#because i just can't believe anyone who has seen the episode could think it's a good idea to depict kyle with permanent reminders of. that

[stankvle]

the fact that people who have JUST gotten into south park are already doing kyle mouth scars is turning me into the joker. i thought we’d PROGRESSED as a society!!!!!!!!

i really thought we quit doing that shit in like 2014!!!! but nooooo nobody knows how to act around here

[kjthenbee]

The more I think about the Nandermo interview scene at the end of S6E3, the more I realize just how significant that entire scene is for Nandor as a character.

These first three episodes have told us multiple times that Nandor is not the person he used to be - he is no longer a purely violent, apathetic, selfish man (though he obviously retains some of those qualities). He's changed - he's softer. And Guillermo is the reason for this change.

We've seen how Nandor used to treat Guillermo early on in the series. I can imagine that when little 19yo Guillermo first came to him, Nandor was dismissive, thinking of him as nothing more than another familiar that he was going to string along for years - and, of course, bright-eyed young Guillermo, who was willing to do whatever it took to become a vampire, wouldn't have cared how he was treated.

But now, 15 some years later, everything is different. Guillermo isn't his familiar anymore. They aren't bound by the power imbalance of that relationship any longer. Guillermo has become someone important to Nandor, possibly more important than anyone has ever been before. No matter how much shit they've gone through, or how much Nandor has fucked things up, Guillermo has always stayed, and he has always cared. Even when he does leave, he never stays gone for long. Nandor has never experienced this type of a relationship with someone before - a relationship with someone who loves and cares for him unconditionally.

In the interview scene, Nandor totally could have messed with Guillermo, could have just... not taken him seriously. He could have done the interview in the main room with all the other vampires and had a laugh about the whole thing, but he didn't. He specifically took Guillermo to a private room to conduct the "interview". And the entire time, he treated it with the utmost sincerity- and you can see it in the way he looks at Guillermo with such attentiveness, such fondness. He lets him talk, and just listens. When Guillermo talks about not having many friends as a child, Nandor sympathizes and tells him that that must have been hard even if he himself does not know what this is like. He smiles with him, and laughs with him.

On top of all of this, Nandor very much could have left Guillermo hypnotized - he could have had his former meek, obedient familiar back by his side. The Nandor from just a couple of seasons ago might have done just that. But now, he's learned. He knows that he can't do that to Guillermo. He can't do that to someone he genuinely loves cares about deeply. The Guillermo that he knows now - confident, competent, and sure of himself - is the Guillermo he loves. Nandor does not want to take that away from him for his own selfish reasons. So, he just lets himself have one thing: Guillermo can sleep under the stairs one last time, then he'll unhypnotize him, and things will be back to the way they were - with them at a distance. But at least Guillermo will be himself.

Soooo yeah. I really hope that this is not just fanservice or whatever and that the writers are actually setting something up between them this time. I want so badly to believe that we might actually get some payoff to this 5 season long will-they-won't-they setup. I mean, seriously - what do the writers have to lose with this being the final season?

I'm trying not to keep my expectations too high just because of how many times we've been burned in the past, but this scene (along with the shed scene where Nandor was still talking like Nixon lmao) have gotten me hopeful again...

So here I am, back in Nandermo hell, one last time...

[very-straight-blog]

It really tires me how some fans try to make Aegon look like an asshole who doesn't give a shit about anything. This is a fundamental misunderstanding of his character as such. Of course he cares, that's literally the essence of his personality. He cares. He and Aemond both feel too much emotion, but if Aemond sublimates into self–improvement, trying to be strong, cold and detached, then Aegon is literally an open wound. I want to talk about this, also using Tom's interviews (yes, I think the actor's opinion is valid in this matter) and the few scenes that we have in the first season.

We know that Aegon didn't want the throne and wasn't ready to rule. The scene with Alicent, who explains to him the prospects for the future of their family, seems very traumatic to me. Imagine what it's like to know from your childhood that the lives of people close to you depend on you, on how strong you'll be. Such a burden can destroy anyone. You can't just ignore it.

Next, we're shown how Aegon drinks on Driftmark. And that's a pretty sad sight - several cups in a row, wincing, as if taking a medicine that will help him to feel better.

Actually, I like the theory that he gets drunk after Aemond says that Helaena is his future queen. Another reminder that he'll have to marry his own sister, for whom he has no feelings. And he drinks because he tries to numb his pain.

The same goes for his obviously unhealthy attitude towards sex - he uses it to numb his loneliness. I believe that Aegon literally didn't have the opportunity to feel what love is in any form. His father disliked him and showed it openly. His mother loved him, but she never knew how to express it the way he needed to. He was married to his sister (the tragedy for both of them) and it was a matter of duty, not feelings. At the time of the first season, Aegon is deeply unhappy and this is obvious. I have every reason to believe that his need for physical intimacy is based on the fact that this is the only form of love he can receive. Considering that Aegon is quite smart, I even think that he himself understands how ugly this form is, but there's nothing he can do. During the act, I guess in some unhealthy way it really saves him from loneliness, longing and the need to be loved, but in the end it makes him even more unhappy.

Then it's impossible not to remember the eighth episode and the famous:

It's still clear that family is important to him. Yes, he feels like a stranger among his relatives, but it hurts him just because he cares. He cries and says "it will never be enough for you or father" because he wants it to be enough. He still loves them and wants them to love him back.

"What Aegon wants more than anything is to be told by his dad ‘I have faith in your capabilities as a young man. I see you bringing prosperity to King’s Landing.’ But he hasn’t said any of those things. His dad has completely ignored him, in fact, throughout his entire youth." (с) Tom Glynn-Carney for Esquire

Next, we can move on to episode nine and the fact that Aegon ran away. I've seen a lot of opinions that this is an indicator of selfishness and like...what? He was scared. This follows from the script:

He was scared, he'd never leave his family, much less Sunfyre. It was a decision made in a panic when he realized that his father had died and the moment he had feared all his life had come - he needed to accept the crown to protect his family.

During the conversation in the carriage, we see that Aegon was really hurt that his father didn't love him:

He even said "because he didn't like me" when talking about his father's attitude towards him. He didn't use the word "love" because it was obvious to him that his father didn't love him. He used the word "like", unknowingly emphasizing that he couldn't count on even simple sympathy.

He's also well aware that Viserys could have named him the heir, but didn't do so simply because he didn't want to and because of this, he - the eldest son, feels unworthy of the throne, and also completely lost.

When Alicent tells him that Viserys wanted to make him the heir before his death, an emotional dam breaks inside him, it's literally written in the script:

And at this moment, looking at the dagger, he's not even listening to Alicent, he's completely in his thoughts - maybe, at least for a second, his father cared about him. And when he asks his mother if she loves him, we see how much he craves love, how broken he really is, how important his family is to him.

I know this post is insanely long and I haven't even analyzed the various microexpressions in Tom's acting, but I'm really tired of people wanting to make Aegon something pure evil.

"I also see Aegon as being incredibly complex. He's not an out-and-out psychopath. I see a multilayered character that just has endless potential of pits of vulnerability and empathy and things that we don't see. I think it's his vulnerability that breeds the darkness. It's the way he copes, it's his security, it's his safety blanket, it's an addictive coping mechanism for him to shut things out and to be cold." (с) Tom Glynn-Carney for Entertainment Weekly

[agatharkn3ss]

Lilia Calderu is extremely important (Spoilers)

Lilia says in ep.5 that she "reads people" and she "reads time". But she is much more than that, she just doesn't know it yet.

I believe Lilia Calderu is Fate itself - or Fate of this coven at least.

You can see the background of Patti's end credit is the tarot table. This is going to be her air trial in episode 7. But do you also see the word "Fate"? Circled in red?

Now... Doesn't that remind you of something? Like maybe... "Circle sewn with Fate"?

Oh and what else does Lilia do? That's right, her side hustle "Lilia's Leggings"! The motif of sewing around Lilia is repeated throughout episode 2 - she has a sewing machine in her kitchen/bedroom and when she starts singing the ballad, there are big thread spools in her background. Could they be any more obvious?

Without Lilia, there would be no coven. She is the one who sends the list of names to her past self so that they can form their circle.

I am convinced she will do this as part of her trial. She will be doing a tarot reading and sending messages to the past events, trying to find the right time - just as she uncovers her tarot cards - and yes, that's including the broken line "Alice don't try to save Agatha".

If you want to know more about how I think those messages will be send, I have described the detail in this post.

The tarot cards that have been used so far give us insights into the story - not just because of their tarot meanings, but also because the images on those cards correspond exactly to the moments when Lilia said their names out loud.

These are the scenes as seen through Fate's eyes.

Three of Pentacles has the coven singing the Ballad. Three of Swords is the moment before Teen is healed - they are in the woods, on the purple Road and Lilia sees Agatha's heart being broken three-fold (because of Rio, Nicky and now Teen). High Priestess is exactly how Lilia first met Jen - with the rays coming out of the painting behind her. And finally, the Knight of Wands is standing in exactly the same stance as Alice was when she saved Agatha.

The rest of the cards, although not named in the show yet, will likely make appearance in her trial. Queen of Cups bears striking resemblance to young Lilia. Death is holding a dagger and a black heart, and is surrounded by flowers... And finally, there is the Tower card. Which is going to be about the her tarot (Air) trial.

You can read more about my predictions on how her episode 7 trial will go in this post.

But essentially, the members of the coven will be dressed up as the evil witches from the pop culture, while Lilia will be in white - like Glinda the Good Witch. So it looks like Lilia will need to confront those negative stereotypes yet again. She will also understand, that although she predicted tragedies in the past, she actually has the power to predict something good, even control it.

There will be swords sticking out of the ceiling and falling down to the floor - probably serving as a time reminder. You can see those swords in the poster above too. There is another poster - that resembling the cover of "The Crucible" - a play about the Salem witch trials. Again, we see the "thread" elements clearly here.

Unfortunately, we know that Salem Seven manage to get inside the trial too. I think once Lilia completes her task to finish the tarot reading and deliver the list to the past, she will then flip the sand timer - another reminder that she can, in fact, control time. Unfortunately, flipping the timer will also mean that the whole tower room they are in, will also flip upside down. We see Lilia and Salem Seven floating up. Sadly, I think that means that they will end up impaled on those swords? We can't see anyone else from the coven.

The Tower card seems to suggest people floating, but there is also a blue crown being toppled off the top. I wonder what that means for Billy.

That last shot breaks my heart!

But to finish on a different note, there is even more to Lilia Calderu.

You see, every tarot card has this little squiggle in the corner. Looks familiar?

I believe, after all this, that it is Lilia who puts the sigil on Teen - again, this maybe done in retrospect, when she sends her messages from the future. She knows that Teen's identity must be hidden or Agatha never becomes interested in what he has to say. And maybe others' decisions would change too if they knew. Maybe he needs protecting from the Salem Seven, because he is the son of the Scarlet Witch (that Salem witches call the Harbinger of Chaos and wanted to attack Wanda). Or even protection from Lady Death herself - because if she found out he was literally a ghost, reincarnated, she would want the body to restore the order?

So, in her true style, she literally SEWS the sigil onto Billy's mouth.

Lilia Calderu, what a legend. She is FATE.

[babyangelsky]

My Favorite Expressions in Love Sea Ep. 3

I wasn't gonna write about the expressions this week but then I got all my Fort-induced crazy out and had a meal and came to my senses, so I decided to write about them this week and every week.

Won't always be in depth like the last one but I do wanna point them out because as @prapaiwife said, Fort and Peat's acting deserves to be appreciated.

This scene is shadowy as all hell but there's just enough light to appreciate the faces that Mut is pulling in this scene. There's a mixture of annoyance and frustration here. He's narrowing his eyes, he's pursing his lips and setting his jaw a little bit. But it also looks like he's trying not to smile and there's a sparkle in his eyes that tells me he's enjoying seeing Tongrak get pissy.

That's the face of a brat tamer if I've ever seen one.

I also loved seeing how Tongrak got all smiley and fondly amused when Mut said he was beautifully handsome.

But then there's this smile after he tells Mut about his family. It's sad and resigned and doesn't reach his eyes. It's different from the last one, and Mut can see that, which is why he tells Tongrak not to smile like that. We're not done talking about this man and smiling but hold that thought, we'll come back to it here in a sec.

This look and the quickness with which Tongrak says no when Mut asks him if he wants to try love break my heart. There's more resignation there and something else, too. Certainty of heartbreak or maybe just plain old fear.

I, too, am struck dumb when I see Fort's smiling face Tongrak's just like me fr.

It's the shift from soft, open vulnerability to sheer annoyance for me. It's a face that says, "this infuriating man is so fucking annoying, I have to fucking kiss him about it fuck him" and I love it. This kiss also made me think of @chicademartinica and her love of tropical eroticism.

We can't see Mut's eyes here but that same sentiment applies to this face, too.

I love the look Tongrak gets when people say nice things about Mut. He may not realize it--or admit it if he did--but he's so fond of Mut already.

I have nothing insightful to say about these expressions, I just wanna make ya'll appreciate the mole Fort has on that giant fucking arm of his and how normal I've been about it this whole time.

Also more stretch marks. But we're getting off track.

Look at the face Mut makes when he realizes Tongrak's gonna be leaving in a couple of days. He looks crushed. You can tell that up until now, he hasn't really thought about Tongrak eventually going back home.

And Tongrak hasn't thought about it either. You can see him mentally going through his calendar. Neither of them have thought about it, but they both know exactly when he's going to leave and neither of them look happy about it.

Mut says "could you not leave?" without thinking and Tongrak is very obviously surprised but that's all it is. Surprise without anything negative attached to it. And maybe a teeny bit of hope?

He tries to play it off as a joke but Tongrak doesn't let him. He just says "try asking me". Something about his tone and the way he's looking at Mut and stroking his hair and his face really made me feel the difference in their ages. Tongrak looks and sounds so patient and gentle.

I love how often Tongrak's face answers before he does. He was always going to say yes but I like that he told Mut to try asking and teases him a little bit to get him there. Sometimes we have to be brave and find the words and ask for what we want so it'll be given to us. That's how good communication works.

I don't know about anyone else, but I could practically hear Tongrak thinking, "I'm sorry you had to grow up so fast and alone."

Seeing Mut be giddy and shy for the first time since we met him and seeing unabashed joy on Tongrak's face for the first time since we met him are two of my favorite things about this episode.

Making Mut ask Tongrak to stay wasn't about ego or being a brat, it was about a man who doesn't believe in love wanting to hear that his presence was wanted and a man who isn't used to receiving things without offering something in exchange being told that he doesn't have to change who he is in order to be given what he wants and that he's loved appreciated exactly the way he is.

[brigdh]

I want to talk about Izzy's rant to Ed in episode 10, the one that brings out the Kraken. I've seen a lot of different descriptions of what is going on in this scene – death threat, homophobic slurs, etc – and I don't think either of those are what's actually what's happening.

Let's look at it closely, line by line, and the way Ed reacts, from the very beginning of the scene.

Ed: Well, feels nice to tidy up a little. Can't believe I was living like this. Can you, Iz? Izzy? Izzy: I'm going to speak plainly. Ed: Wonderful. You know we share our thoughts on this ship.

Izzy, cont: This, whatever it is that you've become... is a fate worse than death.

Okay. So there we've got what some have interpreted as a death threat. But does Ed seem threatened? He's startled, certainly, put on his back foot – literally – but he doesn't look afraid or alarmed to me. He draws in a slow breath, assessing the situation, but overall seems more confused than frightened.

In fact he laughs it off with his next line:

Izzy then escalates the level of aggression in the conversation:

But Ed, again, looks more confused than anything. Check out that furrowed brow, that head tilt! This is a man going "what is your deal?", not a man thinking "uh-oh, you might kill me!".

Extremely noticeably, even when Izzy storms right up into his face, Ed holds steady. He doesn't run, doesn't lean back, doesn't hunch his shoulders or drop eye contact – there is no vulnerability or defensiveness in Ed's body language at all. Ed is in supreme control of this confrontation – look at the slow way he deigns to turn back to the paper Izzy's holding! As though he's making the point that he chooses when to turn, not Izzy:

Then we have the "homophobic slur". But watch closely:

Ed does not react to "namby-pamby", "silk gown", or "pining" at all. He doesn't even blink. He barely seems like he's hearing Izzy. His entire attention is on the picture.

Ed's body language and behavior changes at one word and one word only, and that is "boyfriend". As soon as Izzy says it, Ed's furious:

(It's even easier to notice when you actually watch the scene instead of using gifs, because Izzy really draws out 'piiiiiiining', putting a lot of time between the first half of the sentence and 'boyfriend'.)

Why is the use of the word 'boyfriend' so important?

Well, what has Ed been doing all episode? He's been crying in a blanket fort and singing sad songs, yes, but he's been keeping a careful level of mystique about why he's doing it. Ed often uses distanced circumlocutions instead of directly acknowledging his emotions, but he's doing it in this episode even more so than usual:

Here are the lyrics to his song:

(Version one, with Lucius) Hanging on By a thread Hanging on Shouldn't let go If I let go, all will fall Fingers bleeding down to the bone now Can't let go Nothing makes sense Hold on Hold on Hold... on

(Version two, performed for the whole crew) Just let go Make yourself let go Make it go away Away, away today Life's a hard sad death And then you're Deaaad

Notice something? There is no mention of Stede, or love, or break-ups, or abandonments, or relationships in general. All Ed discusses is a vague life-sucks attitude, which could apply to basically anyone under any circumstances. He seems pretty okay with people knowing that Blackbeard is having some sort of weird emotional breakdown as long as he convinces himself that no one knows it's specifically from having his heart broken

This is true of everything Ed says and does for this entire episode. He never once even mentions Stede's name, unless "Farewell, Bonnet's playthings" at the very end counts. The only thing Ed openly admits to feeling bad about is a fictional character who's having a hard time "holding on" (holding on to what? he never says). There are no allusions to heartbreak or romance anywhere in his dialogue.

Now, Ed's not stupid. I'm sure he knows Izzy and Lucius and the rest of the crew can connect the dots and realize that something bad happened with Stede, even if Ed doesn't fill them in on the details. But Ed is also traumatized, and has a whole host of coping mechanisms set up to help him avoiding thinking about things that he doesn't want to think about. If he's not a murderer because "technically the fire killed those guys", then no one knows he's heartbroken because technically he hasn't acknowledged it.

Until Izzy says the word 'boyfriend'. Suddenly the secret is out, and Ed can't handle it. Izzy knows his weakness. That's why this word effects Ed more than anything else Izzy says in the whole scene.

At the end of the confrontation, he hears the crew calling for another song. Look at Ed here. He looks as haunted, as disturbed, in this moment as he does at any point in Izzy's rant.

This is an important part of the scene, not just a closing note. Because if Izzy (the Caribbean's most emotionally constipated man) can see through him, obviously the whole crew can too.

Obviously Lucius – who advised Ed on his and Stede's relationship, who played along with Ed's 'fictional character' claim, who wrote down Ed's lyrics – can do so most of all.

There's a direct emotional logic to Ed killing Lucius because he had a fight with Izzy, and it doesn't involve Ed having been threatened or hate crime'd at all. Ed doesn't deal well with his own feelings (from Stede), so he chooses to become Blackbeard/the Kraken and gets rid of all the witnesses who saw otherwise.

[warning-heckboop]

I really love your changeling dev au 🤌✨️, i was thinking does this make dev the youngest in fairy world ? then that means there is a fairy who accidently had a baby but beacuse of da rules, it cause them to give it to dale as a gift? Im sorry don't know how the gifting works 😅

Okay, first off. Apologies for the late reply. Writing the fic on top of work and other plans took a lot out of me.

On to the actual question! To be honest, I hadn't actually thought too much about Dev's origins regarding who his actual fairy parent(s) would be. So let's brainstorm now, shall we? I'll be putting this under read more, because it got kind of long :')

Full disclosure, I never watched the entirety of the original FOP, especially after Poof/Peri was born, so I don't have a full grasp on the canon lore. I know before Peri, fairy babies were against the rules for thousands and thousands of years, but I guess I kind of assumed that after the dam was broken, they just kind of let fairies have babies whenever they wanted again--especially considering there's a "fairy shortage" in the later episodes (that's my understanding, at least, from what I've read. Again, I've never watched the later episodes, especially not the really later ones with Chloe). Even if this wasn't necessarily canon, I consider it canon in my head, especially since I like seeing people's OCs who are younger fairies born after Peri! Just gives more possibility for world building, I guess.

Regardless of the above, however, I think I'm leaning towards going more the route of Dev being an especially unique case. As I mentioned in my previous posts, Dev was given to Dale as a sort of compensation for Dale's lost childhood, where a fairy could have intervened and helped him escape Vicky's wrath, but he was just somehow overlooked. As I mentioned as well, I see this as a sort of cover-up that would have been handled very high-up in the fairy hierarchy, possibly by the Fairy Counsel themselves. Not only is giving a human a Changeling Baby an outdated and frowned upon practice that they want to limit the number of fairies knowing about, but I also think they'd just want to hide the fact that they so largely failed Dale (and the other children who worked with him) to begin with. They can't let the populous know that their all-powerful and all-knowing leaders screwed up like that, so instead they'd rather just pay off those affected in secret, and pretend like it never happened.

(Does this imply that there might be more changeling kiddos out there that were given to the other kids who suffered under Vicky alongside Dale? Maybe. I'm probably not going to ever expand upon that myself, but if that piques anyone's interest, feel free to build on it yourself!)

Based on this line of thought, I don't see this as a scenario where Dev was born first and then they decided to give him to Dale afterwards. I think Dev would have been created specifically for Dale. We've seen that fairies can reproduce like humans do through birth, obviously, but since they are magical creatures, who's to say there aren't other methods of creating more of their kind?

A fairy's human form appearance isn't completely detached from their natural form appearance (based on my own headcanons which are based on those created by @bunnieswithknives, who originated the 'natural form' concept I'm using in this au, for context), so in this case, in order to create a child that the world and probably even Dale would truly believe is his own flesh and blood, they'd have to create a fairy who would have traits that resemble Dale's. Maybe it was even a process of using magic combined with something of Dale's, like a lock of hair or something like that, to create a fairy child that to some extent really is related to Dale, although less in a "biological child" sort of way and more in a "slightly-modified-by-magic clone" sort of way.

I guess that's all just a really long-winded way to say: I don't think Dev has fairy parents! He's just a product of magic, and the closest thing he'll ever really have to a technical parent would, in fact, be Dale. I hope that's not a disappointing answer, haha.

[sophieinwonderland]

Sysmed Horribly Misunderstanding My Little Pony!

This is gonna be fun!

Let's see how this sysmed thinks the ponies would respond to endogenic systems!

And... right out of the gate, they've instantly torpedoed their own argument. It's almost impressive how quickly they managed that.

For anyone who hasn't watched My Little Pony, Pinkie Pie has an ability she calls the Pinkie Sense, where she will start twitching in ways that can predict the imminent future in some way, such as warning her about things falling or when there's a crocodile in the bathtub.

The first episode this appears in is Feeling Pinkie Keen which revolves around Twilight not believing in Pinkie's Pinkie Sense because it seems too farfetched. It challenges Twilight's understanding of how the world works so she rejects it outright!

One could draw parallels between Twilight's initial actions in this episode and system medicalism.

By the end of the episode, Twilight learns to accept that there are some things in the world that can be true even if she can't necessarily explain them.

Mentioning Pinkie Pie's Pinkie Sense only serves to highlight how Pinkie being anti-endo would make zero sense for her character.

I genuinely question your understanding of anything in the show if you think Fluttershy is going to take a "this group of people existing isn't nice" stance.

Like, this is the girl who befriended the embodiment of chaos.

But... you think she'd be so hateful as to say this about a group of people just because they're plural for reasons other than trauma? Really?

Why would Applejack reach this conclusion?

I mean, for starters, in-universe, the first episode has them fighting Nightmare Moon who is an alternate personality of Luna. Luna/Nightmare Moon could definitely be seen as a non-traumagenic system.

Or at least close enough that I can't imagine Applejack would have reason to doubt other non-traumagenic systems.

Even if you stripped that experience away from her though, Applejack would not be the type to doubt someone's personal experiences for no reason.

Additionally, we see in the Pinkie Sense episode that Applejack is one of the strongest believers in the Pinkie Sense, not needing to understand it to trust that it works.

Meanwhile, what do you think Applejack would think of sysmeds?

Because the entire sysmed philosophy is based on dishonesty. They will claim again and again that you need trauma to be plural. They will say it's scientifically impossible to be plural without trauma. That plurality can only be caused by disorders. But they have absolutely no sources for this claim, and THEY KNOW IT.

At best, they will try to overwhelm you with sources that don't back up their points at all. Usually, random articles saying DID is usually caused by trauma (not even saying "always") but won't address non-disordered plurality at all.

And most sysmeds respond to being corrected on facts not by acknowledging those corrections and accepting that they were wrong, but by BLOCKING the people who correct them. See the OP as an example, who falsely claimed "plural" was popularized on Tumblr, was corrected by a user, and subsequently blocked for it.

Applejack isn't just honest, but she's also pretty good at sniffing out dishonesty in others.

Do you honestly think Applejack would look at sysmed arguments and decide they were honestly representing their facts?

I don't have much to say about these beyond pointing out the overall theme of these screenshots which is that the OP isn't actually writing how the Mane Six would respond to endogenic systems, but is writing their own opinions on endogenic systems in the voices of the characters.

These characters, on the whole, are pretty accepting ponies.

Keep in mind, it took all of a few seconds in the Equestria Girls movie to convince the human versions of the characters that Twilight was actually from a magical pony dimension. To be fair, the talking dog helped. But overall, the ponies are all very open-minded and accepting of new idea.

This is pretty consistently shown throughout the series.

🙄

You know, of all the ponies to be anti-endo, I actually do think Twilight would be the most likely to be, based on how she behaved in Feeling Pinkie Keen.

But by the end of the episode, Twilight learns her lesson and becomes more open-minded.

Even if we were dealing with Twilight before that episode though, Twilight has something anti-endos don't. Which is a brain.

First, if Twilight had access to studies on endogenic plurality and read the opinions on academic on the subject, like those in this document...

I think she would have no problem accepting endogenic plurality. I have no doubt that Twilight would read through every single academic paper in the doc, then track down all the sources for those papers and read them too.

But even if not for those studies, Twilight still wouldn't just disbelieve in endogenic systems the way sysmeds do.

See, even when Twilight was skeptical about something, when she was certain that Pinkie Pie was wrong, she didn't stop there. She wanted to prove that she was right. She conducted experiments. She observed her target closely.

A sysmed would just say that you're wrong, and try to shame you for your beliefs so that you would conform. But Twilight needed evidence.

She needed to prove to herself that it wasn't true.

If Twilight Sparkle wanted to prove that endogenic systems didn't exist, what do you think she would actually do?

Do you think she would be content to say this for certain without testing it?

Here's my take on it:

I think that Twilight would respond by trying to make a headmate herself. Provide her with a good tulpamancy guide, and I think she would experiment with herself, trying to make a tulpa just to prove it wouldn't work.

But remember that even that scenario... it assumes a world where Twilight hadn't encountered Nightmare Moon and Princess Luna, and wouldn't relate them to endogenic systems. It assumes a world where Twilight would have some sort of pre-existing bias against the possibility of non-traumagenic systems and have a false belief that all systems are caused by trauma. And it assumes a world where she also didn't have access to the research into non-traumagenic that would show her that this is something many reputable doctors have supported.

Remember, sysmeds have been provided links to academic papers affirming endogenic plurality's existence time and time again. They deny these studies and cling to willful ignorance out of sheer, irrational hatred.

Not one of the Mane Six would support the hate inherent in system medicalism. I frankly can't think of any characters in the show who would.

The Mane Six would be pro-endo!

Deal with it!

[akirathedramaqueen]

Is the knowledge of magic gatekept by Hell's elite?

Time for another shitpost speculative analysis. And, suddenly, no conclusions—just some facts I’ve gathered about the topic from the show and a bunch of questions for you. Because this time, as much as I would’ve liked to deliver some hot details, there isn’t enough information yet, and I prefer not to claim anything without having at least some degree of certainty in it.

So let's just talk and make some fun, semi-educated guesses, shall we?

Yesterday, @tealvenetianmask released a wonderful post about Blitzø and his insecurity regarding his intelligence. Give it a read—it's a topic that isn’t discussed enough. One of the points raised was his limited access to education, which made me think.

Grimoire.

An infinitely powerful artifact possessed by Stolas Goetia is central to the series, at least before The Full Moon episode, as it is the only way for Blitzø to access the mortal realm. While it serves its own purposes for bringing together—and ultimately breaking apart—Stolas and Blitzø, it also has many interesting properties and details that allow us to speculate on magic as a whole.

It made me think: Who theoretically can use this grimoire or other spell artifacts? Why is it that no one but Stolas is permitted to use it? Are there genetic and/or biological reasons for this, or is the restriction societally driven?

Namely, would all hell beings be able to use magic if given the chance to learn it?

Let’s examine the evidence we have and try to answer at least some of these questions.

Clue one: Using the grimoire by anyone other than Stolas is illegal

It is clearly stated by Stolas himself in these two episodes.

You know, I have been... permitting you to access the mortal realm less than... legally for quite some time now? S1EP1, Murder Family, 8:31

You will be able to go anywhere you want in the human realm without fear of consequence. Without breaking demon law. You no longer need my grimoire. S2EP8, The Full Moon, 19:05

The question is, why? We know it’s not crucial to have Goetia blood to channel magic from the grimoire—Loona has read spells from it, as we'll discuss later.

Could the reason be that the Goetia family wants to keep their powerful artifacts a secret and maintain their hold on power?

Clue two: Magic books are written in runes

The grimoire and Stolas's book about Asmodean crystals are written in runes, suggesting the potential existence of a language barrier when sharing magic-related knowledge.

Left - S1EP6, Truth Seekers, 17:44 Right - S2EP1, The Circus, 19:45

It is oddly convenient if you want fewer people to understand the sacred information you wish to keep to yourself.

Clue three: Stolas does not need his grimoire to cast spells from it

It is briefly discussed in the Seeing Stars episode.

[Blitzo]: No chance you can conjure us a couple of those, can ya? [Stolas]: Sadly, no. I'm afraid without my grimoire, my powers are just a tad limited in the human world. [Blitzo]: What, you can't memorize your fucking spells? [Stolas]: Oh, your memory's so great?  S2EP2, Seeing Stars, 6:33

See, Stolas does not deny Blitzø's assumption and gets annoyed when his memory is belittled. Therefore, I believe we can safely deduce that it is indeed a matter of only remembering the necessary chants to cast a spell. It is still possible that the artifact holds power on its own and Stolas needs it to access magic in the mortal realm, but it doesn't seem like the absence of the book prevented him from making two poor little human beings soil their little fancy trousers.

S1EP6, Truth Seekers, 19:11

And he does not need the book to summon the portals, it is seen multiple times throughout the series.

S1EP6, Truth Seekers, 20:10

Not mentioning him performing small magic tricks quite regularly:

Left - S2EP6, Oops, 7:42 Right - S2EP8, The Full Moon, 2:00

So, can we make a conclusion the grimoire is not so unique after all, if to memorize all the spells? Not sure, because... okay, I promise, we will get back to it later.

Clue four: Loona can use the grimoire, even though she is a lower-class demon

And she can shapeshift without any artifacts, which might suggest she has more magical abilities than other members of I.M.P. Her ability to read runes is also noteworthy.

Shhhit! I can't... I can't read the spell in this light! I can't see dick! S1EP6, Truth Seekers, 17:43

Do you think she could become a skilled magician with proper education? It's quite impressive that she knows the rune language to begin with, given her origin!

Clue five: Blitzø, Millie, and Moxxie are never seen using the book

Is this accidental, or are they simply unable to use the book? If the latter, is it because they are physically incapable of channeling magic (e.g., due to being imps), or is it because they don’t understand the language of the spells?

I noticed them bantering about replacing Loona because of her horrible attitude once or twice (such as at the beginning of the Seeing Stars episode). Does this mean they could take on her responsibility of opening the portal, or is it just bluff? There’s no way to know for sure.

If I'm so terrible, how about you just grow a pair and replace me? S2EP2, Seeing Stars, 3:03

Clue six: The I.M.P. crew is never shown trying any spells from the book other than those for portals

I.M.P. never tries any spells other than opening the portal, which seems strange, especially since they could have used disguise spells, as mentioned earlier in clue three.

Is it because they physically can’t use other spells, or is it an unspoken rule not to meddle with a powerful artifact whose true implications they might not fully understand?

Clue seven: Without the grimoire, the I.M.P. crew is not able to access the mortal realm

And it is posed as a big deal—the whole Season 2 setup revolves around Stolas freeing Blitzø by calling off the transactional agreement and providing a grimoire replacement, the Asmodean crystal.

Official Music Video, Just Look My Way, 0:11

This seems to contradict clue three. Perhaps there are specifics we have yet to learn or understand.

Why? If simply remembering the spell is enough, they would only need the book once. If Loona can read runes, she could write the spells down when Blitzø stole it, making the entire ordeal unnecessary.

Maybe, just knowing the spell isn’t enough to use it without the book. Maybe, special education or training is needed to prepare the body for it. Or, maybe, being born into royalty is a prerequisite for channeling magic without artifacts.

Maybe, if not conclusions, let's at least make a guess?

So, here’s everything I’ve gathered on the matter.

Without additional information, it seems a bit contradictory, and I admit, I sometimes get the feeling these might be plot holes left because this isn’t the focus of the story. This would be surprising though, as the show is usually very detailed and well-built in terms of worldbuilding.

I’m going to try to fill in these gaps with my speculations, just for fun. Please don’t consider this as making any claims; it’s more about me engaging in some mental gymnastics because I’m a lore geek and love figuring out how the fictional world works in media.

So, my take on whether the knowledge is gatekept or not: in short, it is.

If not so short:

I speculate (like highly speculate, because I have no proof), that any hellbeing could theoretically learn and use magic. It might require certain genetic preconditions, natural talent, and extensive training, but success is possible to varying degrees;

Artifacts assist in channeling magic for those who are untrained—like the grimoire helps the I.M.P. crew open portals;

Magic knowledge is encoded in runes to complicate the learning process for those not taught in it;

This knowledge is kept secret and shared only within royal circles, with different branches having their own secret techniques and specialties;

There are also laws prohibiting the sharing of this knowledge with lower-class demons.

Why? It’s simple—power wouldn’t be power if it could be used by just anyone. Withholding resources and granting access to it only to the wealthy is a characteristic of non-democratic regimes, and, mind you, Hell is an absolute monarchy at best.

But what do you think? Share your opinion via poll, reblogs, and comments!

Instead of my usual funny giggles at the end, I’ll reiterate from my reblog yesterday:

FREE AND ACCESSIBLE EDUCATION FOR ALL

Because only by sharing knowledge and making it public can the community truly prosper.

[miss0atae]

The anti-hero romance in Meet You at the Blossom (ep 5 & 6):

The romance finally started to kick in, in Meet You at the Blossom. At first, it was mostly Xiao Bao who was trying to court Huai En. It was love at first sight for the young man. Of course, it didn't start under favorable auspices because Xiao Bao was convinced Huai En was a woman. After learning the truth, he kept flirting with Huai En (because he is my precious little bisexual fool). They both shared the same bed several times and Huai En seems to have accepted Xiao Bao's feelings to be true. It wasn't easy for him, as the only love he witnessed was the doomed romance of his parents which wasn't exactly the healthiest comparison he could have. Since the death of his mother, his father has became obsessed with revenge. The way he is talking about her has only gave Huai En the impression that love is a dangerous poison. I've seen many people jokes about how Huai En dick's game is really powerful because Xiao Bao seems to always have trouble waking up the next day(s). However, I believe Xiao Bao's power is also really impressive because he found the way of charming someone who was unwilling to fall in love with anyone (for good reasons). Huai En is a very possessive lover and his obsession for Xiao Bao could be comparable with his father's romance with his mother. Could we say the apple does not fall far from the tree?!

After watching all the episode from 1 to 6, I would say that Huai En could be considered an anti-hero. The figure of the anti-hero is quite compelling as it challenges the traditional view of heroism and love. This type of character has moral ambiguities and when you find them in romance genre you can witness a more nuanced vision of love. Love isn't only a path to happiness when an anti-hero is involved, but it can be a journey of the darker aspects of love and human nature. It can also offer a possibility of redemption or transformation for the anti-hero as he tries to navigate the twists and turns of his love. Huai En was raised to be the armed wing of his father's revenge for the sake of his mother. He has known nothing else until he met Xiao Bao. Huai En is perceived by others as “cold as ice” and someone who “fights desperately and like a desperado he wants his opponents dead” (ep 5). He is also not talking much and doesn't smile that much. Huai En has no time to lose and only one mission to accomplish. He was beaten and treated poorly by his father making him feel like he can't escape his grasp. He can be perceived cruel and scheming. However, Huai En isn't only this person. He also has a softer side that he usually only shows to Xiao Bao.

In an anti-hero romance, the love interest serves as a counterbalance of the anti-hero’s actions. The good nature and affability of Xiao Bao has an effect on Huai En. Even if Huai En can remains sarcastic when he is with his lover, we can also see him smile more and be affectionate. It’s why I think we can say Huai En is an anti-hero: he is a man whose actions could be considered bad, but who ultimately possesses a core of goodness to redeem himself through words and actions. Even if this core is mostly for Xiao Bao. Usually the love interest in this type of romance represents a symbol of change for the anti-hero. It doesn’t mean they will make them “good” or “hero” but they will induces new change in their life. Xiao Bao’s love for him made Huai En changed his plans. Even if his father ordered the death of Xiao Bao’s family, Huai En decided to act to avoid this fate for his lover. His uncle’s henchman even confirmed that Huai En has done many bad deeds for his father and never disobeyed him before. Huai En’s enemies decide to use Xiao Bao as a bait to defeat him because they noticed how their relationship has affected his actions. The hero and anti-hero navigates in a world that isn’t just black and white and their love story with goes from conflict, growth, and love.

I also want to add some nuances. It may seem like I'm saying Huai En will become this good person through the power of healing love, but that's not exactly this. I can't deny that Huai En is also using some coercive control on Xiao Bao.

Before saying anything else, I want to say, I don't know anything about psychology and I may make mistakes in this post when using some terms. So take all of this with a grain of salt.

Huai En didn't hesitate to use a little bit of guilt trip, especially after the incident at the brothel. Let's not forget about the emotional blackmail to obtain the forgiveness of Xiao Bao if he ever does something bad too. He knows full well that he is going to need it later because Xiao Bao doesn't know every information. I would also say that the very tight hug could be considered a form of love bombing. The intimate embrace is also a way of showing what he wants to obtain from Xiao Bao. I'm not denying that Huai En has feelings for Xiao Bao, but they are tinged with a dose of unhealthy possessiveness.

I’m sure Huai En and Xiao Bao will be able to navigate their romance after a long series of ups and downs. I consider them endgame and I will have fun watching them trying to find their happy ending. It’s always interesting to get a love story with a real anti-hero almost villain who gets to be with the hero. It’s also fun to watch moral ambiguity in characters as it is reflective of the nature of most humans.

[thesoftboiledegg]

Nothing could have prepared me for the plot of "Wet Kuat Amortican Summer." The title reveal made it look like a mindblowers episode. The cold open looked like the setup for standard Summer and Morty shenanigans. Turns out, we were in for a "Taken"/"Total Recall" mashup parody--and since I've never seen "Total Recall," I had to pause the episode to learn what a Kuato is.

I guess this "Unmortricken" scene wasn't just a gag; it was foreshadowing.

It never fails: when Beth, Space Beth or Summer enter the room, the word "no" leaves Rick's vocabulary. He might sigh, roll his eyes, demand favors or pretend that he has better things to do, but outright refuse? Whether Summer's demanding gadgets or Beth's probing him with tongs, Rick always gives in.

He bickers with Summer, but he also approves her choice of gadget, trusts her with important tasks and eggs her on when she teases Morty. He trusts her instincts in the fight between Morty and the Kuato on the boat and believes her when she relays Morty's thoughts.

Like grandfather, like granddaughter: Rick beats up a bunch of guys for information only to run into Summer doing the same thing on Morty's behalf. He never has to worry about her.

They have a blast working together, too. Rick banters with her, shows off his tools, announces that he wants to kick down a door (bad idea) and flat-out says "I treat you like an equal because I respect you." We knew that, but it's rewarding to see Rick say it outright. He's starting to realize that it's OK to tell people that he cares.

Likewise, Rick's trauma is changing. He's showing "normal" signs of depression, i.e. drinking until he falls asleep on the couch. That's still unhealthy, but since past meltdowns involves murderous sci-fi rampages, maybe he's remembering what it's like to feel human.

I was a little disappointed that the story sidelined Morty again. Still, he took charge when he had the chance, even as a weird mutant larva. The series tends to forget that Morty and Summer are teenagers, so I've enjoyed revisiting their high school and seeing characters that had disappeared a few seasons ago.

Summer's a delight to watch because she's unstoppable. She jumps into wacky situations and rolls with whatever life throws at her. Rick doesn't just respect her--I think that he wants to be like her.

She's tough, curious and resourceful, always up for an adventure and trying new technological enhancements. But unlike Rick, she doesn't let self-pity consume her. Sometimes, she cries, breaks down and throws a fit, but she always gets up and moves on.

I mean, could you imagine Summer drinking until she falls asleep on the couch for years, not just for a couple of days after a break-up? Or ranting that she hates herself? Summer's not a victim. She's a survivor.

Rick could learn from that. In fact, maybe he should sit her down and ask her how she does it. Summer never misses a chance to flaunt her traits--and she doesn't even need that attribute slider. Anyone who can't see what makes Summer great is missing out!

[iconsumedmygoldfish]

I. AM. WRECKED.

DRDT CCHAPTER 2 EXECUTION SPOILERS AND MORE

just watched drdt chapter 2 episode 16. you know what that means!! time for a rant!!

LEVI TAKING BULLETS FOR TERUKO??? I WAS SO SURE IT WAS GONNA BE ACE THAT DID IT AND HE CAME OUT OF NOWHERE

HE'S MY FAVOURITE I AM ACTUALLY SO WRECKED

also may make a seperate post about this but whit is WAY too chill. this is the first time we've seen him lose his cool briefly, and it's when they're locked in. i think he could have some form of claustrophobia.

ace's execution was so fucking cruel. in the end, he got himself killed because he was so scared. it was anticlimactic, it was immediately overshadowed by someone else, nobody really mourned him at ALL. ace didn't get a buildup, and he died knowing that the one person he considered a friend could die the longer he lived on. that is FOULLLLL.

also. ace said that he'd have a third murder on his hands. arei, levi and.... who?

veronika was so annoying this chapter. im sorry but she actually got on my nerves so much. girl. shut up im trying to watch my doomed yaoi

i still don't trust eden

hu jing kinda average, j kinda average, nico kinda average

david not much screentime, but he seemed shocked when monotv was actually unconscious at first. maybe he genuinely believed that couldn't happen? does he have a reason to think so?

im not sure whats up with arturo, smth to do with his sister, not being able to save someone? i actually missed most of the arturo lore and i dont care enough about him to look back

sucks to be charles right now, but i was more confused as to how whit was more concerned about CHARLES than the classmate(s) in front of them literally about to DIE. i know the fandom loves whit but he is giving me so many red flags i have to say it. ill make a post on him soon. i DO NOT TRUST WHIT YOUNG.

eden kinda mid rn but i just don't like her so im biased..

it was very interesting to see teruko's self-blame this chapter and her beliefs coming out more to the viewer. her talk with monotv was so interesting. so monotv really is just a robot - but why was it so sinister in that one scene very early on in drdt? yk red face smile face. we haven't seen that come up again, and monotv hasn't shown many more examples of sinister behaviour. i wonder if that was an example of monotv being controlled maybe??

im wondering if ace helped to kill mai? she could be the third death? i saw someone say that the game could be punishment for them all for what they did to/their connection to mai, and i think that's an amazing idea

also another part on levi. he's trying his best to understand ace, so much, and yet he just can't. i was very intrigued to see how frustrated he was (ha. divorce arc.) but also the fact that he put teruko's life before his own despite having more difficulty than the others is just. wow. like, anyone else in that room had the opportunity to save her, in the same way, but it was LEVI that stepped forward. and for teruko of all people.

i may have to make seperate posts i just wanted to get this out quickly while the episode is still fresh!!! ^^ sorry if missed anything!!!

[breathing-the-same-air]

Hey, lovely souls. Just here to spread a kind word for anyone who's feeling (understandably) down today🩷

So OFMD has been officially cancelled. Is this the end? Of course not. It will never be.

I mean, even if we'd got S3 there would have been an end to it too. Is it unfair that our awesome cast & producers didn't get to finish what they started in the way they envisioned it? Of course. Is the tv industry absolute shit? Hell yes! So many good shows are cancelled every day, and so many more never even get to exist. We got OFMD for two seasons, a blessing none of us ever expected, that changed our lives in so many ways, that saved so many lives. And if you think about the ending, even though the last episode was rushed and budget was cut and all, we still got such a wonderful, poetic ending, Ed and Stede are together in their inn, love in their eyes, they're safe, they're happy, honestly I couldn't have asked for anything better.

The thing is, things in life are limited (apparently), but the underlying truth to that is that things that truly matter are infinite.

How so? I'll tell you a scientific truth: time does not exist, at least not as we understand it. Because time is just like space, ever-present, every moment in time is actually forever alive. Nothing can ever truly die.

Which leads to another truth: we are infinite, just like the Universe, for we are Universe too. We are stardust and love, and Love is infinite.

We are all one, you and I and everyone out there, we're one same thing. There is no end to something that was created with love. And damn, I've never seen such an outrageous, wonderful outburst of love in my whole life! There is true magic in what we created together, fans, cast, crew, producers... we healed one another, we came together because one day someone just as crazy as us envisioned this absolutely mad world of kindness and inclusion and diversity and sheer joy and against all odds the moment we saw it we jumped on the ship without thinking twice. We made it possible for this show to get a second season, and more than anything, we built this wonderful world around it.

Stories are so much more than imagination, they're not just actors playing a role, there is a point where it stops being just a story and becomes a world on its own, and that world translates into our world, and when that magic happens, when that bridge is created, something so much bigger emerges that forever merges both worlds. It's magic and it's a blessing and I can't but be thankful for it.

My loves, I know you're sad right now. I know we all are struggling for one reason or another, we're all fighting our own battles, be it about physical or mental health, work, study, family, discrimination, or anything else. And OFMD has fought by our side and helped us win so many of those battles already. So when you're in middle of the darkness and can't imagine there could ever be light outside, remember this: we are all with you, right here, right now. Wherever you are, we are with you, and OFMD is with you. Because the things we love do never truly leave us.

We keep saying that OFMD changed us, right? That means that it's become a part of us.

OFMD is and will forever be a part of who you are—and in you, it will live on forever. Be grateful, be immensely grateful, for gratefulness is the vibration that heals the fabric of the Universe and makes miracle happens. Crew, we got something we could never have imagined to begin with!! We are so, so lucky to have had this blessing.

Take the time you need to heal, cry, let out all your pain. But then please be brave and choose kindness, just like OFMD has taught us to. Choose to raise your vibration to that of love and gentleness and dare to believe that life has wonderful things waiting for you. There is hope, there is light, there is magic in your future, a whole life just waiting for you to have the courage to take the next step.

What do you think the crew of the Revenge would have done if they had been told their ship was going to forever stop sailing? They would have thrown another Calypso's birthday party just to celebrate the chance they had to spend so much time there together, and they would have looked forward, found new reasons to be happy, and a new life. Open an inn, for instance!

They would not want us to cry, they would like us to smile and be happy because of the journey we've shared. Or at least, smile through our tears!

You are loved, you are important, your very existence is an absolute blessing to this world. Please never stop being your awesome, beautiful, magical self, because the world needs you exactly as you are- that is why you are here!

Cheer up Crew - we have been so immensely blessed. Can only be thankful 🙏💜🏴‍☠️🖤

[r4inyclouds]

You can take Steve Rogers out of the fight, but you can't take the fight out of Steve Rogers.

I heavily recommend putting ya glasses on for this ride of a rant. A... practically an essay on how Steve was out of character in Endgame:

Look, I still wholeheartedly believe that Sam deserves the title of Captain America, but even before that Steve dropped that shield, that title in the Civil War movie, for Bucky, in respect for Tony. Captain America wasn't even his label for years after that. Surprising how many didn't realise Steve in the endgame movie was Nomad, not Captain America.

But, he still fought, didn't he?

So people who say "Steve will always be THE Captain America!!" can go cry about it for all I care. Sam is the hero that he deserves to be. Yet, I suppose we're all entitled to our own opinions.

I don't even think the producers at the time even read the comics they were basing their large franchise on. That Steve in Infinity War wasn't Steve.

He was born a stubborn fighter, he was meant to end as that stubborn fighter we knew from 'The First Avenger'. It's in his nature how he was meant to be articulated as a person. It's in the comics, that hell- I haven't even exactly read most nor possess many of them! It's a joke, a jest; it's funny but not funny 'haha hilarious', but funny, odd, peculiar and perplexing. But from what I've seen from the fans on this side of the debate who have read the comics thoroughly, they all explicitly state that Steve would never do this or abandon anyone. I could, respectively, not care that the MCU was never, and never will be, canon to the comics, but they couldn't even keep one thing, an aspect that's similar or alike in any particular way to the comics, and that's the whole nature and personality of one of their most main focused characters, diverging from the whole point, centre, heart of Steve.

Steve never needed a label that told him he was a hero even when he was some twink before the serum, his whole arch, his whole goal was to become someone who helped, it wasn't from the start to settle down with a woman he was at a high school situation ship with, maybe, just maybe it could've worked if they attempted to even build and develop their relationship for it to make that little sense. Steven Grant Rogers admitted to being that stubborn little thing, and in a sense, he was like that, someone who determined to not be a coward and went against his non-spoken word.

And no, this has nothing to do with the fact I'm a HUGE Stucky shipper, I exclusively tried to avoid talking about Bucky in this half of the rant for a reason. I love Peggy, she's in my top 5, and I love domestic Steggy. It's just it was never right for Steve.

Steve will never, ever be able to run away from what he is. He is THE fight, with or without a useless hero label.

Now since I'm a bucky glazer, and he's my favourite character (I'm putting him in a jar once I get my first-ever Funko pop) I will go on to talk about Steve and Bucky, now, I'd understand if someone would not want to read this part because I'm 'just a wild Stucky shipper!' Who's own priority is trying to keep the ship afloat (I'm also occasionally a Sam x Steve x Bucky shipper but that's besides the point) But in this segment, I will be talking about them in an otherwise platonic sense; it doesn't even need to be romantic for me to say this. And, honestly, if the character of Bucky never existed in this universe, I would've still had this rant on my Tumblr about why Steve leaving is just... odd.

Okay, Steve spent THREE, THREE, I REPEAT THREE, HIS WHOLE DAMN TRILOGY, having at least one huge plot point just purely based on Bucky in each of his movies.

1. He went against whole military orders to get Bucky back, had a whole depression episode thinking he was dead, and then had another depression episode when he died, and then kind of just offed himself after that (Now, am I saying he offed himself for no reason for other than his friend?... yeah, so, there's a deleted scene where Rhodey asks Steve about how he practically died, and why he didn't just jump out into the water before he crashed, I'm tellin' you if you search it up it's there, now, people suspected that the reason it's a deleted scene is that it, well, opens a plot hole, and it just kind of seems like... he killed himself because bucky's dead? Like, ya know, there's no other reason to why he did this. But I might just be reaching there) God. So that point just says a lot about how the producers didn't even think for one second about him going back in time.

2. Nearly got killed by him, but when he figured out it was Bucky he went a berserk kind of insanity and risked his life as he put his trust in a man who was about to knock the shit out of him. Then, like- went for months on end to get Bucky back just because he left him on the side of the beach to not let him drown. Yeah, okay, sir. Also, does everyone just... Like, all silently agree not to talk about how they casually just drop platonic wedding vows to each other in every movie? Like, what do you exactly mean by "I'm with you 'till the end of the line", every time I hear that quote I go "WRITE THIS DOWN, WRITE THIS DOWN!" (not like I'll be getting married though)

3. How am I meant to summarise this with detail without just saying the few words in my mind that would just tell you the whole plot? [Squints eyes, checks notes]... Guess I gotta. 'Bro split Avenger for bro, Avenger no longer, Captain America? No longer for bro, bro picks bro up, bro says wedding vow, bro sad Wakanda.'

Then, now, I apologise sincerely for using this analogy, but he kinda, just, ya know, abruptly left to get the milk. He dropped everything once he got the chance to go back and left poor Bucky wide-eyed like some traumatised puppy with attachment issues they newly developed after shown that much devotion and affection from an owner who'd treat them right, and then was suddenly dropped into a random field of an environment, unfamiliar, they don't recognise it, as they then watch the rustic car they were once rescued from becoming a blur, speeding off into a distance he couldn't possibly ever trace back to. What in the holy fuck was that waste of three movies then.

(DEEP FUCKING BREATHS, RAIN, HOLY SHIT DEEP FUCKING BREATHS)

I hope people can't tell I'm a fanfic writer; this is the shittiest thing I've ever written, I swear my fanfics are more descriptive and crap, but I'm foaming from the mouth right now; I think I permanently disrupted my breathing pattern, well done me.

Sigh, okay, well.

He's a defender for his friends; his bonds double-tied with the strength that could be held within the core of the earth, yet that somehow immediately loosened, cracking the surface, crevice by crevice of that earth with one scene, one moment. His mantle of the goal, his word that he once held dear to his child heart, became not even an earth-shattering break.

Now, here we are.

So, I shall, if you don't mind, end this with my small conclusion of how it's was out of character for Steve to leave.

You can take Steve Rogers out of the fight, but you can't take the fight out of Steve Rogers.

[snowblack-charcoalwhite]

I think that the misandry by the writers , especially Hess, is something that isn't discussed much. It's much deeper and dare I say, more sinister than just 'men bad women good' because the way she wrote the last episode shows that she wants to convey how Alicent's actions are commendable in a sense that her male children don't deserve her devotion and unconditional love anyway, while her only female child and grandchild do. It's framed as her liberation because she sells her own sons to another woman who is their enemy, but you know, it is good because Rhaenicent and reasons. As a woman, I'm appalled by this. What's worse is that I've seen takes here and on x like "Alicent regained her agency by ditching her sons for the woman she loves, her betrayal is understandable, go girl, you have my support" (and this one is tame compared to some others). Believe me, I'm not exaggerating. And I must be from mars because in my book that's not acceptable, understandable or commendable in any way, just the opposite. The problem, however, lies in the fact that the narrative and the writers' agenda support these vile and delusional takes. You don't even have to be a parent to see how evil and nonsensical this idea is, you just have to be able to understand basic human emotions and family dynamic. The writers and a big chunk of the fandom apparently don't.

Hello!

Thank you for this, really. The writers' (Hess' specifically) misandric agenda is absolutely crazy - and IMO crazy evident as well, so seeing so many people fall for it is baffling, sad and infuriating at the same time.

Don't they see that in HotD the women are the ones to blaim for something only when they side with men in one way or another? Don't they understand how forced, unsubtle and - because of that - cringe all the "you are a woman so you can't rule", "they don't respect me because I'm a woman" and "women suffer while men fight" are? House of the Dragon is one of the most force-feeding shows I've ever watched - and for some reason GA and even some people in the fandom believe it's alright. Media literacy is dead for real.

And the parent-children aspect of misandry you brought up is indeed one of the most atrocious things about the whole debacle. I am not a mother myself - but I have one, just as, I think, the majority of the viewers do. I refuse to believe that everyone who cheers for Alicent to abandon her sons has their own familial relationships so screwed that they are unable to understand the outlandishness of the opinion they are choosing to uphold.

Not to mention that in their quest for showing just how terrible Alicent's sons (minus Daeron - at least for now) are, HotD writers completely destroyed Helaena's personality, even the sparks of it she had in season 1. Now she is all about three things: bugs, clairvoyance and suffering (and I can't believe that the first point has been handled the best development-wise). Helaena is supposed to be good and kind: but what good and kind things have we seen her do? Taking care (kind of) of her crickets, offering a necklace in exchange for the life of her son (oh wow) and saying that she shouldn't really grieve for her child that much because the commoners' kids are dying all the time (how relatable for anyone who actually lost a child, right?). For most part she is just there, staring into the distance and saying something prophetic (or, again, suffering).

Just imagine a real mother saying to her son "You know, sonny, I love you, but you forgot to thank me for the pudding I made for your birthday plus you called my bestie an old cow - so I invited your school bullies to our house so that they could beat the shit out of you, you ungrateful jerk. They are in the backyard, go on, don't make your mommy wait".

Just imagine a real woman whose son has just been brutally killed say "You know what, there are so many children starving to death in the world. Why should I cry over mine?"

Honestly, I am beginning to think that people are steadily losing the ability to connect the things happening on screen to actual human emotional experience - as if the characters (in HotD in this case) are aliens to whom basic concepts that have been holding humanity together for millenia do not apply.

[agatharkn3ss]

I'll see you at the end.

I can't believe we are here already. I'm excited and sad in equal measure.

This show has been such a delightful surprise. I went into it without expecting anything in particular - I loved Wandavision and I loved Kathryn Hahn and that was that. I didn't expect to be literally bewitched by the magic I saw on the screen.

Put simply, the power of AAA is that it is clearly a product of love - from Jac Schaeffer, the actors, the writers, the directors, the set and costume designers, the composers (and THE GODDAMN LOPEZES!), the producers... I could go on.

That level of dedication shines despite (or maybe BECAUSE) the low budget, and it has two massive effects: 1) it creates a truly compelling and stunning story; 2) it sends a very loud, clear message that representation not only matters, but is NEEDED.

Of course it's not the first show that does this, but I cannot tell you how refreshing it is to me to watch something in mainstream media that is centred around sapphic women where their sexuality is NOT the plot of a show. It is not something anyone ever needs to ask about or question. They don't pretend to be younger characters either, they are all 38+ and proud of it, as they should. Instead they focus on what actually matters - their rich, complex stories.

But the diversity is also within the creators - of the producers, half of them were women, headed by superb Mary Livanos (a queer woman herself), costume designer Daniel Selon (also queer), all of the directors were women and there is also of course a diversity of ethnicities. I am a big believer of the power of diversity as it allows you to go places you wouldn't normally consider, and really round the story. And I love this quote from Jac Schaeffer who states "My prerequisites for writers who work with me are first, they have to be kind, respectful humans."

And what stories the writers tell! In the limited time they had, they managed to create these seven multidimensional characters that were all different, yet similar in a lot of ways. My only criticism would be that we really could do with longer episodes to actually allow some more meaningful conversations and connections. All beautifully complemented by the visuals - the practical sets as well as the costumes. I love how the costume designer took his time to consult with the actors for their interpretations, before even starting to create every single design.

And on top of the great character stories and visual , we then have an engaging plot with mysteries to solve on the way. I cannot emphasise enough how fantastic it felt to follow the breadcrumbs. To spot all those little details that would foreshadow what's to come. The different ways they appeared - through dialogue, visual clues, music themes, lore symbolism and so so many art and literature references. The knowledge and confidence that they were left there on purpose too, because the creators took the show seriously - it literally felt like finding little personal messages!

This is why I've decided I need to pick them up and then try to piece them all together - just to see if I could make my sense of it, since the creators clearly put so much love and effort. No other show has ever made me do it to this extent. And it's been so much fun! I loved I wasn't alone with this and that I could discuss and read others' theories too. It's like we've formed this awesome coven.

So in my post-AAA blues, I don't think I will have it in me to just take my "murder board" down. I feel there is still so much to explore so I will probably keep looking for any more cool details to cheer me up.

I've not been actually particularly precious about whether or not my theories could be right or wrong. If some of them are - great, bonus! If not, also great, I am looking forward to being surprised!

Although we haven't seen the ending yet, I have ultimate trust in Jac. After all, she once said:

"I believe so strongly in sticking the landing and it's always up to the audience whether or not you truly stick the landing. But I believe that you have to put all your energy toward that. It's your job to try the best you absolutely can to stick the landing. You have to plot your mysteries, figure out what they are. It’s like a good murder mystery. The feeling that you want at the end of a murder mystery is you want to be surprised, but not. It still needs to feel within the realm of possibility, right? It needs to make sense and still surprise you." 

So I trust we will have a solid ending, wherever it lands. And afterwards - I will always remember the time when a show has made me feel this way. Thank you!