheck; it’s just that some paychecks are bigger than others. 

It is this system that allows for the lower levels to fall into complete poverty. None of the wealth from the top is trickling down (literally) and the people in the lower levels are left fighting for scraps. 

Most areas in the lower levels are controlled by money hungry gangs, and corrupt law enforcement does what these gangs want just because they’re paid to. The further down you go the less control The Republic has; at some point you reach a depth where the Republic has zero influence. And even if they did, at this point in history, most of the senate no longer represents the people.

THIS IS WHERE KALLUS COMES IN 

I want you to imagine being a kid in the lower levels. You’re fighting for your next paycheck so that you can help pay rent, you’re shoplifting and picking pockets just so that you can eat. You cannot afford to live. And not only that; you’re suffering from intense vitamin deficiencies, the air is undoubtedly toxic, the water probably isn’t good to drink. You are exhausted. Physically, mentally, even subconsciously, you are a kind of bone-deep tired that nobody– ESPECIALLY A KID– should ever have to feel. If you can even afford to go to school you’re not leaving with a better understanding of the galaxy, because all you’re worried about is finding something to eat and going the fuck to sleep. But that's your normal, you’ve never known anything different. 

You’re not thinking of ways to question the system, you’re too tired to. 

And you don’t care about The Republic because The Republic doesn’t care about you. 

But then The Empire rolls around. And the Republic didn’t give a fuck about you, but maybe the Empire will– besides you don’t really care about the politics of it all, because you see that they offer free room and board to those who enlist, and that is your one way ticket out of the fucking hell hole that you’ve had to endure for your entire life. 

And so you enlist. And even if you didn’t care about politics before, the people around you do, and they are telling you exactly what to think without giving you the resources to form an opinion of your own. 

If Kallus grew up in the lower levels, that would have been his reality. He would have been the perfect person to indoctrinate because he came from a system that wouldn’t have allowed him to know any better.

This is especially palpable when we think about why he became Fulcrum in the first place;

He educated himself in ways that the empire did not allow him to be educated before. He asked questions and he did not like the answers that he got. 

He realizes that he’s been fed lies and propaganda that have made him complacent in a system that had done immeasurable evil, and he HATES that. He realizes that he does NOT believe what the empire believes and that he has to align his actions with HIS opinions, not the empires.

He realizes that harm that his ignorance has done and he takes it upon himself to lock THE FUCK IN in an attempt to help and rebalance the scales. 

(And this bit is kind of a side note, but idk where else to put this:if Kallus comes from a background like the one listed above where he is constantly fighting for survival, he becomes a narrative foil of EZRA!!! They become two sides of the same coin; a kid whos impoverished because of the Empires cruelty, only looking out for himself until his worldview is changed for the better by the kindness of the people around him VERSUS a kid whos impoverished because of the Republics failures, only looking out for himself and CONTINUing TO DO SO as his worldview is changed for the worse by the greed of the people around him.) (DO YALL GET WHAT IM SAYING??? I FEEL LIKE IM ONTO SOMETHING THERE??)(I MIGHT BE CRAZY BUT LIKE I FEEL LIKE THATS ⁉️⁉️)

All of this is really just to say that Kallus is the perfect example of the dangers of complacency. He is the bystander effect at its worst. He admits that he “never asked questions,” simply because the empire told him not to, and he becomes dangerous because of it. He does evil shit just ‘cause he’s told to. The empire says that a certain number of civilian deaths fall within an “acceptable margin” and he just shrugs his shoulders and goes “yeah, okay, if you say so.” 

Already in canon, he is an example of what people can become if they refuse to question the systems in power, but when you take into account the possibility that he’s from the lower levels, he also becomes an example of how people end up in a system where they are set up for failure so that they don’t end up questioning those systems in the first place. He’s an example of how the Empire benefits from systematic suffering because the people who suffer without even realizing it are the people most easily shaped into pawns. 

End of rant

[sapphiresaphics]

Here’s the thing. Arcane season 2 was finished being written back in 2020. It was completed before the first season of Arcane even aired on Netflix in the first place. Before they even knew if it was going to be a hit or not. Before any of the fans had hot takes about the characters.

Which means that all of these “new subplots” (such as the black rose) weren’t just added in on a whim. They have an intentional purpose in the story they’re trying to tell.

It also means that the pacing was always going to increase and become faster as the two seasons went on.

I think a lot of fans are coming at this show from the perspective of a lot of live action shows where the writers see how fans respond to certain things so they add them into the story or focus on fan favorites to grab your attention and keep you engaged. And live action shows can do this because they’re filmed relatively close to when the series airs and so they’re aware of what the reactions are on social media (for good or ill).

But this is animation. Very TIME CONSUMING animation at that. It took 4 years to finish animating the 9 episodes of Season 2. If you include the 6 years of development and production of Season 1, that’s almost a full DECADE of working on this show.

My point is that they literally (and logistically) can’t respond to fan input and make changes in the show based on the way it was received on social media. Like it or not, these specific characters beats and storylines were always the plan from the start.

This is a long winded way of trying to say… if you have problems with the way certain characters are behaving, or certain plot points feeling rushed, or feel overwhelmed by the number of added subplots that need to get resolved before the end of the show… I strongly suggest rather than saying the writing is “bad” or that the writers “don’t know what they’re doing” or just complain about anything really… I suggest you take a step back and ask yourself “why are these the stories and actions they chose for this 2 season arc?”

I think that’s a far more productive thing to do than to go online and whine about things you didn’t like. I find it’s better to try and understand WHY they chose to do these things rather than write them off. More often than not when you look into the why, or try to come up with reasons why the writers would take certain characters down the paths they do, you end up coming out appreciating the media more. Even if you still don’t were with their narrative choices, learning and understanding the WHY is far more rewarding I think.

I’ll give you an example of something I don’t like, but that I understand why. Isha. I don’t like that Isha was introduced and then killed off in the latest episode. If I were to look at it just from a surface level reading, it seems pointless to add this cute mute kid character only to take her away a few episodes later. But NARRATIVELY she’s extraordinarily important. She is what Jinx needed to become more empathetic to her sister and reach out to fix their family. She helps push Jinx into the role of Vander for season 2. And her heroically framed sacrifice is probably going to be the push Jinx needs to stop trying to commit suicide.

Would I have liked to see more of her and Jinx’s relationship? Yes. Would I liked to have learned more about where she came from and why she’s mute? Yes. But at the end of the day, this is not a show about Isha. Isha is a narrative device to help forward the character development of Jinx. And so, while I do not like that she sacrificed herself… I understand it. And that understanding helps me appreciate the writing and the level of depth the writers are willing to go to push their characters around where they need to be by the end of the series.

At the end of the day, Arcane is just another show on Netflix. It is not beyond criticism. There are a lot of legitimate criticisms you can have against the show. But I’ve found that recently the number of bad takes and people refusing to engage with the narrative has resulted in a bit of a backlash against the show and I do not think that’s ultimately very productive. Please… if you’re going to criticize the show, please try to do better than just write off anything you don’t like as “the writers just suck” or “they changed X character for no reason!”

Because I guarantee you, there IS a reason for everything in this show. No matter how small and trivial it might be, this show was put together with love and an extraordinary attention to detail. There are reasons for why characters do and say the things they say. The writers often make these into intentional parallels, foreshadowing, and callbacks.

Please… take the time to actually stop and dissect what you see. Even something upsets you. I implore you… try to understand why. Try to understand what the writers are saying. Try to understand how certain plot points and events could have a bearing on different characters.

Please just…. Try?