#because I see people saying things from one perspective

[abcdfghjklmpqrobin]

People will hate on LXC for telling WWX he was a mistake, but honestly we're not giving the guy enough credit

Like, things from his perspective ARE. A. SHITSHOW.

I mean imagine you're being supportive of your little brother's crush, he's funny, he challenges him and makes him happy, so you're like 'wooooo let's go baby brother!' and then that mf starts doing the equivalent of harcore drugs. And you're like (•᷄ △ •᷅ ;)

Then your brother starts running after him constantly, trying to help, being like 'please stop, this is bad for your health, let me help' and his crush. not only does not stop. not only does he get worse. not only does he starts fighting your brother every time they speak and making him miserable. But he doubles down and becomes a. Fucking. Convicted. Felon.

And you're like 'bro, drop this hoe omfg😰' and your brother is like 'no, I love him :('.

So then his crush kills somebody and goes on the run. And you have to watch as your baby brother decides to go against the law, against your family, ruining his life, his future and everything he has worked for. To go after this bitch that doesn't even love him back (that you know) .

Your baby brother is gonna go to fucking jail for being an accomplice. You start scrambling. Thank. Fuck. Your family is influential, so you burry his involvement and go after him. But then, WHILE PROTECTING THIS DUDE, that is constantly telling him to fuck off, mind you. Your brother hurts important people and gets LASHED.

Your baby brother gets literally almost killed. He gets send straight to the ICU. He can't walk, he can't move. Doctors aren't even sure he's going to fucking survive.

You have to see as your brother suffers, and worsens his condition by trying to get back to his crush. See him overwhelmed with pain to the point of self harm. See him sad and grieving for years.

And then. After all of that. This piece of shit, that ruined your brothers life, that ruined his mental and physical health for 13 years. That has been taunting him and testing his boundaries for months. That you let into your mother's house and into your family's secrets, only for him to break your brother's heart, again. Looks at you straight in the eye, on one of the worst days of your life, while you are going through your own breakup. And, honest to God, asks you 'Does your brother's pain have something to do with me?'...

Bruh...

I'm just saying, LXC is better than me, because if that was me 'a mistake' wouldn't be the only thing I would be calling him.

[cool-island-songs]

Analysis of ALNST Character Relationship Metrics

My art book won't be here for a minute, but I ran some screenshots I saw on twt through an image translator and have a lot of thoughts:

TILL: Despite claiming to hate everyone in the world, Till ranks Ivan at 70% intimacy even as he identifies perturbing behaviors of Ivan's going back years and refers to him as "a bother". He also ranks Sua at 10% in spite of having little to say about her and finding it uncomfortable to be around her.

Though he postures at being misanthropic and has all the manners you'd expect of a boy who was half off at the human child pound, he's actually quite gentle and sensitive. This is reflected in one of the graduation messages he's left by a classmate as well:

The person he feels closest to is an unattainable crush, and someone who doesn't feel that close with him in return, likely because he's too shy to really approach her or carry on a conversation.

MIZI: That's Mizi, of course, who's rather childlike and naive initially. She likes everyone, but since Till chokes when he tries to speak to her and often keeps his distance, she wonders if he's avoiding her because he dislikes her.

Mizi gravitates towards people who she sees as "perfect", which is how she describes Ivan and Sua in her graduation message to Ivan:

She doesn't see the darker side of Ivan's personality (which has been described on several occasions, even by himself, as "twisted") because he's attractive, successful, and helpful to her.

Though she likes everyone, Sua is her "God", and the only thing that can keep them apart is the tragedy of their situation, which forces Mizi to grow up in a brutally painful way.

SUA: Sua is far less idealistic and naive than Mizi, and has clearly thought about sacrificing herself to save Mizi, since Ivan picks on her for thinking of doing so in an official comic. Accordingly, her feelings about Mizi are far more tinged by the knowledge that they will one day be torn apart by external circumstances. She laments that reciprocating her feelings will one day cause Mizi great pain.

She's always been more somber, and despite her surface similarities to Ivan (which he notes in a follow-up comic wherein he realizes he was wrong about Sua's feelings for Mizi being unrequited), she's quite different on the inside. Sua's more sensitive and thus her colder exterior serves to protect her, whereas Ivan's outward persona creates an illusion of normalcy that doesn't reflect his reality.

Sua views Ivan and Till as a threat and a nuisance, respectively. Like Till, she senses something strange about Ivan, and when it comes to Till, it's just one person too many around for her. This is fascinating to me, because I thought she might pity Till! Her feelings about Ivan were already pretty clear from this panel of the 'piggyback' comic, and she seems deeply hurt in the first comic linked by his prodding.

IVAN: For his part, Ivan is fascinated by Till even though he's content to sit back and observe, pestering him to get a reaction or his attention for a brief time. He doesn't expect anything in return but wants more than anything to be on Till's mind (hence behaviors like stealing Till's belongings and returning them to him, pretending he had found them).

He prefers Sua to Mizi despite his awareness that Sua doesn't particularly like him, seeing her as a sister and even telling her she's "twisted" like he is. He likes Mizi well enough, especially her sincerity, but seems to find her optimism a bit much at times.

The fact that Mizi and the others would likely consider Ivan and Mizi quite close while Ivan does not reflects how much he postures even in his closest relationships. He struggles to connect with those he's most compelled by and it's not clear if he really wants to.

Some Ivantill thoughts before I go:

There seems to be a common sentiment that it's tragic Till was unable to see how much Ivan loved him, and I think we'll likely get more of Till's perspective on Ivan and their relationship in round 7. But it may not be the case that Ivan even wanted his true feelings to be seen, or would have known what to do if Till had reciprocated them.

There's something almost voyeuristic and self-negating in his feelings for Till (see: "I can’t reach you, so I imagine alone/You who shines, I stand next to you" from 'Black Sorrow'). He has far more self-awareness and willingness to accept things as they are than Till, who doesn't see that Mizi only has eyes for Sua and who would likely struggle to accept that reality.

Ivan, on the other hand, is well aware that his feelings for Till are "shallow", a bright fantasy to get him through his dark reality, and he seems to sincerely believe that his death won't scar Till because he's never really broken through to him. He's a schemer, and comments he makes in his graduation message to Till and the interview he gives in advance of round 6 suggest that he may have been planning to sacrifice himself for some time.

Part of me wonders if he hoped it would leave a mark on Till. Choking, kissing, and violently sacrificing oneself are all aggressive, forward acts, especially from someone who used to toy with people to get his kicks but was otherwise quite passive and unfeeling.

There are a lot of parallels in the one-sided loves, like Till acting out of his usual character for Mizi, and Ivan doing the same because of Till, putting all hopes of being saved in something just out of reach, staying in chains for that one special person. But Ivan's psychology is quite different from Till's, and in fact closest to Luka's re: low or no empathy. Both Ivan and Till are significantly traumatized by their upbringings but Ivan's difficult early life in the slums and his experience being dangled off that rooftop seem to have damaged his ability to connect to others or feel much of anything.

Till is the first person for whom he feels anything while for Till, Mizi is an early crush he puts on a pedestal in a much more commonplace way. I think the shared trauma of competing on that stage makes it much more difficult for either of them to imagine moving on, but Ivan is not wrong in identifying that he won't find that feeling again.

The thing that intrigues me most about this series is the way the contestants' differences play out, particularly with regard to how they view love and how they respond to their individual and shared challenges. I'd love to get into it further another time but this is quite long already so thanks for sticking with it if any have (haha)

[qqueenofhades]

I love your essays; they are fascinating. Thank you for sharing your perspective! I have a follow up question, if you have the time or energy: in your last, you said, “It's a blueprint for a tiny group of extreme right-wing theocrats and fascists to get their way regardless of what the broader public says about it…”. Who ARE the tiny group of extreme right wing theocrats and fascists? Is it the politicians whom we see all over the news, like Vance and Boebert ands Haley and DeSantis? Or are they puppets whose strings are being pulled by donors behind the scenes, like…I don’t know, the Koch brothers and the Uleins (sp?)? I feel like whoever it is must have mind boggling amounts of money, to overcome the sheer number of people who don’t think like that, even people nominally republican who believe in traditional low taxes and small government, but are not completely bananapants. Or maybe that’s why they tagged trump, bc no one before him was willing to act like enough of an outright gangster to seriously move the needle…? How much more rich than disgustingly rich do they need to be?

Perhaps surprisingly, it's fairly easy to identify the Hall of Shame who are busily trying to end American democracy, not least because they have become increasingly open about it. Their motives are diverse but all terrible. The quick rundown is as follows:

First, the alt-right billionaires club such as Peter Thiel, Elon Musk, Harlan Crow, and Leonard Leo (the last two are some of the chief funnelers of dark money to SCOTUS; Crow is Clarence Thomas's sugar daddy). They have reasons ranging from grandiose delusions about "remaking" the world in their preferred image (not at all terrifying) to attaching themselves to fascist politics in order to defeat workers' rights and labor unions, who they view as a threat to their mega-wealth. Thiel is the primary sponsor of JD Vance and the alt-right cryptobros clubs that draw the young right-wing white men who also primarily form the membership of neo-Nazi and white nationalist groups. They want to end democracy in order to punish women, minorities, LGBTQ+ people, and anyone else who Nazis always hate. Crow and Leo have lavishly funded the corrupt SCOTUS in order to influence their preferred right-wing rulings, and there are undoubtedly more who we don't even know about. This is just the tip of the iceberg and I have no doubt that it's far, far worse than anything that has been publicly reported.

Next are the extremist right-wing interest groups that have cohered around and advocated for Project 2025, which is basically just the conservative-extremist wet dream put in one place and written down. They include the Heritage Foundation (the primary Project 2025 author) the Federalist Society and the John Birch Society of right-wing judges and policymakers, and Opus Dei, the secretive Catholic right-wing influence group who are straight out of a Dan Brown novel but are in fact some of the most consequential and powerful players in MAGA World. Their name means "work of God" in Latin, which is very much what they see themselves as doing, and their reach in DC is vast, particularly in the far-right evangelical and fundamentalist Christian groups that have attached themselves to Trump as a vehicle to push through their regressive-reactionary social and cultural politics, especially on abortion, women's rights, LGBTQ+ rights, and other things that they view as "unholy." These are the diehard true believers who really, truly think that it's better for the US to be a fascist theocracy espousing "Right and Moral" religious views than a flawed, pluralist, and secular democracy. Hard Yikes.

Thirdly we have the useful idiots, such as Vance, Ron DeSantis, Boebert, Greene, basically pick-a-Republican-politician-here, who are pursuing fascist politics out of careerism, opportunism, some amount of genuine belief, and exploiting the age-old fissures of American racism, nativism, xenophobia, and other original sins that have dogged the country since its founding. Of course, Trump himself is chief among these useful idiots, because he's completely willing to end American democracy and install himself as Dictator-for-Life if it exempts him from having to face the consequences for all the crimes he did last time (and frankly, his entire life, which is now catching up with him). I don't think Trump has an actual consistent or coherent policy bone in his body; witness how quickly he was willing to flip-flop on the Florida abortion issue depending on what he thought was useful (and then after the backlash he received from his base). He's a malignant narcissistic sociopath who is incapable of complex reasoning and long-term planning. His only and overriding interest is himself, he will do absolutely whatever he has to in order to save himself, and as long as he has his death grip on the GOP, everyone who wants to succeed in the party or even have a future in it has to slavishly kiss Don Corleone Trump's ring. That is why many lifelong Republicans have been breaking ranks to say they will vote for Harris, because "being a Republican's" one and only qualification is now "being utterly loyal to Trump." That's it.

These are all actors based more or less in the US, but we also can't forget the fact that basically the entire Republican Party is in deep, deep hock to Vladimir Putin and other foreign autocrats (but most especially and dangerously Putin). We just had the DOJ indictment of MAGA influencers who were taking Russian black cash by the bucketload in order to spread damaging lies about Biden/Harris and pump for Trump, and this is consistent with Russia's pattern of extensive interference in American elections going back to at least 2016. It is hard to overstate how much Putin hankers to end American democracy for many reasons. He is a former KGB agent trained in the black-and-white us-and-them logic of the Cold War where the US was the USSR's archenemy, his constant mourning for the USSR's collapse has been well documented, and it would be the absolute defining and singular achievement of all of post-imperial Russian history for Putin to effectively end American democracy with a second Trump term.

This is for the simple reason that Trump is utterly in thrall to Putin and will do whatever he asks, whether it's cutting off aid to Ukraine and forcing them to accept annexation by Russia, pulling America out of NATO and letting Putin set his invasion sights on Poland and the Baltic states, and anything else. That is genuinely terrifying but very likely if Trump was re-elected, aside from the end of American democracy and the worldwide ramifications it would have to empower fascist authoritarians everywhere. Putin is trying to achieve this through a combination of good old-fashioned Soviet-style dezinformatsiya, paying off MAGA influencers, putting the entire resources of the Russian state into defaming Harris-Walz, and recruiting useful idiots like his asset Jill Stein, who has extensive Russian ties and only pops up every four years for idiot leftists to spoil their vote and ruin Democratic electoral prospects. So. Again. Hard yikes.

So that's the quick rundown of the people who are vested in Trump and Project 2025's success and why, and as you can see, while they're all different, they're all terrible. But yes: that really is a very, very small group of people, relatively speaking. And a vote for anyone except Kamala Harris and Tim Walz is a vote to empower them and also to ensure that you will never have the chance to vote again, due to living in an authoritarian fascist regime. Choose wisely.

[skylark325]

so you know how kimcom have an ‘experience’ in hyunsung’s time in the military and help him get over his trauma? i kinda want to see yjh do that in dokja’s childhood.

both of them going to school together and yjh witnessing 18!dokja shirk into the shadows and keep away from people only for his eyes to come to life when he’s reading three ways. i want yjh to see those bullies going after dokja for reading his life story and beat the daylights out of them for it. he’ll see first hand just how his story saved dokja and try to act all tsundere about it only to feel his heart twist inside.

i want him to become dokja’s first friend and maybe get him into gaming and they can discover those story+fighting games so they both have something they’re interested in and he can make murim dumplings for dokja on his birthday cuz dokja prob spent his birthdays alone and dokja can try to get yjh into three ways so there’s one other person in the fandom only for dokja to realise yjh already knows the story and dokja won’t be alone in his love for the web novel anymore fgshdjdjfmfk

dokja excitedly turning to yjh after the latest update going “omg did you read the latest chapter? joonghyuk is so cool, i can’t believe he won against someone so powerful. as expected of our protagonist.” with a proud smile on his face and yjh watches him with a conflicted expression as his heart twinges because of all the things he wants to say but can’t.

edit: I just realized, watching bby kdj read and go through the story will help yjh come to appreciate and value himself more (one can dream) and understand himself through a different perspective by seeing himself through the eyes of someone who truly loves him.

[mirai-e-jump]

Animage October 2024 Issue Kamen Rider Gavv ft. Chinen Hidekazu & Sugihara Teruaki (translations below)

Publication: September 10, 2024

The Strange Sweets Kamen Rider

The 6th Reiwa Kamen Rider is the first ever to use a sweets motif! The cast and staff talk about the behind the scenes of the birth of the new hero who fascinates us with a gap between poppin visuals and its heavy filling!!

Having passed out due to hunger, Shouma, who comes from another world, was saved by a human boy named Hiroi Hajime. Shouma was in a difficult situation when he confronts the Granute, a monster who wants to kill Hajime, but when he "sets & eats" the familiar like creatures called Gochizo in the mouth on his stomach, he transforms into Kamen Rider Gavv and crushes the Granute. This was the beginning of Shouma's battle to protect humans.

The latest entry in the Kamen Rider series, "Kamen Rider Gavv" only just started in September. Despite the poppin imagery and visuals of sweets as its motif, this is a hard and serious drama that depicts the lonely battle of a young man named Shouma, who hides a grand past and mystery behind him.

This production features Takebe Naomi-san as the Producer, Sugihara-san as the pilot Director who determines the direction of the work, Komura Junko-san as Screenwriter, and Fujita Satoshi-san as Action Director, all of whom have worked on the Kamen Rider and Super Sentai series. In particular, Sugihara-san and Komura-san are the pair that gained attention for their work in "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger" and the fans are expressing their expectations.

The story of a fierce battle between the sweets Kamen Rider and the Granute monsters has only just begun, so don't miss a moment of the birth of a new Kamen Rider legend! _

Chinen Hidekazu (Shouma)

The first transformation born from an extreme situation

-Supported by dependable friends and the Director-

"Please tell us your impression of the Kamen Rider series."

Chinen: For me, I've admired Kamen Riders since I was a child, and I love them so much that they're the first thing that comes to mind when people ask, "Who's your hero?" I've lived my whole life dreaming of becoming a Kamen Rider, so I was really happy when I was chosen to be Shouma.

"Are there any works that you find particularly memorable?"

Chinen: It's hard to pick a single work from my generation since I'm so attached to all of them, but……I think "Kamen Rider OOO" might be the one I was particularly enthusiastic about when watching. The dialogue between Hino Eiji and Ankh was interesting, and even as a child the ending made me think, so including its theme song, it's my favorite work. Lately however, I've been super into "Kamen Rider Den-O" (laughs). I'm watching it from the perspective of learning why it became so popular, but I also like Den-O because of Satoh Takeru's (who plays Nogami Ryotaro) amazing performance in which he plays multiple different personalities.

"What kind of person do you feel Shouma is?"

Chinen: I read the script so much that it felt like I was watching myself, as I thought that Shouma was so similar to me. We're very similar in the way that we're abit out of the loop, but also curious and get into the things that interest us. I was glued to the TV when I was a child, and I'd become so engrossed when watching it, that I couldn't even listen to what my mother was saying. However, I feel like I'm far removed from him in terms of his guts and inner strength, his desire to save people even at the risk of his own life, and his ability to fight the enemy. Playing the role of Shouma gives me energy and makes me aspire to be like him.

"We think another feature of this production is that right now, Shouma doesn't have a fixed place to stay, and that he comes into contact with a variety of people wherever he goes."

Chinen: I think alot of people are curious to see what happens next, as so far in Gavv, the story continues to be dominated by Shouma's easygoingness and the fact that we don't know what he's thinking. He seems to have a connection with Sachika-san, who he met in episode 2, so what happens to them in the future is a big point to watch out for!

"Please tell us your impressions of Sachika and the person who plays her, Miyabe Nozomi-san."

Chinen: Miyabe-san is a very refined person, so when we first met at script reading, I was shocked and said, "This person's gonna be a gyaru?!" (laughs). One of the things I like about Miyabe-san is that her mannerisms show the quality of her upbringing, but the more we talked, she really started to look like a gyaru, and I felt that performing together with her was amazing. Sachika-san leaves a strong impression of being a gyaru, but on the inside, she's a stable girl who's able to understand the feelings of others. Seeing her say with a refreshing smile, "I think it's good for everyone to be happy," Shouma respects her and thinks, "She's such a wonderful person" and "I want to be like her," almost like she's the embodiment of peace. When I read the script, I always feel supported and say, "Sachika-san, thank you."

"Shouma's brother sister like relationship with her is also very interesting."

Chinen: Director Sugihara Teruaki said to me, "It's like a dog and his owner" (laughs). Still, I think that Sachika-san's all encompassing kindness, and Shouma's simple mindedness are a great combination, and we're also playing the roles with confidence.

"He's yet to interact with Shouma, but we think the role Hanto plays will also be another highlight to look forward to."

Chinen: In some ways, Hanto is also easygoing, but he's the compassionate, hot blooded type, and he too lives by carrying something on his back. I hope you'll look forward to seeing how Shouma and Hanto, who are completely different types of people, interact with each other and what they'll think of each other in their first meeting. Hino Yusuke-kun, who plays Hanto, is the mood maker who makes the set feel relaxed, which is a gap between him and Hanto, but I feel that we're similar in our passion for the production and performance, and the way we put our all into something. To me, Hino-kun is a rival but also like a reliable big brother, and we often consult with each other and visit each other's houses (laughs).

"What were your impressions of Director Sugihara, who also directed the first two episodes as the pilot Director?"

Chinen: As I had no experience in acting, Director Sugihara is a respected teacher who taught me how to perform from the ground up, including how to read the script, and he's like a father figure from Tokyo. He understands each actor's personality and gives them advice accordingly, and he's an amazing person who draws out our potential, so every time I'm on set, I feel happy to film under Director Sugihara. He's a Director I really love.

"Before filming, it seems that you and the Director practiced vocalization together."

Chinen: Yes, even before I could act, my voice wouldn't come out (laughs). I'm really grateful that he took time out of his busy schedule to watch me one on one, and it was an important turning point that led to something changing in me. I want to grow so that people will feel that I'll have changed over the coming year, and one of my goals is to give an inspiring performance that'll be recognized by Director Sugihara with, "You gave it your all."

-Aiming to be as cool as Nawata-san-

"Kamen Rider Gavv, who Shouma transforms into, has a motif based on gummies and other sweets."

Chinen: When I saw the illustration depicted in the proposal, I thought it was incredibly simple, however, my opinion changed when I saw it in person. The armor on the chest and shoulders have a gradient so that it shines beautifully when light hits it, and there's a playful gimmick where a squishy dent will form when it's pressed, so a bunch of detail has been carefully put into it. I'm now so attached to it, that I can't think of anyone else but Gavv. Personally, what I want you to pay attention to the most are the feet. The feet are actually clawed, and this slightly animal like aspect is an important element of the show, so I'd be happy if you make sure to pay attention to the feet as well.

"What's your impression of Nawata Yuya-san, Gavv's Suit Actor?"

Chinen: Nawata-san is an actor who I shape Shouma together with, and he's an indispensable person to me, as I'm able to talk to him about problems that I can't talk about with the other cast members or the Director. He also taught me about acting, like how to create the mood and how to read the script. I'm grateful to Nawata-san's action, as I think Gavv's appeal has tripled, and I feel like the show itself has also become more brilliant.

"Does that also get you enthusiastic about the post transformation dub recording?"

Chinen: That's right. The recording process is more difficult than normal acting because you have to use only your voice to express your emotions and fight scenes in accordance with the footage. In episodes 1 and 2, I had to rerecord so many times that I lost the strength in my voice, and it took twice as long as the planned time (bitter smile). As well as the performances of my seniors in the Kamen Rider series, I also studied the game "Street Fighter" based on the advice of Director Sugihara, and now I feel like I'm getting by. I'll work more diligently to make Nawata-san's performance 120% more appealing with my voice performance, and to become a Shouma who's just as cool after his transformation into Gavv.

"One of the real thrills of the Kamen Rider series are the transformation scenes, but how did you create the pose?"

Chinen: The transformation pose was decided through a discussion between myself, Action Director Fujita Satoshi, Director Sugihara, and Nawata-san. It's a movement that involves rotating your arm, but the final version, which we created after discussing the angles and timing with everyone to make sure it looked cool and appealing, is the transformation pose used in episode 2. Depending on the story, he could transform quickly, so I hope people watch the way he changes based on the situation.

"In the episodes up to this point, the action leading up to the first transformation in the first episode is a scene that can't be ignored when talking about Shouma. There was some action involving wires, and we were also impressed by his performance as he was gradually being cornered by the Granute."

Chinen: That scene was prepared weeks before the shoot, as Director Sugihara and Action Director Fujita came up with a really cool direction. The scene where Shouma is beaten was especially important to give depth to the reason for his transformation, as it took two days to film. In the end, it was in the most extreme situation I had ever experienced in my life, my performance came out unconsciously, and I was complemented with, "Your facial expressions were very good." I could've never done it on my own, the scene was made possible by the advice of Director Sugihara and Nawata-san, who worked beside me, and by all the staff members who created an environment that allowed me to concentrate on my performance.

"It makes us want to go back and pay attention to the expressions on your face. Finally, please tell us your goals throughout filming of Kamen Rider Gavv."

Chinen: I'd like to learn alot about action from Action Director Fujita, Nawata-san and everyone else on the Action Team, and I'd like to improve my acting skills. I've never been in an environment where I could spend an entire year with people who are so good at captivating others, and I don't think it'll ever happen again in the future. I hope to make full use of this experience so that in the next year, I can be an actor who can do it all, from acting to action and recording, so I'll do my best to do what's in front me!

Director Sugihara Teruaki

The vibrant world Shouma comes across

-A dark story with colorful visuals-

"When did you first hear that you'd be the pilot Director?"

Sugihara: I'm pretty sure it was around last Fall, when I was working on the drama, "Tokyo MPD: From Zero to Hero," I received a phone call from Producer Takebe Naomi-san who said, "I'd like to meet and talk with you at once." I heard from a separate matter that Takebe-san would be in charge of the next Kamen Rider, and at the time, I thought I was going to be the second Director, but when I met her, she said, "You're the pilot Director." (laughs).

"At the stage when Director Sugihara joined, how much of the content in the show was decided on?"

Sugihara: Aside from the sweets and monsters motif, we'd yet to decide on the content of the story and the personalities and relationships of the characters. In the beginning, we were a small group consisting of the Producer team's Takebe-san and Takishima Minami-san, Screenwriter Komura Junko-san, and myself. Our three parties worked out the content by sharing ideas from our respective perspectives.

"What specific ideas did Director Sugihara have in mind? Personally, we felt that the visuals of the characters, including their costumes, incorporated the Director's ideas."

Sugihara: You can assume that I'm basically in charge of visual aspects like the impression and fashion. For Shouma's fashion in particular, during the rather early stages, I'd draw an illustration and say, "How about something like this?," and I'd have them look at it while I created his character.

"Not just Shouma's clothes, but also the interior of Hapipare is rich in color, so much so that it's unusual for the Kamen Rider series."

Sugihara: I told artist Fukuzawa Katsuhiro that I wanted to make the visuals as bright and pop as much as possible. Kamen Rider Gavv itself isn't meant to be a continuation of the "ism" seen in the first generation of Kamen Rider, but it includes themes like family conflict and Shouma's sad separation from his mother, so the content is heavy. Because of this, we made the impression of the colors vivid, and were careful to not make them too dark. Moreover, being in the human world for the first time, Shouma's a kid who's impressed by everything he sees, so I was conscious of the world captured from Shouma's point of view and to use rather flashy colors. Conversely, the Granute World and Stomach Family use muted colors, or to just say it outright, they have dirty colors.

"What do you value in your expression of Shouma, the main character?"

Sugihara: I wanted to depict Shouma as a pure kid, someone who suddenly comes to the human world and finds everything he sees as fresh. On the inside, he's not much different from Hajime, who he first meets in the human world, in fact, he's much more of a child than that kid. So he ponders over what he's been told, hurt by the casual mention of "monster" and afraid of hurting others, he's unable to be together with someone else, so he leaves Hajime and Sachika and goes elsewhere. However, I didn't want to make it too dark, so it was hard to depict (laughs). While he carries a dark side, I want him to be a kid who's always smiling when he's with someone, even if he has to force himself to smile.

"This Shouma is beautifully embodied by Chinen Hidekazu-san."

Sugihara: The best thing about Chinen-kun is that he looks great on camera. That's the kind of talent an actor has. Also, the expressions on his face when he eats are really good. Even though he's eating food he usually sees all the time, he eats it like it's a delicacy, looking as if he's eating something he's never seen before and is impressed. In that sense, I think he was the right choice to play Shouma. Still, since this is roughly his first performance, he had to start from a place where he couldn't express his emotions properly, and to begin with, he couldn't even vocalize. I had Chinen-kun stand on one end of Toei's rooftop, and I stood on the opposite end and had him deliver his lines. I gave him relentless acting instruction from the very beginning (laughs). Filming started earlier than usual, so we've already shot several episodes, and I feel that he can now stand proudly in front of the camera as Shouma. With each episode his performance and facial expressions are getting better and better. I have high expectations for his growth over the next year.

-Dedicated action that make the most of the motif-

"We felt that the vibes of Gavv's everyday scenes were different from that of previous Kamen Rider series, but was there anything you were conscious of in your direction?"

Sugihara: In my mind, I had a bright, pop like feeling, but during filming, Chinen-kun……it was important to me how to capture Shouma and the human world from his point of view. I may have only been thinking, "How can I get a good shot of him?"

"In that sense, it's interesting to think that the entire production is being pulled along by Shouma and Chinen-san."

Sugihara: That's right. This is especially true for the first episode, as the story unfolds from Shouma's point of view, so I was conscious of the fact that I wanted to bring the viewers perspective as close as possible to Shouma's.

"Despite the battle scenes also having a fancy sweets motif, from the very first episode, we were taken back by the intense physical battle depicted between Gavv and the Granute."

Sugihara: I'm pretty sure it was Action Director Fujita Satoshi who put out the idea of a serious fistfight at a container warehouse, and with sword fighting in a narrow space. We specified the colors and placement of the containers, and asked the people on location to arrange them accordingly. From there, Fujita and I talked in detail about the composition of the action, and we put it together by discussing the angles while adding in our own ideas as we filmed on site.

"We heard that you and Fujita-san worked closely together to create this."

Sugihara: I also like action quite abit, so I tell Fujita various things like, "Do this sort of thing." Naturally, Fujita has alot of things he wants to do as well, so the two of us are working together to come up with ideas for action sequences and angles.

"Including Gavv's own actions, the way he fights while "eating" the Gochizo is unique."

Sugihara: It was decided in advance that the transformation items Gochizo would appear alot like that of "Pikmin" and "Minions," so I thought it'd be better to use alot of them. Because of that, when Gavv takes damage, his armor breaks and he'll eat the Gochizo one after another……we're calling it "follow up sweets," and I think it'd be interesting to keep changing sweets and repair them as he fights.

"The standard Poppingummy Form has flexible armor, while Zakuzakuchips Form's sword weapon can easily break depending on how it's used, and the use of sweets as a motif was also visually enjoyable."

Sugihara: Inspiration for the action comes from discussions that are almost like casual conversations. I thought about how things like thin baked snacks such as potato chips might be weak to side attacks (laughs). Also, unlike other Kamen Riders, we don't use bullet impacts on Gavv when we depict him being hit (mechanism that detonates gunpowder that's attached to the performer). In his setup, the armor is derived from sweets generated by his own body, so we tried to create the effect of small bead like things flying around him. During filming, we've been throwing beads into the air from the side of the camera. In that sense, it may have a new visual feel.

"What scenes from episodes 1 and 2 were particularly powerful?"

Sugihara: In terms of taking the most time, I'd say it was before the transformation in the first episode. When I was thinking about Shouma's human image, Takebe-san said, "I don't want him to be a hero who fights just because he has powers." You don't fight just because you have the power to become a Kamen Rider, there's a will to fight, and that's where the power comes in. I wanted to create an image of a hero who's able to transform into Gavv because it's Shouma. Since the time of the script meeting, we had talked about how we wanted to portray a different kind of strength from that of the everyday Shouma, who keeps going despite being beaten up by someone he can't even stand up to. On set, Chinen-kun and I worked together to find out why Shouma was feeling that way, and we worked on his facial expressions and gestures one by one, and I was quite persistent throughout filming. We were supposed to film the transformation scene in one day, but we took too long and didn't get to the transformation, so I had to apologize to the staff (laughs).

"Finally, please tell us your enthusiasm for the future."

Sugihara: Honestly, I have no idea how Kamen Rider Gavv will conclude a year from now, but I want to make a show that'll make people who watched it think, "Gavv was interesting." For this reason, I'd also like to delve deeper into Shouma and Hanto, and Sachika and the others characters, and to make each of them appealing. I'm sure that Komura-san will come up with some great developments (laughs), and for my part, I hope that I can take advantage of that, and as the pilot Director for the first time in a long time, to create images that people watching in their living rooms have never seen before.

[not-goldy]

Jimin has to be so tired of always trying to hold it down and be the older one who keeps things from getting all out whack. When he's sober & clear headed and in his head space, he will ignore everything Jk says to him that flirts past friendship lol. Jokingly calls his compliment lame. Downplays JK being romantic with snarky replies. Yet you put some alcohol in that man and all that weight is gone. Then we have him laying on the floor spilling his guts and the boyfriend pops right out. "Honey" "baby" "boyfriend pic" "My Jungkook". Okay, tell us more Jimin. He really has so much weight & pressure he carries on his shoulders & probably overthinks so much, including dealing with hate. Wondering how his relationship with JK will affect BTS, his dad's business, everyone but thinking about himself really. This is where JK comes in and is loud for the both of them. So it was so nice to see Jimin just let his guard down, so much so he let us see he was down cause the trips were coming to an end. I started crying too, cause you know when Jimin lets his guard down, its major. Jimin doing this for JK, when he saw that JK needed him and went to him to make it up to him and Letter, is probably two of the boldest things we ever seen him do, besides enlisting with Jk. He really let his guard down and let us see his vulnerability. I feel so honored esp knowing how private Jimin's become.

Awwwww I love this so much

I love you for this Anon. Marry me. I'll cook and clean and pay the bills.

Thank you thank you very much.

That's a perfect description of Jimin or at least how I see him in their dynamic. Just perfect. I got sick and tired of reading these bizarre takes and perspectives of him I couldn't resonate with from solos it turned me off. Waaayyy off. Like shut up I don't even want you to talk to me about Jimin no more just shut the hell up.

But this. Tell me more. It resonates hard my goodness.

He is the Hyung you know and I have a problem with people who try to undermine this aspect of him by constantly making him out to be some weakling and victim of the duo.

And I got tired of having to explain this over and over but dude does carry himself as Jungkook's hyung, HE IS HIS FILTER. THE VOICE OF REASON. THE MATURE ONE OF THE TWO THE ONE THE MEMBERS GO TO OR LOOK UP TO TO KEEP JUNGKOOK IN CHECK.

However it is a double edged sword and a Thorned crown because now he gotta overthink everything he gotta worry about everything

Imagine feeling he had to make sure they both could maintain their relationship without having it ruin the dynamics of the group. He had to make sure he wasn't keeping Kook all to himself always, or letting Kook have him all to himself lest it breads resentment among other members.

Imagine he had to agree with the members out of consideration because he would rather have Kook than not at all.

Imagine him having to forgive their fights, not talk to people about the problems they be having, trying to resolve all conflicts at home before coming on to set. I keep saying this, JIMIN IS THE REASON THEIR RELATIONSHIP HAS THRIVED WITHIN THE GROUP THIS LONG AND HE IS THR REASON THE BAND HASNT CRUMPLED BECAUSE OF THE RELATIONSHIP.

Left to some members and the management there would be a no dating among members policy because lime every one readily points out if they are indeed an item then its a huge risk to the band and company. I mean please look at where Suga is now. Now imagine if two members of BTS were actually found out to be queer and dating💀

It's a disservice to victimize Jimin. He is an intelligent resilient powerful negotiator and anyone who tries to put in their heads their relationship won't work or that they will fight and argue woukd be met with a resounding "DOESN'T APPLY TO US"

You making me want to lick Jimin's ass stop Anon stop

[thoughtfulchaos773]

Neil Fak- The simple, innocent man Carmy once was.

Since Carmy is back home, he's outgrowing his naviety

What caught my attention is that Carmy and Fak are interested in flowers. However, Carmy loses hope and gets rid of the flowers in season 3. We can associate flowers with joy, innocence, love, and sentiments, which are all absent in Carmy's life in season 3. But he desires that innocence again something Fak carries. But there's both pros and cons to this way of life.

Fak is who Carmy would have become if he had stayed in Chicago and continued to be around Richie and Mikey. He would have immersed himself in the ballbreaker game, trying to win and ultimately losing his potential.

Did you notice that Fak isn't introduced to the story until Sydney is introduced? When season 1 begins, life is now too complicated for Carmy to understand, and a mind like Fak's can only narrate it simply.

In some way Fak is a version of Carmy. The innocent version.

Fak and Carmy - we're told they're best friends or butt buddies as Richie puts it.

Fak's adolescent mind - naivety thinks everyone is his best friend.

Since Carmy has gotten older, he realizes he carries more scars and wonders what a best friend is. He even questions if Mikey is his best friend.

As the series progresses, Carmy is coming to terms with the fact that relationships are complicated and not as simple as he initially thought. It's easy for him to resort to anger and violence like the Ballbreaker game when things become too complicated to understand. However, Carmy needs to mature in order to be the person his family needs. Being naive about relationships, people, and emotions won't help him.

I want to acknowledge @outmakingmoonshine for this outstanding, detailed meta on whether or not Syd and Carmy were planned. I re-read the script where Fak is introduced. In so many words, Carmy is saying that a sappy love story won't save the characters this time. Fak is raising the stakes, making winning at life a more significant risk. He gives Claire Carmy's number, adding more risk to the love story between Sydney and Carmy.

This subtext is a prediction- Sydney and Carmy's relationship is heading towards difficult feelings, and it becomes even more complex as they grow. Calling in Fak can hopefully help Carmy navigate, allowing him to somehow narrate an easier story than what's about to be told.

From Fak's innocent perspective, the game "Ball Breaker," known for its violence, is just too difficult because there's more to it. From Fak's perspective, the game or story (life) is too confusing to beat. Fak is the one who's raising plays to a dollar. A higher risk for a story about manhood and ball busting. Love.

Ballbreaker Game is gone. Now Fak is left to play Cupid.

Season 2 Ball breaker is over, and we're left with the game of who's in love with you—who could be dating who—with both Richie and Fak playing the game of cupid.

Fak sees it simply. Marcus and Sydney should hook up because they like each other. And carmy is in love with claire. Why shouldn't they get together?

He's not paying attention to syd and carmy's part. It's too difficult of a part of the game or story to navigate.

We need to take Fak's input on love with a grain of salt because he insists that Carmy is his best friend, just like everyone else.

It's just too difficult

Think of the upcoming sydcarmy scenes. 2x09 Carmy grows up a bit realizes that he has to be the guy his family expects him to be- the man where everyone can rely on him. This moment of growth has carmy wanting to fix the table or relationship with Sydney without faks help or naivety coming to mend it. The same as 3x04 when Sydney is ready to talk to Carmy about his consistent miscommunication Fak is pushed away.

Because this is a story about manhood, Carmy's growth involves shedding naivety, embracing complex emotions, and becoming the man his family needs.

But he is still wondering how he can find the balance to embrace his innocence and where he can stop and smell the roses while still growing up.

Tagging: @currymanganese @moodyeucalyptus @vacationship @whenmemorydies @brokenwinebox @fresaton

[ittybittyremy]

bells hells' points about the archheart conversation (c3e108)

I organized everyone's points so that it would be easier to analyze them

This may look a little messy so sorry in advance

Note: I am only including the conversation and not anything afterwards (i.e. Braius' interaction with Asmodeus)

Conversation starts at 3:19:30 on Beacon

Chetney

Reminds the team that there is another god who has a similar opinion to the Archheart

Reminds the group that the last bit of the lock on Predathos shared a similarity with the Divine Gate. He wonders if they break down the gate, would it pull the pin on Predathos, keeping them back for a bit. And if that was the case, it could be fair game

Agrees with Orym's “I don’t know that we need to decide that we have to throw the switch instead of him when we at least have a chance to cut off his hand before he pulls it”

Asks Imogen and Fearne “I’m not Ruidusborn, so it’s not really up to me. How do you feel about the notion that one of you or both of you could be asked to be a vessel? Where are you? How are you feeling about that?”

Says “I don't know” at Imogen's “but there’s no way I’m more powerful than some of the Exaltants up there already”

Thinks it’s crazy that the gods could see BH as their last ditch effort

Says “right” (Regarding Braius’ “At the end of the day, whoever succeeds, whoever has power, whoever accomplishes their goals, they can make things right. You have to win first”)

“The weird part is all these different parties have the same goal, to push the reset button, to grab the reins. We all have different perspectives. The Unseelie want the chance to do it and wipe the slate but they want to be in charge. Ludinus, same thing, but he wants to be in charge. I’m not saying we’re wrong. I think we’re better, but we’re really no different.”

“I was asking if he had talked to Ludinus or done this before, like a catalyst, like a voice in your ear. I don’t know”

Feels like they’re having their strings pulled

Thinks that they should talk to the Matron because “conversations are important. Everything breaks down when people don’t talk.”

Laudna

“I really liked [the Archheart]”

“The other scary thing is if he’s sending Ruidusborn to their deaths, is he testing the boundary or are they testing who’s powerful enough to possibly take Predathos into them?”

Agrees with Dorian's view that releasing Predathos is inevitable but wanting to be there when it happens

Mentions that the Matron may be the one that has similar ideas to the Archheart

Wonders if Ludinus will be successful in broadcasting the gods destroying Aeor

Thinks there’s a chance that the gods strike back if the broadcast is released as there powers wanes

Reminds the group that Archheart said “a second Calamity”

Reminds Imogen that she’s very capable when she says “but there’s no way I’m more powerful than some of the Exaltants up there already”

Thinks that “being Ruidusborn doesn’t necesarily gives them godlike or god eater powers…”

“If it’s not [Imogen’s] mother, it’s probably one of the two of you. And that makes my stomach turn”

Doesn't think the gods are a monolith

“We’re the worst. Like just kind of in general, like we are a bunch of fuck-ups. We’re kind of the worst. Strangely, I think that’s the quality that everyone sees in us that makes us the best for this job” (Regarding Orym saying that the gods could see BH as their last ditch effort)

Agree’s with Chetney's “I think we’re better, but we’re really no different [from the others who want to release Predathos]"

“We learn more everyday. We’re still on this journey. No decisions have been made. We’re not speaking in absolutions.”

Thinks the RQ ”has a reason to take all of this very personally more so than any of the others”

Dorian

Thinks that Predathos being released is inevitable. He would rather be there when it happens

“Cowards are often honest” (about the Archheart)

Wonders if there’s a chance that the gods strike back if the broadcast is released as there powers wanes

Nods at Orym’s “Ludinus is at the end of the road no matter what.”

“Faith’s a hard thing to let go of” (regarding Imogen’s “but a lot of people on this world depend on [the gods]”)

“It’s hard to believe but there is real evil in the world. I’ve seen it. Not everything deserves a second chance… But maybe you’re right, I wish you were. I wish the world were the way you saw it but it’s got to be done, but that’s not a chance I’m willing to take either” (in regards to Fearne saying that Predathos potentially being good)

“I think Predathos is a weapon. Do we want to have the power to wield it? I don’t know. But I trust us more than anyone”

“It was so ugly the way we did [the mission], but we did do what we came here for.”

Asks Chetney if he thinks “we’re getting our strings pulled”

“I think (the Raven Queen) is motivated by fear as well. I would imagine if you could see the future, the one future you couldn’t see is the future where the gods come to an end.” (Going under the assumption the she can see the future)

Braius

He saw the deal as the vessel “being” Predathos

Makes an affirming sound at Orym’s “it can end at job one, if you do it successfully”

Doesn’t think they went to far with the mission. “We’re on a mission to save the world. Some stuff is going to happen. It’s all in service of a greater good”

“At the end of the day, whoever succeeds, whoever has power, whoever accomplishes their goals, they can make things right. You have to win first”

Fearne

“The deal is that we would [release Predathos]”

Thinks most of the world believes in the gods

“What about the other gods? What if they have different ideas?”

Wonders if we should get the opinions of other gods

Thinks the Archheart seemed tired

Doesn’t answer Chetney’s question about how she feels about potentially being a vessel

“I mean, listen, If it’s something that’s got to be done. It’s got to be done. Personally, I think- I don’t know, I think if something is captured up there, this Predathos. Does it make us any better that we’re keeping him caged up just to save other people and other things?”

“What if [Predathos] just want[s] to go back and be with his family?”

Agrees with Dorian's “Not everything deserves a second chance.” (regarding Predathos)

Strongly agrees with Imogen’s “What the Archheart is trying to convince us to do is the exact same thing that everyone else is trying to do.”

Imogen

“[The Archheart] made some really amazing points”

“Do we really want to follow?”

The deal is that we would still wake up Predathos. That’s the deal they want; wake up Predathos.”

She highlights that the people who believe in the gods wouldn’t get what they want

“The Archheart made it pretty clear that taking Predathos would be [deadly]”

Thinks the Archheart seemed tired

Agree with Ashton’s “I do think that most scenarios in this current situation lead to just the worst that we can imagine”

Agrees with Orym’s “Ludinus is at the end of the road no matter what.”

“I haven’t really thought about it yet, Chet. I’ve been of the notion that I don’t want to let Predathos free. I know so many people disagree with what the gods do, and so many in our group do. But a lot of people on this world depend on them. To throw that all away seems callous.” (When Chetney asked about how she feels about potentially being a vessel)

Wonders if they went to far with the mission

Agree with Dorian’s “Faith’s a hard thing to let go of”

“It’s not like, you know, their faith would be shattered because they don’t know. Their faith would be shattered because their gods abandoned them. Their gods would have run away from them in their time of need when all of their Ruidians or Reilorans are destroying their lands and demons from the depths are breaking through portals. I don’t know what will happen, to Orym’s point. So I don’t know how I feel about back that play up. But I think if it’s going to happen, if it has to happen, if there’s no stopping it, if it comes down to it and he’s coming out, then I would gladly step up and at least try. But there’s no way I’m more powerful than some of the Exaltants up there already”

“I think us (Fearne and Imogen) combined, there might be some hope”

Wonders if Predathos could be like Gloamglut. “He’s just young”

"Well, I kind of sensed him. He wants to eat” (Regarding Fearne wondering if Predathos just wants to go back to his family)

Thinks that they should talk to the Matron of Ravens to see what she has to say

Agrees with Dorian’s “It was so ugly the way we did [the mission], but we did do what we came here for.”

“What the Archheart is trying to convince us to do is the exact same thing that everyone else is trying to do.”

Wonders if the RQ knew her champions would become the catalyst for the key

Orym

“We’ve yet to see one thing that proves to us what will happen after that thing is let loose. We’ve had people tell us it will be fine, we’ve had people tell us it would be destructive. We’ve had a god tell us to fight. We’ve had a god tell us to burn it all to the ground.”

He wouldn’t risk it because he doesn’t think anyone, including Ludinus, knows what will happen when Predathos is let free

Disagrees with Dorian statement of “I think it’s coming, one way or the other, and I’d rather be there when it does”

Highlights that they’re making a play for Ludinus because taking Predathos on would be deadly

Acknowledges that the gods may have different ideas

“It’s a big coin toss, guys”

Agrees with Dorian’s “There’s no one I trust more than us”

Thinks that “Ludinus is at the end of the road no matter what.”

“I don’t know that we need to decide that we have to throw the switch instead of [Ludinus] when we at least have a chance to cut off his hand before he pulls it”

Thinks that it can/could end with cutting Ludinus’ hand before he pulls the switch “if you do it successfully”

“There’s nothing saying that you have to flip that switch and turn reality upside down. None of you can tell me what will happen if one our friends does what Ludinus wants to do. None of you have any evidence, proof. Intuition doesn’t cut it. Your gut does not cut it. You are putting the population of this world at risk. So I hope you are all fucking sure at the end of the road. I’ll be there to get you there. I’ll stand by your side. I will do my damnedest to keep you all alive. But don’t let it be a coin toss or ‘let’s see what happens,’ because you just don’t know”

“I also just over the last months have the feeling that we’re walking some line and that’s why so many of them are paying attention to us. Maybe they see us as a last ditch effort”

“It is, but it’s uncanny.”(Replying to Chetney’s “it’s crazy” that they’re the gods’ last ditch effort)

“No one said it was going to be easy” (Regarding Imogen asking if they went too far with the mission)

Ashton

“It’s a deal I can get behind”

“Everyone gets what they want”

Does not think most of the world believes in the gods, just “a lot” of them do

“They get to live” (In response to Fearne talking about other gods having other ideas)

They trust Archheart the most (of all the gods) because “he’s the only one who had clear misgivings. Everyone else was hand wringing. He was the only one who was actually - He was the only one with a big picture”

Trusts Archheart because he sees them as a coward. He thinks cowards are honest

“Big coin” (when Orym says that it’s “a big coin toss”)

Feels that they would know if Ludinus was broadcasting the Gods vs Aeor already

“I do think that most scenarios in this current situation lead to just the worst that we can imagine”

Says the they trust Imogen and Fearne (after Laudna reminds Ashton of the potential second Calamity)

Thinks that “it should be us”

Agrees with Orym’s “Ludinus is at the end of the road no matter what.”

“Job one. [Ludinus] doesn’t touch the switch” (Regarding Orym's “I don’t know that we need to decide that we have to throw the switch instead of [Ludinus] when we at least have a chance to cut off his hand before he pulls it”)

Responds to Orym’s “don’t let it be a coin toss” (Regarding releasing Predathos) with “Well, then we’re very lucky that we no longer have anyone who believes and puts their faith in a coin toss” and leaves

[mywitchyblog]

Can someone please explain to me who the hell is so upset with me that they’ve resorted to going into other shifters' ask boxes as an anonymous user and started bullying them in my name? It honestly baffles me that someone would stoop so low. If you have an issue with me or something I’ve said, be direct. I’m not one to hide behind anonymity or drag innocent people into something they have nothing to do with. If I had a problem with you, trust me, I’d say it to your face. I don’t need to hide in the shadows.

Now, there are only two possibilities for what’s going on here, and neither of them reflect well on the person responsible:

The first possibility is that this person is intentionally creating drama by sending themselves an anonymous ask. Maybe they’re looking for attention or trying to stir up conflict where there is none. It's sad, honestly, if that’s what’s happening because it just shows how far some people are willing to go to manufacture chaos.

The second possibility is that I’ve managed to piss someone off to the point where they’re now impersonating me, using my name to spread hate and start fights in spaces where I’m not even involved. If this is the case, I can’t say I’m surprised that someone would go this route rather than confront me directly, but it’s still frustrating. I don’t hide from criticism, and I won’t shy away from addressing issues head-on. But to use my identity in such a toxic way? That’s crossing a line.

To the person this happened to (I found out about this through a mutual, and I want you to know that I’m aware), I am truly sorry. I hate that this situation has dragged you into something you didn’t ask for, and I genuinely wish it hadn’t happened. But let me be absolutely clear: it wasn’t me. I did not send those messages, and I would never engage in that kind of behavior. It’s not how I handle things, and it’s certainly not how I treat others.

You are fully entitled to your own opinion, just like I’m entitled to mine. I’ve never denied that right to anyone, and I wouldn’t start now. We don’t have to agree on everything, but that doesn’t mean I’m going to attack you for your perspective or allow someone else to use my name to do so. That’s not how this works.

And just to set the record straight for the final time: I am not a pedophile, nor do I endorse, encourage, or support anything related to that disgusting behavior. It’s beyond insulting that I even have to keep repeating this, but here we are. In fact, I went out of my way to age myself up by a few years or to completely discard the DRs that felt problematic or uncomfortable. I’ve always been mindful of the spaces I navigate, especially when it comes to shifting, and I’ve made conscious decisions about what I’m comfortable with.

If you’re unhappy or confused about something I’ve said or done, talk to me like a human being. Bring it to me, and let’s figure it out. Don’t jump to conclusions or, worse, involve other people who aren’t even a part of the conversation. It’s cowardly and completely unnecessary. This whole thing could’ve been avoided with a little bit of maturity and honest communication.

At the end of the day, it’s honestly pathetic to bully other people just because they happen to have a different opinion than yours. Why are you so bothered by someone else’s perspective that you’d go out of your way to hurt them or cause unnecessary drama? We’re all individuals here, and our experiences with shifting, our journeys, and our beliefs are going to vary. No two people will see everything the same way, and that’s okay. It’s actually something to be embraced. What’s not okay is tearing each other down because of those differences. That only reflects poorly on you and shows how little respect you have for other people’s paths.

So, let’s try a little harder to be civil and respectful. You don’t have to agree with me, and I don’t have to agree with you, but at the very least, we can treat each other with decency.

[alpaca-clouds]

Solarpunk Game Ideas: Shooter/Action

I will very openly admit something that is going to be quite hard to do in Solarpunk is a shooter or an action game (like hack and slash). Which is kinda ironic, because some of the other ideas I spoke about this week involved action and fighting.

A while ago someone made a asset flipped bioshock. They used the mechanics from Bioshock but put the assets of a Solarpunk world over it, making it all look quite solarpunk, but of course it did not feel Solarpunk at all. This lead to a discussion on how a Shooter could never be Solarpunk - but I disagree with this.

The Issue:

The main issue is fairly clear: A lot of people see violance as something very much apart from solarpunk, while shooters and hack and slash games pretty much thrive on violence. And while I think I made a good point in my blog this week that a Solarpunk game can absolutely feature violence, I do understand why especially something like a shooter, that feels often more real, is a bigger issue for many. It feels a lot more intimate, because compared to let's say a metroidvania, it tends to be more real in terms of graphics and perspective.

So, let's talk about this.

Idea #1: A Guerilla Gardening Game

Let me start with what might be the most creative (?) idea I had on this topic. A Guerilla Gardening Game, where instead of bullets you shoot seed bombs. My vision for this kinda goes in this direction: You do not have classical enemies, but you have areas that are "corrupted" by pollution in some way or another. Maybe it is not gonna fight you, but you might take damage through environmental hazards. And you can remove them through gardening. And you will do that through a bit of hack an slash (gardening scissors) and shooting (seed bombs). Maybe you'll have to do some stealth as you are doing Guerilla - so illegal - gardening, and there might be cops trying to stop you. But yeah, something... different with the mechanics.

Idea #2: Fighting Robots with Robots

Look, I know that I already had mentioned this in terms of the Metroidvania. But folks, this idea would also work fairly well within either hack'n slash or shooter. Again, there is a good chance that we might have some sort of AI that takes care of robots for certain manual tasks or some governmental tasks. You could play this either as "this kind of AI is a good thing, if people work less because of it" or "this is still bad, because people rely too much on it". Either way, AI gets somehow corrupted or something along the lines and you have robots running amok. We all have seen those Cyberpunk things that run on similar ideas, right? And yeah, use that as a basic for an action story.

Hell, if you do not want to make it that dire: You could also make a rogue like action game where within the game it is some sort of game or training rather than an accute situation.

Idea #3: The War for a Solarpunk Future

To bring in one idea where the fighting is a bit more dire... Make a shooter where we atually have a scenario where the people are rebelling against the capitalist entities and the neocolonial empires - and there is an rebellion or an all-out war, where basically everyone who is not the top 3% is trying to rise up, because they know that the alternative is dying a slow drawn out death. Maybe some catastrophe has happened that made people rethink and mistrust the Status Quo.

In my own pure SciFi Solarpunk world, the entire thing starts, while more and more of the former colonies that are still controlled start rebelling, because too many people are in a situation where they are gonna die either way, so they might as well fight.

And hence we can go in a war scenario, where we can also bring in politics, and maybe some roleplay aspects. Possibly even multiple endings?

And if you are interested in creative Solarpunk endeavors, I would love to invite you into the Solarpunk Creatives community! :)

[creatingblackcharacters]

broken earth's Alabaster has already been submitted, so i'll turn the spotlight onto Essun, one of the main pov characters from the same series! fanart by @verywildthing:

as with Alabaster, it's difficult to explain much about these characters without spoiling anything, but i'll give it a go. Essun is an orogene, someone with the power to sense and manipulate the movements of the earth, in a world where orogenes are feared and heavily oppressed and controlled. she's managed to escape detection by living in a small rural town. unfortunately, when the series kicks off, her non-orogene husband has killed their orogene son and apparently kidnapped their orogene daughter. oh, and also the literal apocalypse is happening at the same time.

Essun is powerful. she's smart. she still has a lot to learn. she's stubborn and determined. she's an imperfect parent. she loves her children dearly. she's extremely traumatized by the things she's been through. she knows full well that the world isn't fair, and god forbid anybody get in her way when she decides to step in.

multiple characters get chapters in their perspectives throughout the series, but only Essun's are in second person - "you". the reason it's told this way is a spoiler, but there is a very good reason, and it punched me right in the feels when i finally figured it out. i periodically read negative reviews of my favorite books, because sometimes people do make valid criticisms i hadn't considered before, but there are so many people turning away from broken earth because of the second person perspective. the author, N.K. Jemisin, has stated that by writing Essun, she "wanted readers to accept a protagonist who was an 'unlikeable' fortysomething woman of color." there are clearly a lot of readers who didn't get on board with that, but Jemisin definitely succeeded in that goal with me.

i love this series so much. anyone who needs content warnings should definitely look them up before reading, because these books get dark. but they are very, very much worth the read imo.

She's 😳😳😳

Let's talk about how you stumbled onto the quiet part out loud! Many people do not "see themselves" in characters of color, especially those that make decisions they don't like. Meanwhile, the rest of us have been forced into the perspective of whiteness, whether we agreed or not. But being a woman of color, especially a Black woman- I can confidently say most people wouldn't have the stomach or the steel for it. And discomfort makes many people angry, so... If reading is the closest I can get to putting myself in someone else's shoes...

[blindvogel]

A companion piece for my previous Mourn Watch Rook background exploration, this time from Emmrich's perspective. I can't wait to learn more about him!

~~~

His first memory of her is also of his first day in the Mourn Watch. He’s nervous and tries very hard not to let it show, surrounded by a hallowed institution and impressive people he is only too fortunate to call his peers. And then suddenly there is a little girl barreling down the hallway, black hair flying behind her in an intricate braid he’s usually only seen on another Watcher. She slides to a stop in front of him, such a serious look in her rain cloud-grey eyes. He bends down to greet her. “Kamari Ingellvar, pleased to meet you.” A pause. “You’re tall.” He is no longer nervous.

He is exhausted and certainly not feeling his best. Definitely not looking the part either after a tussle and a fall down in the catacombs, and not looking forward to trudging like this past any of his colleagues. Then he notices her walking towards him, is surprised for just a moment at how much she has grown, how he somehow had missed that she gained a few inches.  Absently he tries to brush the grime off his coat, and luckily just stops himself from dragging his hand through his hair. The girl with the serious eyes doesn’t seem to mind. “Hello Mr. Volkarin. Was your expedition a success?” she says as if his harried appearance was the most unremarkable thing in the world.

He is far less nervous nowadays and he finds he truly loves the time in the lecture hall, loves teaching. Most of the younger Watchers attending his lectures even listen. At least she always does. No matter when he finds himself turning away from his presentation and to the attendees, he finds her face turned towards him, focused with her full attention. He’s a little proud of that.

He is searching for a specific book on the revered dead in the library, and instead finds her - and the book. She appears to be reading but he knows her by now, knows that the look on her face is one of distant absence, lost in thought. She has changed recently, or perhaps he is simply late to notice again.  He startles her, and yet in a heartbeat is holding a pile of books in his hands, including the one he was looking for. She still calls him Professor, no matter how often he asks her to use his name. The formality feels awkward, especially coming from her.  “Just one more time,” she says with a rare smile. He cherishes it because it is the last he sees of her for a long time.

Emmrich opens his eyes to her fingers in his hair, her black hair unbound and cascading over her shoulder, the rain cloud-grey eyes looking down at him with a softness that still surprises him. Even now. He doesn’t think he could ever get used to it.  She smiles at his endearment, a blush dusting her cheeks and creeping all the way up into the points of her ears. He doesn’t think he’ll ever get used to that either. 

“Morning, love,” she says and leans down to kiss him. Or that.

[vickyvicarious]

So... Masters and Men, eh? There are several different perspectives at play in this chapter:

Mrs. Thornton

"[Workers strike] For the mastership and ownership of other people’s property [...] they are a pack of ungrateful hounds [...] they want to be masters, and make the masters into slaves on their own ground. They are always trying at it; they always have it in their minds".

Mrs. Thornton speaks very harshly of the workers, and she seems to explicitly view the situation as opposing sides, with the 'lesser' one being the aggressor. Part of the pride she takes in her lifestyle is linked to being brave enough to face them and 'fight' against them. In fact, the quote about that is really interesting to me, because she claims they're "a people who are always owing their betters a grudge, and only waiting for an opportunity to pay it off," but in some ways, she could be seen that way as well. At least in the sense of family history/social status, the Hales are supposedly the Thornton's superiors, right? And Mrs. Thornton is very prickly about being seen as inferior herself. A lot of it seems to be genuine pride and dislike of their (Southern) priorities, but some is definitely defensive. And I could see some nasty high society person using similar wording about Mrs. Thornton herself having a grudge against her betters. Certainly, as someone who herself had to struggle tremendously to climb to the point she's at now, I find it easier to see her believing others will want to do the same (though she attributes more malevolence to their actions).

Mr. Hale

"I should say that the masses were already passing rapidly into the troublesome stage which intervenes between childhood and manhood, in the life of the multitude as well as that of the individual. Now, the error which many parents commit in the treatment of the individual at this time is, insisting on the same unreasoning obedience as when all he had to do in the way of duty was, to obey the simple laws of ‘Come when you’re called,’ and ‘Do as you’re bid!’ But a wise parent humours the desire for independent action, so as to become the friend and adviser when his absolute rule shall cease."

Mr. Hale doesn't attempt to dispute the idea that the workers are inferiors, and he's clearly not willing to go too far because he wants to keep the peace. But he tries to suggest that Mr. Thornton look upon them as growing and learning, and be indulged of their 'mistakes' or 'outbursts', so to speak. When talk again turns to the two sides as being opposed to one another, Mr. Hale says, "is not that because there has been none of the equality of friendship between the adviser and advised classes?" He's certainly in favor of mending relations, and he doesn't believe that opposition is inherent/necessary, but his approach is sort of benevolently condescending. This too fits well with his background and the kind of thing Margaret was used to before they move here.

Nicholas Higgins

...it were the interest of the employers to keep them from acquiring money—that it would make them too independent if they had a sum in the savings’ bank. [...] I heard, moreover, that it was considered to the advantage of the masters to have ignorant workmen... [...] But he—that is my informant—spoke as if the masters would like their hands to be merely tall, large children—living in the present moment—with a blind unreasoning kind of obedience.

Higgins (who isn't here and whose words are being relayed second-hand) is the one who first brought up the workers-to-children comparison, but he did so in a distinctly scathing way. He's very bitter about the 'masters' and is definitely displeased at being looked down on. But it's not just resentment. He recognizes the balance of power that is at least in many cases being deliberately maintained. The workers aren't allowed to be too independent because then they can't as easily be used however the masters want. His views are sort of a reverse of Mrs. Thornton's... the employers are the aggressors constantly shoving the workers back down. Wanting them to be ignorant, never to think for themselves, to be dependent and unquestioning. As someone who has very few options even when it comes to helping his daughter dying due to a factory-related illness, his bitterness is fully understandable.

John Thornton

"But because we don’t explain our reasons, they won’t believe we’re acting reasonably. We must give them line and letter for the way we choose to spend or save our money." [...] "I agree with Miss Hale so far as to consider our people in the condition of children, while I deny that we, the masters, have anything to do with the making or keeping them so. I maintain that despotism is the best kind of government for them; so that in the hours in which I come in contact with them I must necessarily be an autocrat." [...] "And I say, that the masters would be trenching on the independence of their hands, in a way that I, for one, should not feel justified in doing, if we interfered too much with the life they lead out of the mills. Because they labour ten hours a-day for us, I do not see that we have any right to impose leading-strings upon them for the rest of their time. I value my own independence so highly that I can fancy no degradation greater than that of having another man perpetually directing and advising and lecturing me, or even planning too closely in any way about my actions."

Mr. Thornton has quite an interesting mix of views here. He claims that it is necessary for him to be a despot; but he feels he has no right to interfere with their personal lives. He talks scornfully of their strikes and says if they knew why he's taken his stance, then they would act differently, but he refuses to tell them why. He agrees that they're like children, but then says he respects their independence and is treating them like he'd want to be treated. Thornton does seem to have a better understanding of the independent nature of the people here, but he uses that reasoning to justify remaining completely uninvolved in bettering the situation. He asks if he has any right to impose his own views on them just because he's their boss - and that's a fair point, but also, he's kind of doing that regardless? It's his belief that an honest and straightforward, if demanding 'master' is both more respectable and incurs loyalty/becomes an example to follow. It's his belief that the workers should blindly obey him because he's in charge, and that this is better for them. And as someone with so much power over their livelihoods, he can operate based on these views. If they feel otherwise, they don't have the power to change that. When they try with strikes, he's willing to get into a power struggle that he admits will hurt him as well as them, rather than let them 'win' even just enough to make him admit his reasons why. Even though he claims their interests align with his, he seems to feel that they don't or can't understand this, and thus conflict is inevitable. In fact, I think he was the first one to call it a "battle of the classes." Thornton's backstory is very much a "pulled myself up by my own bootstraps" success story, and because he did it by working really hard and practicing lots of self-discipline, he seems to think anyone else who fails to succeed is at fault for not working hard enough. He didn't question his bosses, he just put the work in! And so on. Of course, pretty sure he was always of a higher class, and that's going to be a factor for all of these people regardless, but still, I can easily see him thinking that it's their fault for not knowing how to save their money carefully enough. And thus dismissing their complaints.

Margaret Hale

All I meant to say is, that there is no human law to prevent the employers from utterly wasting or throwing away all their money, if they choose; but that there are passages in the Bible which would rather imply—to me at least—that they neglected their duties as stewards if they did so. [...] ...I see two classes dependent on each other in every possible way, yet each evidently regarding the interests of the other as opposed to their own: I never lived in a place before where there were two sets of people always running each other down. [...] ...you are a man, dealing with a set of men over whom you have, whether you reject the use of it or not, immense power, just because your lives and your welfare are so constantly and intimately interwoven. God has made us so that we must be mutually dependent. We may ignore our own dependence, or refuse to acknowledge that others depend upon us in more respects than the payment of weekly wages; but the thing must be, nevertheless.

Margaret relays Higgins' words, and speaks on his behalf. She seems to have a position closest to her father, in the sense that she feels it is Mr. Thornton's duty to aid the people under his rulership. She seems guided ultimately by religious ideals of the relationship between people, but also recognizes that the situation involves an inherent power imbalance and thus responsibility on the part of the one who is at the top. As much as Thornton might deny it, he does have incredible power over the people. But he is also dependent upon them. Her talk about dependence is really interesting because she's the first person to portray it as extending in both directions. They are dependent upon him to employ them; but he is equally dependent upon them to work for him. In this way, she goes a step further than Mr. Hale seemed to, and recognizes both sides as at least closer to equals. She clearly isn't suggesting that every worker should be seen as having the same rights and roles as Thornton, but neither does she view them as either entirely isolated in their independence, or entirely subservient in their dependence. It's a complicated web in which everyone plays a valuable part. Fighting against one another is by necessity acting against your own interests, in a way. Once again, I think her having these beliefs fits very well with her background as someone who did operate in a more noblesse oblige way and clearly felt she was better than certain other classes, but also experienced being the social lesser/supported one when taken in by her Aunt.

[soaps-mohawk]

(i apologize in advance as this is probably gonna be long as hell. I love Price so my brain just honed in on him this latest chapter, sorry for the rant but i. am. invested.)

Since Price always has and always will be my favorite character in both canon and AUs, it breaks my heart (in a good way) to see him doubt his entire person. It almost feels like he could sit on the edge of the bed after yet another sleepless night, sigh and just go "i'm leaving the pack". Saying Simon can take over and that he never should have marked anyone, not even Kyle, because of his lifestyle and personality. Not sure if it's the same as canon in this fic, but Price has been a military man since he was a teen. He's not going to leave it, not even sure he can even if he wanted to and it has shaped him as a human. With him now being so experienced, (traumatized), mature and capable of cold hard logic, I could see him looking at the current situation and just going "this isn't working", identifying himself as the biggest reason for it not working and attempting to remove himself just as coldly as he would leave fatally wounded soldiers in the field or blowing up civilians (like in the 2019 game with the bomb hostage) because that's just what you have to do sometimes for the greater good. I could see him sitting down and having this talk with Simon over a cigar. Not sure how this AUs Simon would respond though, especially with the current situation..

A lot of focus is always on omegas (for understandable reasons) in omegaverse AUs when it comes to weakness, doubt and hurt because alphas are the strong providers and protectors with all the power, both physically and emotionally. It's nice to see fics where alphas aren't some indestructible machines that don't get affected when things happen. They're even more sensitive than omegas if you look at things close enough. Just look a little too long at their omega and they're ready to throw hands like immature teenagers.

All that to say; Even if it hurts, I'm always glad to see Price get some focus, especially as the packs leader. And always looking forward to updates!

I love long as hell asks, so bring it on!!!

Mhm mhm I agree with this 100%. John is such an interesting character to flesh out because he's totally committed to his job, even if it means sacrificing others. And now he's having to face that in this fic, not just with his team and pack, but also with 'mega. He's being hit with that reality right now. He has a lot of hard decisions to make. Does he continue with his lifestyle or does he leave the military? Does he leave the pack and live with that pain forever for the sake of doing what he's always done, or does he face the fact that his life has changed drastically and now he has to leave to take care of his pack and omega? That's a huge conflict for him in this part of the story, as well as the rest of the pack. His decision is going to change them forever, one way or another. They all have decisions to make, but they can't really do that without knowing what he's going to do.

I do 100% agree with that too. Alphas get portrayed as these big, tough people that have no emotion except provide and protect and they get watered down so much when really they'd be so emotional. Probably more-so than omegas at their core.

I love showing stuff from Price's POV. He has such a contrasting POV from 'mega and I think it's important to show kind of what's going through his head in different situations since there's so much that weighs on him and his decisions. It's also just fun to show other POVs besides 'mega's. I love exploring things from other perspectives.

[shimmershy]

Buttercups and Golden Flowers

[bigskydreaming]

Imagine if you were a gay or bi man who tried a certain firefighter show because of all the attention it was getting for one of its mains having a later in life bi awakening.....and between seasons you ventured into its fandom in search of material to tide you over til the next one. And you're greeted by a deluge of posts and fics that are just cheerfully homophobic towards one half of the newly out bi character's canon relationship on the basis of 'well he's not the RIGHT gay guy' and pushing the idea that actually its fine to cheat on him because Reasons and he's sexually predacious based on......behind the scenes implications people have divined like they're reading fucking tea leaves.

But don't get it twisted....this fandom, like all fandoms, really cares about representation!

Sorry not sorry, but we really need to kill this idea that fandoms are welcoming and inviting and inherently progressive when they're frequently insular and reductive as fuck. Every single fandom I've been in has had major trends of people doubling down on their own headcanons and fanon interpretations of the characters and willfully enacting trends aimed at running off people who like the 'wrong' characters (usually characters marginalized along one or multiple axes), like the characters in the 'wrong ways' or other bullshit.

Scott is a Bad Friend fics overtaking Teen Wolf fandom was not incidental, it was a FEATURE of the fandom, because the vast majority of that fandom did not want to share its space with anyone who had the nerve to like its main character. Survivors complaining about or criticizing the prevalance of rape fics in a certain fandom has in my experience always led to a reactionary UPTICK in those fics, with gems like 'this character can, will, must be raped' in the tags making it crystal clear that some of these fics exist because how fucking DARE anyone try and push forth a narrative not agreed upon by Fandom Main.

I could cite examples for so many other fandoms, with the commonalities always being that vast majorities in these fandoms are explicitly reacting defensively to being asked to be more mindful of fandom trends revolving around or exacerbating racism, homophobia, transphobia, rape or abuse apologia, ableism, etc....

With the most prolific fucking rallying cry across countless fandoms being "No the fuck we will NOT be doing that," because lolololol.....

Fandom is an inherently progressive space, didn't you hear?