#because i can think of many instances where he is both of those things Tumblr posts

[thebeigelunatics]

i listened to a podcast that recapped and reviewed s4 and one of their chief complaints when it was said and done was that they felt lamb was a bit too soft now in comparison to prior seasons but more so in comparison to his book version. which i've no problem with—art is subjective and all opinions are valid. and i agree with them to an extent. i do think lamb was a bit softer, a bit gentler in s4. but i don't personally see it as a problem?

i think in a series of books, particularly in sort of spycraft/thriller/pulp crime novels that it makes sense for the lead to maintain a certain shape to the readers? for instance, as a kid i was really into raymond chandler's works and his crafted idol philip marlowe was virtually the same from start to finish. no matter what he came up against, it never fundamentally changed him or how he approached a case.

i understand how characters like that can be satisfying for book readers. whereas, imo, i don't think a character developed for television can every series be exactly the same and it be as equally satisfying. if that makes sense? i think lamb needs to have an arc. i also don't think that means that by the end of the show, he should be jolly father christmas. that will never happen. but i do think it's ok for him to have layers and feel drawn to other characters and have feelings about them. i think its ok if he expresses them.

idk i felt gary oldman did a lot of nuanced work in s4 and lamb imo did feel a bit different but i think it was earned? i think his relationship with standish and river in particular warrants him being slightly altered. and i hope that continues. i love his rough edges and his fear of letting people get close to him. but that only works for me and continues to be interesting if there are cracks where we get to see him trying to connect and work through that.

[ghostcrows]

that damn web comic is rattling around in my brain ...

[a-book-of-creatures]

I think I stumbled upon some kind of ichthyological forbidden knowledge. Opened up a book of names that were never meant to be read.

You've probably heard of "can-opener smoothdream", right? It's practically a meme by now.

But the thing is, it's a deep-sea fish. And deep-sea fish have historically not had English names because nobody drops them into the conversation over a hot cuppa. Sure, there's generic stuff like hatchetfish and barreleye, but when you want to refer to the actual fish you're probably saying such euphonious phrases as Diretmus argenteus, Sternoptyx diaphana, or maybe even Opisthoproctus soleatus.

So whence "can-opener smoothdream"? Certainly no non-ichthyologist has ever used that name. It's not even a direct translation of the scientific name Chaenophryne longiceps - that would be "long-headed gape-toad". Which to me is even cooler than "can-opener smoothdream".

But I digress. The "dream" bit comes from the anglerfish family Oneirodidae, from oneiros, "dream", because those marvelous fishes look like they came out of a dream (Pietsch, 2009).

Note that Pietsch (2009), more or less the anglerfish bible, uses English names at the genus level only. So Chaenophryne is the smoothhead dreamers genus but no mention is made of "can-opener smoothdreams". So no luck there.

Wikipedia, root cause of a lot of misinformation, has this to say.

"Longhead dreamer" is a far more accurate name. And in fact, despite Wikipedia prioritizing "can-opener smoothdream" (because it's funny?), the links listed use "longhead dreamer" and "smoothhead dreamer" as the name and "can-opener smoothdream" as an alternative.

So. Again. Where did "can-opener smoothdream" come from?

The answer, as it turns out, lies with McAllister (1990).

In the book A List of the Fishes of Canada, ichthyologist D. E. McAllister sought out to list every single fish known to Canadian waters, providing both an English and a French name.

And when there wasn't an English name, like for most deep-sea fishes, he arbitrarily gave them a name. And his names "differ in many instances from the widely accepted names" (Holm, 1998)

This had varying results. This is his name for one of the netdevil anglerfishes.

The humpback anglerfish or blackdevil anglerfish becomes a werewolf (????).

This one is just confusing.

The white-spotted lanternfish or Rafinesque's lanternfish instead becomes...

And most embarrassingly, the Mediterranean spiderfish gets saddled with something that "violates the tenet of good taste" (Holm, 1998).

This then is the original source of "can-opener smoothdream". It was invented by an ichthyologist in 1990, and has seen little to no use outside of how bizarre the name is.

Maybe McAllister's goofier names will catch on. Who knows? They certainly aren't very popular in the scientific community though.

References

Holm, E. (1998) Encyclopedia of Canadian Fishes (review). The Canadian Field-Naturalist, 112, p. 174-175.

McAllister, D. E. (1990) A List of the Fishes of Canada. National Museum of Natural Sciences, Ottawa.

Pietsch, T. W. (2009) Oceanic Anglerfishes: Extraordinary Diversity in the Deep Sea. University of California Press, Berkeley.

[ms-demeanor]

You posted about adhd and I was hoping to follow up to clarify something. I’ve explained to my partner a million times about how the borderline-hoarding mess of his space is very mentally draining to me, and he understands but we’ve both essentially accepted he won’t clean his mess because he can’t because of his adhd. You’re saying he’s actually being a shit head?

This isn't necessarily an issue of him being a shithead, but it also isn't a sustainable situation. It's not good for you and there's a level of clutter that's probably not good for him either.

Large bastard is a lot more clutter-y than I am. The solution we've come to is trying to keep our messes at least isolated from one another; he can have his messes and I can have mine, but he can have those messes in his spaces, not all over the place. Sometimes those messes migrate, and that's when it's important for him to make the effort to rein them in rather than trying and failing to make a daily effort to keep our entire shared space tidy.

I think when you say "we've both essentially accepted he won't clean his mess" what I'm hearing is resignation; you're not happy about this but you don't know what to do so you've thrown up your hands and he feels helpless and unsure of what to do to improve the situation. This is the kind of "it's fine" that isn't really fine.

I think it would be worthwhile for you to each separately think about the mess and talk about it together. Are there areas that YOU *need* to have not-messy? Both for utility and your mental health? Are there areas where you can tolerate more mess than otherwise? Are there areas that are going to be harder for him to keep the mess out of than others? Are there things he doesn't *know* about cleaning up the mess?

I'm obviously a big "communication communication communication" person so I'm going to recommend a lot of talking about stuff, which is probably going to mean a lot of thinking about and interrogating stuff. I'm going to say "talk to him about why the mess bothers you" which means you also have to really articulate to yourself why the mess bothers you (for instance I'm not actually *bothered* by a messy kitchen, but I know it's going to reflect badly on us - and me specifically b/c of presumed gender roles - if someone pops by and the kitchen is a disaster, AND a messy kitchen is going to be harder to use). Genuinely, sometimes knowing *why* something is a problem might make it easier for someone with ADHD to do something. And it's not that he doesn't care that it upsets you, it's just that "Oh if I don't wash my breakfast dishes Anon won't have clear counterspace to make lunch" might be stickier in his brain (and less hard to look at emotionally) than "this thing I forget to do upsets my partner so I should do it."

For the record, I think that people with ADHD should read up on Demand Avoidance and see if it might explain some of the issues that they have in their day-to-day life; I've seen some really unfortunate situations with friends where trying to do things that their partner needed became the subject of demand avoidance. *I* have experienced negative outcomes of demand avoidance. The solution to that, however, isn't to stop making attempts to do the thing OR to simply try harder to do as they're asked/told (which reinforces the demand), it's to work on setting up a situation where the partners' needs are not interpreted as a demand. This is fuck-off difficult and requires a lot of patience and care and many attempts to succeed and will be different for each person and relationship.

(Also for the record demand avoidance isn't *super* strongly linked to ADHD and it's not a definitive symptom; like Rejection Sensitive Dysphoria, it is something that occurs in some number of people with ADHD and can be a useful lens through which to examine various behaviors; you don't need to have DA or RSD to have ADHD, and having DA or RSD also doesn't invalidate your diagnosis; they're symptoms. For me, DA often feels like "if I don't look at it, it can't get me" - If I ignore all the messages I've got they aren't real and don't have real consequences so I'll just ignore my texts. If I don't look at the vendor email about the order, the problem with the order isn't real and it won't get added to my task list. If I don't look at the requests in my inbox I can't let people down when I don't do them. It's a self-protective coping mechanism but it's *maladaptive* and I can't just ignore the vendor email or all my texts. I need to work on a way of doing the stuff that I'm avoiding in a way that makes it less stressful and doesn't hurt the people relying on me. That takes a lot of effort, personal insight, trial and error, and )

But before I dive into specifics I want to be really really clear about one thing: sometimes people are simply incompatible. Sometimes one person has such a low tolerance for "mess" and the other person has such a high threshold for "mess" that it can't be reconciled. It sucks that this can end up being a thing that people break up over, but it is MUCH better to acknowledge incompatibility as early as possible instead of spending years and years building resentment.

There used to be a great forum called MiL's Anonymous that I spent a lot of time on. It had a lot of people in a lot of difficult situations struggling to get by and hold their relationships together. The question that was used as a litmus test to approach each situation was simple: If you knew today that everything about living with this person would be the same in five years, would you stay?

Because you can't control your partner. You can't control the future. You can only control yourself and your proximity to situations that are harmful to you. If you knew, 100%, that things wouldn't get better in five years, would you be okay with staying in this relationship? If the answer is "no," then that's that. Don't worry about questions of whether or not your boyfriend is a shithead, start the process of ending the relationship because there's a good chance the situation is going to be exactly the same in five years.

If the answer is "yes," and you'd stay in the relationship regardless of whether or not things changed, then it's time to take actions to improve your life within the context of the relationship.

(No judgement on that yes or no, btw. If you would hate living like this for another five years, and you would feel like you'd wasted your time and hadn't done the things you wanted to with your life, get out. Bail. Go. It will be better for you and better for your partner if you split instead of spending half a decade building resentments and and problems that you'll have to spend another half a decade healing from.)

Also, a note: you describe your boyfriend's mess as borderline hoarding - is the issue *mess* or is the issue *clutter*? I have friends who are very tidy, but whose homes are very cluttered. They like things, they have many things, they keep many things around, but their houses are always clean and well-dusted and orderly, just with a tremendous amount of *stuff.* I am addressing all of this as though the issue is mess, not clutter. If your boyfriend's situation is clutter (the space is busy and packed with things but it is functional and clean) and your issue isn't with *mess* (things out of place, things not having a place, things that need to be cleaned up gathering in stacks, falling behind on regular chores like laundry and dishes and taking out the trash) then you definitely need to assess whether or not you are compatible.

For instance here's a room that is messy but not cluttered compared to a room that is cluttered but not messy:

That first room is a *mess* but it would be very easy to clean up in under an hour. The second room is fairly tidy, but would take significant effort to pare down and declutter. BOTH of these can be difficult to live with but the second one is not dangerous or threatening to anyone's health. (The second one is QUITE cluttered and if every room in a house looks like this it can be overwhelming to live with; this is actually harder to deal with in a relationship than the first one in a lot of ways. I don't have a lot of advice for what to do if your partner is a high degree of tidy-but-cluttered because I don't actually think it's a problem or wrong to have thousands of books or bins full of lego or a million kitchen appliances as long as you have the space and can keep it safe and well-maintained; this is a really significant compatibility issue)

Okay, all that out of the way, here's the hard work.

Talk about this shit

Talk to your partner and define "mess." Make sure you are on the same page about what you mean when you're talking about what a messy room looks like versus what a tidy room looks like. Gather reference pictures. DRAW reference pictures.

Explain not just that the mess upsets you, but *why* and *how* it upsets you. In this context don't think of it as your boyfriend's mess, think of it as an unpleasant roommate. Discuss this using "I-statements". "When I have to pick up laundry all over the apartment, I feel like a parent more than a partner." "When there are piles of miniatures all over the table, I feel like I don't have anywhere to do things I'm interested in." "When there are dishes in the sink, I feel frustrated because I have to clean before I can feed myself."

Discuss, frankly and openly, whether he knows how to clean. I'm not trying to make excuses for him here but a lot of people with ADHD have a lot of stress and avoidance around cleaning because they spent a lot of time getting yelled at for not knowing how to clean properly.

Discuss your needs, be firm about what you require but willing to compromise. You *need* some spaces to be clean, and some spaces may be harder for him to keep clean than others. It may be MUCH harder for him to keep a bedroom tidy than it is to keep a kitchen tidy; if you need a clean and empty bedroom with everything put away and he simply cannot do that, that is a compatibility issue. But perhaps you need *your* side of the bedroom to be very orderly and can tolerate a moderate level of mess and clutter on his side. Maybe you're really really bothered by a messy kitchen, but it doesn't bug you if the dining table is covered with projects and papers. Figure out something more workable than "his mess goes everywhere and i live with it because he's incapable of cleaning" because he probably is not incapable of cleaning and you deserve to have places in your home that are comfortable for you.

Reduce friction for cleaning

Sometimes the problem isn't cleaning, the problem is the many many steps before cleaning, or not knowing where something should go when you are done cleaning. One of the absolute best things I've done for myself for cleaning my space is getting a broom holder and mounting the broom to the wall. Sweeping is now essentially thoughtless. I don't have to find the broom or pull it out from a pile of fans or go scrounging around for a dustpan it's right there on the wall, frictionless. So here are some ways to reduce the barriers to cleaning:

Make sure you and your partner both know how to use your cleaning supplies and know where those supplies are. When I switched dishwasher soap I had to re-show Large Bastard where I was storing it and how it was used, because to him what happened was the dishwasher tabs just vanished one day and he didn't know what I was putting in the machine or the process I used. He sometimes puts tools away in places that I can't see (he's more than a foot taller than me) so sometimes I can't get started on a maintenance project until he shows me where he put the battery pack for the drill.

Consider making a how-to chart to or having him make a how-to chart to keep someplace accessible so he can reference it while cleaning. Goblin.Tools Magic ToDo is great for this. Basically a lot of the time people with ADHD have trouble knowing what to do from step to step even if they've done something before, so having a step by step guide can make it easier (I have notebooks full of step-by-step guides for everything from paying for my tuition to removing licenses for my customers to weeding my yard)

Remove obstacles; don't keep cleaning chemicals in the garage in a box that's behind a stack of parts, keep them in the room you'll be cleaning. Don't keep the cleaning supplies that you use to clean the bathroom in the kitchen. Sometimes this means buying two bottles of bleach solution and two scrubbers and two sets of cleaning gloves but having fewer steps (fetch the windex, fetch the paper towels, fetch the gloves) is often the key to getting things done (open under-sink cabinet and grab windex, gloves, and paper towels that are there instead of in the kitchen).

This sort of overlaps with the next category, which is:

Create Dump Zones

One thing that I've found that seems very different between people with ADHD cleaning and neurotypical people cleaning is that neurotypical people are good at getting to a point where the cleaning is "done." They have checked off their tasks and they have finished and it is over. There are *SOME* chores that are like this (taking out the trash is a binary state, the trash has been taken out or it has not) and some chores are perpetual (horrid cursed dishes) but I think with people with ADHD, some chores that are binary for neurotypicals are actually perpetual chores. For instance "clean off the counter" is not a one and done for me. "Clean off the counter" may involve a three day reorganization project. "Clean off the counter" does not mean "wipe down the tile and put dishes away" it means assessing whether or not I need to make vegetable stock and bleaching three tea containers and reconsidering whether or not the sharps container should live somewhere else and going through the mail and figuring out what needs to be responded to and taking out the recycling and on and on and on.

We have had company at the house for the last two weeks, so I asked large bastard to clean off the dining room table, which is largely a project zone for him. Cleaning off the dining room table meant putting away his meds (and since he's a transplant patient that involves a 30 gallon rubbermade tote), throwing away some trash, and totally reorganizing his workshop. It also incidentally involved picking up a table from facebook marketplace and moving my plants, which has now involved moving my former plant rack outside (moving buckets, finding and organizing planters and gardening tools) and taking the former table to the thrift store (not done yet) and cleaning the rug that was under the former table. So "either the table is clean, or it isn't" isn't really true for us.

HOWEVER "hang on we can't eat until the table is clear so let's drive to Pico Rivera to get that console table right now" isn't a workable plan, so you create dumpzones as areas of holding between the start and the finish of the chore.

A dump zone can be a laundry basket. It can be a craft bin. It can be a back room or under your bed. It is a place to put things that you are going to deal with later because if you deal with them now it is going to derail the thing you are actually trying to do, which is set the table for dinner.

Dump zones are vital to cleaning with ADHD and I recommend them for day-to-day cleaning as well. The day-to-day dump zones might be more for you than for your boyfriend. For instance, Large Bastard works with bullets and he sheds bullets all over the house. I used to get stressed when I found bullets when I was cleaning because are these work bullets? Are these recreational bullets? Are they in testing? Do they need to be pulled? Do they go in the workshop or the office or the garage or does he need these today so they have to stay on the counter? And the answer now is "that's not my problem naughty bullets go in the jar." Which is perfectly sensible because he gets to say "mystery yarn goes in the bin" and "art supplies go in the bucket."

I feel helpless when cleaning a lot of the time. I'm frustrated and lost and I don't know where stuff goes and everything I pick up spins off into three projects in my head and every step feels like a wall to scale. Dump zones help me with that when there's pressure or a reason for cleaning beyond day to day home maintenance. People are coming over? The bedroom is a dump zone, I'll deal with that later. I'm just cleaning up because I need to? Okay I can find a permanent home for this new dish soap.

AS A VERY IMPORTANT COROLLARY TO THIS:

Active projects do not go in dump zones while you or your partner are cleaning. This may mean designating a project sanctuary area like a corner of the table or one particular chair in your main room where a project can be placed so as not to be disturbed. (if my current crochet project ends up in the yarn bin, that may mean that I don't pick the project up for another three months, it lives on the windowsill behind the couch because that's where it'll get worked on)

Do not put things away for your partner, put them in the dump zone for your partner. Your partner has to be the one to put their own stuff away in a way that works for them. I tend to find that this naturally puts a limit on the time stuff sits in the dump zone, because eventually you'll go "hey where's my thing?" and will put stuff away. If that doesn't happen, it's still generally better to have stuff in a dump zone than all over the home.

Do not decide you know what things go together from your partner's stuff and try to "put like things together." The neurotypical urge to put like things together is the mindkiller(j/k). You do not know which things are "similar" in your partner's organization schema and attempting to organize things on your own is going to end up with all of the things "organized" being functionally lost forever from your partner's perspective. Large Bastard's mom would do this and it was infuriating, she'd say "oh I put all the electronics stuff in one box" and she would mean soldering irons, transistors, ham radios, HDMI cables, and cellphone chargers. We are *still* going through boxes of stuff that she "tidied up" when he was hospitalized in 2020 and 2021.

To prevent the need for quite so many dump zones over time, you can work on setting up landing zones and "homes" for projects and tools.

Landing Zones

Landing zones are places where things go when you come inside from doing various things. Sometimes your landing zone only needs to be a tray for your wallet and keys, sometimes your landing zone needs to be a place to take off muddy boots and put a trowel and gloves down before you shower.

To make an effective landing zone, consider what behaviors you're trying to minimize and whether the people using it are ACTUALLY going to use it. For instance I was tired of the corner of my hearth getting cluttered with random junk so I hung up some hooks and put a shelf and a basket there and it became a really effective landing zone for my bag and keys and the mail, but it was VERY ineffective for Large Bastard because it's by a door that isn't the primary door he uses to enter the house. As a result I always know where my keys and bag are but he has trouble finding his keys and wallet. He tends to enter the house through our bedroom and has an overloaded valet next to the door and that's usually where his wallet ends up. Mounting a shelf to the wall above the valet and putting a basket and a hook on it will be a better place for his stuff to land. It's not that he's not using the first zone because he doesn't know that it's there, or because he doesn't care about lost time when I'm searching for my car keys after he borrows them, he's not using it because it's not by the door he uses. That's all.

I have a landing space for when I come in for gardening that's different than the one when I come in from grocery shopping. I have a landing space for when I walk into the dining room instead of the kitchen when I get home.

Landing spaces prevent stuff from piling up all over the place because they are a limited functional space that should be used frequently. Mail ONLY goes in the landing zone. If you have mystery mail or if you're not sure it's safe to toss, you put it in the landing zone. You can't let the mail get piled up too high or you won't have a space for your keys. You can't let the change in your wallet tray get too deep or your wallet is going to slide off, etc., but you also don't just put change on the coffee table or your nightstand because the landing zone is right there.

Homes for items are just what they sound like. They're the place the item goes. It lives there. My meds live on my nightstand. You would not believe how poorly I did with taking my meds on my vacation because they weren't on my nightstand. A while back large bastard lost one of his sets of sorted meds and we tore the house up looking for them because he couldn't find them in his nightstand, which is where they live. *I* found them in his nightstand because I emptied out the entire top drawer (he had only looked on the top layer) and found them underneath a radio and a hammock. Even though they were *hidden* they were in their home, so they were findable. I recently needed ink for an art class. Art supplies live in a dresser by my desk. Ink lives in the art bin or the top left drawer. The ink was not in either of these places (it was on a cabinet in the dining room behind a teacup) so it took me weeks to find it.

Sometimes the reason that ADHD spaces are so messy is because objects have been assigned homes in places that are visible and if they get moved they get lost. This is a genuinely difficult problem that requires a lot of effort to solve and can involve a lot of trial and error for creating a tidy living space. For some people, open shelving and visible storage might be a good solution. For some people, assigning a VERY clear home and inculcating that location by habit is the only way to clean up a space. For some people one very cluttered corner to at least isolate the chaos does the trick (for me and large bastard open shelving doesn't work because anything in one place for too long becomes invisible; that means that I rely on assigning things homes and large bastard relies on having contained chaos and a general idea of where to search but what that DOES NOT mean is that he is clean or tidy. His spaces look like an explosion. But he can mostly find his stuff and do what he needs to do and as long as that's limited to specific places in shared spaces I can live with it; the dining room table can be a disaster, the kitchen cannot).

People organize things differently. It often takes a while for neurotypical adults to settle into an organizational style that works for them and ADHD adults may need to settle into a new system every few months for it to continue working. The cleanup and declutter is most likely going to be a permanent project that is always going to demand some level of attention from everyone in a shared space, but "my ADHD means I can't do it" is not really going to fly. Maybe his ADHD means that he can't keep his space tidy, but it doesn't mean you can't move stuff from shared spaces into dump zones or that he can't do stuff around the house.

If he's insisting that his ADHD means that he can't clean it is possible that he's not being a shithead, he just feels helpless and doesn't know where to start and has adopted the belief that he's a useless piece of shit who can't even keep a tidy space like a grownup because he's internalized a lot of shitty attitudes (hello, my internal monologue about keeping a clean house). But it's also possible that he's just being a shithead.

It's something that's worthwhile to investigate with him. If he's unwilling to make an attempt, then he's being a shithead.

It is also not your responsibility to rehabilitate another person. If he wants to clean and it's something he feels bad about and needs some help and support with the way that someone might need help or support for learning to use a mobility aid, that is fine but you don't have to be the one who gives him that support if it's detrimental to your health, and you don't have to be the one to teach him that stuff if it's not something you're capable of. And if he is NOT interested in working on making your shared living space more accessible for you, that is not your suitcase to unpack and you just have to ask yourself the question from the start: would I stay with this person if I knew the situation was never going to change?

IDK, I'm sure a lot of this reads like "anon you must take on the emotional labor of training your partner to be an adult" but it's really meant to be more of a way of assessing yourself and your relationship. If you created landing zones do you think he'd use them? Would he get angry if you assigned a laundry basket as a dump zone for his stuff while you tidy the living room? Is living with him long-term going to be comfortable for you if nothing changes? Do you have enough of a shared definition of "mess" that you're at least in the ballpark for what counts as a clean house?

anyway good luck, and a reminder to folks that I'm compiling a bunch of adhd resources and other information on my personal website, ms-demeanor.com. It's coming along slowly but it will eventually include stuff like ADHD cleaning tips and how to tackle a hoard, so maybe keep your eye on that space.

[arminsumi]

First request ever: Can you make a story about Gojo, where their both in a relationship but gojo had to end it because he was afraid that she would be in danger?

Thank you! Keep up the good work, I love your stories!!!

LET ME MARRY YOU

↳ GOJO さとる + fem!reader

The risk of dating you his too much for him to handle, so he breaks it off, only for him to come back to your doorstep years later and ask: "Let me marry you."

2k

Note : istg each time i edited this... the wordcount grew lol. i hope u enjoyyy 🥹💗 tysm for enjoying my work it means everything

Warnings : angst -> fluff (?) -> happy ending trust me, Shibuya arc spoilers (Ep 9), manga spoilers (chapter 221)

🍒 More from Jay : Gojo works / Gojo fave works / JJK works / oct. reqs open

The risk of dating you is thrilling when Satoru's just a teenager in puppy love. But as he grows older, and heads into those dreaded 20s, the risk makes him more and more nervous.

What if something happens to you?

He presses kiss after kiss to your forehead and feels his chest tremble, feels his lips quiver, as he refrains from telling you the truth about the Jujutsu world. Satoru just can't do it.

There are so many instances of him saving you from curses that you're oblivious about. He just smiles strangely, and you wonder why he looks like he's just seen a ghost. Because he has, those pretty eyes see ghosts. But those pretty eyes also see you, "What am I looking at?" he responds after you ask why he's looking at you so tenderly, "I'm looking at my future wife." he flirts just to fluster you.

That's at the cafe, when things are still simple. He keeps thinking to himself, as he lays with you in bed some nights;

I want to marry you.

I'm going to marry you.

Please let me be your husband one day.

As if he's trying to manifest it.

Everything is okay-ish... until he gets pangs of fright when your name starts to be known outside of his closed circle of friends.

It's October 11th.

Gojo Satoru breaks up with you.

He leads you to believe that the two of you are just "right person, wrong time". It all hurts an incomprehensible amount for him, to finally cut the string that tethers the two of you together.

He sits on the stairs, head in his hands, mourning.

He starts many mornings with crying spells that last until midday.

He destroys evidence of you and him. In case anyone ever finds it and thus finds your apartment, or work, or college... or anything.

But he can't part with a very special photo. It's you and him in Okinawa, sharing a cheesy kiss at the beach. In the moment this photo was captured, Gojo remembers having whispered some dirty joke in your ear and that's why you smiled so big into his kiss.

He drifts to sleep to the lullaby lovesongs that defined your love.

Years pass, he refuses to even talk to you. The heartbreak worsens with time, he laughs when he realizes that on his 27th birthday.

Isn't time supposed to heal all wounds? Someone said that to him once. Well, they must have been lying without realizing it.

The day Gojo Satoru is sealed, he looks into Suguru's eyes, and remembers you through them. When he resides in that awful prison realm, he only thinks of you you you you you you you oh god he misses you so much that it feels like the very thought of your smile stabs his chest. Every memory is painful. Every flashback puts one more crack in his heart.

"Can't I ever catch a break...?" He laughs to himself, chattering skeletons making their eerie symphony around him.

He thinks. Ponders. Wonders. Broods. Daydreams. All about you. Always about you. Never anything else. Just his first love, from the late spring of his 17th year.

His earthly goddess.

The purpose of his benevolent actions.

He cries. And sobs. And weeps. Because no one can hear him but the skeletons and he's sure they don't mind the sight or sound of a 27 man howling in pain over a lost lover.

It's not just your relationship that he's mourning. But the fact he can't feel you in this cube... that he can't feel your presence in the world... that's worse than the heartbreak. At least through all these years, he's been able to sense your existence. Feel the subtle ripples of your soul no matter how distant you are; you'd be stood in a coffee shop, he'd be at Jujutsu High teaching, and yet feeling you.

Because as he promised to you at 17, "Half my soul is yours. And half your soul is mine. I'll always be with you even if I'm not there."

He has the biggest breakdown of his life in that little cramped suffocating claustrophobic eerie creepy box.

It's 19 days later. He's out. He's back in the world. And he feels the sense of you, your existence, swelling in his chest, tickling his mind, prodding his heart.

"Gojo sensei, where are you headed?"

"I'm gonna go find my other half." he says cryptically.

It's a stark bright day.

Gojo Satoru knocks at your apartment door.

You open it.

He looks at you, and you look at him.

"Hi."

"...hey...? Wow. Haha... you grew into your features, huh?"

Your voice fills his heart with life.

"You too... glad you still live in the same place... I was worried you might have moved out..."

"... Ah, Satoru, you'd be able to find me no matter what corner of the world I resided in."

Your laugh fills his mind with pleasant memories.

There's an a magnetism between you and him just like there always used to be. It feels like two magnets connecting at last, after feeling the distant attraction throughout all these years of distance.

"You're right." Satoru says after a silence of just staring into your eyes.

"I'll always find my way home."

A silence ensues after he says this.

"...haha... don't cry... or I'll cry..."

"... Satoru... I thought of you every day after you left me at the station."

"... me too."

"... why did you leave?"

He stares at you.

"... I was scared of you being in danger."

He gulps.

"Me? In danger? But you're the strongest, why would it matter."

Oh god that's right. You said it then when you were 17, "You're the strongest" and he carried that title with him from then. And now you've said it again. He's reminded. He feels a bit stupid. A bit ridiculous. A bit...

"You're right..." he chokes up. "I am. I could have protected you I guess..."

"... yeah, duh."

He smiles meekly.

It was more complicated than that, sweetheart. But I won't tell you.

He hesitates. He contemplates.

"I have to tell you everything... will you promise to believe everything I say even if it sounds insane?"

"Of course. What is it?"

He inhales deeply. And instead of blurting out his whole life story of being a sorcerer in the Jujutsu world, he just leans in and kisses you hard and truthfully. Cups your cheeks. Closes his eyes. Tastes you like a sweet from his childhood that he hasn't had for years. Presses to you. Takes in your scent.

Yeah yeah... he'll tell you everything in a minute.

But for now just let him kiss you until he runs out of breath.

Let him just...

"Hey..." he pulls away, gasping, "Let me marry you."

"Haha, Satoru..." you take it as a joke and laugh, because it sounds as bizarre and unexpected as one. Then you realize there's that serious look on his face. "... Satoru?"

"Can I?"

"... what?"

"Can I please?"

"... huh??"

"Can I marry you, please?"

He looks at you and waits for your answer. His poor heart. It's palpitating. His whole chest cavity inspires with love for you. This man that you haven't seen in years has just asked if you'll let him marry you — with very specific wording.

Can he? Will you let him?

It's funny in a way, because you think to yourself; this is such a Satoru thing to do... show up unannounced years later on your doorstep and ask for your hand in marriage as if no time has passed, as if you know the full story.

"Satoru... what happened to you throughout these years for you to come back to me and ask for my hand in marriage?" you ask, genuinely baffled.

He swallows slowly. "I know I sound like I've lost my mind. But I promise I haven't."

"That's hard to believe. The Satoru I remember was always on the brink of mania. A bit insane but not quite."

You make him laugh. "Yeah..."

"So are you asking to marry me out of insanity?"

"No."

"Well alright then. I guess I'll marry you."

You make him laugh again, with that funny tone. He hasn't laughed genuinely in years... it's always been that plastic laugh. But this is his genuine laugh. Silky and quiet. The opposite of his demeanor.

"I guess I should be explaining everything to you properly... before I ask you something like that."

"You're damn right..."

"... don't scold me too hard when I tell you all the reasons I left. Or, if you do, then at least hold me while you scold me. And run your fingers through my hair like you used to."

"Satoru."

"Yes?"

His heart throbs. He looks at you.

"Stop standing at the doorway and come inside."

"Oh."

You sigh. He smiles. Then he bows his head so it doesn't hit the top of the doorframe. Damn tiny Tokyo apartments. Your archway always had it out for the crown of his head. You laugh when he bumps into it just like he always used to.

So the two of you sit down and just talk. And talk. Maybe cry a bit. Actually, you cry a lot. And he holds you. And he says he's sorry. He says sorry over and over, as if the word is a bandage he's trying to wrap around all your heartbreak wounds that he caused.

"I'm sorry."

Satoru's apologies aren't easy to come by, and when you receive them, they nurse your heart. It's the gentleness with which he says it, and earnest too. Each successive sorry means more than the last.

"My angel..."

When you call him this after he vents to you about his time in the Prison Realm, and his overwhelming duty of being the strongest, he breaks down completely and just weeps in your arms.

He sobs like you've never heard him sob before, like a dog.

Finally. At least for a moment. He could be weak. Let down his guard. Be raw. Be emotional. Not a teacher. Not a sorcerer. Just your boy. Your Satoru.

Your consolation is all he wanted throughout these years. He looks up at you, eyes red and sore, nose sniffling, and stares at you like he can see your soul.

"...Satoru?"

"Marry me."

You chuckle again.

"If that will stop your tears..." you joke.

He sniffles loudly and swallows, composing himself.

"I thought about marrying you so much when we were together... 'n I tried so hard to bite my tongue when your name nearly rolled off it while talking to my students some days. I was always..."

On the verge of saying your name.

He sniffles long and hard and waits for your hand to weave into his hair.

"Will you think about it?"

"I will."

There's a silence. Satoru feels hopeful. He lays on your chest, arms around you like you're his whole world that he won't dare let go of again.

"There." you say with finality. "I thought about it. Let's get married."

"That took you, like, ten seconds."

You laugh with him. "Yeah... I already knew in my heart when you asked me at the doorway... you know... Satoru... it's funny. When you left, it felt like half my soul was gone. And when you knocked on my doorstep, it felt like I was whole again. Does that sound freaky, or does it tie into all this... Juju... Jujutsu stuff?"

He's silent.

"I have no idea."

"Wow. My future husband isn't knowledgeable at all." you joke.

His heart flutters at 'future husband'.

"Sorry." he says, smiling softly, "My mind is blank when your fingers are running through my hair."

The two of you go on and on, until you're laid in bed sleeping at each other's side. Resting. And god, did Gojo Satoru need a good rest.

In your arms, he's no longer an insomniac.

© arminsumi

Do not plagiarize / repost / translate / copy layouts / etc.

Do not steal what I've worked hard to create.

[jasmineoolongtea]

― if you think i'm pretty 𝜗𝜚 ‧₊˚

― the ways in which they lay their hands on you and can't stop thinking about it ˚୨୧⋆｡˚ ⋆

contents: gojo x gn!reader, geto x gn!reader, nanami x gn!reader, megumi x gn!reader, yuuta x gn!reader, headcanons/brief drabbles, quite suggestive (all characters are aged up!!!!), a lot of touching, making out, both reader and characters are needy and down bad for each other what can i say a/n: inspired by if you think i'm pretty by artemas and baby by madison beer, as you can see, i was very inspired for some of them compared to others so don't mind the difference in length djkajdwd

gojo satoru can't help but have his hands on you at all times. it's a genuine problem. some might even call it a disease or affliction, a deadly illness if you want to go that far.

whatever it is, he doesn't think he wants to find a cure for it. not when he can so easily coax out those wonderful sounds from you with the brush of his fingertips, those noises that are reserved just for him even though you try and deny it, and especially not when you decide you want to try and turn the tables on him.

that's how he finds himself underneath you on the floor of an abandoned office, his wrists pinned above his head as a devilish smirk graces his features. you're hovering above him, one hand locking his troublesome hands in place while the other is pressed against the cold floor to support your stance. right now, he's thinking about how this might be one of his favourite angles to look at you from.

he knows you're trying to tease him back, testing his patience and will to resist like he does with you, in a sort of punishment for his wandering hands but he can't even hide how much he's visibly enjoying this moment. it annoys you, deeply. you decide to give him a taste of his own medicine, shifting your weight onto your knees to free up your other hand so you can run it down from his neck and stopping just right where his belt sits which earns you a breathy gasp from him.

you smile to yourself, clearly pleased at your own doing. but you don't have long to celebrate your victory as it seems you've underestimated how thin his patience runs when it comes to you. in an instance and in one fell swoop, you're flipped onto your back as satoru is now the one caging you against the floor. your faces are barely inches from each other when he leans in, his breath ghosting the shell of your ear as he whispers,

"it's my turn now."

geto suguru thinks apologies are useless. in most cases, he rather you show him instead.

to him, words often get in the way of many things and even more so when emotions come into the mix, scrambling them up to the point where they are nothing more than regurgitated word vomit. he's a firm believer in the phrase, actions speak louder than words, and he's definitely not shy about carrying out said belief in his daily life.

why tell you how much he wants you when he can simply show you through how his hand never seems to leave your waist even in the most crowded of places and how his lips seem to find yours in an instance as if he's worried that they might miss his company even if just for a second.

the same goes for you. why tell him how sorry you are when you can just show him? and so you do, caressing his jaw with your fingertips while your lips roam the expanses of his neck and collarbones, making it their sole mission to map out and commit each curve and mark to memory. every kiss you place is an apology in its own way and it makes the both of you forget what you two were even in arms over anyway.

"satisfied yet, sugu?" you murmur against his skin, the sound of your voice sending tiny vibrations that grants you a pleased hum from him.

too bad for you, it turns out that he's tough to please, or rather just tough to fully satiate his seemingly insatiable appetite for you.

"not yet. actually, far from it."

kento nanami is pretty sure that you're trying to punish him for something he did.

maybe it was because he didn't tell you what was truly on his mind when he came home from work last night in fear or burdening you with worries or maybe it was because he didn't touch you then, even though he knew that you were looking too good for no one to be touching you like they should.

but whatever it is, he knows that whatever you are doing, it's dangerous.

you two were in public, wide out in the open. he could feel his breath hitch in his throat as you nudge your heel against him, dragging lazy lines up and down his leg and stopping just right next to his upper thigh before disappearing again underneath the cover of the table. as usual, you offer him no visible reaction that could possible give away your true intentions to him, just a ghost of a coy smile on your lips.

was this fun for you? to test his resolve as a gentleman, drawing it thinner and thinner into a taught line ready to snap at any second? or did you just want to see first-hand what it would be like to see come undone from your actions alone. knowing you, it would probably be the latter but he could never know for sure as it seemed that he would inexplicably always play into your hand.

with each lingering touch wherever you could get your hands on and each teasing glance at his necktie, as if you were already trying to undress him with your eyes, he had never wanted to throw caution and any ounce of public decency he still had at this point and return the favour to you.

god, you were going to be the death of him.

fushiguro megumi thinks that you're a handful and isn't shy about making it known to you.

it doesn't help him at all, of course, only earning him a sly grin from you as you continue with your wandering touches and teasing kisses, lingering on certain areas such as right under his jaw where you know you can elicit a low breathy groan from him. he tries to hide his reaction in an attempt to not give you more fuel to continue but he fails every time with his body betraying him as the tips of his ears seem to grow impossibly redder and he even finds himself subconsciously leaning into your touch.

in response to his words, all you say is, "hmm maybe, but that's what hands are for." as if to prove your point, you entangle one of his hands with yours, pulling it closer towards you and placing it right in the middle of your chest like you were inviting him to do some of his own exploration himself. he avoids your gaze, knowing the moment he made eye contact he would be done for and whatever was holding him back now would shrivel into nothing in an instant.

you giggle softly to yourself, showcasing your obvious amusement at how much he's trying to prove that he's stronger than this. you lean in closer towards him, your faces barely centimetres apart as you murmur, "and last time i checked, i'm pretty sure you have two of them."

that's when he makes his fatal mistake, looking down to see your plump lips just a breath away from his and noticing how your eyelashes flutter softly as you, in turn, look up at him through them. he can imagine your body on his lips and that's all that it takes him to use his free hand and to close the distance between you two as your lips crash against each other.

screw this, he doesn't want to wait anymore.

okkotsu yuuta is obsessed with you to the point where to others, it could be seen as concerning. thankfully for the both of you, he's never been much to care for other's opinions.

it doesn't matter if you manage to kill him, whether intentionally or unintentionally, because no matter what, he'll just come back more obsessed with you. a fact that he so clearly demonstrates whenever you're around him.

"p-please," he mumbles against your lips, his fingers tightening their grip around your cheek, "don't go." his voice is shaky with a tinge of desperation and his pupils are so enlarged with his unquenchable thirst and desire for you that you've lost track of the whites of his eyes. to him, even parting for a breath of air when it comes to you is a painful act that causes his heart to ache and swell.

yuta's never been much of a sweet tooth but he thinks you taste like the sweetest candy that could ever exist and it's as if you're covered in a layer of sugarcoating he wants to be the only person who has the privilege of being able to lick it off with his own lips. your hand snakes its way up his arm and around his neck, pulling him tighter into your grasp and he takes this as his cue to dive back into your lips.

at this point, he's no better than an addict with how much he's greedily devouring you with his mouth, wholeheartedly consuming you with every fibre of his being as his tongue desperately awaits to explore more of you and see if this is the only place that you taste sweet. all good things in this world cost something and you're no exception but whatever the price is, he doesn't care because he'll pay for it.

hopefully, he's planning to repay it now in his own sort of way.

[aardelea]

Love Languages: How They Show Their Affection

Hey everyone! I'm back with another headcanon post, this time diving into how our favorite characters express their love and affection. Whether it's through subtle gestures, grand displays, or tender moments, each one has their own unique way of showing how much you mean to them. I hope you enjoy reading it as much as I enjoyed putting it together!

Jin • Jin is not a man of many words. That’s why it’s important to understand the language of his gestures in order to feel his affection. • He shows his affection in various situations where you can count on being the only person who gets to experience it. For instance, he often lets you decide what you’ll have for dinner. Believe it or not, you won’t even notice if you pick something he has no appetite for. • When he craves closeness, he’ll send you a message, regardless of the time, calling you to his room. It’s more of a command than a request. But if you comply, you’ll find yourself wrapped in his arms on the couch or bed, simply enjoying his presence. That moment belongs to just the two of you. • Whenever you even think about wanting something special, it will appear in your room the next day. He also likes to surprise you with things you hadn’t even thought of. He catches every little detail from your stories about your dreams and passions, and when the opportunity arises, he brings them to life through small gifts.

Tohma • Both of you have strict schedules, so showing affection is key in this relationship if you want to make the most of the time you have together. Tohma knows this well. • When you see each other amidst the hustle and bustle of the academy, he gives you, and only you, his warmest smile. • He’s not a fan of showing physical affection in public, but when he crosses your path, he’ll always pass close enough for your hands to “accidentally” brush. His hand closes slightly, as if trying to hold yours. • If time and circumstances allow, he’ll quickly and wordlessly pull you into an empty room or hallway when you pass by him. He gives you a brief but passionate kiss, brushes a strand of hair from your face, and looks deeply into your eyes before you both go on your way, as if nothing happened.

Luca • Luca is initially reserved about showing his feelings for two reasons. First, he knows his best friend Kaito has feelings for you and doesn’t want to rub it in his face that you didn’t choose him. Second, Luca is a true gentleman who would never do anything to make you feel uncomfortable. • But he never tires of showering you with compliments, all of which he means sincerely. You can see it in his eyes���no man could look at you with more love. • When you’re alone, and you’re facing away from him, he loves to hug you from behind. You both linger in that position, enjoying each other’s warmth. • When you sleep together, he holds you tightly, as if afraid you could be taken from him at any moment.

Kaito • Kaito knows you love it when he makes you something, so he spoils you with plenty of sweets whenever he has time to bake for you. Missing desserts from your homeland? He’ll surprise you with them as soon as he finds a good recipe. • He’ll take many photos of you and the two of you together. While part of him loves to show off, it’s mostly because he still can’t quite believe you and he are real. Your relationship is still beyond his imagination, so he treasures every photo when you’re not with him. • He remembers every detail about you and is always looking for ways to surprise you. Love ice cream? Prepare to visit every renowned ice cream parlor in Tokyo—he’ll take you to all of them. • And of course, you won’t be able to escape his constant messages. He always wants to know what you’re doing and how you’re feeling, not out of worry or jealousy, but because he genuinely cares (though he’s no stranger to those feelings either).

Alan • Do I even need to mention how often he’ll pat your head? • He always checks how you’re doing and makes sure you have everything you need. He’ll also always offer to let you sleep in his T-shirts when you stay over. He just loves seeing you in his oversized clothes, and though he’d never say it out loud, the smile on his face when he sees you in his sleepwear says it all. • His sweetest way of showing affection is his almost casual request for you to join him in nearly everything he does. He loves having you around. Even if you’re not into physical activities like he is, he doesn’t mind—he just wants to be near you. • Wherever you are, Alan will seek your physical closeness. Sometimes, you’re not even sure if he’s doing it consciously or if his feelings just naturally draw him to you. Whether it’s an arm around your waist, moving closer on the couch, or casually holding your hand, he always seeks contact.

Sho • For Sho, love truly comes through food. So rest assured, you’ll never go hungry if this man is yours. Lucky you. • Though Leo is his best friend, he will never allow anyone, not even him, to badmouth you. Never, ever. No one—absolutely no one—touches his sweet girlfriend. • Sho will often give you small gifts in the form of jewelry. Nothing overly expensive, but always something unique. Seeing you wear it makes him incredibly happy, so you’d better wear it, because it’s also his way of marking you as his own. • Though he’d never admit it, Sho actually enjoys public displays of affection. He’s proud to have you by his side, and when you reach for his hand, he’ll pretend he’s only letting it happen for your sake, to make you more comfortable. In reality, his heart is always racing when you do.

Leo

Leo could only accept a partner who is on equal footing with him. That's why he can actually be very sweet in a relationship when he wants to.

Naturally, the maximum amount of physical affection in public will be displayed, as long as you allow it. After all, the world needs to see what a great relationship you two have. It’s a wonder you haven’t yet shared a French kiss on campus. He definitely enjoys making your admirers jealous.

But of course, he’s only doing this for the show and for the clicks when he films you both. It has nothing to do with the fact that he maximally enjoys your closeness and can’t get enough of you. Never. How could you come up with such silly ideas?

He will shower you with gifts that he "just happened to buy somewhere." Does this have anything to do with the fact that he actually listens to you and explicitly searches for things you like and that he hopes will make you happy? Such nonsense.

Haru

Despite his strict schedule, Haru will never miss the chance to show you how much you mean to him.

Every now and then, you'll get messages from him asking where you are, only for him to show up shortly after with all kinds of stuff. Surely, you've forgotten to drink enough today, right? Don’t worry, he’ll take care of you.

You’ll also receive sweet messages from him every day. At first, he’s a bit overwhelmed with flirting properly, but eventually, he gets the hang of it and showers you with subtle love declarations.

Speaking of love declarations: when he sees you on campus, he won’t miss the chance to greet you with a hug and a kiss on the forehead. He doesn't care if others see you.

Towa

Towa is a true romantic. He understands the language of flowers like no other. So, be prepared to receive numerous flowers from him. He takes the effort to present you with a special one every day, just to emphasize how unique you are to him.

He doesn't care what people around you think. He will hug and kiss you in public whenever the mood strikes.

Towa is a good listener, and even though he's not necessarily good with words, he always knows how you feel and what you need at that moment. If it's peace, he'll leave you alone; if it’s closeness, he'll whisk you away to a quiet spot and hold you in his arms until time forces you back to reality.

Wherever you go together, he'll want to hold your hand. It’s important to him to have you by his side at all times.

Ren

Ren is more the type for subtle expressions of love. So, a keen sense of perception is needed if you don't want to starve from lack of affection in a relationship with him.

The most noticeable thing for an attentive observer is Ren's smile when he's around you. He always seems much more relaxed when you’re there, and you're probably the only person who’s ever made him laugh.

In public, he wouldn’t dare show any affection, but when you're alone, he craves your touch. Even though he'll always claim you're the one who wants it and he’s simply complying with your wishes.

He also loves playing with your hair during your evening movie nights. Not having to ask for head massages definitely has its perks.

Romeo

Usually, it's Romeo who receives affection, but even he sometimes gets overwhelmed by longing, and everyone around can see how much you mean to him — and that no one should mess with you because of that.

Romeo is possessive. It’s no different with his partner. You belong to him alone, and everyone who even thinks about getting too close to you should know that. That’s why you're probably the only person on the planet who’s allowed to touch him in public without getting punched.

He lets you sit on his lap in his office when you're talking, and he makes no effort to let you go when one of his lackeys enters the room. After all, everyone knows you belong to him.

You also don’t need to worry about not being stylish enough for Romeo. He'll make sure your wardrobe is perfectly aligned with his. Expect a complete makeover. You won't recognize yourself — in a good way.

Taiga

Regardless of his moods, Taiga is definitely a physical type. This means that he loves to show his affection through hugs and kisses of all kinds, as long as you let him. His lap is your second home.

He may not be greedy or superficial, but he has taken a liking to showering you with gifts. Though, in most cases, you’d better not know where they came from.

Depending on whether you’re okay with it, he’ll either nibble on your ear and cover your neck with kisses when you two are alone. He just loves it.

He practically lets you move into his room because, as his good luck charm, he always wants to have you near.

Ritsu

The first thing anyone who knows Ritsu even a little would notice is the fact that he doesn’t talk to you like a potential client, but actually like his girlfriend. Even though he would never, ever talk to you in a childish manner or give you pet names in public. That’s simply not his style, love or no love.

Ritsu has good manners and knows from several sources that it’s proper to take a lady out to dinner. So, he regularly dresses up and takes you to the finest restaurants Tokyo has to offer.

Since he wants to be taken seriously as a lawyer, he refrains from physical contact in public. But since he still wants people to recognize you as his love, it’s acceptable to link arms with him.

Though he seems rather stiff, he does enjoy hugging and kissing you. It should just happen in private.

Haku

Haku is an incorrigible charmer and will shower you with compliments anytime, although you often have to read between the lines of his jokes to find them. However, the longer you're together, the more serious he becomes with his compliments.

Physical closeness is something Haku finds very comforting, so he loves holding hands or walking with his arm around you.

He also won’t hesitate to kiss you passionately in public. Of course, he’ll refrain from doing so if it makes you uncomfortable.

Additionally, he regularly invites you on dates, making an effort to keep them as varied as possible. By the way, long walks are not considered actual dates for him but rather a standard activity.

Subaru

Due to his stigma and his rather reserved nature, Subaru will initially refrain from showing affection through physical closeness. Instead, he expresses his feelings in a more subtle way through many small gestures.

Even though he values having enough personal space for both of you, he places great importance on seeing or at least hearing from you every day. If you couldn’t meet during the day, he will call you at night to wish you goodnight.

Another way he shows his affection is by sharing his memories and feelings with you. Normally, he doesn't like talking about himself, but with you, it feels so natural to share his deepest thoughts that he doesn't mind at all.

Whenever there's an event he thinks you might enjoy, he’ll make sure to arrange everything so you can attend together. After all, he wants to make sure you're happy and that you experience lots of things together, helping you grow closer.

Zenji

Zenji is a master of words and will primarily express his affection verbally, especially when there are no other alternatives. This might be in the form of poems or songs that he has written exclusively for you, meant only for your ears.

He’ll also always keep you company whenever you need it. He loves staying up with you late into the night, talking about everything under the sun until you fall asleep. Seeing you so peacefully and safely in bed is the greatest gift for him.

You'll often find little hidden notes from him, wishing you a good day, asking for a smile, reciting a short poem, or revealing his feelings. You usually discover them much later because he hides them so well.

Wherever you go, he will watch over you. Even though he may no longer be able to protect you himself, he’ll make sure you’re safe.

Rui

Rui’s days of physical affection are unfortunately behind him, so he has had to find new ways to express his feelings. His first idea was to gift you a small teddy bear, which you can cuddle whenever you feel the urge to hold Rui instead.

If you’ve managed to convince him to enter a relationship, he will generally want you to have something that shows you're taken. So, he'll gift you some sort of special piece of jewelry — most likely a ring. Although Rui's the one constantly surrounded by admirers, he's the one who is deeply afraid of losing you because he believes you're too good for him.

Rui is incredibly attentive and can literally read your wishes from your eyes. If it's within his power, he’ll fulfill them. This also means he always knows how you’re feeling, as he can read you like a book. So be careful what you're thinking!

When you're out together, he gives his full attention to you alone. Even though he may use his usual charm when approached by others, especially women, he never gives you any reason to worry.

Ed

Usually, Ed is the type who craves attention and affection, but he’s also capable of expressing his own feelings.

Social conventions matter little to him, as he doesn’t see himself as part of society. So, you can expect him to show affection at any time or place — whether through hugs, kisses, or his hands wandering elsewhere on your body. That is, if you allow it.

You’re never quite sure if he actually wants to bite you, but he loves passionately kissing along your neck. The fact that he rarely breathes during this makes the situation just as eerie as it is arousing.

He regularly texts you about how much he misses you and what a cruel person you are for leaving an old man alone. After all, he always wants you by his side, no matter what you’re doing together. It’s more than clear that he finds you far more interesting than he would ever admit.

Lyca

Lyca is known for having no experience with women, let alone relationships. Therefore, he reacts quite shyly to anything you do involving physical contact, making it difficult for him to initiate gestures himself.

If you do anything that even remotely puts you in danger, he’ll call you an "idiot." He worries about you practically every second, so don’t hold it against him.

He’s trying his best to live among humans, so he observes people a lot. On campus, he watches couples and tries to pick up certain behaviors from them. Depending on the couple, this can be more or less awkward. Shy attempts to hold your hand, sharing lunch, or stroking your hair — he’s really doing his best to make things work between you.

Most of all, he shows his affection by wanting you to accompany him everywhere, especially when he’s discovering something new. You’re meant to be part of his journey toward humanity.

If you enjoy his drawings, he’ll be more than happy to paint anything you ask him to.

Yuri

Yuri is a very passionate man when it comes to his work and research. However, when it comes to dealing with women, he lacks much experience. Still, his innate enthusiasm for you is definitely in your favor.

He will gradually involve you more in his work, asking you to help him in the lab whenever possible so you can extend your already-too-short time together. He’ll even send Jiro away more often just so you two can be alone.

Whenever Yuri makes a significant discovery or feels proud of an accomplishment, he becomes filled with energy that he needs to release. He'll pick you up, spin you around, and then give you a passionate kiss before turning back to his work. Only after a few moments does he realize what just happened, as you can see from his blushing cheeks — always an adorable sight.

Despite his tight schedule, he’ll try to regularly take a night off to have dinner with you. He understands that variety is key to keeping a relationship alive.

Jiro

Jiro initially struggles to identify his feelings for you, so you'll need to be patient if you want to feel his affection.

He’s not a man of many words, so you're more likely to experience physical affection from him. Once he’s had a taste of you, he’ll want more of that sweet feeling. Why does his heart beat so fast when you touch him? Why can’t he think clearly when your hands brush his cheek? Why do his knees go weak when he feels your skin touching his own? These are all things he needs to thoroughly experiment with to understand the obvious cause.

The most beautiful thing for him is your smile. He’ll do anything to bring it out — whether through jokes, gestures, or giving you flowers. He quickly learns how to behave in ways that get the desired reaction from you.

He’ll also ask you to do ordinary things with him, such as eating or cleaning or activities that foster a deeper relationship. Very soon into your relationship, he’ll realize that everything is better with you by his side.

[theminecraftbee]

alright, so, one more thing i've been thinking about during all of this, and apologies, because i normally try to keep my blog fairly discourse-free in the grand scheme of things. but.

there are hermitcraft fans who act irritatingly morally superior about this fandom. i think it's out of some impulse to try to distance yourselves from any other mcyt fandom. it needs to stop.

the worst behavior during the polls was from the hermitcraft fans.

period.

there were so many instances of hermitcraft fans accusing the other side of cheating, of hermitcraft fans making attacks on the character of their guy's opponents, i have heard what i HOPE are isolated reports of racism in the grian/quackity fight (it was genuinely impossible to keep up with the blog's notes that round without both going into a death spiral thanks to the horrible behavior of scar fans during techno/scar and also without losing track instantly of where we were due to the frankly insurmountable volume of notes, so i did not see it, but unfortunately i fully believe it). i have seen people receiving awful asks - saw people being accused of 'betraying' the hermitcraft side due to voting for quackity or techno, for example.

and for a fandom that likes to act like it's better than the other guys, well. the dsmp fans were generally very well behaved in comparison. (shoutout, for example, to quackblr - i saw maybe one or two possible instances of bad behavior, but for as intense as you all were, you all were normally mostly just retaliatory towards whatever energy was thrown at you.) it wasn't supposed "outsiders coming in" that was doing this bad behavior, either.

folks, you can't blame the dsmp when the problem is inside the house. you can't blame twitter users when you're doing it here. you can't blame the reddit when you're the ones throwing the first death threats.

get off your high horses. we're all mcyt fans. we're all having the same fun. get off your high horses. you can hardly claim we're entirely all "unproblematic" when keralis accepted a sponsorship from the wizard game and xisuma periodically gets another round of getting shouted down over something he said on xisumasays. get off your high horses. you can't claim we're the accepting, good behavior fandom, unlike those other guys, when you're the ones causing the problems.

now, as always, i'm sure this is a law of large numbers thing to some extent. as technoblade, wise as he is, said: sometimes when you get a large enough group, you're going to have a few serial killers. but for the amount that hermitblr likes to act better than Those Other Minecraft Fandoms, and those Other Fandom Websites, it wasn't those guys that made me cry.

to be clear, the majority of you have been well-behaved. but there's a persistent tendency in this fandom to act strangely morally superior to other fandoms. and, y'all? you aren't.

you just aren't.

and the sooner you acknowledge that, the less likely this is to happen again, because once you admit that yeah, we can be toxic too? that's when you can start actually looking at yourself and trying not to be.

anyway, sorry again to make this post. i don't want to be a downer, hence why, outside of the official mod statements of "chill the fuck out", i didn't make this until now. (it also helps that i wanted to wait until i was no longer furious, upset, and death spiraling.) i have seen a lot of the best of this fandom over the past two weeks! i've just also, unfortunately, seen some of the worst, and feel the need to make this statement because it's just... been eating at me.

i don't want this to continue to be a trend. i think we can do better. do so.

[shortie-stack]

I've seen a lot of posts comparing Bill and Ford (and for good reason, they are very much parallels and foils to each other) but I haven't seen as much exploring how Bill and Stan mirror each other. Where Bill saw Ford as a tool and maybe even sympathized with him because of their shared experiences (outcast by their peers for traits beyond their control, hungry for knowledge and prestige, isolated from friends and family), Bill sees Stan as the embodiment of everything Bill hates about himself. on the website, entering "Stanley" and clicking enter a bunch of times opens up pages from Bill's perspective about how stan defeated him. Bill maintains that Stan didn't actually beat him, that it was Ford's plan, that Stan just got lucky, but we know from the show that that simply isn't true-- it was Stan's plan and it was Stan that defeated him. It's interesting to note that bill is okay with giving Ford the credit for his demise, but Stan? unacceptable. we'll come back to that though.

To Bill, Stan is simultaneously everything he hates about himself and everything he wants to be. When listing all of Stan's faults, Bill calls him a "side character, a resume-inflating, cheap trick loving, past denying overgrown child protected by failure only by a forcefield of denial and shamelessness". who else do we know who ticks all of those boxes? Bill himself is a side character for much of gravity falls in the real world, but in the context of the show this statement shows his fear of not actually being anything special. sure he was powerful in his home dimension, but we see time and time again that there are other beings in other dimensions that are just as, if not more powerful (the axolotl, for instance). Bill takes credit for liberating his dimension when he really didn't, he "honors" his deals through loopholes and turns if phrase, and he shouldn't be throwing stones in a glass house, seeing as he's the one having a temper tantrum. Bill is also deeply disconnected from his past, if him telling us the story of the demise of his home dimension is anything to go by, and only digs himself in a deeper hole through putting on this cheerful, confident, powerful persona. Stan does the same thing, especially as Mr. Mystery. but the thing about Stan is that he grows and changes as the show goes on, while Bill's mindset is perpetual. They both were cut off from their family because of something they did (Stan messing with Ford's project, Bill by destroying his entire dimension), but Stan allows a new family to get close to him and chooses to make sacrifices to make his niece and nephew (and even his employees to some extent) happy. Bill on the other hand, surrounds himself with henchmaniacs, yes-men who just want to party and will follow him as long as he shows them a good time. Every depiction of Bill is a window for him to look through, and with so many in the mystery shack, it's certain that he sees Stanley, the embodiment of everything Bill hates about himself, getting what Bill thinks he could never have. and Bill hates it because it means that if Stan can grow and change and make peace with his past mistakes, it also means that Bill can too. But that would require Bill to actually be vulnerable and endure the pain that confronting your past (many, many) mistakes brings. He would have to acknowledge and accept that his home is gone because of him, that countless lives have been ruined because of him, and that the reason he has never been able to maintain close relationships is solely his fault. But he won't. And as a result, he will always end up alone, a king of ashes.

I think Bill thought of Ford as a way to fill his emptiness because of their similarities, and possibly also because he saw Ford as a form of redemption. Ford was brilliant and good and just like Bill and Bill saw that and may have thought, if he likes me there's no way I'm a monster. in a way, Bill saw Ford as the only one worthy of killing him because if it was Ford it was just a forgone conclusion: Ford hasn't made Bill's mistakes so he is automatically "better" than Bill and Stan, so obviously he could kill Bill. but to have it be Stan means that someone who has messed up in a manner similar to Bill has the capacity to be better. and that shakes Bill to the core.

[raven-at-the-writing-desk]

an impolite use of magic

I was rereading Malleus’s Dorm Uniform vignettes to gather information for another post! Something that stuck out to me upon the reread was how magic can be used in an insulting or disrespectful way. We often hear about how both NRC and Twisted Wonderland itself has many rules and regulations which govern magic and its uses—but it seems there is a social component too.

A quick summary of the aforementioned vignettes; they center around Malleus trying to make it to a dorm leaders meeting. After his peers fail to successfully remind him of their appointed time and day, Malleus decides it would be easier the other dorm leaders come to him rather than him going to them. He then casts a spell which transfers those he wishes to meet with (the headmaster and dorm leaders), bringing them directly to him. This is where it gets interesting, because it is Malleus using this spell on his peers that offends them.

Azul indicates that he had never been treated with such disrespect and that Malleus’s act is an insult. Vil and Leona express upset that Malleus seems to think of them as nothing more than objects, luggage, a pen, or a book. Malleus says he does not understand why everyone is mad because the same spell he used on them, they use all the time to summon their magical pens to them. Riddle clarifies: “PENS ARE OBJECTS AND WE ARE HUMAN BEINGS!!” Lastly, Idia likens the situation to being treated like a familiar that Malleus sees fit to summon at his beck and call, which is also just as irritating.

Judging by the other dorm leaders’ reactions, we can infer that most mages find it extremely impolite to have a spell which is typically used on objects cast on them/living beings. Riddle implies you must obtain consent before doing so, otherwise it violates decorum. (This aligns with the idea that magic is usually formally regulated; for example, medical mages must still get their patients’ consent to operate on them or to heal them.)

Reviewing the other lore we know of, this piece of magical manners (?) makes sense. It seems to be okay to cast object-oriented magic so long as permission is granted. For example, in Floyd’s Labwear vignettes, Adeuce are shown practicing color changing magic on an apple. Vil would use similar color changing magic to alter his and his father’s clothes when they were being hounded by the paparazzi. A similar situation would occur in Lilia’s Suitor Suit vignettes, in which Malleus uses his magic to create a suit on Lilia that perfectly matches his image. I’m sure there are many other examples you could think of; these are just the most obvious ones that come to my mind.

Where does that leave us? Well, with a bunch more questions!! Firstly, what else is considered rude use of magic? Secondly, are spells which violate control over one’s mind and body also considered transgressions of social norms??? They must be, right?? Then why was everyone so chill when discussing how Ruggie and Jamil used their UMs in the main story compared to Malleus casting his transference spell? Isn’t having someone else’s will overwrite your own equally as, if not more, degrading and dehumanizing??? (We do see the the other students upset about the magic being casted on them after the fact, but talking about the possibility of it isn’t done with horror; maybe because it was already established that doing these things is a no-no.) In which case, Ruggie and Jamil, who have UMs meant to be used on living beings anyway, is also “impolite” because their spells still violate other people’s autonomy. Why isn’t this banned by law or at least regulated?? Because it’s too hard to control through legislation alone? (That actually makes sense 💦)

What about when Deuce cast a floating spell on Ace to launch him at the chandelier in the prologue? Or the time NRC students made rude Halloween goers (Magicam Monsters) leave campus by floating them over the school gates?? Were those instances considered impolite too???? And is it more impolite to use magic against a non-mage (since they cannot defend themselves) than against a mage? They mention in Terror is Trending that there are laws against using (attack) magic on non-mages, but what about non-attacking spells and with consent like color changing magic???

What are the rules around casting magic on sentient objects like the Mirror of Darkness, is that considered rude as well since the object is “living”? Do ghosts count as “living” enough to be offended by having an object-oriented spell cast on them? Where do blessings and curses fall in this, since those can be cast without consent (Lilia on baby Silver in book 7) and can also be cast on objects (Vil with the gifted cake and pie in book 5).

I must.. know… 🤡

[usagifuyusummer]

Family Dinner Night!

Congrats Peri(winkle) for finally getting the Godparenting license!!! 🥳🥳🥳 - from your loving parents and godbrother 💖💖💖

More concept art and as usual my insane ramblings below.

I NEED TO GET THE CREATIVE URGES OUT OF MY HEAD!!! It has been bothering with my motivation to finish my gazillions of homeworks lmao. I have so many ideas I need to let out!!! It's suffocating. I hope this will satisfy my creative urges for a while... Or not I will yap about my FOP AU on a separate post (when I'm able).

I can't stop being sad thinking about this family lol. Timmy 😭😭😭

I am not kidding when I say that my head is just filled with so many things that I want to contribute in the FOP fanworks lol. There's a lot I want to do, but so little time...

For now, I've decided to practice my take on the FOP artstyle. I wanted to do something simple as drawing and coloring practice. That's why the coloring this time is flat with no shadings. I think the show doesn't focus on shaded colors too much (except on scenes where there's a heavy implication of day/night, for shock value, etc.).

Just wanted to draw something cute because I haven't been feeling so swell lately. Nothing too poetic or detailed this time.

Other than that, two of the outfits this time is actually inspired by @suki-na-kumo for Peri and an image I found floating around in Twitter/X (sorry I don't remember who shared it) for Timmy's design. Suki-na-kumo's FOP family redesigns are so cool and adorable! I like that they always include flowy attributes in Peri's outfits lol. It makes him look like a pampered brat (which he kinda is seeing how his family coddles him), an otherworldly prince and also a Twink TM (that is unavoidable lol). I kinda want to draw their other FOP redesigns, but I'll just go with Peri's first.

I am not sure where that 18 year old Timmy design is from, but it kinda can be his design for those who theorise him on becoming a lawyer as an adult. There's a lot of instances where Timmy is wearing a suit in the show, but this design is one of my favs due to the hairstyle change. My adult Timmy designs in the future will be influenced from this piece of official art. I wonder if there are more Timmy designs in the wild wild west out there that I haven't seen... It is certainly an interesting find (Teen AJ is also there, and his design also looks cool to me).

Cosmo and Wanda's oufits are something that I cooked up. I don't think the coloring looks good... I just did this on a whim, and for about 13 hours. Damn, I am procrastinating on my work lmao.

Still, the context this time is, that they've had a family dinner to celebrate on Peri's achievement on finally obtaining his godparenting license!!! Good for him!!!

This is an AU if Timmy somehow was able to find a loophole in the "losing your memories of your fairy godparents after you become an adult" rule. Because of that, he continued his life as normal (as Timmy's chaotic life can be), but this time he is able to keep in contact with his fairy family even if they're not contractually obligated to stick together. Timmy does live with the Fairywinkle Cosma's around his college to early work years, but he eventually was able to move out and live on his own at where he works as a lawyer after a while in his adulthood. (His birth parents eventually went on a lifetime vacation without him or just went away for too long that Timmy just lives on his own a lot after he is 18 and above...)

Despite living on his own nowadays (In a New Wish context), Timmy does keep in contact with his fairy family and visits them when he's not busy with his job. Cosmo and Wanda still took a long vacation in this AU, first due to, yeah, Timmy is no easy feat as a godchild lol, and second, they actually want to take their time to raise BOTH of their children (even if Timmy is no longer a child/godchild) and guide them until they're stable adults. Timmy during college years actually only stays with the Fairywinkle Cosma's on holidays, so when Timmy's busy with college, that is when Cosmo and Wanda take their time relaxing lmao.

Sometimes when they really want to have some time alone or when Peri wants to see his bro, they will send Peri to Timmy's college for a day or more. Timmy babysits Peri so much during his college years lol. They both had fun though! With a lot of Peri newfound nuclear fairy power shenanigans at Timmy's college lmao. Studying law and taking the bar exam has never been more chaotic with babysitting a nuclear powered fairy child.

There's a lot more on this AU that I've been thinking, but I'll stop here for now. I need to gather my AU ideas in one post sometime later.

Also, Peri and Timmy are both adults here, Peri's around his 20's here and Timmy is on his early 30's I think. Cosmo, Wanda, and Peri are in their human disguises here, because they want to learn more about human culture (A New Wish context) while also having the desire to be more in Timmy's life.

I headcannon Timmy to be kinda short in his adulthood. This is also a nod to that episode when his fairy family used imperfect human disguises, even Poof/Peri was taller than Timmy in his human baby disguise lol. And also hey, wearing braces during his teen years paid off! (his big teeth are visible only when he opens his mouth lol)

As usual, here's some concept art and a png lineart pic if you want to use it to color it better than I did lmao. (that was a long yapping session... thanks for reading)

[lapinparka]

One of the things I really love about Neku is how I feel he's written as person first and a playable character second.

This is obviously clear in the beginning, where a lot of his actions or thoughts will end up frustrating the player, or outright making them hate him. But I think it comes back at the end too, during the final duel, at the point where his development has made a lot of people forget the kind of person he was at the start.

There's a lot of cases where people don't understand why Neku lowers the gun, or complain about him doing it. I've actually seen instances of people either mad that he doesn't shoot, try to rationalise it by believing his final entry fee is the bullets in his gun (despite this contradicting the outcome of the scene), or at one point, in the comments of a YouTube video, claim that the scene should've had two choices, which allows the player to pick whether he pulls the trigger or not.

These kind of reactions fundamentally miss the fact that Neku is not the player. He is not a self-insert character. There are points in the game when he is conflicted, where you can choose between two things and he'll do either - but when he's truly set on something, there's nothing you can do to make him stray from that path. He won't abandon Sota. He won't join Megumi. And he won't shoot Joshua. You're not even given a choice in the last situation, because it was never about you.

Many other games would have the option to shoot, and moreover, would have the choice to lower the gun result in the Bad Ending. This is why people are fine with him aiding Sota or turning down Megumi - because those are the classically "heroic" options. Choosing one boy over a city of people - the same boy who just revealed he caused Neku's death - is not generically, universally relatable, or feel good, and the scene itself reflects this too. It's sombre, painful, accompanied by tears. It's Neku making a choice that he believes will result in Shibuya's destruction, a choice the average player absolutely would not make, and that's what causes the confusion or anger. It also really serves to reinforce how Neku understands Joshua in a way both people in Joshua's own life and people watching him through the screen don't.

Neku will connect with people you dislike. Neku will make choices you disapprove of. Neku won't shoot Joshua, ever. The game itself asks you to try and understand why he does this, like Neku himself tries to understand those around him, but some players just won't make that effort.

Neku is such a good character because you can relate to him, you can try to understand him, but he isn't and will never be you.

[starqueensthings]

A very Crosshair Character Analysis

I posted a poll the other day looking for some opinions, and the prompt was: does Crosshair ever truly miss a shot? Meaning, of all the shots we’ve seen him aim and fire, how many of the few that didn’t land, were intended not to land? Does Crosshair have the skill and ability to land every shot he takes, and what of the ones that go astray (because there are some!)? The overarching, collective opinion (77% of votes) is that the sniper only misses a shot when he intends to, but let me explain why I was asking— the "methods behind my madness," if you will… (Fasten your seatbelts, and keep all extremities— and pitchforks— inside the ride!)

If Crosshair “doesn’t miss”, then there are some things that demand consideration and possible explanation. Please accept this weird internet essay as a deep dive into Crosshair’s character based solely on how I perceived his actions throught season one and two, and opinions I formed while watching his character develop. And while this could not be a Tech-approved analysis without touching on both his perceived good qualities and “flaws”, please know this is not a hate-on-Crosshair post.

Before I get into specifics, I think it’s imperative that we establish a basic understanding of his personality before the chip’s activation. While there is, sadly, not much “footage” we can use to form a true characterization of him, there are some instances we can touch on. The Skako/Anaxes arc from TCW and the earliest few moments of “Aftermath”, Crosshair is shown to be quite sarcastic, uninterested in trivial conversation, measurably combative toward those with differing opinions to his (seemingly all regs, including but not limited to Kix and Jesse), moderately argumentative toward leadership outside of his own Sergeant (mainly Rex, as Crosshair seems to have no qualms following Anakin’s or Cody’s orders), comforting to those who need it (Echo), and an overall good tactical team player.

So, let’s start this analysis by dialling things way back to their mission on Kaller and the complications that arose once Order-66 had been dropped. More specifically, hunting Caleb down in the forest. One of the things I noticed upon first watching that scene and every re-watch since, is how often Crosshair toggles back and forth between blaster bolt and stun cartridge on his rifle, as if constantly battling the indecision of exactly how he wanted to detain the Jedi. Now, if you remember, Tech com’s in and basically says [paraphrased obviously]: “Shit is starting to his the fan, we better get our butts outta here,” to which Hunter responds: “Can’t. Haven’t found the kid yet.” Crosshair then chimes in with, what I have long-deemed to be his catch phrase: “Wrong,” and proceeds to shoot the branch that Caleb is perched on. Not Caleb, who, in Crosshair's mind, should be the rightful recipient of a kill shot… the branch. Hmmmm.

If every one of Crosshair’s shots is so masterfully aimed that its deemed an automatic hit, and thus every miss is intentional (a notion of which I also believe, less one particular shot which I’ll touch on a little later), then there would’ve had to have been a portion of Crosshair’s cognition overriding that Order-66 command to eradicate all Jedi, even if it was only enough to fleetingly switch his gun to stun.

Not long afterward, we see his beloved Firepuncher saber-whacked from his hands, and Crosshair opts to then continue his attack with his backup DC17. Missed shot, missed shot, missed shot, missed shot. Were these blown shots intentional as well? And if so, why does he continue to assail the Padawan? Is Crosshair only able to fight off the command to kill Caleb while his finger is on the trigger, possibly knowing that’s when the fight against his own mind becomes most crucial? Is he clinging to some autonomy in the moments where he’s not posing an imminent threat to those around him, like during the flight back to Kamino? Or can he only resist the chip’s influence when the urge to do something terrible is paramount?

Let’s skip ahead, shall we, to when the Batch is attempting to flee Kamino with Omega. Crosshair sashays onto the landing platform in his new gothboy armour, fresh out of an undescribed chip “augmentation” procedure (whatever that eludes to), and proceeds to have a small stand off with Hunter— both of whom have their weapons directed pointedly away from each other (interesting). During the succeeding fire fight, we see Crosshair line up several well aimed shots, many of which appear to be only inches away from landing on their “intended target”. He eventually succeeds in shooting Wrecker in the shoulder, and I’d like to point out that this shot lands almost exactly where Wrecker was hit by the training droid some hours/days previously. Was the placement of this shot intentional? Did Crosshair pick that particular target area knowing Wrecker would survive the damage?

The shot I find most intriguing is the one near-perfectly aimed at Hunter’s head (lol— brothers). You know, the one where Omega saves the day by unexpectedly blasting Crosshair’s rifle out of his hands. If the chip's activation was the reason he was now hunting them and claiming their treason, why had that moment seen him hesitate? Perhaps he needed a second to line up his shot, you might argue to which I would say argue: we’ve seen him use the active recoil from that same rifle to line up his next shot many times in quick succession with a zero margin of error (see the Skako/Anaxes arc in TCW and the first few minutes of Kaller), including when each shot was aimed at targets both more dynamic in action and further away than Hunter was.

Crosshair then takes several shots at the ramp of the Marauder as they take off, all of which are well aimed… and simultaneously redundant; the passengers are taking cover in the ship already, the Marauder has begun its take off, the ramp is closing, Crosshair running whilst knowing he can’t reach them. I personally attribute those last few shots as tokens of both anger and resentment for being left behind, not ones made with the intention of killing. I think that he expected his brothers to know him better than to believe these actions were of sound mind— he thought they’d be able to deduce that he was fighting a losing battle inside his own head, yet they were quick to believe he would actually entertain such sudden and aggressive hostilities toward them.

At this point, you might be itching to argue that maybe Crosshair's accuracy is largely diminished when he opts for a pistol instead of his rifle, and while I can't dispell this theory, I can provide some statistics. We see Crosshair use a pistol only four times in the entirety of the show so far: 1. against Caleb on Kaller (objective miss), 2. against the Batch Batch as their leaving Kamino (objective miss), 3. against a soldier while he and his new elite soldier squad infiltrate Saw's camp (direct hit), and 4. against Leiutenant Nolan when that asshole he gets on Crosshair's last nerve at the Outpost (direct hit). I will leave it up to you to decide if the theory of whether his skill level changes based on the weapon he's firing holds any merit, or is worth further discussion.

Moving on— the 99-clan is reunited on Bracca. Let’s turn our attention to the shot Crosshair takes at Tech whilst the latter was emerging from the ion engine, and I’m going to include pics this time to support my assertion.

Crosshair has an undeniably clear shot— his line of sight is not impeded, there are no environmental or atmospheric disturbances to disrupt his composure, he was ready and waiting for them to appear. The shot that he fires lands a good distance in front of Tech. Though the unexpectedness of it was enough to startle the genius into nearly falling out of the engine, I believe it was intentionally aimed this way (see below). A warning shot if you will. A “Hello, I outsmarted you and am waiting at your point of attempted escape. Stop trying, and get down here because I don’t want my new imperial cohorts to take aim for me and kill you” shot.

The next arc (Ryloth) quickly demonstrates that any neurological augmentations he’s been subject to (at this point, I believe we've been shown two, but have been led to believe there were several), have had no effect on Crosshair’s infamous sniper skills. First, he fires a perfectly aimed tracking beacon onto the moving target of Gobi’s ship. Then, upon the ship’s return, uses a single shot to disable one of the engines; a shot taken from, what appears to be, several kilometres away and having the immediate desired affect of disabling the ship. Finally, he makes the astoungingly precise shot (and I’m using astoundingly very heavily here) of blasting Senator Taa in the head. This shot, more than the previously mentioned two, are a sign of his impeccable marksmanship. Let me remind you, he was an undisclosed albeit very far distance away, on the opposite ridge of an enshadowed canyon, and is still able to shoot the senator in a place in which HE WOULD SURVIVE the attack. And not just survive, “make a full recovery” as Rampart claims afterward. This is unrivalled accuracy, and while I do not support the assassination attempt in itself, I can not deny how much skill was required to have achieved it.

My next point is something I have always personally found quite compelling, and it occurs in an off-the-cuff, likely forgotten about piece of dialogue.

Brief context: Crosshair has scooped Hunter off of Daro, they’ve landed on Kamino, and the duo (and a third soldier) are on their way to the Command Center to await the rest of the squads arrival. One of Crosshair’s elite troopers waits until he departs the platform before approaching Rampart and saying: “I question the clone’s motives with his old squad. I don’t trust any of them.” I’m intrigued to know where such a potent mistrust began. Is it simply because he’s a clone? A person born and raised unnaturally in comparison to someone with a traditional gestation and upbringing? Or has this soldier previously identified possible cracks in Crosshair’s imperial facade? Has Crosshair failed to hide his distress in quiet moments where he possibly longs for the life he had with his brothers? What is it that triggers this soldier to suspect Crosshair has an ulterior motive in capturing his old squad, and one that they’re apparently worried would not coincide with Rampart’s ideals?

Ramparts reply, in my opinion, gives us a well disguised clue: “If his plan fails, none of them will be a problem any longer.” If his plan fails. Crosshair’s plan. Crosshair has a plan for mobilizing his old family into one place, and what is it? Is he concealing the hidden objective of a reunion with his brothers under the guise of squad assassination? Was it always his plan to eliminate his new elite squad members, hence the perfectly placed mirror pucks we see him utilize in the training room, to make room for his old squad?

Remember, Hunter asks him some time later: “So this was your grand plan? Bring us here and kill us?” Crosshair answers: “If I wanted you dead, you would be.” And this is a statement which I believe to be incontrovertibly true. He has never wanted his family dead, despite having both the resources and skill to ensure they would be if that’s what he desired, but no. He’s angry that he’d inherently felt more loyalty to them than they had shown to him; frustrated that their choices post-Kaller did not align with his expectations of their choices, disheartened that they hadn't initially recognized to his choices to be ones made outside his character, and Crosshair now eagerly rebuffs their every excuse. Reference the spoken: “They don’t leave their own behind… most of the time.” . . . “You tried to kill us, we didn’t have a choice.” . . . “And I did?”

And follows the: “We’re loyal to each other, not some empire.” . . . “You weren’t loyal to me. I was one of you. You may have forgotten, but I haven’t. And it’s why I’m going to give you what you never gave me: a chance…” conversation. (Just stab me in the heart and twist the knife around, Jennifer!!!! Ouch!!! I'm still not over this!)

Was this his plan? To lure his brothers back to their home, and indirectly beg them to join the empire? To offer them the chance to join the ranks of those who have relentlessly hunted them, in the hopes that there might be some semblance of safety in conformity? To reunite the elite squad that they were in the days of the Republic (the original elite squad of which Rampart is trying to replicate with tactically inferior recruited bodies), simply for the safety that joining the empire could potentially promise? Is this the first demonstration of Crosshair using hostility to shield those he cares about from the callous clutches of the empire that he’d become painfully familiar with?

Regardless of the still-unexplained motive, Crosshair’s plan fails. Hunter has either become, or has always been, as protective of his family as Crosshair is stubborn, and he would never willingly subject his brothers (and now sister) to a life of committing abhorrent war crimes in the name of an Emperor who rose, uninhibited, to extreme and unnatural levels of power whilst abolishing the Republic of which they'd previously served. That’s not what their squad was made to do, despite Crosshair trying to convince Hunter perhaps maybe it was.

Unsurprisingly, Crosshair’s pitch falls on deaf ears, even despite killing his elite squad as an offering of trust. Once the training droids have been taken care of and the fray had subsided, Crosshair stands to find Hunter now has a blaster pointed directly at him, as does Wrecker— (Echo and Tech, curiously, keep their weapons pointed away), and the tables have quickly turned. Hunter begins his own plea to his brother, and it leads to a very ambiguous admission. Hunter: “Crosshair, forget the empire. This isn’t you, it’s your inhibitor chip.” Crosshair: “Wrong. I had my chip removed a long time ago.”

What degree of this admission is true? All of it? Parts of it? None of it? Was Crosshair only told that his chip was removed during one of the apparently many augmentations he’d been subject to? Was it removed and replaced with an alternative? Or was it truly extracted, and his questionable actions have been entirely his own? If so, was it the fall of the Republic that spooked him enough to join the ranks of an unknown empire? Did the thought of disobeying orders bother him enough to sacrifice the family dynamic he’s always known, and replace it with a safe sense of conformity? And if this is the case, was missing all of the shots he’d aimed at his brothers, a veiled display of love?

Atop the water hours later, Tipoca City has fallen. Due to their imminent death, Crosshair and his squad have been forced to work together to survive. Tech makes a lingering comment about Crosshair’s unyielding personality being outside of his control, and it’s still ringing in our ears at this point because it implies that a lot of this misunderstanding may just be because of how strongly Crosshair forms opinions, and how only one of his brothers understands that about him. Omega is mid-drowning trying to save her droid friend, Hunter is .4 seconds away from leaping into Kamino’s frigid and turbulent waters to try and retrieve her… and we see Crosshair grab his rifle. This is a shot, of any, that I would expect him to miss— water both impedes and shifts the trajectory of a projectile and mathmatically accommodating for this would take some serious, well thought out calculation; the only usable light for aiming is from the burning remnants of their home, and the container in which Crosshair is perched heaves and tips with every wave.

But he doesn’t miss. He, again, demonstrates that he can make any and every shot he wants to. He lands his shot on AZI’s chest (not dissimilar to where he shot Wrecker, on an obviously smaller scale), and pulls Omega from the depths of the water. Upon turning to see his brothers poised and ready to shoot him if they deemed the need appropriate, I think Crosshair realizes how monumental the fracturing of their squad was. They have no trust left for him. His actions, powered by an inhibitor chip or not, quickly led them to believe he was not the person they knew him to be. As much as he desperately wanted to them understand how powerful the control of the chip was, they didn’t. And I think this moment robs Crosshair of some of his anger and resentment he harboured toward them, and reaffirms that his only option now is to follow the path he was first influenced to follow, regardless of if it’s what he wants now or not. He then chooses abandonment. He chooses to be left stranded on that platform, likely aware that the potential he’d perish there was high. His separation was now his choice.

Let’s move on to Season Two! Episode 3, appropriately named “the Solitary Clone”, indirectly shows us more about Crosshair than I believe any previous episode ever has. Crosshair’s marksmanship is, once again, on full display as he takes down an old separatist tank with one shot (I’m still reeling over it, ok? That shit made me horny). And I can’t move on from this episode without also mentioning how it ended— we know Crosshair has respect for Commander Cody, that was demonstrated by his willingness to follow Cody’s command while he rebuked others’ in the Skako/Anaxes arc. I think it’s also apparent by the return of his notorious sarcasm, that Crosshair is happy to see a familiar face, one of which he may have previously deemed a friend. Cody, in return, places tidbit of trust in Crosshair (I’m also going to link this post in case anyone is curious about my thoughts on Cody’s initial comments). Not only does the commander inch toward the precarious conversation about “going rogue” and the Order-66 debacle, but Cody lets Crosshair take the lead after their shuttle crashes on Desix. “Trust me,” Crosshair begs, and Cody accedes.

They gain access to the strong hold; Crosshair, Cody and Nova (RIP) struggle only mildly with the droid forces ("Droideka's."). Crosshair demonstrates more inhuman trigonometry abilities and immaculate skill by using those mirror pucks to shoot around corners. Cody saves Crosshair’s tushy when a Commando droid gets a little too close to the sniper. Crosshair lowers his weapon at Cody’s request while they negotiate with Tawny Ames, a motion he had otherwise refused earlier in the episode (the civillians they come across behind a closed door— Cody lowers his gun and reassures them, Crosshair does not.) And when the Empire shows its true colours by demanding that Cody renege on his promise of peace and assassinate the governor, Crosshair does not hesitate to answer the call.

Now superficially, this act would appear as nothing more than a repeat of his crimes on Onderon, or Crosshair simply “following orders” as he had previously developed into a sort of mantra. But I think it’s much more layered than that. I think Crosshair recognized that Cody would be subject punishment did he not comply, a notion reinforced by his extended time at Rampart’s elbow, where it was regularly displayed that clones were of little significane and use to this new military regime. What would happen to Cody as a result of his disobedience? Would he simply be demoted from Commander? Would he be court-martialed and questioned? Detained and imprisoned? Killed? Is this why Crosshair took action into his own hands, and “did what needed to be done”? To protect Cody from the repercussions of disobeying a direct order? Or, more harrowingly and something that I am more inclined to believe, was Crosshair protecting Cody from the poignant shame and self-hatred that he knew the Commander would feel if he DID comply? Was Crosshair unwilling to let the mind of another clone be tainted by the emotionless demands of the empire, so he took the action upon himself? Was his objectively unnecessary and cruel attack, an action of deep seated respect and appreciation? Is this why Cody's comment about living with the consequences of their decisions affects Crosshair so deeply as they separate at the end of the mission?

Let’s dial back to the debated intention of Crosshair’s shots— are his missed shots deliberately missed? Our next stop on this journey is The Outpost (my personal favourite, and not because of the dreamy, sardonic, bearded Commander Mayday), but because of the overt growth that we see Crosshair attain. (Here’s an analysis I posted a while back about some of the messages I think the writers were trying to convey via symbolism throughout Crosshair's episodes to this point). If you've read it and even partially subscribe to my theory, then we can agree Crosshair’s mentality has been shifting little by little since we saw him last, and his attachment to Mayday (and the adjacent benefit that Crosshair rediscovers in companionship and brotherhood) is proof of this. So here’s what happens— raiders make it inside the perimeter of the Outpost thanks to limited man-power and degrading equipment. Crosshair heads directly to where he knows he can play to his strengths: high ground. He’s taking quick and careful aim at the retreating insurgent when the nearby shuttle explodes, and something peculiar happens. Whether it be the blinding flash of the explosion magnified significantly by his riflescope that had caused him such immediate discomfort, or something more (chip alert? Maybe? Or residual effects of having it augmented so many times?), but Crosshair’s subsequent shot is not of his regular quality. He hits his target, so I am not deeming this as a shot missed, but Crosshair has a track record of “one-shots” or “kill shots” of which this is not.

I’m inclined to ramble on for centuries about this episode because there is simply so much development, growth, and symbolism that occurs in those 28 minutes— it’s truly a masterpiece in story telling, but I’ve deviated too far from the intention of this essay (novel) so let’s trek forward.

Let’s get to Tipping Point, and what I would deem to be his only failed shot (and the implications of what it might mean). Crosshair has been sedated, interrogated, injected, neglected, confused, and abused since arriving on Tantiss. (You guessed it, I also have an analysis of this episode, structured a little differently than my previous but still helps to break down what I deem to be the motives behind his actions). Hemlock first attempts to bribe Crosshair with his freedom in exchange for information on his brothers, and as such, divulges his true need for Omega. Crosshair, who has never really had the chance to bond with her like his brothers have, refuses to provide any information. And why? Having only a surface level relationship with Omega, and having rebuffed her advances for companionship several times, why would he protect her in the face of imminent chemical torture? Because it directly protects them, and they are no longer being hunted by a squad of recruited bodies lead by an angry brother... but by a twisted and cruel doctor who's methods were proven unorthodox and tortuous upon immediate introduction.

Upon awakening from another round of interrogation, Crosshair understands the time to act is diminishing quickly, as is his ability to refuse Hemlock the information he wants. Each interrogation leaves him physically and mentally weaker; the time is act is now. He shoots and kills the pair of troopers, as well as the interrogation droid, with no difficulty. He stuns Emerie the scientist (possibly recognizing her clone accent for what it is, thus opting not to kill her?), steals her access card, and stumbles from the room. His body is no where near recovered from whatever toxin that droid injected him with, and he staggers through the unknown halls. Quickly coming across a pair of troopers guarding a doorway, the next shot is the only one that I believe he truly missed, and understandably so. It lands on the wall between their heads, and Crosshair quickly realizing his failure, shoots them with the following two rounds.

While missing that shot is largely inconsequential to the overall story, I think it’s an important anecdote for his character growth. In that moment, Crosshair is both physically weakened and mentally desperate to get a message to his brothers, and it’s the combination of those that had his aim faulty. He’s found himself nothing more than a man broken… stripped of the celebrated titles he’d once possessed and mentally mined until simply raising and aiming a blaster, a motion he’d once found more innate as breathing, was a motion difficult for him. He's forsaken his family, lost his purpose, been rendered nothing but an experiment and a tool.

So to summarize this egregiously long essay of Crosshair’s character, I’d like to reiterate that he is human. As we all do, he has faults. A lot of his reasoning is arguably flawed. He makes poor decisions, often in haste without considering the ripple effect it may have. He is extremely stubborn, and he does not communicate well. And there are things he’s done and decisions he’s made that I can not personally elucidate and would love to openly discuss with other Crosshair enthusiasts (example, trying to incinerate his brothers in an ion engine— did he assume Hunter would double back again, and this is Crosshair’s attempt at forcing them into the open? Or is this one of the moments when he cannot fight off the chips control?). You don’t have to like him. You don’t have to agree with him or anything he says. You don’t have to like me or agree with anything I say, but as we head into the third and final Act of this remarkable story, it is worth determining which of his actions are superficially misunderstood, and which have a deeper meaning that a casual viewer might simply overlook.

Thank you for attending the Ted Talk that no one asked for.

Holly ♥️

**forewent the taglist as this is not my typical content

[abyssalzones]

hey anon! I debated most of this morning what the best way to respond to your ask would be because I'm not going to lie to you it almost made me cry. hopefully a drawing is okay. I wasn't sure whether it was my place to share what you've sent but I did want to answer you properly, and it ended up getting kind of long... so I'll put that under the cut here (sa mention)

First of all you definitely have nothing to apologize for, a major element of my analysis (and what had made me so nervous to post it to begin with) was that it came from a very personal place, and I knew if I posted it I was going to be opening up a lot of doors. good or bad I honestly had no idea but I really hadn't anticipated such an overwhelmingly positive response, and I especially hadn't imagined so many people to share their own experiences with abuse and how what I wrote meant something in relation to that. it makes me extremely glad I bit the bullet and allowed myself to be a little vulnerable about something I enjoy.

there's something almost uniquely weird about being a victim and seeing yourself in a story but not knowing how to express that. it feels like one of those things you can't really say without crossing an extreme line, and any parallels you might be able to draw are therefore Reaching, biased by your own experiences. I've struggled with this a lot as someone who uses art not only as an outlet but a voice for my experiences- and what experiences I think deserve to not only be treated with respect but honesty. there's a lot to be said about the alienation of the victim from the rest of society when sexual assault is so overwhelmingly common in our world, and how difficult it can be to find truthful and respectful depictions of these experiences in... anything, pretty much.

I have no idea if that's what they were trying to do specifically, from a textual angle. but I do think it's possible, and am confident that they at least drew on the subject (both in the instance of Bill coercing Ford to drink and the scene later where Ford is paralyzed), which was honestly what led me to write the analysis in the first place. That "he's kinda like me" moment you describe is something I'd had for a long time but had never been able to say confidently without feeling like I was reading between the lines. But I think you're right. and I think there is a real reason why such a story could speak to people in that way, could be so important for the process of recovery... we can't always conceptualize what happens to us from our own perspective, y'know? we're trapped in our own minds for the most part. so I think fiction works excellently as a way to work through these things and see our worst struggles in someone else- and to come to vitally important realizations of our own.

anyway, all that to say I'm so glad what I wrote helped you come to that realization. hearing that makes me feel like I've done something not only to help myself find some closure, but for others to as well :] healing is always, always possible and I sincerely hope you find your happiness as Ford has, and as I've found mine.

[bitethedevil]

something i’ve wondered often is just how much raphael’s humanity truly affects him. i know that he absolutely would do everything he could to hide it. it would be seen as a vulnerability, a weakness, to the other denizens of the hells. and it definitely seems that he believes that to be true himself.

(it makes me wonder if that’s why he sounds so pissed when you ask him why he thinks he could use the crown when karsus failed. “I AM NO MORTAL.”)

we’ve seen instances where he weaponizes his human qualities, uses them to lower the guard of his victims.

but do you think he ever has genuine human moments? whether he realizes it or not.

Raphael and Humanity

Oh, I absolutely think he has genuine human moments, but he has had many many many many years to learn to suppress all those ‘icky mortal aspects’ of himself. The “I AM NO MORTAL” quote stinks of insecurity. Which also makes perfect sense. Cambions rarely survive to adulthood because both mortals and devils absolutely hates their guts, which is why our dear cambion keeps mentioning that he’s a devil, and not as much as once does he refer to himself as a cambion or even alludes to the fact that he is half mortal (not that I can remember anyhow).

Do I think he lets himself cry or things like that in his private life? No. He’s too hardened by all those millennia of living in the Hells.

I think it’s more likely that he every now and again experiences a Mortal Feeling™ towards someone and internally goes “Ew…Anyways—” and goes on with his day.

HOWEVER, I certainly thinks that even though he is not really that capable of feeling sorry or feeling empathy for others and stuff like that, I 100% think he is capable of feeling sorry for himself. I think that if he is haunted by “mortal feelings” its usually pointed towards himself and never outward. And yeah, have fun with that thought the next time you think about the fact that he only ever wants to sleep with himself. He only allows himself to feel for himself, so that could be interpreted as him wanting to see the only person he allows himself to feel for when having sex because human-like devils can crave love (though they might not be able to give it)…Okay, I want to cry now :) on to the next point...

I also think that he uses art as an outlet for all of that, because in my opinion, his fascination with poetry, painting, and music screams human to me. We know that he likes pretty dark themes for his poetry but it’s still beautiful in a way (although it is arguably not great poetry). Clinging to a sort of dark beauty even though you live in such a grim place as the Hells seems a bit human-like to me.

(Thank you for the ask <3 That became a long one)

[lets-try-some-writing]

Hi! Longtime lurker here, I adore your writing and all the oneshots you publish. Do you have any cute headcanons about Optimus and Elita’s relationship (for instance, how they met, deciding to become Conjuxed, and other miscellaneous stuff)?

That I do! I love them very much your honor, so let me specify based on continuity. For now, lets stick to G1. I've had longer to think about them.

G1

Orion and Ariel met in a barfight. Orion decked someone for making nasty comments about Ariel and she in turn decked Orion thinking he was the one being gross.

They made up afterwards with a drink and proceeded to dance the night away, promptly exchanging communication lines.

Once Orion figured out where Ariel worked and after they had been talking for a while, he marched across Iacon in order to sign on at her depot.

Dion thought he was nuts but came along because he enjoyed the drama.

Orion made it a point to be a gentlemech even while working at the docks. He would carry anything heavier than a cat for Ariel's and would go out of his way to get her energon for her so she didn't have to stand in line for rations.

They began courting after Orion got into yet another fist fight in Ariel's defense. He got his face busted in, and while Ariel helped him get patched up, Orion blurted out that he couldn't just let other mechs touch her.

Ariel took that personally and proceeded to become just as devoted as Orion. This earned the duo many gags and amusing reactions from their fellows who referred to them as the "lovebirds".

Ariel and Orion never actually managed to be Conjunxed as dock workers. That came later when they met under the light of Luna 1 before the Exodus late into the war. Optimus brought Elita-One the last crystal rose he could find and asked her to be his Conjunx right there.

She agreed and they spent a mere three cycles together before having to go their separate ways. But Elita wore a simple pendant with contained a petal of that single rose. Optimus for his part carried the piece of Elita's antennae that had been torn off in combat.

During the war, when they were able, Optimus and Elita would call each other by their old names and dance under the stars, singing wild songs from the docks while playing music that didn't match the mood in the slightest.

When the war ended, Elita wept for Optimus during his many moments of death. But after each miraculous return, they would always reaffirm their oaths to each other. Usually with a few soft touches.

Post war, Elita and Optimus are the most sappy couple to have ever become a thing. They are constantly calling each other nicknames like "honey", "Sweetspark", "pooch" (that one is elita's and only for when she's feeling mischievous), "My forever", and Optimus's favorite, "My rose." (For obvious reasons).

They openly wear very obvious marks of their conjunxing now that they aren't being attacked left, right, and center. Elita keeps her pendant but also loves to have a little engraving of Optimus's pet name for her on her neck guard. Slightly scandalous, but she enjoys it, especially because Optimus has "pooch" written on his inner thigh where only she and the very observant can see.

They are also very good at being quiet about their activities as a couple. But when they feel like shooing mecha away, they love to get sappy and gross everyone out of the room.

They are also notoriously dramatic when the situation isn't serious. Put them in a war room and neither will so much as smile. But give them a minor issue, and they can and will make fun of those who are enduring some slight embarrassment.

Whenever Optimus takes on a new apprentice (adopts a child-), Elita has been known to mother them relentlessly in her own way. Some get beat around in training, others get homemade goodies. Others still may end up getting actually adopted.

Rodimus still has no idea that technically he's Optimus and Elita's on paper. Only Kup and Ultra Magnus know. Both think its hilarious and have no intention of telling poor Rodimus anytime soon.