#because i do. with a passion.

[andr3s01]

Fun fact: i had this drawing done WEEKS ago, decided it looked terrible, practically redid the whole thing in the span of the 4 hours, and i STILL feel like theres something off about it. Im not redoing this again though, i fear i might genuinely go insane if i spend anymore time on it

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[bethanydelleman]

People who want female characters to cry less? No. Stop it. You're doing it the wrong way. Make male characters cry. Make those beautiful men sob on their knees. Down with all this stupid emotional constipation! Here, I can fix it:

Colonel Brandon after he tells Elinor about his lost love Eliza? Stumbles out of the room, finds somewhere private, and bawls. Edward after leaving Barton Cottage thinking he'll never be able to marry Elinor? Make him weep! Mr. Knightley was glad it was raining when he rode back to Hartfield after learning about Frank's engagement because it gave his tears plausible deniability! Wentworth thinks Anne will marry her cousin? Sobbing mess of a man. Bingley can cry during the proposal when he thinks about all the time he lost not being with Jane. Edmund cries alone in his room after Mary calls clergymen "nothing". Henry Tilney cries without realizing it when Catherine accepts his proposal because he's so glad that no one is angry with him and confronting his father was way more emotionally taxing than he let himself acknowledge at the time. Henry Crawford feeling wretched and alone after the affair and sobbing into his hands. Show us post wedding and make Darcy cry after the birth of his first child.

Make them cry! MAKE THEM ALL CRY

[unityrain24]

please. i want to draw. i want to write. i want to imagine

[pangur-and-grim]

HMMmmmm I'm considering doing a certificate program at my local university.

my formal education is all in illustration and evolutionary biology, whereas my writing knowledge has been mostly self-taught from reading books and thinking "hey, wouldn't it be funny if I made one of those!"

I don't think 'having a certificate' would help me in any way re: waving my education around for clout points, but it might make me understand books better. and also it'd be nice to be back in a class environment, where I might be able to make writing friends.

the cats have definitely skewed my idea of what's affordable though, because I'm looking at this like "hey, that's less than a Pangur hospitalization bill ����"

[hinamie]

quick lmhs itafushi because god help me i have Not been able to get the concept of yuuji smiling/laughing into kisses out of my head

jjk atla!au with @philosophiums

[bubbarnes]

“... I couldn't find another actor to do "Variety's Actors on Actors" with me because they were too afraid to go and talk about this movie. and it doesn't matter, that's okay, that's not to point a finger at anybody. I've gotten to do a lot of great things.”

[meirimerens]

pathologic fest day 19

"In the Darkness"

where nobody dwells but the earth herself

[geneticdriftwood]

persephone's in hell; a rooftop conversation

for @mysterycitrus

persephone's in hell, @mysterycitrus // white winter hymnal, fleet foxes // assorted dc comics

[2isted-chocol8-art]

"When I’m done exploring, I want to make some more quantum art. Maybe some kind of creature sculpture that just, like, shows up and scares the daylights out of you.”

I always found that Gabbro dialogue hilarious so I made a comic about it 💃💃💃

-> More Outer Wilds Art!

[beepmeowiskarkat]

People should acknowledge the fact that alcoholism has become a part of Logan’s character in like a genuine way, like yes it’s used jokey in the show but GODDDD it just makes it so clear what direction his character is going in. He is falling apart, he is becoming more and more dependent on destructive coping mechanisms, he’s pushing the light sides away more often and being more friendly with the dark sides and especially Janus, who has showcased a lot of similar traits which Logan seems to be developing, he’s a HYPOCRITE, he’s an ASSHOLE, he’s got issues opon issues!! He is a spiteful alcoholic and the nickname “nerdy wolverine” is becoming a whole lot more literal these days!! And I FUCKING LOVE IT!! DESTROY HIM, MAKE HIM HURT AND HEAL AND DO IT OVER AND OVER AGAIN, ABANDONMENT IS NOT HIS ONLY ISSUE!! MAKE HIM HATE HIMSELF!!! WRITE HIM LIKE THE MESS HE IS YOU COWARDS

[wszczebrzyszynie]

wanted to redraw them for one of these "ship dynamic" memes and ended up bullying them a little

[sandsorghum]

Clouds & Curtains

husband!Nanami x wife!reader

wc. 1.3k

summary. Perhaps Nanami's approach to...rousing you in the mornings has changed over the years.

tags. Established relationship, Domestic bliss | Romance | Smut | Body (& Soul)Worship | Mentions of Nanami wanting to be a father

a/n: Super soft, super indulgent piece. Have your cake and eat it nanami girlies. Sometimes i just need to write him a love letter ok

Prologue

Back when you'd just begun to be intimate with each other, Nanami tended to be a little embarrassed about his subconscious (but hardly subtle) desires for you. He would rather suffer his internal, infernal dilemma than disrupt your rest. But he couldn't quite control his urges, squirming between decency and depravity, not when you'd rub up against him, so innocuous and merciless.

It was a hard habit to shake; how Nanami felt he ought to earn your every quiver against him, every whimper, however much he yearned to feel you tremble at his moans at any given moment. It was codified in him, there was a time and a place and patterns to follow, before he could permit himself the pursuit of your shared pleasures.

Of course, you'd unveil him in the evenings, the privilege of your touch stripping bare the prerogatives of his flesh. You unraveled him, his reticence, his reasoning, his very capacity for speech, by braiding your breath and fingers with his, in the friction-begetting-friction tangle of your lips and limbs together.

Yet he still thinks of these mornings, that find the two of you entwined, as an undeserved luxury. So Nanami would do his best instead to focus on your face, how sweet your peaceful expression was. It would be wicked of him not to cherish this, he'd chastise himself for wanting more, for wanting to drown in your adoring gaze, for wanting to return it with his own hungry one, body and spirit beggared by the night, by the hours not spent beheld by you.

Nanami assumed the beauty and tenderness of your countenance would quell, or could sate his appetites, would tame the primal stirrings in his belly. But nothing could be further from the truth, in fact they had the opposite, compounding effect; a lump in his throat would rise, and his desperation would thicken till he could only helplessly rut his hips against you.

And then your eyelids would flutter open, and in the crease of your knowing smile, all his definitions, his distinctions, all that distance between need and greed would collapse with a single kiss.

Years later, and your husband is so absolutely shameless about his...early head starts to the day. He pulls you into him, snug against the cleft of your ass cheeks, content to let your scent and radiance seep through the thin fabric and warm him in a way the sun, in its reluctance behind the clouds and curtains, can never hope to.

He stares at the petulance drooping off the petals of your lips, rose bud coiled tight before daybreak can coax it to unfurl for strobes of gold. Nanami is a patient man, too patient you've often thought, yet you feel his phantom touch, a tender sweep of your mouth, a zephyr whispering in the wings, billowing brocade and swelling muslin, ghost pulling you through the gauze of sleep.

You shift against Nanami to hear him sigh your name, soft and distant, thick with slumber and affection and it's this which rouses you more, not merely his growing rigidity pressed to the curves of you. Although, it helps, feeling every inch of his hunger like this, in a slow swirl and pinch at your waist, the gentlest rocking as your breasts are cradled in his palms, familiar persuasion pebbling your areola. You know he dreams of them swollen with milk, that all your memories of his teeth are girded by the desire for them to be suckled by the most innocent of mouths, baring only gums and tiny wails. Your nubs stiffen and a small smile stretches across your face at the thought that with his wish to grow a family fulfilled, he might find also a small regret, of his monopoly of your mounds contested by another, to whom he owes the genesis of your body's generosity, that sweet fullness dribbling, stolen, into your husband's mouth, enticing in its envy.

This prospect of hypocrisy is to be savoured for another day, far down the road. This morning brings neither hesitation nor urgency, all syrupy light and his maple gaze, the languor of his limbs splayed around you to be treasured just as much as the gradual grind of his cock. There's a certain smugness in its slowness, as with the self-assuredness of his thumb circling a bare sliver of your skin.

A familiar motion that stirs a memory, fuchsia-tinted for the both of you. You remember your then boyfriend stammering and scarlet-tipped, matched to the rosy tips of his ears, excuses lost in the shuffle of sheets and stutter of hips.

"I-it's just-just the t-temp-ah-temperatuur," he'd slurred, the excuse as thin and transparent as the sticky film he laved across your throat, dangerously growing gossamer and feebler with every twitch and each strong buck against your body.

"Mmhmm," you'd hum, carnal ache turning you conciliatory. Such complacency. You had been the one to smirk back then, canines gleaming coy, as you offered ruin in the guise of reprieve.

"Want me to warm you up, darling?" Hands already reaching for him, mind already marveling before your fingers could be reacquainted with their hubris, his girth.

"P-please, anythin-nghing" he'd panted, all wide-eyed desperation to be devoured, sweet thing.

You'd been such a fool.

To not know not greed was a two-way street, this ravenous osmosis, this vicious ouroborous.

You think perhaps, in fact, you got the worse end of the deal, trembling against your spouse now, thighs clamped together.

"My dear," Nanami hums, a teasing timbre dripping honey as he sinks his fingers in, "always so ready for me."

You squirm, eyes screwed shut and fisting the sheets, trying to grasp the pale image of the boy who'd once writhed and blushed beneath you, a spectre all but vanquished. You miss him, sometimes.

You arch your back into Nanami, the way you know he's addicted to, just to hear him groan your name, ragged with the dregs of self-restraint or slumber, you're not sure which, but it's a close enough echo to send pleasure juddering through you, the recollection churning hot in your gut, of when he was wrapped around your finger, instead of your cunt around his.

"Sweetheart."

The tenderness of his tone pries your lids open. He doesn't have to ask, doesn't have to say anything but he does, because he knows you are too stubborn to ask for what you need to hear.

"My love."

He claims your gasp, in the crush and curl of his mouth, in the crook of his fingers.

"My girl."

Another smattering of kisses, chasing the flutters of your belly down, down, down to your creases weeping nectar. He licks a whine from you, pitching high into the air, his husky moan vibrating within you.

"My wife."

You feel the hot gust of Nanami's breath over your clit, as he pauses.

"My wife."

There's a reverence as he repeats himself, pathetic attempts to vanquish his disbelief, wonder glistening in his gold-flecked irises, staring at you in awe, searching for proof this isn't some frenzied fever dream of his.Of course, he finds it in your own unwavering eyes.

You've been such a fool.

There, in the locked gaze your shared history glimmers, that shy boy paralyzed by his worship of you, prostrate as the man before your parted legs now, offering his soul, his past, his future.

You reach for him, and he surges upwards. The collision is wave returning and rising from oceans, over and over, is starburst, is incandescence, is the fission of atoms never, ever meant to be split.

It burns away all notions of him as your acolyte or priest, any concept of deity and devotee.

"My life," he breathes into you, and you feel the throb in your ribs, the furnace of his lungs.

"My life," you repeat to your husband.

Adam. Prometheus. Kento.

This morning and many after, he lavishes you with irreverence, a ravishing of irrelevance; his goddess, his woman, his joy -all that matters is that you are his and he is yours; Together, you forge a paradise that exists for as long as the melding of your souls persist, boundless as horizons and sure as sunrises.

@houseofsolisoccasum

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[deoidesign]

Wearing your boyfriend's jacket

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by