#because I'm losing it

[respectthepetty]

Blue?

His name is Blue?

And Blue wore purple.

But Yak didn't.

*processing this information*

Their colors were yellow and purple.

Yellow and purple.

And they were in love!

So what is this?!

What was this blue about?!

Why was I being haunted by this blue?!

AT THE WEDDING?!

The entire wedding was blue and yellow!

BUT FOR WHOM?!

Who was blue?!

Because it wasn't Dee and Yak!

And Yak just never wore purple. Not ever. Not even once.

*still processing this information*

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I'm fucking losing it

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[vaxxman]

"Do you miss the time when you used to do no harm?"

Old habits.

Merc behaviour is based on a nice little comment @up-in-flames-writing left on one of my comics :)

Rambling and more silly drawings below.

Loosely based on the Solemn Vow's public blurb:

Art lovers will cherish the bust of Hippocrates, commemorating a time when the Medic still thought doing no harm was a good idea.

I am absolutely convinced that Medic carries dextrose drops with him. German pharmacies throw these after you when you buy anything at all. I went to check if this one specific brand I know of had been around since the 60s and 70s and yes, it was.

Small acts of kindness I can see Medic doing is giving everyone one of these if they are tired. I'm talking about Engineer mostly.

Or they snack on them when solving practical problems together, like during the teleporter bread tumor incident.

[plumadot]

Saw your post and absolutely adore your art; could you draw any of the lifers with an oh expression?

he's going to follow that man until the ends of the earth isn't he

[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[poorly-drawn-mdzs]

MDZS x Brazil (1985)

(Yes. Real movie dialogue)

[bluebells-and-dragonflies]

God, the intimacy of Astarion feeding from you.

Astarion drinking from your neck as he pulls your body closer to his in bed, his chest up against your back, his arms wrapped around your waist. It's a casual thing, now, his whispered can I? and your answering nod, as much a part of your bedtime routine as your bath or his curl care. You sigh as his fangs pierce your skin and his fingers flex against your stomach. His breath hitches when the taste of you hits his tongue, and that's familiar too, the physicality of it, the noises he makes low in his throat as he drinks, the way he grows warmer against you as your blood begins to flow through his veins. Nothing else makes you feel so heady, so intoxicated- so comforted.

Astarion drinking from your wrist when he��s starving for it and can’t wait to get you more comfortable. Pulling him into an alleyway one night on the way home from the Elfsong because you can see how badly he's craving in the way he can't keep his eyes off of the pulse point in your neck. He seizes your arm with both hands (can I? Yes-), bringing the soft skin on the inside of your wrist to his lips. He has just enough presence of mind to kiss the heel of your hand distractedly before he bites, fangs sliding through your skin and into the vein. The sound he makes can only be described as a growl, something feral and possessive (and you'll never tell him that it turns you on, since he would be insufferable about it- a promise to yourself that lasts exactly as long as the space between the moment and the next time you're tipsy and want him).

(NSFW Below!)

Astarion drinking from your inner thigh, one hand holding your leg steady and the other cupping your cunt. You groan, eyes shut in pleasure, as his thumb comes to rub your clit. The pain of the bite is barely pain this way- it collides with the pleasure in your belly and sends you almost out of your mind, overwhelmed with sensation and heat. He takes you all the way there, takes just enough from you to have you relaxed and pliant and soaring somewhere above your own body, plays you like an instrument with all the knowledge of you he's gathered over the months, the years. He knows when you're close, knows to crook his fingers inside you just so, knows the reaction he's going to get when he pulls away from your thigh for just a moment and looks up at you with dark eyes and tells you to come for him, he wants to see it, you fall apart so beautifully and it's all for him, isn't it, tell him how good he makes you feel and when you climax with his voice in your ear and the scent of blood on the air he has the audacity to laugh at how well he understands you, your body.

He's soft, after, softer than he'll ever be with anyone who isn't you. He licks you clean before he takes you to the bath, carrying you with the strength your lifeblood gives him. It's the least he can do for you, with everything you've given him: not just your body, but your trust, your closeness, and he will never stop being grateful.

[captainkirkk]

Concept: Fire Lords traditionally dress like the stages of the sun to match their reign.

When Zuko is first crowned, he dresses in the colours of dawn. Bright yellows and pinks and even purples. He starts to wear more traditional crimson-and-gold robes after a few years, the colours of midday when Agni is at his strongest. And towards the end of his reign, when he's getting ready to pass the crown onto Izumi, he starts dressing like the setting sun.

[pangrams-n-palindromes]

3x03 / 7x10

do you ever think about the glasses & the backpack? because I do

[egophiliac]

just thinking about hair and faces

[rubydubydoo122]

Something I was Batman fans to Understand is that Jason ACTS Angry when he's Scared. It's a trauma response from the streets. If he showed he was scared he would've been dead.

When Jason is Angry though. If he's truly angry, and we see this throughout UTRH and Lost Days, If he's angry, he steeps in it.

Come closer.

He's not a Bull when he's angry, he's calculated when he's angry. He's a Bull when he's scared. He's Angry when he's Scared.

Obviously some comics aren't going to show that, because of how many writers there've been and favorite characters and such, but 'Death in the Family' and the last pannel of 'The Diplomat's son' is a good representation of Angry when Scared. 'Lost Days' is AMAZING with the angry when scared because when Talia shows him that he's been replaced, he's apathetic, and then goes to another room and starts crying. When he learns the Joker's still alive he starts trashing the room

Under the Red Hood is Jason's prime example of calculating while Angry, BECAUSE THAT ENTIRE PLAN!!! It was very well thought out and very well executed up until the final confrontation.

Robin!Jason not letting Alfred or Bruce see how upset he was that His father died is a perfect mix of both, because grief is a fickle thing.

ALSO! LETS SAY THIS TOGETHER PIT MADNESS IS NOT REAL

there are a lot of comics tho where I think the writers either hated Jason or didn't know what to do with him, so don't bring those up.

[imaginaryprotagonist]

We as a society do not pop off enough about young Jackles playing a dude in a throuple with the original Dr Sexy, Mr Patrick Dempsey himself. Whose name in the movie is Cass! I mean, come on!

[luna-lovegreat]

Wars and Wild as knights in Lu

They have issues.

I have a lot of thoughts on Wild and Wars and their relationship (Order of this post is talking about saluting, Wild and Wars' different perspectives, memory issues, and fire) Rant time.

No saluting!!

So Wild took a formal- almost/awkwardly saluting pose when Wars confronted him in 'Entrance pt.2'

It's similar to the first time Wild addressed Wars as 'captain'. His left hand is up from where a salute should be, and his overall posture is awkward, with his shoulders and right hand raised, but it's clear he's trying to do a salute in the presence of a fellow knight.

In the second example his hand is behind his head, but his posture is very straight and his right arm stiff- he's again attempting a formal saluting position. Which is still awkward

It is less clear but his changes in posture clued me in. He goes from like a deer in the headlights to visibly sweating to straight backed and looking up at Wars- looking at the changes in his body language

Side note but I literally love how Jojo draws the champions tunic so much-

We can't see the action of Wild's body language in a comic, just the positions he went to. But he visibly leaned away from Wars before switching to a straight backed saluting-like posture. He's clearly freaked out, hence Twilight's face: >:(

I think that Wild taking somewhat military poses around Wars is important to their relationship issues because it comes from his struggle with memory and identity

.

So like. All of them have different perspectives

Wars

I adore Wars. He is baby and I love him. I think it is also important to acknowledge that he would not speak to any of the others this way.

And the scarf man cmon it's so pretty they are so cute-

Why is Wars talking to Wild like this? He's called him out and reprimanded him multiple times in front of the others. Wild has taken it well but tbh if it was Legend I think he would be on fire.

To some extent I think he is in captain mode. I think that he has trouble seeing Wild as not a knight. Wars gives Wild respect as a knight who sacrificed for his kingdom, but now it seems he's taking it away as a knight who's not doing well enough since he 'disregarded the plan'

At least I think that's the outside (or Wild's) view of it. But Wars internally really cares about Wild and he saw him run up to a giant and lose it. Different ways of showing concern perhaps?

Who wouldn't want to keep Wild from getting more scars?

I just. Don't doubt for a second Wars really cares about Wild- even if the way he's acting still isn't cool. He has no right to treat him like a soldier any more than the rest of the chain, and right now I think Wild is acting as the more mature person.

Wild

I adore Wild. He is baby and I love him. I think it is also important to acknowledge that although he is clearly making efforts after Twilight's injury, Wild has ignored Wars for the majority of Lu, by not speaking to him much, and not thanking or acknowledging Wars when he directly helped him. (Small example being walking with Hyrule not Wars when injured and not directly responding to Wars)

Wars cares about and respects Wild, but it seems Wild wants nothing to do with him, and he's been cold towards Wars for the majority of Lu. To Wild, Wars reminds him of his perceived failure. Which is valid feelings, but still not fair. And I think that ask is talking about these two.

The thing I love about this is each of them are right and wrong in some ways, leading to the tension between them. So fully blaming either of them is not logical

The rest of the chain is just vibing. Except twilight who's mad and wants them to just grow up, but. Heros of courage not wisdom @uniquevoidflowers ;)

And that ask- '''Are any of the Links ever jealous of another Link for adventures that were less difficult/life threatening?'' ''When you hear Wild say he 'hates' someone you'll have your answer.''' somewhat leads to my next point-

Wild's identity and memory issues exacerbate all of this

In Entrance, Twilight is being stressed and defensive, that's ok. What concerns me most is that Twilight has talked with Wild through stuff like this in his rough moments

Wild has tried to be formal several times- he is not very good at it

Four's face I can't didnwidkekfjej

Wild isn't and can't be 'him'- the same 'perfect' (<actually has crippling anxiety) knight he was before, and Twilight knows this. And I agree with him a bit, I think, that Wars is making things worse in Wild's mind by being that perfect soldier, and seemingly holding Wild to a standard he isn't

Wild's attempts at saluting is symbolic of that- Wars makes him feel like a failure trying to be the person he should be. But Wild shouldn't be anyone but himself.

Anyways. Fire.

Wars and Wild have issues, and I want them to work through all their relationship drama so they can reach their PEAK dynamic, which is obviously this

I mean like. We need these two to be friends

Anyways. Wild is in this constant state of identity crisis, and being around Wars has not been beneficial- neither of them is or has been showing the other the respect they deserve. Not as knights, but as people and brothers. They need a get along shirt.

All this Art is by Jojo @linkeduniverse au!

:)

[hells-sock]

Love in paradise has to be one of the most gut wrenching songs i've ever heard in my life, because jesus christ man you can feel every single emotion going through Odysseus mind just by listening to the motifs overlap by the end of the song. the remorse, the regret, the GRIEF!

And to think i used to believe nothing could top anticlea's verse in the underworld saga

[spicyvampire]

Great and Tyme being worried about each other

4MINUTES (2024) EP. 5

[solarmorrigan]

Steve Harrington is absolutely the sort of person to become emotionally dependent on a pet. He grew up lonely and he loves taking care of things, and here's this creature that loves him unconditionally and is dependent on him for care? He's a goner

He finds a kitten in his backyard, wet and cold and alone, but in pretty good shape, all things considered. It hisses and swipes at him, but it's also mewing pathetically, and Steve can't just leave it, so he manages to get the thing inside with minimal blood loss (all his) and cleans it up and feeds it. It's a lot more amenable to the idea of Steve once it's warm and dry and full, and by the end of the day, it's curled up and purring in the crook of his neck, and Steve is already prepared to die for this thing

He does recognize that the right thing to do is to ask around and see if anyone is missing a kitten, which he does do, but no one on his street or the next one over lays claim to it, and there aren’t any kind of wanted posters going up for it, so Steve decides he is now the proud owner of a cat

He names her Baby and dotes on her accordingly. (In his defense, the name is Robin's idea; she tells him that he treats the cat enough like a baby, so the name might as well fit. Steve's always been shit at coming up with names, so he just goes with it)

Baby is the world's most spoiled cat, which Steve readily admits. But isn't that what cats are for? She's a wonderful cat and she clearly deserves nice things and Steve is going to get them for her. Toys, treats, a plush cat bed, the best food, whatever he thinks she could possibly need or want. If "I work hard so my cat can live a better life" t-shirts had existed in the 80s, Robin probably would have gotten one for him and he probably would have worn it

Of course, it helps that Baby actually does adore Steve. With everyone else, she ranges from frosty to outright hostile (she's taken a particular dislike to Eddie, of all people, which is unfortunate, because Steve really, really likes Eddie); she'll consent to be admired, and she'll accept treats, and she might even let more familiar people pet her, but in the end she is very much Steve's baby. If he's home, she's stuck to his side like a burr, curled up wherever he is and purring away, content just to be with him. She still snuggles up in the crook of his shoulder at night, just like when she was a kitten, even though she's bigger now and is a bit less easily accommodated

It goes without saying that Baby is strictly an indoor cat. Steve lives right up against the woods and there are predators out there, and people in town drive like assholes, and Steve won't take the chance of her being eaten or run over or meeting some other horrible fate. He really doesn't think his heart could take it

But of course, because all cats are terrible bastards at heart (affectionate), Baby darts out the back door one day as Steve is coming in off the patio, chasing after some other small animal that Steve can't even see, and she's out of the backyard and up towards the trees before Steve can do much more than make a grab for her

And Steve, who has survived interrogations and monster attacks and many situations objectively much more stressful than this, does not panic. He does spend half the night wandering around in the trees with a flashlight, shaking a bag of cat food and calling for Baby, but that's not panicking, that's problem solving

He eventually gets too cold and too tired to keep going and has to pack it in for the night. He holds onto some shred of hope that she'll be waiting by the back door when he wakes up, wondering why the hell it's taken so long for him to come let her in, but apparently that's not the way life works, because the patio and all areas around the house are still distinctly catless come daybreak

Eddie shows up sometime mid-morning, just as Steve is preparing to head back out and look for her. He has genuinely never seen Steve so upset; he looks like he might actually cry if he doesn't find that damn cat, which just isn't something that Steve does. But he's actually fucking distraught, and Eddie simply can't have that, even if Baby is his nemesis, so he goes to the phone and makes some calls

He cashes in on favors, he makes promises, he actually agrees to pay Mike ten bucks to show up, but he gets the kids, all the older teens (the only reason Robin hadn't been there already is because Steve hadn't paused long enough to tell her what was going on), and even the Corroded Coffin boys up to Steve's house to comb the woods for Steve's damn cat

It's Eddie who finds her in the end, a shock of pale, mewling fur actually stuck in a fucking tree. The cliche nearly kills him – either that or trying to climb down a tree one-handed while holding a cat. He's surprised she actually lets him pick her up, but then again, she's been out here all night, she's cold, and at least she recognizes Eddie. Maybe this is the beginning of a truce

Or, she might go back to hissing and swiping at Eddie any time she the mood takes her, but Eddie doesn't even care, because Steve is elated to have Baby back, so fucking happy that he doesn't even seem to notice that she's digging her claws into his arm as she clings to him for dear life all the way back to the house. Eddie will deal with anything that Steve loves that much

Steve pays for pizza to thank everyone for putting their Saturday on hold to search-and-rescue a cat, and everyone warms up and eats their fill before slowly filtering back out of the house. And later, after Baby's been cleaned up and fed and properly doted on and is purring away curled up over a heating vent in the living room, Steve takes Eddie upstairs to show his thanks in a much more thorough manner

After all – Baby is very important to him, and he's more relieved than he can say to have her back, but she isn't the only thing that Steve adores