#because i can think of many instances where he is both of those things
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i listened to a podcast that recapped and reviewed s4 and one of their chief complaints when it was said and done was that they felt lamb was a bit too soft now in comparison to prior seasons but more so in comparison to his book version. which i've no problem with—art is subjective and all opinions are valid. and i agree with them to an extent. i do think lamb was a bit softer, a bit gentler in s4. but i don't personally see it as a problem?
i think in a series of books, particularly in sort of spycraft/thriller/pulp crime novels that it makes sense for the lead to maintain a certain shape to the readers? for instance, as a kid i was really into raymond chandler's works and his crafted idol philip marlowe was virtually the same from start to finish. no matter what he came up against, it never fundamentally changed him or how he approached a case.
i understand how characters like that can be satisfying for book readers. whereas, imo, i don't think a character developed for television can every series be exactly the same and it be as equally satisfying. if that makes sense? i think lamb needs to have an arc. i also don't think that means that by the end of the show, he should be jolly father christmas. that will never happen. but i do think it's ok for him to have layers and feel drawn to other characters and have feelings about them. i think its ok if he expresses them.
idk i felt gary oldman did a lot of nuanced work in s4 and lamb imo did feel a bit different but i think it was earned? i think his relationship with standish and river in particular warrants him being slightly altered. and i hope that continues. i love his rough edges and his fear of letting people get close to him. but that only works for me and continues to be interesting if there are cracks where we get to see him trying to connect and work through that.
#slow horses#jackson lamb#also i want to be clear that i disagree with their premise that lamb isn't ever kind or soft in the books#because i can think of many instances where he is both of those things#often times he'll undercut it with a remark or a fart but the intent is there with him and its made clear to us#i think if lamb is only ever cantankerous and rude then that could be very boring and one dimensional and i don't think he's that#i don't think that's how gary oldman ever intends to play him either imo
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that damn web comic is rattling around in my brain ...
#i just felt smacked in the face with a mirror reality something i could see not only myself but so many other people i know/have known in#with a frighteningly sharp precision#some of the people in whn look IDENTICAL to real life friends or exes or people i knew in high school or coworkers#i sent it to my friend and he said 'i feel like this HAPPENED to someone i know'#i keep thinking about that awful feedback loop of mental illness isolation and social media addiction#but its so much more complicated than 'touch grass' like you could shoot all these peoples phones#and theyd just turn to something equally toxic and retraumatizing and self-flagellating#they already show this because they have ed's and self harm and abuse substances and spend money they dont have#the chronic online-ness is a symptom not the disease#the thing that makes me a little sick is how much i relate to milo refusing to delete his tumblr even after everything#i have had instances in my life where posting on tumblr was actively making my life worse or harder or getting in the way of real shit#and i still use it as a crutch in the worst of times#its just funny cuz its this thing that saves you from riskier vices while still obviously perpetuating those things#because its a place that reflects You so heavily#you reblog sad shit cause youre sad and it makes you sadder#you wanna self harm you see people post their cutting pics now you feel like its not so weird or bad#its making me ask questions like 'am i stunted' 'what does it mean to be stunted' and then of course#when is someone 'acting like a victim' and just A Victim and can you do both and what does that mean#man....
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I think I stumbled upon some kind of ichthyological forbidden knowledge. Opened up a book of names that were never meant to be read.
You've probably heard of "can-opener smoothdream", right? It's practically a meme by now.
But the thing is, it's a deep-sea fish. And deep-sea fish have historically not had English names because nobody drops them into the conversation over a hot cuppa. Sure, there's generic stuff like hatchetfish and barreleye, but when you want to refer to the actual fish you're probably saying such euphonious phrases as Diretmus argenteus, Sternoptyx diaphana, or maybe even Opisthoproctus soleatus.
So whence "can-opener smoothdream"? Certainly no non-ichthyologist has ever used that name. It's not even a direct translation of the scientific name Chaenophryne longiceps - that would be "long-headed gape-toad". Which to me is even cooler than "can-opener smoothdream".
But I digress. The "dream" bit comes from the anglerfish family Oneirodidae, from oneiros, "dream", because those marvelous fishes look like they came out of a dream (Pietsch, 2009).
Note that Pietsch (2009), more or less the anglerfish bible, uses English names at the genus level only. So Chaenophryne is the smoothhead dreamers genus but no mention is made of "can-opener smoothdreams". So no luck there.
Wikipedia, root cause of a lot of misinformation, has this to say.
"Longhead dreamer" is a far more accurate name. And in fact, despite Wikipedia prioritizing "can-opener smoothdream" (because it's funny?), the links listed use "longhead dreamer" and "smoothhead dreamer" as the name and "can-opener smoothdream" as an alternative.
So. Again. Where did "can-opener smoothdream" come from?
The answer, as it turns out, lies with McAllister (1990).
In the book A List of the Fishes of Canada, ichthyologist D. E. McAllister sought out to list every single fish known to Canadian waters, providing both an English and a French name.
And when there wasn't an English name, like for most deep-sea fishes, he arbitrarily gave them a name. And his names "differ in many instances from the widely accepted names" (Holm, 1998)
This had varying results. This is his name for one of the netdevil anglerfishes.
The humpback anglerfish or blackdevil anglerfish becomes a werewolf (????).
This one is just confusing.
The white-spotted lanternfish or Rafinesque's lanternfish instead becomes...
And most embarrassingly, the Mediterranean spiderfish gets saddled with something that "violates the tenet of good taste" (Holm, 1998).
This then is the original source of "can-opener smoothdream". It was invented by an ichthyologist in 1990, and has seen little to no use outside of how bizarre the name is.
Maybe McAllister's goofier names will catch on. Who knows? They certainly aren't very popular in the scientific community though.
References
Holm, E. (1998) Encyclopedia of Canadian Fishes (review). The Canadian Field-Naturalist, 112, p. 174-175.
McAllister, D. E. (1990) A List of the Fishes of Canada. National Museum of Natural Sciences, Ottawa.
Pietsch, T. W. (2009) Oceanic Anglerfishes: Extraordinary Diversity in the Deep Sea. University of California Press, Berkeley.
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You posted about adhd and I was hoping to follow up to clarify something. I’ve explained to my partner a million times about how the borderline-hoarding mess of his space is very mentally draining to me, and he understands but we’ve both essentially accepted he won’t clean his mess because he can’t because of his adhd. You’re saying he’s actually being a shit head?
This isn't necessarily an issue of him being a shithead, but it also isn't a sustainable situation. It's not good for you and there's a level of clutter that's probably not good for him either.
Large bastard is a lot more clutter-y than I am. The solution we've come to is trying to keep our messes at least isolated from one another; he can have his messes and I can have mine, but he can have those messes in his spaces, not all over the place. Sometimes those messes migrate, and that's when it's important for him to make the effort to rein them in rather than trying and failing to make a daily effort to keep our entire shared space tidy.
I think when you say "we've both essentially accepted he won't clean his mess" what I'm hearing is resignation; you're not happy about this but you don't know what to do so you've thrown up your hands and he feels helpless and unsure of what to do to improve the situation. This is the kind of "it's fine" that isn't really fine.
I think it would be worthwhile for you to each separately think about the mess and talk about it together. Are there areas that YOU *need* to have not-messy? Both for utility and your mental health? Are there areas where you can tolerate more mess than otherwise? Are there areas that are going to be harder for him to keep the mess out of than others? Are there things he doesn't *know* about cleaning up the mess?
I'm obviously a big "communication communication communication" person so I'm going to recommend a lot of talking about stuff, which is probably going to mean a lot of thinking about and interrogating stuff. I'm going to say "talk to him about why the mess bothers you" which means you also have to really articulate to yourself why the mess bothers you (for instance I'm not actually *bothered* by a messy kitchen, but I know it's going to reflect badly on us - and me specifically b/c of presumed gender roles - if someone pops by and the kitchen is a disaster, AND a messy kitchen is going to be harder to use). Genuinely, sometimes knowing *why* something is a problem might make it easier for someone with ADHD to do something. And it's not that he doesn't care that it upsets you, it's just that "Oh if I don't wash my breakfast dishes Anon won't have clear counterspace to make lunch" might be stickier in his brain (and less hard to look at emotionally) than "this thing I forget to do upsets my partner so I should do it."
For the record, I think that people with ADHD should read up on Demand Avoidance and see if it might explain some of the issues that they have in their day-to-day life; I've seen some really unfortunate situations with friends where trying to do things that their partner needed became the subject of demand avoidance. *I* have experienced negative outcomes of demand avoidance. The solution to that, however, isn't to stop making attempts to do the thing OR to simply try harder to do as they're asked/told (which reinforces the demand), it's to work on setting up a situation where the partners' needs are not interpreted as a demand. This is fuck-off difficult and requires a lot of patience and care and many attempts to succeed and will be different for each person and relationship.
(Also for the record demand avoidance isn't *super* strongly linked to ADHD and it's not a definitive symptom; like Rejection Sensitive Dysphoria, it is something that occurs in some number of people with ADHD and can be a useful lens through which to examine various behaviors; you don't need to have DA or RSD to have ADHD, and having DA or RSD also doesn't invalidate your diagnosis; they're symptoms. For me, DA often feels like "if I don't look at it, it can't get me" - If I ignore all the messages I've got they aren't real and don't have real consequences so I'll just ignore my texts. If I don't look at the vendor email about the order, the problem with the order isn't real and it won't get added to my task list. If I don't look at the requests in my inbox I can't let people down when I don't do them. It's a self-protective coping mechanism but it's *maladaptive* and I can't just ignore the vendor email or all my texts. I need to work on a way of doing the stuff that I'm avoiding in a way that makes it less stressful and doesn't hurt the people relying on me. That takes a lot of effort, personal insight, trial and error, and )
But before I dive into specifics I want to be really really clear about one thing: sometimes people are simply incompatible. Sometimes one person has such a low tolerance for "mess" and the other person has such a high threshold for "mess" that it can't be reconciled. It sucks that this can end up being a thing that people break up over, but it is MUCH better to acknowledge incompatibility as early as possible instead of spending years and years building resentment.
There used to be a great forum called MiL's Anonymous that I spent a lot of time on. It had a lot of people in a lot of difficult situations struggling to get by and hold their relationships together. The question that was used as a litmus test to approach each situation was simple: If you knew today that everything about living with this person would be the same in five years, would you stay?
Because you can't control your partner. You can't control the future. You can only control yourself and your proximity to situations that are harmful to you. If you knew, 100%, that things wouldn't get better in five years, would you be okay with staying in this relationship? If the answer is "no," then that's that. Don't worry about questions of whether or not your boyfriend is a shithead, start the process of ending the relationship because there's a good chance the situation is going to be exactly the same in five years.
If the answer is "yes," and you'd stay in the relationship regardless of whether or not things changed, then it's time to take actions to improve your life within the context of the relationship.
(No judgement on that yes or no, btw. If you would hate living like this for another five years, and you would feel like you'd wasted your time and hadn't done the things you wanted to with your life, get out. Bail. Go. It will be better for you and better for your partner if you split instead of spending half a decade building resentments and and problems that you'll have to spend another half a decade healing from.)
Also, a note: you describe your boyfriend's mess as borderline hoarding - is the issue *mess* or is the issue *clutter*? I have friends who are very tidy, but whose homes are very cluttered. They like things, they have many things, they keep many things around, but their houses are always clean and well-dusted and orderly, just with a tremendous amount of *stuff.* I am addressing all of this as though the issue is mess, not clutter. If your boyfriend's situation is clutter (the space is busy and packed with things but it is functional and clean) and your issue isn't with *mess* (things out of place, things not having a place, things that need to be cleaned up gathering in stacks, falling behind on regular chores like laundry and dishes and taking out the trash) then you definitely need to assess whether or not you are compatible.
For instance here's a room that is messy but not cluttered compared to a room that is cluttered but not messy:
![Tumblr media](https://64.media.tumblr.com/3ee627db65bd966e785ed551d63a9721/e781df294f03e5ea-4e/s540x810/9892e4c83aae645e36c2b56dd12b36a8fc8bbc44.jpg)
That first room is a *mess* but it would be very easy to clean up in under an hour. The second room is fairly tidy, but would take significant effort to pare down and declutter. BOTH of these can be difficult to live with but the second one is not dangerous or threatening to anyone's health. (The second one is QUITE cluttered and if every room in a house looks like this it can be overwhelming to live with; this is actually harder to deal with in a relationship than the first one in a lot of ways. I don't have a lot of advice for what to do if your partner is a high degree of tidy-but-cluttered because I don't actually think it's a problem or wrong to have thousands of books or bins full of lego or a million kitchen appliances as long as you have the space and can keep it safe and well-maintained; this is a really significant compatibility issue)
Okay, all that out of the way, here's the hard work.
Talk about this shit
Talk to your partner and define "mess." Make sure you are on the same page about what you mean when you're talking about what a messy room looks like versus what a tidy room looks like. Gather reference pictures. DRAW reference pictures.
Explain not just that the mess upsets you, but *why* and *how* it upsets you. In this context don't think of it as your boyfriend's mess, think of it as an unpleasant roommate. Discuss this using "I-statements". "When I have to pick up laundry all over the apartment, I feel like a parent more than a partner." "When there are piles of miniatures all over the table, I feel like I don't have anywhere to do things I'm interested in." "When there are dishes in the sink, I feel frustrated because I have to clean before I can feed myself."
Discuss, frankly and openly, whether he knows how to clean. I'm not trying to make excuses for him here but a lot of people with ADHD have a lot of stress and avoidance around cleaning because they spent a lot of time getting yelled at for not knowing how to clean properly.
Discuss your needs, be firm about what you require but willing to compromise. You *need* some spaces to be clean, and some spaces may be harder for him to keep clean than others. It may be MUCH harder for him to keep a bedroom tidy than it is to keep a kitchen tidy; if you need a clean and empty bedroom with everything put away and he simply cannot do that, that is a compatibility issue. But perhaps you need *your* side of the bedroom to be very orderly and can tolerate a moderate level of mess and clutter on his side. Maybe you're really really bothered by a messy kitchen, but it doesn't bug you if the dining table is covered with projects and papers. Figure out something more workable than "his mess goes everywhere and i live with it because he's incapable of cleaning" because he probably is not incapable of cleaning and you deserve to have places in your home that are comfortable for you.
Reduce friction for cleaning
Sometimes the problem isn't cleaning, the problem is the many many steps before cleaning, or not knowing where something should go when you are done cleaning. One of the absolute best things I've done for myself for cleaning my space is getting a broom holder and mounting the broom to the wall. Sweeping is now essentially thoughtless. I don't have to find the broom or pull it out from a pile of fans or go scrounging around for a dustpan it's right there on the wall, frictionless. So here are some ways to reduce the barriers to cleaning:
Make sure you and your partner both know how to use your cleaning supplies and know where those supplies are. When I switched dishwasher soap I had to re-show Large Bastard where I was storing it and how it was used, because to him what happened was the dishwasher tabs just vanished one day and he didn't know what I was putting in the machine or the process I used. He sometimes puts tools away in places that I can't see (he's more than a foot taller than me) so sometimes I can't get started on a maintenance project until he shows me where he put the battery pack for the drill.
Consider making a how-to chart to or having him make a how-to chart to keep someplace accessible so he can reference it while cleaning. Goblin.Tools Magic ToDo is great for this. Basically a lot of the time people with ADHD have trouble knowing what to do from step to step even if they've done something before, so having a step by step guide can make it easier (I have notebooks full of step-by-step guides for everything from paying for my tuition to removing licenses for my customers to weeding my yard)
Remove obstacles; don't keep cleaning chemicals in the garage in a box that's behind a stack of parts, keep them in the room you'll be cleaning. Don't keep the cleaning supplies that you use to clean the bathroom in the kitchen. Sometimes this means buying two bottles of bleach solution and two scrubbers and two sets of cleaning gloves but having fewer steps (fetch the windex, fetch the paper towels, fetch the gloves) is often the key to getting things done (open under-sink cabinet and grab windex, gloves, and paper towels that are there instead of in the kitchen).
This sort of overlaps with the next category, which is:
Create Dump Zones
One thing that I've found that seems very different between people with ADHD cleaning and neurotypical people cleaning is that neurotypical people are good at getting to a point where the cleaning is "done." They have checked off their tasks and they have finished and it is over. There are *SOME* chores that are like this (taking out the trash is a binary state, the trash has been taken out or it has not) and some chores are perpetual (horrid cursed dishes) but I think with people with ADHD, some chores that are binary for neurotypicals are actually perpetual chores. For instance "clean off the counter" is not a one and done for me. "Clean off the counter" may involve a three day reorganization project. "Clean off the counter" does not mean "wipe down the tile and put dishes away" it means assessing whether or not I need to make vegetable stock and bleaching three tea containers and reconsidering whether or not the sharps container should live somewhere else and going through the mail and figuring out what needs to be responded to and taking out the recycling and on and on and on.
We have had company at the house for the last two weeks, so I asked large bastard to clean off the dining room table, which is largely a project zone for him. Cleaning off the dining room table meant putting away his meds (and since he's a transplant patient that involves a 30 gallon rubbermade tote), throwing away some trash, and totally reorganizing his workshop. It also incidentally involved picking up a table from facebook marketplace and moving my plants, which has now involved moving my former plant rack outside (moving buckets, finding and organizing planters and gardening tools) and taking the former table to the thrift store (not done yet) and cleaning the rug that was under the former table. So "either the table is clean, or it isn't" isn't really true for us.
HOWEVER "hang on we can't eat until the table is clear so let's drive to Pico Rivera to get that console table right now" isn't a workable plan, so you create dumpzones as areas of holding between the start and the finish of the chore.
A dump zone can be a laundry basket. It can be a craft bin. It can be a back room or under your bed. It is a place to put things that you are going to deal with later because if you deal with them now it is going to derail the thing you are actually trying to do, which is set the table for dinner.
Dump zones are vital to cleaning with ADHD and I recommend them for day-to-day cleaning as well. The day-to-day dump zones might be more for you than for your boyfriend. For instance, Large Bastard works with bullets and he sheds bullets all over the house. I used to get stressed when I found bullets when I was cleaning because are these work bullets? Are these recreational bullets? Are they in testing? Do they need to be pulled? Do they go in the workshop or the office or the garage or does he need these today so they have to stay on the counter? And the answer now is "that's not my problem naughty bullets go in the jar." Which is perfectly sensible because he gets to say "mystery yarn goes in the bin" and "art supplies go in the bucket."
I feel helpless when cleaning a lot of the time. I'm frustrated and lost and I don't know where stuff goes and everything I pick up spins off into three projects in my head and every step feels like a wall to scale. Dump zones help me with that when there's pressure or a reason for cleaning beyond day to day home maintenance. People are coming over? The bedroom is a dump zone, I'll deal with that later. I'm just cleaning up because I need to? Okay I can find a permanent home for this new dish soap.
AS A VERY IMPORTANT COROLLARY TO THIS:
Active projects do not go in dump zones while you or your partner are cleaning. This may mean designating a project sanctuary area like a corner of the table or one particular chair in your main room where a project can be placed so as not to be disturbed. (if my current crochet project ends up in the yarn bin, that may mean that I don't pick the project up for another three months, it lives on the windowsill behind the couch because that's where it'll get worked on)
Do not put things away for your partner, put them in the dump zone for your partner. Your partner has to be the one to put their own stuff away in a way that works for them. I tend to find that this naturally puts a limit on the time stuff sits in the dump zone, because eventually you'll go "hey where's my thing?" and will put stuff away. If that doesn't happen, it's still generally better to have stuff in a dump zone than all over the home.
Do not decide you know what things go together from your partner's stuff and try to "put like things together." The neurotypical urge to put like things together is the mindkiller(j/k). You do not know which things are "similar" in your partner's organization schema and attempting to organize things on your own is going to end up with all of the things "organized" being functionally lost forever from your partner's perspective. Large Bastard's mom would do this and it was infuriating, she'd say "oh I put all the electronics stuff in one box" and she would mean soldering irons, transistors, ham radios, HDMI cables, and cellphone chargers. We are *still* going through boxes of stuff that she "tidied up" when he was hospitalized in 2020 and 2021.
To prevent the need for quite so many dump zones over time, you can work on setting up landing zones and "homes" for projects and tools.
Landing Zones
Landing zones are places where things go when you come inside from doing various things. Sometimes your landing zone only needs to be a tray for your wallet and keys, sometimes your landing zone needs to be a place to take off muddy boots and put a trowel and gloves down before you shower.
To make an effective landing zone, consider what behaviors you're trying to minimize and whether the people using it are ACTUALLY going to use it. For instance I was tired of the corner of my hearth getting cluttered with random junk so I hung up some hooks and put a shelf and a basket there and it became a really effective landing zone for my bag and keys and the mail, but it was VERY ineffective for Large Bastard because it's by a door that isn't the primary door he uses to enter the house. As a result I always know where my keys and bag are but he has trouble finding his keys and wallet. He tends to enter the house through our bedroom and has an overloaded valet next to the door and that's usually where his wallet ends up. Mounting a shelf to the wall above the valet and putting a basket and a hook on it will be a better place for his stuff to land. It's not that he's not using the first zone because he doesn't know that it's there, or because he doesn't care about lost time when I'm searching for my car keys after he borrows them, he's not using it because it's not by the door he uses. That's all.
I have a landing space for when I come in for gardening that's different than the one when I come in from grocery shopping. I have a landing space for when I walk into the dining room instead of the kitchen when I get home.
Landing spaces prevent stuff from piling up all over the place because they are a limited functional space that should be used frequently. Mail ONLY goes in the landing zone. If you have mystery mail or if you're not sure it's safe to toss, you put it in the landing zone. You can't let the mail get piled up too high or you won't have a space for your keys. You can't let the change in your wallet tray get too deep or your wallet is going to slide off, etc., but you also don't just put change on the coffee table or your nightstand because the landing zone is right there.
Homes for items are just what they sound like. They're the place the item goes. It lives there. My meds live on my nightstand. You would not believe how poorly I did with taking my meds on my vacation because they weren't on my nightstand. A while back large bastard lost one of his sets of sorted meds and we tore the house up looking for them because he couldn't find them in his nightstand, which is where they live. *I* found them in his nightstand because I emptied out the entire top drawer (he had only looked on the top layer) and found them underneath a radio and a hammock. Even though they were *hidden* they were in their home, so they were findable. I recently needed ink for an art class. Art supplies live in a dresser by my desk. Ink lives in the art bin or the top left drawer. The ink was not in either of these places (it was on a cabinet in the dining room behind a teacup) so it took me weeks to find it.
Sometimes the reason that ADHD spaces are so messy is because objects have been assigned homes in places that are visible and if they get moved they get lost. This is a genuinely difficult problem that requires a lot of effort to solve and can involve a lot of trial and error for creating a tidy living space. For some people, open shelving and visible storage might be a good solution. For some people, assigning a VERY clear home and inculcating that location by habit is the only way to clean up a space. For some people one very cluttered corner to at least isolate the chaos does the trick (for me and large bastard open shelving doesn't work because anything in one place for too long becomes invisible; that means that I rely on assigning things homes and large bastard relies on having contained chaos and a general idea of where to search but what that DOES NOT mean is that he is clean or tidy. His spaces look like an explosion. But he can mostly find his stuff and do what he needs to do and as long as that's limited to specific places in shared spaces I can live with it; the dining room table can be a disaster, the kitchen cannot).
People organize things differently. It often takes a while for neurotypical adults to settle into an organizational style that works for them and ADHD adults may need to settle into a new system every few months for it to continue working. The cleanup and declutter is most likely going to be a permanent project that is always going to demand some level of attention from everyone in a shared space, but "my ADHD means I can't do it" is not really going to fly. Maybe his ADHD means that he can't keep his space tidy, but it doesn't mean you can't move stuff from shared spaces into dump zones or that he can't do stuff around the house.
If he's insisting that his ADHD means that he can't clean it is possible that he's not being a shithead, he just feels helpless and doesn't know where to start and has adopted the belief that he's a useless piece of shit who can't even keep a tidy space like a grownup because he's internalized a lot of shitty attitudes (hello, my internal monologue about keeping a clean house). But it's also possible that he's just being a shithead.
It's something that's worthwhile to investigate with him. If he's unwilling to make an attempt, then he's being a shithead.
It is also not your responsibility to rehabilitate another person. If he wants to clean and it's something he feels bad about and needs some help and support with the way that someone might need help or support for learning to use a mobility aid, that is fine but you don't have to be the one who gives him that support if it's detrimental to your health, and you don't have to be the one to teach him that stuff if it's not something you're capable of. And if he is NOT interested in working on making your shared living space more accessible for you, that is not your suitcase to unpack and you just have to ask yourself the question from the start: would I stay with this person if I knew the situation was never going to change?
IDK, I'm sure a lot of this reads like "anon you must take on the emotional labor of training your partner to be an adult" but it's really meant to be more of a way of assessing yourself and your relationship. If you created landing zones do you think he'd use them? Would he get angry if you assigned a laundry basket as a dump zone for his stuff while you tidy the living room? Is living with him long-term going to be comfortable for you if nothing changes? Do you have enough of a shared definition of "mess" that you're at least in the ballpark for what counts as a clean house?
anyway good luck, and a reminder to folks that I'm compiling a bunch of adhd resources and other information on my personal website, ms-demeanor.com. It's coming along slowly but it will eventually include stuff like ADHD cleaning tips and how to tackle a hoard, so maybe keep your eye on that space.
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Love Languages: How They Show Their Affection
Hey everyone! I'm back with another headcanon post, this time diving into how our favorite characters express their love and affection. Whether it's through subtle gestures, grand displays, or tender moments, each one has their own unique way of showing how much you mean to them. I hope you enjoy reading it as much as I enjoyed putting it together!
Jin • Jin is not a man of many words. That’s why it’s important to understand the language of his gestures in order to feel his affection. • He shows his affection in various situations where you can count on being the only person who gets to experience it. For instance, he often lets you decide what you’ll have for dinner. Believe it or not, you won’t even notice if you pick something he has no appetite for. • When he craves closeness, he’ll send you a message, regardless of the time, calling you to his room. It’s more of a command than a request. But if you comply, you’ll find yourself wrapped in his arms on the couch or bed, simply enjoying his presence. That moment belongs to just the two of you. • Whenever you even think about wanting something special, it will appear in your room the next day. He also likes to surprise you with things you hadn’t even thought of. He catches every little detail from your stories about your dreams and passions, and when the opportunity arises, he brings them to life through small gifts.
Tohma • Both of you have strict schedules, so showing affection is key in this relationship if you want to make the most of the time you have together. Tohma knows this well. • When you see each other amidst the hustle and bustle of the academy, he gives you, and only you, his warmest smile. • He’s not a fan of showing physical affection in public, but when he crosses your path, he’ll always pass close enough for your hands to “accidentally” brush. His hand closes slightly, as if trying to hold yours. • If time and circumstances allow, he’ll quickly and wordlessly pull you into an empty room or hallway when you pass by him. He gives you a brief but passionate kiss, brushes a strand of hair from your face, and looks deeply into your eyes before you both go on your way, as if nothing happened.
Luca • Luca is initially reserved about showing his feelings for two reasons. First, he knows his best friend Kaito has feelings for you and doesn’t want to rub it in his face that you didn’t choose him. Second, Luca is a true gentleman who would never do anything to make you feel uncomfortable. • But he never tires of showering you with compliments, all of which he means sincerely. You can see it in his eyes—no man could look at you with more love. • When you’re alone, and you’re facing away from him, he loves to hug you from behind. You both linger in that position, enjoying each other’s warmth. • When you sleep together, he holds you tightly, as if afraid you could be taken from him at any moment.
Kaito • Kaito knows you love it when he makes you something, so he spoils you with plenty of sweets whenever he has time to bake for you. Missing desserts from your homeland? He’ll surprise you with them as soon as he finds a good recipe. • He’ll take many photos of you and the two of you together. While part of him loves to show off, it’s mostly because he still can’t quite believe you and he are real. Your relationship is still beyond his imagination, so he treasures every photo when you’re not with him. • He remembers every detail about you and is always looking for ways to surprise you. Love ice cream? Prepare to visit every renowned ice cream parlor in Tokyo—he’ll take you to all of them. • And of course, you won’t be able to escape his constant messages. He always wants to know what you’re doing and how you’re feeling, not out of worry or jealousy, but because he genuinely cares (though he’s no stranger to those feelings either).
Alan • Do I even need to mention how often he’ll pat your head? • He always checks how you’re doing and makes sure you have everything you need. He’ll also always offer to let you sleep in his T-shirts when you stay over. He just loves seeing you in his oversized clothes, and though he’d never say it out loud, the smile on his face when he sees you in his sleepwear says it all. • His sweetest way of showing affection is his almost casual request for you to join him in nearly everything he does. He loves having you around. Even if you’re not into physical activities like he is, he doesn’t mind—he just wants to be near you. • Wherever you are, Alan will seek your physical closeness. Sometimes, you’re not even sure if he’s doing it consciously or if his feelings just naturally draw him to you. Whether it’s an arm around your waist, moving closer on the couch, or casually holding your hand, he always seeks contact.
Sho • For Sho, love truly comes through food. So rest assured, you’ll never go hungry if this man is yours. Lucky you. • Though Leo is his best friend, he will never allow anyone, not even him, to badmouth you. Never, ever. No one—absolutely no one—touches his sweet girlfriend. • Sho will often give you small gifts in the form of jewelry. Nothing overly expensive, but always something unique. Seeing you wear it makes him incredibly happy, so you’d better wear it, because it’s also his way of marking you as his own. • Though he’d never admit it, Sho actually enjoys public displays of affection. He’s proud to have you by his side, and when you reach for his hand, he’ll pretend he’s only letting it happen for your sake, to make you more comfortable. In reality, his heart is always racing when you do.
Leo
Leo could only accept a partner who is on equal footing with him. That's why he can actually be very sweet in a relationship when he wants to.
Naturally, the maximum amount of physical affection in public will be displayed, as long as you allow it. After all, the world needs to see what a great relationship you two have. It’s a wonder you haven’t yet shared a French kiss on campus. He definitely enjoys making your admirers jealous.
But of course, he’s only doing this for the show and for the clicks when he films you both. It has nothing to do with the fact that he maximally enjoys your closeness and can’t get enough of you. Never. How could you come up with such silly ideas?
He will shower you with gifts that he "just happened to buy somewhere." Does this have anything to do with the fact that he actually listens to you and explicitly searches for things you like and that he hopes will make you happy? Such nonsense.
Haru
Despite his strict schedule, Haru will never miss the chance to show you how much you mean to him.
Every now and then, you'll get messages from him asking where you are, only for him to show up shortly after with all kinds of stuff. Surely, you've forgotten to drink enough today, right? Don’t worry, he’ll take care of you.
You’ll also receive sweet messages from him every day. At first, he’s a bit overwhelmed with flirting properly, but eventually, he gets the hang of it and showers you with subtle love declarations.
Speaking of love declarations: when he sees you on campus, he won’t miss the chance to greet you with a hug and a kiss on the forehead. He doesn't care if others see you.
Towa
Towa is a true romantic. He understands the language of flowers like no other. So, be prepared to receive numerous flowers from him. He takes the effort to present you with a special one every day, just to emphasize how unique you are to him.
He doesn't care what people around you think. He will hug and kiss you in public whenever the mood strikes.
Towa is a good listener, and even though he's not necessarily good with words, he always knows how you feel and what you need at that moment. If it's peace, he'll leave you alone; if it’s closeness, he'll whisk you away to a quiet spot and hold you in his arms until time forces you back to reality.
Wherever you go together, he'll want to hold your hand. It’s important to him to have you by his side at all times.
Ren
Ren is more the type for subtle expressions of love. So, a keen sense of perception is needed if you don't want to starve from lack of affection in a relationship with him.
The most noticeable thing for an attentive observer is Ren's smile when he's around you. He always seems much more relaxed when you’re there, and you're probably the only person who’s ever made him laugh.
In public, he wouldn’t dare show any affection, but when you're alone, he craves your touch. Even though he'll always claim you're the one who wants it and he’s simply complying with your wishes.
He also loves playing with your hair during your evening movie nights. Not having to ask for head massages definitely has its perks.
Romeo
Usually, it's Romeo who receives affection, but even he sometimes gets overwhelmed by longing, and everyone around can see how much you mean to him — and that no one should mess with you because of that.
Romeo is possessive. It’s no different with his partner. You belong to him alone, and everyone who even thinks about getting too close to you should know that. That’s why you're probably the only person on the planet who’s allowed to touch him in public without getting punched.
He lets you sit on his lap in his office when you're talking, and he makes no effort to let you go when one of his lackeys enters the room. After all, everyone knows you belong to him.
You also don’t need to worry about not being stylish enough for Romeo. He'll make sure your wardrobe is perfectly aligned with his. Expect a complete makeover. You won't recognize yourself — in a good way.
Taiga
Regardless of his moods, Taiga is definitely a physical type. This means that he loves to show his affection through hugs and kisses of all kinds, as long as you let him. His lap is your second home.
He may not be greedy or superficial, but he has taken a liking to showering you with gifts. Though, in most cases, you’d better not know where they came from.
Depending on whether you’re okay with it, he’ll either nibble on your ear and cover your neck with kisses when you two are alone. He just loves it.
He practically lets you move into his room because, as his good luck charm, he always wants to have you near.
Ritsu
The first thing anyone who knows Ritsu even a little would notice is the fact that he doesn’t talk to you like a potential client, but actually like his girlfriend. Even though he would never, ever talk to you in a childish manner or give you pet names in public. That’s simply not his style, love or no love.
Ritsu has good manners and knows from several sources that it’s proper to take a lady out to dinner. So, he regularly dresses up and takes you to the finest restaurants Tokyo has to offer.
Since he wants to be taken seriously as a lawyer, he refrains from physical contact in public. But since he still wants people to recognize you as his love, it’s acceptable to link arms with him.
Though he seems rather stiff, he does enjoy hugging and kissing you. It should just happen in private.
Haku
Haku is an incorrigible charmer and will shower you with compliments anytime, although you often have to read between the lines of his jokes to find them. However, the longer you're together, the more serious he becomes with his compliments.
Physical closeness is something Haku finds very comforting, so he loves holding hands or walking with his arm around you.
He also won’t hesitate to kiss you passionately in public. Of course, he’ll refrain from doing so if it makes you uncomfortable.
Additionally, he regularly invites you on dates, making an effort to keep them as varied as possible. By the way, long walks are not considered actual dates for him but rather a standard activity.
Subaru
Due to his stigma and his rather reserved nature, Subaru will initially refrain from showing affection through physical closeness. Instead, he expresses his feelings in a more subtle way through many small gestures.
Even though he values having enough personal space for both of you, he places great importance on seeing or at least hearing from you every day. If you couldn’t meet during the day, he will call you at night to wish you goodnight.
Another way he shows his affection is by sharing his memories and feelings with you. Normally, he doesn't like talking about himself, but with you, it feels so natural to share his deepest thoughts that he doesn't mind at all.
Whenever there's an event he thinks you might enjoy, he’ll make sure to arrange everything so you can attend together. After all, he wants to make sure you're happy and that you experience lots of things together, helping you grow closer.
Zenji
Zenji is a master of words and will primarily express his affection verbally, especially when there are no other alternatives. This might be in the form of poems or songs that he has written exclusively for you, meant only for your ears.
He’ll also always keep you company whenever you need it. He loves staying up with you late into the night, talking about everything under the sun until you fall asleep. Seeing you so peacefully and safely in bed is the greatest gift for him.
You'll often find little hidden notes from him, wishing you a good day, asking for a smile, reciting a short poem, or revealing his feelings. You usually discover them much later because he hides them so well.
Wherever you go, he will watch over you. Even though he may no longer be able to protect you himself, he’ll make sure you’re safe.
Rui
Rui’s days of physical affection are unfortunately behind him, so he has had to find new ways to express his feelings. His first idea was to gift you a small teddy bear, which you can cuddle whenever you feel the urge to hold Rui instead.
If you’ve managed to convince him to enter a relationship, he will generally want you to have something that shows you're taken. So, he'll gift you some sort of special piece of jewelry — most likely a ring. Although Rui's the one constantly surrounded by admirers, he's the one who is deeply afraid of losing you because he believes you're too good for him.
Rui is incredibly attentive and can literally read your wishes from your eyes. If it's within his power, he’ll fulfill them. This also means he always knows how you’re feeling, as he can read you like a book. So be careful what you're thinking!
When you're out together, he gives his full attention to you alone. Even though he may use his usual charm when approached by others, especially women, he never gives you any reason to worry.
Ed
Usually, Ed is the type who craves attention and affection, but he’s also capable of expressing his own feelings.
Social conventions matter little to him, as he doesn’t see himself as part of society. So, you can expect him to show affection at any time or place — whether through hugs, kisses, or his hands wandering elsewhere on your body. That is, if you allow it.
You’re never quite sure if he actually wants to bite you, but he loves passionately kissing along your neck. The fact that he rarely breathes during this makes the situation just as eerie as it is arousing.
He regularly texts you about how much he misses you and what a cruel person you are for leaving an old man alone. After all, he always wants you by his side, no matter what you’re doing together. It’s more than clear that he finds you far more interesting than he would ever admit.
Lyca
Lyca is known for having no experience with women, let alone relationships. Therefore, he reacts quite shyly to anything you do involving physical contact, making it difficult for him to initiate gestures himself.
If you do anything that even remotely puts you in danger, he’ll call you an "idiot." He worries about you practically every second, so don’t hold it against him.
He’s trying his best to live among humans, so he observes people a lot. On campus, he watches couples and tries to pick up certain behaviors from them. Depending on the couple, this can be more or less awkward. Shy attempts to hold your hand, sharing lunch, or stroking your hair — he’s really doing his best to make things work between you.
Most of all, he shows his affection by wanting you to accompany him everywhere, especially when he’s discovering something new. You’re meant to be part of his journey toward humanity.
If you enjoy his drawings, he’ll be more than happy to paint anything you ask him to.
Yuri
Yuri is a very passionate man when it comes to his work and research. However, when it comes to dealing with women, he lacks much experience. Still, his innate enthusiasm for you is definitely in your favor.
He will gradually involve you more in his work, asking you to help him in the lab whenever possible so you can extend your already-too-short time together. He’ll even send Jiro away more often just so you two can be alone.
Whenever Yuri makes a significant discovery or feels proud of an accomplishment, he becomes filled with energy that he needs to release. He'll pick you up, spin you around, and then give you a passionate kiss before turning back to his work. Only after a few moments does he realize what just happened, as you can see from his blushing cheeks — always an adorable sight.
Despite his tight schedule, he’ll try to regularly take a night off to have dinner with you. He understands that variety is key to keeping a relationship alive.
Jiro
Jiro initially struggles to identify his feelings for you, so you'll need to be patient if you want to feel his affection.
He’s not a man of many words, so you're more likely to experience physical affection from him. Once he’s had a taste of you, he’ll want more of that sweet feeling. Why does his heart beat so fast when you touch him? Why can’t he think clearly when your hands brush his cheek? Why do his knees go weak when he feels your skin touching his own? These are all things he needs to thoroughly experiment with to understand the obvious cause.
The most beautiful thing for him is your smile. He’ll do anything to bring it out — whether through jokes, gestures, or giving you flowers. He quickly learns how to behave in ways that get the desired reaction from you.
He’ll also ask you to do ordinary things with him, such as eating or cleaning or activities that foster a deeper relationship. Very soon into your relationship, he’ll realize that everything is better with you by his side.
#tokyo debunker#tdb#tokyo debunker x reader#headcanon#jin kamurai#tohma ishibashi#kaito fuji#lucas errant#sho haizono#leo kurosagi#alan mido#haru sagara#towa otonashi#ren shiranami#haku kusanagi#subaru kagami#zenji kotodama#rui mizuki#edward hart#ritsu shinjo#taiga hoshibami#lyca colt#romeo lucci#yuri isami#jiro kirisaki
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First request ever: Can you make a story about Gojo, where their both in a relationship but gojo had to end it because he was afraid that she would be in danger?
Thank you! Keep up the good work, I love your stories!!!
LET ME MARRY YOU
↳ GOJO さとる + fem!reader
The risk of dating you his too much for him to handle, so he breaks it off, only for him to come back to your doorstep years later and ask: "Let me marry you."
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2k
Note : istg each time i edited this... the wordcount grew lol. i hope u enjoyyy 🥹💗 tysm for enjoying my work it means everything
Warnings : angst -> fluff (?) -> happy ending trust me, Shibuya arc spoilers (Ep 9), manga spoilers (chapter 221)
🍒 More from Jay : Gojo works / Gojo fave works / JJK works / oct. reqs open
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The risk of dating you is thrilling when Satoru's just a teenager in puppy love. But as he grows older, and heads into those dreaded 20s, the risk makes him more and more nervous.
What if something happens to you?
He presses kiss after kiss to your forehead and feels his chest tremble, feels his lips quiver, as he refrains from telling you the truth about the Jujutsu world. Satoru just can't do it.
There are so many instances of him saving you from curses that you're oblivious about. He just smiles strangely, and you wonder why he looks like he's just seen a ghost. Because he has, those pretty eyes see ghosts. But those pretty eyes also see you, "What am I looking at?" he responds after you ask why he's looking at you so tenderly, "I'm looking at my future wife." he flirts just to fluster you.
That's at the cafe, when things are still simple. He keeps thinking to himself, as he lays with you in bed some nights;
I want to marry you.
I'm going to marry you.
Please let me be your husband one day.
As if he's trying to manifest it.
Everything is okay-ish... until he gets pangs of fright when your name starts to be known outside of his closed circle of friends.
It's October 11th.
Gojo Satoru breaks up with you.
He leads you to believe that the two of you are just "right person, wrong time". It all hurts an incomprehensible amount for him, to finally cut the string that tethers the two of you together.
He sits on the stairs, head in his hands, mourning.
He starts many mornings with crying spells that last until midday.
He destroys evidence of you and him. In case anyone ever finds it and thus finds your apartment, or work, or college... or anything.
But he can't part with a very special photo. It's you and him in Okinawa, sharing a cheesy kiss at the beach. In the moment this photo was captured, Gojo remembers having whispered some dirty joke in your ear and that's why you smiled so big into his kiss.
He drifts to sleep to the lullaby lovesongs that defined your love.
Years pass, he refuses to even talk to you. The heartbreak worsens with time, he laughs when he realizes that on his 27th birthday.
Isn't time supposed to heal all wounds? Someone said that to him once. Well, they must have been lying without realizing it.
The day Gojo Satoru is sealed, he looks into Suguru's eyes, and remembers you through them. When he resides in that awful prison realm, he only thinks of you you you you you you you oh god he misses you so much that it feels like the very thought of your smile stabs his chest. Every memory is painful. Every flashback puts one more crack in his heart.
"Can't I ever catch a break...?" He laughs to himself, chattering skeletons making their eerie symphony around him.
He thinks. Ponders. Wonders. Broods. Daydreams. All about you. Always about you. Never anything else. Just his first love, from the late spring of his 17th year.
His earthly goddess.
The purpose of his benevolent actions.
He cries. And sobs. And weeps. Because no one can hear him but the skeletons and he's sure they don't mind the sight or sound of a 27 man howling in pain over a lost lover.
It's not just your relationship that he's mourning. But the fact he can't feel you in this cube... that he can't feel your presence in the world... that's worse than the heartbreak. At least through all these years, he's been able to sense your existence. Feel the subtle ripples of your soul no matter how distant you are; you'd be stood in a coffee shop, he'd be at Jujutsu High teaching, and yet feeling you.
Because as he promised to you at 17, "Half my soul is yours. And half your soul is mine. I'll always be with you even if I'm not there."
He has the biggest breakdown of his life in that little cramped suffocating claustrophobic eerie creepy box.
It's 19 days later. He's out. He's back in the world. And he feels the sense of you, your existence, swelling in his chest, tickling his mind, prodding his heart.
"Gojo sensei, where are you headed?"
"I'm gonna go find my other half." he says cryptically.
It's a stark bright day.
Gojo Satoru knocks at your apartment door.
You open it.
He looks at you, and you look at him.
"Hi."
"...hey...? Wow. Haha... you grew into your features, huh?"
Your voice fills his heart with life.
"You too... glad you still live in the same place... I was worried you might have moved out..."
"... Ah, Satoru, you'd be able to find me no matter what corner of the world I resided in."
Your laugh fills his mind with pleasant memories.
There's an a magnetism between you and him just like there always used to be. It feels like two magnets connecting at last, after feeling the distant attraction throughout all these years of distance.
"You're right." Satoru says after a silence of just staring into your eyes.
"I'll always find my way home."
A silence ensues after he says this.
"...haha... don't cry... or I'll cry..."
"... Satoru... I thought of you every day after you left me at the station."
"... me too."
"... why did you leave?"
He stares at you.
"... I was scared of you being in danger."
He gulps.
"Me? In danger? But you're the strongest, why would it matter."
Oh god that's right. You said it then when you were 17, "You're the strongest" and he carried that title with him from then. And now you've said it again. He's reminded. He feels a bit stupid. A bit ridiculous. A bit...
"You're right..." he chokes up. "I am. I could have protected you I guess..."
"... yeah, duh."
He smiles meekly.
It was more complicated than that, sweetheart. But I won't tell you.
He hesitates. He contemplates.
"I have to tell you everything... will you promise to believe everything I say even if it sounds insane?"
"Of course. What is it?"
He inhales deeply. And instead of blurting out his whole life story of being a sorcerer in the Jujutsu world, he just leans in and kisses you hard and truthfully. Cups your cheeks. Closes his eyes. Tastes you like a sweet from his childhood that he hasn't had for years. Presses to you. Takes in your scent.
Yeah yeah... he'll tell you everything in a minute.
But for now just let him kiss you until he runs out of breath.
Let him just...
"Hey..." he pulls away, gasping, "Let me marry you."
"Haha, Satoru..." you take it as a joke and laugh, because it sounds as bizarre and unexpected as one. Then you realize there's that serious look on his face. "... Satoru?"
"Can I?"
"... what?"
"Can I please?"
"... huh??"
"Can I marry you, please?"
He looks at you and waits for your answer. His poor heart. It's palpitating. His whole chest cavity inspires with love for you. This man that you haven't seen in years has just asked if you'll let him marry you — with very specific wording.
Can he? Will you let him?
It's funny in a way, because you think to yourself; this is such a Satoru thing to do... show up unannounced years later on your doorstep and ask for your hand in marriage as if no time has passed, as if you know the full story.
"Satoru... what happened to you throughout these years for you to come back to me and ask for my hand in marriage?" you ask, genuinely baffled.
He swallows slowly. "I know I sound like I've lost my mind. But I promise I haven't."
"That's hard to believe. The Satoru I remember was always on the brink of mania. A bit insane but not quite."
You make him laugh. "Yeah..."
"So are you asking to marry me out of insanity?"
"No."
"Well alright then. I guess I'll marry you."
You make him laugh again, with that funny tone. He hasn't laughed genuinely in years... it's always been that plastic laugh. But this is his genuine laugh. Silky and quiet. The opposite of his demeanor.
"I guess I should be explaining everything to you properly... before I ask you something like that."
"You're damn right..."
"... don't scold me too hard when I tell you all the reasons I left. Or, if you do, then at least hold me while you scold me. And run your fingers through my hair like you used to."
"Satoru."
"Yes?"
His heart throbs. He looks at you.
"Stop standing at the doorway and come inside."
"Oh."
You sigh. He smiles. Then he bows his head so it doesn't hit the top of the doorframe. Damn tiny Tokyo apartments. Your archway always had it out for the crown of his head. You laugh when he bumps into it just like he always used to.
So the two of you sit down and just talk. And talk. Maybe cry a bit. Actually, you cry a lot. And he holds you. And he says he's sorry. He says sorry over and over, as if the word is a bandage he's trying to wrap around all your heartbreak wounds that he caused.
"I'm sorry."
Satoru's apologies aren't easy to come by, and when you receive them, they nurse your heart. It's the gentleness with which he says it, and earnest too. Each successive sorry means more than the last.
"My angel..."
When you call him this after he vents to you about his time in the Prison Realm, and his overwhelming duty of being the strongest, he breaks down completely and just weeps in your arms.
He sobs like you've never heard him sob before, like a dog.
Finally. At least for a moment. He could be weak. Let down his guard. Be raw. Be emotional. Not a teacher. Not a sorcerer. Just your boy. Your Satoru.
Your consolation is all he wanted throughout these years. He looks up at you, eyes red and sore, nose sniffling, and stares at you like he can see your soul.
"...Satoru?"
"Marry me."
You chuckle again.
"If that will stop your tears..." you joke.
He sniffles loudly and swallows, composing himself.
"I thought about marrying you so much when we were together... 'n I tried so hard to bite my tongue when your name nearly rolled off it while talking to my students some days. I was always..."
On the verge of saying your name.
He sniffles long and hard and waits for your hand to weave into his hair.
"Will you think about it?"
"I will."
There's a silence. Satoru feels hopeful. He lays on your chest, arms around you like you're his whole world that he won't dare let go of again.
"There." you say with finality. "I thought about it. Let's get married."
"That took you, like, ten seconds."
You laugh with him. "Yeah... I already knew in my heart when you asked me at the doorway... you know... Satoru... it's funny. When you left, it felt like half my soul was gone. And when you knocked on my doorstep, it felt like I was whole again. Does that sound freaky, or does it tie into all this... Juju... Jujutsu stuff?"
He's silent.
"I have no idea."
"Wow. My future husband isn't knowledgeable at all." you joke.
His heart flutters at 'future husband'.
"Sorry." he says, smiling softly, "My mind is blank when your fingers are running through my hair."
The two of you go on and on, until you're laid in bed sleeping at each other's side. Resting. And god, did Gojo Satoru need a good rest.
In your arms, he's no longer an insomniac.
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#gojo#gojo satoru#gojo x reader#gojo satoru x reader#gojo x fem reader#satoru x reader#gojou satoru x reader#jjk gojo#satoru gojo#jjk fic#gojo fic#gojo x reader fluff#jjk x you#gojo x you#gojo satoru x you#satoru gojo x reader#gojo x reader x geto#jjk satoru#jujutsu satoru#jujutsu kaisen satoru#jujustu kaisen#gojo saturo#jujutsu kaisen#satoru#angst#angst with fluff#angst with a happy ending#gojo angst#gojo satoru angst#gojou satoru x you
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― if you think i'm pretty 𝜗𝜚 ‧₊˚
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― the ways in which they lay their hands on you and can't stop thinking about it ˚୨୧⋆。˚ ⋆
contents: gojo x gn!reader, geto x gn!reader, nanami x gn!reader, megumi x gn!reader, yuuta x gn!reader, headcanons/brief drabbles, quite suggestive (all characters are aged up!!!!), a lot of touching, making out, both reader and characters are needy and down bad for each other what can i say a/n: inspired by if you think i'm pretty by artemas and baby by madison beer, as you can see, i was very inspired for some of them compared to others so don't mind the difference in length djkajdwd
gojo satoru can't help but have his hands on you at all times. it's a genuine problem. some might even call it a disease or affliction, a deadly illness if you want to go that far.
whatever it is, he doesn't think he wants to find a cure for it. not when he can so easily coax out those wonderful sounds from you with the brush of his fingertips, those noises that are reserved just for him even though you try and deny it, and especially not when you decide you want to try and turn the tables on him.
that's how he finds himself underneath you on the floor of an abandoned office, his wrists pinned above his head as a devilish smirk graces his features. you're hovering above him, one hand locking his troublesome hands in place while the other is pressed against the cold floor to support your stance. right now, he's thinking about how this might be one of his favourite angles to look at you from.
he knows you're trying to tease him back, testing his patience and will to resist like he does with you, in a sort of punishment for his wandering hands but he can't even hide how much he's visibly enjoying this moment. it annoys you, deeply. you decide to give him a taste of his own medicine, shifting your weight onto your knees to free up your other hand so you can run it down from his neck and stopping just right where his belt sits which earns you a breathy gasp from him.
you smile to yourself, clearly pleased at your own doing. but you don't have long to celebrate your victory as it seems you've underestimated how thin his patience runs when it comes to you. in an instance and in one fell swoop, you're flipped onto your back as satoru is now the one caging you against the floor. your faces are barely inches from each other when he leans in, his breath ghosting the shell of your ear as he whispers,
"it's my turn now."
geto suguru thinks apologies are useless. in most cases, he rather you show him instead.
to him, words often get in the way of many things and even more so when emotions come into the mix, scrambling them up to the point where they are nothing more than regurgitated word vomit. he's a firm believer in the phrase, actions speak louder than words, and he's definitely not shy about carrying out said belief in his daily life.
why tell you how much he wants you when he can simply show you through how his hand never seems to leave your waist even in the most crowded of places and how his lips seem to find yours in an instance as if he's worried that they might miss his company even if just for a second.
the same goes for you. why tell him how sorry you are when you can just show him? and so you do, caressing his jaw with your fingertips while your lips roam the expanses of his neck and collarbones, making it their sole mission to map out and commit each curve and mark to memory. every kiss you place is an apology in its own way and it makes the both of you forget what you two were even in arms over anyway.
"satisfied yet, sugu?" you murmur against his skin, the sound of your voice sending tiny vibrations that grants you a pleased hum from him.
too bad for you, it turns out that he's tough to please, or rather just tough to fully satiate his seemingly insatiable appetite for you.
"not yet. actually, far from it."
kento nanami is pretty sure that you're trying to punish him for something he did.
maybe it was because he didn't tell you what was truly on his mind when he came home from work last night in fear or burdening you with worries or maybe it was because he didn't touch you then, even though he knew that you were looking too good for no one to be touching you like they should.
but whatever it is, he knows that whatever you are doing, it's dangerous.
you two were in public, wide out in the open. he could feel his breath hitch in his throat as you nudge your heel against him, dragging lazy lines up and down his leg and stopping just right next to his upper thigh before disappearing again underneath the cover of the table. as usual, you offer him no visible reaction that could possible give away your true intentions to him, just a ghost of a coy smile on your lips.
was this fun for you? to test his resolve as a gentleman, drawing it thinner and thinner into a taught line ready to snap at any second? or did you just want to see first-hand what it would be like to see come undone from your actions alone. knowing you, it would probably be the latter but he could never know for sure as it seemed that he would inexplicably always play into your hand.
with each lingering touch wherever you could get your hands on and each teasing glance at his necktie, as if you were already trying to undress him with your eyes, he had never wanted to throw caution and any ounce of public decency he still had at this point and return the favour to you.
god, you were going to be the death of him.
fushiguro megumi thinks that you're a handful and isn't shy about making it known to you.
it doesn't help him at all, of course, only earning him a sly grin from you as you continue with your wandering touches and teasing kisses, lingering on certain areas such as right under his jaw where you know you can elicit a low breathy groan from him. he tries to hide his reaction in an attempt to not give you more fuel to continue but he fails every time with his body betraying him as the tips of his ears seem to grow impossibly redder and he even finds himself subconsciously leaning into your touch.
in response to his words, all you say is, "hmm maybe, but that's what hands are for." as if to prove your point, you entangle one of his hands with yours, pulling it closer towards you and placing it right in the middle of your chest like you were inviting him to do some of his own exploration himself. he avoids your gaze, knowing the moment he made eye contact he would be done for and whatever was holding him back now would shrivel into nothing in an instant.
you giggle softly to yourself, showcasing your obvious amusement at how much he's trying to prove that he's stronger than this. you lean in closer towards him, your faces barely centimetres apart as you murmur, "and last time i checked, i'm pretty sure you have two of them."
that's when he makes his fatal mistake, looking down to see your plump lips just a breath away from his and noticing how your eyelashes flutter softly as you, in turn, look up at him through them. he can imagine your body on his lips and that's all that it takes him to use his free hand and to close the distance between you two as your lips crash against each other.
screw this, he doesn't want to wait anymore.
okkotsu yuuta is obsessed with you to the point where to others, it could be seen as concerning. thankfully for the both of you, he's never been much to care for other's opinions.
it doesn't matter if you manage to kill him, whether intentionally or unintentionally, because no matter what, he'll just come back more obsessed with you. a fact that he so clearly demonstrates whenever you're around him.
"p-please," he mumbles against your lips, his fingers tightening their grip around your cheek, "don't go." his voice is shaky with a tinge of desperation and his pupils are so enlarged with his unquenchable thirst and desire for you that you've lost track of the whites of his eyes. to him, even parting for a breath of air when it comes to you is a painful act that causes his heart to ache and swell.
yuta's never been much of a sweet tooth but he thinks you taste like the sweetest candy that could ever exist and it's as if you're covered in a layer of sugarcoating he wants to be the only person who has the privilege of being able to lick it off with his own lips. your hand snakes its way up his arm and around his neck, pulling him tighter into your grasp and he takes this as his cue to dive back into your lips.
at this point, he's no better than an addict with how much he's greedily devouring you with his mouth, wholeheartedly consuming you with every fibre of his being as his tongue desperately awaits to explore more of you and see if this is the only place that you taste sweet. all good things in this world cost something and you're no exception but whatever the price is, he doesn't care because he'll pay for it.
hopefully, he's planning to repay it now in his own sort of way.
#dividers by cafekitsune#jjk x reader#jjk x you#jjk headcanons#jjk drabbles#jujutsu kaisen x reader#jujutsu kaisen x you#jujutsu kaisen drabbles#jujutsu kaisen headcanons#gojo x reader#gojo x you#satoru gojo x reader#satoru gojo x you#geto x reader#geto x you#suguru geto x reader#geto suguru x reader#nanami x reader#nanami kento x reader#nanami x you#megumi x reader#fushiguro megumi x reader#megumi x you#yuta x reader#yuuta x reader#yuta x you#okkotsu yuta x reader#‧₊˚ ⋅ 🍵 writes
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☆ Rather Cold, Isn't It? — Jayce and Viktor x GN Reader during winter ☆
Genres: Fluff, Mild Angst || they/them pronouns for reader || Can be poly or separate, up to you || Warning for discussions of ableism and trauma
A/N: Eermm hi. Saw a lot of HC posts about Viktor and Jayce dealing with the cold, and I needed some ideas to post fics in-between opening requests soooo ya
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──────.𖥔 ݁ ˖˗ˏˋ ★ ˎˊ˗.𖥔 ݁ ˖ ──────
ᯓᡣ𐭩 Jayce hates the idea of you being cold. Seeing his mother nearly freeze to death in front of him left no small impact, he's always worried when temperatures start dropping too low to be safe. He'll always have a coat or warm place to stay to offer you
ᯓᡣ𐭩 If need be, he'll try to offer up his own coat to you, a bit persistently. Which might seem a bit counterproductive, and in truth, it is. But Jayce wants you to see how much he cares, and he completely misses thinking about himself at times trying to accomplish this
ᯓᡣ𐭩 He feels absolute safest if you two can sneak off to a warm little corner of your own somewhere. His room, his office, the lab, anywhere he can turn up the heat and carry a blanket to wrap you up in. He'll also keep his arms around you as much as possible, especially if he feels your hands turning ice cold.
ᯓᡣ𐭩 If you tell him it's a little much, he'll joke that he'd rather have you be a little too warm than ice cold. But in all seriousness, he'll try to dial it back. He doesn't wanna come off as overbearing, he just can't stand the idea of you ever feeling the way biting cold can fade to terrifying numbness. Either way he's gonna fret for you until it's warm again
ᯓᡣ𐭩 Viktor is moreso the one who tries to ignore the cold. Keyword tries. The drop in temperature often irritates his bad leg and back, which makes walking around the lab even more of a pain. Though, as you come to find out, Viktor's a little defensive towards offers of help. Not in an aggressive way, he's just occasionally very stubborn when anyone implies he can't handle himself
ᯓᡣ𐭩 Not that he hates help, absolutely not. He'd actually be glad to have someone even halfway understand him any day of the week. But he remembers far too many instances where Piltover residents offered help merely out of pity. They'd look at him like a frail bundle of glass shards, unable to do a thing himself. Or, when he did rarely want some assistance, they'd shy away from getting near him because he's a Zaunite
ᯓᡣ𐭩 Once you reassure him that your offers come from concern and not condescension, he eases up. It's not your fault, he reassures, but he hopes you can understand where he's coming from. He let's you start setting the area where he works to be warmer. If he's gonna refuse to step away from the desk, the least he can do is let you make sure he'll be comfortable there
ᯓᡣ𐭩 In those moments he's usually lulled into being more receptive to a break, both by the comfort from the warm environment and your presence. Eventually he gives in, putting aside his work for just a second to make sure you're warm as well. He'll 100% chastise you if you fuss over his health while ignoring your own
#arcane#arcane x reader#arcane: league of legends#arcane x you#arcane x y/n#arcane x gender neutral reader#jayce talis#arcane jayce#viktor arcane#arcane viktor#jayce x reader#jayce x you#viktor x reader#viktor x you#viktor x y/n#jayce x y/n#gn reader#gender neutral reader#arcane jayce x reader#arcane viktor x reader#jayce x gn reader#viktor x gn reader#could be poly#up to you#arcane fanfic#x reader fanfiction#cw: trauma#cw: ableism#tw: trauma#tw: ableism
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This came to me earlier, and now I am utterly obsessed: While it was clear to me that Odysseus stabbing Poseidon wasn't any kind of Vengeance, there was one act of Vengeance after all, even if inadvertent—it was Odysseus disproving Poseidon's "Ruthlessness is mercy upon ourselves" belief right in front of his very eyes. With him as the subject, even.
Think about it—the fact that Poseidon remained ruthless and insisted on punishing Odysseus was the only reason he got stabbed repeatedly. If Poseidon had been merciful, if he had accepted Odysseus' offer of forgiveness, he would've been fine. His own ruthlessness backfired so hard on him this time that I am sincerely hoping it haunts him forever.
I am actually utterly obsessed with Poseidon thinking back to Odysseus "Maybe you could learn to forgive?" on a daily, no an hourly basis. I cannot and will not lie to you that is unironically my favorite moment in the whole Vengeance saga just because of what it says about both the characters—about Odysseus for offering and Poseidon for declining (and also because Odysseus sings it in Poseidon's own motif which is just absolutely brilliant.) And this makes me love it even more.
Poseidon was going to decline, we all know that. I don't think anyone watching—even Odysseus, probably—expected him to accept. But then I'm picturing him lying there, bleeding into the stone, and, against his will, wondering whether maybe he should have. Maybe if he had, he wouldn't be in pain. Maybe if he had not killed Odysseus' fleet ten years ago, he wouldn't be in pain either. Maybe this one time ruthlessness wasn't mercy upon himself—maybe this time, his one grand belief was wrong. Maybe ... it was always wrong.
Obviously, he would never admit to these thoughts, he would slap himself for having them one second later. But I simply need this self-proclaimed god of ruthlessness to be utterly haunted by that and question whether he made the right choice or no—whether he's even lived by the correct philosophy all his immortal life—and no matter what, be too stubborn to admit he was wrong.
He's trying to pretend like nothing changed, but the thoughts still remain. They pester him. They won't leave him alone. Especially every time someone—anyone—is kind to him for whatever reason, they come crashing back into him and they won't leave.
"What if my own ruthlessness hurt me that time?"
"What if ruthlessness isn't mercy upon ourselves after all?"
"What if I'm wrong?"
"What if I have always been wrong?"
The most dreadful thoughts imaginable to a god as proud and stubborn and old as Poseidon, but they're there now and he can't do anything about them. You all don't understand how much I NEED this god to jolt up in his bed at 3 am after having a dream or nightmare about something related to one of his many ruthless deeds (maybe even sinking Odysseus' fleet) and go "BUT WHAT IF I HAD LEARNED TO FORGIVE?? WHAT IF I STILL COULD??" only to immediately slap himself for it because that's absolutely ridiculous.
He is left to watch this belief shatter before his very eyes as he's clinging to the remains of it desperately, trying to keep it all from crumbling. Not because he genuinely believes he's right anymore, but because he simply cannot imagine ... does not know how to live by any other philosophy.
No matter whether it's objectively correct or not, it's the very thing that defines him. The thing he's known for. He has built his entire image around this, he cannot give it up no matter what ... at least not quickly or without help.
But as much he would seek to deny it, his core belief has now been proven wrong; he has actually lived through an instance where it was wrong, and he can do nothing to erase those memories or conclusions from his mind no matter how much he yearns to go back to simpler times.
And that was the real Vengeance, guys—possibly the biggest, most painful existential crisis of Poseidon's immortal life. I rest my case.
Although before I disappear back into the void I simply must give a shout out to @o3o-lapd-o3o (this came to me during a conversation in one of their comment sections for the glorious Friends In Higher Places AU, which is quite possibly my favorite piece of EPIC fan content that exists ...)
#poseidon epic#epic the musical#epic musical#epic the vengeance saga#epic odysseus#poseidon#jorge rivera herrans#i have never believed in ruthlessness is mercy#but thank you so much odysseus for proving me right#with ruthlessness of your own#how very poetic#poseidon having an existential crisis over being too stubborn for redemption is sth i didnt know i needed#i wanna believe he gets there eventually#a few centuries later#odysseus has no idea what he did btw#he stabbed poseidon and that was that#he probably didnt think he could so much as make him question this#someone somewhere out there eventually notices maybe#HAVE I MENTIONED HOW OBSESSED I AM WITH ODYSSEUS' “MAYBE YOU COULD LEARN TO FORGIVE?” YET#because I AM#that god killed your whole fleet#thunder saga!odysseus would not have offered this#i love the subtle hints at odysseus' positive development in this saga almost more than anything#the only thing I don't love about them is that they're so subtle a majority of people don't notice them#friends in higher places au?#am i allowed to tag this as that ouo#epicssay
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Polygon: 'How Dragon Age: The Veilguard’s writers decided each companion’s romance arc'
Rest of post under a cut due to spoilers.
“There’s so many different flavors of romances with the characters that even if one doesn’t work for you, one of them I think is likely to,” creative director John Epler told Polygon. “But they’re so tied to the character arcs that they become part of that character development as opposed to ‘and also you can romance them on the side.’” For instance, Epler said, Bellara’s romance is purposefully awkward and stilted. (“As Bellara’s writer, I’m very familiar with it,” he added.) “It’s clearly somebody who doesn’t see themselves as someone people are going to want to romance,” he said. “And so one of my favorite things is paying Bellara a compliment, and she takes it in the most awkward [way]. Because she herself as a character, and something you see through her arc, has these issues with how she sees herself, especially after what happened in her past. And so that romance kind of plays off of that as somebody who does have, I wouldn’t say necessarily low self-esteem, but has issues with self-regard. This is how that romance goes, especially if they are themselves a very awkward character.” Meanwhile, Lucanis — who joins the party after you rescue him from an underwater prison where he was tortured for a year after someone in his inner circle betrayed him — has a long road ahead of him in terms of opening up and letting others in. (That also means the results of one big early game choice might cut him off entirely.) “[He] has an arc that’s very much about family and letting people get close and seeing what happens,” said Epler. “And so with his romance, you get more of a slow burn where it doesn’t feel like you’re ever getting quite as close to him as maybe you want until the very end.” In addition to the player-chosen romance arcs, some companions you haven’t chosen to romance might enter romantic relationships with one another (or in the case of one character, with an NPC that isn’t in your party). This isn’t the first time non-romanced party members get together: A fan favorite, for example, is Qunari mercenary Iron Bull and Tevinter mage Dorian Pavus in Dragon Age: Inquisition. But Veilguard has more opportunity than ever before for these side romances to blossom. It all came down, once again, to what made sense for these characters’ own arcs. Bellara doesn’t romance anyone outside of Rook because, as Epler said, she is a “very focused person with a very specific obsession.” Romance isn’t exactly on the top of her mind. For Taash and Harding, however, a romance made perfect sense — both characters navigate accepting who they are and how that fits in with what they thought they knew about the communities and cultures they hail from."
“I think one of my favorite parts of that arc is how much compatibility comes through as you go through their arcs and you realize these are two people […] broken in ways that are so complementary to allow them to heal each other,” said Epler. “They end up developing this very lovely relationship, lovely romance that makes sense for the both of them.” Players might understandably want to go into the game without any spoilers about what characters might get together. But if you’re heading into your second playthrough and you already know more about what the characters’ relationships with one another look like, making decisions might take on a whole new level of significance. That was definitely the case for game director Corinne Busche. “What I love about those developments is that it really gives us some interesting and compelling decision-making about the choices and the consequences within the game,” she told us. “[The relationships] have an extra level, I think, for the decision making. I don’t want to get into spoilers, but there was a moment where I set the controller down and had to go, Oh my God, how can I possibly make this decision knowing what I know of these two characters and how they feel about each other? Oh, it just really makes it hit.” There’s a lot of emphasis on the inter-character relationships in Veilguard. Not only is there the usual party banter while out and about in the world, but you can also stumble upon conversations between characters back at your home base, mitigate disagreements between them, and read codex entries about their book club meetings, cooking rotation, and other things. It makes sense that writing interactions between these companions might spark some ideas for the writers. “It really does come down to who makes the most sense for these characters and who as the writers we are excited about pairing up,” said Epler. “Because I think something people forget is […] well, it’s not technically fanfiction. It’s the same impetus that drives fanfiction where you’re like, Who are the characters we love the most and who do we want to see together? Who do we think makes the most sense as a couple? And then playing with that and seeing if it actually does make sense.”
[source]
#dragon age: the veilguard#dragon age the veilguard spoilers#dragon age: dreadwolf#dragon age 4#the dread wolf rises#da4#dragon age#bioware#video games#long post#longpost
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I've seen a lot of posts comparing Bill and Ford (and for good reason, they are very much parallels and foils to each other) but I haven't seen as much exploring how Bill and Stan mirror each other. Where Bill saw Ford as a tool and maybe even sympathized with him because of their shared experiences (outcast by their peers for traits beyond their control, hungry for knowledge and prestige, isolated from friends and family), Bill sees Stan as the embodiment of everything Bill hates about himself. on the website, entering "Stanley" and clicking enter a bunch of times opens up pages from Bill's perspective about how stan defeated him. Bill maintains that Stan didn't actually beat him, that it was Ford's plan, that Stan just got lucky, but we know from the show that that simply isn't true-- it was Stan's plan and it was Stan that defeated him. It's interesting to note that bill is okay with giving Ford the credit for his demise, but Stan? unacceptable. we'll come back to that though.
To Bill, Stan is simultaneously everything he hates about himself and everything he wants to be. When listing all of Stan's faults, Bill calls him a "side character, a resume-inflating, cheap trick loving, past denying overgrown child protected by failure only by a forcefield of denial and shamelessness". who else do we know who ticks all of those boxes? Bill himself is a side character for much of gravity falls in the real world, but in the context of the show this statement shows his fear of not actually being anything special. sure he was powerful in his home dimension, but we see time and time again that there are other beings in other dimensions that are just as, if not more powerful (the axolotl, for instance). Bill takes credit for liberating his dimension when he really didn't, he "honors" his deals through loopholes and turns if phrase, and he shouldn't be throwing stones in a glass house, seeing as he's the one having a temper tantrum. Bill is also deeply disconnected from his past, if him telling us the story of the demise of his home dimension is anything to go by, and only digs himself in a deeper hole through putting on this cheerful, confident, powerful persona. Stan does the same thing, especially as Mr. Mystery. but the thing about Stan is that he grows and changes as the show goes on, while Bill's mindset is perpetual. They both were cut off from their family because of something they did (Stan messing with Ford's project, Bill by destroying his entire dimension), but Stan allows a new family to get close to him and chooses to make sacrifices to make his niece and nephew (and even his employees to some extent) happy. Bill on the other hand, surrounds himself with henchmaniacs, yes-men who just want to party and will follow him as long as he shows them a good time. Every depiction of Bill is a window for him to look through, and with so many in the mystery shack, it's certain that he sees Stanley, the embodiment of everything Bill hates about himself, getting what Bill thinks he could never have. and Bill hates it because it means that if Stan can grow and change and make peace with his past mistakes, it also means that Bill can too. But that would require Bill to actually be vulnerable and endure the pain that confronting your past (many, many) mistakes brings. He would have to acknowledge and accept that his home is gone because of him, that countless lives have been ruined because of him, and that the reason he has never been able to maintain close relationships is solely his fault. But he won't. And as a result, he will always end up alone, a king of ashes.
I think Bill thought of Ford as a way to fill his emptiness because of their similarities, and possibly also because he saw Ford as a form of redemption. Ford was brilliant and good and just like Bill and Bill saw that and may have thought, if he likes me there's no way I'm a monster. in a way, Bill saw Ford as the only one worthy of killing him because if it was Ford it was just a forgone conclusion: Ford hasn't made Bill's mistakes so he is automatically "better" than Bill and Stan, so obviously he could kill Bill. but to have it be Stan means that someone who has messed up in a manner similar to Bill has the capacity to be better. and that shakes Bill to the core.
#gravity falls#the book of bill#bill cipher#grunkle stan#stanley pines#stanford pines#gravity falls meta#gravity falls stanley#gravity falls bill#gravity falls stanford
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As everyone knows, I bounce between fics based on my creative inspiration and rn I’m writing a Rook x Reader fanfic.
Now, this one is interesting. I don’t think I’ve ever seen this concept before…
The closest thing I’ve read is probably @solxamber’s Ruler of My Heart. It’s one of my favorite Rook x Reader fanfic of all time. She peels back the layers to Rook’s character, portraying something more honest and vulnerable. It’s fantastic. If you haven’t read it, do it now.
I read that fanfic and thought I could never even touch that level of artistry. However, I feel like I’ve come up with a solid base for something good.
I haven’t seen a lot of full fanfics where Rook feels threatened. I’ve seen some drabbles where he’s felt scared and is able to deal with the threat swiftly. However, those tend to be about MC being threatened. Even in the canon story, Rook is more concerned with the safety of others rather than himself. It makes sense considering his fantastic skills.
Therefore, the man tends to be unflappable. Even if he does feel unnerved, he covers it up expertly. He can manually adjust his heart rate and breathing. However, some people can see past the facade, like Trey. Look at the Halloween event for instance.
Rook has a weakness though. He’s a private person. He doesn’t like people knowing about his past too much. Other than what he portrays to the world, which is his more of his upbeat and over the top self, he doesn’t want people to know about him. That’s his weakness.
My fanfic idea is an observant reader. Someone that makes Rook feel uncomfortable and borderline threatened because they just guessed almost everything about him upon their first meeting. That is objectively terrifying. There’s someone who matches his level of observation. Unlike Trey, who’s low key about it, MC doesn’t know that, especially at first. They almost give away too much information. Rook deals with the situation but they both know what he’s done to intervene.
So, I plan to have the main inner conflict be Rook hesitating to trust the Reader. The external conflict will obviously be Vil. Once again, I have a strange obsession with Chapter 5. I think it’s because it’s the perfect set up. There’s so many different possible conflicts and resolutions. I also don’t have to think much in terms of coming up with my own situation and set up. It’s built in there. Work smarter not harder lol
Anyway, that’s my idea for now. Let me know your thoughts. Always love interacting with people about my works and ideas
I also have thoughts regarding Rook general behavior that might be interesting. However, I’m tired, so that’ll probably be a separate post. Let me know if you’re interested.
Tagging @es-sharezone because u love Rook lol
#twisted wonderland#twst#twst x reader#pomefiore#rook hunt#twst rook#fanfic idea#upcoming fanfic#rook x reader#rook hunt x reader#vil schoenheit#twst vil schoenheit#twst vil
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i love ur work haitch don't get me wrong, but ur latest Nanami drabble tonight, i don't get it??? 🥲 he's not funny?? is this the english irony thing because i can't help but feel uve missed with this one
Sorry you didn't find it funny! Maybe my next one, huh? Thanks for reading it anyway!
I suspect this is just a cultural difference. There are natural individual variants in every culture, from person to person, but you often find that a nation has 'its type of humour'. I find culture and humour fascinating personally.
This is peak banter/humour for both the British and the Danish, funnily enough. Irony, self-deprecation, mockery of others and the expectation that they can take it, are the keystones of our humour. Anyone who doesn't laugh at themselves, is generally written off as humourless I'm afraid.
I think it's why so many nations find the English and Danish, and possibly the Swedes, to be 'mean'-- it's true. We are. We're very polite to people we don't know, and mean to those we do. I rein myself in for my American friends because I'm far more likely to be taken as horrible.
Nanami Kento is a very stoic guy, but there's no evidence that he's humourless. With the dry subtlety to his character, I personally HC him as bearing this type of humour.
r.e. 'the English irony thing', it's true that one thing I've heard many Brits say (and I must say I agree with), is that what's often touted as 'irony' in the US is actually just sarcasm and not ironic at all. Irony in this corner of the world tends to be dryer I think.
Which US artist did that song, "Isn't it ironic?" where there's almost no instance of irony in the lyrics? Which is ironic in itself.
Someone help me remember the artist...
Anyway!
If anyone wants to read my unfunny drabble about Nanami Kento also being unfunny, please read it here!
Love,
-- Haitch xxx
#pseudowho#pseudowho answers you#haitch#jjk#kento nanami#nanami kento#jjk nanami#kento nanami x reader#kento nanami x you#nanamin#jujutsu kaisen nanami#jujutsu nanami#kento nanami x y/n#nanami#nanami fluff#nanami kento fluff#nanami kento x reader
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an impolite use of magic
I was rereading Malleus’s Dorm Uniform vignettes to gather information for another post! Something that stuck out to me upon the reread was how magic can be used in an insulting or disrespectful way. We often hear about how both NRC and Twisted Wonderland itself has many rules and regulations which govern magic and its uses—but it seems there is a social component too.
A quick summary of the aforementioned vignettes; they center around Malleus trying to make it to a dorm leaders meeting. After his peers fail to successfully remind him of their appointed time and day, Malleus decides it would be easier the other dorm leaders come to him rather than him going to them. He then casts a spell which transfers those he wishes to meet with (the headmaster and dorm leaders), bringing them directly to him. This is where it gets interesting, because it is Malleus using this spell on his peers that offends them.
Azul indicates that he had never been treated with such disrespect and that Malleus’s act is an insult. Vil and Leona express upset that Malleus seems to think of them as nothing more than objects, luggage, a pen, or a book. Malleus says he does not understand why everyone is mad because the same spell he used on them, they use all the time to summon their magical pens to them. Riddle clarifies: “PENS ARE OBJECTS AND WE ARE HUMAN BEINGS!!” Lastly, Idia likens the situation to being treated like a familiar that Malleus sees fit to summon at his beck and call, which is also just as irritating.
Judging by the other dorm leaders’ reactions, we can infer that most mages find it extremely impolite to have a spell which is typically used on objects cast on them/living beings. Riddle implies you must obtain consent before doing so, otherwise it violates decorum. (This aligns with the idea that magic is usually formally regulated; for example, medical mages must still get their patients’ consent to operate on them or to heal them.)
Reviewing the other lore we know of, this piece of magical manners (?) makes sense. It seems to be okay to cast object-oriented magic so long as permission is granted. For example, in Floyd’s Labwear vignettes, Adeuce are shown practicing color changing magic on an apple. Vil would use similar color changing magic to alter his and his father’s clothes when they were being hounded by the paparazzi. A similar situation would occur in Lilia’s Suitor Suit vignettes, in which Malleus uses his magic to create a suit on Lilia that perfectly matches his image. I’m sure there are many other examples you could think of; these are just the most obvious ones that come to my mind.
Where does that leave us? Well, with a bunch more questions!! Firstly, what else is considered rude use of magic? Secondly, are spells which violate control over one’s mind and body also considered transgressions of social norms??? They must be, right?? Then why was everyone so chill when discussing how Ruggie and Jamil used their UMs in the main story compared to Malleus casting his transference spell? Isn’t having someone else’s will overwrite your own equally as, if not more, degrading and dehumanizing??? (We do see the the other students upset about the magic being casted on them after the fact, but talking about the possibility of it isn’t done with horror; maybe because it was already established that doing these things is a no-no.) In which case, Ruggie and Jamil, who have UMs meant to be used on living beings anyway, is also “impolite” because their spells still violate other people’s autonomy. Why isn’t this banned by law or at least regulated?? Because it’s too hard to control through legislation alone? (That actually makes sense 💦)
What about when Deuce cast a floating spell on Ace to launch him at the chandelier in the prologue? Or the time NRC students made rude Halloween goers (Magicam Monsters) leave campus by floating them over the school gates?? Were those instances considered impolite too???? And is it more impolite to use magic against a non-mage (since they cannot defend themselves) than against a mage? They mention in Terror is Trending that there are laws against using (attack) magic on non-mages, but what about non-attacking spells and with consent like color changing magic???
What are the rules around casting magic on sentient objects like the Mirror of Darkness, is that considered rude as well since the object is “living”? Do ghosts count as “living” enough to be offended by having an object-oriented spell cast on them? Where do blessings and curses fall in this, since those can be cast without consent (Lilia on baby Silver in book 7) and can also be cast on objects (Vil with the gifted cake and pie in book 5).
I must.. know… 🤡
#twisted wonderland#twst#Malleus Draconia#Idia Shroud#Vil Schoenheit#Leona Kingscholae#Azul Ashengrotto#malleus dorm uniform vignette spoilers#Ace Trappola#floyd labwear vignette spoilers#Deuce Spade#prologue spoilers#terror is trending spoilers#lilia suitor suit vignette spoilers#Lilia Vanrouge#Ruggie Bucchi#Jamil Viper#book 2 spoilers#book 4 spoilers#Mirror of Darkness#book 7 spoilers#book 5 spoilers#Silver
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Camilla rootled around in the medical kit that Crown had brought in, and retrieved a big needle. She removed the webbing from around it, and Pyrrha said: "Sextus, don't think I haven't thought about this. If a blood sample was going to be enough, I would've said to do it first thing. Harrowhark Nonagesimus couldn't have rolled aside that damned rock unless it was fresh out of the vat." (NtN, p. 368)
I breezed past this the first four times because we all know Harrow opened the tomb and how; but now I feel like I have to ask: how does Pyrrha know about it? Only three people are explicitly aware, in the text, that Harrow unlocked the Tomb: the perpetrator herself; Gideon, to whom she confessed during the pool scene; and John, who heard all about her sin over tea and bikkies. None of them are explicitly aware of how the deed was done. Harrow herself, both times she told the story, believed that the key was her own bloodline, that there was some kind of built-in back door for the tombkeeper.
1. John didn't even believe that she'd got in, and if he managed to put the pieces together and revise his opinion in the interval between "Hi, Not Fucking Dead, I'm Dad" and Augustine plunging the Mithraeum into the River, he didn't say so out loud. He went one way in the water (pursued by his hands and fingers) and Pyrrha went another (with Harrow's body and Gideon's soul in tow), and the text gives us no reason to suppose they met in the middle for a private chat.
2. Gideon and Pyrrha had limited time together (and all of it on the page) before drowning (anyway a less permanent version thereof) — at which point Gideon's soul was no longer in the body that was with Pyrrha, and the next time they were in the same room Kiriona played dead till after Pyrrha had passed the above remark.
3. Harrow was occupied elsewhere during the final act on the Mithraeum and missed the juicy bits. She returned to herself only at the end of NtN, and I've seen it fairly theorised that she still doesn't know she's had the blood of God's only child under her nails.
Which seems to wipe out direct transmission from any of those three, to Pyrrha. If it was passed along by an intermediary — someone in Blood of Eden, for instance — who told them?
1. Not John.
2. Not Gideon. She was corpsified the whole time she was with BoE.
3. Harrow? At Canaan House, before the Erebos arrived, she could have told them she'd got into the Tomb — but not that she did it using Gideon's blood. As far as she knew it was because she was the Ninth House's specialest little necro. If BoE personnel who were involved in the failed Ninth House Operation told her about Gideon's likely parentage, and she in turn told them about her earlier tombdiving expedition as proof of concept... The knowledge of that conversation would've been compartmentalised along with everything else about Gideon. However, I checked the chapter where she first meets John, post-Canaan House but pre-lobotomy, and the only hint I can come up with is: "At least if she failed here, she would no longer have to be beholden to anybody." Which suggests she may have an ongoing Plot or Scheme associated with a location other than the Ninth House, and it's a thought that crosses her mind before she formally accepts John's somewhat disingenuous invitation to join his necrosaints. And yet, her shock at being told how many of her fellow House heirs were dead or missing, felt genuine.
Did Harrow already have gaps in her memory during that conversation? She was with Gideon's body at the end of the previous chapter — then she came round, as if from unconsciousness, on the Erebos. What happened in between?? Did the Harrow who had just lost Gideon Nav begin working with BoE at Canaan House, speedrunning the Eightfold Path right into the Betrayal of God faster than any Lyctor before her?? Was she an unknowing double agent during her hellish months on the Mithraeum??
Or... did Tamsyn just goof here, and forget who knew what? It seems unlike her. Any thoughts? Please? In case you couldn't tell from this post, IT'S DRIVING ME ROUND THE TWIST.
#tlt meta#nona the ninth#pyrrha dve#harrowhark nonagesimus#gideon nav#emperor john gaius#and yes I'm also tagging this#ALECTOPAUSE
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Extremely long rant on 001 & 457:
3.4k+ words
—
Intro
Yesterday I finished season 2 of Squid Game. I have so much to say about In-ho’s and Gi-hun’s dynamics and writing.
Keep in mind this is my interpretation of these characters and their dynamics, and some of that is speculation. I’m just yapping because I have a lot to say. Maybe this takes on a much more optimistic view than is actually the case, but I fear it makes sense to me.
I have seen two takes about 457 around pretty often:
“They’re in love.” or:
“In-ho feeds off of Gi-hun’s pain because he’s just an evil guy.”
These can both be true in a way, but when no one talks about the little details of the character writing and the relationship between these two guys, it feels like the incredible potential and writing that this duo has is being overlooked.
Note, I will be referring to this Youtube video throughout this post:
youtube
Now let’s start with what we know already. It’s pretty evident that In-ho is not totally emotionless like many people are trying to imply or interpret him as.
Here’s why.
—
Hwang In-Ho and The Traitor Archetype
There are two ways in which a character like 001 can be portrayed.
TYPE 1 : The undercover ‘friend’ who is working against the main character can be shown to the audience as the ordinary cast member, and then it will be a plot twist when the protagonist learns with the audience the truth of this character. Usually the demeanor of this undercover ‘ally’ is not shown too obviously because it might take away from the impact of the plot twist later.
TYPE 2 : or You can go down the route that Squid Game did go. We knew Frontman’s face, so it was no use trying to convince us he was a good guy. His personality was not exaggerated like some Type 1 characters can be. Characters like this are not particularly hidden from the audience’s suspicion/accusation because we already know. And in these cases, the writers do not often need to give these characters disguise-personalities. In Squid Game, we as an audience know where to look for the cracks in In-ho’s character, where the ways in which his real identity shows through.
There was that time he killed someone in front of Jung-bae. It would have been out of nowhere for a story where they hadn’t shown his identity before, but we knew exactly what was going on. So let’s look at the instances before it was shown directly to other characters.
Here are the instances where we know for sure that his real self is slipping through.
In-ho more than once asks people questions and engages with them in a manner that might not come across as too strange to them. But to the audience, those who know he is an outsider, and thus know to pay attention to the possible intent behind his every word, it stands out.
In-ho engages with the people who are truly inside the game as specimens to observe. That’s partly why he’s there, after all. For example, take the instance during the Mingle game where he questioned Geum-ja about her son’s character. He doesn’t need to hide his sort of objective, detached curiosity (which extends slightly outside Gi-hun), about these people and how they work, because no one is keeping an eye out for it.
Because of this, I believe he did not need to make any extra efforts to mask his natural personality, beyond the bare necessary minimum.
—
In-ho’s Humor
Another reason I think that him not faking his personality a good amount of the time is his humor. The jokes and the ideas for jokes that one comes up with is very telling of their inner processes and their ability to make connections between things. These also provide an insight as to what they themselves find funny, or what they think others around them will find funny/react to.
First the joke he made about Gi-hun’s last name, and then about Jun-hee’s child as a sixth member in the Mingle game, both display a sort of consistent sense of dad joke type of humor. It is hard to fake humor that you are not well-versed in, and even harder if you put yourself in an unfamiliar environment with little preparation, purely to observe people.
Considering the fact that In-ho is evidently still in the process of observing these people up close as people rather than players, it would have been difficult to first think of a joke that they would enjoy and then deliver it successfully.
He could have gone without. He characterized himself in the others’ eyes well enough to go without making these jokes. It’s not like he was putting on any false performance for us, the audience (as noted above), and he was only omitting certain information from the other characters. There should be nothing ulterior that motivates him to go further and come up with a new/different sense of humor.
This leads me (personally) to read these interactions as genuine. These were jokes he thought of and spoke aloud, not to fool Gi-hun and the others, but because they naturally came to his mind and he decided to share them.
And villain-type character as he is now, he is still a person.
—
In-ho and his Family
There are other moments we saw from him that were genuine.
There was the information we got from his mother and Jun-ho, how he gave his brother his kidney and how his wife died.
Then In-ho lost his composure when Thanos told him to lecture his own kid. This was not an act—It would have been entirely unnecessary if he wanted everyone to believe he was a nice guy capable of little harm. This was genuine from him, he lost control and it was reasonable and it was real.
So when he told Gi-hun about his wife and unborn child that he is supposedly now in the games for, the things we have seen so far also point to that scene being a genuine interaction from him. His expressions did not hide it either.
And if all of that is not enough, he did not kill his brother. He sent Captain Park to find Jun-ho. In-ho put his brother, who knew exactly who Frontman is now, who now has something to work with, over his whole operation—It wouldn’t be too large a reach to say this.
Hwang In-ho is Not Without Emotion
Now we’ve subverted the whole idea of In-ho being some emotionless monster that some people online want to say he is. He may lack morals but he does not lack personality/emotion.
I didn’t even get into the way he cheered in the 5-minigame rounds or the way the first thing he did when he found Gi-hun in the Games was knowingly shit-talk him to his face, but I already have this much. This is all my evidence for In-ho being very and incredibly human, my case for him having a defined personality, fake player aside.
This is almost all sourced from lines in the show, rather than just visual acting which can be interpreted multiple ways. Thus every bit of the things I talked about is likely intentional.
Justice for my queen In-ho he is a great character and I enjoy him and his writing a LOT.
—
457 Introduction
I like to call 457 toxic yaoi as much as the next guy, but it’s so much more than just the visible tension/chemistry between them. It’s more than enmity, it’s more than friendship and it’s more than romance too. Why stick labels on it when it’s so much more complicated?
Although on that note, before I get into the deeper stuff I just want to point out that all this staring at each other’s lips and whatnot was probably not something the actors decided to throw in on their own, considering the ‘I don’t understand it but it’s not unpleasant’ comment about the ship from Lee Byung-hun. So was it scripted for them to be doing allat? Lord knows, we’ll find out in June (fitting).
I am not even getting into how In-ho spoke to Gi-hun without his mask on and let him hear his real voice when Gi-hun won his first set of Games. There is something that has the potential to be very intimate about that.
And then there’s the little storytelling bit of how Gi-hun’s stubbornness reminds In-ho of his dead wife, and then how that exact determination was what wavered in Gi-hun at the end.
—
Pre-Games 2024
Let’s start with the limo dialogues, when In-ho told Gi-hun he wished he would’ve led a happy life.
He has no reason to wish Gi-hun ill, especially after Gi-hun won the games and left. In-ho likely saw himself in Gi-hun even back when Gi-hun won, and genuinely did wish him the happy life that In-ho himself did not end up having.
And how many people like Gi-hun has In-ho seen? Ever?
What kind of person does Gi-hun have to be, how notable in In-ho’s eyes does he have to be, for the person that administrates the Games to show himself to the person who wants to end them?
Gi-hun survived the Games without directly causing anyone’s death. In this place that tries to bring out the worst in anyone, even when Gi-hun fucked up in the marble game, he regretted it and turned back. This already sets him apart from anyone else, and especially sets him apart from In-ho, who took the darker road and climbed up the system.
You could say, ‘But other people have regretted their actions in the Games.’ But how many people get 45.6 billion won over 455 people’s deaths, and then come back, not for money, but to prevent further death? And how many people come back and become the Front Man?
Gi-hun went back with all that money to find his mom dead, presumably in a similar way to how In-ho went back with all the money he won but his wife died anyway.
There is a system that crushes people under it, In-ho realizes somewhere down the line, and then there is a way to remove those people. Gi-hun sees it another way: change the system.
—
Friends
Both of these people came into the Games for the sake of their loved ones. One came out of the process corrupt, and one returned determined to root out the corruption.
This year, aside from In-ho, there are 454 other people in this year’s Games that he does not know or necessarily care about. And then there is Gi-hun.
He knows Gi-hun. In-ho is a previous winner, just like Gi-hun, he is returning to the game for Gi-hun just as Gi-hun returned for In-ho. In-ho sees Gi-hun as more worthy of his time than anyone else. And all of this comes dangerously close to seeing Gi-hun as an equal, someone he has attached his narrative to, more than anyone else around.
And I think this opens up the possibility that In-ho could have come to see Gi-hun as a friend in some moments. There were moments in the games where he was a little too enthusiastic about their own wins for someone who does not need to put on a fully fake persona (and there was the instance with the soju which I get into later).
So surely there could have been moments where In-ho genuinely considered Gi-hun a friend, however short-lived the moments were, however foreign the concept of a friend has become to him.
I don’t mean this in the sense that there are full-fledged periods of time where In-ho is seeing Gi-hun as a friend, or that In-ho was spending any amounts of time being genuinely immersed as his persona. That feels like a stretch.
But you know when you dislike someone that you’re talking to? And in the moment, the awareness of your dislike fades for a bit, and you’re about to laugh at something they said. And then that’s when you realize you’re not actually supposed to be finding anything they say funny? You’re not supposed to actually fw them? This is what I mean by ‘moments In-ho might have seen Gi-hun as a friend.’
The difference between the example scenario (closest I could get) and what I think might be the case with In-ho is that in In-ho’s case, it is not purely borne out of dislike. Rather, it likely just occurs to him who he actually is now, reminds him that it’s not 2015. It reminds him why he’s actually in the Games this round, and that automatically can serve to detach him.
It can be difficult for a genuine person to consistently have an enjoyable person around people they have to fake their personality around, for one. And for another, he is the one who’s killing almost everyone here.
This part is, of course, more speculation and yapping compared to the rest of the post, which I actually tried to support with some form of logic or evidence. But I need to yap about all my speculations (This post is not purely analysis, as I mentioned at the start), and I think this take helps make better sense of the other instances with In-ho’s character that I’ve mentioned.
And this could be what In-ho’s ‘conflicted feelings’ about Gi-hun (from the video linked up top) are all about.
—
How In-ho Sees Gi-Hun
Gi-hun refuses to remain powerless. He acts for change, refuses to give himself over to the system like In-ho has. He doesn’t shut up and take the money he’s given. He keeps fighting to end the Games, for other people who are caught in it.
And this does not make sense to In-ho. We don’t know enough about him. Maybe he tried this exact same thing that Gi-hun is trying. Or maybe he never did, and became who he is without putting up a proper fight.
This is someone who, so far, has remained unbending in his goal for change. This is someone who, in a facility designed to make people prioritize their own survival, gave a man he barely knew for 3 days a magazine, while he himself was getting shot at, while ammo was short.
In-ho lies to Gi-hun about his name, but he tells him about his wife. He bares an old part of his soul to him, the part of it that lingers from back when he was like Gi-hun. He has seen immeasurable death and has caused it, but there was a time he might have wanted to stop it too, and now there is someone like that again.
In-ho bared a part of himself to the person who came here to take him down because he saw his old self in him. And in turn that person did something In-ho never would’ve done at this point in time—Gi-hun extended this seemingly-pointless goodness to him too.
I like to think In-ho was so interested in Gi-hun because he wanted to see how he himself might've become, had he only taken a different view of life.
In-ho might deep down be expecting him to fail, yes, but he roots for him, roots for a version of himself that never made it. He’s curious. Lee Byung-hun has said In-ho is conflicted about his feelings towards Gi-hun, and secretly might even root for him (see the link at the bottom of this post).
In-ho stares at Gi-hun so intently to try and understand him as best he can. He wants to know what’s going on in Gi-hun’s head, the changes someone undergoes in short periods of time in enclosed death game facilities, a new experiment in the head of someone who is returning a second time. How will Gi-hun hold up? He wants to see his future.
—
The Breaking of Gi-hun’s Resolve (or the Changing)
Gi-hun loses the plot.
He couldn’t save everyone at first like he intended, he couldn’t get out fast because they got his tracker, and his resolve weakens, and he deems it necessary to sacrifice some people for the greater good.
When Gi-hun realizes he can’t save everyone, when he trades in an unnumbered amount of people for a shot to end the whole system, and he gives in.
Maybe In-ho sees himself in that weakening of Gi-hun’s resolve. It’s possible he doesn’t like it because he genuinely wanted Gi-hun to remain unwavering, as Lee Byung-hun said In-ho rooted for him. Or maybe In-ho does like it, because he’s satisfied for the confirmation that his view was right, that his path was inevitable all along.
This could be another point of conflict for In-ho’s feelings towards Gi-hun. Maybe that’s why he decided to fake the death of Young-il right then and put a stop to that operation: Of course, it’s partly because he’s Frontman and he can’t let the Games end. But on another hand, the coup was failing anyway, even without his betrayal and return as Frontman.
This then brings to light the possibility that he decided that, because Gi-hun gave in, In-ho decided he’s seen enough from by Gi-hun’s side. It confirmed something for him, confirmed that Gi-hun’s failure was inevitable because of human nature. And that was enough observing from up-close.
But then that confirmation, Gi-hun’s reluctant admission to the need of collateral, is thrown into question again, only a couple of hours later, when In-ho meets up with Gi-hun and Jung-bae. Gi-hun gives In-ho a magazine when ammo is short, and even when In-ho asks him, “Are you sure?” Gi-hun insists.
Sure, Gi-hun traded all those lives for this opportunity, but he is willing to risk lessening his own chance for survival for the sake of his friends, too.
—
“Are you sure?”
Then there is the question: Why did In-ho ask Gi-hun if he was sure about giving him the magazine?
Why would he provide the opportunity to think again on this? It wouldn’t benefit him at all if Gi-hun were to take the magazine back—Not that Gi-hun would. Gi-hun doesn’t say things he doesn’t mean, especially not in situations like this, and this even In-ho should know.
It could be a final test of Gi-hun’s character. Or it could be that this is one of those moments where In-ho genuinely saw Gi-hun as a friend.
Lee Byung-hun has said (from the video) that In-ho’s character was a very nuanced and detailed one that he had to be very careful portraying. That look on In-ho’s face when Gi-hun gave him that magazine was not any error on the actor’s end. It did mean something to In-ho, whatever it may have meant.
—
Jung-bae, Gi-hun, In-ho, and soju
I’m gonna get into the technicalities of exactly what In-ho’s motivations were in taking this specific bit of Gi-hun’s and Jung-bae’s conversation and using it with Gi-hun later.
I don’t entirely disagree when others call it jealousy, but it feels unfitting to arrive at that conclusion with no further thought. So here’s how I see it.
When Gi-hun and Jung-bae were talking about going out for soju, In-ho was eavesdropping. Then later, In-ho tells Gi-hun later to go out for soju together someday.
If In-ho really intended the unfulfilment of the shared plan between Gi-hun and himself to devastate, this was not an ideal or necessary move, and I’m sure he knows that. And I’ve covered earlier, to my interpretation he does not bother to act like someone he is not unnecessarily.
It would’ve been smarter if he had his own conversation about future plans with Gi-hun, instead of leeching off the soju date idea that Gi-hun already planned with Jung-bae.
In-ho probably did plan on killing Jung-bae at that point, be it eventually or through the later Games, because he probably does not really care about anyone besides Gi-hun enough to spare them, or even just as much as he might care about Gi-hun (not necessarily platonically or romantically, maybe, but in terms of overall investment). And maybe he intended to use Jung-bae’s, and Young-il’s, death as another test of Gi-hun’s character.
But In-ho/Young-il’s ‘death,’ objectively and inevitably, means less to Gi-hun than the death of his best friend. This is not to say that Gi-hun subconsciously measures the weights or grief values of these deaths, obviously. It is just to say that he has known In-ho for only a couple days and it is bound to impact him less, just like how Ali’s death did not hit him quite as hard as Sang-woo’s did.
(Admittedly, season 1 did have a lot less focus on character relationships than season 2 does, but it wasn’t so little that a lot would’ve changed in Gi-hun’s reactions either way).
This, combined with the order and intensity of events in the last episode, most likely means that Jung-bae’s death overshadows In-ho’s ‘death’ in Gi-Hun’s mind.
And this would be obvious. So what purpose does ‘You can treat me with a glass of soju when we get out’ even serve? It’s not going to affect Gi-hun in the long run as much as Jung-bae would.
Gi-hun had a much-needed conversation with his good friend and their plan to get soju was borne of reminiscence of their shared past and desire to make it out. But when In-ho brought it up, it was done in an offhand manner in a two-sentence exchange. This is impossible to happen anyway and In-ho knows it.
If he wanted Gi-hun’s full investment in a plan to go out together, maybe for the purpose of hurting/testing him with it, surely he would’ve done something more than this. He knew it wouldn’t stick as well. So then why did he say it? What purpose would this actually serve?
If, even after all this, In-ho he thought that this soju appointment would affect Gi-hun as much as Jung-bae’s might have, then I might say jealousy nurses delusion.
Or maybe it was something genuine. Maybe that moment, when Gi-hun thanked him for saving his life and In-ho said ‘You can get me a glass of soju when we get out,’ maybe that was another one of those short-lived moments in which In-ho did see Gi-hun as something like a friend.
—
Conclusion
Because of the fact that he is more genuine than one might originally guess (according to my interpretation), I would like to say that he did consider Gi-hun a friend sometimes.
And their dynamic is just so fascinating to me. Likely the first I’ve ever seen of this kind.
They’re in love, they hate each other, they’re friends, they’re opposites.
They’re the first person the other looks for upon separation, they’re trying to put a stop to the other’s plans, they’re good friends.
They’re representations of the roads the other didn’t take, they’re mirrors, they lean into each other more than necessary even when cuffed together, In-ho finds the pieces of humanity he lost in Gi-hun, they’re foils, they were friends.
I won’t be recovering for a while.
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