#because i actually don't like c as a character at all

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[journeysfable]

Making this it's own post cause I think I already made an ask about Gem's lore in Martyn's inbox and don't want to bother him about it anymore

Anyway I think Gem is more powerful than the watchers

hear me out

(this is both me presenting an idea for the Eyes and Ears lore and also me begging people to pay more attention to Gem's lore pls am lonely over in the loving Gem's lore corner) (And this also accidentally turned in A Character Gem character study of sorts I think. Oops)

During the Empire's crossover, Scar, in at least Joel's pov, said "did anyone else think this was a new life series?" cc!Scar had no reason to ask such a question meaning he was in character and his character, who just came from the Hermitcraft world and was now in the Empires world, wondered if he was in a life series game, which puts all three servers in the same universe imo. For at least Scar.

In the crossover Gem revealed her HC and Esmp characters were one and the same and that her character is a being that can casually move between worlds by sleeping, an ability no one else had. And because she can just hop between worlds and slip into whatever role fits best for that world and she doesn't realize that not everyone is just playing like she is.

A person is merely a costume to c!Gem.

And again, this is 100% canon

From "I have a SECRET?! Empires x Hermitcraft" "I have a secret. You see, when you join a Minecraft world you can be anyone that you want to be. Sometimes I'm a princess, but sometimes I change. And then I'm an elf. And in some worlds, I'm just me. And you see, where I'm from. That's kind of normal."

And then the following line has something interesting in it.

"One day I was just walking casually in the Empires world, playing DnD as I always do as a princess with my friends."

The Empires world is a game of DnD to c!Gem. That's haha silly meta but if you've watched the other esmp povs you know not everyone's character is role playing.

Like yea the content creators are role playing but Sausage's character is not roleplayong. But Gem's character is.

For example: In Empire's Shubbble plays Shelby the witch. Geminitay plays Geminitay the world hopping larper. Shelby the witch isn't larping, though.

But Geminitay The World Hopping Larper is seemingly not aware of this.

Further evidence that c!Gem is so powerful and used to playing a character she doesn't realize that Real People exist comes in "Exanding my Medieval Kingdom! Empires x Hermitcraft"

After patiently explaining to Sausage that she can move between worlds and that she's role playinng, Gem is greatly confused by the fact that Sausage (who through the whole season has been hopping across time and space by accident) can't control his abilities.

And at first it's seemed like Gem was aware that Sauasage wasn't roleplaying as she explained her world hopping and role playing to him. But then his freak out causes Gem to make this comment that I can't tell if it came from cc!Gem poking fun at cc!Sausage or c!Gem realizing that c!Sausage isn't roleplaying "He's not role playing is he? That's genuine. He's actually crazy"

There are a lot of implications that come with the fact that Gem doesn't even realize that the other Empires members aren't roleplaying. What else does she not realize because she can move between the worlds and be whovever she wants on a whim?

In "Empires 2: Building my BEST Medieval Minecraft Village!" Gem says she's a celestial being.

What does that mean? Well, the word celestial means related to the sky or heaven and is synonomous with heavenly, planetary, stellar, and godlike.

It may allude to the fact her name is Geminitay, a constellation(stellar). But it also sort of implies she's a fucking god or at least similar to one.

So what does all this have to do with Eyes and Ears lore?

I think c!Gem is so powerful it makes her dangerously naive. Not to herself but to others. Because she's possibly so powerful she potentially doesn't realize that danger exists.

And perhaps she's so powerful that the watchers can't feed on her emotions. Or at least not all of them.

Or maybe they're too scared to. Afraid of what she could to do them if they angered her in any way.

[penguinkyun]

chapter 166 review

continued cw for discussion of canon suicide

ITS THE FINAL CHAPTER......!!!

honestly. i really really wish i could give praise and a positive review about this chapter because its the end of a manga i really truly loved and enjoyed and it makes me really sad that i can't do that

because this ending is shit. thanks akasaka!

with two chapters remaining, i knew that any fallout would be rushed and underexplored without the time it would deserve but it really does amaze me how this chapter managed to feel both rushed and excessive in its exploration of grief

just like kana last chapter, focusing so much on rubys grief here feels oddly exploitative (but everything about these last three chapters have felt exploitative and excessive so) and yet we did need to see rubys reaction so its just this contradictory mess of too much and too little at the same time

i guess it feels that way because like @aihoshiino mentioned, of this trend in the latter half of the manga of showing horrible things happening to the characters, but theres either very little or no healing and rebuilding to provide catharsis. aquas death is horrific and theres no resolution or refutation to the self hatred he has of himself and he died believing his only role while living was to be in service of others and everyone else is shown grieving in detail for a few pages before moving on because theres not enough time to give their emotions the space to breathe and not enough time to give them the space to heal and rebuild so it just feels like an endless cycle of suffering and suffering with tiny hints of healing and then its back to suffering and it is so draining to read through

its kind of sad that ruby, who is supposed to be the second main character of this series, doesn't even get to narrate the last chapter, like she narrated the beginning of the first chapter after ai's death. all her thoughts and feelings are told to us by akane instead of her- her story can't even be told by ruby herself

burning.mp3 sure is playing loud during the beginning of this chapter

ough mem's notice that shes taking a break contrasting her one million subscriber video...that sure hurts

and what hurts even more is why the fuck is taiki not at the hoshinos family grave where aqua would be buried. why is he giving a bouquet to parents he absolutely hates instead of being allowed to grieve the brother he actually loved and cared for???

WHY IS HE AT THE HIMEKAWAS GRAVE. WHY. WHY TAIKI WHY. THIS MAKES NO SENSE HE HATES THEM??? WHY WOULD HE GIVE THEM FLOWERS??? WHAT THE FUCK. WHY IS THIS THE LAST TIME WE SEE HIM???

coughs. anyway

the ending really is just "aqua died and we were all sad about it. then we moved on."

and its honestly terrible that everything is going exactly as aqua predicted. his death only boosted ruby and 15YL, and everyone else was able to get back on their feet in what feels like almost immediately. i don't want the characters to suffer more or any of them to commit suicide like half the predictions were in the weeks after 164, but the way its presented here- due to the lack of pacing and rushed ending- the narrative is retroactively justifying aqua's suicide and thats. well bad! its bad message to send! rubs forehead. seriously the messaging is all sorts of fucked up this chapter

i dont actually have all that much to say about the rest since its pretty much what i figured-- akane and kana going all in on acting and everyone getting their footing back

we really just brought in two random bkomachi members out the wazoo!

the two stars in the sky did get me a little though i wont lie

what i didn't expect though was akasaka taking the themes of the series and burying them even deeper than six feet under in the final chapter

because ruby's essentially become Ai 2.0 here, even more than she was in c.159. she's become a liar that lies constantly as being an idol, hiding her pain so she can continue to shine- the very ending that neither ai nor aqua wanted for her, the very thing she never wanted to become– how is this a happy ending? or even a bittersweet one?

hoshino ai was a greedy girl for wanting happiness as an idol and happiness for herself, so what does this chapter tell us? what's the moral of this story? that you shouldn't want happiness for yourself? hoshino aqua died without ever receiving the fulfillment and happiness he wanted, ai died because the toxic culture and misogyny around idols and idol culture prevented her from living her life in happiness, and hoshino ruby survives without any fulfilling happiness in her life? is the lesson here you shouldn't be greedy for too much happiness? that you simply need to grin and bear it? thats an absolutely terrible message to send!

this ending feels like holding dry ice because of how devoid of any warmth it feels

the last panels are so cold— ruby saying goodbye to a wall filled with the commodified versions of her mother and brother (especially their signatures what the FUCK) and one single true picture of them both and its from her childhood and going to a job she lost any sort of joy and fulfillment in and has to hide her pain everyday with lies

it'd be one thing if ruby had to lie if she still found any sort of enjoyment in being an idol but none of that is there! It's just empty.

sidenote: ruby do you not have a single picture of aqua as a teen?? even gotanda has one wtf?? what about miyako??? this is not the time for product placement!

ALSO WHY A PLUSHIE. OF ALL THINGS. WHY AN AI PLUSHIE?!

the fact she says ``towards the future [you] illuminated for me`` is so insulting to those deaths because. neither of them wanted this for her! and ai didn't die for her and as far as she knows, aqua was murdered so this line is as confusing as it is wrong

its such a bad ending for ruby because being an idol was something she wanted to do for two lifetimes and now she has everything except her family and the happiness that she used to have doing it

sighs. in the end the saitous were the only ones with their dreams fulfilled huh? they got an idol to the dome.

kana never got her dream fulfilled, akane couldn't save aqua, ruby lost all her family and lost the love and enjoyment she found in being an idol, aqua died horribly without ever seeing any of his dreams come to fruition. ai's wish has been desecrated completely. towards stars and dreams? hah. what a terrible name for this arc. what a bitter ending.

despite all this, i really do love this manga and thats why seeing this ending destroy all the themes it had of breaking the cycle, of moving forward, its sad. and heartbreaking.

its a fun ride though! and i enjoyed being here and reading this manga. honestly a little emotional now thats its officially oshi no over! i'm not done with this series though and probably will still be posting and discussing it for a long time to come! in the end, i love all these characters way too much to let go now and they have all been a pretty important part of my life, so...happy end of series everyone. i hope you all enjoyed this ride as much as i did!

see you all!

[galadhir]

I mean, I would say that if, in a letter, Tolkien is talking about Galadriel specifically, that's because he's talking about Galadriel specifically.

He's not talking about Celeborn or their relationship, or whether they powershare in Lorien or anything like that. He's just talking about Galadriel. He can in fact talk about Galadriel on her own without saying anything at all about Celeborn (and he often does.)

I have no problem in agreeing that Celeborn is often overlooked when it comes to Tolkien's meta and notes, and it's evident that Tolkien didn't take the same amount of time thinking about him and what the exact shape of C&G's relationship is, as he did thinking about Galadriel.

Going back to the Letter 246 quote you use as evidence of Galadriel's thirst for power and domination, the very same quote says:

But this the Great had well considered and had rejected, as is seen in Elrond's words at the Council. Galadriel's rejection of the temptation was founded upon previous thought and resolve.

So yeah, nobody's arguing that she has a power hungry darkside, but Tolkien himself says that she rejects it.

Anyways, I don't think that we two will agree, because you are basing your opinions on Tolkien's letters and I'm basing them on the published books, where Celeborn is Prince of Doriath (The Silmarillion,) and where Lothlorien's March Wardens report to Celeborn, and it is Celeborn who says whether the Company of the Ring will receive Lorien's aid or not. (The Lord of the Rings.)

See where I've previously argued about this in 'Prince Valium? (A book-based character study of Celeborn).'

Tolkien had a lot of thoughts about his universe - he was probably rotating it in his head until the day he died - and they change and evolve and contradict each other, and they're a great source of ideas for fics. We will never know for sure what a full JRRT Silmarillion would have looked like if he wrote it. But it's the book we got and so I accept it as the canon for the First and Second ages. And Lord of the Rings was fully written and published by JRRT, so that seems like solid ground as my Tolkien canon for the Third Age.

Which means that if you rely on evidence in a letter and I rely on evidence in one or other of the published books, I'm going to continue believing that I'm right. Even without the fact that your evidence doesn't actually say what you say it does.

Sidetracked myself again, damn. What I was saying was it seems like we will never agree, so perhaps we should agree to disagree. I have left the tag now, so I shouldn't see or interfere with anything else in there any more. I shouldn't really have weighed in on this, but old habits die hard.

Galadriel in Season 1-2 of “Rings of Power”: Valiant, Prideful and the Darkness Within

Galadriel was born during the Years of the Trees, on Valinor, the only daughter of High King of the Noldor, Finarfin, sister to three brothers. She was named “Artanis” by her father, and “Galadriel” (Sindarin for “Maiden crowned with gleaming hair”) is the name she took after marrying prince Celebron, in Doriath (Middle-earth).

In her youth, Galadriel was known for her proud, strong and self-willed temperament, and for the unmatched beauty of her hair. She had the golden hair of her kin, but hers was particularly striking, shot with silver, and beautiful. And so much so that Fëanor was inspired by how the light of the Two Trees of Valinor caught her hair to craft the Silmarils. Three times he asked her for a few strands of it, and three times Galadriel refuse him. Galadriel couldn’t stand Fëanor and saw the growing darkness in him; most likely because it was the same as within herself.

Tolkien describes Galadriel as “of Amazon disposition”, “strong of body, mind and will, a match for both the loremasters and the athletes of the Eldar in the days of their youth”, and she would “bound up her hair as a crown when taking part in athletic feats”. Her mother called her Nerwen, “man-maiden”.

Departure from Valinor

Galadriel is adventurous, ambitious “and like her brother Finrod, of all her kindred the nearest to her in heart, she had dreams of far lands and dominions that might be her own to order as she would without tutelage [from the Valar]”.

Galadriel, the only woman of the Noldor to stand that day tall and valiant among the contending princes, was eager to be gone [from Valinor]. No oaths she swore, but the words of Fëanor concerning Middle-earth had kindled her heart, and she yearned to see the wide untrodden lands and to rule there a realm at her own will. For the youngest of the House of Finwë she came into the world west of the Sea, and knew yet nought of the unguarded lands. Morgoth’s Ring

In Unfinished Tales, Tolkien tells us Galadriel wanted to leave Valinor and travel to Middle-earth to exercise her talents; being brilliant in mind and swift in action she had early absorbed all of what she was capable of the teaching which the Valar thought fit to give the Eldar’, and she felt confined in the tutelage of Aman. In Valinor, Galadriel had been a pupil of both Aulë and Yavanna, and felt the Valar had already taught her everything they were allowed to.

This can look like a level of arrogance of the likes of Fëanor, however, this is not how Tolkien sees it. Galadriel is presented like a character full of potential, spirit and talent. And even Manwë, the King of the Valar himself, has heard of her desire to leave for Middle-earth and didn’t oppose.

Refusing the Valar pardon

At the end of the First Age she [Galadriel] proudly refused forgiveness or permission to return. Tolkien Letter 320

And this is the Galadriel we meet in the first episode of “Rings of Power”. The audience can immediately perceive she’s strong-willed, proud and rebellious, acting against orders of the High-king of the Noldor, Gil-galad, in her endless hunt for Sauron, Morgoth’s sucessor and the responsible for her brother’s death.

Galadriel is also the only Elf in Middle-earth who believes that Sauron is still out there, and means to find and destroy him, at any cost. “More and more of our kind began to believe that Sauron was but a memory. And the threat, at last, was ended. I wish I could be one of them.”

It was not your company who defied you out there, but rather you who defied the High King, by refusing to heed any limit placed upon you. In an act of magnanimity, he has chosen to honor your accomplishments… Rather than dwell upon your insolence. Test him again and you may find him less receptive than you might have hoped. Elrond warns Galadriel, 1x01

Gil-galad “honors” Galadriel by granting her passage to return to Valinor, and rest in glory. But she’s set on refusing, not because she’s certain Sauron will return, and wants to find him, but due to her belief she won’t find inner peace, until she accomplishes that, as she tells Elrond in the same episode:

Elrond: Do you truly believe seeking him out will satisfy you? That one more Orc upon the point of your blade will bring you peace? […] If you are wrong, will you lead more Elves to die in far-off lands? To convince yourself you have done enough, how many more statues would you add to this path? No one in history has ever refused the call. Do so now, it may never come again. Do so now, it may never come again. You will linger here, an outcast, poisoned in dark whispers and dreams. Galadriel: And in the West, do you think my fate would be better? Where song would mock the cries of battle in my ears? You say I have won victory over all the horrors of Middle-earth. Yet you would leave them alive in me? To take with me? Undying, unchanging, unbreaking, into the land of winter less spring? Elrond: Only in the Blessed Realm can that which is broken in you be healed. Go there. Go, and I promise you… If but a whisper of a rumor of the threat you perceive proves true, I will not rest until it is put right. You have fought long enough, Galadriel. Put up your sword.

I would also like to point out Elrond foreshadowing Galadriel’s banishment in this scene. And this is very much in line with what Tolkien wrote:

[Galadriel] had no peace within. Pride still moved her when, at the end of the Elder Days after the final overthrow of Morgoth, she refused the pardon of the Valar for all who had fought against him, and remained in Middle-earth. It was not until two long ages more had passed, when at last all she had desired in her youth came to her hand, the Ring of Power and the dominion of Middle-earth of which she had dreamed, that her wisdom was full grown and she rejected it, and passing the last test departed from Middle-earth forever. The Peoples of Middle-earth

The Darkness Within

“Rings of Power” presents some explanations to Galadriel refusing the Valar’s pardon and staying in Middle-earth. At the surface, it’s because she wants to hunt down Sauron, defeat him, and for Halbrand to be “The Lost King” who could ride [her] to victory, like Elrond says, in 2x02.

It’s because of her pride, or her desire for vengeance. However, in 1x05, and in a moment of vulnerability with Halbrand aka Repentant Mairon, she reveals the true reason behind her restless pursuit of Sauron:

Galadriel sees her endless pursue for Sauron as the means to earn her inner peace after everything she saw, did and endured on Middle-earth. It’s connected to her pride, yes, but also to her greatest and deepest desire of healing. And this is why she can’t stop her pursuit, even when we, the audience, watch Galadriel endanger her companions’ lives in 1x01. She believes only when she destroys Sauron, will she destroy the darkness within herself.

Indeed he does, because Sauron wants to heal Middle-earth from Morgoth’s corruption, at this point in his own character arc. But the “darkness within” has been present in Galadriel’s character ever since the prologue of “Rings of Power”, and this is also in line with Tolkien legendarium, as Galadriel recognizes the darkness in others as a mirror to her own, and how she refuses to talk about her time in Valinor with Melian.

And in Season 1, we see Galadriel employing some questionable tactics; in Númenor she acts behind Halbrand’s back with Queen regent Míriel to get herself an army (the army she claims to Adar Sauron promised her, in 2x06), and travel to the Southlands and defeat Sauron. There, she vows to genocide the Orcs and killing some of them in a gruesome manner (bringing them into the sunlight) just for Adar to reveal Sauron’s whereabouts, even though he already told her the truth (as he knows it): he killed Sauron.

It would seem I'm not the only Elf alive who has been transformed by darkness. Perhaps your search for Morgoth's successor should have ended in your own mirror. Adar taunts Galadriel, 1x06

And Adar will not be the only character to mention the pull to the darkness in Galadriel, in “Rings of Power”:

The light of Valinor shone upon your very face, Galadriel, and you turned your back on it. Was it truly to fight the darkness or was the darkness calling to you? Elrond, 2x01

This is more noticeable with Repentant Mairon aka Halbrand, when she acts the “Morgoth” to his “Sauron”, by tempting him with power while he’s on a quest for redemption. By then, we already have some pieces of foreshadowing on this. We have Gil-galad’s prophecy in 1x01: “We foresaw that if it had, she [Galadriel] might have inadvertently kept alive the very evil she sought to defeat [Sauron]. For the same wind that seeks to blow out a fire may also cause its spread.”

And we also see Galadriel in connection with the Fall of Númenor visions, in Season 1:

And Mairon himself confirms this in 1x08. And that explains his “are they not the seeds you planted?” in Season 2. Because she’s the one who tempted him with power, and with the pouch of the King of the Southlands (Morgoth), when he wanted to remain in Númenor in servitude, and to prove his good faith to the Valar, and redeem himself from his crimes under Morgoth.

However, not only Galadriel established a connection with him, but also said “I’ve felt it too” when he expressed his wish to bind himself to her (“Fighting at your side, I... I felt... If I could just hold on to that feeling, keep it with me always, bind it to my very being, then I...”). She gave him the validation he wanted, and made him believe she would offer him forgiveness, and he would earn the redemption he so desperately wanted. But she didn’t, she cast him out. And he wouldn’t let it slide that easily, as we’ve been in Season 2.

Growing in Wisdom

In Season 2, we saw some glimpses of Galadriel letting go of her arrogance and “galloping”, and seeing the “bigger picture” in some occasions. This is foreshadowing for her future character arc, as the wise and compassionate, yet fierce and valiant, leader we know her to be on the Third Age. From Tolkien lore, we know that as she grows in wisdom and power (“elf magic” as Sam calls it), Galadriel will leave her pride behind.

Arondir. There is a dearth of Elven heroes this night. It would be a pity to lose another. Galadriel advises Arondir not to attack Adar, 2x07

But perhaps her last scene with Adar, in 2x08, was the most emblematic of this. She has been to the Orc camp, and witnessed the funeral rites, and how the Orcs live, and realized that, maybe, they aren’t the scourged slaves she believed them to be, back in Season 1. Each one of them has a personality. Like Adar told her, in 1x06: “We are creations of The One, Master of the Secret Fire, the same as you. As worthy of the breath of life, and just as worthy of a home.”

And Galadriel is becoming more attuned to every race in Middle-earth, and the Orcs were only the beginning. And she was willingly to make an alliance with Adar, at the end. They shared an agreement (until Sauron showed up and put an end to that). But more importantly, Adar forgives Galadriel for her hatred and her killing of the Orcs. And, as I’ve talked about on my post on Repentant Mairon (aka Halbrand), forgiveness is a major theme in Tolkien legendarium, and it’s not only earned, but given as well. And by forgiving Galadriel and returning Nenya to her, Adar redeems himself (just like Gollum; which is a theme I talked about here).

Banishment from Valinor

In Letter 353, Tolkien confirms that “Galadriel was 'unstained': she had committed no evil deeds”, concerning the Oath of Fëanor. She took no part in any of that; because “she was an enemy of Fëanor”. In the same letter, Tolkien tells us Galadriel reached Middle-earth independently, and not alongside the other Noldor. And her desires were legitimate, but “she became involved in the desperate measures of Manwë, and the ban on all emigrations”.

Many (Christopher Tolkien included) think this contradicts Galadriel’s banishment from returning to Valinor. But this is an idea (“the banishment of Galadriel”) Tolkien has in place in several sources of his work. And it wouldn’t be the first time Christopher Tolkien misinterpreted his father work, either, with the Dagor Dagorath being a prime example, when he thinks Tolkien abandoned the concept when he didn’t (Christopher later corrected this, though).

And it has been noticed by many Tolkien scholars how Christopher Tolkien has “tone down” his father’s female characters on his notes and editions, too. With Galadriel being a prime example of this. Tolkien tells us on several occasions that Galadriel had aspirations of power and dominion, she wanted a kingdom of her own, to rule as she saw fit, and that’s why she remained on Middle-earth, and refused the Valar’s pardon. However, Christopher decided to strip Galadriel of her agency, and even attempted to whitewash her character by claiming she wanted to stay on Middle-earth due to her love for Celeborn, when this has nothing to do with what Tolkien himself wrote. So, excuse me, for talking his interpretation with a grain of salt.

And, since Galadriel is married to Celeborn, of course, he’s included on her plans of having a kingdom of her own (to be otherwise wouldn’t make sense), with them both ruling it, but Galadriel wants to be the one “calling the shots”. And this dynamic is what will happen in Lothlórien: Celeborn is lord, but Galadriel is *the* Lady, without her husband overstep or overshining her. I’m not seeing any contradiction here. Maybe a case of “overthinking”, because Letter 353 appears to be about Galadriel not taking the Oath of Fëanor (and that’s not the reason for her banishment).

I owe much of this character to Christian and Catholic teachings and imagination of Mary, but actually Galadriel was a penitent, in her youth, a leader in the rebellion against the Valar (the angelic guardians). At the end of the First Age she proudly refused forgiveness or permission to return. She was pardoned because of her resistance to the final and overwhelming temptation to take the [One] Ring for herself. Tolkien Letter 320

I already theorized about Galadriel connection to the Virgin Mary (she’s not “the Virgin Mary”, but a “devotee of the Virgin Mary” in Tolkien lore) but I think Tolkien is being very clear with his words here. He considers Galadriel a “repentant sinner”, and he doesn’t contradict himself at all. Because a desire for power and dominion are not positive traits on his legendarium. And the confirmation that she was pardoned by the Valar when she resists the One Ring, clearly indicates there was something more at work, and is connected with her return to Valinor.

In “Fellowship of the Ring” book, this is also clear: “I pass the test,” she says, “I will diminish, and go into the West, and remain Galadriel.” Her “passing the test” and resisting the One Ring is connected with her returning to Valinor.

We know, from Tolkien lore, Galadriel develops “sea longing” on the Third Age, and has a deep desire to return to Valinor, to the point of depression (she sings laments about it). One can argue she stays out of duty, but then why is she “pardoned” by the Valar after rejecting the One Ring and can now go to Valinor? The only explanation is that Galadriel was, indeed, banished, and her resisting the One Ring is her final test. She passes the test, the Valar pardon her, her banishment is lifted, and she returns to Valinor at the end of “The Return of the King”. No contradictions there.

On Christopher’s defense, he probably thought Galadriel “desiring power and dominion” weren’t good enough reasons for her to be banished from Valinor, and that’s a plot hole “Rings of Power” is trying to answer, with her connection with Sauron, and the temptations he offers her. He is, after all, the one who introduces the “desire for power and dominion” to her character arc in the show; by offering her temptations and promises of endless power (his power). Which means, Galadriel’s desire for dominion and power from Tolkien lore is personified by Sauron in the show. And the reason for her banishment, will be, also, connected to him, somehow, for Sauron has already offered her the same temptation as the One ring, thousands of years into the future:

And now at last it comes. You will give me the Ring freely! In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the Morning and the Night! Fair as the Sea and the Sun and the Snow upon the Mountain! Dreadful as the Storm and the Lightning! Stronger than the foundations of the earth. All shall love me and despair! She lifted up her hand and from the ring that she wore there issued a great light that illumined her alone and left all else dark. She stood before Frodo seeming now tall beyond measurement, and beautiful beyond enduring, terrible and worshipful. Fellowship of the Ring

In Tolkien legendarium, it’s not Galadriel adventurous or valiant nature that gets her into trouble with the Valar, but her rebellious spirit, and her pride, above of all, that lead her defy their authority, and wanting to claim a kingdom of her own where she can make her own rules. In “Rings of Power” the disapproval of the Valar are personified in the characters of Gil-galad and Elrond.

Indeed, her disregard for the Valar laws is visible on several occasions in lore. Not only she “proudly refused” their pardon to return to Valinor, at the dawn of the Second Age, but Tolkien tells us, in Unfinished Tales: Celeborn was the lover of Galadriel, who she later wedded. In Letter 43, Tolkien defines what he means by “a lover” (in general): “engaging and blending all his affections and powers of mind and body in a complex emotion powerfully coloured and energized by sex”.

This seems to imply, Galadriel didn’t wait to be “officially” married (ceremony, feast) to Celeborn before consummating their union. For the Eldar, “sex = marriage”, indeed, but the way Tolkien phrases this seems to indicate Galadriel doesn’t concern herself with the Eldar ways, and took Celeborn as her lover before any thought of actual marriage. Because language is extremely important in Tolkien, and we already know “sex = marriage” for the Eldar, so him writing this about Galadriel’s character means there’s something more to it.

Interestingly enough, these two themes are present in Tolkien last letter concerning Galadriel, in 1973 (the year of his passing). Without context, however, it’s insure if the two are related or not, so read this with a whole saltshaker:

I meant right away to deal with Galadriel, and with the question of Elvish child-bearing.

[d0newiththisshit]

"But Cait is acting just like Jinx, why are people hating her?" For a few reasons -

A) She was going to shoot a kid. And actual child. Jinx not only put down her defenses when she saw that same child, she protected her. Twice!

B) Half of it is the Enforcers fault (The other half Silcos fault) Jinx ended up like this. Jinx lost literally everything. Cait loses ONE PERSON and goes off the rails?

C) Another thing! Even in death, Cait gives her Mom a huge middle finger! She disregards her Moms wishes! She knows what her Mom wanted to use that gas for and used for the exact opposite reason!

D) She put innocents in danger! She's arresting innocent people even after they gave her what she wants, bringing out that gas is NOT just immediately going to all the people who worked for Silco, innocent people are suffering because of it.

While I do love Cait as a character and genuinely understand where she's coming from it is completely reasonable for people to say they don't like her because of her actions.

[jacnaylor]

love triangle poll

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[vaguely-concerned]

in his and davrin's banters, lucanis exhibits a certain little shit energy I don't think we see him have with anyone else other than illario and honestly I am living for this

[see-arcane]

This part focuses on Quincey in particular instead of everyone, "Quincey raised his eyebrows slightly and looked at her intently", and I wonder if it connects with what he had said before: "And I promise you, too, that I shall make all certain, for if I am only doubtful I shall take it that the time has come!" Because Quincey is the one who always clocks on the situation at hand first, and patrols for threats (and if he spots one he shoots first asks questions later)

He does clock things very fast and takes action just as quickly. When he's facing the right way.

But in this scene, our favorite Texan isn't looking the right way or even reacting safely as much as he is quick about it. Even if his reaction was entirely innocent surprise, the fact that he made clear how ready he was to serve Mina's euthanasia request--seemingly with more readiness than even Dr. Jack Malpractice who must 'steel' himself to the idea--has absolutely stuck in Jonathan's mind.

Hence Jonathan death gripping the kukri as Quincey gets (to his eyes) the wrong kind of interested.

The whole story could have gone very nasty very fast if Mr. 'You've yeed your last haw' Morris had made a wrong move at that moment.

[steakout-05]

medic tf2 doodles?!?!?? in this economy!???!?!? (art from yesterday)

most gentle and sweet middle aged german man in the whole entire world smile vs planning to swap all of your organs with a series of interconnected frogs smile

a doodle i did of Medic and Archimedes.... he looks too round in this drawing, not smug and evil enough..... also Mitzi from the RAE appearance :D

i LOVE the voicelines Medic has with Haunted Archimedes, he's not disturbed or even slightly put off by the fact that his zombified dove is 1. talking and 2. has a violent and constant craving for brains. he's just like. being a slightly irritated pet owner about it. he's just like "ugh yes archimedes vants all zhe brains doesn't he. now shut up". also i think this is the most on-model medic drawing i've ever done wtf

[caligvlasaqvarivm]

wanna ask how you feel about the eridan bpd headcanon/theory(?? not sure what to call it!) you're so good at your character analysis and i'd love to see your outlook on it

Since I don't have a degree or any formal training in psychology, I feel deeply uncomfortable diagnosing characters. I've made an autism joke before but only because I'm on the spectrum. He's definitely traumatized and anxious, but I mean those as descriptors of his behavior rather than capital-D Diagnoses. I try to focus on those when I can - the cause and effect of cognition, self-image, and behavior - and those factors may very well match up with DSM criteria, but I try not to touch an actual diagnosis with a ten foot pole unless the author has explicitly stated that X character has Y condition.

[silusvesuius]

i legit love when a character's gender is so integral to their personality (and perception obviously.) like so concrete that if genderbent their whole shtick would just be absolute dookie. anyways i'm just writing this text so i can talk in the tags (My beautiful safe haven)

this 14 minute song is soooooooooooo FYRE

[klanced]

I see where you're coming from, but also blorbo is different to everyone and we all had different experiences. I was in voltron but pidge was my blorbo, not lance, so I rarely saw him. And then I saw Yuuri everywhere whether I wanted to or not. Also, polls are not about accuracy, as much as we might think they should be. Life is a popularity contest. 🩵💙🩵💙🩵

my blorbo rankings contain multitudes. however, i am cognizant enough to recognize two things:

while lance is not my specific blorboest blorbo, i still rank him to be a more iconic blorbo than yuri. and so my vote for lance is still valid.

this poll is about most iconic blorbo. i like keith and allura more than i like lance, but i firmly believe that lance is voltron's most iconic character. i define "iconic" based on the following criteria: a) canon material; b) fandom experience and reaction; and c) impact on outsiders (the "did i see this character everywhere" standard). i heavily value points in the (b) category over points for (a) and (c).

lance's canon material sucks ass. however, the fandom's ability to 1) go crazy over lance anyway, and then 2) ability to extrapolate so heavily, insist on digging so deeply, and create so genuinely is impressive to me. and also incredibly hilarious. this is why i made the toxic iconity argument: i deeply respect the daily battles lance stans fought, both between themselves/the wider voltron fandom, and the constant enduring sisyphus-level uphill battle against the quality of the canon material. lance stans were able to create everything out of veritable nothingness, and i believe that deserves to be commemorated.

[sage-nebula]

My current tier list of the Ace Attorney games. In case it's hard to see which is which (+ also for screen readers):

S Tier: PWAA A Tier: AAI2, DD, JFA B Tier: AJAA, AAI C Tier: T&T D Tier: SoJ Haven't Played Yet: TGAA 1+2 No: PLvsPW

I really need to replay the sequel trilogy, because I know for a fact I only played DD and SoJ once each when they first released (and so much more time has elapsed since then than I realized, oof), and while I feel like I started an AJAA replay awhile ago, I can't remember when that was + I think I stopped on the fourth case for some reason. (Not because of the video recording of the concert, lol. I honestly think there was another reason. My memory is really fuzzy though, so I'm just not sure what that reason was. But I don't think it had anything to do with the game, I think it was a real life reason.)

Anyway, once I replay those games I'll be able to place them more firmly on this tier list. This is just where my feelings about them are at right now -- that I loved DD despite whatever flaws it has, I'm pretty sure I was really vibing with AJAA a lot on my replay before I stopped, and the only life preservers that saved SoJ from getting an F tier created for it were "The Magical Turnabout" and Rayfa. :) But we'll see how I feel when I get around to replaying them.

And then of course, the TGAA duology will be played at some point as well. I'm just not in as much of a hurry to get to that because I don't know those characters (yet) beyond the very brief interactions I had with the characters in the first case of the first TGAA, so I'm less motivated. But I'll get there eventually.

And I think I pushed Layton and his game into the harbor or something idk idk who he is.

[polysyndetonaddictsupportgroup]

megumi 🤝🏽 yuuji

dying even if it’s only for a good minute only to be brought back to life bc fate realizes if they died for real then they would need to find someone else to fuck over. those two are like fates favorite barbie dolls.

apologies if this post is going to seem all over the place, just bear with me. i don’t even know if you’re going to see this BUT it’s okay bc i need to get this out my system 😭.

starting off — god, imagine the chaos that will ensue when megumi tells nobara & yuuji about his very tragic history with the zenins. but like he wouldn’t even tell them straight up, he’ll just make a little deadpan joke (my sarcastic, sassy son) & the others would look at him like : ??? wtf do you mean by that sea urchin head???

like imagine itafushikugi going shopping for like traditional japanese clothes for a little festival or some shit (megumi was dragged by his spikes to come along) & nobara is having the time of her life finding outfits for her & the boys. like it got to the point where she’s dressing them herself & she shows megumi an outfit that looked similar to the robe he was forced to wear bc of the zenin (it’s obviously not the same) & megumi just refuses to wear a robe with similar color patterns to the zenin robe.

megumi: that looks like the outfit the zenin forced me to wear. i wonder what happened to it, cause the last thing i know, i got blood all over it. so as the second member of the zenin hate club, im not wearing that….

megumi: wait that blue one looks decent. i’m going to try it on.

nobara:

yuuji:

nobara: …did he really leave without giving us the “ getting blood on a zenin’s robe” story?

imagine maki complaining about naoya in front of the first years, & maki just brings up naoya’s onesided beef with megumi & her stories of how naoya was so petty back in his childhood made him remember who tf naoya is (megs have selective memory, it’s okay)

megumi: ugh, he was so annoying. i remember when he came to my middle school back when gojo was busy dealing with the aftermath of his evil ex boyfriend evil plan & he basically kidnapped me. i was stuck in a car with that man for 40 minutes..you would hate him nobara.

maki: yeah you would hate him nobara.

yuuji: i’m sorry he kidnapped you??? why did you say that so casually?

nobara: fuck that. megumi is a disney princess, we know this already. BUT we’re just gonna gloss over gojo had an evil boyfriend?

& imagine when megumi finally tells his friends about the zenin clan was when yuuji just came back from the dead & they were asking how tf that’s possible. & somewhere in that conversation megumi just let it slip that his heart stopped beating once & itakugi looks at him in silence:

megumi: yeah the zenin clan basically forced me to exorcise some curses & complete a ritual to get a snake — that snake fucking bit me. it was my least favorite. but yeah i basically died. then yuuta brought me back. then i was blind for a good minute.

nobara, yuuji, & even sukuna:

megumi: it was a terrible time for me. gojo was even more clingier & protective. it got to a point where he started treating me like i was 6 again… reading me bedtime stories, singing me lullabies & describing the pictures in the stories since i was…yknow blind.

cue itakugi & even sukuna wanting to burn down the zenin but ofc they can’t do that…so they settle for pulling pranks on the members & traumatizing them ofc.

IM ALSO imagining how funny it would be for yuuji to be jealous of yuuta. like bro is basically living yuuji’s fantasy world. i’m giggling at the idea of yuuji fighting for his life to be either megumi favorite or nanami’s favorite.

you also opened my eye to the potential of maki & tsumiki… like i also like to imagine that in a happier world, they would understand each other on such a deep level. but they would also find parts of the other that they wished they had. but on a happier note i like to imagine that megumi would suffer whenever it was brought up that his aunt is basically dating his step sister. like maki would be a menace to megumi. every little thing he do? maki is texting tsumiki in a corner.

maki watching itafushi cook together in the kitchen: i can’t believe megumi has a boyfriend. it’s so cute that he thinks that he can hide this from me. lemme go snitch to tsumiki.

maki listening to megumi describe his fight with sukuna, a cursed spirit who apparently has a stripping problem: oh my god. megumi is truly yuuta’s boy. they both got cursed spirits obsessed with them…i need to tell tsumiki.

maki to megumi after witnessing his suicidal tendencies: don’t make me tell tsumiki.

i honestly love your story. the way you added so much more to megumi childhood is beautiful. it just make soooo much sense. but also your characterization of gojo is so precious to me. i’m waiting for gojo to go apeshit on the zenin. i’m also giggling in anticipation at gojo finding out about yuuta attachment to megumi. i like to imagine him to be kind of worried about it actually, bc that’s not fucking healthy. but i imagine him getting used to it since megumi will have a protector in the form of yuuta & his power of love.

i’m also curious to see mai’s role in this story since.

*sighs in disappointment at gege writing choices*

since she had a crush on megumi…yeah. but imma just interpret that as she wants to be his family. it keeps me sane

i also wanted to ask if there’s a chance that you would write a megumi POV of what happened in the zenin clan? ofc i would understand if you wouldn’t since it leaves a much more ominous feeling to the events. plus yuuta running commentary is a good mix of angst & humor so ofc i understand.

Yuuji: man fushiguro almost checks the boxes for a Disney princess. except he was never kidnapped or enslaved

Megumi, sold to the Zenin clan, who later kidnapped him: *sweating*

Nobara and Yuuji would be the co-vice presidents of the "fuck the Zenin clan" club if they knew what happened. They would be the presidents but yuuta and maki are already in a death match for the position and they're trying to avoid the bloodshed. they are not allowed to be treasurer because neither of them know how money works.

megumi is unaware that a formal club has been formed.

Megumi is suffering SO HARD in any world where maki and tsumiki are together. they won't stop ganging up on him when it comes to his love life and general wellbeing and holding hands where he has to see it. maki lectures him about his suicidal tendencies in the field, holds up one finger, calls tsumiki, and lets her pick up where she left off. maki tries to talk to him about relationships one (1) time and he tries to drown himself.

see i'm pretty open to writing a megumi POV but it, like most of my stories, falls in this nebulous category of "if i have the time." like, i've thought about writing megumi's pov before, there's a lot of stuff that happened that exists as like, background knowledge for me that will never make it through yuuta's pov because it doesn't make sense for yuuta to find out about it. It would be very tonally different, but if i did write it, it would be a different work entirely and i'd be making sea glass gardens into a series.

i'm eternally tempted by the siren call of making my works into a series. If i did it with sea glass gardens, i would want to add a one shot of Megumi's pov during the time leading up to sea glass gardens and a short multi-chapter of the gojo, nanami, shoko teen parenting trio. If I have the time, it will exist; if i don't, it won't.

[xbraveheartx]

Gently considers... Carmeo/Promeo discord server... hmmm...