#because it ends up showing not just the product but also the intent

[d0d0-b0i]

Word of advice from a guy who gets shit on by people hating his comfort medias. People are assholes sometimes for no reason, they hate art on a surface level because they want something to hate. Your favorite medias aren't bad, in my opinion they're really cool (people who can get into rwby are like superheros to me same with sonic but I'm slowly getting into that) don't listen to the haters and keep loving what you love!

ty fr 😭🙏 i am a consistent enjoyer of what people often consider "bad" media, but i never understand why its bad. it simply doesnt register

[would-you-punt-them]

I just want to tell you this:

Thank You So, SO Much for informing people about the horrid Mr. Beast situation occurring within his Squid Game Beast Games.

I don’t think would’ve known about this awful and disgusting event occurring as much as I do now if you didn’t post about it on this blog.

Thank you.

I do think it isn't something that should be brushed under the rug, and I also feel that the more people know about it, the worse it becomes for Jimmy when the Beast Games show actually comes out.

One thing I forgot to include in the post is that the Las Vegas shoot is going to be uploaded on YouTube as an extended qualifier to the actual show on Amazon Prime.

It's worth noting that the contestants didn't know that until they arrived at the stadium. They'd been told that the Las Vegas shoot was the Amazon show, and there would only be 1,000 competitors (which is how it is marketed by Amazon). They only learned that the player-count had doubled and this wasn't going to be on Prime once they were on set, and were shown a video message from Jimmy saying he forgot to mention that actually there were 2,000 people and this wasn't the Amazon show (though MrBeast later claimed that this was always the intent).

I don't know when the video(s) will be uploaded, but I honestly can't wait because I'm dying to know how they're planning on editing the footage to cut out the horrors that took place during the challenges.

Like, how are they going to show the Red team losing the first challenge with the rope and pulley? On the one hand, surely they've got to show the 400 people who were eliminated in that challenge. But on the other hand... what exactly do they have to work with?

The production team refused the Red team's pleas to stop the challenge and demanded they keep going to the end, presumably because they needed them to do it for the sake of the video. Instead, anti-capitalist icons that they are, the entire team abandoned the challenge mid-way anyway so they could go help their teammates who were literally being strangled, throwing the game. And once they'd abandoned the rope, they never picked it up again.

Obviously, the producers can't show competitors being throttled. But that means that they also can't explain why the Reds lost the challenge. If the throttling happened toward the end, maybe they'll be fine, but if it happened closer to the middle, there's no way for them to explain why those 400 people just gave up so early.

It also presumably means any overhead shots of all the teams are ruined, because that would require them to explain why the Reds just aren't participating.

Maybe they could show the Reds giving up, but give a different reason. But no reason I can think of works. If they say they "tried their best but knew they couldn't win", they would then also have to answer the question of why the challenge was impossible for them - the reason being that their team of 400 consisted of about 380 women, while their opposing teams consisted almost entirely of the youngest and strongest male competitors.

And I'm not sure how they're going to explain that, because if they show the challenge of everyone going for coloured jerseys, they can't reveal why the teams ended up so unbalanced, as the actual reason is that the male contestants were hoarding jerseys and were physically violent against the female and elderly contestants, and organised themselves to guarantee they were all on the same team, resulting in a gender split.

I'm also not sure how they plan to edit around challenges like the briefcase game, where in the middle of the cramped field the male contestants were attacking and trampling the women. It's going to take a lot of editing to cut around that. And while they can edit out the injuries occurring they can't edit out the fact that by the end of the challenge there are suspiciously fewer female contestants remaining than there were to begin with.

Additionally, they're going to have to justify why the contestants started off so diverse in gender and age, only for the 1,000 who made it to the actual Amazon show predominantly being young and male, without it becoming clear that no one else had any chance. They can't introduce new contestants to re-diversify the cast, because 1,000 were promised by Amazon, 1,000 qualified, and people will complain if they try to fudge the numbers or cheat by introducing last-minute entries, which is especially bad now that he's currently under fire for allegedly faking and rigging competitions.

Jimmy also can't just not upload it at all, because then he'd have to explain that as well, and this is such a massive event people, both fans and detractors, are going to notice.

The more people know about it, the worse his situation becomes, because there's just no way out of it without inviting questions he doesn't want people to know the answers to.

While this is obviously too much to hope for in this timeline, in an ideal world enough people start talking about this that Amazon cancels his show due to the controversy - Jimmy has said Beast Games is intended to be his break into more traditional media, and I think it would be nice to shut that down.

[blindbeta]

Exploring How Toph Beifong Could Be Played By A Blind Actress and Refuting Reasons Some People Believe She Couldn’t

[Image Description: Toph Beifong from Avatar: The Last Airbender. She is waving her hand in front of her face after joking that she spotted the great library, tricking the Gaang only to remind them that she is blind. She rides on Appa who is flying above a desert landscape. End I.D.]

The live-action adaptation of season 2 of Avatar: The Last Airbender is underway. This means people are discussing Toph again, much like they did during pre-production of season 1. I have seen and even participated in promoting the idea of Toph being portrayed by a blind actress. Similarly, I have come across push-back against the idea.

Instead of if Toph Should Be Portrayed by a Blind Actress, Let’s Focus on How She Could

(should and could are bolded for emphasis)

This post will address common misconceptions that serve as barriers to the idea of a blind actress portraying Toph.

A Few Notes Before We Start

These points come from posts on online forums, YouTube comments on videos related to the casting of Toph, and tumblr posts. No one will be specifically called out here, as while these points may be attributed to certain individuals online, they represent much wider views that are shared by many, even without malicious intent. These common misconceptions stem from unchecked ableism and general lack of information. Keep in mind that my intention is not to call out any individual person, as ableism is a widespread, collective problem. The reasons I refuted in this post showed up repeatedly and were not isolated opinions of one or two people.

1. No, it would not be too difficult to find an actress who is Asian, blind, and the right age

[Image Description: Toph as The Blind Bandit uses earthbending to create three pillars of rock that shoot at an angle from the ground and smash into her opponent, throwing him against the arena wall. End I.D.]

This point suggests that it is difficult to find candidates fitting Toph’s description. I suspect this is due to racism and ableism, in that a white and abled person is considered default and therefore believed to be more common, especially by Western studio standards. This is not truly the case. People of color and disabled people are auditioning, especially for the comparatively few roles that seek them out specifically, such as Avatar: The Last Airbender.

Blind Asian people exist. Some of these people are also actresses. Some have backgrounds in dance or martial arts, especially because many actors do similar activities to increase endurance and versatility. Finding a pre-teen or teenager to play Toph would not be as challenging as many people believe, especially those who already underestimate the amount of blind people in the world and their abilities.

Those who argue this point may be under the impression that a blind actress would be out of reach due to low numbers and lack of interest in auditioning. Blind people are auditioning. The reason you don’t see them on screen is because most of them are ignored in favor of abled actors. For example, in this video, Molly Burke discusses not being chosen to play a blind character whom she was told was based on her own life. The actress chosen to play the character was not blind. You can watch it here.

Additionally, Netflix has the ability to hold a widespread casting call. They are not a tiny studio doing productions in someone’s backyard. They have access to a wider pool of actresses than the average person might think, particularly if said person is not familiar with the resources big studios often have at their disposal.

In fact, Netflix is doing just that. Below is a link to their casting call, which encourages blind and low vision actresses to audition.

Link to casting call here with alt text.

2. Some people believe Toph isn’t really blind and therefore the actress who plays her needs to be able to see

[Image Description: Toph as The Blind Bandit using bending, with shots showing her hands and feet. As her bare foot slides sideways across the ground, the camera zooms out to show her sensing vibrations. The image turns greyscale, with circles of white vibrations emanating from around Toph’s body, where they expand and flow outward. End I.D.]

The rationale behind this is probably the same as it is for Daredevil, meaning some don’t consider Toph to be blind because of the way she uses her bending.

An argument could be made that Toph’s powers erase her blindness or that her powerful abilities make her less relatable to the average blind person. However, I suspect that many sighted people engaging with these discussions of Toph’s casting are not also concerned with questions of erasure or relatability. In discussions questioning her blindness, the evidence given mostly centers on Toph’s physical abilities rather than relatability to real blind people.

Her bending aside, Toph is certainly blind. She experiences ableism from her parents and general community. Blindness shaped her life in a lot of ways, even with her bending, which is also influenced by her disability.

We see Toph being guided while running on the airship, needing assistance while walking on ice, and struggling to travel in a desert. She uses her other senses, including hearing and tactile senses. She has limitations regarding how she is able to interact with an unaccommodating world, such as inaccessible reading and writing systems.

There are also lifestyle and cultural implications of blindness extending beyond the inability to see. Being blind is not only about what one can and cannot do, which is true of Toph’s experience as well. Blind people may have different values, experiences with family and friends, different senses of humor, or may place higher value on other sensory experiences compared to sighted peers.

Whether or not Toph is good blindness representation can be argued. However, she is still a blind character. Her blindness influences her whole life, even as she is more than her blindness at the same time. Her life as a blind person is about more than limitations and abilities. Reducing her, and any blind person, for that matter, to only these facets of her experience oversimplifies what it is like to be a blind person.

Claiming that she isn’t a blind character because of her ability to do x, y, and z can be incorrect for a lot of reasons.

Blind people are more than what we can do or what we produce. Our experiences are rich and varied. Our lives are inherently meaningful no matter our abilities or limitations. It is both ableist and inaccurate for sighted people to attempt to put us all into boxes.

Additionally, blindness is a spectrum. [Bolded for emphasis.] You can read about it at the following posts on my blog:

here

here

here

and here.

Here is a good list of legally blind YouTubers with various types of visual experiences.

According to various sources on the blindness spectrum, about 85% to 95% of blind people have some remaining vision:

93% according to RNIB

This Perkins School For the Blind fact sheet estimates about 90 to 95% of blind have some remaining vision

American Foundation for the Blind estimates about 15% of blind people are totally blind and discusses the spectrum of blindness here

The spectrum of blindness is important because our experiences become even more diverse when the spectrum is considered. This means that assumptions about what we can and cannot do become even harder for sighted folks to guess accurately.

This accuracy is important if sighted people are going to try to put limitations on blind people, which they have no business doing anyway. They are not the authority on what blind people can do, what we cannot do, or what is good for us. Only blind people can answer that for themselves.

Lastly, blind people are already used to navigating and interacting with their surroundings. They have had anywhere from months to a lifetime of experience, which would translate better to Toph’s ease with her blindness and confidence in her bending.

While an actor wearing contacts to obscure their vision might stumble around and have difficulty on set, someone who is actually blind could lend Toph’s character a much more relaxed, confident attitude in addition to possessing experience navigating in a way that works for her. She is used to being blind. Therefore, an actress who is also used to being blind brings a lot to the performance in terms of physicality, attitude, and the ability to focus on portraying the character, rather than simulating blindness.

Which leads me into the next point.

3. The idea that Toph doesn’t move like a blind person relies on stereotypes of blind people

[Image Description: A GIF from the episode “The Runaway”. Toph, Sokka, and Aang all con some con artists and cheer after their victory, Toph raising her arms high before snatching the prizes. They all run away. End I.D.]

There is no specific way of moving like a blind person. Like sighted people, the way blind people move may be influenced by many factors, such as level of vision, how long they have been blind, their mobility aid, navigation techniques, familiarity with their environment, level of confidence, feelings of safety, other disabilities, energy levels, cultural factors, and more.

While there are mannerisms that are recognizable to blind communities, there is no one way to move like a blind person. Just as there is no one way to look blind.

The ideas of “not moving like a blind person” or “not looking blind” come from stereotypes of blindness. In fact, these ideas can be so pervasive that blind people who don’t fit stereotypes may be accused of faking. I explore this subject here.

In this video, Sam from The Blind Life discusses the experience of performing blindness or being pressured to act more blind than he is. Link here. He explains while he has some vision, he uses his cane to indicate to others that he is blind. This is one of the main functions of a cane. Sam explains feeling pressure to adhere to certain stereotypes about blindness or risk being accused of faking.

Similarly, in this video linked here, Molly Burke discusses the stereotype that blind people’s eyes look noticeably different from sighted eyes. This includes the inaccurate belief that all blind people have cloudy eyes, blank eyes, eyes that are always closed, or eyes that simply must be covered in dark sunglasses to protect the sensibilities of sighted people. Molly explains that while blind people can certainly have these attributes, not all of us do. Molly laments that the phrase, “You don’t look blind,” is either used to invalidate her or to praise her for passing as a sighted person, which is ableist.

Just as blind people don’t look the same way, we don’t move the exact same ways either. That applies to Toph as well. For example, she prefers to keep her feet on solid ground for bending purposes, orientation, and possibly due to cultural factors valuing stability and connection to the earth.

4. The idea that accommodations would be impossible to provide is rooted in ableism

[Image description: A GIF of Toph and Zuko sitting beside each other on the floor at the Ember Island theatre episode. Toph punches Zuko’s arm. Metaphorically for the purposes of this post, she is punching ableist ideas that have nothing to do with Zuko. End I.D]

Here is a thread I shared in the early days of this blog, wherein the topics of blind actors and accommodations are discussed. The entire thread might also be helpful for this post, as I explore the same points, which shows how common these misconceptions are. While this may seem to be an isolated online disagreement, none of these arguments are new. That is why I believe this topic is important— these arguments about accommodations being too difficult or a burden on others also pop up in conversations about other workforces and other disabilities.

A blind character not being played by a blind actor is one thing. A blind person not being hired for a job they are qualified for due to resistance to providing accommodations is not so easy to ignore, not so seemingly isolated a concern. These barriers don’t only apply to blind actors looking for work. They apply to all blind people looking for work.

That means most of this isn’t really about Toph, nor the opinions of random people online. Instead, I hope to highlight common patterns in ableist thinking and dispel these ideas using a character people care about. This is, of course, in addition to my own desire to have a blind actress play Toph.

With that said, let’s explore what work accommodations might look like using examples of blind actors.

Dionne Quan is a blind actress who has an extensive filmography for voiceover work, including popular characters such as Kimi from Rugrats. In this article from when the character was first introduced, she discusses how she performs. Link.

Quote from the article: “Most of the recording was done in a studio with just a mike and a stand for the script. I had the lines in braille, and I would read them on the way over to get into character. You have to have your bag of tricks ready to go.”

Most of the work Quan discusses involves typical acting stuff. The accommodations given to her are similar to adaptations that might be made in an office setting. Additionally, with all the technology available now, it is easy to make a script accessible through large print, VoiceOver and memorization, Word document instead of a PDF, a Braille display, etc.

And as of August 2024, Quan can add adult Toph Beifong to her list of characters. Which is super exciting and, I thought, an appropriate fact to include in this post. You can read more here.

To continue the discussion of accommodations for actors, I would like to discuss Ellie Wallwork. Wallwork is a blind actress who has performed on Doctor Who.

She describes her experiences on set, such as blocking scenes and using tactile accommodations in this short video from the SeeSaw podcast. Link here.

Transcript:

Elie Wallwork speaking:

“Obviously, markers are just normally flat bits of tape on the floor. I had to have some sort of tactile ones so I knew where I was stepping onto. And it takes longer. It definitely takes a bit longer. I guess the thing that frustrates me about the industry is that sometimes casting directors will think, ‘Well, how could a blind person possibly do this, do that? How could they do stunts? How could they even navigate around set?’ But it’s perfectly possible if you— for example, with the crew that I had on all the productions I’ve been on, they’ve all been really kind, really patient with me and able to understand that, yeah, okay, it might take me five minutes longer to block a scene, but that’s fine because it means it’s authentic.”

End transcript.

You can listen to the full episode here.

Lastly, I find that many sighted people are not generally knowledgeable when it pertains to what blind people can or cannot do. Examples of this lack of knowledge include frequent questions about how blind people read, exist in online spaces, cook, etc—and these are simply from posts on my own blog.

Here is a link to a discussion thread that explores ableist assumptions people often make what blind people are or are not able to do. It particularly relevant for this topic. Link can be found here. Please remember that while I did respond to some folks who expressed opinions colored by ableist assumptions, that post is not about them. Just as this post is about addressing ableism in general rather than from a specific source.

The point is: consider why abled people are so comfortable stating what blind people can and cannot do, when one of the most common questions about blindness is still “how do you use a phone or the internet?”

People who aren’t blind often fail to grasp what our limitations actually are. Many people are still surprised to learn that technology or accommodations exist for us, despite having access to various forms of technology themselves. They struggle to understand that we can live our daily lives, possibly because they personally cannot imagine themselves without the vision they rely on, such as that time a professor asked blind content creator Stephanie Renburg [quote] “How do you live?” when the conversation was supposed to be about school accommodations [Link here].

This brings me to an assertion that is often made when sighted actors obscure their vision in order to play blind characters. It is often noted that it was too hard for them emotionally, mentally, and physically. Because of this reaction, the assumption is made that a blind person cannot possibly perform the role.

For example, in the article linked here, this is stated about Jamie Foxx in his role as Ray Charles. “Some actors, including Jamie Foxx as Ray Charles in “Ray” (2004, best actor) and Blake Lively in “All I See Is You” (2017), have chosen to wear ocular prosthetics, rendering them literally blind during their performances. But this creates a new problem: Unlike real blind people, who can spend years honing their orientation and mobility skills, the blindfolded sighted person becomes lost, confused and frightened with the sudden loss of sight — Foxx told interviewers he began hyperventilating as soon as his eyes were glued shut with the custom prosthetic eyelids that the filmmakers affixed over his eyes.”

Being blind is different from a sighted person temporarily obscuring their vision. Blind people have a better handle on being blind because we’ve been doing it longer. Blindness is part of our lives. Of course blind people are going to have an easier time portraying blind characters. This means most of the concerns people bring up when discussing sighted actors struggling with being unable to see won’t actually apply to blind people who have been at this for far longer.

I also wanted to address the idea that hiring blind actors would cost more, according to the assertion made in that thread about hiring blind actors, which you can read here if you haven’t already. While I can understand why someone might believe hiring a blind actor would cost more, I believe it would actually cost less.

Blind actors can use their own canes or other assistive devices used by the character, which saves money on expensive materials

Blind actors likely already have experience with O&M training, saving money and time that would otherwise be spent training a sighted actor, such as described here

Blind actors don’t need contacts or prosthetics, which may otherwise be used help an actor simulate blindness

And blind actors would have an easier time navigating sets, dancing, or doing required physical activities while blind, which reduces the learning curve that sighted actors with obscured vision need

A few Disclaimers:

1) Blind people learn from our communities and through life experience. While we naturally have more experience being blind, our knowledge is enhanced through learning from other blind people and participating in training designed to improve our life skills. I maintain that a sighted person obscuring their vision for a few hours will not have the same level of experience.

2) Reminder that blindness is a spectrum that a blindfold cannot replicate.

and 3) This post is not to say that sighted actors cannot do well or cannot put effort into their performance. According to the article above, Charlie Cox won an award from the AFB for his commitment to portraying Daredevil. However, just because there are sighted actors willing to put in the work does not mean blind actors can’t. I wanted to include this disclaimer in case someone sees the AFB article I shared and worried I’m trying to disparage actors who have already portrayed blind characters and happened to do a good job. After all, I love the original performance we received from Michaela Murphy, who originally voiced Toph. That doesn’t mean studios should not make an effort to cast more blind actors moving forward, nor does it justify any of the silly or explicitly ableist reasons people give for why sighted actors must be chosen over blind ones.

Let us return to refuting those excuses with the last thing I wanted to address.

5. Some people are concerned that a blind person might get hurt doing martial arts, but so can literally anyone else

[Image description: GIF of Toph dressed in Fire Nation attire. She punches through a rock.]

Kids can get hurt in any kind of sport, yet society doesn’t try to keep children from these activities for their own safety. However, disabled kids—and adults for that matter—are often reminded that we are being kept out of spaces for our own protection. Which we didn’t need, nor ask for.

This need to protect disabled people can be not only infantilizing, but hypocritical as well. For example, a blind person might be discouraged from playing recreational sports in a misguided attempt to protect them. Conversely, structures that keep blind people at risk are allowed to stay firmly in place, such as discrimination around transportation, inaccessible infrastructure, and poverty.

Blind people play sports anyway. Often, these sports carry their own risks of injury, as most sports do. Blind people have the agency to understand this and consent to it. Examples include blind football [link] and goalball [link].

Here is a video of Sadi the Blind Lady discussing goalball with Eliana Mason, a Paralympic athlete who plays goalball professionally.

Transcript: “Goalball is sport for blind and visually impaired athletes. It was created after World War II for blinded veterans and is now a Paralympic sport. The coolest thing about it is that everyone wears eyeshades so no matter what your level of vision loss is—because blindness is a spectrum— it equalizes it. The ball has bells in it and the court is straight with tape over it. It’s on a volleyball sized court. It’s three on three. And basically in offense, we are throwing the ball as hard as we can with a lot of technique involved, about 30 to 45 miles an hour to have it hit the ground and roll and hit the other players on their bodies. And on defense, you are throwing your body out and diving in front of this 3 pound ball and blocking it. So essentially you want to get hit with the ball.”

End transcript.

Getting hit with a ball, especially in the face or stomach area, is going to hurt. That is okay, because as long as safety precautions are taken, pain might be part of the experience depending on the rules and anticipated possibility of injury.

Martial arts and dance, which are backgrounds sought specifically in the Netflix Toph casting call, can also lead to accepted forms of pain or discomfort. While one could argue that sports injuries could and should be preventable, this post is more concerned with the expectation of pain, injuries, and what steps are taken to prevent them, such as protective gear or an experienced coach / teacher.

A blind person auditioning for Toph knows that martial arts will be involved. She will spend time learning choreography, building trust with co-actors, and figuring out works best for her. This structure is similar for blind people playing football or goalball or tennis or fencing or whatever else they want to do.

Lastly, people who aren’t blind also experience pain or injury during sports. Same with martial arts or dance.

The actress who plays Toph might get hurt. She might not. Some pain might even be an expected part of training. That is no reason to exclude a blind person from participating. That is no reason to say Toph couldn’t be played by a blind actress. [Bolded for emphasis]

Lastly, anyone training actors on fight choreography already knows how to do so safely. That fact that this is choreography is also helpful, allowing for memorization of actions and reactions. Conversely, the sports and physical activities I listed above are not choreographed, with the exception of dance, and are therefore less predictable. Therefore, if blind people can get head injuries playing on a recreational blind football team, a blind actress can handle fight choreography.

Closing

Thank you for reading all of this. My points still stand whether or not a blind person is actually cast for Toph.

Too Long, Didn’t Read:

Unchecked ableism can lead to oppression even if it is unintentional

Blind actors exist

A blind actor would better capture Toph’s ease and confidence with her blindness

Blind people can do a lot more than sighted people usually think they can

Blind people also face discrimination and limitations that sighted people may not have considered

Blindness is a spectrum and most blind people can still see something

There is no one way to look or move like a blind person

Accommodations are not that difficult to provide

Hiring a blind person would actually cost less money

Most of the popular reasons people believe Toph cannot be played by a blind actress are rooted in ableism

This post is not only about Toph or actors, but an example of how unchecked ableism can be harmful

For example, low employment rates for blind people, inaccessible online resources, or Toph-related posts shared without image descriptions

Toph Beifong could totally be played by a blind actress

[nose-nippin-fun]

Huskerdust Intimacy Headcanons Part 1 (contains nsfw)

* Above all else, Husk values consent. If the boys are drunk, it’s a no-go on sex. Later in their relationship, he’s fine if it’s only him that’s tipsy, but he’ll never go further than kissing when Angel’s not all there.

* Husk is careful about his movements near Angel. One time he lifted a paw to gesture or grab something, and Angel flinched. It broke his heart, so now his movements are very intentional.

* Husk doesn’t have many personal possessions, but he is a dice gremlin. When Angel finally sees his collection, he sets out to find another impressive set he can gift Husk.

* During their first time, Husk refuses to let Angel service him, focusing entirely on Angel’s care and pleasure. Angel is shocked to discover that softer “vanilla” sex is extremely hot when there’s feelings involved. Husk either lets Angel stay on top or makes sure he’s not pinning him down, giving Angel control over everything.

* Angel helps Husk get back into self care with hair and skin products. When they’re not hanging out at the bar, they’re lounging in Angel’s room having spa nights. Husk also discovers a love for candlelit baths (especially if Angel joins him).

* Husk comes to approximate when Angel will be home after every shift and always has a drink and an open seat waiting at the bar. If Angel’s ever later than expected, he just gives the old drink to Niffty.

* Husk makes it a point to befriend Cherri. She’s important to Angel, so she matters to him too. He ends up learning a lot about Angel through her, and in turn, he lets her open up about herself.

* When Angel leaves Fat Nuggets in Husk’s care, he gets stupid protective over that pig and potentially spoils him more than Angel.

* Husk actually enjoys when Angel carries him, often forgetting just how physically strong Angel actually is from all his pole work.

* Husk actually has major rizz, but he’s often oblivious to when he’s turned the charm up to 11. He eventually catches on if Angel gay panics hard enough.

* Once they’re an established couple, Angel and Husk coordinate their daily outfits so they’re always matching like cute old people.

* Angel likes to kiss the heart patterns on Husk’s ears, forehead, and hands, and Husk melts every time.

* Angel convinces Husk to bring out his overlord/demon form in the bedroom when they’re feeling extra spicy. Everyone else can tell when this happens because Angel has trouble walking the next day.

* Angel starts practicing with aerial silks because he wants to have an elegant/non-sexual talent to show off for Husk.

[still-cookiedough]

Five reasons why you should watch The Loyal Pin if you enjoy sapphic content:

A complete story: In the last couple of years countless US shows with sapphic couples have been canceled and most of them have been in the middle of the story with no conclusion. This show will give you a complete story with a beginning, middle, and an end you don’t have to worry about cancellation because the whole story is contained within 16 episodes. And if you end up enjoying the genre there are more shows to enjoy!

Sapphic romance to the max: One thing that I hate in US media is the death of the rom com and romance stories in general. Because these genres cater to women they are seen as lesser. The shows/movies that do get made are typically 95% to 100% straight. So my recommendation is that while we wait for the sapphic season of Bridgerton we enjoy a period romance that is entirely focused on two girls. Do you get annoyed by sub plots with straight characters? That’s okay because there are literally none in this show.

It’s free! In the time of 10 million subscriptions you can watch this on YouTube for free.

Quality sex scenes with more to come: An episode of this show opened with a 7 minute sex scene - if anything it was too long! Which is probably the best complaint to have. The intimate scenes are tasteful and clearly were made with the intent of the female gaze. Both actresses are comfortable with each other and have great chemistry. Over the course of the show it would be my guess that there will be 5 or 6 sex scenes if not more, and while the scenes are fun and hot there is no nudity (which can be a pro or con depending on who you are). Of course everyone has a different opinion on what they consider to be a good lesbian sex scene and quantity is not always quality, but aren’t you at least a little curious to check it out yourself?

Representation: It’s so refreshing to watch media that is not produced in the west. I think it’s so worth it to give international media a chance. Some things will be different, tropes that we typically rely on may not be the same and the production methods may be different. But that is part of the fun! Also I think we all know that we can use more queer content that does not center white people.

If you’re tired of your shows getting canceled by US production companies and just want to watch some sapphic romance, try it out! Almost half the episodes are out now for your binging pleasure!

[valictini]

I was watching a video analysing how the Yiga clan were handled in botw and how the person analysing it lamented the fact that Kohga was a joke character who totally destroyed the much more threatening image the yiga clan had all throughout the game. Although I do understand the sentiment (I felt that way for a long time) I’ve come to realise that we might not be viewing it in the right perspective. I ended up writing a comment under that video explaining how I saw things, and realised that maybe it could interest people here too? So here is the fleshed out version of it:

I think part of why they made Kohga extremely goofy compared to a way less goofy clan of literal assassins is to emphasise how even though the clan originally held some understandable beliefs, it has become a cult of personality over the years, and like most cults, the leader is way less charismatic than his followers make him out to be. Indeed, from the outside, it seems absurd how anyone could take Kohga seriously, let alone kill under his command, but from the inside, Kohga is the Beloved Leader That Guides Them Towards Victory, and anyone threatening him deserves to die.

In a way, yiga clan members feel like vulnerable, impressionable people who were enrolled into a cult and given a Big Family and a purpose (and a lethal weapon) by their lovable Master Kohga who wants the best for them… Except if you want to get out, then you’re a filthy traitor who also deserves to die. It’s especially visible when you beat him and they all get personally mad at you for killing him. They didn’t care about Ganon, they didn’t seem to actually understand the bigger picture, they only cared about Kohga.

It also shows how, like the rest of Hyrule, the Yigas are very much disconnected from their own history, seemingly holding on the grudge their ancestors held more as an excuse to continue to enact violence and perpetuate the cult of personality than fighting for a “noble” cause. Only Kohga seems to actually care about Calamity Ganon, and the rest of the yigas seem to be just tools to him. Wether or not he’s actually conscious of what he’s doing is unclear. Is he a fully aware con artist, or is he purely another product of Yiga indoctrination?

So yeah, to me it feels like a parody/critic/mockery of cult dynamics. It shows that this gang of assassins are indeed a real menace, but for seemingly no reason other than “that one lunatic they admire told them to” and “if they go away they get killed”. The reason why the clan was originally created becomes almost anecdotal. Under the current leader, no one is required to actually know what they’re doing, they just need to follow orders.

In the end, I think it is the intention the developers had because cults are a rampant problem in Japan. At the very least, even if it’s not a actually conscious critic, it’s a concept that is much more present in their cultural landscape than ours and that almost certainly influenced how they handled the Yiga clan. Basically, cults are not cool and can even be dangerous both for the public and their members. Cult leaders especially are not cool and often are con artists. Therefore, Kohga couldn’t be badass, he had to be a doofus getting beaten in the most unexceptional way possible.

[befuddledcinnamonroll]

We Are and the evolution of Thai BL tropes

The QL discord started a rewatch of My Engineer a few weeks ago, and damn, has it been an interesting experience. At the time I originally watched My Engineer, there was little that stuck out to me, because so much of what happened felt so incredibly common in a lot of the (admittedly rather limited) number of BLs being produced. It felt like pretty standard fare.

But going back and watching it in juxtaposition with We Are airing has been so fascinating. This genre has been evolving, y'all.

As much as we all joke about always getting more university BLs, there is something to be said for a format that can be used as something of a metric for the genre. And though there's only four years between My Engineer and We Are, seeing them both at once gives me such an incredible appreciation for the direction the genre is going in, the impact of having more queer voices involved in the creation of QLs, and how there's a lot of good we can find in seemingly simple spaces.

Obligatory disclaimer: This is just my perspective and subjective interpretation of what I have seen as a BL viewer of some time; also I don't have time to go in and do a university deep dive, so this isn't a real analysis, but more of a brief writeup of observations.

Trends are not black and white, of course, there is a spectrum. I'm sure we'll suffer through more Dinosaur Loves. At the same time, having such predominant production companies as GMMTV putting effort into hiring queer creatives and subverting old cliche tropes is an encouraging thing. (Especially as they were the creators of the original university trendsetting BL with Sotus).

Note: For newer QL viewers, I highly recommend @absolutebl for brushing up on trope history. For university BLs in particular, this post and this post are great starting primers.

Let's talk tropes!

Ok, one more note - some tropes are being what I would consider subverted, some more adapted to a newer framework, and some just played with - I'm going to talk about how they appear to me, but I'm not going to be super pedantic over it, because this is just for fun.

Trope: Bullying/hazing behavior

This did not age well in My Engineer, and I would guess hasn't aged well in a number of BLs (and other media, because the whole "he's mean to you because he likes you" bullshit has been around forever). Not just because the behavior was shitty, but because it was played off in the script as cute, and implied that it was completely justified for the seme to do whatever he wanted in his pursuit of his uke.

(There was also quite a strong tone of internalized homophobia, with the lead feeling more comfortable in expressing his interest through harassment than honest emotion, but the show never actually engaged with that in any meaningful way.)

We Are sets up a very traditional enemies to lovers/bullying start to the story, with Phum taking advantage of Peem's economic situation to make him his "slave".

And yet... there's some important elements here that make this more than the standard use of the trope.

Phum keeps it pretty light in his bullying behavior, and clearly is using it more to keep Peem around as company, versus the kind of bullying in My Engineer, where Duen is literally hit by a car, and yet still expected to keep jumping to Bohn's whims.

As soon as Phum realizes he really upset Peem by leaving him waiting at the mall, he genuinely feels awful about it. It's clear that his intent is not to cause harm, and that he has a conscience. He wrestles with his feelings on it quite a bit, and it ends up being the thing that gets Phum to finally express an honest emotion with Peem.

And most importantly, the script does not let him off the hook. His behavior is bad, and is identified as such by the writing. Peem pushes back and is shown to be right to do so, Beer openly says he disapproves.

So instead of a cliche story beat that's used just to start the action, or a seme who's allowed to do whatever he wants because "passion" (blech), we're seeing it used for characterization, giving us important beats about who both Phum and Peem are in how they engage with each other through the use of the trope.

Trope: Obsessive/jealous behavior

Oh, this one was painful in My Engineer. Duen couldn't even talk to another human being without Bohn getting jealous and angry and dragging him away.

Phum gets jealous, particularly around Kluen, but what makes it feel so subversive here are two key things.

Phum's jealousy has a purpose here, it's not just for drama's sake. It's not the cliche seme doing whatever he wants and being treated as justified. It's deliberately being used to explore his insecurities, and give him a challenge to overcome. Phum doesn't stomp over and drag Peem away, he retreats, he hides. When his jealousy causes him to lash out at Peem, he is immediately aware he fucked up.

And again, the script is making it clear that this behavior is not ok. Peem chides Phum when he acts unkind to Kluen, and Beer makes it clear that the solution is not petty behavior, but actually figuring out a way to communicate his feelings with Peem before he misses his chance. This is portrayed as a barrier for Phum to overcome in order to be with Peem, not an expected part of a romantic relationship.

Trope: Friendship group

There are not enough words to express how much I love the friendship group in We Are. To be fair, this is one of the better historical tropes. We've gotten a lot of amazing friend groups, even in mediocre BLs.

But it's still different in We Are, for one simple reason. In most university BLs, the friend group is a supporting structure. But here?

The story lines may be about the romance, but the point of We Are is the friendship.

I will die on this hill, y'all.

I don't have enough time to go into it fully here, but this show is a love letter to friends. It's a tribute to finding the people who see the real you and have your back unconditionally. Who cheer your successes and commiserate over your defeats, who pick you up when the world knocks you down, who call you out when you make mistakes, and push you to be better.

And romance is lovely, but all of these budding relationships are about being friends first, and then lovers, because that friendship is just as important as everything else, if not more.

Trope: Pink milk

Lol, ok, kinda kidding, kinda not. I know we all got mad over the drink wastage, but also check out these visuals - it's about diversity baby!!

TanFang speed round

My two little trope-busting bebes. These two are already so beautifully non-traditional in their composition, but I love how frequently they are used to make fun of and play with tropes just on their own.

Introduced as pining crush/friend's older brother pair, but actually secret enemies to lovers.

Grumpy/sunshine pairing, where the sunshine used to be a fighter, and grumpy smiles when he thinks no one is watching.

Wound-tending where they keep poking each other instead of acting soft.

Openly mocking the jealous boyfriend trope.

Setting up the possessive trope when Tan doesn't pick up Fang's calls, only to immediately have Fang question if he's being unreasonable.

Setting up their own cute eating scene for kicks.

"First time" sex scene making it clear this is anything but their first time.

Tan holding Fang down in the cliche possessive pose, only for Fang to take the agency of kissing Tan. (And overall saying eff off at the cliche top/bottom roles old BLs were such a fan of).

In Summary

I'm sure there are more tropes that will come to me, and we do still have 5 episodes left of We Are, so there are some potential trope uses that I am keeping an eye on. This is by no means an all-inclusive list.

But I wanted to write this, because I was genuinely shocked to realize how different my My Engineer watching experience was this time compared to my first time. How over the last few years I'd come to expect more thoughtfulness in my QL media, even in the ones that seem shallow on the surface.

Considering how fast and furious the QLs are coming these days, it's easy to forget how recent it was that we were much more starved of content. And I think sometimes we forget to take in the big picture, of how far we've come in just a few years.

Critique is always going to be important, of course, it's part of what helps us make progress. At the same time, it doesn't hurt to take a moment to look around and see some good in where we are.

@sailorbryant thanks for the push to get this written! Feel free to add thoughts!

[justawritterwithideas]

law in pink | s.r

♡ previous part | next part ♡

summary: A case takes them to Massachusetts, where you are reunited with your past and the people who carry it.

warnings: a bit of jealousy on Spencer's part, though overall nothing so far in this part.

this story is spencer reid (season 7) x ssa elle woods!reader

words: 1,185 words.

a/n: after a while, I finally bring you the third part of law in pink, the truth is that I've been wandering a lot about what to write, but I finally found it. I want to point out that this "chapter" will be divided in two or three parts (I'm not sure yet), to reward you for your time. Without anything else to add, thanks for reading.

Working in the FBI field always ended up surprising you.

Not because every day was a new adventure, with new cases that could border on the edge of human sanity, but because it could bring you face to face with people from your past.

A new case had dragged you to Massachusetts, where you saw old faces you recognized on your way to the police station.

The conversation with Emily was what was stealing your attention, and even more so when it was about one of the topics you dealt with the most, besides the criminal code, and that was hair care. You had recommended a new product to the woman and she was talking to you about how good her hair looked, it even looked shinier than usual from both perspectives.

"I know! Plus, it's not tested on animals and their products are 100% natural, it's like a little bit of paradise in your hands." You commented sipping from your coffee, placed your bag to the side as you watched Spencer walk in with a folder in his hands and well focused on it.

It was no secret that after his gift it had caused the two of you to connect a little more than usual, and everyone could tell with the little love language gestures you each had on each side, like how every morning you gave him his coffee the way he liked it because you had memorized them or how he took care to save you a spot next to him on the jet where the sunlight would hit so your skin would get the vitamin D it needed for the day.

You quickly pushed away the chair that was in front of the map the opposite had drawn up and watched him sit down, returning to your conversation with Emily. Spencer thanked you with a silent gesture, causing you to smile as you listened intently to Emily converse about the difference in her hair from week to week.

But, their conversation was interrupted as Derek and J.J were entering the room with a box of donuts.

"The breakfast express had just arrived, ladies... And Spencer." The smell of frying and sugar made you immediately turn to the table to see that they had found just the donuts you had been chatting about a couple of days ago.

"Are those the gluten-free donuts? I haven't seen them in years, they look just as delicious as when I was here." Your voice let out a soft sound of joy, approaching the one glazed with pink and had a flower drawn on top. "These are the best donuts you'll ever taste, and it's also suitable for the gluten intolerant."

The sweet taste of the donut made you stir as you brought a hand to your mouth in surprise, it was as if the past had just slapped you in the face.

You turned in the direction of Spencer, who looked quite immersed in his work.

"Spencie." The man looked up at your call. You brought the doughnut close to his face and smiled, letting the scent of your 'Miss Dior' perfume permeate his nose. "Try it."

"Ah, no thank you. I am at the moment somewhat busy, Y/N..." His hand was trying to push yours away, plus you kept watching him with that look that caused Spencer to give you the whole world. "B-besides! I'm faithful to my chocolate donut with sprinkles-"

"With sprinkles on top... Come on, Spencer, I'm not asking you to eat it all, just taste it."

The tasting-not tasting fight they were carrying on was interrupted when Hotch walked in where his face showed quite a bit of annoyance.

"What's going on, Hotch?"

"The suspect's lawyer is in the interrogation room." Commented Rossi, who simply modulated 'he's a jerk'.

"He's coming to talk to us now." Finished Hotch, who was heading straight for a cup of coffee but didn't quite reach for it when a rather annoying voice interrupted him.

You didn't know if it was your imagination or the memories of that place that made you cough, the smell of expensive cologne and mint made you push the donut away from your hands. You set it down on a napkin, listening as it echoed back to that voice that once spoke honeyed words to you.

"Agents, a pleasure. I'm defense attorney, Warner Huntington III."

Where was the closest place to hide from that character? You thought, but you wouldn't let the man you used to call "teddy bear" get you down at that moment.

" Lawyer Huntington, this is the BAU team. Agent Rossi, Morgan, Jareau, Prentiss, Dr. Reid and Agent Woods."

Your gaze connected with Warner's, who let out a gasp of surprise at the sight of you.

"Y/N... Wow, it's been a while, darli-"

"It's good to see you, Attorney Huntington." You commented as you watched him from your position.

You watched him approach you, plus Spencer's body made it so he couldn't take any more steps than intended, well... Spencer's leg was the one that separated you, as he stretched his legs out, separating you both just enough so that nothing of your bodies would rub together in any way.

A safe distance for both of them, thanks to Spencer.

"You two know each other?" J.J. asked, who watched intrigued.

"We were coupl-"

"We were part of the same Harvard Law generation, actually. We both graduated, but we took different paths." You lied in front of them, and they could read it when Warner's face grimaced.

It was clear that the two of you had a bond that was more than close, but the way you didn't want them to find out was the answer to resolving that which the others had to find out until you decided to talk about it.

"Rather, both of us-"

"Counselor, what exactly is the reason you're here?" asked Spencer, who watched from his position, with that feigned smile you already knew how to distinguish.

"Ah, yes. I was coming to introduce myself as the defense attorney, as well as discuss the legal issues surrounding my client." He turned to look at Hotch, who was drinking from his cup with that face that the situation displeased him. "I'd like to discuss a few things with Agent Woods, since we both graduated from Harvard and have the same degree from-"

"Actually, Agent Prentiss is also a Criminal Justice graduate, you could discuss with her along with Dr. Reid in addition to Agent Woods."

The way Hotch had cut Warner off made you let out a small chuckle, thanking in the direction of the major, who was simply giving you a discreet wink.

"Yeah, right. Three's better than one, you're right." Warner's voice wavered a bit before he opened his mouth again. "Good, then I'll come by later to discuss these details, they're calling me from the firm, excuse me."

Silence immediately settled in the room, but before they could blurt anything out, you immediately turned in everyone's direction and blurted out.

"I have a good explanation for this, I promise."

♡ first part | previous part ♡

If you like it, don't forget to like and repost it.

a lot of love, alme. ❀

[babyangelsky]

Peat's acting is stupendous and it's hurting my feelings

I need to talk about the bedroom scene and the fight that preceded it because it felt like I was having a mirror held up to me and looking at my younger self and in doing, so I've come to love Tongrak as a character even more than I did before.

I talked about the expressions already but I just cannot get past this one. Rak's eyes are so dead and he looks so tired in a way that I understand so deeply. He knows what's about to happen. He screened Prin's call earlier precisely in hopes of avoiding it but she showed up anyway.

I do have to acknowledge that a lot of my interpretation and feelings about him and these scenes are very much a product of my own experiences, but believe me when I tell you that having a family as fucked as his and having to deal with relatives like this drains you. You fight back because you have to, not because you want to. You don't go seeking the bullshit but somehow it always seems to arrive at your door.

I know exactly how he must be feeling because I've felt it. Because I've fought back and made sure my mask was firmly in place for as long as I needed it to only to break the second I could turn my face away.

I'm impressed that Rak didn't run from Mut and that he didn't start crying on the way to his bedroom. That powerwalk he did instead though? I know it all too well.

To Rak's mind, Mut has already witnessed far more than Rak ever intended for him to. That fight was nasty. It poked at so many wounds, touched on so many painful, intimate things about Rak's family and about him. Prin wanted to hurt and humiliate him and she succeeded.

I can confidently say that if someone I cared about witnessed that happening to me, the last thing I would want is to break down in front of them on top of it, so I completely understand why Rak's first instinct was to put distance between him and Mut. You know the breakdown is coming and the only thing you want is to have it in private.

I know people feel some kind of way about Rak's refusal to let Mut into his bedroom and essentially shutting him out but Mook tells us in episode 4 that no one is allowed in Rak's bedroom. This isn't just about Mut. Everything we have learned and seen of Rak so far tells us that he's a person who needs a safe place to hide. A place where he can close the door and know he won't be intruded upon.

Sure, it's his house and ideally he would have the freedom to break down wherever he wants to inside of it but given that Mook comes and goes pretty freely, he doesn't really have that luxury by his standards. There's always a chance she'll walk in. And he certainly doesn't have it now that he's no longer living alone.

So he goes to hide in his bedroom so he can process and feel what he needs to.

And when Mut comes after him, this happens. Mut pushed at that boundary out of genuine care and concern and he's not wrong for that. I've been on his side of this equation too and the impulse to help in whatever way you can is impossible to resist, even if all you can offer is a meal.

But I also understand Rak. God do I understand him. That need to be alone, demanding to be left in peace, lashing out when someone won't despite it being with good intentions. When you've been pushed to your limit and you know a breakdown is coming and that there will be shrapnel when it does, the very last thing you want is for the people you care about to get hit with it.

Like @bird-inacage said in their post, Tongrak is a caged animal at this point. He's feeling vulnerable and defensive and he lashes out. He doesn't want to, he tries to stop it, but it ends up happening anyway.

And he regrets it. He does. The way I see it, he couldn't bring himself to knock on Mut's door both because he'd exhausted all his nerve in the fight with Prin and because a part of him was probably worried that he'd be rejected if he did. When you lash out, especially when you don't mean to, there's always a worry that you've done irreparable damage to your relationship with whoever was on the receiving end and that you won't ever be forgiven.

Sometimes it really is something as simple as a sticky note that brings you to tears and has you sobbing into your dinner in the middle of the night.

The note and the meal are proof that Tongrak hasn't been rejected, that he's still cared for despite the way he reacted after the fight and the things that he said. We know that Mut wasn't going to reject him but Rak needed to know that as well.

And now that they had their moment in the dressing room and the issue of the money has been talked about, we're paving a way forward for Rak to be able to express what he feels without using it as a defense mechanism. He still will, and he will hurt me many more times before we're done, but we're making progress.

[thehanalia]

The Subtle Art of Becoming "That Girl" in 2024 🌸✨

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Hello beautiful souls! It's me, Hana. If you are new reader then

Hi! I’m Hanalia and I want to empower women to prioritize their well-being while pursuing their dreams🌟

Today, I woke up feeling extra inspired by the #thatgirl aesthetic. You know her – she's the girl who embodies self-love, radiates positivity, and just seems to have her life beautifully organized. Personally, I believe, she's not just a trend; she's a movement towards becoming the best version of ourselves. And guess what? Becoming "that girl" isn't about perfection; it's about progress. It's about embracing the journey of self-improvement, self-care, and love. So, let's dive into a few ways you can bring a little bit of "that girl" magic into your everyday life:

1. Morning Rituals ✨

Start your day with purpose. Whether it's a morning skincare routine, meditation, or writing down your thoughts in a daily planner, find what centers you. If you have been following me for a while then you know how important this is. Remember, it's these small rituals that set the tone for a productive, positive day.

2. Self-Care Sundays 🛁

Dedicate time each week to pamper yourself. This could be a long bath, a skincare routine, or even a cozy evening with a book. It's all about showing yourself some love and appreciation.

I remember back in my childhood my older sister used to always have pamper sundays and I would always try and follow her footsteps however, back then your girl was as lazy as one can be...so zero exceptions. Be better than me girls and make the future you be proud.

3. Clean Girl Aesthetic 🌿

Embrace the clean girl aesthetic with a minimalist wardrobe, clean makeup looks, and a tidy space. A clutter-free environment not only looks good but also brings a sense of calm and order to your mind. Clean home = clean mind + remember clean body

4. Find Your Fitness Love 💕

Whether it's pink pilates, yoga, or a brisk walk in the park, find a physical activity that you love. It's not just about the physical benefits but the mental clarity and energy boost it brings.

5. Nourish to Flourish 🍓

Eating well is a form of self-respect. Fill your plate with colors, textures, and nutrients. It's not just about looking good, but feeling good from the inside out.

6. Learn and Grow 🌱

Embrace new hobbies, read more books, and challenge yourself to learn something new often. Growth is a huge part of becoming "that girl".

7. Stay Organized 📒

Invest in a good daily planner to keep track of your goals, appointments, and to-dos. There's something incredibly satisfying about ticking off tasks and staying on top of your game.

And here's a little secret for you: part of my "that girl" journey includes creating pieces that speak to my soul. I stumbled upon this adorable shop aka my Shop [GlowInGrow] that just screams self-care and love. My THAT GIRL planner is something that I did with love and my own hands. For me, it's not just a planner, it's my way of helping others because that's what being her is. Being her means she shares her secrets to help the rest of the girlies. MESSAGE ME FOR THE PROMO CODE *hint*

Also this planner has got you covered from setting your intentions and tracking your habits to planning your meals and self-care routines perfect for anyone looking to add that extra touch of mindfulness and beauty to their daily routine. It's subtle, but oh, so beautiful. 🌟

AND REMEMBER;

Becoming "that girl" isn't an overnight transformation. It's about making small, meaningful changes that align with who you are and who you aspire to be. Let's embrace this journey together, one step at a time. 💕

Last but not least, at the end of your journey of becoming that girl awaits the future who is The Girl!

Stay safe and stay hot...

With Love, Hanalia

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[essektheylyss]

I really need to emphasize how gutting the camera shot in the arena of Liam in profile with Matt in the background, half of his face obscured behind him, while Caleb was just listening to the messages Trent had left him. It was so goddamn eerie, and it was phenomenal.

Thematically unhinged to make you feel like this was the devil on Caleb's shoulder, the voice in his head, everything he'd managed to move away from six or seven years ago, now given voice again by this horrible Solstice that Caleb couldn't prevent. They used it with most of the messages, as well as the "Let him come." They also later used it when Caleb told Beau to make sure Luc got out safe in the event of Caleb's death, in which Marisha leaned forward into the shot (I'm not even sure it was intentional on her part considering they had to really crane their necks to see the screen, but it was just timed so perfectly) to lean forward to tell him to shut the fuck up with that line of thinking—which made Caleb dropping later absolutely HEARTWRENCHING, and the Shapechange even more cinematic in the end. It was absolutely stunning from a narrative and production perspective, and I'm a little bummed none of it was kept for the broadcast (please, guys, release the director's cut).

I do not know who crewed that show but I would like to shake their hands, because between the camera work and the direction, it was fucking phenomenal.

[dontforgetukraine]

"In response to attacks and accusations being directed at our film, 'Russains at War,' and myiself, I want to be clear that this Canada-France co-production is an anti-war film made atg great risk to all involved, myself especially. I unequivocally believe that Russia's invasion of Ukraine is unjustified, illegal and acknowledge the validity of the International Criminal Court investigation of war crimes in Ukraine. The suggestion that our film is propaganda is ludicrous given that I'm now at risk of criminal prosecution in Russia. I also understand and empathize with the pain and anger that the subject matter may provoke in those who have suffered from this conflict. My mother emigrated to Canada, from Russia, so that we could live in a country that is devoted to freedom of expression and human rights. My hope is that our film can be assessed and discussed based on its scope and not agendas and assumptions beyond its frame, and that ultimately such discussions contribute to the war's end." —Anastasia Trofimova, Director/Producer, Russians at War (Source)

Bullshit. She's a director and producer for RT with most if not all of her films funded by RT. I guess she apparently wasn't vetted by the Canada-France co-producers.

Even if promoting Russian propaganda wasn't her intention, it can't be separated from the content. The damn trailer has soldiers saying propaganda narratives in it. (Kyiv Independent)

"Russia and Ukraine have always been inseparable. I miss the brotherly Union" reinforces the false narrative that Ukraine cannot exist as an independent state, that Russia and Ukrainian history are inseparable. Even Putin has said similar things.

“I came (to war) today so that my kids don’t go tomorrow,” conveying the belief that their military aggression in Ukraine is somehow just.

"An order was given. We went." Ah, yes, I was just following orders. Where have we heard that one before, I wonder. Not only that, it reinforces the narrative that ordinary Russians are powerless and blameless in this conflict. This isn't their war, but Putin's war. Fuck that. We know many sign up willingly such as for the money or a clean slate if they are a convict.

You can't separate the propaganda ordinary russians have been stewing in for decades and don't fight back against from this film, sweetheart. It's part of the damned context and you don't get to ignore that. Either she actually realizes that but doesn't want to say it, or she's a useful idiot. It doesn't matter which, because the result is the same.

"The fog of war is so thick that you can't see the human stories its made of."

Yes we can! This isn't the era of WW2. We can see it on Telegram! All the war crimes that are willingly committed and recorded and posted pridefully! All the ethnic slurs said to Ukrainians! All the interviews between journalists and POWs. The translations by volunteer translators showing what "ordinary Russians" on the street actually think about Ukrainians and the war. Even what the families of russian soldiers think. Never before have these stories been more accessible. That's not agendas or assumptions.

We. Can. See. It.

Just because you don't like what's in the information space doesn't mean it's not supremely relevant to the topic you're trying to shape into a narrative.

[sunmoon-starfactory]

New Feature - Story Mode

Moving forward, we are unlocking the "testing options" that beta users and ourselves use for various cheaty testing quickness. This should make it easier for everyone to get into the" supply chain" aspect of Sun&Moon sets.

We are dubbing it "Story Mode". Mostly because cheating sounds icky, but the Sims 2 is a single player game...so no one should care if you cheat anyway but also there is no need to make a player feel called out if they used a shortcut to get to the good parts of a single player game am I right?

Sun&Moon was always a project meant to simulate realistic supply chains. As we made more sets, things have become more intertwined than ever. We get that this is confusing for newcomers and truthfully, it can sometimes complicate testing. Story Mode can make it easier to get into the gameplay and get your supply chain started, or allow you to skip that entirely and still enjoy the sets.

Please note this is intended for sets from September 2024 forward. There are still intentions of updating older stations to the Crafting Points system and as that is done, this feature will be added in. A proper update notice for each set will of course be announced.

Options that can be found under the Story Mode pie menu option will include:

Fully Stock Station - This will stock the station with everything needed to make a product, no need to direct a sim to stock or even have the items gathered. Your sims will still need the proper skill levels, writs, or traits to complete the task.

Receive All Products - Don't want to even go through the manufacturing motions? Or wait for a timer to run to get to the end products? Or build up skill levels/have writs in your inventory? This action grants all end products to the sim's inventory, no fuss. This will include any Skill Level reward, such as Writs of Mastery. Warning, this can result in cluttered inventories.

Spawn - This is to force a spawner to reproduce or summon the attached item, bypassing timers in items like hunting spawners, or self propagating plants.

Action! - Makes a sim complete the animations associated with a station, but results in no ingredients needed, and no products made. Just for the looks and photoshoots really.

Of course as things develop, more options may be added to Story Mode. Note, that Decoration options are not part of Story Mode and will stay on the standard pie menu.

Turning On Story Mode

Story Mode is OFF by default, and can be activated by one of three ways:

Trait Restrictions - Built into the code already, if you use traits and don't mind adding one more into a sim's inventory add in the Story Mode trait and these menus will auto show. This method allows you to restrict by individual sims.

Lot Controller Object - Built into the code already, if you place the Sun&Moon Lot Controller Object on a lot then all the menus will auto show. This works on all sims per lot.

SimPE Edit - In the object you want to turn Story Mode permanently on; Navigate to the TTAB, select the Pie Menu Functions resource, and select a story mode option you wish to edit. Select the Pie Menu Option you wish to enable, select all numbers/text in the Guardian BHAV box and hit delete to clear the box. Commit and Save.

Recompress.

Lot Controller Object & Story Mode Trait

Including these two files here, as they directly affect this feature. Both can be found in the Misc>Misc category for $0.

Using the trait is simple, just put it in a sim's inventory and forget about it.

The Lot Object Controller however, has had several features coded into it so it's not just useless deco. More features will be added as they come up.

Hide/Show all Blocks of Blocking and Mini Blocks of Blocking

Hide/Show Sun&Moon made specific OMSPs

Inventory Transfer tool between sims. Code taken the original by mike_1102, using the mesh and texture features of Fractured Moonlight's version. Also has an invisible option.

Download

View Use/Instruction Manual

[mysteryanimator]

Breaking down Castlevania Nocturne Season 01 - Episode 08 "Breakup Scene" shot by shot!

I've been chipping at this for a while and now I can put this out to the world. While this will be a lot more 'clear' and more put together than a lot of my previous writings (I am so sorry, I have looked at those past writings and I look like a madman, I was trying to hold back all of them and therefore it ended up super messy) however, it is still going to be a very casual document—as if a conversation!

To preface, these are just my thoughts, and by no means is the actual indicative end-all-be-all for these shots! These are just observations based on my special interest (and also I did ATAR for this, which in short I suppose is a specialization study ? I'm not sure how to describe it LOL) in media production and analysis, with a heavy passion for visual storytelling in film! It has been a while since I have written something like this so you may have to bear with me here.

I consider myself still an amateur, but shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions and so on. It all has to count. Everything matters.

As a side thing, while we can and very much should criticize media for being poor in writing, composition and so, yet, I've noticed people do tend to forget everything is 99% considered. Everything has its place and everything has intention. Passionate creatives care and there is more than "the curtain is blue just because". Like I can and will talk about how every Mizrak and Olrox scene is placed in green/earthy-colored environments (not here though LOL, this is not the time for it). The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.

Now that the introduction part is out of the way, let's start!

The establishing shot!

I think you’ll notice this in many many shows in general, but this is often used to establish a new scene. While some may think there’s nothing too special about it symbolic wise, Olrox is seen literally dragging Mizrak up the hill. Begging the question of why does Olrox shift out to his shadow form?

For a writing/story perspective, for the breakup to hit with those emotional beats, it has to be done face to face, ‘human’ to human. It cannot be done in shadow form because the dialogue and facial expressions that need to happen, it has slap you in the face. Like the crying scene. It also means when you deliberately cut out any expressions from the shots due to the camera framing, you get a more emotional reaction from the viewer. This is because you cannot see the emotions that they are clearly having. It is like the characters do not want to show us it or let us in.

Character's perspective, Olrox is given the chance for Mizrak to fight back and probably somewhat hoping that Mizrak would break out of his arms easily so he can prove to Mizrak he isn’t powerful enough. It's much like how he lets Richter live in episode 01. He often gives chances to people and it's probably going to come up again.

Olrox drags Mizrak into this scene, and we’re getting a mid shotttt, (I think technically cowboy shot, since we do get like waist and hands, though its because their height differences but I might be getting too pedantic with this).

This may not seem too special, but it’s a very nice way to show Mizrak struggling and just set the baseline for the action occurring since from the establishing shot we can’t tell too much because it's so far out. It also now brings the audience into the scene, we are now privy to their most private conversation. We can also see Olrox is literally holding him super easily he’s literally not even trying LOL. We can see the dynamic being established and how that dynamic will shift at the end. So we have established the new setting/characters in the first shot, and now we've established what this side story will be about in the second shot.

THE LOW ANGLE 🫣

Low angled shots are used to make a character appear powerful because the camera is looking up, therefore making the presence in the shot seem like a massive force. Olrox is supposed to be powerful. Yet, even though he’s taller, right behind Mizrak holding him back AND directly mentioned- he’s not in shot scene except for his hands. They are SUPER prominent in this shot, they’re practically in the middle of it and stand out because his hand is lit super differently from Mizrak’s face.

Olrox’s power is being used to hold back Mizrak.

Side note, I think this is just me, but this shot feels suffocating WHICH IS A GOOD THING. While there is some empty space around Mizrak, it's still extremely dark like Mizrak's clothes so it kind of blends in and makes this scene suffocating. It is as if we're being held back too.

This camera angle also makes Mizrak look very powerless and powerful at the same time which is I think is just really neat. With each established 'rule' for camera shots/angles, you can break them to subvert audience expectations. Mizrak is yelling and using all his power to convince Olrox to fight. Convince him that he can do it and fight Ezerbet.

Long shottttt, slightly different from an establishing shot since it punches in more closely.

“She’ll kill them!” And we can directly see the Abbey from here, being loomed over by the eclipse, which is really super nice. It’s telling us he’s practically going to watch them die if he stays where he is.

Also visually the 'weights' on the left and right of the screen can be argued that they are even, almost as if both choices are heavy and hold the same power over each other. The choice to go back and fight, or the choice to run.

Close up shot! Close-up shots allow for the audience to read a character's face, or if not their face, their action, to put extreme importance. The small details matter in a close-up and are the main focus.

This is soooo intentional, but we don’t get Mizrak’s initial reaction. IMO we don’t ever get it, we only get his response to Olrox, and I see reaction and response as two separate things. This is a super hard side view of both of them. It's not 3/4, it's not front- it is side profile, used to amp up the dramatics of the scenes. It's a nice contrast to how it's only one side of his face yet he's revealing an inner thought. As if maybe perhaps, there is more to this truth then he lets on, it is perhaps, maybe only one side, of his guarded truth.

Also, people may call this a corn plate moment but his eyes are open for one frame, and then when he tilts his head down, they're closed. Its a very small detail, but it's being used to set up for his crying scene later because this acts to 'reset' his face before we see it again.

This is Mizrak's response. We don’t get to see his face, but he BACKS DOWN, and I don't believe he does it because he think Olrox will release him if he does (which Olrox does anyway), but its also kind of his reaction.

This is a forced perspective shot, I think this is now a high angle. So the camera is looking down on the characters, making them powerless and vulnerable. Opposite to a low angle shot.

THIS IS CALL BACK TO THE BED SCENE. Olrox holds Mizrak from behind

A rehash of this scene from episode 04 but with 10x the angst.

Y'all are free to call me out on this section because my storyboarding experiences are small BUT i am just throwing in additional context.

Storyboarding scenes and shots is a collaborative process (as is the whole animation industry itself). These boards go through multiple iterations, which you namely you have to get it passed off from your storyboard director but also your fellow storyboard artists, your background artists and so on. While you dedicate yourself to this specific scene, you let previous parts of the story influence your work and vice versa, allowing for things to feel more connected and visually tell a story. This is the last moment we see this 'couple' in this show, and with such heavy scene that breaks these two apart, you are going to want to call back other times where they were close so it makes the separation that much more painful. In this case, it was chosen to have Olrox holding Mizrak as a callback. This then means this will be a common thing they will go back to and it will somehow reappear in season 2 and every season after that (pleasepleasepleaseplease season 3, maybe season 4 guys please). When it does reappear, it's going to be an alternate version that builds upon the last, and who knows, it may be way more subtle. It may be flipped. The way they act around each other when standing behind each other is very important. The way Olrox holds Mizrak is very important (and he doesn't just hold him by just sitting or using his hands, but also I can discuss that on a different scene breakdown if you guys want!)

I need to point this out super clearly. We do not see their faces this time around for that shot and that is intentional because then it forces up to think of what it is like. We have to infer from their previous interactions and what should come to mind is episode 04.

I would love to break down this at some point later (and how episode 04 and episode 06 make callbacks to each other, I've mentioned it before in a tweet somewhere I digress though). I'll briefly go through this now- this image is a (extreme) top-down close-up of their expressions, the perspective is pushed here. In episode 08, we get a top-down view where the perspective is also extremely pushed. This has to be a callback, there's no way that wasn't intentional.

This is what I imagined their faces to be when Mizrak stops resisting and drops his arms.

Now we see Mizrak’s face. Trade off is that we don’t see Olrox’s face. Like a reaction to a reaction. It’s to set up for the next shot to make us go “oh my god.”

THIS SHOT IS SO GOOD Y'ALL😭 (Also a close-up)

Olrox is not known to show any extreme emotions, only time he does was when he forced himself to bow to Ezerbet. So to the audience, this is really shocking because THATS TEARS RIGHT THERE.

The forehead creases are telling me he’s holding back really hard. He’s dead still beside the wind flowing. He’s using his power to hold back.

This is a front view too. Olrox is baring himself out. No 3/4, no side angle, front view. Also, the backdrop has the trees beginning to clear out behind him, which subtly alludes to us as an audience to realize how we're getting a slightly clearer picture of Olrox's headspace, of his views, and so on!

Which… is this a call back to when Olrox said “I’m not in love with you” (?) It is a front having shot but its cut closer and his eyes aren't glowing.

Which, I still have no idea what the glowing eyes mean. Unless there are no rules the glowing eyes follow by it besides what suits each scene the best thematically. I will point out that whenever it glows, its supposed to be intimidating, he's supposed to feel supernatural. When he's vulnerable, take for insistence when he talks about his past and talks gently about it, his eyes don't glow, he feels a lot more human in that scenario.

First of all, choice of shot is to mirror Olrox’s shot. Ok that out of the way.

WE GET THIS LINE??? I remember first watching it my jaw dropped because I couldn’t believe he said this.

He gets called an animal. Wild. Insane.

That’s a set up. It has to be there’s NO WAY IY ISN’T. WE’RE GETTING A CALL BACK TO THIS IN SEASON 2. SEASON 3, pls I’d do anything for a s3. Idk when we're getting a call back to this because Mizrak just backhanded him so hard and that language is so specific, especially since we’ve already gotten Ezerbet going “Gods should know where her dragons are”, you know, treating Olrox like a pet. Like an ANIMAL.

I am going to go on the slightest of side tangents- Mizrak has parallels to Drolta, they're both "guard dogs" for their leader. The Abott simply has to put out his hand when Mizrak is growling (it is subtitled as him growling and barking its kinda crazy) for him to stop. The animal line seems so out of nowhere and it is supposed to feel like that but we've had this bread trail from the very start.

Ok going back to the scene at hand. Mizrak ??? Where’s your normal religious quips ??? Why did you use that line ??? What do you know about losing your soul and being animal-like??? Suspicious 🤨 because there are countless bible verses about, bravery, losing your soul, literally self-sacrifice.

Though I will bring up, the idea of having a soul has been brought up before.

Mizrak recognizes Olrox had a soul before. He recognized Olrox used to live. I think Olrox was a lot more... 'puncher' and 'fiery' beforehand, before his previous lover died. I mean, if he wasn't more 'alive' before, why would he turn his previous lover into a vampire. Mizrak said that so it would hurt and to call him out.

(Though I feel like, religion has been thrown out the window for Mizrak, cant wait to see how Mizrak deals with it s2 LOLOLOL)

Ok now talking abt these two long shots together (the irony writes itself)

The placement of the characters is so important to feel that void and it makes the scene feel so much more empty, which is why it also has to be a long shot. It’s like, they’re supposed to fill in that gap, but they’re not. A general note is that shuffling characters off-center makes the scene feel unbalanced. The center line, the abbey, and the eclipse are already established and Mizrak is running off center. For Olrox's shot, there's a clearing to his right.

To Mizrak, Olrox should’ve run alongside him. There’s space for him

To Olrox, Mizrak should’ve stayed back. There’s space for him.

Now I'm done. My final notes is that this whole breakup scene is a massive setup for something for the next season (if not this season, just for something big later on), and my red strings are tying it to that animal line and holding if that makes sense? Everything in episode 8 IS a setting up for bigger things for season 2. We will get callbacks. (I say will, that is a very strong conviction LOL).

Also to wrap up, shot choices matter heavily. You need to connect with the audience immediately. A picture says 1000 words. Something as simple as maybe someone in a diner eating a burger, and its a close up of them talking may seem not that special but it changes a lot just by having a character in the middle or the left of the screen, especially in the greater scheme of a full scene.

Think of that one quote from Prince of Egypt where the priest says "A single thread in a tapestry though its color brightly shines can never see its purpose in the pattern of the grand design." Basically that LOL.

If I have time, I may go and do their other scenes (or even scenes of other characters)! They all build upon each other really nicely and despite their scenes being about 1-3 minutes long. They really pack in a lot of details. Their lives before directly affect what's happening at that very moment on screen and you can see it heavily influences how they interact with the world and each other!

[comfortless]

to the anon who was talking about konig and the rule following intention thing: i love you. he seems cheeky like that. BUT i will also climb that big man and start strangling him if he entertained or led on the recruit.

idk, maybe its my rabies, but i would start whacking him grgrgrgrg. wrangle him till he acts right!!!!! (whatever that means)

i also love that anon! 🤭

Being instructed to “act right” for König is more or less the same as following any order at work. “Shoot that target.” is the very same as “Don’t glare at a stranger.” The differences between the König at home and the König on the field are subtle things. No bloodshed and rewards in the form of tenderness and orgasms instead. He’s less rigid, less focused, but still a soldier, the strangest one at that.

Everything is taken as directly as possible, because he’s not going to question any hidden meaning behind words. That’s silly. He always says just what he means, so shouldn’t everyone else?

There’s a lot he just doesn’t get, and your jealousy happens to be one of those things.

He would kill for you, lets you graze your fingertips over his favorite weapons, allows you to hold his face and even pretends that your staring doesn’t make his fingers twitch and sweat bead at his temples. König is loyal and so trusting with you… how dare you accuse him of worshipping some other woman in the same way? How could you even believe that?

Say you, his beloved, put together the pieces, realize that surely this woman is messaging your König during his leave for a reason. There’s an argument to be had, one that’s less of a screaming fit and more of a break down from both sides. You tell him through gritted teeth and tears that you know your intuition isn’t wrong: he’s done something, you just aren’t certain what that something is. There’s no outright accusation spoken, but his face immediately grows red and his eyes narrow.

It’s not that he even cares to question why you would think that way. He just wants to know where he’s failed. What is it that you need that he’s not already providing? He takes an awful picture of his cock each time he’s hard and away from you, even follows it up with one of the aftermath of thinking of you. No other woman makes him feel so starved.

He knows he isn’t very romantic; you would probably prefer actual dates instead of watching him train or following along like a cute accessory at the gym. But he brings you flowers, licks your cunt without hesitation, buys you feminine products and chocolate any time that you’re in need of them. Sure, each picnic date ends with your chest pressed against a sturdy tree or your thighs spread atop the patterned blanket, but the confessions hissed into your hair are true. It’s never just been sex, not to him. It’s love, and that’s one word he never seems to shy away from saying. He’s greedy, wouldn’t want something so simple, not after every moment you’ve spent together.

König might not get why you’re so into some new trend or show, but he listens when you talk about them. Or tries, at least. Really, he had no idea why you would bother explaining to him why you prefer a dress with wiry straps over something cozier when he arrives home, but he’s happy to just listen to your voice and shush you with kisses when he doesn’t know how else to respond.

You’re allowed access to his phone any time you like, even shows you his bank account to prove he hasn’t taken some lady a world away off on some expensive shopping trip or spent a curious amount at a pharmacy. In fact…. He’s barely spent anything while away, all of the transactions are from the last time he was on leave or at that cute little shop he had told you about and brought you home some shiny new gift from. There’s nothing suspicious to be found… except for those messages from the woman he tells you is just a recruit.

So… what if you’re just projecting?

To him, his own jealousy is righteous.

König almost looks scary when he’s upset, not that he would ever lay a hand on you. Maybe the coffee table will be in disarray, cleared entirely when the thought of you leaving proves to be far too much. His shirt suffers a few massive tears when he grips at his chest to show you just where you’re hurting him.

You may not have outright accused him, but König can’t hold his tongue when he asks you about this imaginary other man. Is he handsome? Does he buy you nice things? Does he make you come hard? How did you meet and just where does he live? Do you love him…?

König would try his utmost to hold back tears. He feels weak when he cries, and the last thing he wants is for you to view him as fragile. He’s supposed to protect you.

But it’s all gone in a flash. His entire being seems to relax when you explain to him that there is no other man. The unshed tears are wiped away, a heavy sigh leaves him when he rubs at his face. He feels like the worst idiot just stood there blinking in surprise while you’re still pissed, but at least that scenario proves to be untrue.

You just want to understand why he’s entertaining some other woman’s flirtations. Is that what telling some recruit she’s got sharp aim and allowing her to grasp at his arm and admire his muscles is..? He will admit that maybe he’s allowed her too much closeness, even if he never has and never will return her affections.

It baffles him entirely for a moment, slows his tongue enough to have a grin curl at his lips. It’s the most flattering thing in the entire world to think that you desire him so much that the thought of sharing makes you like this. The realization that maybe you’re just as territorial as he is is impossibly cute, makes him twice as obnoxious and overbearing when you’re pulled into his arms.

His voice takes an amused lilt when he asks you just what you want him to do about it. Cut her off? He’ll avoid her entirely if it appeases you. He doesn’t want to hurt a woman that isn’t an actual enemy, so killing her is certainly out of the question, but he can be scary if you would like that. She wouldn’t like him as much if she saw his face. He would remind you that only a silly thing like yourself could ever be keen on it. Your orders are absolute, so long as he still gets a treat in the end.

[chefkids]

So what comes next?

In case you have not heard. Season 3 might be the last. This was the same source that first announced that the bear will have additional episodes and they would begin filming in February so I would say they are pretty reliable. It was also Chris' intention to just do 3 seasons, and based on the major themes I do think it makes sense.

The timeline to pay back Jimmy was 18 months. We're already 3 months in. I doubt Season 3 will cover an entire year and 3 months. So why end it at Season 3 when there is still so much that could happen and they could explore?

The Bear will shut down.

It's not unheard of for Michelin star restaurants to shut down. I could see them giving it their all and even getting a star or two, but in the end it still not being enough. Operating costs is extremely high. Gentrification was touched lightly in season 1 with the landscape of the neighborhood changing. Many Michelin restaurants are part of restaurant groups and have large financially backing plus generate income through other products like books or packaged goods.

The show has been setting up everyone to be ready to be on their own if or when the time comes.

Marcus becoming a legit pastry chef.

Tina leveling up in the kitchen as a sous.

Richie becoming a high end host and expediter.

Natalie becoming a manager and also a mom.

They have all gained skills that could get them a job anywhere else. Carmy and Sydney are the ones still stuck.

Sydney is terrified of having to start over once again, because she's scared of time running out for her. She's not even 30, most people don't get to have their own restaurants until much later in life. She wants what Carmy got and she wants to share it with him.

Carmy doesn't know what he's doing on his own. Mikey was his motivation but now that he's accepted he's gone, the only thing that seems to get him motivated is his fear of disappointing Sydney. He started cooking out of spite and has seemingly ignored all his other interests like fashion and drawing.

They need want each other. I think it will end with knowing that they will have each other even if it's not about the restaurant anymore, because really this show was never really about the restaurant but the people in it.

Syd will stop stressing about time, Carmy will find his own purpose. And maybe 10 years down the line they'll give it another try and build something completely new and he'll actually be there for her in the process. I think it will be bittersweet, but still hopeful.

Honestly this is the only way that I can see it having a concrete ending, without leaving a ton of questions in the air, while still having a optimistic door open for the future. In the end the restaurant might have not succeeded financially, but it brought everyone together and made them better.