#because in the manga if the chapter isn't focusing on one of them

[chaoticreivingu]

Anyone remember when these 3 got together to be total haters

It was pretty dope.

[sugar-grigri]

Crazy theory, but since I don't really read them, I don't know if it's ever been mentioned before.

I've already talked about this urge to discover the demon of death. So much so that fans see them in every new character introduced.

We know that Pochita punctuates both the birth and death of demons with his chainsaws.

I've always been surprised by the way Pochita calmly took hold of Makima, allowing Denji to knowingly save her by recommending that he give her love

Just as I'm surprised by Fami's interest in separating Chainsaw Man just as Yoru is stubbornly intent on revenge

How can these three horsemen of the apocalypse have so much interest and connection with a single demon?

We already know that Fujimoto has opted for the metaphorical, choosing the instrument designed for childbirth: the chainsaw, as the keystone of his story.

Chainsaw Man is intrinsically linked to birth and death

Denji's rebirth alone is linked to death having been cut up as well as Pochita?

Demons are born out of fear of one thing, so I know it might be strange that Pochita, representing chainsaws, represents death and isn't the chainsaw demon.

But two things: firstly, the impostor is actually the real chainsaw demon.

Fujimoto likes to undo our first impressions, so I find it absolutely INCREDIBLE that Denji should be the impostor from the start, the false Chainsaw Man in a part 2 that focuses on identity.

Secondly, how can simple chainsaws have so much power? I mean, sure, they're scary, but how can they have so much power as to be able to wipe out demons? Why should it be the chainsaw demon who's capable of this, and death remains crouched in the shadows?

This would also explain his promiscuity with the other Knights of the Apocalypse.

The demon of control wanted to play with Pochita - death was the only thing she couldn't totally control, the only thing she aspired to be on an equal footing with.

If Pochita understood her so well, it was as the fourth knight of the apocalypse. If Makima considered him her equal, it was because she couldn't control a demon she knew to be of her own rank. The logic follows with Nayuta.

The demon of war doesn't accept death, it accepts to spread it through conflicts and weapons of mass murder, but a general doesn't accept that death can touch him too. To spread death represents victory, to be touched by it a defeat that demands vengeance.

Famine works hand in hand with death, and is feared because suffering and death are the end result of not being able to eat. She's the one with the clearest goal at the moment: to save humanity. She doesn't hesitate to recruit her fellow Apocalypse members, whether it's proposing it to Nayuta, trying to recruit Asa and Yoru, or splitting Chainsaw Man in two to work with the pure state of the death demon.

The public hunters' aim is also to protect mankind from Nostradamus' prophecy, but by paralyzing death's actions as much as possible. They exploit Denji's flaws and desire to be normal to the full, threatening those around him. While the church, represented by Fami, titillates Denji's heroic side, his abnormalities, they want death to act.

It would also explain why everyone close to Denji is disappearing.

All the signs are pointing to Asa's imminent atrocity.

Wouldn't it be incredible to think that it's because death is in Denji's belly ?

Everything would then make sense: it's normal for Denji's development to stagnate, and for him to go through so many existential crises.

He doesn't know his own identity

What's more, it doesn't contradict my most meta theories: Fujimoto places himself in the work through Denji (cf. chapter 133), just as he responds directly to his fans (chapters 136 and 137).

We're all hating him, seeing all our favorite characters meet unfortunate deaths

It would all make sense if the manga we were holding in our hands, "Chainsaw Man", actually referred directly to death right from the start.

It would all make sense if we saw Part 1 as Denji's introduction to the ranks of hunters governed by an early death.

It would make sense for Aki's love for him to be a metaphor for accepting death, in the continuity of mourning.

It would make sense for Power to be reassured by Death when traumatized by the demon of darkness: she died twice for love, and the total disappearance of body and spirit allows us to escape the darkness.

I don't know if this theory holds, but let's agree...

It's poetic

[delawaredetroit]

Hi, I know you said you didn't want to talk about this last chapter until the other rereads, but you're one of the few blogs that I trust won't respond with biased information about any particular ship or character. I'm hearing that there's a problem with chapter 431, that it shouldn't be counted as part of the chronology because the author didn't write it or something? but it doesn't appear in the final volume and is part of the end? Sorry for the question, I'm just really confused.

This comes from a misinterpretation of commentary written by Horikoshi expanding on the metaphor of BNHA as live theater. That theatrical connection has long been established. There was a reason the manga was split into three acts; the story focused on masks, roles, stages, etc.; and the manga spent so much time breaking the fourth wall and speaking of fantasy and reality.

I'm paraphrasing, but Horikoshi's commentary was that chapter 429 was the end of the play, chapter 430 was the curtain call, and chapter 431 was what happened after the curtain fell and the cameras dimmed.

It makes sense why chapter 429 would be "the end" of the play. It was the end of the hero society where everyone played black and white roles with very particular masks. (Because Shigaraki destroyed the stage). The play reached its conclusion with an ordinary person putting down the mask and reaching out to the child in need in front of them.

Chapter 430, where it ends with a spread of all of Class 1A, is the curtain call. If you've ever seen a play live, the actors all come back on stage for one final bow to the audience. That is the role of chapter 430.

Chapter 431 is what is left after all of the dramatics of theater are gone. The stage is no more, the masks are destroyed, and the roles will never be the same. Their current roles may eventually disappear entirely. This chapter is what they chose after the fantasy ended.

Even if the final two chapters were "extras", it would be dubious to argue they aren't canon. This argument is either coming from a place of those unhappy for shipping or other reasons...or they don't read much. Seriously, epilogue chapters (even those labeled as extras) set after a time skip are common from mainstream YA novels to Korean webtoons. Some folks in this fandom interact with BNHA as if they have never read a book before and it's mildly concerning...

Beyond that, acting as if a chapter included in a published volume of a text isn't canon is absurd on its face. Even if Horkoshi said it wasn't, at that point apply Death of the Author and actually read the manga as presented.

Tl;dr: Yes, chapter 431 is canon. It's in the official final volume and Horikoshi's commentary about this chapter was part of a metaphor about BNHA as a play.

[quirkwizard]

Final Chapter: A Look at the Ending of MHA

With the manga of My Hero Academia finally coming to a close, I thought I'd give my opinions about how the series ended. I will be covering everything from Chapter 424 to Chapter 430. This is going to mix my thoughts on the ending, a proposed rewrite, and a lot of responses to people's criticism towards it. Because I'm going to be real with you all: the past two months have been the most frustrating and exhausting experience I've had with this fan base. 

I have been writing this since the finale ended. In that time, I've been listening and taking in all the discourse of fans in order to make a more informed opinion. It's been miserable trying to read through all the thoughts people had about the finale. The sheer amount of opinions that were based off misinformation or misreadings of the series has been staggering. So, if I sound more exhausted or if the writing comes across as more scattershot then when I normally do something like that, that's the reason. And, as always, if you have anything you want to discuss, whether it be about the post or the ending, feel free to ask about it.

Review

Miscellaneous Notes:

So there are some bits of the story I wanted to talk about, but didn't feel the need to include full on diatribes about.

-Oh hey, Koichi from Vigilantes is here, that's so- and he's gone.

-Even when Izuku is his peer, Aizawa still finds time to be a jerk to his students.

-Mirio is the number one hero. Makes sense, but it does feel out of nowhere with how little Mirio has been relevant up until now.

-How on Earth is Miriko still working, let alone as a hero? She's down three limbs and in arguably worse shape then Enji.

-Man, they are really taking Kai to task these past few arcs, aren't they? I mean, I get why, but jeez. It's honestly sad to see what's been done with his character.

-I like how All Might's light returned to his eyes. It's a good way to show him getting his spirit back after all this time and reigniting hope in himself..

-So if Eri's horn is back, does that mean her power is back? Kind of wish we had something saying about why she isn't healing people. I get if it's her choice or the recipients choice not to do so, but there needs to be something for that.

Hospital Visit

This works as little cool down from the big battle, especially since we really needed to see some of the immediate consequences on the main characters. I actually like a lot of the stuff with Bakugou. After all this, he finally understands Izuku, shown by them getting similar injuries, and lets himself be emotionally vulnerable about wanting the two to be rivals. And we finally got some thoughts on part of Izuku here, like his regret about seemingly failing to save Tomura and how he doesn't feel hurt about losing out on "One For All". How he's glad that he even got this chance in the first place. I do feel the need to mention All Might saying that Izuku saved the "soul" of Tomura. I think a lot of people missed or ignored that line. It's important to Tomura's death, but I'll get more into that later.

Speaking of consequences, I don't mind Izuku losing out on "One For All". In the grander scheme of things, "One For All" doesn't need to be a thing anymore. With "All For One" gone, it no longer has a purpose to exist. And as we've all seen with All Might, someone holding that much power over he world is a problem, regardless of whether it's used for good or evil. Having it gone helps even the playing field and will push for the idea that people should rely on themselves and each other instead of focusing all on a single symbol. What's more, I think Izuku having to sacrifice it and lose it gives the ending a lot more weight. Because Izuku sacrificed the thing that made him a hero in order to stop Shigaraki. To me, that's one of the most defining aspects of a hero: the willingness to sacrifice something important to themselves to help others.

UA Stuff

All of the things happening at UA are fine.  I do like that Aoyama chose to leave 1-A of his own volition instead of being forced out. Plus, now Shinso is in the Hero Course. Good for him. I've never been all that invested in Shino's story, but this is a good way to get him into Class 1-A without making an exception or replacing any of the core cast members. I liked Mirio's graduation speech. I think it works with his arc of trying to inspire other people and trying to honor Sir Nighteye's memory. And they got to have their own little party. That's nice.

Honestly, I find myself having very little to say about all of this, at least the parts within the school itself. I'm all for a calm after the storm to talk about what happened and to build up characters. I'm honestly glad we're back at the school to help ground things after that massive battle. But I think there may have been too much time spent on this. It just feels a little longer than what's needed. Like the bits with the cotton girl feel like they weren't needed for the story and could have been better used setting up or wrapping up something else.

Todoroki Family Prison Visit

The Todoroki family drama has always been one of the stronger plotlines, especially in the latter half of the series. And I believe that it ended on a pretty strong note. It's to the point where I struggle to really say much about the resolution of it.  I do like how Shoto asks for something as basic as his favorite food. I also like how Dabi let go of his hatred towards Shoto, who was as much of a victim as he was in all of this, but still held on to it for Endeavor. Because in spite of what a lot of fans seem to think, the manga does take Enji to task and isn't saying he should be forgiven.

Dabi being in this condition is pretty awful, but I concede that it was necessary for him to have a resolution with the other Todorokis. I'll get to my thoughts on the condition of the villains later in the post. So for now I'll just say the metal coffin looks equal parts cool and horrific. I think it's too long at least in the wrong places. I understand that this is an important part of the story. But when it takes up so much of the chapter it's in, I feel like at least something should have been given to the other family members. They aren't the main players of the subplot, but they still could have used some resolution.

Afterburn

Now, there are those who say Enji got off too easy. Uh, no, he didn't. The man lost everything he strived for in the number one position, something that turned out to be totally hollow, and is left severely injured after the battle, due in large part to Dabi. Now the only thing that would bring his life purpose, his family, is all torn apart by his own actions. Now he's resigned himself to seeing his dying son, who hates him with every burnt fiber of his being, every day until Dabi dies. Enji's punishment is to live on, knowing what he did and failing to ever put his family back together. That's not a happy ending, that's a sentencing.

Which is something I do find frustrating about the end of their arc. While we get solid conclusions with Natsuo and Dabi, how Shoto, Fuyumi, and especially Rei feel about all this and their relationship with Enji is ambiguous at best. At least with Shoto and Fuymui, we had some idea of where they stood with their father before now, but Rei is still not clear. I'm not sure about the implications with Rei and whether she's still with Enji. I choose to think that she isn't just trying to help him out in the few panels we see them together, but it's not exactly clear. Which certainly does leave the door open for some... less than favorable interpretations.

Commissioner Hawks

I'm not sure how to feel about Keigo's conclusion. On the one hand, I don't mind where he ended up as the head of the Hero Commission. It's still a way for him to help heroes to make their lives easier without getting involved as a hero. And if there is anyone that can clean up the Hero Commission, it's the guy that's worked under them his entire life. On the other hand though, it does kind of feel like he did got off scott free for a lot of the stuff he did while under the Hero Commission, namely killing Twice. It never feels like Hawks personally was taken to task for his part in all of this. So now we have a murderer as the head of the Hero Commission. 

It doesn't matter if he was under orders to do it or not, nor if there were extreme circumstances that pushed him to such actions. The pragmatic side of me does see the reasoning of that, but the story enforces that what Hawks did is a bad thing and does so constantly. Nothing about the manga takes Hawks to task for what he did or makes it feel like he's been punished for that. He may have lost his Quirk, but we don't really know how he feels about that. Which is weird considering how much of his life came from having that Quirk. Unless his comment about not being ashamed of his "filthy wings" as long as he got to help Tokoyami? Maybe it will make more sense on another read.

Spinner and Izuku

I feel like this scene is pretty underrated. Heck, it may even cemented Spinner as one of my favorite villains. To me, it really goes to show the tragedy at the core of Spinner's character. That, for all of his desire to change things or help out his friends, he was too weak to see any change made for himself. So he attached himself to idols like Stain or Tomura. He was always manipulated or pulled by something else. Whether it be the radicalization of Stain or the machinations of All For One, his hopes were used against him, his mindless actions given meaning by peons. All it did was lose him everything. He was, ultimately, a kid who was in over his head and was turned into a monster because of it. The monster everyone saw him as.

And while I've heard some people complain about Tomura only having a message for Spinner, I think that's more about the relationship Tomura had with the rest of the League. They were aligned together for a mutual goal and had some care for one another, but I don't think they ever understood or were close to one another. Spinner is the only one Tomura had any kind of real closeness. That's the whole point of the gamer line, as silly as it was. So, while to the rest of the League, he was Shigaraki, the force of destruction and change, to Spinner, he was Tomura, a friend who he wanted to fight for. My only issue, again, is some unfortunate openness with the ending. Spinner writing a book to spite the heroes is fine, but it leaves this unfortunate implication that this book will be used to radicalize more people. I don't think that is the intention, but again, it's not very clear.

Everyone Do Your Share

I was originally frustrated by how much of the final chapters spent on the cleaning up of things, especially since there were so few chapters left. However, looking back, I do feel it's pretty important to reinforce the idea of everyone trying to help in their own way, no matter how big or small it may be. And in doing so, show the changes on every level possible. It's there to show how things are changing by how people act and see heroes. We've got the civilians doing their part to help the heroes, and we've got the next generation changing their perspective on heroism. All thanks to Class 1-A and their efforts. It's just a nice and efficient way to show things changing from a broader perspective.

Which leads me to the stitch mouth kid. I saw people begging that this kid would be the new Tomura and show that society is still bad and broken. As if something like that wouldn't undermine the entire point of the ending. The whole point is that anyone can be a hero in any way, as long as you are willing to reach out and help others. And people who see a problem can and should do something to help people. They should help when they have the chance before it is too late. So having the old woman reach out to help another lost child is a nice way to tie up that point. And the whole point of all this is that the heroes, especially Izuku, don't need to do everything themselves. 

The More Things Change

Many people were upset of the idea of aspects like hero rankings and the Hero Commission not being abolished by the time the series ended. I disagree. I never thought that the rankings themselves were bad or wrong, nor did I think the story ever shows that the rankings are bad. That only seemed to be an issue with Enji and that had a lot of personal issues behind it. Every other hero seemed to be perfectly content to do hero work regardless of the rankings. Now, the Hero Commission, I can understand more. It's shown to be morally gray with its power. However, I don't think the existence of this kind of system is inherently wrong. Having oversight to heroes isn't a bad idea. It's just that the usage of it use to a lot of problems. And most of those people that propagated it are dead and gone.

Further still, there are people that say nothing has changed in the setting. That, since these systems are still in place, it's always going to be like this. Again, I disagree. Because of the massive devastation wrought by Tomura, it gave Japan a fresh start with the current generation. This gives the country the chance to overhaul those systems, even if they are still around. At the end of the day, systems are made up of and by people. The story makes it clear many times how important it is to win the crowd over. And if you win the hearts and minds of the people, it could go on to propagate massive change to the system. If enough people want to change and push for it, things will change. Saying that "things didn't change because systems can't be changed" is such a horrifically pessimistic take on the ending.

The Death of Villains

I've mentioned it before, and I'll say it again: I don't mind Toga dying. By extension, I don't mind the villains dying either. While it may seem tragic and pointless for her to die, I do think that is kind of that point. And no, I don't think this means that she "couldn't be saved". I think it's more of a tragedy. She was the one that people could have been saved before, but it was far too late to help her given how far she had gone. And her dying isn't a failing of that. Because Toga's ultimate goal was to live and die on her own terms. Specifically, being able to express herself and her "love". And to a lesser degree, to have someone try to understand her. I think her dying to save Uraraka is a good end to her character. By extension, that's how I feel about a lot of the villains' deaths in this. They got what they wanted, tragically died in order to see it through to the end. At least there's some peace for them, in that respect.

There's also a matter of "saving". I think a lot of fans took this too literally. To me, "saving" was more about reaching out and trying to understand villains rather than simply fighting them. "Saving" was never going to be the same as "redeeming". Because let's be real, there is no redeeming these people. Not because they can't be redeemed, it's because they don't want to be redeemed, and I think it'd betray their characters to do so. They are unapologetically bad and have hurt a lot of people. Every member of the League is complicit in the deaths of thousands and throwing an entire country into chaos. They aren't wrong for fighting the system, they're wrong for killing countless people to do so. And I have to ask what the other options are? You either have them be forgiven and turn good, which would be insane given the crimes they committed and their characters, or have them locked up forever, which is a fate worse than death. At least in death they can have some form of peace by escaping the consequences of their actions and all the suffering they went through.

Izuku x Uraraka:

Yeah, I'm kind of confused about why it turned out like this. I'm ignoring all the shipping concerns that come from it. I'm more focused on the story and characters. The whole idea of Uraraka and Toga's shared story was about understanding your feelings, both towards yourself and other people. Especially how bad it is to repress and hide your feelings. The whole catalyst of Toga's story was her being forced to repress herself. So having this whole subplot end like this is really odd if Uraraka doesn't express her feelings. That's not mentioning all the hints, setups, and teasing that pushed these two as a potential couple that fell through by not having any conclusion. I honestly wonder why Hori, or his editors, decided to back down like this. 

Which, hey, now may not be the best time for a confession, but it's still jarring not to see anything come of it after all this time. Especially since so much of the chapter is about the two talking about their feelings. So why is it written like this? Now, I want to dismiss the popular concept that Hori changed this because of death threats between the two. While it's not something I'd put past obsessive fans, there hasn't been anything to substantiate the claim. So, barring rogue translators, my only guess is that Hori or an editor didn't want to do the reveal now and wanted to focus more on the important parts of the two's connection about inspiring one another. I can understand that, but it feels like a part of their dynamic is missing without any real acknowledgment of the two's feelings.

Izuku and Uraraka:

And I say all that to preface that I do like a lot of this scene and I do think it's important to each of the characters. Because Ochako is being open with her feelings here. It's just not the feelings that were being set up all the way in the first chapter. It's the two trying to connect and come to terms with their own failings with their villains. Only to have Izuku reach out his hand, reaffirming that sometimes all people need is a small act of kindness. Though it's hard to always do that, he's willing to do it because he's just that good of a guy. And having Izuku say that Uraraka is his hero is more heartfelt and important to these characters and the story at large then any confession could have been. 

And then we have the rest of Class 1-A coming to help as well. It works as a good parallel to Uraraka saving Izuku back during the Dark Hero Arc. It fits with the idea of heroes saving and helping one another. My only major issue is that I kind of wish we had gotten a little more with Izuku talking about his own feelings regarding Tomura, but we already got that back in Chapter 424. All and All: am I still disappointed that Izuku and Uraraka didn't have any romantic resolution? Kind of. It's less that I wanted them to get together and more I wanted some kind of resolution for it. But I still think what we got is good and that people are focusing way too much on what isn't there than what is there. Which I feel like is a problem with a lot of the ending, but we'll get to that.

Class 1-A Futures:

I do wish we got to see more of the future of Class 1-A, even if they were brief snippets. There are glimpses of Shoto and Bakugou. Bakguou's is alright, and I do like the final bit about no one connecting Shoto and Endeavor. I think that's a good ending for him. The most we get with any kind of detail are Shoji's and Urarak's groups. And I guess Shoji had a good future? Look, the Heteromorph plotline is arguably one of the worst parts of the whole manga. It may even be worse than the Stars and Stripes arc. So I can't exactly muster a lot of enthusiasm seeing it resolved by Shoji in the end. I suppose him thanking the people at the riot was nice? That whole part of the story honestly deserves its own post talking about it.

On the flip side, I'm fine with Uraraka's ending. Because I think people tend to conflate a lot of what makes up "Quirk Counseling", mostly thanks to people like Curious and Toga. One is part of a cult that wants to destroy society and the other most grievously targeted by it. From what we've actually seen of it, such as Tamaki's flashback, it just seems to be a lot of training and understanding your Quirk. Toga was just an unfortunate case where the system as it was couldn't help her and could only try and fit her into a niche. So I don't think expanding it is that big of a problem. Plus, expanding could include more extensive counseling that is more tailored to each child. I do think it's kind of odd that Iida and Momo seem to be stapled on to this ending, though. I'm not sure how this works as an end for either of them. I guess their roles as leaders of the class?

Great Teacher Izuku

Look, I don't mind Izuku having this job. Do I think there could have been other choices for this? Yes, but this is by no means bad. Being a teacher is a lot more respectable in Eastern cultures. Especially since he's teaching at the best hero school in the country, if not the world, it is certainly a high-profile job. And he is still being a hero in his own way and helping out the next generation as a teacher. More importantly, I still think that Izuku achieved his dream of being the greatest hero. The man brought down the greatest villain in human history and was one of the two people responsible for causing a massive shift in the way the world of heroes works. He is truly the world's greatest hero. There is no debating that. This is like some kid wanting to go to space to be the greatest astronaut. They not only go to space, they're the first person on Mars. They also stop the martins from invading Earth, killing the king of the martins, and save humanity. Now injured, they instead teach other cadets how to be astronauts. Would they not have success in their goal of being the greatest astronaut? I don't think anyone could match up with that.

However, my issue is with everything surrounding it. There isn't any set up for him becoming a teacher. It gives us the sense that this was the back-up option for when his real dreams feel through. Especially since Izuku gave everything he could to try and be a hero, and it doesn't happen until the very end of this manga. Which doesn't seem like the intention, since Izuku seems happy enough, but I heard a lot of people saying that. It's lacking in that catharsis and satisfaction that you'd expect from an ending. But you can have an ending that's not exactly happy and still be cathartic, and I think that still applies here. And another problem I have is that he's teaching at UA. Yes, he's helping out the next generation of heroes, but he's not helping out the people that need it most. The kind of people who don't make it into UA. The kind of people like Tomura, Spinner, and Twice. Those are the kind of people that should be getting help like this. Why not put him in a position with a much greater ability to help people? Finally, wasn't the whole point of All Might's arc? That there are other ways to be heroes and life outside of hero work? Why not have that aspect of the story be resolve with him instead of Izuku? He was already going down that route to begin with. Why repeat the same idea?

Walk and Talk

Again, I'm going to have to counter a major talking point I've seen in the fanbase. No, Izuku is not unhappy in his job. He seems to enjoy it and is in fact very good at it, as seen when talking to his students and the plate kid, Dai. He's only unhappy in one panel, in which he's being talked down to by Aizawa. No, Izuku is not forgotten by the world. He's mentioned in the same breath as some of the greatest heroes in the series, has his own statue with the rest of Class 1-A, and is so famous that people know his real name and is of such mythical status that people question if he is real. No, Izuku's friends did not abandon him. The most that Izuku says about that is that it's difficult for all twenty members to get together. He's still probably seeing them in smaller numbers. And I can tell you as someone who has had trouble even getting a quarter of that number of people into a single time slot, it's going to be difficult to get twenty people with separate schedules and lives together.

As for everything with Dai, it's fine. His perspective is pretty important as we get to see the changing worldview. With the demystification of heroes and the elevation of other roles in helping others, young people are now all getting into different fields. The talk around the statue is pretty good as well. Having Izuku effectively talk to a younger version of himself is a good way to close out his arc and all the insecurities he's had over the manga. However, part of me feels like this kind of talk should be done with the stitch-mouth kid. We do actually see him as a part of UA students with Kota. I think having Izuku end up talking to him about his Quirk could have been a good way to end his arc by having him be able to help someone similar. Not to say that the Dai stuff was bad or pointless. It just feels odd to include the guy that's supposed to be the metaphorical spirit of Tomura, put him in Izuku's class, and have them not interact.

The Suit

Again, this is another point where I don't have a major issue with it. At least, I don't have an issue getting the suit itself. I have some issues with the semantics. Did it take too long to build? I wouldn't say that. It was revealed in a piece by Horikoshi that it took all of All Might's vast resources to build, and it lacked a lot of the proper safety features. Having it take some time before it's battle ready for Izuku makes sense. However, that isn't in the manga, at least as far as I can tell. Maybe this makes more sense in the volumes, where stuff like this is included all the time. For real though, these people built this in secret for eight years, and they are just now letting him find out. Was there really no explanation you could have added to make that make more sense?

It creates this odd juxtaposition of endings as well. It gives the feeling of the story wanting to have its cake and eat it as well. Someone wanted Izuku come to terms with being Quirkless and to have a life outside of hero work. The other person wanted Izuku to still fight and be a hero. I also wonder why not just have be both at the same time instead of doing this twist. Make it clear that heroes have a lot more time, both thanks to Hawks and the contributions of the many heroes in the world all working together. Izuku doesn't need to be a full-time hero to save people and chooses to be a teacher to help people in a way that only he can do. That way, he can still be a hero that isn't necessarily the profession while being a professional hero without a Quirk.

Final Thoughts

Now, what are my final options for all of this? I think that ending was pretty solid, leaning good. I do agree that it's better than what is on offer than a lot of shōnen series and a good enough ending for the story. I'm not saying it's amazing or perfect. Though I do find myself more satisfied than frustrated. I get a lot of what the story is going for, and it makes sense. It just needed some refinement to really work. As for what everyone else has said about it, I honestly think that a lot of people are overreacting. I wouldn't go as far as to say people are "lacking media literacy" or that they are "reading in bad faith" like others have on either side of the debate. I just think this as a case where the context and delivery of it resulted in a lot of confusion. And more often than not, people will tend to go with the worst version of the implications. This is not helped by the leaks and bad translations which fans ran away with, as well the built-up hype and headcanons, which poisoned the well for a lot of people.

However, I cannot deny that there is part of the fanbase that is simply not getting the manga. I don't want to use the word "tourist", because that's a No True Scotsman fallacy, but it's starting to feel applicable here. The people who simply aren't reading the manga, whether it be through engaging with it solely through other people talking about it, or trying to look at it anything beyond the most kneejerk and surface level reactions. Because a lot of people tend to conflate what My Hero Academia is about or what its story is conveying. And unfortunately, those are the people with massive followings. Anyone with a differing opinion is drowned out in the sea of angry comments. And I think we really need to get away from that. What I'm saying is that you read the story as it is. Focus on what is happening and what it is trying to say. Don't force a meaning or headcanon on something that wasn't there and don't rely on word of mouth for what the manga is about. Just focus on what the story is trying to say.

My only hope is that this will pass, and calmer heads will win out. That once it's stepped outside the zeitgeist, people will be able to analyze it as a whole. If not, then I'm terrified to think that this will become My Hero Academia's legacy: a bunch of stupid jokes made by people who can't bother to read the official version of the story or try to understand a culture outside their own even when it plays a vital role within the story. If not, then I can hope that maybe something else will come to replace it. Because I'm not sure if this is truly the end. I've heard rumors that there's going to be something akin to Naruto: The Last or the Naruto Wedding Special coming out after the anime ends. If not that, who knows who other kinds of side material will come out to follow up on the world or characters. Which would make sense. The ending doesn't feel like an ending as much as it does "And the adventure continues." Which could be why I'm not as affected by this ending as other people.

There's certainly the cultural side and how that surrounds the manga. I'll always stand by the fact that this manga is a Japanese story by a Japanese author for a Japanese audience. And there's a lot of cultural context that goes into the series. I keep thinking about how a lot of Japanese fans seemed to like the ending and how much I wished I had the context to understand it. Another part of it is how much I'm thinking about Hori. Because for all the popularity of it, being a mangaka is one of the most stressful jobs in Japan. One where the artist has much less say over how their story goes. I'm so curious about what went on behind the scenes to make My Hero Academia turn out the way it is. Was all this Hori fumbling his own story, whether that be through incompetence or failing health, or were there outside forces pressing on him to do things a certain way? It's like how people became more forgiving of Kubo or Toriyama once they found out how hamstrung they were by their higher ups. I suppose only time will tell.

Rewrite

Now, time for the Rewrite portion. As a reminder, I do try to keep to what the manga does as close as possible. For example, I personally would just let Izuku keep some version of "One For All" if the ultimate conclusion was him still being a hero. However, it's obvious that Hori didn't want to go that route with it, so I'll be sticking to him getting with the suit.

Starting things off, we'll be in the hospital with Izuku and All Might recovering. We're told about "One For All" leaving him, and we'll get some reaction from Izuku about it. He will be sad but resolved. He may not have "One For All", but he's still alive. He's got the skill and will to help people without it. And he still wants to do that, even in his own way, because he still has value without "One For All". This could help soften the blow of Izuku losing out on "One For All". That and it's at least something to try to tie up Izuku's self worth issues. This will also be something confirmed by Inko, putting a nice little bow on all this with her being more properly encouraging of Izuku as opposed to how things were in Chapter 1.

Then we're going to reveal how many people want to talk to Izuku. Reporters are going to be hounding Izuku for his story, considering how he was key in stopping Tomura. Which he obviously can't do right now due to his condition. After some time, he will eventually recover enough to give a press conference. This will also be where we get the varying opinions on Tomura, having a panel overwhelming Izuku with questions and thoughts. Izuku is now going to use his newly found position to try and change things for the better. He's going to emphasize the importance of the role of the other heroes and not have it all focus on him. He's going to use it as a platform to talk about who Tomura was and why he did what he did.

It's going to be something emotional and vulnerable, something propping up Izuku as a person rather than the hero Deku, working to prevent another situation like All Might where everyone keeps putting them on pedestals. This way, we have both the validation of Izuku saving everyone and wanting to bring about change on the societal level. It shows him being a hero in the traditional way with the defeat of All For One, now he's being a hero in the non-traditional way. This will be cutting into some of the time we have at UA, but to me, I don't think a lot of what's in that part is ultimately necessary to what the story is trying to say.

For the sake of this, Hawks will still be working as the head of the Hero Commission. He'll talk about how he feels free now that his Quirk is gone and everything that came with it, more so than ever before. However, he still wants to make life easier for heroes so that they can feel this kind of freedom. He initially didn't want the position, but felt the need to take it on after everything that's happened and make things right, implying the guilt he feels over his actions. Plus, it has some nice irony of Hawks still being trapped within the Hero Commissions. So him taking the role is more of his own penance and a punishment.

So while Izuku is fighting on the public front, changing the hearts of the masses to enact change, Hawks will be fighting on the political and systematic front, using the devastation of the country as a fresh start. He'll encourage groups of heroes to work together rather than focusing on the individual. He'll push for a greater level of training or vetting when it comes to people who can get a license for hero work. Most importantly, a greater level of accountability and transparency in both heroes and the Hero Commission as a whole.

Lady Nagant will remain in jail, but it's more for reasons of atonement rather than wanting to wait and see how things play out. Hawks will try to offer her some deal or reduction as a way to make things right, but she feels like it's the right thing to do rather than trying to pretend it never happened. This will also be the part where we explore some of the points with Hawks we talked about earlier. Lady Nagant can even question if the Hero Commission is needed, but Hawks can talk about all the reforms he wants to do with it.

For Chapter 426, we're shortening the Todoroki family time, and it will only take up half of the chapter. I will have some confirmation on whether or not Rei was able to move on from what Enji did and do more to cement how Enji is alone now. He may be resolved to change and make things right, but he is not getting his family back. That ship has sailed. Instead, we'll be sticking to everything involving Hawks and Toshinori in the latter half of this, with him talking to Lady Nagant and him discussing his plans for changing the ranking systems in general. I think it'd flow a lot better, works with tying up another character so closely tied to the Todorokis, and gives us more time for other stuff.

However, we're keeping 427 mostly intact. I think Spinner's material is good, and everything that got brought up needed to be mentioned one way or another. The most I'd do is cut down on the ending gag, since it frustrates me so much, and some of the interviews since we may not need them as much with how I'll be changing things in those sections. I am removing the Kai part of the chapter as well. I like Kai, but this honestly feels pointless in the grand scheme of things.

The biggest change will be that I'll include a bit where, instead of Izuku saying to make it a comic book, he'll remind Spinner to think about what would happen if someone like Spinner read it. About how important a book like that could be and how it should be written, but also how it could hurt someone who reads it. Spinner will remain silent in response, thinking back on how he saw Stain and how he was puppeteered around by the likes of One For All and the PLF during the Final War.

I think you could do a nice parallel between Izuku and Spinner here. They were two young men who were ultimately racialized and hurt by their idols and their lack of self-worth. Again, it's showing Izuku thinking about himself more with what has happened to him and tying that to Spinner's own situation. Plus, it prevents something like Spinner's book from having the unfortunate implication of turning out to something like the MLA book.

We're cutting Chapters 428 and 429 in half and stitching them together. Specifically, all the stuff with the new Class 1-A and the Old Class 1-A will be removed. I just feel like we don't need to focus on this as much as other parts of the world or story. Preferably, I would want them to get together. With the Bakugou and Shoto being seen bit, we're throwing in Izuku as well. There needs to be some confirmation that people did in fact see him as a hero as well and confirm that the three are in fact the new Big Three of UA. I'm not asking this to be the norm of it like they do in Naruto. I just feel like there should be some external validation.

The fight between Toga and Uraraka will be around and released to the public. Her death will be seen as something tragic to the world and help spark the change we see later on with people empathizing with villains like her. This could also lead to Izuku seeing it and being the impetus for Izuku and Ochako talking about their feelings. Yes, this chapter will include a confession for Ochako to Izuku. It won't be during a breakdown, but it needs to be put in somewhere and might as well be here. I'll even settle for an implication. Up to you on whether or not you think this should solidify them as a couple, but I feel like you have to include that in order to complete all of the set-up in the series and especially with Toga.

The new Chapter 429 will instead be a two-year time jump into the future before everyone is graduating. We can still start it off with some of the "where are they now" bits, but not have it take up too much time. With the final embers of "One For All" starting to fade out, Izuku knows this is the end of him as a proper hero, but it doesn't matter to him. He got to be the greatest hero in history who literally saved the world. He doesn't define himself by having a Quirk or not and knows that he can still help people without a costume on. Izuku plans on either going into counseling, charity work, or even trying to get a job at the Hero Commission. Up to you on this one. He still wants to help and stop the various hurting people of the world from ever becoming like anyone from the League ever again. Make it clear this is something Izuku wants.

This is when Toshinori gives him his graduation gift: the suit. Between Toshinori's remaining resources, gifts and gratitude from the various people across the world, and contributions from members of 1-A, they were able to build him the suit. Toshinori kept it from Izuku because it wasn't ready until a few days ago, needing to be properly prepared and built as opposed to the rush job that was the dangerous prototype he used. Izuku, of course, has notes and ideas for improvements on the suit. Toshinori reaffirms that Izuku earned this, and he will still be a worthy hero and successor, Quirkless or otherwise. The chapter ends with Class 1-A and 1-B graduating. I know that two years seems short, but I think that the timespan is enough of a time gap to get the suit together, at least with how I am setting it up, and to have the embers of "One For All" fade. 

The alternative route is that, knowing that the embers are running out, Izuku still wants to be a hero. So he's spent the last two years trying to prepare himself for that, putting as much time into training and learning how to use equipment made for him. He doesn't care if he isn't going to be the top hero. He's going to do what he's already been doing: helping people, because that's all he really wanted out of life. That this whole experience changed how he saw himself and hero work. You could even say that it's the prototype for him, eventually becoming the suit. Maybe even combine them both, with the former being a backup plan after hero work. And while I have never been the biggest fan of the whole "Quirkless Hero" concept with how little it's supported in the world, I think we can let it slide because it's the finale. But I wanted to mention it because I thought it'd be an interesting path for the story to take.

Then the real chapter 430 will cut to the future, roughly five to six years. I could take or leave Izuku being a teacher, but for the sake of this, let's say that he is one. Heroes have more time off, so he decides to help educate people. We'll get a similar series of panels that will focus more on the world with how it is now, mainly in relation to Class 1-A. This will show a lot more of how the 1-A kids have grown and the affects they have on the world, like Uraraka actually interacting and helping a kid like Toga come to terms with their power to show how Quirk Counseling has become a tool to help people. I think we really need more scenes like that to really show that things have grown and changed with the world. Izuku's suit will have changed as well, commenting on how much he's been involved with the modeling and planning throughout his most current iteration.

Toshinori will be living his life and still teaching at UA. He talks about how all the kids want to be like Izuku, especially with Kota, and that they never stop talking about him. He jokes to himself about how he feels like he's been forgotten. Cut back to Izuku's old school with the kid in the back. Events will happen similarly to what they did in Chapter 430, with Izuku meeting a kid similar to himself at All Might's statue. There will be the usual stuff he said, trying to encourage the kid, making comparisons to himself, maybe even showing the photos All Might took of him when he was training. He gets a call about an incident and needs to leave. He tells the kid to never forget about the hero he can be and to never stop striving to be that hero. The final words of the series are the ever-iconic "Plus Ultra".  This is beyond cheesy, but if we're going to end the series, we might as well end it with some cheese.

[hvlcy0n]

EXPLICIT CONTENT UNDER CUT, ONLY 18+

writing this and immediately posting it no i refuse to come back to edit this

idk about the rest of yall but that one interaction between hiragi and banjo in chapter 130 snatched me up by my throat. plus hiragi with his hair down??? manga hiragi????? listen. stay with me now.

hiragi just oozes authority. STAY WITH ME. he possessed great leadership skills and commanded respect as a member of bofurin's four kings, and such attributes would draw you to him like a moth to flame even as he ages and consequently graduates from the high school. he exudes a casual dominance that makes your heart flutter, and you can't help but feel your brain go all mushy when he tosses his jacket over your shoulders to protect you from unwanted attention or when he nonchalantly drops to one knee to fix the strap on your sandals because you're wearing a dress or short skirt or when he offhandedly points out things that he'd like to see you in but "it's cool if you don't like it."

he takes such good care of you, he makes you want to suck him dry on the DAILY simply because you can. he isn't super well-versed in relationships and may be clumsy with certain situations, but he does his best, and you appreciate the effort. you crave his attention in a way that's almost embarrassing if you think about it for too long, but it's not your fault that almost everything he does leaves your skin flushed with heat and a dull ache throbbing between your thighs.

he may be a strong man, but he's not nearly strong enough to stay focused when you seek him out and invade his personal space, tempting him into your grasp with an alluring sparkle in your eyes and a soft plea for his assistance. sometimes, he may be able to resist for a while, but eventually, you'll get your way, even if you have to pull out all the stops to reach that point. the only exceptions are when you're intentionally acting out or there are pressing matters he must attend to, but that's a conversation for a different time. you're his sweet girl, how could he not deliver?

but, if you're going to demand his attention so often, you should be able to take what he gives you, right? it's only fair.

he's very much the type to crowd you against the wall and finger you until you're creaming all over his hand. his presence swallows you up, engulfing you so completely that it's nearly overwhelming; there's nowhere you can turn where he isn't already. the scent of his cologne wafting off his neck is dizzying, and the only thing grounding you is the low sound of his voice as you drift in and out of awareness. his free hand is braced next to your head for leverage, and you can't help but let your head loll weakly against it as you try to conserve enough energy to prevent your wobbly legs from collapsing under you.

you can't even remember how many orgasms he's pulled out of you with his fingers alone, nor do you care. the sticky squelch of his fingers as he curves them to bully your g-spot for the umpteenth time is obscene and makes your thighs tremble. you whine at the onslaught of stimulation and feebly try to rise up on your tiptoes to escape, but his touch simply follows you.

"nuh-uh, you don't get to suddenly decide to run. i'm not done." his voice, verging on a growl, vibrates in his chest. "i was gone for two hours, and i didn't even have time to take my fuckin' jacket off before you were all over me wantin' more. this is what you wanted, right?"

you nod, tongue too cumbersome and uncooperative to speak. you gasp sharply when the heel of his palm grinds against your clit, lidded eyes popping open attentively. "eyes open. answer me, sweetheart." his voice is firm but not unkind, searching for some type of verbal confirmation or denial that you're still with him.

"it . . . is," you can barely thread together the words. "feels s' good, toma . . . one more, pl--ease." your inner thighs are sticky, but you can't tell whether it's sweat or your own slick that's trickling down your skin. "jus' one."

"damn near insatiable," he grumbles, but regardless, his fingers sink back into you without hesitation.

he can't deny you. but, when he feels his cock twitch in his jeans when you lift your head to gaze at him with those hazy, adoring eyes and sweetly ask him for a kiss, he begins to wonder if he's just as bad as you.

[houkagokappa]

Bless Mokumokuren for outright stating that the genre tags for Hikaru ga Shinda Natsu have never changed, i.e. the official site never dropped the "BL" tag from the series as it got more popular to reach a wider audience. It's been a persistent rumor in the fandom, and one I'm afraid will start circulating again once the anime starts airing.

If you mainly follow English language sources, please remember that whatever tags different anime and manga sites, databases, aggregators etc., either add or leave out don't always reflect the author's intent and the official sources, and should NOT be used to argue for what genre or demographic a certain work belongs to. It can just be random people claiming whatever they want based on their own interpretations and I've seen plenty of errors and real time changes to them based on new chapter developments, that might help catch the attention of some people, but don't suddenly change the genre of the work itself.

Not having BL as a genre tag also doesn't mean that a work can't include any boys loving. The queer themes have always been present in HGSN, and if you're up to date with the manga, they've been outright stated. Having queer characters or a queer story line doesn't automatically mean that a work is BL or yuri, and not including those tags doesn't mean that it's just "baiting". This gets brought up so much I think Mokumokuren's gotten tired of it, because the other day they clearly spelled it out for everyone, assuring that the story is queer, although it's not tagged as BL or focused on romance.

Here's what they shared on their Bluesky account:

The genre tag and advertising direction on the official website have never changed since the beginning of serialization. From the beginning, it has been consistently promoted as a "coming-of-age horror" within the official reach. (It's also true that the official reach is very limited…) Whatever the genre tag is, and even if this story isn't a romance, as the author, I guarantee that it is a queer story. There seems to be a persistent false rumor going around that "the author suddenly removed the BL tag from the official website by the 3rd volume," but the truth is that there was never an official BL tag from the beginning. (This is not to deny any queerness.)

And further back:

My opinion that the genre of The Summer Hikaru Died is something that the readers are free to think about on their own remains unchanged, but I view it as a story that sympathizes with those who have been left out of stories about love and sex, so I describe it as "coming-of-age horror." I think the key is the fear of not being “normal” and not having a place to belong, which is common for all kinds of people regardless of their attributes. I think it's fine for queer stories that aren't romances to exist. That's why I've been careful not to position it as a love story from the start.

Let's stop obsessing over tags and allow queer stories to exist and thrive, even when they lack a clear romantic plot or subplot and are more subdued.

[cantareincminor]

Day 7: Best Moment

Hands down, Chapter 86 of the manga. I know it's not a single moment but I can't really boil it down to just one.

The entire mole hunt arc was top notch. The ending made it even better. And not just because of the infamous Twilight Shower Scene.

It starts in the sewer, when Twilight tells a half-truth to Nightfall about why he spared Yuri:

I'm a sucker for whenever Twilight has these moments (of which there are several in this arc). That exact expression. His eyes say it all. He's defeated, shaken, not "himself." He can barely admit the truth to himself, but he has to come up with some kind of explanation to satisfy his colleague and the rest of WISE when he writes the mission report.

That "for the mission" defense isn't holding up so well anymore, is it, Twilight?

His solemn, defeated mood continues as he heads home as an ordinary civilian:

Again, the eyes say it all. He looks up at his apartment with something like dread. It takes effort to raise his head. He looks to be walking slowly. Like he doesn't want to be there. He knows he's heading into a difficult conversation after an already difficult day where he made a nearly fatal "mistake" and almost lost his life.

Then, against all expectations, Yor welcomes him with the sweetest smile, to the point where she has a halo around her head in his eyes. Once again, Yor defies all that he thinks he knows about human nature and women!

Look at him. That tiny dot of a mouth looks so cute. He's stunned, unable to process. I won't copy paste all the fainting he does since I don't want to copy paste the whole chapter!

So many miniature golden Twiyor moments and shoujo filter close-ups of Yor here. I love how soft her expression is, the contemplative look in her eyes and the shape of her smile. Yor isn't the best at expressing herself in words, especially when it comes to her own wants and desires, but when she tells the truth, it hits hard. She feels comfortable enough with Loid to tell him what's really on her mind, what she wants! What a major milestone for her.

Twilight looks so adorable up there! He's listening and absorbing her words. His mind is not on overdrive. It's just focused solely on Yor. What a sweet, slow moment.

Then, there's this beautiful panel of them in the midst of all this white space. Completely focused on each other, at face level, sitting on the ground. Not putting on a front, just talking as husband and wife. Other fans have analyzed this a lot so I won't say much more.

Side note, it's kind of funny that right after this Yuri bursts in, and while Loid springs to his feet immediately, Yor is still sitting on the ground. I wonder if Yuri noticed his sister was randomly sitting on the ground? What could that have implied? Allow me to have a bit of a dirty mind here, lol, it reminds me of this iconic sentence in @miss---nothing's amazing fic Little Deaths, "What makes you think we haven't sullied the floor?"

Ahem. Finally, there's Twilight's reflection on all of this:

Finally admitting that Yor is a weakness. That she is the reason he "slipped up" so horrendously and left himself extremely vulnerable, not only with debilitating injuries he could have avoided (which then cost him the fight with Wheeler), but by leaving an SSS agent alive and wondering why the hell the most notorious spy of the West would spare his life! That is a HUGE risk to take!

I just love the character development, the epiphanies, that shine through in this chapter. Twilight's still taking baby steps emotionally, but when we really think about it, he legitimately fulfilled his vow he made all the way back in Chapter 14:

He took a bullet for Yor!! Literally!! Actions speak louder than words.

He won't admit he loves her (probably will take 100 more chapters for that LOL), but he sees her as a "weakness." Which places him on the path toward that elusive point in the distance.

All in all, this is the chapter I have reread the most. It'll take a lot to top it in my mind!

[20001541]

Thinking about both of AFO's death scenes (og body and vestige) and my own differing feelings towards them which derives from one important aspect that ultimately makes me prefer one over the other

Yes, both have him admitting his need for Yoichi and have him completely losing his composure at the end, and alone they are good scenes showing him finally getting what he deserves.

The one important difference that changes everything for me is how in the first death he is completely consumed by Tomura's hate while in the second death he is being his true vulnerable self. The baby AFO we see is still being influenced by all of Tomura's own emotions and its messing with his own head. He's more focused on trying to win that we don't get much from him in terms of vulnerability until the last second when he realizes Bakugo is going to keep him from reaching Tomura. Even after that we just get him screaming from the overwhelming amount of hate he feels knowing he is about to be defeated by someone he called an extra. It's poetic that he dies through his own fault (rewinding) and was prevented from killing All Might by someone who he overlooked. While I found these aspects of this death good, I felt it was lacking. I just wanted to have that moment where he genuinely loses while in his right frame of mind. Also I needed a scene where he talks with Yoichi one more time before he dies, that's what I wanted more than anything. Which was why I was hoping so hard that vestige would return soon so we could get it after this chapter dropped.

I don't hate this death scene though I do love is how we see him admit for the first time that without Yoichi all his efforts would be in vain.

Contrary to what many believed initially having Yoichi with him is more important than ruling the world. Ruling the world is his ultimate goal but to him it would be unfulfilling if he has to do it without Yoichi by his side.

The second death scene it's everything I ever wanted when it comes to concluding AFO's character. He's in his right mind, Tomura's hatred is no longer a factor, but he's full of grief because he thought Yoichi was gone forever because of how he shattered after being thrown in Tomura so he's forlorn. But the moment he sees there's a part of Yoichi still left he completely loses his composure. Look at his face when he realizes there's a piece of Yoichi that still exists

His whole appearance instantly changes to how he looked before his injury starts screaming at him to show him his face and to not fade away. Great way to show he's being his true vulnerable self here.

And I love it so much, seeing the man who prides himself in staying in control and calm at all times just making a fool of himself to get his little brother to stay is just *chefs kiss*. He was so smug telling Yoichi that he has to stay with him because he's too weak to ever stand on his own and now here he is finally admitting that he needs Yoichi more than anything.

Honestly, there's something sad in how he doesn't think he's anything of worth without his brother in his life. Truest display of codependency shown in the entire manga and unfortunately for him the feelings aren't reciprocated. Yoichi is trying to gently tell him that's it's over for them, but AFO refuses to accept the reality. He's trying to command the situation by saying he won't allow it but this is a situation where he has no more control. It's time for him to pay the price for all the evil he has brought upon this world.

I like that his death wasn't gentle because I can't ever imagine AFO accepting a peaceful death. Til his final moments he won't let go of control because he still has to cement his legacy as the demon king of this world. His work isn't finished yet. He doesn't want to go until he ensures that he'll never be forgotten. He'll do anything to stay alive, but he's helpless to stop himself from being punched to death. Yoichi couldn't save him, but he displayed a last act of kindness by staying with him and taking the punch as well.

So yeah both deaths are good, but I have more of a preference to the second death than the first one. I only wish the second one was a full chapter instead of sharing it with Tomura's death but alas.

Anyways thank you to @kstbj for inspiring this post as they wanted to talk about his two death scenes ❤️

[mari-lair]

Akane is a popular kid, arguably the most popular student outside Aoi and Teru, at least in his own class, so let's talk about it!

In his introduction, we are told the basics: how Akane is a childhood friend of Aoi, dutiful, obsessed with her, and so on. During this exposition, we get this small panel of two guys looking at him with a positive opinion of him:

It's important that the stripped shirt guy is the one who says "Akane is so nice" cause it is implied he has a crush on Aoi, or at the very least, that he considers her really cute, blushing when she is just living her life.

So even people who should consider him one hell of a romantic rival don't think badly of him. I would go as far as to say that they are invested in his obvious crush on Aoi because of the amount of attention he gets after being enchanted by the confession tree.

In an arc where everyone starts to get together, is hard to notice or even care about new couples.

But the whole class stops when Akane and Lemon claim to be dating. They surround the boys and talk about it, openly staring at them. (shout out to @bpzau-d-r-a-w-s for pointing out this crowd)

Which I would have assumed is homophobia if it wasn't for how many guys confess to Teru on the daily without being spared a single thought, or the way no one is trying to comfort Aoi.

If he was only known as 'that dude that follows Aoi' the class reaction should be "Great! Her bodyguard is not in the picture anymore! That's my chance!" but they don't spare Aoi a glance. No one cares that "our calm and composed popular queen is crying in the middle of class." right now. They are just... focused on Akane, too shocked by his change of heart to care about much else.

I know is Akane getting this attention instead of Lemon because the class reacted the same way once Akane started studying like crazy to win 'Teru's challenge' in chapter 59.

People don't dismiss his behavior as "hum, weird, well whatever" like when Nene talks to 'herself '(talk to Hanako) in class, they keep crowding and talking about Akane, they are invested, aware of the context of the situation (so they asked him) and familiar enough to take a guess that his behavior is related to Aoi.

So they care about what this weirdo is doing, he is a soap opera to the class! Just look at how invested people get when he says no to Aoi, even the background crew are open-mouthed or confused.

This idea Akane is a boy people pay attention to is everywhere in the manga.

Even for a class representative/council guy, it is ridiculous the number of people who want his help. He is always surrounded by people wanting his help.

I personally can't see that many people approach someone just to take advantage of them, he makes others go "Oh it's Aoi! I can trust Aoi to be of help :D" but I acknowledge that can be seen as a sign of how incompetent his class is or just people wanting to take advantage of him, so I'll talk about the cases people run to him that are nonrelated to his duties, is just his vibes:

Tiara gets super attached to Akane in no time, literally clinging to him out of everyone in the room, running to his side whenever there is an opportunity for it.

Hanako, who is apathetic towards most humans and supernaturals alike, loves his guts. Even if the admiration is not mutual.

Teru and Aoi are prideful people who have the whole school paying attention to them. They look at Akane the most.

Girls especially seem to like him.

We don't see him interact with many girls considering Aoi's jealous nature, but enough to tell the boys in his class call him 'Aoi', and the girls call him 'Akane-kun.' (shout out to @iamhereinthebg for pointing that out)

I am convinced the reason he doesn't get many confessions is because he brutally shuts down anyone who tries.

He isn't like Teru and Aoi, he does not believe in "I'll let them down gently, give them a cute smile to soothe the pain of rejection" he just crushes their hopes without hesitation and makes it clear they have no chance.

The one girl we explicitly see confess to him only ever hoped Akane would accept her chocolate, having no hopes her feelings would be returned but caring enough to let him know anyway.

And Akane still rejected her chocolates.

He seems to be relatively used to confessions, to the point he panicked when Nene said "I've meant to talk to you for ages" and immediately assumed she wanted to confess to him.

His answer is so quick, almost scripted "My heart belongs to another. I'm sorry." it makes no sense if he isn't at least somewhat used to getting love confessions.

Considering how... Unpleasant confessing to a guy who everyone knows has been madly in love with someone else for more than a decade must be, I am not surprised almost no one is brave enough to even try to pursue him. His blunt, borderline rude, way of expressing that his suitors are not welcome probably doesn't help either.

Bonus:

He is no idol, people do not trip over themselves when they see him like with Aoi and teru, but I do think he is considered a 'pretty boy' in canon.

Maybe I am reaching cause I am biased af, but I do find it wild that he is drawn super pretty in other's people pov when he is being playful or flirty, and the person always blushes about it.

EDIT: In a Twitter Valentine event that takes place in the canon world, Akane is described as having admirers.

[jariten]

Roundup-Catch up: August 2024!!

Let's catch up! Looking back at my list of August reads my head spins a bit. Most of this year I got way too eager picking up series from my shelf or the library and was juggling maybe 5 series at once. Which did a huge disservice to the reading experience for some of those series as I wasn't giving them my full attention. It wasn't until August I managed to wrap up most of them and enter the more focused way of following or reading through a series that I had previously. But in the frenzy I still had some great reads.

I had always heard whispers of No Longer Heroine by Momoko Koda but I'd never crossed paths with it. But when the english run of My Love Mix-up ended I had a huge contemporary High School Romance shaped hole in my heart and this is one of the titles that's filled it (I will get to the rest). I love mess, I love stories of teenagers learning to navigate the minefield that is human relationships so I can be the opposite of nostalgic for a time that, praise be, I will never have to relive. But I also read titles like this wondering how a constructive conversation around it could be had among young readers who from my experience can come off very frustrated and unsympathetic to the type of drama it depicts where the heroine and hero's feelings and decisions are extremely irrational and reckless. I really like the Yen Press, but as a license acquisition it feels kinda random? And in my honest opinion if you're 10 years late to a title you kinda have to make it an omnibus or collectors edition because waiting for individual volumes for, again, an over 10 year old series is pretty frustrating. But I will stick around to the end.

Yumiko Ōshima's Sava series was one of my favorites of 2022. The way she captures me with stories where honestly "nothing" really "happens" just floored me and made me optimistic for Goo Goo Datte Neko de Aru. A diary comic that begins with the passing of the cat Sava and her purchase of the cat Goo Goo (Short for Good Good). But Goo Goo isn't the only cat that enters her life. In rather rapid succession stray kittens begin entering her life. We follow for over a decade her journey rescuing, rehoming, and caretaking of countless stray cats (the latter to the dismay of her neighbours). Reading it today it highlights the challenges of clashing attitudes over stray cats and how these populations should be taken care of if at all. Famously it is also a chronicle of her cancer survival journey but its a rather short part of the whole but nonetheless maintains the Ōshima charm.

I want to make a gift recommendation for the upcoming holiday season: Your Letter by Hyeon A Cho. While I've had some really really good encounters with Korean Manhwa, Webtoons is still a world unknown to me. I think the Ize Press initiative bringing Webtoons to print in english is extremely cool, but the lineup just hasn't had any titles that caught my eye. Until Your Letter. A 10 chapter single volume story that I liked so much for its artistic presentation and the story it was telling about bullying and finding your place in a new environment that I immediately was overcome with the need to pass it along, which I did. Really think it would make a great gift for anyone 5th grade and up who are interested in comics. OR it can be read for free in its entirety on Webtoon!

Satou Gashi no Ie by Kyoko Fumizuki was a title picked up a bit at random. I'd gotten a taste of her work in the Suki Desu, Kono Shoujo Manga anthology and was one of the more memorable entries in an already extremely well curated collection. Satou Gashi no Ie is a 5 story one-shot collection with to meeee back to back hits. The titular story centres on a teenage boy named Richard who suddenly appears at his childhood's friend Elsie's school with a baby in his arms, that he claims to be his, and that he's a widower. But there are too many holes in his story. Who exactly is the baby's mother and how did he come to care for her at the end of her life? And how does this change Richard and Elsie's relationship? There's a warmth to Fumizuki's artistry in this era and the way that she hits all the story beats that really drew me in and augh I honestly have no words for it. This collection really stood out and among her peers I've yet to read anyone who could compose manga exactly like this. And you know what's cool? You can (In Japanese) read this and a handful of her other work from the same era for FREE on Manga Library Z!! (JP only) NOTE: crazy enough, on this very day (Nov 26) Manga Library Z suspended services but diligent users of nyaa have made sure that the works available there live on

[shigayokagayama]

The Beach Omake And Authorial Intent

initially i was going to save this for a big teru analysis i had cooking however i eventually ended up deciding that it would feel like a really long tangent in its original context and probably deserves a separate post.

when it comes to the whole "teru's parents" thing i generally see two competing ideas on it

a. terus absent parents are the real villains of mob psycho and are the direct cause of everything wrong with his life and any and all teru analysis must center around this fact

b. terus parents being absent in the first place is only revealed in an omake and only exists for plot convenience and is not something that should be focused on at all when writing him

and whenever i see either of these my mind always drifts to the question of authorial intent. i know how people are reading this information, but how are we supposed to? i know death of the author is becoming more of a common thing in fandom spaces (albeit usually misused) but i feel like a better understanding of why this omake exists and how we're supposed to read it might help to better synthesize two takes that seems to be completely at odds with each other.

okay first i want to go over the actual placement of the beach omake in the update schedule of the manga because, unlike most other omakes, i feel like this ones placement in the schedule of page releases is actually super relevant

the vast majority of omakes come at the end of weekly updates. you finish reading the usually 15-20 pages ONE put out and then you get a little bonus comic at the end, usually something funny or a slice of life but but occasionally more serious. multi part omakes are usually spread out over multiple updates, making you wait a couple weeks for a punchline.

beach omake is not that. between chapters 99 (mob gets hit by a car) and 100 (the whole rest of the omake) there was a 6 week hiatus from normal pages and in this hiatus is where we get beach omake. reading it all together immediately cuts away the sort of "slice of life sunday paper comic" tone other multi part omakes have and make you read it as a part of the actual main story, since that's how you're used to reading these weekly updates.

now the actual tone. generally the multi part omakes exist to be long punchlines and the rare emotional ones are a single page for maximum impact. beach omake has a very different structure compared to, say, the haunted doll omake or the pot of happiness.

off the bat from the first two pages there's not really a joke. the tone mostly seems kind of melancholic. mobs expression for the middle section of the second page (maybe purposely) is obscured by the panel breaking off, it's hard to tell his reaction, all our attention is directed at teru. with all of the panels taken up by dialogue (primarily his own), we're being asked to focus on what he's saying:

-teru lives alone

-he lives alone because his parents live overseas

-he hasnt seen them in a while

-he doesnt like having nothing to do

-he doesnt like being alone

all of this information is delivered with an extremely casual expression from him, implying that it's not something that seems ll the out of the ordinary for him. mob, on the other hand...

the hesitation before he says anything and the way his expression is obscured seems to imply something is... off... about this information to him. this isn't a handwaved "oh mob is walking home from school after passing out because he needs to for plot reasons", we're reacting to this information like it's weird.

the next two pages are, mostly, a lot more of what we expect out of a mob psycho omake. the first one works as a standalone joke page, teru is bad at identifying animals which leads to him showing reigen a roach, something reigen is terrified of, instead of a beetle.

the second page starts similarly, we get a dumbass joke about reigen trying to pick up women at the beach (note: i think this is the singular time we get an indication reigen is even into women) but then the next two panels take on a more melancholic tone again. we get a small panel of mob and ritsu playing on the beach and a much, much larger panel of teru sitting on the beach, watching them. the dialogue bubble forces us to pay attention to the fact that he is silent.

the ending of this omake is where we bring it home. generally the last panel centers the punchline of the page, or of the whole omake, but the final panel of this isn't really what was being built to in this case.

we start our second page on teru. his expression is obscured, reigens speech bubble is shoved to the side so we can see that teru's hat is being held in his hands.

when we see his face in full view he looks... confused. he looks like he doesn't know how to react to someone going through all this trouble for him. teru is a character who, up to this moment, we have seen as extremely independent. he always rushes into things alone, he always has to be the hero, he always has to be the one to save the day. hell, this omake is immediately followed by the confession arc. where... you know.

so what are we supposed to get out of this omake?

teru's been doing everything on his own up to this point

but he doesn't have to anymore

[amiya-shirou]

My take on My Hero Academia now that it's finished is that ultimately as a story it was utterly unwilling to fully commit to the highs it was trying to reach. There are so many moments when it feels like the manga is trying to do something more but either gives it an half-assed conclusion that undermines everything it was trying to say (any of the more gray-morality and hero critique stuff) or only really aims for the superficial look without proper substance (the dark Deku mini-arc). It started as a more typical want-to-be a hero story, evolved into something a bit more complicated and interesting when it started focusing more on the villains, but then fucked it up and now we get an ending that seems more appropriate for what the manga was at the beginning than what it has become and it just feels weird. It was weird seeing them at school again when the story had long since evolved beyond the "academia" setting. And there is potential in doing something like this, like with Deku and Uraraka who seemed to feel so out of place while everyone was congratulating them because they knew they failed to save Shigaraki and Toga and that the matter isn't really solved, Deku straight up accepting being called a murderer by Spinner, but then here comes an immediate time-skip for a last chapter that only focuses on the new generation of heroes finding their place and this won't ever be brought up again, I guess.

And in concept I get the message of the old lady helping the boy and thus preventing a new Shigaraki from being born; I approve of the idea of everyone rising up to make things better rather than leaving everything to a single hero; It's a fine message. too bad that since Horikoshi wants his cake and to also eat it that message had already been ruined by his insistence on having All For One take over as the uninteresting villain who had everything planned since the beginning, to the point that it really wouldn't have mattered if someone had helped Shigaraki as a kid because All for One would have just killed them and make it so that everything went according to his plans anyway, so the idea that she was preventing the new Shigaraki like this feels a bit empty now. kinda looks to me like a band-aid solution to end the thematic core of the story without the society of heroes really having to ever face itself in a satisfactory manner, because again Horikoshi never fully committed to anything and wanted both the moral grayness and the simple battle shounen ending where everything is revolved by punching the unquestionably bad guy who caused all the bad stuff and everyone is now happy and grown-up and the kids have taken over in the new rebuilt hero society.

[cherryblossombombs]

I have an issue with the "the giga cover is likely fujobait" because I can't help but think:

if it was truly fujobait, why now?

Why try to get their attention if MHA is now in the 100M club? The series now so popular, hori/jump doesn't need queer shippers to increase its popularity.

Why try to get fujos and queer fans, if it's already popular in that group? Wasn't it apparently shown that MHA is more popular with women and LGBTQ+ fans?

Why try to get that audience when hori had the chance to do that back in 2016-2018 when Kr//bk was the popular gay ship? Wasn't there an interview where someone pretty much asked hori if he's for kr//bk, but instead of playing along, hori made it about bkdk (the ship that no one took seriously at the time) and said he saw the hand hold more about bkdk angst. Kr//bk was a popular ship, it had bones making official art of them. The smash parody manga had moments of it. Two heroes was their movie [I believe hori didn't really help in that movie. However, notice how in the second movie, (he was a part of that one), focused on bkdk (again, the ship no one took seriously)]. Hori had the ability to use that ship as bait, but he seemed to be the only one out of everyone else to not go for it. Instead he kept pushing for the ship that was thought to be too toxic to even become a platonic ship.

If horikoshi did not want bkdk to seen as romantic, why isn't he stopping jump for implying it? You really can't say that he has no ability to, the guy went to bones and told them the ending. Now, notice how bones suddenly stopped making iz//ch moments and added a bkdk moment in the recap episodes (something that they would never do 2 seasons prior). The assistant (whom hori is friends with) is a loud speaker of dkbk lol. Hori follows him on twitter, there's no way that hori hasn't seen his dkbk art once. Same for katsuki's JP VA (who is also a friend of Hori).

Why try to bait the audience when the manga is ending?

Idk, maybe there's a chance he is actually queerbaiting and make iz//ch canon, but again, after everything?

After the togachako arc? He had made ochako confess her crush on midoriya, only for seconds later to not only brush it off as unimportant (unimportant in the sense of it was more of way to relate to toga and speak with her, it wasn't really used as a "canon izu//ocha" moment), she tells toga that she could have ochako's blood for the rest of her life (and we know that's toga's love language of returning/accepting her feelings) and she told toga that she had the cutest smile in the whole world. Like, didn't hori say that toga was made for ochako's character? I feel like it wouldn't make sense for hori to do all of this, then have ochako end up with midoriya, it would feel like a middle finger to toga tbh.

After chapters 285, 322, 362, 367, 403, and 404? The apology? The "you're the closest one to midoriya izuku, therefore I need to kill you in order to make him go crazy". The heart shaped black whip after seeing bakugou's dying body? The "their feelings became one" double spread? this bullet point could be spread to about 2-3 document pages, but I'm just going to summarize for this post lol. But overall, these chapters (and a few more), show me (imo) that it the "fujobait" claim isn't really strong to use against bkdk.

Again, maybe this is queerbait, because I know that there are times where other media/anime have done simliar and still had the MC in a heterosexual relationship, and leave everyone dumbfounded lol. Once again, all I say to this is "let's see what happens."

P.S. Isn't this the same author who said that he thought that naruto was going to end at 698 (the implied SNS ending) lol? Idk if it's true, that's just something I've heard.

**************************

EDIT 11/29/24: WELP I GUESS I'M BOOBOO THE FOOL LOL

[sapphic-agent]

Long post ahead 😥

So I started to watch “welcome to demon school! Iruma kun!” And it’s really good and funny, and even if it’s has its own actions and interests plot! Lots of the plot happens in the school! Because, the school is in the title of work.

While in my hero academia it’s less academia and more “I forget the title of my own manga so I’m bullshitting stuff up at this point.” And “gore for the sake of gore and shock value”

When I first started MHA I expected to see more academia in the manga considering the title, and more school and slice of life chapters. But now it’s a shitty mess that I don’t know how to describe it, izuku been more in an hospital bed than there was shown good moments between class 1a.

Welcome to demon school, Iruma kun! Kinda shows what’s could happened, Iruma is adored by his classmates because he kind, and the manga and anime express that adoration in lots of ways and I like it.

Both Iruma and izuku are similar in lots of aspects and kindness is one of them. But I also want to point out how different their authors treat them;

Hori and Nishi obviously treat them differently in their writings and it’s showing on how they prototype their main characters, Iruma is adored; Nishi loves her main character so much, she loves Iruma and she passionately write his story. He drawn beautifully and with care, shining like a diamond everywhere he goes.

Hori hates izuku, he dislike him so much he willing to torture him and go to extreme lengths with it. The class while I do think likes him they don’t adore him, there aren’t moments of adoration between izuku and the class (never mind the fact that there almost no moments of the class bonding with izuku)

Now, Hori loves Bakugou. He loves the brat so much, and you can see it with how he drawn and how the class adores him (and also the amount of moments Bakugou has with the class compared to izuku)

Hori abandoned a diamond(izuku) for a coal(Bakugou), while Nishi polished the diamond to perfection and showed him all the care in the world.

Anyway, have a nice week. I recommend watching “Welcome to demon school, Iruma kun!” It’s adorable, and if you love Izuku you would like Iruma kun.

Thank you for the suggestion! It sounds awesome.

Yes, Horikoshi somehow forgot the premise of his own manga along the way. And it's so funny because a big criticism is that 1A as a whole isn't properly developed, which would have been easily fixed if he had focused more on Academia.

But the problem with this is UA itself. Aizawa doesn't teach, All Might is new, and the rest of the teachers are ignored into oblivion. For being the best hero school in the world, it doesn't put much stock into its students.

Apparently, Aizawa stans don't see the fact that while he was making every concession for Bakugou, five of his other students failed the final exam. Horikoshi's favoritism of Bakugou makes every other character look worse

[piracytheorist]

Episode 32 notes!

Starting off right in the middle of action, right where we left off!

And some great animation there, too!

The thing about Anya is that her plans are so innocently silly that thanks to her young age, they actually work.

She's right there in front of Yor, acting like she doesn't recognize her, and Yor accepts that because a) it's easy and b) well Anya is a little kid, isn't she?

The fact that Anya is visibly sweating and has a very nervous expression shows that she's worried her plan won't work, and the entire family could come apart right there. She knows it's a risky plan... but because of the circumstances, it works perfectly not only to cover Yor but also to cover Anya's knowledge of Yor's secret.

I love her.

Also, a great way to take the fear of exposure away from Yor and help her focus on the fight! Worth waiting the entire week for!

I also love how excited the entire crowd was about seeing two people "play" with what seems to be lethal weapons. They'd do numbers as WWE fans.

The camera focuses on Yor as she's starting to question herself.

Yes you are! You're hesitating to get close because you fear you'll get hurt and you know that will make Anya and Loid sad! (And of course because you'll have no excuse to tell them but okay yeah)

Anyway. I just like how in comparison to the manga, we see her expression there during her inner monologue.

Yor comments about how professional the guy is with the chain, but then she has no problem using the chain's momentum to wrap it around his wrist and then his torso. Some excellent animation there showing the small details of her control of the chain!

~YOU'VE BEEN HIT BY-

YOU'VE BEEN STRUCK BY-

THE THOOOORN PRIIINCEEEEEEEESS~

She even used his immobilized body to make him bow. She's an absolute legend.

I've talked before that this isn't even a five-year-old roleplaying. She's actually getting involved with actual enemies of the state, helping their plans without them knowing, and having a blast. Her moral compass may be a little unhinged but by god is it steadfast XD

And then. The Grand RevealTM

WHITE ASS LEGS

I love him your honour. How did he even combine all that, I don't wanna know. The rainbow-tinted glasses is what ended me.

Anya Forger, professional heart-breaker.

Again. Talking with a guy who believes humans will never understand each other and who wants to wage another war, while Twilight has his own war trauma? No big deal. Anya calling him uncool? THE SHOCK AND DESPAIR OF HIS LIFE.

And off to the next chapter! Great transition in the anime - I can usually notice when they jump onto the next chapter, but this time I was surprised with how smoothly they took it from one to the next.

Turtleneck guy says he can't pick up Yor's scent? Even though he seems to have extraordinary smelling abilities?

Is that another reason why Yor is so good at sneaking up on people? She did sneak up on Twilight, after all...

"The bones" mentioned above... is that Loid talking about the skeleton keychain? There was, after all, a hidden bug in the store Loid and Anya were in...

Some things never change.

I can't wait for the moment he realizes how soundly she sleeps on his arms because she trusts him and he makes her feel safe, just like his mother did for him :)

Zeb! I finally get the name of the guy! I won't lie that calling him Furseal felt so weird, like, apologies if your name is Furseal but hey.

Anyway. His outburst felt so real. This man doesn't belong in crime.

And of course, Olka is way too desensitized to such violence, having grown up in the family, after all, and I kinda like how she goes like "Yo snap out of it". Endo really doesn't hold back from having women tell men off huh. I also love the baby talk she used with Gram. So cute.

This scene has the very same music used in the first episode where Twilight has his flashback and remembers what his reason to become a spy was. I feel kinda sad hearing it here because I'd thought that this melody would be used as [redacted]'s leitmotif, but its meaning seems to be connected with how people broken by war can find the hope in humanity needed for peace. Or something.

McMahon berates Yor for going near the door earlier even though she didn't hear their secret knock, but in reality it wouldn't matter - unless the assassin heard their voices from outside the door - because the assassin shot anyway. It would have been the same if she had protected Olka from the first moment and then tried to assess how to attack the guy. So maybe calm down, dude.

The moment Zeb was like "How are we supposed to sleep like that?" I was certain we'd see him sleeping and snoring deeply. I was not disappointed XD

Me when proper trigger discipline: 🥳💯👀🥳👌💯👀👌👌👀🎊👌🎊����

First, good ol' focus on the ring on McMahon's finger. Second, I'm confused by the translation here in comparison to the manga. Here it says "as long as people continue to be people" while the manga says "as long as people are the way they are", and that can have a different meaning. The former sounds like conflict is in the nature of humans and that it's something we can never avoid, which doesn't seem to follow the story's ideal. It's what Donovan Desmond beliefs are based on, after all. The latter sounds like people are currently very focused on matters that cause conflict, and have a chance of reaching peace if taught differently.

I think, depending on the interpretation, it can tell a lot about McMahon's character. I will wait to see the rest of the arc to make up my mind.

And after he says that they're soldiers even in time of peace, the manga treats us to a panel of a pensive Yor, but the anime doesn't.

Stop robbing us, anime team!

Yor tells the others they should keep their shoes on - nice detail, btw - and Olka looks very familiar with such a concept, while it's Zeb who is a little surprised but accepts it. It's interesting what a character not reacting to something can tell about them!

As expected, Yor and Olka are vigilant, while Gram and Zeb sleep like babies. Let them rest XD

Some brand new music there! There's a lot of new music in general. And then THIS!

THIS IS THE FUTURE LIBERALS WANT ETC

The way Yor widens her eyes when she realizes what she just imagined! AAAAAAAAAHHHH!

And BOY we talk a lot about Loid's denial but the way Yor is still going like "No, no, no, priorities!" though. THE WAY SHE THINKS OF YURI BEING PROUD OF HER, THEN BEING AN INDEPENDENT MAN SHE MANAGED TO RAISE WITH A FEW ISSUES, AND THEN THE HAPPY FACES OF LOID AND ANYA EATING HER FOOD I WILL GO FERAL

Someone hug her omg she deserves the world 😭😭

Neither Twilight nor Yor are the only people neck-deep in denial though.

"The man decided to live for his job" yeah right. He sees one (1) pretty woman pay him some attention because of Bond and he's like "Well imma adopt a dog then". Bond's doubtful and rejecting reaction was priceless XD

This is so fucking funny to me for some reason aadshadfhsdgh. Look at him. Brought into despair by one (1) five-year-old.

I kinda love how he admits that he does fear the unknown, and has been simply trained to overcome it and try to deal with what he has in front of him.

And currently, his fear is for Anya's emotional state.

Having no idea that she's actually having the time of her life, even though she hasn't realized how deeply dangerous her situation is.

Anyway, I love that she brought Mr. Chimera with her on the trip <3

LOID HAVING HIS VERY OWN OH MAH GAH MOMENT I LAUGHED SO HARD

He is very seriously focusing on how he can make Anya happy. He thinks she asked to go for mini golf because she likes it, so he followed along, he saw her upset with how she lost, and believed she needed to experience winning in order to feel fulfilled, so he was determined to stay there until she won.

Anya takes him to the library and of course he's read everything. And even if he hadn't, he has photographic memory and can practically read through an entire tome in minutes.

But still, he's focused on her happiness, and he's satisfied that Anya is having fun reading comics. She goes for the puzzle (btw I love the idea of having a big puzzle available and leaving it to passersby to solve it. I once visited a school where they had one on a table in the halls and students would sit and try and solve it during recesses) and he analyzes it, thinks he can solve it quickly. Anya reacts in shock, and we hear a tiny hesitant "Oh" from him, because he noticed her sudden change in reaction.

Oh no. Twilight is rubbing off on her a little too much. You're five, darling. Enjoying yourself is your job!!

Just like with the bullet in butt date, Loid cannot understand why Anya looks so angry now after having spent an entire day having fun - and he cataloguing what she seems to be having fun with.

The way that he ends his internal monologue with his fear of the Forgers breaking apart and Operation Strix doesn't cross his mind once, tells a lot about how his priorities are starting to change enough to even silence his "For the Mission" talk. My mans falling hard.

Anya sees how worried Loid has gotten... and maybe she reads even deeper and realizes how genuine of a worry it is? That he's not worried for her as an asset of Operation Strix, but as a kid that deserves to have fun and be happy. And she steps up to reassure him.

And oh, how his face changes! T_T

And the way he alternates between "Loid voice" when he speaks and "Twilight voice" when he thinks. Have I congratulated Takuya Eguchi for this feat yet?

And by the way, he "justifies" Anya being so upset of missing her mama because she's still a "small child". Because of course only small children can miss their mothers, right? Twilight definitely doesn't miss his, right?

Forget neck-deep denial, this man is deep down the Mariana Trench of denial.

And the "Small Daily Life" track from the soundtrack plays, with the beautiful family leitmotif...

I love them. He can be so sweet with Anya, I can only imagine how he'll end up post-identity reveals and especially post-feelings realization.

The final few hours before Olka, Gram and Zeb get safely transferred! I think you can see the tension on their entire faces.

Also some intense, new soundtrack there! Interesting! The composers have done a lot of job this season, carefully mixing up tracks from the previous season with new ones to create the respective mood.

And that's it for this week! I foresee way more action on the next episode! :D

[nyc3]

Hey I have a question. I never saw the movie nor I want to see it +Nine sounds cool as fuck but....bk is in the movie) my question here is......why shig killed Nine?

When that scene was reblogged on Twitter I had the impression it was smth like "nine was using his name and shig wasn't pleased" ...can't be that bc this makes sense. Too much sense.

So did shig just kill the guy bc yes?

Maybe afo or the Dr evil asked shig to do so... which is plausible but damn...what waste. And it cements once again shig as a npc.

I'll try to explain this the best I can, because tbh nothing about this situation makes sense to me even today. And some context of the movie as well.

The movie starts with a scene of the LOV transporting Nine while he was still on a medical capsule inside a truck. There's a reference to this situation in the manga when the doctor request Shigaraki to deliver "something" for him.

But here's a thing: neither the movie or the prequel chapter Horikoshi made explain where Nine was being delivered or what the doctor intended to do with him in case he arrived to destiny. It feel that missing context is important.

In any case, the heroes attack the truck trying to arrest the league. The truck is destroyed in the battle and this allows Nine to escape and go back with his team.

Then we got a couple of scenes were Shigaraki seem to be tracking Nine activities, also using Hawks to do the research job for them (it's worth mentioning the events of the movie are supposed to happen at some point after MVA).

And after all this... nothing really, the movie drops this subplot and Shigaraki only appears again in the end when he comes out of literally nowhere to kill Nine. Allow me to ask how they even know his exact location? The black goo teleportation quirk doesn't even work like that btw.

Just like you my first assumption was Garaki ordered him to do so, maybe because after the spectacle Nine did in the island the doctor decided to eliminate him for security reasons. But we never got any indication of this being the case, in fact there's a scene when Garaki explicitly tells Shigaraki to not touch "it" (Nine).

Things became more confusing because in MVA when Shigaraki gives Garaki one of his edgy speeches about destroying everything he hates, there's a small cameo of Nine among the things crusty boy hates.

On a side note: this is technically Nine's first ever appearance, even before the movie itself was released. A sort of foreshadow for what it coming.

But going back to the point: why Shigaraki hates Nine so much in the first place? We never got a clear reason for any of this, isn't like they ever interacted, the only time before the movie they have some kind of contact was the prequel chapter focused on Nine, and that was only Shigaraki looking at Nine through a window.

Also the final scene when crusty boy kills Nine for some reason makes it sounds the situation is very personal? Like if Shigaraki hold some grudge against Nine for some reason.

And the line "I agree, there only can be one king" doesn't make any sense because isn't like Shigaraki knew about Nine's ideology and his desire of rule the world. The writers makes it seem to be like they both interacted and had a long term rivalry for some reason, but that never happened.

Oh and it's extra hilarious how Shigaraki killing Nine for no reason directly contradicts this other little scene:

If crusty a**hole always intended to be "a hero for villains" (as the story seem to pretend) what about Nine then? Idk but for me killing a defendless man while he was crawling on the ground doesn't seem too heroic.

Let's not forget Nine was a real hero for villains without presume about it. He saved the life of Chimera, Slice and Mummy in a way Shigaraki wish to be able to do with the lov.

Honestly is funny to think all this one directional hate Shigaraki feels for Nine could be just crusty boy being jaleous, which won't be surprise considering Nine is superior to him in everyway possible.

But well, thinking about this on a perspective outside the story itself an explanation of why Nine was killed maybe is because Horikoshi just needed a reason to get rid of him, as his presence might be problematic for the course of the main story. I mean it would be a bit suspicious to have another AFO possible vessel who happens to be better than Shigaraki, and Nine is the only movie main villain to be permanently killed on screen, while all the others like Wolfram and Flect survived.

Anyway, all this festival of bs let a bitter taste in my mouth.

Needless to say, such a good villain like Nine surely deserved way better than he got.