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satsuha · 21 hours ago

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i'm always really interested in how the characters call each other in japanese games, so i laid out a few differences between the japanese and english versions of some ace attorney games that particularly interest me. this isn't meant to be an exhaustive list but it did get really long 😭

i highlighted english nicknames/etc in blue while japanese nicknames/etc are orange just to make reading a little easier

AA1-2

while only playing the english version i liked that maya called phoenix nick, it's a nickname that makes sense and phoenix is annoying to say and write anyway (lol) but the reason maya gives for this nickname in english is that it's what larry uses for him, which pales in comparison to maya in the japanese version opting for how mia used to call him: naruhodo-kun.

to me, this is a LOT more meaningful and informative than the english nickname because it not only is evidence of how much maya heard about phoenix from mia using that nickname, it also gives us a glimpse of maya's personality and her relationship with phoenix. -kun is an honorific that's usually used for either male classmates or for teachers/superiors to use with their students/subordinates. maya falls into neither of these categories with phoenix, but it also lines up with how she acts like the boss of the office a lot of the time. SO LIKE... ultimately the nickname nick just does not hold up in terms of both maya's reasoning for using it, and phoenix's apprehension at her calling him that... which i just think is a shame!! in the same vein, this nickname is passed down to pearl, and again you see phoenix having a Reaction to it which makes sense considering it's funny that a kid is calling him naruhodo-kun...

i don't only want to talk about changes in english that i don't prefer, so i also want to mention that i'm very impressed that they managed to get phoenix and edgeworth referring to each other by their surnames in english to sound natural... because it's also exactly what they do in japanese except there, the idea of male friends using their surnames with each other is a very very normal thing. i AM torn on the fact that in japanese larry also refers to the two of them by their surnames, which means all 3 of them are on equal grounds in that respect. AT THE SAME TIME... english makes larry's "nick" and "edgey" work so well that i really can't say we missed out with this localization, but i do like the relationship between these 3 so i do like that the japanese is indicative of it too :)

AA4

i'm skipping ahead to aa4 because trucy's also a very interesting localization to me... the first time i played aa4 i felt like trucy wasn't sufficiently differentiated enough from maya's character which is like. debatable but those were my initial thoughts anyway. in japanese though she uses third-person pronouns (calling herself by her own name, minuki) which is VERY distinct from maya. there are a number of ways to interpret this choice but i like the one that indicates that it's part of her stage persona. aside from that though, she also has a very normal nickname for apollo (odoroki-san, with -san indicating general politeness) while polly is um well canonically the name of a parrot LOL

i do find it pretty interesting that the above exchange is the first instance trucy uses the polly nickname, because it's entirely different in the japanese version. phoenix says "if this onii-chan over here can't help you..." to which trucy responds by saying "how could you, onii-chan!" this exchange is hilarious to me because phoenix referring to apollo as an onii-chan is pretty normal? it's common to refer to any young man as that and in this case he's also referring to apollo from trucy's perspective. but trucy DIRECTLY calling apollo onii-chan (brother) is just so funny because HERE it's a lot closer to how an actual younger sister would refer to her older brother; there's a difference between saying "this onii-chan" and just "onii-chan". now i'm not saying this was direct foreshadowing because onii-chan is also used between close friends/acquaintances but like... the possibility is there.

AA5

now onto simon because i don't actually have a problem with the localization making him a british weeaboo i think that's really funny but i DO wish the nicknames he uses for the defense attorneys were more... appropriate? the honorific -dono that he uses in english does complement his samurai look but it's usually used in contexts where there's some respect involved, which is... not simon's intention in japanese. i'm admittedly not too familiar with the nicknames he uses in japanese; he uses "[kanji] no ji", while using a kanji from phoenix/apollo/athena's surnames. by searching it in japanese, i'm finding answers that it was medieval slang used by men usually in red light districts and such, and was used to refer to those with equal or lower status to oneself but never to those of higher status. this is kinda the opposite of what -dono is which is used for those of equal or higher status!!

i also find it pretty amusing that despite him using the first kanji in phoenix's name; 成 (turn into, grow), he uses the second kanji in both apollo and athena's names; 泥 (mud) and 月 (moon) respectively. i can only imagine that he did this because the first kanji in their names; 王 (king) and 希 (rare, hope) respectively, were too positive/complimentary for him? LOL

AA6

now i want to to talk about apollo in aa6 because NNGNRHGH i'm not normal about this one. because like, similarly to what i said up there about phoenix, edgeworth and larry's relationship, it's completely normal for close male friends to use their surnames with each other. phoenix, being apollo's boss, refers to him as odoroki-kun (mirroring how mia and maya call phoenix). trucy uses odoroki-san, indicating general politeness and athena uses odoroki-senpai, because he's her senior in their workplace. clay uses odoroki (no honorific), which is the same "level" as phoenix/edgeworth/larry's relationship.

a male character never being referred to as their first name is pretty normal, which is also the case in the aa games. franziska calls edgeworth by his first name reiji which is SUPPOSED to stand out because it's notably impolite/informal for someone who is younger than him, which suits the idea of her thinking of herself as the elder sibling. for additional reference, phoenix is only referred to by his first name by dahlia/iris; ryuu-chan ("feenie" equivalent) and desiree; ryuuichi-kun ("nicky boy" equivalent). so apollo is referred to exclusively by his surname, because there isn't anyone who's associated with him who would feasibly use his first name.

THAT IS. UNTIL we meet datz who is the first (!!) character to use apollo's first name in japanese. this moment doesn't stand out in english because i KNOOWWW datz uses the AJ nickname which is very cute but he doesn't actually use that nickname the first time he indicates that he knows apollo in case 6-3!! phoenix's momentary confusion here is also explained because while he obviously knows apollo's full name, he's never heard anyone refer to him with it!!!

so phoenix's thoughts in japanese here were originally "housuke... wait, that bracelet! that's odoroki-kun!"

dhurke and later nahyuta (during the last moments of the 6-5 trial) also refer to apollo with his first name, which is... really nice!!! they're family!!!! i mourn the fact that this distinction isn't visible in english because most characters just call him apollo but it's special in japanese... it's only dhurke, nahyuta and datz who use his first name.... i'm normal i promise

funnily enough i sort of have the opposite issue with nahyuta, who is generally referred to as prosecutor sahdmadhi in english but nayuta-kenji (prosecutor) in japanese. i'm assuming this is because his name is written with his given name first unlike japanese names, so they just used his given name instead of his surname...? unfortunately we don't have an example of any other foreign prosecutor as reference (i'm excluding van zieks here because they DO use his surname but it's also an entirely different time and place) but i prefer the english here since it also makes it stand out when apollo, dhurke and datz (with yuty hehe) use his first name with him.

but then again... rayfa also refers to him as prosecutor sahdmadhi in english, but just calls him nayuta in japanese. there aren't a lot of characters rayfa refers to by name but generally she's either overly polite (with ga'ran and inga) or overly impolite (with phoenix and apollo). it makes sense that the way she calls nahyuta is a little unique, since he's of lower status than her but not enough to get a rude nickname fdjhja... and then of course at the end of the game she tries to call him onii-(chan? san? sama? we just don't know) which nahyuta interprets as oni (demon) i think the localization here is really impressive actually. they somehow managed to seamlessly fit braid head into the mix of barbed head and horn head (both nicknames that refer to their hairstyles) while braid also begins with the same letters as brother... anyway i think i slightly prefer that rayfa (and ga'ran) call nahyuta by his first name rather than by his prosecutor title, it's indicative of their higher status because of the lack of an honorific but by the end of the game it fits in with the idea of them all being family...

TGAA1-2

you would think that because tgaa opted to leave japanese honorifics in the dialogue that there wouldn't be any differences in how the characters refer to each other but there are... first of all kazuma and ryunosuke are once again male friends who refer to each other by their surnames without an honorific in japanese, but the english has them use their first names with each other instead. i can understand this change because characters using only their surnames with each other feels oddly distant in english, and while it worked for phoenix and edgeworth's relationship it definitely doesn't suit kazuma and ryunosuke's.

additionally, the way susato calls ryunosuke was also changed from naruhodo-sama to naruhodo-san. this is... also an interesting change since it requires the player to have some basic knowledge of japanese honorifics but for some reason decided to change it anyway, despite the fact that susato also uses -sama with kazuma... one thing to note is that susato does use kazuma's first name instead of his surname like she does with ryunosuke, which helps indicate their closer relationship despite her still showing respect with the -sama honorific. in that sense naruhodo-san feels like an interesting middle ground because she's still using his surname but doesn't seem to view his position with her as equal to kazuma's? i assume that was the intent of the localization, similarly to how the way kazuma and ryunosuke call each other was changed to indicate closeness to the english-speaking player

anyway while i do prefer the original japanese version most of the time, my general view of original vs localization is like wow! two cakes! i might prefer one of those cakes more, but the english version usually provides enough that i like that both canons exist. because of this i can't agree with the idea that all localization is bad nor the side that believes the original doesn't matter because you're engaging only with the english side of the fandom. both are good and can reveal interesting things about the characters, story and setting!!

and thank you for reading if you got this far 🙇 i'm not an expert at japanese so i try to do my research and use multiple sources to get a better view of things, so please let me know if i got anything wrong! i also recommend checking out this post if you haven't seen it already since it's where i got some pointers on the trucy and simon segments

#satsusays #ace attorney #the great ace attorney #phoenix wright #maya fey #larry butz #miles edgeworth #trucy wright #simon blackquill #apollo justice #nahyuta sahdmadhi #rayfa padma khura'in #asougi kazuma #mikotoba susato #naruhodo ryunosuke #'only the parts that interest me' consists of more than you might believe but still that's why the aa6 section is so long .#no particular aai thoughts on this for now but who knows... i'm blaming the lack of siblings <-?#i know similar posts probably exist out there but these were some of my own observations...

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tthoroughfare · 12 hours ago

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crush (part 2) // abby anderson

*･゜ﾟ･* summary: i owe you a black eye and two kisses. tell me when you wanna come and get 'em. abby finally confronts her feelings in the spur of the moment, then gets scared and runs away. it all works out in the end, though.

*･゜ﾟ･* pairing: canon!abby x reader

*･゜ﾟ･* content: nsfw. nothing too crazy just some yearny sesbian lex using hands. light injury description and abby being a horrible communicator

*･゜ﾟ･* length: 2.9k

this is part two of this series! find part one here

i hope you enjoy the second part! i'm so down to write more of this so lmk if anyone wants it

abby keeps it all to herself. she enjoys having you as a friend, and reasons that it’s better not to mess it all up. just because you like her whole entire gender doesn’t mean you like her. plus, she’s not even sure about what she’s feeling. figures that if she actually wasn’t straight, she’d surely have already known by now. but then again, she didn’t know you back then. didn’t feel what she feels around you.

then, one night, you’ve been around at hers, drinking and watching a movie with manny. she’d accidentally overindulged, possibly (definitely) out of nerves. you’d had to drag the chair and beanbag over in front of the TV, you and abby both piling onto the beanbag, chair not big enough to hold the two of you.

there was still barely enough room, and you were pressed up against her. at first, you were awkwardly perched, body rigid; but then, as the film went on and you had a little more to drink, you found yourself sinking into the seat, further into her.

by the end of it, your head is comfortably on her shoulder, laughing and chatting freely — she can smell your hair, feel the heat of your body against her, and she truly thinks she might combust.

once it’s gotten late, you say you’d better be heading back to your own place. abby tipsily insists on walking you back, even though it’s really not necessary. like, at all.

you jovially chat and giggle on the way back through the stadium, and all you can remember thinking is how glad you are that you met her. how rare it is for you to know someone who you feel so connected to, who everything feels so easy with almost instantaneously.

when you get to your door, she lingers around, keeping the conversation going even after you say goodnight — like she wants something from you, wants to say something but can’t. there’s a moment where it drops quiet, and she’s just looking at you. studying your face, maintaining eye contact for probably longer than she ever has. that’s when you realize she’s automatically drifted closer.

and then, liquid courage coursing through her veins and affirmed by you leaning on her earlier, she kisses you.

it’s quick, and you don’t return it. not because you don’t want to, but out of pure shock — never in a million years would you have seen it coming. you’d fully shelved your crush on her, under the impression it was never going to happen.

before you have a real chance to react, she pulls back, cheeks tinged red.

you speak at the same time: her blurting out, "sorry, fuck"; you simply shaking your head a little, stuttering, “a-abby, i…”

a beat passes, you slightly open-mouthed, abby’s hands anxiously fiddling with themselves at her sides. immediately, she’s sober. “fuck, i-i’m sorry. that was stupid.”

“no, abby, it’s just—“ before you can finish your sentence, she mutters something inaudible and turns, beginning to stride off down the hall, feeling like a fucking idiot. of course you didn’t like her, and she’d just drunkenly ruined it all for nothing.

your call of her name, followed by a, ‘wait!’ falls on deaf ears, and she turns the corner, gone. you’re left stunned, frozen outside your door, trying to process what just happened.

you want to go after her, have her allow you to explain yourself, but decide against it. you don’t know if she really meant it, you don’t know what her reasons were for running off; you don’t know what the fuck to do. so, despite every ounce of yourself begging you not to, you simply go inside and try your best to sleep. you can’t, though, mind whirring for hours on end until you finally pass out.

the next morning, you pray you run into her. usually, you always saw her at some point, but it was like she was avoiding everywhere you might be.

you see manny in the canteen later in the day, catching up to him and asking him where she is; he just shrugs, saying that she’d picked up an extra assignment and headed out that morning. might not be back for a day or two.

you can’t help but let out an exasperated sigh, crossing your arms. you knew it was on purpose. all over a kiss. “are you fucking kidding me?”

he gives you a funny look. “you two have a fight or something? she was… quiet when she came back.”

rolling your eyes, you shake your head after a moment. basically the opposite. “no… no, we didn’t.”

“right.” he quirks an eyebrow slightly, taking a breath. “you want me to talk to her when i see her?”

you shake your head vehemently, furrowing your brow. “nah, nah, don’t. just… let me know when she gets back, please?”

he nods once, tapping the side of your arm. “you got it.”

you utter out a thanks, and with that you’re off.

you don’t want to be mad at her, but you are. you don’t know why she’s running away from you, quite literally putting her life on the line just so she doesn’t have to face you. what makes it so much worse is she didn’t even give you a chance. if she’d have just heard you out instead of storming off, there wouldn’t even be an issue in the first place.

the next morning arrives, and abby’s still not back. the whole day, you fight the urge to walk over to her apartment and knock on the door every five minutes. you know manny said a day or two, but you can’t help but anxiously await her return the moment it’s plausible.

you try to keep yourself busy with work, but all your mind does is wander back to her. thinking about what she’s doing, if she’s okay, what you’re going to say to her when she gets back. you replay the kiss over and over in your head, scrutinizing every millisecond of it. what if the reason she freaked out was that she only did it because she was drunk, immediately realized she regretted it, and that’s why she’s avoiding you?

her absence just gives you too much time to worry, conjure up every worst case scenario. by the end of it, you’re essentially convinced she doesn’t like you, that it was a mistake, and now your friendship will never be the same.

finally, around noon the day after, manny collars you in the hallway and lets you know abby’s back. you let out a half relieved, half nervous sigh, nodding and thanking him. you can’t go talk to her right away — you’re too swamped with work, on your way back from the shortest lunch break known to man, but you know the second you’ve called it a day, you’re finding her.

it’s not until almost eight that you finally get to a place where you can break off, leaning back in your chair and running your hands over your face. you pack a few items away hurriedly, heart beating in your chest as you make your way over to abby’s.

it’s not her who answers the door, though — it’s manny. you blow air out of your nose at the fact you’re seeing more of him than her at this point.

“where is she?” you question gently, as if he doesn’t already know what you want.

the corners of his mouth quirk. “guess.”

“library?”

he clicks his tongue in affirmation, and you roll your eyes fondly before telling him you’ll see him later, turning to make your way down there.

standing outside the door, you realize how nervous you are. you’ve wanted nothing more than to see abby since it happened, but now the moment’s here you can’t help but feel hesitant about all the ways the conversation could go.

after a beat of psyching yourself up, you gingerly crack the door open, spotting her on the ottoman before gently wrapping your knuckles as you peer in. “knock, knock.”

she looks up, an unreadable expression on her face.

“can i come in?”

she pauses, sitting up properly and placing her book to the side. “uh… sure.”

you smile gratefully, picking your way in and softly closing the door behind you. you make your way over, taking a seat next to her with your hands folded in your lap, avoiding eye contact. “so…”

you can see her fiddling with the sleeve of her shirt in your peripheral vision. “so…?”

looking up at her, you go to say your rehearsed spiel, then the words get caught in your throat when you notice the injuries littering her face. a couple of gashes are set into her forehead and chin, purple blossoming over her cheekbone.

“what the hell have you done to your face?” it comes out a little more frustrated than the caring tone you intend, but you are frustrated. if she’d have stayed and listened, she wouldn’t have been avoiding you, and in turn wouldn’t have gone off and gotten herself hurt. you pivot your body to face her side, knee bending to rest your left leg sideways.

“it’s not anything.”

you tut, unable to help yourself from reaching out and running your thumb tenderly over the bruising. she pulls away from your touch slightly, to which you shoot her a look. “worse than i ever get.”

“you’re sheltered.”

she says it matter-of-fact, and you know it’s true. you’ve always had it better than her, better than most, never really being required to go into the field. both your parents are still alive, a rarity nowadays, both academics. the last time you were in real danger was simply when you were being moved into the base, going from safe point A to safe point B.

still, it stings a little.

“yeowch,” you respond as you allow your hand to drop from her skin, only half joking. “there’s no need to be mean, abby.”

she rolls her eyes, still keeping her sight trained firmly ahead. “i’m not being…” she trails off, shaking her head a little and looking down at her hands. she moves to lean forward, forearms resting on her knees.

a pause passes that feels like an eternity, until you finally will yourself to speak. your voice is soft, low. “why did you run off on me the other night?”

she gnaws at her lip, not saying anything for a moment. “can we just forget about that? it was…”

“a mistake, i know. you were… you’d had a few drinks. i know you didn’t mean anything by it.” you finish her sentence for her, and she sighs and shakes her head in annoyance at how wrong you have it.

she swallows thickly in defeat, urging the words to come. she might as well tell you; she’s already basically fucked everything up. what does she have to lose?

“that’s… not it.” her words come out quiet, and she looks at you for the first time since you walked in, hands wringing in her lap.

you automatically shuffle a tiny bit closer, her leg warm against yours. “then what is it?”

“i didn’t… it wasn’t… because i was drunk. it was because i wanted to.” she takes a deep breath, shoulders sinking. “and then… you reacted all… i don’t know. anyway… you don’t see me like that. can we just move on?”

you look at her, mouth opening and closing a little. your brow furrows. “oh my god. are you serious?”

“what?” she replies, a little defensively.

“i reacted like that because i was fucking shocked. as far as i was aware, you didn’t even like girls, never mind me, and then you just kissed me out of nowhere. i didn’t know how to react. and then, you didn’t even give me chance to say anything and just walked off, and then i don’t see you for two days,” you blurt out, floodgates opened.

it’s her turn to be speechless again, looking up at you like a deer in headlights. “so… w-what are you saying?”

you don’t even bother to answer, knowing you can show her tenfold better than you can tell. you pull her up to you, hand resting on her jaw, pressing your lips to hers with a gentle urgency. she freezes for a split second before kissing back, one hand leaning on the ottoman behind you, the other coming up to cup your cheek.

you shift further in subconsciously, right leg going over one of hers and your free arm wrapping around her neck.

“jesus christ, abby,” you mumble against her lips between adoring smooches, “i can’t believe you.”

she breathes out a chuckle. “sorry.”

you have sex for the first time that night. you invite her to stay over, not even having those expectations. you just want to be with her, want to feel close to her, wake up side by side.

but then it drops late, and your lights are on low, having spent the evening conversing on your bed with the tv droning in the background. you’re both on your sides facing each other, propped up by an elbow. and you look so pretty in the dim yellow light, she can’t help herself from leaning in and kissing you, dripping with want.

you end up on top of her, fingertips stroking over either side of her face, hers pressing into your hips. all you can hear is your own pulse banging in your head, the labored, rapid breaths the two of you let out into each other’s mouths.

you don’t think you’ve ever wanted anything this much. you can feel yourself soaking your underwear, and nothing’s even happened.

abby swallows thickly, pulling back for a moment, knowing where this is all going. “you know i’ve never…” she trails off, implicating the last few words, voice husked with arousal.

you pause to look at her, lidded eyes dragging over her face, a slightly amused smirk tugging at the corners of your lips.

“i know,” you respond, leaning back in to mouth at the corner of hers, before kissing down to her jaw. you continue to speak against her skin, voice low. “you’ll figure it out.”

and she sure does.

you make love to each other. it’s all slow, and testing, but wanting and desperate. a lot of abby asking every two minutes if what she’s doing feels good, you guiding her and showing her how you like it. when you first flip her on top of you, tenderly taking her hair out from its braid and running your fingers through it, leading her hand under your waistband and showing her how wet you’ve gotten for her, she truly doesn’t know how the fuck she was ever, ever uncertain about her feelings.

you take your shirt off, baring yourself to her, then hers, needing to feel your skin flush against one another. her hands automatically move to make quick work of the lower half of your clothing, gaining confidence. and then you’re naked, spread out underneath her, all flushed and open mouthed, hips shifting into hers desperately — and it’s just like something takes over her.

she kisses over your chest languidly, exploring, needing to taste your skin. you gently take her wrist, moving her hand back between your legs, and your head falls back when she runs a finger through your folds. it’s a little clumsy, a little anxious, but abby’s a quick learner. she finds a rhythm, circling your clit as her mouth attaches to your nipple.

“abby, fuck…” you moan shakily, one hand tightening around her wrist, keeping her where it feels good, the other gripping lightly at her hair.

“is that okay?” she asks. she’s looking up at you reverently, desperate to impress, and the sight sends even more heat pooling in your lower belly.

you nod hungrily and your hand moves from her wrist to her waistband, voice coming out a lot more needy than you intend. “take these off.”

she obeys you without a word, and your free hand immediately goes to touch her, spreading her apart and toying with her clit, reveling in the noises it draws.

you make each other cum like that, touching each other at the same time, all needy and yearning. you’re first, abby’s nerves getting the best of her, you unable to help yourself. it all builds and builds until it hits you hard, breathy, high pitched moans and whines of her name tumbling out against her shoulder. hearing you, seeing you like that sends her absolutely reeling, and it’s not long until she’s there too. you pull her face level to yours with your free hand, threading your fingers through her hair, needing to look at her as she cums.

she looks so pretty, eyes screwed shut and brows drawn, parted lips rosy as she pants her way through her orgasm, unable to help the string of mmphs and low, strangled moans that escape her.

you work her through it, slowing your movements gradually, stroking at her face as she comes down. it’s quiet for a moment, just the sounds of the forgotten movie across the room and both of you attempting to regain your breathing.

“okay?” you ask, voice barely a whisper.

she nods, eyes still closed, tongue darting out to wet her lips. then, her mouth twitches, corners forming a small smile. “yeah. fuck.”

you mirror her, a tiny smile of your own tugging at your lips. “good.”

kissing her nose lightly, you shift your hand away from her pussy and pop your messy fingers in your mouth, cleaning her off you, relishing in her taste.

she watches through hazy eyes, committing the sight to memory.

yeah. she’s never looking back.

#tlou #tlou2 #abby anderson #abby tlou2 #abby anderson fluff #abby anderson smut #abby x reader #abby anderson x reader #abby anderson x you #abby anderson tlou2 #wlw fic #lesbian fic #my writing

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burntheedges · 3 days ago

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Pas de Deux Chapter 6

Din Djarin x f!reader | 2.5k | fic masterlist | main masterlist | ao3

chapter summary: You can't avoid it any longer -- it's time for you and Din to talk.

a/n: I feel like this is the moment many of you have been waiting for, lol. I'm very excited to see your reactions! See my notes at the end and on the masterlist about reader in this fic and ballet in general. Thank you @katareyoudrilling for being the best beta, as always!!

chapter tags/warnings: gen, ballet terms (see end notes and the masterlist for definitions and videos), a bit more angst (sorry), but they are going to talk!

Chapter 6

You thought about your conversation with Kuiil as you walked to your rehearsal with Adrian, as you stretched and practiced in your morning classes, and as you took the stage over the weekend in Vince’s piece in the mixed program. You thought about it as you watched Din and Yuna in the Balanchine ballet and as you did your PT for your ankles and as you talked with Talia about your role in Midsummer. You thought about it as you sat on the bus home at night, so tired and achy that you needed something to think about to keep you awake.

You thought about it so much you barely had time to think about anything else.

Was Kuiil right? Was Din more uncertain than frustrated? Was he finding it difficult to communicate and connect in a way he hadn’t before, at CBC? You thought about seeing him on stage with Yuna, and how effortless that had seemed. But Balanchine’s choreography, more than so many others, was so technical, so focused on precision. There was so much less room for the dancer in a ballet where all of the space was taken up by striving for technical perfection.

In class, you let your eyes stray to Din for the first time in two weeks. You watched as he stretched and jumped and wondered if perhaps you had just been talking past each other.

What if he’s trying, and you simply haven’t realized it? What if he just doesn’t know how?

He’s never done this before, you reminded yourself.

Your mind was swimming as you stepped into the studio for your fourth rehearsal with Kuiil. You found Din was already there, as usual, and tried not to stare as you worried over your questions. You resolved to be more observant, this time.

And this time, because you were looking for it, you finally saw what Kuiil was talking about.

More than once, as you danced, Din reached for you, literally and figuratively. You leapt past and he oriented his body towards yours, echoing your movement. He turned, but kept his eyes on you as he did. You could see him trying in the ways he knew, to shape his movements around yours, to showcase his partner on stage, but his discomfort with improvisation shone through. The problem was that all of his movements were so stylistically different from yours, that there was little for you to hold on to. And so the two of you struggled to react to each other, as Kuiil had asked.

You tried. You tried to respond to him, to react, but it threw both of you off. He clearly wasn’t expecting you to improvise so drastically. Suddenly the dance was disjointed, and you fell so badly out of step in trying to turn towards him when he moved away from you that you stumbled.

The music stopped.

Din turned to look at Kuiil and you spun around to do the same.

Kuiil simply looked at you both for a moment, and then sighed. “I have pushed you too much, I think, and forgotten the basics of partnership. And you will need to work together, to connect more deeply, as we begin the second movement.” You started to shake your head, but Kuiil held up his hand. “No. Here is what we will do, as you prepare for Midsummer and Swan Lake.”

And then he gave you homework.

…

“So, what, is Kuiil going to lock you in a room until you talk to each other?” Adrian’s voice was teasing, but you could tell he meant it.

“Not quite,” you said. “But instead of rehearsal next week we’re supposed to try to get to know each other. To talk.”

He smirked at you. “Ooooh, to talk.”

You rolled your eyes. “Yes?” You poked him in the side and he yelped. “Stop teasing me and help me figure out what to talk to him about.”

He laughed. “I think you know what to talk about. You just have to figure out how to get him to talk at all.”

You shook your head. “He’s talked to me. Just not about… this.” You waved your arm at all of the problems you’d been having in rehearsal.

Adrian seemed to consider that for a moment. “You know, you’re right. He does talk to you, in a way he doesn’t talk to anyone else.” He furrowed his brow. “Maybe all you need to do is ask.”

…

You followed Adrian’s advice and started with simply asking Din to meet you at the rehearsal studio, without Kuiil, to talk. He agreed readily and you decided to take that as a good sign.

It was the week of Midsummer’s debut, and you were focused to the point of distraction on your role as Hermia. You appreciated it for taking your mind off of the disaster that was the pas de deux, though, and by the time you found yourself outside of the studio where you’d meet Din you realized you’d barely thought about the meeting at all.

(Well, not much. Not as much as the week before, at least.)

He was, as usual, already inside.

You closed the door behind you and dropped your bag and shoes before moving to join him where he sat with his back to the mirror. As you slid down beside him, he nodded in greeting.

“So,” you said, when it became obvious Din wasn’t going to jump in first. “I think we both know what the problem is, but where do we start?”

You looked at Din and took a moment to observe him up close. He was staring straight ahead, but you didn’t think he was looking at anything in particular. He seemed too inside his own mind for that.

Just when you began to worry that you’d have to push him, that this wasn’t going to work because he wasn’t going to meet you halfway, he spoke.

“I’m sorry.”

You blinked, startled — you weren’t sure what he was apologizing for. Did he think you meant he was the problem?

“What? Din, no—”

He shook his head and finally turned to look at you. His expression was as closed to you as always. “No, I want to say this. Let me… let me say this. I should have told you this weeks ago, but I can’t…” he trailed off, but this time you didn’t interrupt. You turned slightly towards him on the floor, extending your left leg and drawing your right knee to your chest. You gave him your full attention. He looked down at his hands and continued, softly. “I’ve never done anything like this before. I’ve been so worried that I won’t be able to… to let go of my training. To dance in any other way. To do anything else.”

You wanted to reach out to him, but you were worried he would startle if you did. You laced your own fingers together and squeezed your hands around your knee.

“I can see the problems, but I don’t know how to fix them. I don’t know how to move like you do. I don’t know how to do anything but what I’ve always done. I don’t know…” Suddenly he looked up at you, and you sucked in a sharp breath at the sheer emotion in his eyes. “I want to dance this with you. I want to partner with you. But I can’t seem to figure out how — not because of you. Because of me.”

You were reaching before you could stop yourself and lightly rested your hand on his forearm. He didn’t startle, but he did look down at it, brow furrowed. You forced yourself to leave it there and squeezed his arm lightly.

“Din, I…” you weren’t sure how to reassure him. You’d seen his discomfort in rehearsals and you knew this was new to him, even if he hadn’t told you so before. You decided to share your own worries instead, since he had just been so open with his own. “This is the biggest role I’ve ever gotten. I mean, you know I’ve got Hermia, and then the spring fairy in Cinderella… but I’ve never been chosen for something like this before. I’ve never had a chance like this.” He lifted his head and met your eyes again, and this time his eyes were soft. It encouraged you to continue. “And you’re so good, I’ve been so worried that I’m not…” you bit your lip and squeezed his arm again when he opened his mouth. You shook your head and he nodded, letting you continue. “That I’m not good enough. I’ve had bad reviews before and I’m not even a principal and I know there are people out there who think I’m not good enough to be one. I—”

This time, Din cut you off. “That’s absurd.” His tone was flat, like his point was so obvious he couldn’t believe he had to say it.

You blinked. “What?”

He tilted his head, his gaze dancing over your face. He covered your hand on his left arm with his right and squeezed. “Of course you deserve to be a principal. They should have already promoted you. Karga clearly wants to, anyway. You’re a beautiful dancer.”

Your mouth dropped open. “What?”

The corner of his mouth lifted in that barely-there smile and you felt your cheeks start to heat as his praise continued. “I’m surprised you didn’t notice me watching you. It wasn’t just for our homework. You’re… amazing. I don’t know how you put so much emotion into your dancing at the same time as so much such skill and technique. Like in Midsummer, everything you bring to Hermia, it’s…” His eyes scanned your face again, and you wondered if you were gaping at him. It felt like it. “It’s so real. And connected. I feel like a robot, compared to you. I’ve been trying to find that connection for myself, but…” he trailed off again and let his hand slip from where it covered your own. You took your hand back, too.

A connection, he said. “Um, thank you. Maybe…” you started, hesitant. He looked at you again. “Maybe we can help each other. Practice together, outside of our rehearsals.”

He nodded. You nodded back, and then you both laughed, a little. You’d never seen him laugh before and couldn’t help but stare.

You felt a bit shaky after all of that honesty and decided to lighten the air a little. “Ok, well, one thing we definitely need to do is get to know each other, right? So we’re comfortable together.” He nodded, and his expression was so open you had to force yourself to keep going, rather than to simply marvel at the fact that he’d dropped his mask. For you. “So. How about we each get 10 questions, but we can pass if we need to. Ok?”

One side of his mouth lifted in a smile. “You sound like you’ve done this before.”

You shrugged. “It’s a good way to get to know someone, especially when you have to dance with someone new.”

Din nodded. “Alright. You go first.”

Over the next half hour you learned that Din’s favorite color was black (“come on, really?” “Fine, my second favorite is green.”), he hated smart technology (“I don’t want my fridge to talk to me. I want it to be a fridge.”), and his favorite ballet he’d ever been in was, surprisingly, Giselle (“it’s not in the normal repertoire there, and they didn’t like how I danced it. But I did. It was the most free I’ve ever felt on stage.”).

You wanted to ask more about why he’d left CBC, but that felt like too much for your first real conversation. You did learn, though, that he had a son.

“Grogu,” he said, “that’s his name. He’s five. He loves watching ballet.” Din smiled a little, looking off into the distance. “I don’t know if he’ll want to dance, but at least he likes watching me do it.”

You smiled. He was more open when he talked about his son, who must have been the little boy you saw him with, back in December. “Sounds like he sits through it better than my family.”

Din laughed, and shook his head. “We’ll see if it changes as he gets older.”

“Is that why you’re always in such a hurry?”

He nodded. “My friend takes care of him during the day, but I hate leaving him for so long. She lives close by so I try to go home for lunch, on the weekends, or to pick him up from school.”

That made sense. A new understanding of Din was forming in your mind — not an avoidant, aloof principal dancer, but a father who wanted to spend time with his son as much as he wanted to dance. Someone with more on his mind than fitting into this new company — you imagined the move must have been difficult on Grogu, too.

“How’s he settling in here?”

Din looked at you, that little half smile back on his lips. “Just fine. He likes his new kindergarten, he’s made some friends. Better than I even hoped, really.”

You nodded. “That’s good. I’m glad he’s liking it. I bet that was a difficult transition for him. And you.”

Din sighed. “A bit. But it was necessary.”

Before you could even consider asking what he meant by that, you both heard commotion in the hall. You checked the time and realized you needed to get to your next rehearsal. Din stood first and offered you his hand.

You slid your hand into his, and he squeezed it as he pulled you up.

“This was a good idea,” he said, squeezing your hand again. “Do you think next week will go better?”

You nodded. “I think so. But do you want to meet beforehand, to talk about the choreography? Maybe figure out where we can find each other instead of missing each other.”

He nodded. “I’d like that.”

…

You felt lighter after your conversation with Din. You hadn’t solved the problem, of course, but you’d at least talked to each other. It felt like the air was clearer, now that you both knew the other was struggling in some way. Neither of you was alone in it.

Over the weekend you focused on Midsummer — it was a big deal for you, getting cast as Hermia. You were excited to dance through her turmoil. She was so torn, as a character, and you wanted to portray that on stage.

As you prepared and stretched on Friday night, you thought about what Din had said — that he couldn’t figure out how to dance in a new way, and that he felt like a robot. You shook your head. A robot? You weren’t sure what he was feeling while he danced, but Din never looked like a robot when he was performing. He’d said, too, that he loved being in Giselle, an overall more emotional performance than much of CBC’s usual repertoire. That he’d felt free.

You thought about his face, every time you’d seen behind the mask, and you knew he could do it. You just had to help him figure out how to find that connection again, and how to lower the mask more while he was performing.

As you stepped out on stage that night, you let that certainty ground you. As you performed your variation, you’d never felt more like you were floating.

...

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a/n: they talked!!! what do we think?

Pas de deux & partnering -- Partnering in ballet is hard! There has to be a lot of trust and communication between partners, even though you don't necessarily need to be like best friends. These two are so advanced and have been in companies for so long that they are able to jump into something like this, but they still have to establish a partnering relationship, which is tough! To give you an idea of just some of what goes into partnering, here's a video of "beginning tips" (skip to around ~12:00 for some interesting stuff on balance). Din is used to verrrrry formal partnering, and that is some of the reason for their communication issues.

Midsummer - reader is dancing the role of Hermia in A Midsummer's Night Dream, which can go to either a principal or a soloist, just depending on the company. Here's a nice overview of the two acts and the ballet from the San Francisco Ballet. Here's a video of a dancer breaking down the role. Here's a couple examples of Hermia's famous variation (solo): one, two. Hermia has other big moments in the ballet but I've mostly been mentioning reader prepping for the solo. Companies might also spread out the roles over different nights or weekends -- in this case reader has Hermia for one weekend, like Adrian has Puck for one weekend (which isn't really mentioned in the fic because I didn't think it was relevant). (Is it a little unbelievable that reader is so unsure about her possible promotion if she got this role? Maybe. Soloists could get this role, especially a first soloist!)

Spring fairy - reader is dancing the role of the spring fairy in Cinderella, too. This and Midsummer are big story ballets that would draw an audience. Here's another two performances of the spring fairy variation and all of the fairies in one video from a 2003 Royal Ballet production. Spring starts ~2:30. The wiki page has a nice overview of the numbers in each act, so you can see where the fairies come in. The wiki lists 4 acts, though, and most companies do it like ABT I think -- with 2 acts. And here's a full length recording.

Giselle - Din mentions this briefly and we'll learn more later, but here's an overview of the ballet. (it's one of my favs)

tag list coming in a reblog!

#din djarin x reader #din djarin x f!reader #din djarin x you #din djarin fanfiction #the mandalorian fanfiction #pas de deux fic #nbt fic #x reader #the mandalorian #ballet au

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birrdies · 1 day ago

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you know i gotta hit you with the ❛ you look good like this. ❜ quote for desertduo (but if another pair comes to mind for this one then follow your heart i'm not your dad)

In all fairness, this wasn't exactly Grian's idea.

Far from it, really. If it were up to Grian, the plan would be that of the doomsday variety. You know, burning buildings, time-bomb countdowns, cool one-liners, maybe a slow-motion shot or two— the works. It's easier that way, when he can break down each step into a cliche scene, a trope he can boil it down to to make it all that much easier to swallow. They are lines he's meant to read and nothing else. He's acting. It's all pretend.

Scar, however, is a difficult person to pretend around.

Grian wonders at times if it's an affliction— a terminal aversion to falsehood in the presence of a man Grian's never witnessed exude more veracity and dodginess at one time. In all honesty it's dizzying, the constant back and forth. Grian's constantly caught biting his laughter like his tongue between his teeth, unsure if what Scar's just said was a joke or something earnest not meant to be poked fun at.

It makes the spotlights all the more difficult to bear. They're budget, at best, but the heat lingers. The brightness persists, like someone's holding his entire body up to a flashlight and he can't help but glow red, hot and embarrassed and sweating to death in his three layers of costume. He feels like a middle school science fair frog splayed out, pinned to a tray and reeking of formaldehyde, waiting for the final plunge of a scalpel to tear him in two.

Graphic? Maybe. But there's no better way to describe the feeling of Grian's chest tearing in two when Scar comes from backstage, crossing stage left to meet Grian at center stage. The lights are hot and Grian can't exactly breathe. He's repeating the same next three lines in his head, over and over, because somehow he's worried he hasn't remembered them yet. Because somehow, somewhere, they're long gone by the time Scar makes it to center stage. By the time Scar grabs his hand the same way he did it last night and the night before.

This wasn't Grian's plan. He's no actor. He doesn't belong on a stage. But Scar's looking at him and even when the seats are empty, tonight's performance hours away, Grian can't help but feel the weight of a thousand stares. A packed house. That's the effect those two green eyes have on him, and it makes him sick to my stomach.

They're staring at him. Expectatntly.

Shit. The line. What the hell is the line?

"Um." Grian licks his lips, wondering if he can pass off punching Scar as a bold character choice. "It's... I—"

"Forgot?"

Grian's scowl twitches. "Don't sound so biggity."

"You look good like this," Scar says, ever the disarmer. And it makes Grian want to punch him all the more.

"You mean sweating under a pound of stage makeup?" Grian raises his eyebrows at him.

"Flustered," Scar says.

#don't ask what this is.#I don't know #I started writing bc I cannot write anything else ever ig and this happened so I'm letting it roll #scarian #desert duo #hermit shipping #sorry I couldn't help myself it just kinda happened #birdie writes

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honeydewdonutgirl · 3 days ago

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I don't think the Buck/Tommy break up was bad writing.

Finally got to the Buck/Tommy break up after hearing about it since it happened and without going into some of my major icks into some peoples reactions to it (I will never understand the Tommy haters), that was honestly really sad. But I don't think it was bad writing. I get it. That hurt like a sonofabitch, and I do think it sucks that Tommy is like gone gone now. Especially because I think in just about any other show this would usually be the time to actually explore Tommy's character even more, delve into his history, explore who he is outside of his relationship to Buck. But we're not getting that, which sucks. (Lou's going off to another show, which possibly played a hand in this decision to have Tommy exit.) But I also think that in shipping, we sometimes forget that characters exist as their own individuals outside of the ship dynamic. As Lou himself stated, Tommy breaking up with Buck was about Tommy, not Buck. It was about Tommy's fears. He essentially said "I already like you so much that when (not if, when) you break my heart, I will not be able to handle it."

As much as Buck believes Tommy to be this fully confident and unapologetic gay man... he is still a man with his own insecurities and his own fears and feelings.

I think finding out Buck also dated Abby scared Tommy. Not just because they both dated the same person but because dating Abby meant something to Buck. Buck is going on and on about how Abby was so important to him. How she changed his life and helped him grow as a person. But Buck's not with Abby anymore. And Tommy doesn't really know they're history, he just sees Buck comparing their relationship to the one he had with Abby. A relationship that did not last. And I think Tommy suddenly comes face to face with the possibility that him and Buck won't work, and he's thinking about how much he already likes Buck, maybe even loves Buck. And if... no "when", they don't work out..... that's going to destroy him.

So Tommy does the only thing that will keep him safe from that. He ends things with Buck now, before it REALLY has the ability to hurt him.

And as much as it sucks that... THAT is where it ends. Sometimes that happens. We as the audience knows that Buck would never do what Tommy is thinking, but Tommy doesn't. Tommy just knows that he could get really hurt if this doesn't work out. I kind of hope that perhaps Lou will come back for a small Cameo appearance to have one final conversation with Buck, to give Buck (and hopefully even Tommy) closure, similar to what we got with Abby. But also.... sometimes we don't get closure. And we just have to figure out how to move on from there. Either way, I don't think this is the end of Buck's queer journey, and I think it's worth it to stay tuned in to see where he goes from here. He still has a lot of self exploration left, and I'm excited to see it.

Also, big shout out to Lou Ferrigno Jr. for giving such a nuanced and honest portrayal to Tommy. I am sad we won't be getting more of him, he was absolutely amazing while he lasted.

#bucktommy #evan buckley #tommy kinard #911 abc #911 show #911 season 8 #911 spoilers #maybe unpopular opinion #bit of a long one sorry #lou ferrigno jr #oliver stark

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windienine · 3 days ago

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i feel like a lot of the trans artists and authors in my life are kind of indifferent to the rise of ai art because ai is not at all meant to replicate the messy, stark, often intentionally upsetting or angry or horny or joyful work that they prefer to make. it flows over them like water.

they're already broke and impassioned and it's kind of like hearing that the economy is in shambles when you're homeless. you're not getting any more homeless, you know? hearing other people bemoan that they're gonna be homeless too is sad and all, but. like, they already know every divot and cranny of the hole. "oh no, the hole! how could the suits throw me in the hole!" we've been telling you about how they're gonna put us all in the hole!

now as an academic i'm losing my fucking mind at the willingness of people to throw other people into the hole faster and say that paying people less for art and writing rules actually and to just keep burning records in favor of tech that doesn't do what it's being advertised as doing but at the same time i think "everyone cool i know got holed years ago and if they post their work somewhere uncool they'll get called eight different slurs that translate to pedophile"

it's always been a labor issue

#victor text #ai art

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therowdymagpie · 3 days ago

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No because I NEED to ramble about The Princess and The Dragon(TW: Spoilers for the Pristine Cut.):

I got such whiplash from this vessel...she is just...SO aufghughaurigh, so unexpected and wonderful, one of the sweetest and kindest vessels in the game. Not to disregard the others, like the Shifting Mound has said, they are all different manifestations of our love for her and her love for us, but the Dragon (I call her The Dragon) FEELS different.

Literally I love the Specter route which the Princess and the Dragon derives from because we have a chance to have an actual, normal(kind of) conversation and because she is dealing with what happened in a realistic manner, sure she's angry at us but she really doesn't care, she just wants "to go home, wherever that is". But it's very important for the game to apply a certain Uncanny valley to her and every other Princess even the one from the Hero and the Princess, so that they have a reason to be dangerous, capable, slightly dehumanizing them at times, which OK SM and LQ aren't actual people but still the vessels just become something other than what we have been led to believe.

A ghost, a demon, a predator, a literal god, an eldritch horror made of blades, all of them are formed by our beliefs and expectations, they are the ways we perceive her, they are perspectives. It is a very skillful way to subvert the damsel in distress character that the princess has been shoved into, she is never JUST a princess and yet at the same time the Dragon is the only princess that is actually very human in how she confronts the fact that we are who we are and we do what we do to her with such Grace and forgiveness.

Now when it comes to the other Princesses, even if the Damsel is technically an innocent as well and doesn't try to kill us, her always trying to "make us happy" is the thing that immediately sets her off and gives us an excuse to believe she is strange and off-putting. Even the witch and the thorn , who make us feel terrible for hurting them at certain times because one can present a certain remorse and the other is simply broken so much that there's nothing else to hope for. Both of them immediately back pedal into being hostile if you hurt them again though, since that's what they have to do to survive. I could go on for each vessel but no matter how much we dig into the psyche of the princesses and find out that they have a genuine reason or a not genuine reason to kill us at all, they are all trying to survive and follow their nature, they all progress for their characters with a predictable unpredictability.

But the Dragon? She is SO forgiving, so kind, especially when in some cases, she shouldn't even be. We've killed her twice yet, much like the Specter, she doesn't hold a grudge, doesn't try to immediately kill us afterwards, she isn't following some twisted narrative of doing something that was always meant to be. She is just...curious and trying to understand why we're doing this, how she can get on our good side, how to work together to make the best of this situation. Out of all the vessels, I think she is the purest manifestation of Swifty's belief every time we see her that 'we are the only thing like her and she's the only thing like us', so they should be together, try should try to get along…right?

Also a funny thing I noticed is: The fact that we see things from her perspective kind of gives more leverage to some of the other princesses for being mistrusting and hostile, I mean we're a terrifying bird thing that is often quiet, holding a Knife and doesn't always answer you, often doing unpredictable actions…I wouldn't trust this either. And STILL, she says that even though we look scary, she doesn't mind, "Looks aren't everything" and tries to communicate with us, at the same time not being completely helpless. She speaks her mind, tries to be assertive and bringing up good points during the entire time.

Basically what I'm trying to say is, The Princess and the dragon feels like the most Princess character in the entire game, even more than the Happily ever after, even more than the Damsel, exactly because out of all the princesses she has the capacity to understand us and we have the capacity to understand her, it is so incredibly human and surprising.

For the first time ever we are dealing with someone who is painstakingly our equal, not above or below us, not our better, not our worse, not something out of our understanding but simply? Another confused inmate in this Twisted Concept, that tries to create the best case scenario where we both survive like us. The Shifting Mound calls her the empathetic heart...it's the first time we see her perspective of US for a change, it's how we have truly become ONE, even more so than The Wild and that breaks me...

#slay the princess #stp #The Pristine Cut #slay the princess spoilers #The Princess and The Dragon #stp shifting mound #stp long quiet #magpie prattle #character analysis #technically #it's just me being in awe of the writing and being #so normal about this

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writerin-progress · 2 days ago

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No one asked, but I'm still going to elaborate on this cuz why not.

It's useless, don't do this It's hubris to try He's ruthless, you knew this I told you, didn't I? He's abusive, elusive The truth is, he lies

I know you don't want to let go

This can obviously be from any single book after the first one. We see Percy try and try again to convince Annabeth that Luke is wrong and evil and she will not listen. It's especially obvious in the fourth book where their main conflict is how Annabeth wants to give Luke a second chance, but Percy doesn't think he deserves one.

Annabeth has known Luke for years. He was her only support left in camp that was with her from the start. She idolized him he was her everything she didn't want to see and/acknowledge all the changes, the negative ones that he went through with time. She didn't want the person who she saw as family to leave her, so she ignored it. She ignored how bitter Luke became after his quest, how he was never the same again because she didn't want to lose him like she lost everyone else. She's fighting an impossible battle of wills, yet her Hubris doesn't let her go down so easily.

Then we have Percy. Someone who has lived in an abusive household, who has seen how toxic relationships work. He knows how hard it is to leave someone who is toxic and yet means so much to you. He tries to get her to see reason. He tries to avail her senses, her hubris, but it just doesn't work. Annabeth is ironically trapped in a careful web of lies and love that she never wants to get out of.

And just like before I can see that you're sure You can change him but I know you won't

The devil doesn't bargain He'll only break your heart again It isn't worth it, darling He's never gonna change He'll never be Prince Charming He'll only do you harm again I don't mean to meddle But the devil doesn't settle No, the devil doesn't bargain

Annabeth tried so many times to convince him to change him only to ultimately fail. She feels like only she can stop him.cuz surely their time on the run together meant something to Luke as well.

Percy doesn't feel happy about the fact that he is right. He doesn't gloat. Instead, he feels so sad for his friend, because thats what they are friends before they were anything else. Percy has seen how no one was there for Annabeth, and he wants to be there for her, to protect her from Luke and his schemes, but he can't. Because he can never replicate what she had with Luke. He plays the role of a concerned friend, but his concerns get sidlined because of everything else.

I'm not one to lecture Talk down to a friend I don't mean to pressure Mean to condescend But I just want what's best for You in the end I know you don't want to let go

Again, he doesn't want anything bad for her. He knows she's hurting, and he wants to take away the hurt from her to let her know she has him on her side. But the circumstances and emotions don't convey them. Instead, Annabeth feels like Percy is just jealous or that for the first time, he feels like he knows something she doesn't and that he doesn't kno what she Thalia and Luke were, so he doesn't have the right to lecture her on this.

The song 'Devil doesn't bargin' by Alec Benjamin, is literally just Percy warning Annabeth against Luke and telling her to stop trying to change him.

#that's all I could cook up at the moment #haven't read the book in a while or seen the show so a few things might be off #character study #annabeth chase #percy jackson #luke castellan #percy jackon and the olympians #song inspired

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ghosts-of-love · 1 year ago

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wish there was a Horrible Histories-esque show but for like. nature stuff

#i just want a slightly silly nature series to watch while i'm working thats like informative but not too hard hitting.#ive been trying to watch some documentaries and theyre all very heavy on the climate change and destruction and terribleness of the world #and i WILL watch those and they are important but i need like. HERE'S A BAT LOOK AT HIS LITTLE HANDS!!#because i'm meant to be working at the same time.#if anyone has any recommendations then please do let me know!!

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youremyonlyhope · 6 months ago

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Wow, Eloise is so ahead of her time that she's reading Emma at least 6 months before it was even published.

#bridgerton spoilers #bridgerton #emma #jane austen #eloise bridgerton #i'm being nitpicky #but the moment she said she was reading emma i was like '...does that work... timeline-wise...'#and the answer is no. it was published in december 2015. while season 3 is approximately spring 2015.#if we're basing it off the Danbury ball being on april 6 1813 in season 1 (the date was on the dance cards)#so her first ball of the season should generally be around that same time for the later seasons too #so if it's springtime then eloise is reading emma more than half a year before it's actually published #so they should have had Eloise reading S&S or P&P instead of Emma if they wanted Austen. but. i kind of get why they went with Emma.#and i appreciated her quick little review of it because it is more than a romance novel #(also Mansfield Park was published before Emma but i don't really like Mansfield Park)#DAYS later I realize I wrote 2015 when I meant 1815. wowwww my brain

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aceghosts · 8 months ago

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Rooney Shepard (They/Them): RELIC AU

There are stranger things I've learned on the outside Separated by an open door I find it hard to reach the end of my timeline Salivating 'cause I wanted more Is this the end or is this the beginning? -Too Close/Too Late by Spiritbox

[Template Credit]

Tagging (Opt In/Out): @bbrocklesnar, @marivenah, @alexxmason, @captmactavish, @carlosoliveiraa, @socially-awkward-skeleton, @nightbloodbix, @voidika, @strangefable, @captastra, @amalkavian, @katsigian, @cassietrn, @g0dspeeed, @clicheantagonist, @cloudofbutterflies92, @direwombat, @onehornedbeast, @thedeadthree.

#cyberpunk 2077 #cp2077 #cyberpunk2077edit #cp2077edit #cyberpunk 2077 OC #nbvnesdays #nonbinary oc #commander rooney shepard #I won't let fear compromise who I am #OTP: It always comes right back to you #v: cyberpunk 2077 #myedits #I'm still kind of finetuning the Relic AU in my head #but what I have so far is that even though Rooney didn't participate in the heist and really know about #but V calls them when they are heading to DeShawn after the heist #as V needs Rooney's help and they know (or hope) that Rooney can get them out of this fuck up #Rooney takes the Relic and tells V to lay low with some friends from their days in the military #and in the end Rooney takes the bullet meant for V #Rooney and Yorinobu still reunite the same way they do in Rooney's canon #but there is absolutely the extra layer of 'oh fuck i can't tell him about this'#and in this universe V still works with Goro because I don't think he would let go of Saburo's murder so easily #and I like to think that Rooney thinks of Johnny more as a teammate as time goes on #like even though they butt heads a lot #Rooney still feels responsible for him #and the two start to get along better #but Yorinobu is absolutely the one thing they cannot agree on #anyway #thanks for listening to my fucking unhinged ramblings in the tags #I don't think they make sense #but I can explain it more in an actual post if you want

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spotaus · 2 days ago

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YEAHHHH!!!!!! >:D

Ancha I am SO glad you liked it because. Ough. I started writing it at like 11 at night and just. Kept going??? I was so so pumped!!!

I'm gonna try and follow where you went with the ideas, gimme a sec-

Okay so, yeah! Nightmare, at this point, views the training has his relax time! Kinda how someone can spend all their time doing work, say writing reports, and still enjoy writing stories in their free time! It still challenges him and interests him, but it's in a way with low stress. His knights can improve inch by inch now that their foundation is stable! And the training room is one of the most secure rooms in the castle, thanks to reinforcing it to withstand magic attacks!

And I really really wanted to take on idea of each of the guy's strengths! You got it perfectly so I'll try not to linger, but I kinda wanted to run off that original idea I had for the Knights knowing eachother and being in sync, but now it's more fitting to their personalities since I've gone into more depth with them! Killer has greatly influenced the others, in the way they fight and the way they act on the battlefield. It's like setting loose a feral animal on all these Knights who are Not Ready for dirty fighting. (Dust was used to diplomatic scuffles gone wrong, usually with the use of enchanted weaponry, Horror just. Did not fight prior to this. Abd Cross, as mentioned, was a muscle-memiry routine combat kinda guy!) And in the same breath, Killer learned from them too! Night might be their mentor, but Killer was committed to being a good influence on them, even if it didn't register to any of them-

A lot of that was also me trying to get a grip on how they'd behave in such a space alone with Night. Killer the most relaxed, Cross the most nervous, etc! And the little banter between them was fun!! (I also was trying to use technique I learned recently so combat reflection was a good opportunity for it, haha!)

One of my favorite bits in the beginning I think was, like you mentioned, Nightmare making sure they left training on a high note! I took the idea from your Q&A drabble actually, when u mentioned Night looking for ways to better keep hold of his knights? Yeah, he ensures to be even more vocal about what he noticed everyone doing well, just so they know! And Cross takes the praise the best visually, but he can tell the others at least seem pleased by it <3

Lastly!!! Yes, the bed-time was meant to be sorta a hint to the incoming turn of events, but it's also just meant to be a cute lil cameo too!! I think a few things never quite left his habits (like, his body getting more tired around Bedtime even though he regularly skipped sleep all together anymore) because. Y'know! Adult body still has Kid Night in there running the show! And because of the weird suspended state of his mind, it left him with odd quirks!

Okay, okay, hearing that you enjoyed the drama bit makes me SO happy, because this time I wanted to go with sonething that felt a bit more Nightmare-accurate. Night was always a quiet kid, a fawn rather than fight or flight, he kept his emotions tight to his chest because so few people cared in the first place. So, when his magic (the thing that made his moves for him, before he could freeze up or downplay or smother his feelings) Leaves? He's exhausted, and confused, and scared, and frankly out of it. He fawns again!

And the magic leaving, this time I wanted it to feel like it was in a moment of lull, no tension, no stakes (aside from a stinky Killer) and no sign for Night that anything was wrong. It all just dipped at once, and as it left his awareness it left him dizzy, disoriented, and!!!! I'm glad that you caught that he couldn't feel anything because the magic refused to work with him anymore!!! So the normal input didn't transfer to him!!! That weird lack of senses was also sort of my excuse to let the Knights start freaking out! Because idk how clear it was (intentionally not very if I did my job right lol-) but when Night's balance starts to screw up, Killer turns around. But it's Night initially who reaches out and grabs his arm, and then Killer has indirect permission to support his weight further and grab hold of him! Night subconsciously reached out to Killer, even if he didn't realize it in the moment. And ofc that's Killer being like 'oh that's not normal'.

And!!! Like in the og drabble, Dust goes on high alert immediately, but this time Cross and Horror hesitate! There's a part that Nightmare misses where Horror expresses worry and suggests he should grab the first aid and take a look, and Killer tells him no. Because Night (in that moment) is unresponsive, and Killer doesn't think Horror coukd help even if he tried. He might make it worse. And Horror tries to press his offer, before Night comes-to again to hear Killer snap at Horror to get Ccino! And like you said, Killer has no idea what's happening, but he's sure if anyone could help it would be Ccino! And in the meantime he just tries to keep Nightmare close, keep him steady. He doesn't like it one bit, but he knows he has to keep watch because Dust doesn't sense/see anyone, and Cross doesn't either as he guards the door!

And, ofc, Killer was horrified to find what was basically a babybones in his arms when all the goop left, but he was also shaken because. Well. That's the Prince from the tapestry. Night doesn't make the connection, but he'd seen images of Nightmare a few times, abd certainly images of his twin, enough to recognize that. Yeah. That's the same guy. And he can't explain it, but since Dust chimes in with magic loss, Killer makes some leaps in judgement. (Also!!! Dust isn't good with magic usually, but Nightmare's was so impressive it was always looming. The moment it was gone he spoke up. He's also OBNOXIOUSLY familiar with symptoms of magic loss. For. Obvious reasons 🙏)

Nightmare, in his fawning, couldn't decide whether the voice in his head reminding him that these Knights were kind, loyal souls was right, or if the instincts telling him to get away NOW were winning. He compromised in the firm of 'can't really move anyways so I'll sit here and be scared'.

And!!!!! I'm glad u liked Killer telling Cross to hold onto the magic! Killer's smart, and a fast thinker, and Cross was the nearest thing with any chance if keeping his king from??? Melting??? And to Cross' credit he DID grab it! He did great! (He feels awful about it after because from what *he* saw, it didn't help. It did! He just doesn't know!)

And. Ccino's piece in this was probably the part I was least certain on. Because Ccino assumed the Knights somehow set Nightmare into one of his worse episodes. Or, worse, he worried Night accidentally hurt one of the Knights and panicked. Horror was pretty vague about why he needed to hurry. And Ccino gets there and- well.

He hasn't seen that little skull in seven years, and it's got a big crack, and it's trembling, and one big eyelight is looking up at him. Nightmare was always his little brother, and yet all at once his instincts kicked back in. This was no powerful bomb waiting to be nudged just too far before exploding, not some otherworldly tyrant. This was his Nighty, somehow back to the way he was the day he protected his twin and swore into the prophecy. This was HIS Nighty.

So, for the first time in a while he drops pretenses. There's no effort to hide him away, Ccino knows well enough that trying to remove Nightmare from the Knight's vision right now would possibly get them both in hot water. So he does what he can, throws open his arms, and coddled his little brother tightly. So, so tightly. He has no idea how, or why, and obviously it's the same Night who'd spent the morning writing laws, but it was so surreal that he just had to get him close!!!!!

And Night, yeah, he just feels safe with Ccino, and irrational mind running off of a huge magic-drop? He deemed Ccino's arms a perfect place to shed some tears and then pass out-

If I had to do a follow-up it'd definitely be either a Ccino or Killer chapter following either the moment Night is free of the goop (Killer) or the moment he enters the training room (Ccino) and then the conversational aftermath! (I also think they move the whole party to Nightmare's room eventually, and somewhere along the line Dust brings up that lighter foods might help-) just lil silly details haha! But it's basically a force of nature making the Knights and Ccino agree to a pact of sorts just to agree to help Nightmare. He's still the king. He's just... young now. Again.

Okay I got a lil wild but- I'm just so so happy you enjoyed it!!! A healthy balance if shenanigans for the boys, panic for Nightmare, and an unexpected surprise for Ccino!!!!

New Age AU (The Magic Retreats)

Hi guys!!! So, I wrote this one in a fit of passion, but here's a brief take 2 on the most important chapter of the fic and the first one I posted! (In which Night becomes Tiny again :] ) As always this drabble is unedited and un-checked so uhh. Good luck!

(HI @ancha-aus , @papiliovolens , and @mutzelputz welcome back!)

The days felt like they were growing longer again. Maybe it was the change of the seasons, or the workload ramping up again making his nights bleed into his mornings. No matter the case, Nightmare was lucky to have moments of rest from his endless piles of debts and taxes and laws and requests that were strewn all about his office. They were nice, neat, piles now, but they seemed to be an endless cycle. He'd solve one problem and it would result in a new report of catastrophe somewhere else.

Often, he wondered whether it was that his Mother's ruling style had truly worked, or if she'd ignored it. After all, she'd been a God amongst mortals, why would she care for a few challenged livelihoods amidst her paradise?

The sharp clash of metal on magic drew Nightmare's attention back to the present. Against all odds, he'd managed to convince Cross to start training his sword again. When Cross had first started getting lessons to properly control his magic, harnessing even whisps of Nightmare's own spells on occasion, he'd quickly neglected his physical training. Over the last few weeks, Nightmare had voiced his worry that Cross might find himself up against another foe like Dust. One who he couldn't simply control. He needed to re-learn his old battle tactics. Only then, he'd promised, they would move on to harnessing both at once.

So, now, he was sparring against Horror in the training room. Nightmare sat off to the side on the benches, Dust and Killer on either side of him watching intently. Two of his tendrils hovered readily before him, ready to pounce to intercept any wayward attacks or truly dangerous intent, though he trusted his Knight to not put his newest comrade in any real danger. The other two tendrils lay lax behind the bench, curling comfortably beneath where his other Knights sat at his sides.

These were the sorts of daily distractions he enjoyed. Which pulled him away from the stress of the papers and the outside world. He could focus solely on his charges and how best to help them. They helped him so often, he just wanted to return the favor.

His eyelight followed the movements, as Horror stayed more or less right on Cross's tail. His axe swung slower than normal, and it was obvious he was taking the training seriously without giving Cross a heart-attack from the force of his normal blows. It wasn't often Nightmare allowed them to pair up precisely because of that. Horror had no magic for Cross to control, none that would help him at least. Meanwhile, Horror's brute strength could snap Cross like a twig if something were to go slightly awry.

A swing of the axe, Cross's longsword cracking against the handle as he blocked. A push-off, sending Cross back a few steps before he swung. Missed. The axe was on him again, this time towards his side. Cross jumped over it, swung his sword. Missed again. The axe came in again, from above. A narrow block, one which forced Cross to his knee, before Horror let up.

Horror was simply a marvel of physical combat. He hadn't been a good fighter when Nightmare met him, but he'd learned very quickly. From watching the guards, from listening to Nightmare. Though, Nightmare was almost positive Killer had actually been his biggest influence. Killer, the cockpit, single Knight at that time. He'd taken Dust under his supervision at the time, practically heading the dismantling of the crime rings Dust knew so well all on his own. Meanwhile, Nightmare was working with Horror to understand how to fix the farming situation across the kingdom. Once things settled, and Nightmare expressed interest in having Horror stick around, it was Killer who showed off in combat training. Horror spun off his feet and pushed off his hands in the way expected of a much smaller, leaner, monster. Very similar to how Killer fought when he was playing around.

It was evidently too unfamiliar for Cross. He'd been taught formal swordplay, but here in this kingdom? That was about as useful as playing with a slingshot and trying to operate a trebuchet. It seemed similar, but it could only get one so far.

Cross had been steadily improving, of course. Just a year or so ago, Cross had been besting all the rest of the royal guard out on the training field. But placed against Killer, the best of the best at practical combat, no holds bar? He'd fumbled. Now, Nightmare knew Cross could hold his own against his proudest Knight. That meant a lot in such a short time. Pride filled his chest at the thought, as he watched the two of them clash again and again.

He knew his time was running short for today. He'd had Dust and Killer work on their team-building and attack him earlier on in training while Cross and Horror were warming up. As he already knew, they were chatty, but very efficient in their coordination.

"On your left!" Killer would call out. Dust would simply duck as Killer instead vaulted over his head as though emerging from the shorter Knight's shadow, knife in hand, glowing red with energy.

Killer's use of deceptive verbal cues was a talent he'd come up with all his own. Nightmare remembered him pestering Dust over it every dinner for a week after he'd first thought of it. Dust had seemed annoyed at first, but Nightmare could tell after the first session of them trying it out, against him? He'd been unaware, and if his magic didn't work separate from his mind on occasion, they would have gotten him in the first two minutes.

They'd used it again earlier, and even after several years it still kept Nightmare on his toes. He figured that was why he felt tired as he watched the two locked in mock battle before him. The cognitive challenges did tend to make his socket heavy with sleep. And he hated to admit it, but he always knew about when to end their afternoon trainings, because it lined up with when his mind would start to lag. Even years later, his body still seemed to respond to the familiar draw of a long-discarded bed time.

He'd let them exchange a few more blows, before calling it off and ushering them all off to clean up before dinner. Even if he knew only Cross and Dust would go wash up. Horror would go change out of his training gear into clean clothes, he hated to look messy at the dinner table, abd Killer would simply stick to his side like glue.

It never was a point of complaint, he appreciated the commitment, but sometimes he really did wish he'd at least take a moment to swap clothes. Sometimes he tracked all sorts of dirt and scraps of magic out of the training room and into the halls.

Mm. The clashing seemed to have reached a rhythm. That meant Cross had gotten familiar with Horror's movement patterns again. It never lasted long, Horror was very adaptable, but it did mean that Cross would be locked into the stalemate now, or it'd be an easy defeat for Horror. Better to call it now and send them off with a bit of praise. They never ceased to impress him, they'd all grown so much.

"Alright, end the match." he called. It didn't take hardly a moment for the order to register after his voice carried to the two monsters.

Cross was the first to pull away, with Horror letting his swing fall short and his Axe's momentum swing up and into the air. He caught the grip and almost immediately stuffed it back into its own holster along his back. Cross sheathed his sword, and while a bit out of breath, he still grinned triumphantly and bowed amicably to Horror. Horror returned it with a nod. Their little ritual.

"Wonderful work today, all of you." Nightmare announced, his front two tendrils slinking back to his sides as they no longer had danger to be hyper aware of. To defend against. "Tomorrow, I want to see you two spar again, I believe you are making great leaps in progress, Cross. Dust will provide you both with terrain obstacles in the form of erratic magic attacks to simulate a more turbulent battle field and provide Horror with more opportunity to practice dodging." The suggestion seemed well-recieved, and Nightmare let his good eyelight turn to Killer, who sat grinning beside him. "Killer, you and I will be doing more endurance training for your magic."

"Looking forward to it, my Lord," Killer replied.

That made Nightmare chuckle a bit. Once upon a time, Killer would tense up at the premise of magic training. Then, as he grew bolder, groan at the mention. He was not proficient in the sort of magic Cross, Dust, or he himself relied on, but his preferred weapon was a knife or two summoned by his own soul. Since it was magic, Nightmare insisted he learn to better sustain and alter it rather than letting it atrophy in the wake of his extensive physical training. Now, seeing him grin lazily at the idea, not a worry weighing on his soul? It made Nightmare feel a lot more justified in making the rambunctious Knight do the more "boring" practical training.

"If we understand what to expect for the afternoon tomorrow, then you are dismissed. I will see you all at dinner," he declared. Humor filled his chest at the warmth which rolled off his knights at the mention of food. Dinner was always cooked by Ccino, and Ccino was the best cook. Nightmare would know.

He watched as Cross gave a little salute before he turned on his heel to begin to follow Horror's lumbering gait towards the heavy doors separating this room from the hall. The newest Knight's voice was quiet, but excitable as he started to reflect on his techniques to Horror. He always debriefed after a training.

Beside him, Dust swung forward off the bench and landed silently, already moving to follow the other two. His body-language always seemed disgruntled, and his expression was hidden under his darkened hood, but Nightmare knew he was pleased with his work tonight. Content with what he had accomplished.

"Cross is gettin' a lot faster." Killer's voice was calm beside him, and Nightmare followed the other's hollow gaze to where the other three were discarding their gear, hanging it up on the racks near the door where they always stored the supplies.

Four spaces, one for each knight. Killer had gouged his name into the wooden base of his own years ago.

"I agree." Nightmare let one of his tendrils wrap at the ground around a leg of the bench. "It helps that he is eager and willing to improve on his skills. And that he has others to lean on as he continues to learn."

Killer's scoff quickly devolved into a laugh at the thinly veiled praise. It wasn't unusual of him to slip it into conversation. A quick, gentle nudge of praise. Acknowledgement and appreciation. Killer had heard to most of it, and Nightmare often worried he'd find it insincere.

As far as he knew, he never did.

"You should go put up your armor as well." Nightmare suggested, nudging at Killer's back with a tendril.

"Yes, sir." Killer chimed, the sharpness of his laughter still on his tongue.

Nightmare rose simply, and Killer pushed off the bench with a quick hop. His feet planted, and Nightmare waited for him to take a step towards where the others were before moving to follow. It felt right, to see them all in one spot. Relaxed.

He moved to follow Killer's quick steps, only... All at once his vision seemed to double, and he halted himself. He could feel his tendrils lash out, moving to stabilize him against the floor of the training room. He still stood upright, just barely, but it seemed all his balance had left him. Instinctively, in a fit of habit, he shut his good socket and took a moment. The swaying feeling he was gripped by, even after a deep breath an counting to five, did not fade. The darkness which usually seemed to calm him only seemed to make the swaying worse. He could not tell if the motion was coming from him, or I the ground beneath him was shifting like the deck of a boat. Without his vision he couldn't orient up versus down, let alone find his stability again.

Opening his good socket provided him with orientation, though his vision still danced and swirled. He was looking down, down towards the brick ground, from the space behind his palm. When did he place his hand to his socket? The view included his legs, which he recognized now were shaking, and his tendrils which were trying to hold him in place.

And...

He jolted at the contact he could see but hadn't felt in the slightest. He skull reeled up so that he could see who had touched him. One hand on his elbow. The other- when did he grab Killer's arm? When had Killer turned around to look at him? Why was Killer looking at him like that?

It was Killer, who had ahold of him, though he couldn't feel the Knight's touch, and he couldn't tell if he was gripping the other's arm at all. Though he was, he could see it.

His vision warped again with the quick movement. A desperate bid to look past Killer. Was there a threat? The blurry form of Dust shot past him, he thought. Horror and Cross still seemed to be by the door.

The ceiling. Why was he looking at the ceiling? No, wait, the floor now. It grew closer, in the space between himself and Killer, as the opening for him to see it grew smaller. Then he couldn't see it at all, his vision replaced swiftly by- training gear. The leather smell invaded his senses as the rest failed him. He couldn't feel Killer, though he knew the knight was near to him. That, as far as he could tell, Killer had caught him. That he'd sunken to the ground under his own weight.

Why?

His socket wasn't being helpful. It seemed, from what he saw, that his tendrils were trying to melt away as they moved errantly to slap onto Killer's back or the ground beyond. Surely that wasn't right? His tendrils had never wavered. He shut his socket again, letting his skull sink into the training armor again.

It didn't occur to him for a few moments, that he couldn't hear his knights, until he suddenly could.

The voices were loud and grating, breaking his wobbling darkness once again as he tried to force his socket back open. What was wrong with him?

"Horror, I said go get Ccino! Now!" Killer. He'd know that voice anywhere, though he didn't like the angry tone. Like fire spitting from his tongue seemingly right above Nightmare's skull. "This isn't some sort of test, I- I don't know what this is. It can't be good."

Nightmare tried to reach out. Not physically, it felt he still couldn't control his limbs. No, he tried to sense. Did the others know what was wrong with him? Was the rising panic in his chest originating from his own emotions or theirs? Had... had one of them done something?

No, it wasn't them.

"Shit." Somewhere behind him, he heard Dust's voice hiss. "His magic levels are dropping. And fast."

For a second, Nightmare was stunned. What did he mean his magic levels were dropping? Though, it made sense. Somewhere deep in his chest he could feel it, the swaying motion as his magic tried to peel away from his bones. He-

"What do you-" Killer still sounded frustrated, and he too spat an expletive a moment later.

Nightmare, for the briefest moment, thought he felt touch again against his skull. He let his blurry socket fall closed again, the vision only worsening as his magic rocked with unseen waves of revulsion.

"Cross, try to grab his magic," Killer ordered.

The familiar splattering of the young Night would've been comforting, if the suggestion didn't fill him with dread. Killer knew better than that. They'd agreed Cross could only touch on controlling his magic. Nothing more. It was too vast.

"W-what! I- I shouldn't-" Cross attempted to stammer a defense, but Killer was quicker with words. Always had been.

"Just try. Now. Hold it in place and see if it stablizes." The command was a lot more controlled than the previous one, but his tone was leaving no room for error. "When the King and Ccino are unavailable, I'm in charge. Listen to me."

Nightmare had never heard Killer take charge in such a way before, and in his haze he might've written it off as a product of his imagination. All of this being some sort of weird hallucination. But he felt the invasive force of Cross' magic snake over his bones.

He'd felt it before, a sort of blanket or hand-hold aimed at the ends if his tendrils which could make them twitch a bit with Cross's own will. This time he felt it creep up the length of his spine and dig unseen claws into his shoulder blades. He could feel it, just like he could now feel Killer's chin and shoulder, where his skull had been tucked. He could feel the hand supporting his back, the other his side. He felt limp as the forceful magic washed over him.

Nightmare gagged.

Cross's magic caught on something, like a hook finding the fish, and for a brief few moments, Nightmare felt like he had a ball of gunk in his non-existant gut. Something heavy and feral, trying to escape.

For just a moment, he regained a breath of awareness. He felt his Knight supporting his weight, he felt the nakedness of his back where his tendrils had completely abandoned him, he felt the emotions of the three still with him. Fear. Confusion. Anger. He didn't like it much. He still couldn't move his limbs.

And just as quickly as it was stable, the hold on the wild magic slipped away. Like the fish had broken the string.

It flowed up, like the force of a dam finally released. Through his ribcage, past his shoulders where Cross's magic seemed to dissipate all at once, into his mouth.

Nightmare regained some semblance of control over his body at that moment. As the magic seemed to rush towards freedom. He shoved away from Killer all at once, the chill of the stone hitting his palms heavily and his socket opening if only to watch as he lost it. That dark, thick, sticky magic that had marked him as a bad omen. That had gifted him the power to rule in place of his twin. Protect those he loved.

It spilled to the stone before him, and he was stunned to watched that, as he heaved suddenly labored breaths, it sunk away. Disappeared. Just like that, instead of his familiar darkness, the protective shield, the instinctive defense he had grown to know, he was staring at the floor. And the space in which his wobbling arms hid under too-big sleeves, and from the cuffs escaped perfect, pearly-white bone. Bone he could never seem to reach no matter how hard he scrubbed with water and soap. Bones that seemed so frail in the torchlight.

"My king?"

Nightmare let his eyelight raise from the ground. It wasn't as wobbly anymore, his vision slowly coming back to normal. He still took his time trailing from the ground, to look at Killer's pants. He was on his knees, hardly an arm's length away. Then the edges of his chestplate. His arms were outstretched, hovering barely away from touching Nightmare. He shook at the closeness, but didn't dare try to move. Killer's soul was wobbling. Nightmare's boww furrowed at the sight. It was very small, but he'd always notice the little changes and moves. Though, he noticed an absence of something at the back of his skull as he stared. Something missing.

Killer's face was last. He looked serious, his dark sockets not a new sight, but Nightmare hardly saw Killer so serious. He'd seen the look before. Usually when he'd see someone bothering Ccino. It had always been brief, quickly disguised under his patented sadistic grin. Killer just watched him now. As though he was sone glass sculpture ready to tip off the end of the table.

He hated, as he stared, that he couldn't- he could feel-

He tried to shift, to whip his head to look for the knight he knew should've been behind him. And he was right, of course. A glimpse of Dust's shadowed skull and tense body-language told Night he was on high-alert, but Nightmare hadn't been able to feel him. Hadn't sensed his presence at all. No emotions, no aura, no nothing.

"Woah, steady!" Killer yelped as Nightmare felt himself tilt.

Looking up at Dust had disoriented him. The weight distribution was different now. His body listed to the side, and he flinched when arms wrapped around at his sides and tugged his upper half onto soft fabric. Killer's legs. Killer had caught him.

"My king, Nightmare, it's you, right?" He sounded the same. Something told Nightmare he was uncertain.

"Y-" His attempt to speak was short-lived. His voice wasn't right. It was high-pitched and raw. All the rumble and low tones entirely missing. He couldn't be sure if he stopped on account of keeping his pride alive, or if he feared speaking in a voice he hadn't heard in years.

It didn't help that he couldn't feel them. No matter how much he tried, the only feeling in his chest was his own solitary anxiety. Balling up tighter and tighter, an old friend come home again. If he could tell what they were thinking- if he could know if he was safe...

He bit back his panic, holding in the weakness which was threatening to give him away. Though, what else was there to give? If he was right, then the prophecy had finally rejected him. Left him as an offering to a pack of wolves.

Nightmare knew he was shaking, but some irrational part of him thought that if he kept his socket shut that this would all be some absurd night terror and he'd wake up cozy in his bed, or exhausted at his desk, or maybe passed out on the floor. Somewhere else. Anywhere else.

"What's wrong?" That voice was deeply familiar, and all at once Nightmare felt like he had a surge of strength. "Why did Horror rush me back here? Where is our King?" It was Ccino. He sounded more frustrated than anything else, but he didn't need to feel his emotions to know the rise to his tone. The worry buried there.

"We finished training and everything was fine," Killer explained, tone as even as he could muster, "But when we were on our way out, he just collapsed."

Nightmare pitied him, having to tell Ccino any sort of bad news. Nightmare didn't think as he attempted again to shove himself up. If only to catch a glimpse of Ccino.

As he peered barely over Killer's shoulder, he saw what the others did. Ccino had some sort if flour or wheat all down the front of his nice apron, and a few streaks along the thighs of hid pants from where he'd probably wiped his hands along the way. His expression was a mix of concern and fury that set Nightmare's soul into a pretzel-twist of regret, and his eyelights scanned the room as he rapidly approached Killer. Obviously looking for answers.

Only, Ccino arrived to Killer's side, and his growing rage seemed to stop all at once, alongside his steps. He stared down at Nightmare with wide eyes. Nightmare stared up at him wearily. The king's sockets were beginning to water. Ccino's expression, the way his balled fists twitched and relaxed, the way he seemed to lose all the tension I'm his body, just getting a glimpse at him. Ccino recognized his face, no doubt about it.

"Nightmare?" Ccino's voice was small.

Nightmare fumbled a bit as he tried to launch away from Killer. Having Ccino so close to him simply... broke whatever had been holding back the emotional damage within. It didn't help in the slightest when Ccino crouched and immediately tugged him away from Killer and into a gentle bear-hug there on the floor.

For the first time, in a very long time, he found that the welling of tears in his sockets didn't result in dark, tarlike, goop that fell in chunks down his skull. This time the tears were real, a transparent lilac which raced down his cheeks abd planted themselves against the fabric of Ccino's tunic and apron. He wasn't wearing his fur, he was smart like that.

Ccino's arms wrapped around his back like they always did, and Nightmare felt himself slipping. Ccino was safe. He had always been safe.

Nightmare didn't have time to begin sobbing as he had expected, or to even begin to hyperventilate into Ccino's shirt or curl into a ball against his chest. The moment Ccino nuzzled the side of his skull, his vision went blurry again.

At the tightening of Ccino's grip, he heard Dust's voice again. "Magic-loss. A lot of it." Faintly rolled into his mind like a distance voice two doors over. He didn't quite catch when Killer started to speak again, or Ccino worriedly said his name. Dust was right, the magic was gone. Out of nowhere. It was a lot for his little body to handle.

#new age au #sorry I think I missed the bit about Killer and Dust being brither-coded and them not listening-#but that was another of my favorite bits!!!! Killer just can't shut up and Dust (not yet fed-up) humors it!! 3 levels of #distraction for the enemy!!

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