#because i am stuck

[aster-aspera]

Fuck

[ilaliya]

it is a good thing this tub is so comfortable

[hinamie]

unconditionally

[shushmal]

okay but a like post-series fic i want that's like: steve harrington being the only man left in hawkins fighting monsters

and not like a 'everyone died, last man standing' way but just. they beat it back, the story ends, nice little tie-up and neatly concluded, eleven loses her powers because their world is completely cut from the other. and life goes on. eddie (yes, eddie lives au don't fight me) goes off with his band, robin-nancy-jargyle off to separate cities for college. the kids go to high school, graduate high school, and scatter across the country. joyce and hop buy a beach house far-far-far away from goddamn hawkins indiana.

steve though. steve stays. he does it too without comment, takes all their calls telling him all these amazing things. the years pass. the calls are fewer and far between. he's mostly in contact with only dustin and robin. except robin's out of country doing some crazy temp job in some remote country, she never catches him at home right now so just leaves him messages. and it takes a couple of weeks for dustin to realize he hasn't gotten steve on the phone.

frantically he calls around "have you heard from steve???" except the most people talk to steve anymore is like phone calls during holidays and holy shit what could have happened??

and what if it's back?

cue everyone who can in that moment, rushing back. eddie hopping on a flight from fucking london direct to indianapolis somehow, heart in his throat. he manages to meet hopper in the airport and they pick up max and dustin at the bus station.

they get to hawkins that is even more different that what they left. a smaller town, a town that shuts down completely when the sun sets. it's creepy and deserted.

except for the fucking upside down monsters of course.

and they're in their stupid little rental in front of this demogorgon and they're screaming but then the thing just goes splat on the concrete and steve fucking harrington is blinking owlishly at them.

"Oh, hey guys!" he calls jogging up to the driver's side window. "Wow, what brought you back down this way? You should have told me, I would have told you about the curfew!"

turns out steve just forgot to pay his phone bill that month, didn't even realize he was missing calls and he's been fighting monsters the entire time because actually they WEREN'T cut off from the upside down at all and he's just been casually fighting monsters for the remaining hawkins residence—the whole town knows now and steve's the guy you call when you have a monster problem

sidebar: WAYNE still lives in hawkins, and he and steve are best friends, eddie munson you are gonna LOSE YOUR MIND

[shesnake]

24 hour time loops: not long enough to create or undo anything permanent, crazy-making but often still funny

365 day time loops: the most fucked up shit you could possibly imagine

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[bluebelledmoon]

kagome chan... you are everything to me

(((op has not finished watching inuyasha so no spoilers thanks! :)))

[essektheylyss]

imagining the "wizards trapped in a rock" support group meetings with Halas, Trent, Delilah, and Vess Derogna's corpse

[nomazee]

“This is unnecessary.”

At Blade’s snide comment, you pull sharply at the strands of his hair in your hands. He grunts in displeasure before obediently quieting down, only a little scared of you scalping him if he annoys you any further. 

Perched behind him on the couch while he sits on the floor, your hands find themselves coming through his hair (long, smooth, untangled despite the fact that you’ve never seen him take a brush to it). Your efforts to part his hair with just your fingers are fruitless. His hair is thick on the top, so much so that you’re surprised his neck doesn’t constantly ache with the weight of it. Your hands pause, resting on the top of his head while you try and figure out how you’ll style it. 

“Be nice,” you warn, two hands on the sides of his head tilting it from side to side, treating him as a foam mannequin on which you can project your very thorough cosmetology skills. “Your fate is quite literally in my hands. I could knock you out and shave you bald very easily.”

“I don’t doubt that,” he says earnestly, and you can’t help the way your lips twinge into a smile. “This is clearly a hassle. My hair looks fine the way it is.”

“It does,” you admit, “but wouldn’t it be nice to try something new? And at no cost to you, aside from mild scalp pain. I’m good at hair. I did Kafka’s that one time.” You fail to mention that it was only one time for good reason. Kafka said that you handle hair the same way a lobster would handle a violin—that is, with clumsy hands and a clear lack of refinement. She had to hide every pair of scissors from you in fear that you'd give Silver Wolf microbangs.

As if on cue, your fingers get caught in an unexpected snag in Blade’s hair, and you pull and tug and yank as if expecting it to untangle on its own. Blade hisses and reaches a hand back to smack you on the wrist, turning around to glare at you. 

“Watch it,” he orders, gentle but firm. There’s not enough heat in his words to scare you, and his eyes are a particularly beautiful shade of copper in the dim, flickering light of this dingy lounge room. Whatever you say, beautiful, you think to yourself hysterically. 

After a few half-willed apologies from you and some nudges of encouragement, Blade finally relaxes enough to turn back around and tilt his head back in your lap, letting your fingers play with his hair nonsensically. A braid, you decide, would look quite nice on him. One long one down the back. If you had ribbon, you’d use some to tie his hair, but all you have is one of Kafka’s tragically thin hair ties. 

“It’s a nice color,” you comment absentmindedly, pretending that you can’t see the way Blade’s eyes have shut in contentment at your gentle prodding. “It changes in the light a little bit. It looks very blue now, but I’ve always thought it was black.” You section his hair off into three pieces, loosely laying one over the other over and over again. The aged gold ornament still hangs securely in his hair, and you don’t do anything to move it. It suits him. 

“It’s natural, if that’s what you’re getting at,” he tells you, the slightest twinge of a joke in his voice. It plays at your smile and at your heart, too. 

“You say that now, but you’ll be scrambling to come up with a lie when I find box dye in your bag.” 

He only hums in response, reluctantly enjoying the feeling of your hands on him—they’re gentle, and you can imagine he’s not quite used to this. It’s an addictive feeling, to have him at your mercy, even with just your hands in his hair. There’s trust, unspoken, lingering warmly in the air and settling like condensation on your skin. You could very easily do a number of things that would hurt Blade—kill him, almost. You’ve only ever thought of it a few times, and those were all a very long time ago. 

You don’t think of it that often anymore. All you’re paying attention to is Blade and the splitting ends of his hair and how nice he’d look with a red ribbon tied in. 

“We should go shopping,” you tell him, voice close to a whisper now. You’ve secured the end of his braid already, and your handiwork is admirable. The strands are neatly crossed over each other, uniform in size with each other as they taper down into the end. “Some clips for you would be nice.” Absentmindedly, you comb through the layers of hair near his face, digging your fingers gently into the sides of his face and scratching at his scalp. 

“And where exactly would we go shopping? We’re not exactly upstanding members of society in some people’s eyes.” 

“Then I’ll make clips for you,” you say, a naive kind of dedication in your tone. “I used to work with metal, a little bit. I could make jewelry. Ornaments for your hair. I’ll put a ribbon in next time.” 

“What makes you think there’ll be a next time?” Blade asks doubtfully, in steep contrast with the way he lets your hands roam along his scalp, and the way his head leans back into you as if he’s comfortable. 

“You’re a loyal customer,” you quip, “you’d never let somebody else do your hair when you have me as a dedicated stylist.” 

“I’m your only customer.” 

“I know,” and in a moment of weakness—because at the end of the day that’s what you are, weak, malleable and moveable when you’re with Blade like this—you lean down just a little bit, pressing a stupid clumsy kiss on the crown of his head. Your fingers trail down to trace the bumps of the braid, the divots and grooves in it, made by your hands, and yours alone. “That just means I can put all my effort towards you alone.” 

“You shouldn’t.” And he means it when he says that, and it hurts you, puts a sickly pang in your chest that you want to reach for and tear out before it grows into something worse. 

“But I will,” you tell him. Blade is stubborn, but not stubborn enough to keep it up. Not now, not here, not when the overhead lights are flickering and making his hair look just a little bluer, illuminating the warmer ends of his hair, glinting off the metal ornament still clipped into it. He rests between your hands, still sitting on the cold floor, pretending that he isn’t falling asleep with you like the fool he secretly is.

—°+..｡*ﾟ｡*ﾟ+.*.｡.—

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[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[journey-to-the-attic]

one thing about ik is that she will always reach out

[doodleswithangie]

@danielhowell, thanks for making a show that's equal parts devastatingly hilarious and achingly poignant 🖤🧡

[Image Description: Stylized fanart of Daniel Howell performing his stage show. Inked in black with a gradient orange background behind him, Dan screams into his microphone, "WE'RE ALL DOOMED!" End ID]

[starry-bi-sky]

i have been unmedicated for the entirety of spring break and thus have had little interest in writing this down, but i have been thinking about this for the entire week (as well as a dpdc clone danny au that resulted in it becoming its entirely separate batman au that includes a teenage vigilante bruce wayne, an ocarina, and me entirely incapable of making a batman au without making bruce dirt poor but we're not talking about that) and so i've finally went 'fuck it' and forcibly grabbed my laptop. I will get this done in one sitting even if it kills me.

BUT. This is about neither clone^2 danny nor about who i am calling Ocarina Batman. This is about my Danyal Al Ghul Au and more SPECIFICALLY it's me thinking about his relationship with Sam and Tucker specifically.

Tucker and Sam? Adore this asshole (affectionate) with every fiber of their being. And it is very much a reciprocated feeling, but Danny's thoughts will not be delved into much other than he would kill for them.

Tucker? The only person currently capable of getting a deep, loud, belly laugh out of Danny. Sam can get him to smile and to laugh, but it's the kind that's a chuckle-under-the-breath. The quiet, looks-down-while-huffing laughter. Snorts once with laughter and then grins stupidly.

But Tucker? Tucker can crack a slew of stupid jokes and Danny will be incapacitated for the next five minutes because he's laughing so hard that he can't breath. He lands one well-timed pun or quip and Danny will be close to tears. His laughter is their favorite sound in the whole world.

Sam is lowkey jealous of this ability, and she's gotten a belly laugh out of Danny a few times. But alas, it is Tucker who wields this power and has gotten it the most times out of the two of them.

-

They're also both physically affectionate with Danny as much as possible. It started roughly around when they were 12-ish, a year since they befriended Danny, and they noticed that he sought after touch but never seemed to initiate (and was in some ways repulsed by it). They started slowly being more touchy with him. Hooking a finger around his to lead him somewhere, tapping his wrist, looping arms. Little touches, grabs, etc, to get him used to it, and once he started doing it back they started increasing it.

It's gotten to a point where he will now just. Lay on them. Like a lizard sunbathing on a rock. Leaning on their backs when they're sitting in class before the bell rings, his chin on their heads. He'll talk about anything with his arms looped around their shoulders.

If they're sitting on a couch at either of their houses, he'll lay his legs on theirs. Him and Tucker will press their feet against the other's and try and push against them (newsflash: Danny always wins, Tucker claims its the ghost strength but Danny's been winning since before his accident)

-

Naturally, both Sam and Tucker know where Danny keeps his weapons on his person, and are allowed to grab them off of him if they need it. His only requirement is that they don't lose his weapons if they take it and forget to return it immediately.

They both understand how big of a thing this is from Danny, and so they do their best to treat his weapons with a lot of respect and care because they know its his way of saying he trusts them.

-

Sam and Tucker are so fond of Danny it's insane. Like fr. That's their goddamn best friend, and they are so protective of him. Emotionally, physically, you name it. They will tear the head off a grown man if they need to, Danny's had scars since he arrived in Amity Park and Sam and Tucker both are going to find the person who put them there and make them pay for it.

One time, Tucker overheard a bunch of upperclass girls speaking nastily about Danny and about the rumors surrounding him, calling him names like 'freak', 'monster', etc. Danny was with him and heard it, and seemingly appeared unbothered by it, even telling Tucker that he was used to such rumors.

Tucker was so furious that hacked into the school system later that night and tanked those girls grades. They were kicked out of their clubs and had to go to mandatory tutoring for the rest of the year. He made sure to leave some way of letting them know it was him who did it.

And Sam doesn't like using her money for things, doesn't like abusing that wealth. So instead, whenever her parents talk bad about Danny, she causes a media incident that has her parents scrambling to deal with. She does something wild, outrageous by her parents' standards.

She heard some boys on the basketball team making fun of Danny once, similar to those girls had. She kicks up a fuss about something eco-unfriendly at school and forcibly holds a protest on the same day of the big home basketball game, forcing them to cancel the event and reschedule to a visiting school.

She anonymously donates money so that there's new uniforms for the team but oops! Looks like she "forgot" to donate enough money for them to get uniforms for all the team members, and strangely enough those boys in particular didn't get them! Looks like they'll have to wait until more money gets donated for the basketball team to get their new, nice uniforms. The old ones look so ratty in comparison, right?

And since the football team gets most of the sport money, that might just take awhile. And if (and when) they kick up a fuss? oops! Off the basketball team you go, :) such unsportsman-like behavior is unfit for the team.

(The only good thing about how corrupt the school system is is that she can use it to her advantage too.)

The both of them know that Danny suspects them for the sudden misfortune falling on these people, but he doesn't call them out on it. He's kinder than he used to be, but not kind enough to vouch for people who speak badly of him. Sometimes, he might just congratulate them on not getting caught.

Because Danny is their wonderful, hurt friend with a "slightly" Blue and Orange Moral code, and enough scars that people have been calling him a criminal (and worse) since he arrived in Amity Park when he was ten. And they'll be damned if he gets hurt anymore.

[egophiliac]

I love your take on Crowley!

I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?

I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.

thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.

that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...

[theladyyavilee]

you all know the drill, corporate needs you to find the difference between these two pictures 🤣🤣🤣

[sugajimin]

Agust D  → D-2  → D-DAY