#because I love Beelzebub and at the time hated Gabriel
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sodalite-fulll · 1 year ago
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Me to the people who shipped ineffable bureaucracy in the beginning while I unblock the ineffable bureaucracy tag: you were right you were right I was wrong you were right
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frogeyedape · 1 year ago
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I ran out of tags XD Good Omens Spoilers Beware! (time for dinner now)
The Magic Trick You Didn’t See: Being An Analysis of Good Omens Season 2
(or: Neil Gaiman, Your Brain is Gorgeous But I Have Cracked Your Sneaky Little Code And Have You Dead To Rights*) (*Maybe)
***
Soooooo I just spent the last 48 hours having a BREATHTAKING GALAXY BRAIN EPIPHANY about Good Omens Season 2 and feverishly writing a fuckin16,000 word essay about the incredible magic trick that @neil-gaiman pulled off. 
Yes, it’s long, but I PROMISE your brains will explode. Do you want to know how magic works? Do you want to know what Metatron’s deal is (I’m like 99% sure of this and it’s EXTREMELY FUCKING GOOD)? Do you want to know about the Mystery of the Vanishing Eccles Cakes and the big fat beautiful clue I found in the opening credits? Do you go through the whole inventory of Chekov’s Firearm & Heavy Artillery Discount Warehouse? 
Here is the essay, go read it: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ When ur done u can tell me I’m an insane crackpot, and u know what, i won’t even be offended
In case you don’t know whether you want to bother reading the whole enormous thing on google docs, I’ve put the first couple sections of it under the cut. JUST TRUST ME OKAY, HEAR ME OUT, THIS IS VERY EXTREMELY COOL, NEIL IS GOOD AT HIS JOB–
Keep reading
#FASCINATING essay#intriguing ideas and clues#the eccles cakes are DEFINITELY significant! weren't they called the ultimate comfort food? comfort disappears...#s2 has so many threads left up in the air ready to be played with in s3 it's great#wondering hard about the editing/erasing memories ability...is that something any angel at michael/uriel/saraqaels' level can do?#is it something they can do to ANY angel (or demon?)/only if they decide as a committee?#cuz they expected to erase gabriel's memory. saraqael had the thing to “look up” gabriel's memory in her hot little hands at the meeting#was THAT the book of life or is angel memory editing a separate function? (I'm leaning toward the latter)#GABRIEL fell in love?? GABRIEL?? with a demon?? is that Real? is it??#One Prince of Heaven may fall (lucifer/satan) but not two (crowley?) and CERTAINLY not 3 (gabriel) eh metatron? eh?#you are on to something BIG and the payoff is gonna be great!#(hey hollywood execs pay your fucking staff already & stop forcing wga & sag-aftra to strike for survival) (s3 doesn't HAVE to be on prime?)#oooh maggie not sure about maggie not being real. you've got me halfway convinced but aziraphale loves her records#AND she gets all the everyday records that the resurrectionist keeps getting--possible grounding in reality?#“it's just a thing we do” - i am on the fence on this one. on the one hand it is a very Character thing to say. on the other...#it's also a very mellow go woth the flow i don't get it but I'm here and i don't hate it kind of thing to say (and she really really wants#to dance with nina)#*with#the perfect crime...the parallels to gabriel's disappearance with none knowing who done did it (cuz he zapped himself into the fly)#back to gabriel & beelzebub and the everday records....the sheer NUMBER of records...does it imply gabriel turned EVERY RECORD in the juke#every time they visited the resurrectionist (3 times on screen?) or does he change just the one currently selected and there's a ton more#visits there that we DON'T see (but the records are proof of)?#gabriel says Nah. nah. nuhuh. nope. great & terrible prophesy bad things coming ah yes I'll renege and lose my memory to avert it ???#Nah is too out of character to not be deliberate. WHAT DOES GABRIEL KNOW ABOUT WHAT IS COMING. why did he set things up#so that he could escape heaven scot free but memoryless and WHY was that integral to averting the Terrible Thing that is coming?#is metatron the terrible thing? did gabriel have to leave the coop SO THAT metatron would be tempted to meddle & suck aziraphale in?#so that aziraphale (and crowley) can save the day by stopping “heaven”/metatron's plan for the second coming?#the Great Plan is ineffable...the Apocalysn't...the plan behind the plan for apocalypse...god's narration & the nice & accurate prophecies--#what I'm getting at there (poorly) is that...maybe god's plan is to see how long things can last? how great creation can become?#because it IS a damn shame to end an infinite universe after 6000 years before the engine is even fully cranked up...
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orionsangel86 · 1 year ago
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The fact that Good Omens S2 was SO QUEER.
Not Just Maggie and Nina (and Lindsey)
Not just Aziraphale and Crowley
Not even just Gabriel and Beelzebub (who is NB)
But the magician shopkeeper and his trans/NB spouse who wore a fancy early 19th century dress to the ball.
Job's son who was flirting with Aziraphale (hilariously played by Ty Tennant giving Michael Sheen heart eyes in front of his dad lmao)
Even the tough macho man in Scotland that Aziraphale borrows the phone from - using it for "Grindr".
Plus of course Michael, Uriel, Muriel, and Dagon also all being non binary/gender queer characters.
With all this, there was no homophobia, no one batted an eyelid at any characters sexualities, sexuality wasn't even brought up, characters just are who they are and like who they like. Its a non issue in the GO universe.
AKA my favourite type of queer representation. The same type found in The Sandman (show not comic).
And whilst there was plenty of drama and not everyone gets a happy queer ending (YET) there was no queer trauma to be seen. No hate crimes, no "bury your gays", no stupid discussions about how HARD it is to be out of the closet in a bigoted world, because the GO world isn't bigoted.
Its SUCH a BREATH OF FRESH AIR.
I know we have similar experiences in The Sandman, In OFMD, and even in WWDITS, but each time a new show takes this very new approach towards queer representation I feel like I'm once again sinking into a comforting hug from someone I love, who loves me back.
Its just really fucking wonderful to see. I hope we keep seeing it more and more often.
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itsclydebitches · 1 year ago
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Just finished Good Omens 2 and I'm honestly boggling at the Aziraphale hate because yes, his decision led to the angsty cliffhanger, but it makes SO much sense for his character. Not just in a "Religious brainwashing and sunk-cost fallacy" kinda way but also a "Aziraphale has no reason to believe this isn't the perfect solution" way. That scene among the nebula is crucial because it establishes that Crowley loved being an angel—reveled in his ability to create and allow his creations to grow kinda like plants—and the only problem was that someone else was calling the shots, someone who wouldn't listen to his criticism. Aziraphale has also spent 6,000+ years watching Crowley do good, all the while forced to deny the fact that he's "nice" lest embracing his original nature get him into trouble with hell. Now, Metatron comes along with an offer that fixes everything in one fell swoop. Crowley can be an angel again, be nice without censure, his ideas and criticisms will hold weight because he'll be answering to Aziraphale, and they'll be together.
It strikes me that Aziraphale isn't there when Crowley sees Gabriel's trial, ergo he likewise doesn't see the (non)acknowledgement that there's an institutional problem up in Heaven. There just happen to have been two archangels who called it quits. Same when Gabriel blurts that phrase out to Crowley. Aziraphale has always been more blind to the ways in which Heaven is "toxic" (for very understandable reasons) and this season he's continually sheltered from new evidence of its structural problems. The plot just preaches to the choir: Crowley. He likewise wouldn't see the conflict Gabriel and Beelzebub have caused as evidence of an underlying problem because that's a problem he and Crowley will no longer share. Why would they be worried about Heaven still being unable to accept partnerships between angels and demons when Crowley will no longer be a demon? And that's something he presumably wants based on Aziraphale's memories of him and the ongoing admission that he's lonely.
The way I see it, they got what they thought they wanted at the start of Season 2. Heaven and Hell are keeping an eye on them, but functionally they're left alone. Crowley can spend all the time he wants with Aziraphale and nothing comes of that except that they're both continually named traitors and the higher-ups grumble about it. If Gabriel had never shown up, things should have been perfect based on Crowley's "Let's just run away and have each other's company" standards. Better, even, considering that they get to be together on their beloved Earth, rather than being bored out in Alpha Centauri without any sushi, plants, books, or Bentleys. And yet... Crowley doesn't strike me as particularly happy. Because, you know, based on that kiss he wants to be with Aziraphale, not just literally be with him, but the point of this post is that his "Let's run away and be an 'us'" falls totally flat when he doesn't explain that specific desire to Aziraphale; the desire to change what an 'us' means. From Aziraphale's perspective they're already an 'us.' That was the entire point of "our side" in Season 1 and now they can continue to be 'us' up in Heaven. Plus, Aziraphale likely sees this as a sacrifice on his part. He will give up his bookshop, his Earthly indulgences, take on the responsibilities of leadership (which I don't think he actually wants for a variety of reasons), and spend the rest of eternity in a place where he's felt so small because he thinks that's what Crowley wants. Crowley was happy as an angel. Crowley wanted them to be together without risk of permanent discorporation. They were able to achieve that after not-Armageddon and he still wasn't happy... so surely those two things together will do the trick. Crowley never actually articulates how he wants their relationship to change and the kiss comes much too late, when he's already rejected what Aziraphale must see as a perfect, selfless solution he's secured for them. Even if Crowley wasn't always moving too fast for him, an overture of romance isn't going to go well after that.
Is this crushing and angsty and devastating as a hiatus? Damn straight, my heart it breaking. But it's a good setup. More importantly, it makes perfect sense for their characters, particularly when they're still talking past one another. Aziraphale is someone who has always moved more slowly as a matter of course, as an angel he has remained immersed in the rhetoric of Heaven, his main avenue of breaking free of that (Crowley) has a huge communication problem (to say nothing of his own denial. He only made headway with the help of Nina and Maggie, seconds before Aziraphale shows up), and Metatron (in a no doubt incredibly manipulative manner) has just offered Aziraphale a job that presumably makes him happy AND Crowley happy AND allows him to maintain the moral this-is-how-the-universe-works perspective he's had since he was literally created. Of course he's going to say yes to all that!! And sure, there are problems in Heaven, Aziraphale isn't completely blind, but he can fix them now that he's in charge. How? Well... he'll figure that out later! Kinda like how he's been making plans on the fly this entire season. That seems logical from his perspective, right? It's not like he's gotten a crash-course in the concept of the master's tools never being able to dismantle the master's house...
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justhereforthemeta · 1 year ago
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Romantic expectations and the story we didn't see: A magic trick hiding in plain sight
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Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)
This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!
On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.
@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.
Continued below the cut...
Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.
Shax: “You’re in trouble”
A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”
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Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.
And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.
There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.
1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).
Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:
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Starring this suave, be-turtlenecked guy:
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And now - begging your forgiveness - a brief rant.
There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball. 
Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.
Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.
For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.
So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.
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Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.
But also, I would posit…he kinda likes it.
Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché. 
Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery. 
And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.
In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.
My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:
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is actually this:
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Much like the one he wears to the Dirty Donkey in 1967: 
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whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:
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…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:
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That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once. 
Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat. 
Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).
Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.
Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution. 
Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.
‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!? 
I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.
(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)
When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.
From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.
This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.
In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.
Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save. 
“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”
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beauspot · 1 year ago
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Thoughts on my second watch of Good Omens 2
i heard the fly buzzing in my first watch but didn’t know why and now i know
Maggie my sweet darling angel baby i love you
Aziraphale turning their car yellow
crowleys “no more dying” in extreme scottish.
Disposable Demon i’ll save you from these awful people i promise 😭
Aziraphale’s little smile when he says “smitten” to Crowley
i wonder if crowley was especially hurt because aziraphale seemed to be able to forgive gabriel who tried to kill him but can’t seem to forgive him being a demon.(still seeing all of this as a metaphor for internalized homophobia, like aziraphale knows he’s not the perfect angel he wants to be and he’s projecting his feelings about that onto crowley)
I can’t believe we got an actual ball. like pride and prejudice, bridgerton ball.
the beautiful score that started playing when aziraphale brought the chandelier down
i didn’t even realize that when they walked in the outfits changed. mrs sandwich made me realize(also i love her)
Nina being the only one to question the weird magical shit Aziraphale and Crowley do sends me so bad.
Season 2 took everything i liked about the first season (aziracrow, queer subtext, gay people, archangels, and beelzebub) and expanded on it
The adorable smile on Aziraphales face when he asked Crowley to dance 😭 he’s so pure(i should have known something was up, everything was going too well)
Crowley saying i won’t leave you on your own and Aziraphale saying i know 🤒
why isn’t aziraphale able to miracle nina and maggie??
crowley and mrs sandwich flirting. too cute
crowley saying he’s neither nice nor a lad.
crowleys little run in heaven when he’s following muriel
maggie giving the middle finger to the demons and laughing in their face when they tried to belittle her. queen
defensive aziraphale is so badass. just because he’s soft doesn’t mean he can’t stand up for himself or the people he loves
the random guitar solo in the final episode theme is so bizarre to me. why is it there?
ahh the raining hearts symbolizing crowleys vavoom plan!
crowley’s heavenly outfit not being white but “light grey”
the relief in aziraphale’s voice when crowley came back 😀
also him mumbling about the halo like he did with the sword 😭 but he sure loves to boast about the things he’s done right to crowley
aziraphale and crowley doing magic together has the power to set off alarm bells in heaven and they barely tried, they’re just in sync
saraqael was such a good addition to the cast.
crowley smiling at aziraphale going off on the angels and demons
“where beelzebub is, is my Heaven.” 🥹
the little knowing look after crowley mentions alpha centauri
the way they just interrupted michael’s speech by leaving 😭
i think that aziraphale was about to ask crowley to move in but that’s my opinion
the look the metatron gave crowley is so strange. i don’t like that
“JUST US. NOT YOU.”
“You’re not helping, angel.”
the softness in aziraphale’s voice when he talked about making crowley an angel again? how can you hate him! he thought he was doing the right thing!
also the miscommunication these two have is completely out of hand because crowley asked aziraphale if he said no and aziraphale hadn’t given an answer AT ALL to the metatron. the metatron told him to take his time. he went back to tell crowley the news first.
crowleys confession makes my stomach hurt. the way his voice broke when he said “we’ve spent our existence pretending that we aren’t.”. the way he had to force himself past his anxiety to tell aziraphale he wanted to spend eternity with him? fuck.
the way aziraphale tells crowley to come with him. like and through all of this they are losing each other, oh my god.
“i need you!” god aziraphale punch me in the face next time why don’t you?
i feel like in all this anger towards aziraphale a lot of people are ignoring that he put himself out there too. he was telling crowley he needed him just like crowley was
“no nightingales.” FUCK YOU GAIMAN
the way aziraphale touched his lips after. dear GOD. someone get michael sheen an emmy
seeing aziraphale struggle against his wanting to kiss crowley back and his fear and wanting him to come back to heaven further supports my internalized homophobia analogy
also even knowing the kiss was going to happen because of the spoiler it still didn’t quell my shock. nor did it ruin the scene, i think it actually surprised me more because it did not happen how i thought it would.
side note i saw some people saying they thought the kiss was going to be a cop out in some way. like a body swap or as a joke and i don’t really know why?
it just occurred to me that both aziraphale and crowley thought the other one was just doing that thing they do where they say they won’t help, or they’re on their own but they eventually come back not knowing that the other was completely set on these plans they had. this wasn’t like armageddon or saving gabriel.
the second coming…of jesus…
crowley cutting off “a nightingale sang in berkeley square”...i’m gonna jump
this being the ending for the next 3-4 years. oh.
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biceratops7 · 1 year ago
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I get it now,
I know why ineffable bureaucracy happened first. I had a realization and it finally makes sense to me.
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The reason why the “arch angel fucking Gabriel” was able to put aside his hang ups in the fraction of the time it’s STILL taking Aziraphale is precisely BECAUSE he’s the “arch angel fucking Gabriel”. It’s not about who is more willing to embrace the trappings of humanity and all the beautiful shades of grey it holds enough to put differences aside, it’s about privilege.
Gabriel has never had to fear what aziraphale has even in supposedly the “same” circumstances. He can meet with Beelzebub face to face, converse and even flirt with them as freely as he pleases. There is no demeanor of caution in their sequence what so ever. And why would there be? They’re both in the highest position of power actually on the ground floor making decisions. They’re the ones who dole out the punishment, keep those under them in line, and generally have final say on what goes on in their day to day world. I mean who would even be surveilling them?
The seeds of this imbalance were planted in episode 3. Elspheth lacks power by being impoverished, so she quite literally doesn’t have the means to be the best version of herself. Instead of burying her friend and mourning the life lost, in a genuinely unsettling moment, she must jarringly transform the thought of her into just a fresh body. By being with Beelzebub, being kind to them and opening his heart so willingly, Gabriel is able to fully realize his potential, and accomplish the highest virtue there is.
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… But love has never been something Aziraphale and Crowley could afford. The price of loving each other isn’t a slap on the wrist and a permanent vacation, it’s fearing for the other’s life everyday. They’re armed to the teeth in fire extinguishers, and Aziraphale would sooner declare war on hell than use holy water in a place Crowley spends a significant amount of time. The memories of how they’ve almost lost each other are ugly, cruel, and terrifying.
They’re both scared and fed up. They want the exact same thing, they just have completely different ideas of how to achieve it. That’s why aziraphale is so excited to “restore” crowley and be in charge of Heaven with him, and so distraught when Crowley hates the idea and refuses. He’s essentially an allegorical cult survivor. His insistence on rejoining Heaven is not a rejection of Crowley’s confession, it’s a reciprocation. Aziraphale is trying to provide, what is in his eyes, the ONLY thing that can possibly allow them the freedom of love, safety, and self autonomy: power.
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It’s as if to say “no actually, we can’t just do that.” Aziraphale truly believes the only way him and Crowley can be safe and together in the current circumstances is if they play by their oppressor’s rules, and to be honest I’m not entirely convinced at all that he’s wrong. I don’t think for a second Metatron intended the offer to be a genuine choice and would’ve left them alone if the answer was no, and even though he is excited by the offer, Aziraphale probably knows this too.
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catsteinbooks · 1 year ago
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The Thin Dark Duke of Hell
Haven't actually written a meta before, but I've been mulling this around in my head, so here's my take on why I think Crowley is likely to be a Duke of Hell in season 3.
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Reason 1: it makes narrative sense
From a story-telling perspective, it's the logical starting place for season 3. Especially if we consider how the original idea was developed as a sequel to the book.
There's no body-swap in the book. Neither Aziraphale nor Crowley has heard from "their sides" at the end, so technically they're still connected to Heaven and Hell. They haven't been punished or kicked out. They even speculate that maybe everyone will just pretend it didn't happen.
And now we're approaching the Second Coming. The Big One. "All of us against all of them." Where are our heroes? Well, time has passed, things have happened. It's reasonable to think that maybe they've both been promoted. (Crowley, in particular, is often getting promotions, usually for things he didn't do.) And story-wise, they're set up as opposite numbers, so it makes sense that their positions as the sequel story begins will be of similar status.
Applying this concept to the screen version, we know Aziraphale has been offered the Supreme Archangel position. Therefore, if Crowley is to be his counterpart, he has to have a high rank in Hell. And there's a Duke of Hell opening to be filled. (Sorry, Shax, I think Crowley's going to snatch it out from under you.)
Reason 2: it fits Crowley's character
"What?!" you shout. "Crowley hates Hell! He turned them down! He doesn't want to go back!"
Correct. He doesn't. But he will if he thinks he needs to. Because he and Aziraphale have a huge, defining commonality: they love Earth and Humanity and don't want it to be destroyed.
Yeah, Crowley will probably wallow for a while. He deserves some time to get insanely drunk and cry. Sort of like he did when he thought Aziraphale was dead in season 1. But the thing is, Crowley always comes back. He's always ready to run. He always threatens to run. He hops in his car and drives somewhere. But he never actually leaves. Because there's no point in going away somewhere without Aziraphale. And that hasn't changed. If Crowley ran away now, he'd still be miserable, but without any music or whisky or his Bentley. It would be... pointless.
So what's a heartbroken, grieving, furious demon to do? Vent his pain in the best possible way: thwarting everyone and everything who hurt him and took away the angel he adores. He knows what Heaven is planning, because he saw it in Gabriel's file. He doesn't want Earth destroyed, he doesn't want Heaven or Hell to win. And he has an opportunity to sabotage the whole thing from the inside.
Which leads us to...
Reason 3: Crowley has a way into Hell already
There is a great meta here about Crowley's conversation with Beelzebub in Hell and its potential season 3 impact. The TL;DR version is: Crowley DID technically find Gabriel, and Beelzebub promised him anything he wanted (including being a Duke of Hell) in return.
Is it a somewhat dubious contract? Sure. Would that stop Crowley? *snort laugh* The demon who makes up legal clauses on the spot to save humans is well-equipped to argue his way into Hell's highest position in order to save the entire world. It's probably much easier than driving a flaming Bentley all the way to Tadfield.
So where does this leave us?
Aziraphale is up in Heaven, ready to burn it to the ground. You saw him when the Metatron mentioned the Second Coming. That was not a happy angel ready to do what he's told. And, frankly, Aziraphale is not actually capable of doing what he's told IMO. No matter how much he tries to follow the good/evil dynamic, he ultimately ends up choosing what is Right over what is Good.
Crowley in Hell would be doing the same kind of thing, albeit in a more subtle, sneaky way. After all, he spent 6000 years thwarting Hell all over the place and getting away with it the vast majority of the time. He knows how to mess with them. (And can you just imagine what would happen when demons like Eric asked him questions and he answered them?! He could gather his own little army with one Suggestion Box.)
So when shit hits the fan, as it inevitably will, we'll be left with both our ineffable heroes (gn) poised to do the exact same thing: destroy the machine from the inside.
Even if some of the other fan speculations prove true (memory wipes, for instance), I think it still makes narrative sense to have them both in equal-but-opposite positions. Because no matter how much the enemies are trying to mess with them, if you take a certain angel with an opportunity to fuck up Heaven and a certain demon with an opportunity to fuck up Hell and you bring them together (which, let's be honest, has to happen no matter what the storyline is), it's going to be pretty darn epic.
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erosia-rhodes · 22 days ago
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Don't leave your best ideas for later
The “Good Omens” season three renewal mess is a great reminder of a simple rule: do not leave your best ideas for next season.
It’s been at least a year since I watched season two of “Good Omens” and here’s what I remember most clearly (spoilers, obviously):
Gabriel loses his memory and hooks up with Beelzebub.
Aziraphale accepts a job to rule heaven.
Crowley kisses Aziraphale and they basically break up.
That’s it. That’s what I remember.
I vaguely recall subplots about two shop owners falling in love, flashbacks to a Victorian cemetery, zombies in WWII, and Aziraphale holding a dance at his bookshop, but none of that stuck with me even if those bits were fairly amusing at the time. If I were given a choice between those dalliances or a couple more hours of season three, I would reallocate that time to season three, and I think most fans would too. I doubt it would be hard for a fan to edit season two down to 2-3 hours without cutting anything essential.
Of the three things I do remember well, the most interesting idea was Aziraphale taking over heaven. That’s what season two should have been about!!! Will Aziraphale be able to make a significant impact upstairs? Will the job corrupt him? Will the challenges make him realize his side isn’t as “good” as he thinks? Will he come into direct conflict with Crowley? Will he quit or get fired or stay or choose to fall to be with Crowley? And what’s up with the whole second coming? This sounds fascinating and we did not need six episodes to set it up!
Instead, most of season two was spent trying to figure out why Gabriel lost his memory, and even though John Hamm is delightful, Gabriel is a tool and I never cared if he got his memory back. That whole story arc could have been wrapped up in two episodes and led us into Aziraphale taking over heaven in episode three, leaving plenty of time for more interesting plot.
Season two did not feel like a complete story. It felt like the first third of a tale that stopped when it got most interesting. It was risky to assume they’d get a season three to complete the story because streamers cancel shows all the time and nothing is ever guaranteed. Even after a show is made, sometimes the networks decide not to air them like what happened with “The Spiderwick Chronicles” which had to hunt for a new home.
So please, do not wait to explore your most interesting concept! Do not assume there will be a next season! Tell a complete story during the season even if that story is also part of a larger series-long one. As much as I hate that we’re only getting a 90-minute movie that will rush to wrap things up, the show brought this upon itself. Aziraphale and Crowley deserved better and so did we!
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sparkbeast20 · 1 year ago
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My thoughts on the 3rd PV
First, the CG with each kings..
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Beelzebub lending his coat to a sleep Bael: This is enough prove to tell me that Beelzebub and Bael's Relationship isn't bad or worse after Beelzebub left Avisos.
Like many others, I assume that Bael hates Beelzebub for leaving Avisos or letting Bael stand in for him as "King" of Avisos. Like I would've assume that Bael resent Beelzebub in a way, but after seeing the Chat feature vid and this CG. I think that even what Beelzebub did, their friendship is still strong.
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First appearance of Leviathan in a CG: *HOT, HOT, HOT!!!!!! GODDAMN HE'S SO HOT*
Anyway, yeah. This is the first time we ever see Leviathan in a CG form, because most of the time it's just the Legendary Card artstyle. And judging from the background we are in his castle/palaces. And we can see his coffin in the background.
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Seeing Satan in action: Yes!!! I love action stills CG.
All I can say is that, Satan is hot in this CG, and also, Mammon at the right side corner.
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Seeing Mammon in action: RIP that Angel
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This makes it clear that Hell has day/sun, and Mammon using his signature weapon which is golden fist summoned... Which (I think) that Tartaros have in common.
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The Pact marks are on their tongue:
So in the 2nd PV, where Satan is licking MC's finger, it turns out that MC was "Breaking" Solomon's contract with Satan. And now with this new PV. It shows that the kings and the 72 nobles' pact mark on their tongue.
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Unknown Character would I aren't sure if their angels or devil:
I chatted with my friends in discord and we assume that she'll either be one of Solomon's wives or failed angelfication.
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Devils turning into angels: *I love TF (Transformation scene/art)*
I got to say, wow... That looks painful as fuck!!
And no, the Avisos devil is a lesser devil and not Naberius.
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Gabriel leading the attack on hell:
RIP my theory that Satan knocked Gabriel out and dragging him into hell with us after their fight.
Seeing Gabriel with six wings is... well 🥵 "Klein, get your man!!"
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Paimon's Sex CG with MC:
If you were like me, you would've think that we are having a threesome with Paimon and another devil, but no it's not.
We are in front of a mirror, and Paimon is behind us, you can tell that the one that is showing Paimon's face is his reflection in the mirror. And the dark shadow in the middle of the CG is MC, cause you can see the purple hair.
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Zagan's sex CG with MC: *Oh shit his hot!!!!!*
Okay, what drew me was his quote, he is clearly referring to Solomon, when he said "Him" which hurts me... But again, it's better for the story that most if not all of the devils don't like us, because it makes developing a bond/relationship with them even more sweeter.
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Bonus simping... Put me into a chokehold with your arms Sitri!!!
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Ppyong can talking!!! and he sound adorable 🥺
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Minhyeok's death: (RIP to our Simp)
So this conforms that Minhyeok die and he is the "Plot device" of MC's story.
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Gabriel just comes out of the PC:
Just... Why XD
And that's it, I'm happy with this summary of the Prolog and story for... the first few chapters.
Don't be shy and share your thoughts on the PV, either by reblog this or sending an ask in my Inbox/
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fayannah · 4 months ago
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wow guess who finished the entire good omens show in two days. i just finished screaming into a pillow for the 500th time so i believe im safe to write this.
Spoilers for Good Omens Season 1 and Two Below
Thoughts on Season 1:
The Things I Didn't Like:
I honestly don't like Anathema as much in the show. It feels like the same problem I had with Wonka (other than it being a horrble movie with annoying characters) Both Anathema and Wonka are supposed to be "quirky" characters with a lot of knowledge but it comes off as annoying and cringy.
That's really my only major pet peeve, except for maybe Adam's eyes when they turn red looking not the best.
The Things I Liked:
Beelzebub's actor. Holy shit, her accent is to die for. Every line I love the performance of it. Honestly all the acting in this show is top notch (except for said person above)
I was not expecting to love David Tennant as Crowley. To me he's the goofy silly all powerful Doctor, but he pulls it off really well. He will forever be my greasy gay Crowley
The same thing happened with Aziraphale, less about the actor and more about the appearance. I was unsure about how he looked because that's not how I imagined him. Quickly, I realized that Azriaphale is perfect in every way and I love him.
The book is very dense and the show expands on many of those concepts. I understood a lot more things in the show then in the book.
The Them were a lot more tolerable in the show. Their conversations were so damn long and I wanted to get back to my pookie bears.
I love Shadwell and I keep on repeating his lines to try and get my scottish accent better.
There's so much more I liked but I can't think of it rn and I'm aching to get to season 2.
Thoughts on Season 2:
The Things I Didn't Like:
Beelzebub's new actor, she was fine and stereotypically pretty I just miss Anna Maxwell Martin. I did like her makeup though.
The minisodes were kind of annyoing if you were binging it like me.
I'm going to skip the things I liked because I need to rant.
Thoughts on The Ending:
The fly thing felt less like a fix-it because of the explanation of Gabriel and Beelzebub's relationship.
The Metatron is a dick. Holy shit I hate that man. I'm going to burn him at the stake.
I knew they kissed in the finale but not like this.
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orionsangel86 · 1 year ago
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Seeing criticism of Good Omens Season 2 on here is a wild ride for me because I generally seem to agree with everything gomens critical people are saying whilst at the same time still absolutely loving gomens S2.
It's like this: Okay so you have written this super popular book revolving around this precocious kid who happens to be the antichrist whose birth kickstarts the apocalypse. The four horseman turn up as well as these other strange human characters one of which is an actual witch whose great great great grandmother wrote an accurate prophecy book which predicts armaggedon. Through a series of somewhat hilarious events, the kid, his friends, and the other weird humans manage to stop the apocalypse.
Also throughout the whole thing there are these angel and demon characters fussing about getting into arguments but not actually doing anything to forward the plot or make any difference to the main storyline. For some reason everyone reading the book finds these characters far more compelling and entertaining and seems to think they are the main characters. But they are not.
Then the book gets adapted into a show and the focus shifts onto the angel and demon characters because obviously they are the popular ones that everyone loves. So what's a writer to do when the fan favourite characters basically don't have any part in the primary plot points? Give them a more coherent side plot steeped in romantic tropes and claim that they are in love. Boom. Instant fandom catnip.
But then you are presented with a problem. The show has become super successful and everyone wants more story. You may have discussed a sequel over the years with your writing partner but it never really came to anything probably because its difficult to plot out a sequel centred around two characters who weren't the protagonist of the first book, and that story is done and dusted. Whats a writer to do?
Lean into the fans thirst for more angel on demon action and write what amounts to high budget fanfiction pulling the love story b plot of season 1 into the main focus for season 2. Of course book purists are gonna hate that!
Any legitimate sequel to Good Omens should have centered around Adam. The former antichrist now coping with everything he went through growing up a normal human whilst still having a creeping sense that its not quite over, that maybe heaven and hell still have a part for you to play in their grand plan. Sure, Crowley and Aziraphale could have been involved, continuing their b plot love story, but at least this way the sequel would have been more consistent with the plot of season 1.
The problem with continuing Adam's story is that, and I mean no disrespect here, no one cares about Adam. Adam and his friends are the weakest elements of season 1. People tune into Good Omens for the Crowley and Aziraphale show, and Neil Gaiman knows this.
The plot of Gomens S2 is weak. The mystery around Gabriel is a bit silly, and is only connected to the season 1 plot in the loosest sense. The fact that he and Beelzebub speedrun an angel/demon romance is bizarre and does come out of left field... like something out of fanfiction. It also does indeed rob some of what made Crowley/Aziraphale so special - the fact that they were unique in their love and respect for each other despite being on opposite sides. Also I wish Maggie and Nina were given more development (and less clunky dialogue).
The only criticism I really don't agree with is the criticism that Aziraphale was written out of character, because quite simply, season 1 never ever resolved the fundamental issue at the center of Crowley and Aziraphales relationship. Throughout season 1 Aziraphale constantly insults and berates Crowley, claiming he's the "bad one" and refusing to accept that they aren't on opposite sides. There have been plenty of metas stating that this was all out of fear and a need to protect Crowley, and sure, you can interpret it that way, but not once in season 1 does Aziraphale actually say "yes we are on our side. Yes we are the same. I was wrong to claim you were bad when you've clearly been showing me how good you are for millennia." Its maybe implied that he has learned, but its never truly confirmed, because season 1 wasn't about Crowley and Aziraphale and their relationship. But season 2 takes its lead from that.
It's just rather amusing to me how the discourse that has built around season 2 seems to be fundamentally forgetting these points. GOS2 isn't really a sequel to Good Omens. It's a spin off. It's a spin off about Crowley and Aziraphale and their silly relationship drama whilst they deal with a silly low stakes mystery regarding Heaven and Hell (also characters that were barely involved in the book if at all!). It doesn't really tie into the first story at all.
In my opinion, all it needed to link it more closely to season 1, was to bring back Frances McDormand as God to do the narration. If that had happened, season 2 would have been just fine. As it stands, it comes across rather like a spin off fanfiction. But I love fanfiction, and I have always only ever watched Good Omens for Aziraphale and Crowley. To me, season 2 is fantastic, its like if Supernatural had a spin off show all about Castiel in which he is the lead character, and part of the main A plot is him getting together with Dean finally - Dean being the love interest in this particular show. Amazing. 10/10 would watch another 15 seasons of just that - but general Supernatural fans who aren't fandom specific would probably HATE IT.
So yeah, I do understand the criticism its receiving, but I find it funny, because ultimately Neil Gaiman gave fans exactly what they wanted, he gave them an Ineffable Husbands fanfiction - M/M Romance, F/F OC Side Pairing, Rated: Teen and Up, #Fluff, #Dancing, #Excessive Jane Austen References, #Crack Treated Seriously, #Surprise Final Pairing (check the end notes for spoilers!), #Miscommunication, #Love Confessions, #First Kiss, #Angst #Hurt/No Comfort, #Cliffhanger Ending.
Can any of us really say we wouldn't immediately click "proceed" on this fic and then stay up til 3am reading it til our eyes bled? Me neither.
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your-local-asylum-escapee · 5 months ago
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Good Omens Headcannons cuz I'm bored and why not
1. Crowley overthinks a lot and its so dumb but so cute. The few things he still overthinks a lot about: When Aziraphale told him "You go too fast for me, Crowley" he knew that it wasn't his driving at all and thinks its something else ( which, in all fairness, is something else). He also thinks that Aziraphale doesn't like his name and always tries to think of one that the angel might actually like.
2. Aziraphale does not have a specific gender cause he thinks its nothing really to think about while Crowley basically tries to own every single on of them.
3. Aziraphale learned to dance the "gavotte" thinking that one day, he and Crowley can dance it. Bonus: an improvised closing step done by couples dancing the gavotte is to kiss each other, I bet Azi knew that and instantly thought of Crowley. ( i think this is a little bit canon )
4. Crowley created the endearment "angel" ( I think this is kinda canon somehow )
5. CANON : When Anathema first met the two, she thought they were together because Crowley called Aziraphale "angel" ( at least in the books )
HEADCANON : When she found out they weren't together, she kept telling them how they were MADE FOR EACH OTHER.
6. God is there no.1 shipper. (Me at 2nd place tho-)
7. Aziraphale reads smvt for fun and isn't emberrassed about it because he literally normalizes it.
8. ​Crowley never hated Gabrielle that much until he and Azi "switched" and found out how they treated his angel. He wanted to punch him so much but kept his composure because he thought Aziraphale might get mad at him. ( also MIGHT be canon but I'm not really sure )
9.1.Azira definitely fell in love with Crowley when they first met as angels and then either 1, didn't know what it was but he just knew he wanted to be with Crowley for the rest of eternity, or 2, he realized that it was love which they thought was wrong so he supressed those feelings because he knew or thought that they weren't going to return those feelings for him. Whether it was situation 1 or 2, Aziraphale was just content with the fact that he was there with Crowley, he may not be able to tell ( or even know ) his feeling for the other, he's still happy to be there with/for him.
9.2. When Crowley fell ( sauntered vaguely downwords ) he thought he lost everything, but then he saw an angel, he saw Aziraphale. And then when they talked so easily with him like almost nothing really happened and that he gave the humans his flaming sword, she realized that she fell in love with Azi. He already knew that Aziraphale was kind of special for him, he just didn't really see it. It also made him aware of his situation where in any time and moment, he can lose everything to him like how he lost his "everything" back in heaven.
9.3. In the WWII flashback, where the actor Michael Sheen, who plays Aziraphale, describes the look Azira gave Crowley after he saved his books the "final look" implying that he realized that he really did fall for Crowley that hard AND that he thinks the're might be a chance for Crowley to love him back. (again. idiots in love who are bad at communicating with each other)
10. Crowley loves being complimented by his angel but he wouldn't show it because he thinks Azi might think he's weird ( he's overthingking it again )
11. Crowley changes his hair over the centuries/years to see which ones Azi likes/compliments the most. ( Aziraphale seemed to compliment or notice whenever Crowley grows his hear out so during GO2 she was growing it out)
12. Zir pronounce for Beelzebub. ( idk if I'm using them right ngl, i just saw neil's tumblr post )
13. Azi knows how to drive a car ( more specifically his and Crowley's Bentley ) but he likes it better when the foul fiend drives him to his bookshop.
14. Crowley is cold-blooded because he's a snake. ( might be canon but idc tbh )
15. Crowley and Aziraphale can change what they look like ( change SOME things ahout their body ) but are afraid to do so because they think the other won't recognize them.
16. Whenever they had a "huge fight", Crowley would buy, -miracle- Azi first-hand books while Aziraphale buys him different kinds of wine/plants.
17. Before Armage-didn't and when they would be separated because of a certain miracle-ing mission from their head offices for a long time, they would send secret letters to each other and if the're not able to, Crowley re-reads the letters his angel sends to him while Aziraphale listens to the playlists Crowley recommends him throughout exchanging letters. ( don't worry, Crowley knows very well what kind of music his angel is into ) ( also i can imagine Crowley being like "This song reminded me of you <3" with a song either something to be funny like liturgical music or heartfelt songs from Hozier or David Bowie )
18. The bentley prefers Aziraphale as it's driver (shhh, don't tell Crowley )
19. Crowley turns into his snake form when he's sad. But when he's EXTREMELY sad he goes to the pub and tries to discorporate by intoxicating the body he currently has. ( He fails though, all the time )
20. After Beelze appeared randomly in the Bentley with the flies on S2Ep1, the Bentley would suddenly go feral whenever there is an insect inside/near it. ((When I said feral I mean; it starts making weird engine sounds, it plays random and mixed songs , it's lights and gears would flicker on and off, etc))
21. After Crowley fell, heaven gave him snake eyes so that, even though a bit difficult, he can still see the stars he created. ( Heaven didn't give him the eyes of an animal that can't see or completely blind because they want him to suffer with the fact that he can never perfectly see his creations again )
22. One day, Azira heard of a new band that was getting quite popular called "Queen". It happened that Crowley had a new car and decided that, as a gift, it needed some, unintentionally permanent, music. (( Found this one on tiktok and thought it was sweet ))
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actual-changeling · 9 months ago
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no, yes I understand that. i understand that crowley does not want to be an angel again. everyone understands that crowley does not want to be an angel again. saying that crowley never fully expressed this to aziraphale except in general anger at the system and The Way Things Are is not a diss on crowley. just from what we’ve seen, he didn’t. it’s just an unfortunate thing that happened when aziraphale and crowley’s respective mindsets and traumas clashed. the show isn’t calling out aziraphale and saying “look at this toxic person. he is the problem.” it’s calling out an abusive system and how it fucks up people in different ways and how those people try and, sometimes fail, cope with it.
First of, no one is "pointing" at Aziraphale and saying he is the problem, at least I am not.
Discussing a character's flaws, mistakes, and hurtful actions is not pointing, it's called having a nuanced discussion; just because I don't try and excuse all of his bullshit with "but he loves Crowley :(" doesn't mean I hate him. And no, not everyone understands that Crowley does not want to return to heaven, I have seen many, many posts DIRECTLY saying that he does.
Is it an abusive system? Yes.
Does that mean Aziraphale gets a free pass to hurt Crowley and not work on himself? No. No it very much does not. It's not fucking unfortunate, it's a lack of respect for the person he claims to love.
BECAUSE it is an abusive system he needs to work harder to unlearn all the shit they push into people's heads. Crowley has done so. Gabriel and Beelzebub have done so. Several demons and angels have done so. Aziraphale has not—and that is his responsibility and his failure, not anyone else's, and not something that can be written off as "but he's having a hard time :((".
Yeah, so is everyone else, and you don't see Crowley being that cruel and hurtful.
Aziraphale refusing to listen to Crowley is not on Crowley for "miscommunicating", it's on Aziraphale for NOT LISTENING. The show is calling out people being lazy and prioritising their personal comfort over everything else, just like Aziraphale is doing. It's calling out individuals continuing abusive, unhealthy patterns because they're "afraid" of change.
Failing to cope means you stay the fuck away from people until you can cope. Mental illness and trauma do not give you a free pass to not work on yourself jesus fucking christ.
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tehloserprince · 1 year ago
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Everyone's entitled to their own views, but I feel like the folks who keep saying things like oh, Crowley must have felt so angry seeing Beelzebub with Gabriel, he must be so bitter about them, etc. are really underestimating how much Crowley loves love. In fact, that's probably one of his deepest "flaws" as a demon.
He can huff, puff, and deny it all he likes - because he's a demon and he's not nice - but we've seen him repeatedly acting on the notion of love. As an angel, he was so in love with his creations that he couldn't bear the idea of it all being destroyed in 6,000 years. Even after Falling, those feelings don't fade; he works with Aziraphale to prevent Armageddon from happening. He becomes enamored with Aziraphale when the latter commits what could be viewed as an act of love by gifting his flaming sword to Adam when he and Eve are cast out from the Garden of Eden. His general love of humanity sees him scolding Elspeth into living and "being properly good" rather than committing suicide over the loss of Wee Morag (an act that literally sees him dragged back to Hell and punished, no less). He's so excited when he thinks his rain plot is working on Maggie and Nina and they're about to vavoom. Those are a few of the examples my tired ass can come up with at the moment, and I'm sure there are other instances throughout history that we've never seen, too. But Crowley? Big fan of love.
Even if it's his former Horrible Boss and His Royal Smugness, Crowley isn't going to begrudge them being in love. He may have been shocked by the revelation, but if he had any lingering doubts about it being real, then Aziraphale's reaction would have confirmed it. Outside of Heaven and Hell, duties and titles, they're just Gabriel and Beelzebub, an angel and a demon. Knowing firsthand how love can change and impact people, Crowley may have also realized that Gabriel and Beelzebub were no longer the same angel and demon he'd known previously. Does that absolve them from their previous behavior and actions? No. But it does, perhaps, make them more relatable when viewed against the larger systems at play in the Good Omens universe. A little empathy can go a long way towards healing some resentment. I would even argue that Crowley had let go of some of his resentment towards Gabriel when he told him to jump out a window, but I digress.
Regardless, Crowley sure as hell wouldn't suggest his dream getaway (Alpha Centauri) to people that he despised or resented. Why would you want to risk ever being neighbors with beings you loathed? Having neighbors at all can be bad enough without all that nonsense.
Now, would Crowley feel bitter about not getting that same opportunity to run off with Aziraphale? Sure, that's possible. He made himself vulnerable and got rejected; that stings. But I think the majority of his resentment would be placed elsewhere: on himself, for what he may perceive as his poor timing ("it's always too late"); maybe a little bit towards Aziraphale, for being too wrapped up in the ideals of Heaven ("the side of truth, light, and good"); and almost certainly on Heaven and Hell in general, for being the larger systems behind this mess. Because really, all the angels and demons are victims of those systems in some way. Feeling some bitterness towards Aziraphale doesn't negate the love that he feels for him, either. It makes his heartbreak all the more human, really. "How can someone as clever as you be so stupid?"
But hating on people in love, even when you've had a turbulent history with those people? Nah. Anthony J Crowley, a Definitely Not-Nice Demon, is a simp for love, and I love him for that.
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give-soup-please · 1 year ago
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having given good omens a rewatch in preparation for season 2, i've been doing some thinking. and i caught something this time around that i haven't noticed on previous watches. (keep in mind, i'm basing this info on the tv series because i'm in the middle of re-reading the book as well, and i'm not all the way through it yet)
most main characters had a theme about defiance or defying expectations. not just our beloved angel and demon.
crowley and aziraphale are obvious about this, they directly defied heaven and hell's orders in order to save the world. they broke away from heaven and hell and began to be on their own side.
and we have to talk about adam as well. defying satan, choosing to save the earth, choosing his friends over his heritage. he's told directly by gabriel and beelzebub to start the war, and he outright refuses. pretty obvious defiance there.
but i also noticed that anathema burned the next set of prophecies. this is after newt says 'you don't want to be a descendant your whole life do you?' or something to that effect. the prophecies seemed to be a burden to her more than a joy, seeing as her entire life had essentially been planned out for her. and so she ends up defying the idea of predetermined fate for her own lineage. she sets herself free in this way.
i noticed that newt wound up being romantically involved with someone who is technically his enemy, because he ended up with a witch. it's noted that newt's and anathema's ancestors were enemies, and that newt's ancestor burned anathema's ancestor at the stake. so newt defied expectations by romantically pursuing anathema, despite the generational feud. (if i can call it that.)
Shadwell too, who spent the majority of life being a pretty hateful guy, ended up romantically involved with madame tracy, despite the vitriol he had for her. and he goes against the teachings of his own army in order to do that.
madame tracy decides to give up offering her services, and chooses to be with shadwell. to me, it seemed to me that she wasn't happy with her career path, and found it somewhat irritating on occasion if her expressions were anything to go by. she chose her own happiness over pursuing a career that didn't really seem that fulfilling. i think i can make an argument here that she defied shadwell's expectations to keep going just the way she was pre-apocalypse. but the main point here is that she did something extremely difficult. happiness can be a hard choice to make, and a complicated one. but she did it, and she seemed pretty glad by the time the episode was over.
so what can we learn from these characters about free will, making choices, and the act of defiance?
aziraphale and crowley can teach us that we are not bound by strict moral laws, that morality itself can be relative, and that if two options suck, try and look for a third option or a way out. essentially, we get to choose our own side.
adam can teach us that we are not bound by our genetics and can make the choice to be better than our parents. we can choose to separate ourselves out from bad family members. just because our parents were bad, doesn't mean we have to be as well.
anathema can teach us that we don't have to be bound by tradition and what our ancestors did. we have the choice to abandon the worldview and throw off the shackles of expectation and predestination. we can break the mold, if we want to.
newt can teach us the same lesson there, i think. with the added addition that love has an ability to overcome certain barriers.
shadwell can teach us that it is possible to make a choice to let go of hatred and bigotry. (though, let's be real. that guy has a longgggg way to go. still, he can be credited for having a decent start) and with less hatred in his heart, he's got a better chance at being well rounded.
and madame tracy can teach us that it's never too late to pursue happiness.
it's late, i don't know how much sense this is all making. but i can't help but notice that good omens is a lot of things to a lot of people. and during my rewatch, i saw that there was a lot of focus on defying expectations, making better choices for yourself and others, and pretty clear themes on free will.
choices, choices, it's all about the choices we make and how they define us.
and as someone who has struggled with defying harmful narratives, who has parents who are not good people, as someone who has wrestled with ancestral expectations, who has struggled to cast off internalized hatred due to things that are not in my control, who is trying so hard to make choices that will lead to happiness...
good omens is an exceptionally meaningful work.
and tonight, as i'm in an overthinking and overanalyzing mood, i feel like i'm so close to grasping something important here about myself. about what it means to be human. there's something here about choosing your own path that i'm just on the edge of understanding.
an epiphany just on the tip of my tongue.
how apples are worth eating, and the cost of free will might have been worth everything that came after, sure.
but something more personal as well. something about how we can be more than what we're told to be.
i'm actually getting a headache trying to parse everything out. (yes, really)
these characters, all from wildly different backgrounds, with different experiences and traumas, all making the same choice in different ways. the choices that work for them.
hard choices, difficult choices, but ones that lead to joy, to safety, to love...
bravery, courage, doing your best when the chips are down and the world is ending (or at least, when it feels that way)
i'm trying to put all this information together in a way that makes senes, because i feel like i'm on the edge of something groundbreaking in a personal way.
if i figure it out, i'll let you guys know.
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