#because i want to see the growth

[rika-mortis]

Headcanon: Deep down they both want to be their fairy godparent/godkid again after losing them, but don't believe they deserve each other and feel like they aren't worthy to be their companion anymore

They both need counseling and therapy as a whole package

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[shannonsketches]

thinking about gohan and vegeta and how their bond is underrated

the difference in their reactions to each other 😭

Gohan being the first one to step between Vegeta and Certain Death, twice, without an ounce of hesitation, and Vegeta saving him back despite his feelings about battle intervention.

Vegeta knowing Gohan's the best of all of them

Vegeta and Gohan both born prodigies assigned an unfair amount of responsibility to be Great and be a Saiyan Messiah(tm) way too young by a stubborn and proud if not (relatively) well-meaning father who didn't see any other option and I just think Gohan doesn't get enough credit as like. The first serious muscle behind Geets' personal growth.

[official-lucifers-child]

new fanfic pet peeve is when people are writing children and clearly don’t know the difference between a 3-year-old, a 7-year-old, and a 13-year-old. this newborn isn’t saying words, this teenager is learning emotional intelligence, this child is literally not capable of comprehending that complex topic. please, it takes 2 minutes to look up “how should a 9-year-old be speaking” and “how developed is a 4-year-old’s mind”

you could even take it a half step further and look up the various stages of development in people. piaget, kohlberg, erikson, all those psychologists created these stages because we all followed such strict patterns when growing. you don’t need to go into the moral development of your oc’s child but at least make sure they’re speaking and acting like a child would at that age.

also when in doubt, for older children just go for more mature. it’s far better than treating teenagers like they don’t know what an emotion is lol

[danwhobrowses]

Prefacing that, again time zones, I've only been able to glean the latest CR episode and that I do not agree with their in-character opinions on the gods, I'd like to remind fans to try and not get super ugly about their criticism of Ashton Greymoore.

I'll be the first to throw my hands up and say they're among my favourite C3 characters so there may be bias, but I've been getting flashes of the Shard Incident from reactions towards their recent and vocal disdain for the gods. Disagree with them all you want, Taliesin knows that the gods can't simply leave since they're the one who said that the Wildmother would die if she left, but understand that it's a character flaw and if you recall the hardships of their backstory, the unanswered prayers, and that their only exchanges with the gods have required them to do something or, with the Dawnfather Angel, have been met with cold disregard, it's understandable how they got to feeling that way. Ashton has lived alone and been told they don't matter for a lot of their life; no gods, no family, no nurturing presence to guide them, they've been abandoned, used, and - with additional influence by the Dominox accusing them of wanting FCG to die - are currently between blaming themselves and the Changebringer for their closest friend's death.

Make no mistake Ashton is wrong, I think the self-confessed hypocrite with also self-confessed poor morality knows that deep down, or at least knows that they're not the kind of person who should be in charge. Vassalheim is a difficult place for a titan vessel to be in so it is unsure what they will do from here; perhaps investigate the Earth Titan? Commune with the Emperor and Empress? Or maybe be brought to the gods and be able to vent or reconcile with them (and maybe get some closure with FCG, speak with his spirit as like a mediator between the Hells and the Gods)? But it feels like Taliesin is being vocal for a reason, and it's either to invite Matt to challenge it (I've said in other comments but I would love if Ashton found some comfort, not worship or a pact but maybe just a dialogue, in the Everlight: a goddess of healing, temperance and redemption - all of which would help Ashton mentally - as unlikely as it'd be) or find another maybe primordial route to give Ashton a narrative tether towards stopping Predathos.

Let's just, not be cruel about the character, they are more than just their bad trauma and grief-led opinion on gods remember?

[athina-blaine]

genuinely don't understand people who gripe about someone getting into dunmesh for m/m pairings as opposed to f/f when none of them are even close to being the main point of the series

[muzzable]

If Level-5 won't put Marina in New World of Steam I'll do it myself.

[randomfoggytiger]

What a difference in the two interviews - Duchovny's in 1997 and Anderson's in 1998.

Duchovny was super arrogant and pretentious, thinking he was the King of Cocada Preta, trying to pass himself off as an intellectual, bored with fame. Winona Ryder never came out to David because she was much more famous at the time.. Thankfully, in the years that followed, he had to tone it down. Less Duchovny, much less…

Anderson, on the other hand, looked like a working mother, working non-stop to support her daughter, zero glamor, a bit depressed, like a middle-aged woman broken by life.

And in none of the interviews did the geniuses who interviewed them talk about Mulder and Scully, who were the soul of the show.

I'm slowly working on a progress-through-Season-8-based-on-the-burnt-out-interviews post, so this was timely. :DD

To be fair, David was suffering. Both of them were. The X-Files was simply a job to DD and GA; and they coped with its insane hours and insane stresses differently. For Gillian, she internally imploded: eating disorders, panic attacks, anxiety so bad she wouldn't wish it on her worst enemy. She was afraid to put a foot wrong because she'd gotten pregnant so early on and could have threatened the longevity of the show; but she kept putting a foot wrong due to a shoot-from-the-hip personality. Then she was a divorced co-parent trying to do everything herself. David, meanwhile, didn't have that stress; but instead of marrying quick to escape the unbearable loneliness (like Gillian did), he tried to escape by getting outward attention... or through porn, joking in Playboy that his favorite pornstar had gotten him through some very, very lonely days. He also outsourced constantly, making connections with other entertainers and etc. to try to establish himself in Hollywood away from the show. Part of that persona-- that he had everything together and was living the dream-- was part and parcel of selling himself to the business for, in turn, more work.

Secondly, DD WAS arrogant. It wasn't until AA that he learned gratitude, per his own words. Until that time, he'd overachieved into such heights of success that he, naturally, developed an ego. But that wasn't enough-- it never is-- and he kept devising other ways to get attention. Per his old interviews, he described being 'shocking' or 'funny' or etc. as a way to keep others' eyes (and attention) on himself. He always feared they'd lose interest in him and walk away, otherwise (still does.)

That mindset, he's stated here and there, was a result of habits he'd formed in his childhood-- the middle child caught in a turbulent divorce: father suddenly gone, mother heartbroken, and older brother and younger sister taking sides. He had to become intermediary for his siblings and shoulder-to-lean-on for his mother. He became his mother's pride and joy: a shy kid who thought he wasn't a looker when he was younger, who transferred to a better school on a scholarship, who was "captain of the basketball team and the baseball team and a straight-A student, and I was in my last year of high school, and I'd applied to four schools–Harvard, Yale, Princeton and Brown–and I got into all of them." Who was, in short, an over-achiever; and became arrogant because he achieved everything through his own efforts. But he was also a kid who fainted in senior year, breaking his front teeth, because the stress was too much.

And he was also a man who spent long hours overworked on a show he wasn't particularly passionate about. One who spent long, isolated hours alone (in the bathtub) in Vancouver when not working. And one who always had to be "on" when he was out with his friends or spotted by people on the street. Further, no one wanted (wants) to hear the rich and successful complain about the hardships of their success. So, he turned on the charm for attention, instead; and resented having to "sell himself" for people to care about his work. And his performance, on and off screen, earned him fifteen years of public backpatting and"Fox Mulder"ing everywhere he went.

He didn't deal with the stress perfectly, and created his own problems that had to be worked through later on. But Gillian did, as well (per her own words); and they've both owned up to their mistakes and have, seemingly, moved on from the past.

Lastly, there are other interviews where his truer self comes through: those are sadder, pre-marriage; or more stable and happy, post-marriage. Gillian had happy interviews, too; but her life was much more accelerated than his (marriage, pregnancy, divorce on close heels), and thus sounded more burnt out than he was.

I don't like to pit or compare faults because I'm sure they both handled global fame and nonstop work better than a lot of people would have (David was rock-bottom depressed and Gillian was afraid she'd quite literally go insane; but they made it.) And there are always interviews where he looks like a cherub and she a hag, or he an arrogant scumbag and she a hard-done-by saint. Neither were either.

About the Winona Ryder speculation:

Even in interviews from the early days, DD kept personal details close to the chest, not referring to romantic partners as "my girlfriend" unless his significant other had an established public persona (or an upcoming project.) The person he spoke the most about was Tea-- and that was after their marriage, and only during interviews to promote their next tv series or movie. Tea was a talker, and she didn't mind when he talked about her; so, she rubbed off on David for a good chunk of their relationship-- even after the rehab stint-- until their divorce. (Now, she's taken a vow of silence and enforces it strictly with Tim Daly, as stated by both.)

I'm not up-to-date on Winona, but I'm sure the relationship wasn't serious enough for either to really acknowledge it. She looked happy in their picture together; and I don't think she's the type to deny a relationship because it might not be advantageous to her "brand." But what do I know? XDD

Those are my thoughts, anyway~ :DDD

[discodummy]

Going through my Snapchat friends and messaging apps and blocking or cutting things off with people wasting my time/leading me on.

Necessary pruning, even if it’s a little sad for me

[wolfblood-of-anubis]

Nina Martin, daughter of Hades, god of the dead, and ruler of the underworld.

Fabian Rutter, son of Athena, goddess of wisdom, warfare, and battle strategy.

Amber Millington, daughter of Aphrodite, goddess of love, beauty, sexuality, and passion.

[fluffs-n-stuffs]

Amethio sweetie you're not beating the 'related to Gibeon' allegations anytime soon fr

[astralhope]

The way Astral develops emotions through the show is one of my favourite aspects of Zexal (if not my favourite, because I love him). At first, he didn't know what emotions were. He observed them without even considering that he might feel something like that. Yet, the more he experienced on Earth, the more he changed, slowly, but he changed: he learned to smile, to fear, to cry and to hope, all the types of emotions he felt have combine into his essence, without completely changing it.

Because Astral never becomes particularly open with his emotions, his personality remains calm and collected, like at the start of the show, yet developing into something more than that as all the emotions he had collected had made him grown.

His growth is slow and sometimes subtle, but you can see how much he had changed just by looking at him: the way he moves, his tone of voice, his eyes (that are very expressive most of the time, it's like they could speak for themselves), little details that can bet missed, but are very dear to me.

He has been paralyzed by the fear, he has been happy to be considered a friend, he lost himself to the pain and anger, he cried for sadness and happiness, and he learned to love with all himself.

And he did all this in his own way. He made those emotions really his own.

[shannonsketches]

he's so important to me

[rhymaes]

Mysterious Lotus Casebook, Ep. 40 // The Acts of King Arthur and His Noble Knights, John Steinbeck

[drawnfamiliarfaces]

Out of curiosity, which version of Ben 10 are you using for your ‘HoM’ story?

HoM Ben is mostly based on Ben10 original-Alien Force-Ultimate Alien with a little dash of Omniverse, if only because I probably watched like 5?.. episodes of Omniverse and most of my knowledge about it comes from some fanfics ;D I keep getting distracted when I try to rewatch it lol.

Obviously my takes on the series/Ben's story would be kinda slightly 'rewritten' so it would fit in the crossover universe (and also because AF and UA writing was *flops hand*you know, so i dont feel bad interpreting some events differently in my brain), but the big events/general plot would be the same. I might also, like... ignore a lot of Omniverse and only takesome of it for plot points (and also some characters, like Rook), but it might change if i finally rewatch OV or like, get some ideas how to fit it in, so its not written in stone.

And I never saw 2016 reboot, so I just mentally shelve it in 'another canon alternative universe' and ignore it. ;D

[symbologic]

Luffy vs. Zoro at Whiskey Peak

Unpopular opinion maybe, but the Luffy vs. Zoro clash in Whiskey Peak made sense for their characters. You could even argue that it was bound to happen, given their personalities.

Luffy likes the people who feed him. In the the face of their suffering, no matter who's responsible, he's too angry to concern himself with the reasons behind it. Zoro, on the other hand, prefers to handle things independently without saying much about it, especially if it means his crew gets to enjoy themselves a little longer

So it's not really surprising that Luffy would be blindsided by finding their hosts cut up by his swordsman, and that this would send him flying into a fit of rage. If he's never paused to listen to context or backstories before now, why would he start here? And of course, Zoro is not the type to back down from a challenge. He will match Luffy's energy and respond in kind

"But if Luffy were a good captain, he would have stopped to listen to Zoro's side of the story." Vivi tells him he's a bad captain two arcs later, precisely because of this kind of behavior. It clearly leaves an impression on Luffy, and we see he's grown into a better leader by the time he reaches Amazon Lily. (Almost as if Oda set all this development up on purpose with Whiskey Peak. HMM...)

"But Luffy refused to believe that Nami had killed Usopp in Arlong Park." This argument is like comparing apples to oranges. Nami did not actually do the murder that Johnny and Yosaku claim they saw, nor is she capable of killing people in cold blood. Of course Luffy isn't going to believe Nami killed Usopp based on hearsay. But in Whiskey Peak, Zoro did cut those bounty hunters. Luffy sees the evidence for himself, and he knows the carnage Zoro is capable of inflicting once he puts his mind to it. There is no denying what happened. Nothing other than Zoro saying "someone else did this" (or Nami knocking the soul out of him) was going to stop Luffy from going ballistic

"Why would Luffy fight so hard to recruit Zoro into his crew, firmly believing that he wasn't a bad person, only to later attack him because he believed Zoro was capable of harming 'innocent' people?" Because the fight was never about whether their hosts were "innocent" or not, not really. Their fight was about what Zoro did (assaulting the ones who fed them), and how those actions made Luffy feel (mad as hell, because these people FED THEM) For Luffy, context did not actually matter at that moment in time because, for him, "they fed me" unequivocally means "they're my friend", full stop This is even shown again in Mocktown! Both when Luffy unquestioningly eats an apple from Doc Q, and when Bellamy buys Luffy a drink in Mocktown. In the first case, Luffy only lived because he was lucky. And in the second case, he assumes Bellamy is a good person despite all evidence to the contrary, only to have his face brutally smashed into the bartop by Bellamy. Luffy is shockingly bad at reading people who try to feed him.

Luffy has interpersonal conflicts with all the core members from East Blue at different times. The fight with Zoro is the only one instigated by Luffy. But surprisingly, their fight highlights their similarities instead of their differences. They still fight equally and work together against BW agents who try to interfere with their fight.

I think that's what Oda wanted to showcase with this scene.

In short, Luffy's initial anger stemmed from his protectiveness towards those who have fed him, while Zoro's actions were driven by his dedication to the crew and subsequent refusal to back down from Luffy's challenge. It was a clash resulting from miscommunication and misunderstanding, something that is not typically a problem for them ��� until it suddenly becomes one When all is said and done, they're both quick to forgive and forget. This, too, is fitting for both their characters. From that point onward, Zoro continues to demonstrate that Luffy's trust is not misplaced. And Luffy never, ever doubts Zoro again after this