#because I can't say no to this it's a RARE chance

[deliciousnecks]

But can we talk about how powerful nandor is? like yeah, he might be a bit silly, and not in touch with the modern world, but if he wanted to, he could have already conquered whatever the fuck he wanted to. (he built an army, and jerry is still looking at maps over there).

like let's just start by pointing out that nandor didn't need to be a vampire to accomplish all these great things that he wanted in life. vampirism only made him more dangerous. nandor has always had too much power in his hands, that he tends to misuse, but that's actually a good thing for the people around him because if not, the truth is that they would be fucked.

He was born in a position of privilege, one that put him later on in his life in positions of power, he was a leader who did fucked up shit. As a vampire, he can hypnotize thousands, but even if he couldn't, nandor knows how to attract people to him when he puts his mind to it, as we were able to see, but guess what? he also has doing everyone around him doing whatever shit he wants, because rarely people can say no to him. What nandor wants, nandor gets (even the stupidest of things).

Now. Don't get me started with his pyrokinesis. The dude can create and manipulate fire. Like come on, you know all the batshit crazy things that he could be doing with that? people should be thankful that he's not going around acting in unhinged ways.

He's a formidable warrior, the fact that he live as long as he did as a human, through battles and wars, and the guy didn't get killed? i don't know, but I think that says a lot about his kills. he also can use a large variety of weapons, so now imagine. This guy who's the greatest warrior of his time, gets the strength and the speed that comes with vampirism. he becomes a fucking killing machine (not like he wasn't one already), but now he's unstoppable and on top of that, immortal!

As i said in the beginning of this post, time and time again nandor has been given power, too much power I should say. he even got those 52 wishes and the things my guy here could have accomplished with them? ridiculous! but he was feeling silly, so... he decided to have fun instead. Good for him.

Now, we now he conquered places and won wars, and while his years as a ruler were bloody, it seems like he did a lot of Al Quolanudar when it comes to territory. What I'm trying to say is that he's a good strategist, he's good, no he's the best at what he does. he excels in what he was trained and taught to do (and even the vampire community acknowledges this).

People always like to underestimate him (the fandom included. it's true.), say that in a battle he stands no chance. That X, Y, and Z are more could easily demolish him, that he can't do shit for himself, but like excuse me, he's the oldest vampire in that house, look at all the shit that he can do, so no. He's the strongest and most powerful piece in that chessboard, mam. Nandor could go on a killing spree and no one could stop him.

This latest season really brought forward this qualities of his that had always been there. Nandor can be competent, he can be assertive, he really just chooses not to, but if he did! well, we saw what can happen when he is.

nandor is powerful, skillful, and dangerous in more than one way, and yes! smart when he needs to be.

And i make this post, because some people have made him into this character that's just an idiot with 0 qualities, and those qualities that he does have, are always being diminished to make other characters look better (yes. to make guillermo look better. i said it, which is highly unnecessary because he can shine on his own).

It's not that he can't do shit, the fact is that he doesn't want to.

[ilikedetectives]

.

[corfisers]

i really need to finish this one day

[blueside-hobi]

first and last lines

Rules: go through your last 5 fics and share the first and last line. No context.

Thank you @schnaf <3

I never thought I would share any bit of my fanfics here but I guess I'm feeling like oversharing tonight. I'm going to be omitting titles and names because I'm still kind of self-conscious about my fics and I don't know if I want people to find them (also only two have names so most would be untitled anyway lol)

Untitled 1 (WIP)

[Redacted] watched as [Redacted] washed his hands off in the stream.

He could sit here all night wondering what he did wrong and it would eat away at him, but he finally grew exhausted enough to fall asleep, promising himself that he would apologize to [Redacted] in the morning.

Untitled 2

It was [Redacted]’s birthday tomorrow and [Redacted] figured what better way to celebrate than by surprising his boyfriend and coming home early from his business trip the night before.

It has to.

Untitled 3

When [Redacted] told her that he was going to be watching his parents’ house for a week through Christmas, [Redacted] felt her heart drop.

���God no,” he told her, laughing.

Untitled 4 (unfinished, most likely abandoned)

"Dammit, [Redacted]! I hope you're late!"

[Redacted] smiled back and headed out the door to his car.

Untitled 5 (unfinished, most likely abandoned, also this and Untitled 4 are the same fic but from a different perspective which is why they share the same last line)

It was [Redacted]'s first day of work as an actual teacher.

[Redacted] smiled back and headed out the door to his car.

I feel bad, but I honestly don't know who of my mutuals write fanfic, so if anyone wants to do this, go for it!

[adreamfromnevermore]

AU Where the Justice League forms as usual except for one slight difference where Bruce just so happens to have been the one superheroing for the longest. (Excluding Diana, who got up to it in World War 1 and then mostly didn't while she learned about Man's World)

Bruce helps form the Justice League, ignoring all of the comments as they come to the sudden realization that Gotham's baby cryptid story is actually a man in a very intimidating armored suit who can and will break your arm if you cause problems for him. They are unaware that this is not the first team he's led, and actually he's used to teams full of mostly teenagers who also happen to be his children. This should be easier, this team is primarily adults.

He realizes rapidly that he doesn't understand these people.

His kids take bonding activities to mean learning a dozen different ways to break someones leg. That doesn't fly with these people. And that is most of Bruce's ideas, hell when he was a kid Alfred took every opportunity to get him out of his room and mostly that was with the agreement that Alfred would teach him how to defend himself. He's come by it honestly.

This team is not easier. They have more drama than when his house was actually full of kids. It's insane. He doesn't know what to do with it, usually he just sent the kids to their rooms or grounded them from patrol. That doesn't work here.

He comes to a strange crossroads. That falls apart when he forgets who he's working with and snaps at Hal with a full room of heroes that the next person to throw a punch or an insult without a reason too will be sparring with him.

A long standing rule in the batcave that worked two fold to prevent infighting between the kids and too ensure that they were well and truly trained.

It works wonders. No one says a word out of line for the rest of the debrief. Bruce becomes the unofficial mediator of the league over Clark because anytime he walked in on a fight it suddenly became 10 times more civil out of sheer terror of what he'd do to them in a sparring match.

Eventually they actually meet his kids. Well, one kid.

Half way through a mission (one of the rare ones in Gotham) the Bat comes to a complete stop at the edge of an alley. Every single league member on the team comes to a stop behind him. Slowly from the shadows of the alley a man in a red helmet stalks out to greet them.

"You don't call, you don't write"

"Red Hood."

"Don't Red Hood me! We've been worried sick!"

"I was at the cave last night."

"You didn't answer my texts B. You always answer my texts."

Somehow it ends with big and scary following them through the rest of the mission with a running commentary of how much Bats has let him down in his failure to respond in a timely manner to a text send less than an hour before he ran into them in the alley. It only ends when Red Robin shows up.

And even then it only ends because Hood can't keep himself from throwing a punch and Bruce has to snap at him that if he throws another one they're sparring when they get home.

And by god is Jason giving up the chance to punch his brothers.

[homunculus-argument]

One worldbuilding thing that's always fun to do is take something you've encountered in the real world, and apply something similar with the same logic into your own. Like those sayings that have two halves, but people usually only know the first half and misunderstand the saying - like "birds of a feather flock together (until the cat comes)" or "great minds think alike (but fools rarely differ)." So I came up with a few for The Book I'm Not Writing:

Hungry dogs are loyal dogs (until someone else feeds them) - neglecting and mistreating your underlings may work as a short-term tactic for making them obey, but it's also a guarantees that they'll betray you at first chance.

The mouth of an idiot is as loose as the strings of their purse (so be there when gold may drop out) - just because nine out of ten things that someone says are completely useless doesn't mean you should dismiss them altogether. They might still know useful things, even if they can't tell it's useful.

Blood makes a foul dye (it stains, but it won't last) - here "foul" is often interpreted as "brutal" or "gruesome", when it's meant as "of low quality". Using violence as your way to establish dominance and maintain authority because it's easier than building networks of mutual trust and respect is as stupid and short-sighted as using blood to dye clothes because it's cheaper than proper pigment.

A fool will starve to death while waiting for grain to grow (but it is also a fool who'll slaughter an ewe an hour before it lambs) - Immediate problems require immediate solutions, but you'd better make sure that your drastic emergency solution is the right one.

A blind horse will go as you guide where a half-blind one dare not (both through the darkness and down a cliff) - an agent who doesn't know the purpose of their task will obey blindly, where one that knows some part of it might disobey out of distrust, but neither is as reliable as one that does see the big picture, can draw their own conclusions from the information they gather, and adjust their plans accordingly.

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[chuluoyi]

✎ rivals... in love?

- gojo satoru x reader

gojo is in shambles—so suguru might have a crush on you too?

genre: high school!gojo being a menace but pls spare him he just can't take losing, you see... crack, totally jealous!gojo, justice for geto, enemies to lovers, fluff

note: people have been asking for this so this is up next! i'm writing this while listening to bigbang's bang bang bang and fantastic baby so if gojo is a bit unhinged... you know why

a part of gojo's love entries

general masterlist

No way. There is just no way.

Satoru felt his eyes itch and twitch uncomfortably. Despite the opaque black tint of his sunglasses, he could still distinctly see you happily giggling.

“Geto-san, that’s so funny!”

With Suguru. His ride or die. Your massive crush.

Your crisp laughter rang in his ears, scorching his ego and igniting it in flames—that was precisely the reaction he had hoped to receive from you too!

"Aren't they just cute?" Yaga was suddenly beside him with a wistful smile, looking at you and his other student a few feet away. "What do the television say again... a perfect match? In this case, a perfect match made in jujutsu school, then."

And responding to your bubbly self, creating the very picture of perfect match made in jujutsu school indeed, Suguru was every bit as enthusiastic. “Nah, wait until you see this—”

"Perfect match my ass," Satoru grumbled outwardly, rolling his eyes, but he immediately dashed away before his teacher could bonk him in the head for cussing.

It was harmless conversation, or jokes, or whatever. Because Suguru couldn't possibly reciprocate your feelings. His type is women of gravure magazines—Satoru had deemed it as such.

…Right?

At this point, he wasn't in enough denial to say that he didn't like you, because he had made it so clear that he was, in fact, obsessed. He wasn’t shying away from the things he did, which included annoying you constantly, asking you out after school, helping you in missions, and sending you few pick up lines here and there.

And he thought he was certain he could whisk you off your feet. After all, who else could measure up to him and win?

Heh, no one.

(or basically that's just him ignoring the intrusive little voice in his mind that whispered, “Suguru!”)

��So what's with the nice act, huh?” Satoru blew his bangs in a huff as he questioned his best friend with a twinge of dissatisfaction. “Do you like her or something?”

Suguru quirked his eyebrow at him. “What?”

“Don’t play dumb. I have noticed how you two have been joined at the hip lately,” and with deliberate intention to spite his best friend, he made the sourest face as he mockingly recited, “Wait till you see this~”

Instantly realizing what he meant, Suguru burst into a loud snicker. “Come on, Satoru, really? Surely you aren't that petty. We were just chatting—”

“Not that. I know. What I'm asking now is that do you like her or not?”

It wasn't a rare sight to see Satoru with a pout and a frown, and usually he'd humor him. But this time, even Suguru could see that there was something different in the way he asked this. And should he say something that irked him then—

“Heh, so what if I am?”

That's the wrong answer.

Satoru halted abruptly, whipping his head around in sheer shock. "What the heck?"

“She’s a nice junior, kind, easy on the eyes,” Suguru shrugged, flashing him a dauntless smile. “Only a fool would let the chance pass up. Satoru, if you keep dawdling, one of these days, I just might—”

“Wha—hey!? That’s totally foul—!”

“Nah, they do say all is fair in love and war now, isn’t it?”

By a mind-boggling twist of events, apparently his best friend was also a guy after his dream girl. Satoru was irked, challenged, and he would never admit it, but a tiny part of him recoiled because Suguru clearly had an early start and a boost—you favored him first.

This was unexpected, and now he was conjuring up various scenarios of what he should do. He must act fast or else...

Little did he know that Suguru was thoroughly relishing his restlessness.

Everyone around you said that your relationship with Gojo Satoru... is intriguing to say the least. And especially ever since that one botched mission you two went, you also felt there was a shift in your dynamics.

And if by intriguing they mean him constantly blocking your way and invading your space, then yes, it definitely is.

"Okay, okay, but wait, just hear me out!"

You halted your steps and faced him with an annoyed frown. You really had no time for this. You were about to be sent on a mission. "Gojo, really, can't you just—"

"Okay, I know he's dashing, or whatever," he huffed, the last word he said with a hint of disdain. "But hear me out, and I'm sure you'll reconsider."

"Who are you talki—"

"Who else!? Suguru, of course!"

You couldn't possibly arch your eyebrow even higher, and before you could say anything, he somehow took it as his cue to keep going.

“First, he eats curses. Cursed spirits! He eats them like rice balls! Can you imagine just how foul the taste is?”

"Gojo, I don't have the time—"

"Then! Going from that, just imagine kissing him," he stressed, eyeing you intensely as your own eyes felt like popping out by the sheer suggestion. "What if you taste the cursed spirits rice ball?"

"You're unbeliev—"

"Wait! Can you even kiss him? What if his cursed spirits suddenly pop out of him? Are you willing to kiss his little friends—"

"He's your best friend!" you finally interjected, obviously and utterly in shock by his unhinged rambling. "How could you say all of that?"

"No, you're getting me wrong." Satoru's clicked his tongue. "I'm just listing facts why it's better for you not to end up with him."

You barked a dry laugh. "And? Better with you, you mean? That's awfully biased."

"Why yes of course! Self-promo is never bad," he blatantly retorted. "Let me just tell you aallll you need to know about me!"

He audibly cracked his knuckles and puffed out his chest. "You know already, I'm strong. I can protect you well. My cursed technique doesn't involve eating curses, so you don't have to worry about tasting the said curses on my lips."

How could he blurt all of this with that perpetually playful expression? A chuckle escaped you unwittingly and that only spurred him to go on.

"And I'm handsome!" he boldly claimed, pointing at his face with pride. "And obviously I don't need to say this, but I'm filthy rich—"

At that, you burst into hearty laughter, unable to hold it in any longer.

Satoru's eyes sparkled, lit as if someone had just made his day. "All in all, you know what I mean. Everything with me, all of it is going to be fantastic!"

Even you couldn't deny that all of this exchange had been so amusing. Hilariously so. "You're down bad, huh?" you tried to taunt, although it seemed like a burst of snicker. Yet, you were caught off-guard when he said:

"For you?" his little smirk made your insides suddenly all jumbled up. "Yes."

Huh? What is this? Your bravado faltered a bit as your heart did a somersault inside.

It wasn't supposed to thump this hard. You weren't supposed to feel this overwhelming urge to squeal too. And your face wasn't supposed to grow this hot...

Seeing that, Satoru celebrated his little win, a wicked smile on his glistening lips—that somehow looked rather attractive to you now. "How? Thinking twice now, are we?"

But he couldn't believe that after all this, you would still cunningly retort with, "Ha! You wish, Gojo Satoru."

His stunned face was so comical that you chuckled once again. You wanted to rebuff him more, but before you could, Haibara's voice called you from a distance. "Heeey! Let's go! Or we're gonna be late!"

"I suppose that's my cue," you lightly shrugged, and before you left him in a dust, you could've sworn you saw a flicker of brewing tantrum behind those glasses, which brought a smirk on your face. "See ya, try harder, and I might look at your way."

Satoru was at his wit's end as he saw you sauntering away. What more that he could do so that you could be his? To keep your eyes on him and him only?

And yet, little did he know, in that beginning of summer in 2006, even before you realized it yourself, you had already did.

Epilogue

In another corner of the school, eagerly spying on you were...

"Wait! Can you even kiss him? What if his cursed spirits suddenly pop out of him? Are you willing to kiss his little friends—"

"Did he just..." Suguru gaped, utterly in disbelief at what his own best friend said of him. "Did he just say that?"

Shoko let out a satisfied guffaw. "Oh, he definitely did."

"I can't believe he's tarnishing my name over a girl."

"Well, you know very well he could do way worse than that just to get what he wants," she threw him a thin smile, while exhaling a puff of smoke. "And hey, you lose. You gotta pay me."

Suguru turned to her in surprise. "Huh? Oh—oh, darn it. Shoko, can't you be less stingy?"

"Well, whose bright idea was it to pull that stunt on him and bet on whether Gojo would approach her in less than a day?"

-> continue to extended cut !

[ohtobeleah]

Something that goes without saying is how uncertain Logan really is about sleeping in the same space as another person. Sure, he'll commit to the fun beforehand….The foreplay, the sex, the highs.

But the inevitable act of sleeping beside someone, terrifies him.

We see it in Origin, we see it in Days of Future Past. Sometimes while Logan is sleeping, his claws come out when he feels under duress. Nightmares are a common occurrence for this man, not a night goes by where he isn't waking in the dead of night to the ghost of his past.

And I'd like to think of all the Logans running around the multiverse, that the Worst!Logan has surely been through some things. He's never experienced true rest. Not until he met you.

“I'll sleep on the couch.” Its common at the beginning of whatever the dynamic between the two of you is. Logan ends up back at your cafe, or in your living-room, bathroom, kitchen or bed—but he never stays beside you for longer than a few minutes after. Not because he doesn't crave that intimacy or true human connection, but because the idea of losing you to his own mutation truly scares the ever-living fuck out of him.

But one night, you catch him off-guard. So off guard that Logan doesn't even have a counter proposal ready.

“Ill join you,” You beam, padding down the hallway with your blanket and pillow wrapped in your arms. “Somethings bothing you and with friends like me and Wade, that shits gonna come up eventually,” You ramble. As you sit beside Logan on the lounge he slept on more often than his own bed, he catches a glimpse of a few noticeable scars on your back. Scars where his claws had once accidentally taken over in an otherwise romantic moment between the two of you. “So, get talking pops.”

“Don't call me pops.” Logan sighs as he opens his body up for you to snuggle up against him. “It's nothing I can't handle, didn't anyone ever tell you not to stick your nose where it doesn't belong?”

“Are you trying to tell me that I don't belong here?” You counter quickly, playing Logan’s logic against himself. “Me? Resident of this timeline? Doesn't belong right here next to you?”

“Go fuck yourself,” Logan smiles all the while trying to keep his brooding man mask on. But with you he feels ever atom of his being igniting with desire and unconditional love. “I worry I'll hurt you, while I'm sleeping,” Logan explains as you listen to his heartbeat inside his chest. Snuggled on the lounge in your apartment. “You don't know how much that thought terrifies me.”

“Hmm,” You hum in response. “Perhaps the question you should be asking yourself Lo, is what if the nightmares, what if the fear stops, when you allow yourself to rest with someone you love?” It was a bold word to use, and even though it was rarely, if ever used, there wasn't another word in the English language to describe how Logan felt about you. Or how you felt about him.

And its a thought that's never crossed Logans mind before. He frowns, thinking it over in the late-night silence. You fall asleep there, right with your head on Logans chest as he tru thinks.

Only to wake up in a tangled mess of sheets, with Logan snorning next to you as the early morning sun kisses his golden, aging skin. Its the first night in years he hasn't woken in screaming terror.

“Tell me told you so and I'll turn you into a skewer.” Logan mumbles as you pepper him with kisses across his exposed back.

“I think I'll take my chances with you, Lo,” You chuckle to yourself. “I'll make you some coffee.”

@a-reader-and-a-writer Canon Ilya universe content

Ilya

[areislol]

ㅤㅤㅤㅤㅤㅤㅤㅤ❝SWEET!❞

►— pairings. various genshin men x fem! reader

►— warnings. smut, cursing, dirty talk, just smutty. implied reader has somewhat thick thighs, 18+ fingering, MDNI

►— synopsis. an alternative title, how do they eat pussy?

►— a/n. been having these thoughts for a bit now i need to jot them down before my obsession grows worse.

►— wordcount. 2.3k

they eat that pussy like it's a religion, his head buried in between your legs, his hands gripping onto your thighs tightly, using his strength to keep your thighs still and from closing in. his eyes are focused solely on your face as he languidly drags his tongue into a line on your wet pussy.

he's addicted, to say the least. the smell, the taste, the lewd and dirty sounds you were making, he loved it all, and all the while as his mouth latches onto your poor abused cunt he whispers the sweetest things in your ear, dirty words as well. he switches between both. on the rare occasions that he does tease you he will whisper the most vile and dirty things you've ever heard, but most of the time he's just craving you, he just can't wait, once you give him the word that he could go down on you he wastes no time and before you know it he's sandwiched between your thighs and giving you an orgasm.

every time he eats you out he reminds you of a starving animal (if you didn't know any better), every time he eats you out you are a mess, and your pussy is a mess. your juices, sweat and saliva combined created a nasty sight it made him achingly hard but even so he prioritizes your pleasure first as he grinds his bulge on the bed. your moans and praises as you grip his hair and push his head deeper in were all he needed while jerking your hips at the same time.

his nose rested on your clit, the air hitting your clit as his tongue relentlessly flicked up and down your folds, he sucks and kisses your clit before adding a finger in. yes, although he does love to eat you out he also loves fingering you as well, the sweet moans and screams you let out just get him so hard it motivates him to eat you out even more. not that he plans on stopping. he barely teases you, he doesn't like the idea of stripping you of the chance to cum because truth be told he really really wants you to cum on his face (and sometimes he unintentionally overstimulates you).

— XIAO, CHILDE, kaveh, CYNO, WRIOTHESLEY, thoma, lyney, VENTI, itto, gorou

teases you while eating you out and teases you before eating you out, he knew what you wanted but continued to tease you, savouring every moment when you squirm and whine for him to go down on you. he's mean, he doesn't stick to one pace and instead chooses to go slow and fast, it's just how your face contorts when he buries his face against your pussy and begins to lick and slurp your folds and just when you're about to cum (he has been teasing your poor pussy for so long the second he begins to actually eat you out you're too sensitive, that's him to blame) he slows down his pace, a frustrated cry leaving your lips as tears brim your eyes, you just wanted him to do it properly.

he doesn't mind fingering you as he licks your clit but he finds it satisfyingly when he knows only he can make you cum with his tongue, when he feels nice he'll finger you with one or two fingers, pumping in and out of your mushy walls as his tongue rolls over your sensitive bud, his tactic never fails to get you cumming in no time.

he won't lie, he loves seeing you in tears as he continues to tease your bud and clit with his tongue, he isn't even giving it his all, his cheeks aren't even pressed against your inner thighs and here you are, let out cries for him to please eat you out, it's adorable. and when he thinks you're ready and he had enough teasing you already he's already lapping at your folds and humming, the vibrations and hums on your sensitive skin make it all the more pleasurable. he isn't that bad though, when he feels bad for you or feels like you've endured enough teasing he'll make sure to make it up by eating you out good (not saying he never does).

that doesn't mean he's not done being mean to you though, he's heavy on eye contact. he loves making eye contact with you as he brutally violates your clit, and he lives to see the faces you make as he inserts one finger in your soaking pussy, juices spilling out of your greedy hole, he loves seeing how you gasp when he swiftly slips in another finger, teasing you as he says how wet you were that he could easily fit in a third finger.

but he hates when you look away in embarrassment, he'll stop doing what he's doing—he'll stop his fingers from bottoming in and out of your pussy, and he'll stop his sucking and licking at your clit when you look away from embarrassment, "getting shy now are we? guess that means i'll have to stop.." you whine and quickly look back at him, looking down and meeting his eyes, his gaze was hot and intense, mouth and cheeks wet with your juices and his saliva, it was dirty.

"keep looking at me as i fuck you with my tongue, you understand? i want to see your face as you cum, i want you to watch me as i make you cum, got that?"

— ALHAITHAM, AYATO, WANDERER, pierro, PANTALONE, TIGHNARI, HEIZOU, DOTTORE, capitano

gentle and soft yet never fails to make you orgasm hard, he relishes in watching your dripping entrance as you wait for him to go down on you. he takes things slow and is very passionate, he considers himself a lucky man every time he eats you out because he knows only he is allowed to be in this position, no one else. he is sort of possessive when in the act when he really thinks about it, no one has eaten your pussy out this good, your moans and cries are only for him to hear.

despite him taking it slowly he is a god at eating pussy (you can't change my mind), he plants soft and tender kisses on your thighs before slowly reaching your inner thighs, you whine and beg for him to hurry up but he only shushes you and reminds you to be patient. "ah, remember to be patient love, i want to savour this moment.." you let out a soft moan and bring your head backwards when he finally kissed your clit.

his hands are tightly yet tenderly holding your legs apart, his hands grabbing a hold of the soft plush of your thighs. he leans in closer to your pussy, his thumb prying your wet pussy slightly open, he stares at it in awe before softly blowing on it, the cold air hitting your sensitive folds. your back arches as a shaky sigh escapes your lips, he looks up from his position and smirks before latching his mouth onto your pussy, it was all so sudden it caught you off-guard but within a couple of seconds the pleasure had taken over your body, your mind was clouded with nothing but pleasure.

he loves it when you yank and grip his hair, pulling him in closer to your pussy just to create more friction. you were so greedy it was cute so he always allowed it, he hummed and moaned softly as he ate you out, the vibrating sensation never failed you made your legs tremble and he knew it. he nips and softly (just barely) bites at your folds before covering them with a long kiss and when he releases he lets out a "pop!", your moans grow louder and louder the more he licks and slurps at your sensitive dripping entrance.

he knows when you're about to cum, the sound of your gasps and moans strained, the way your grip on his hair tightens as you try to pull him in closer to your pussy (it already is but he isn't complaining) and your hips jerking up—he closes his eyes, taking in the moment and makes sure to hold you steady when you finally reach your climax, thighs, hands and legs trembling from the overwhelming feeling of pleasure.

and even after cumming on his face he continues to eat you out (obsessed much), you try to push his head away but he only narrows his eyes at you, it was hot to see him maintaining eye contact with you so well as he licked and slurped up your sweet essence. "don't try to push me away now princess, not after you were so eager to cum and pushed me in so close. just another, please?"

he's the type, that even after you're passed out in bed from cumming, his head's still in between your thighs, bumping his nose onto your clit for stimulation as a few strands of hair tickled your thighs. he really enjoys eating you out, if you can't tell (he doesn't even stop even after you've done passed out) but you know what he enjoys as well? face sitting, the feeling of your soft thighs squeezing his head as you ride his face and nose is everything.

he ignores his own problem when eating you out, his cock was aching, all hot and bothered. but he didn't mind, if anything just seeing you cum from his tongue and mouth made him cum (happened too many times), he's too preoccupied with your pleasure anyway. although if you really do insist on helping him out then... (can he put his dick in?)

— ZHONGLI, DILUC, albedo, BAIZHU, DAINSLEIF, aether, kaeya, KAZUHA, NEUVILLETTE

definition of "pussy drunk", he LOVES eating you out.. so what if he suffocates between your thighs? he will gladly and happily suffocate between your thighs. although he is a bit shy doing it in public the thought of someone walking in the restroom and hearing the lustful moans coming from one closed stall makes him hard, at first he's soft and slow and kissing your thighs but that only lasts for a bit before he's literally making out with your pussy.

he LIVES to hear your praises when you mewl his name and cry out of pleasure, his lips swollen from burying his mouth deeper into your warm pussy, his nails digging into your thighs as juices (was it cum, saliva or sweat? who knows?) coated his chin, dribbling down his neck. it was a sticky mess and he loved it. his eyes are closed shut, brows furrowing his concentration as he sloppily laps over your hot, swollen puffy cunt. and when he does open his eyes he only does it to admire your soaking pussy coated with slick before licking up your cream, and his eyes? god they're so dazed and lustful it makes you feel embarrassed, real pussy drunk.

one thing he will never ever get enough of is the taste and how messy it gets. call him a freak or whatever you want but the sensation of his cheeks and mouth smothered by your juices and arousal as he gently nipped at your folds and slurped up all of your essence, is something to die for. the way your slick rolls down from his lips to his chin and down his neck, the tickling sensation is one he will never forget.

who knows what the slick is made up of? was it from your arousal? was it his spit and drool? perhaps both. there's just something irresistible about how dirty you could get just by his tongue and fingers that does something to him (not to mention the precum leaking out of his boxers), the more you cry out in pleasure and overstimulation makes him crack.

he's extremely skilled when eating pussy, that's just something he's naturally good at but you swear he gets better and better every time.. maybe you're too kind to let him eat you out nearly every day. but the more he goes down on you the more he learns—what spot you like the most, where's the most sensitive part, what combination you like, what pace... you get the jist. one of his favourite things is when you get too overwhelmed with pleasure to the point where your legs are shaking and pushing his head away, crying out for him to stop—that you were full.

"full? already? but i haven't even used my fingers yet..." he sighs (directly onto your pussy) and only ducks his head back in despite your futile attempts to push his head away, he knew your energy was low meaning you couldn't push him away even if you wanted to. he could eat out for hours on end, even days if he could (he would), he gets really delirious when eating you out, it's as if everything around him is gone, he's like his own little world with your pussy. the low groan and grumbled escaping his lips as he licks your clit up and down before sucking on it, letting go with a loud "pop!"

and once again he's back it, his tongue brazenly exploring your cunt before swirling at your poor sensitive bud, with every sharp and precise movement he makes he does it with every intention to make you cum, for like the third time. the way he's alternating between your clit and your needy hole makes your mind crazy, too fucked out to think about anything but the intense pleasure, and with every exhale his warm breath hits your flushed skin, his tongue lapping over your squishy folds. he'll never leave your pussy alone, will he?

— XIAO, ZHONGLI, ALHAITHAM, DILUC

the one thing they all have in common is that in the end when he pulls away he can't tell whether or not you're extremely wet because of your arousal/sweat or his saliva, or maybe it's both, who knows?

note: uuuuhhhhhhh dialogue or the text itself may be a bit icky (I'M NOT GOOD AT WRITING SMUT) so if it irks you just stay quiet and go on about your day. (*′з`b)

taglist: @tomansimp @one-offmind @miitchiji @dainsleif-when-playable @momoewn @stygianoir @irethepotato @v4an @imetsk @fiannee @sunnyf4lls if im missing anyone please tell me because i have an inkling feeling i missed a few..

liking + following + reblogs are very much appreciated!!!

another note: slightly proof read so if you found any spelling/grammar mistakes PLEASE tell me.

[goldenstring6123]

Lnds: How they like to play with you

Warnings: MDNI! R18+ only, very explicit, female mc, Self-insert. Some of this might not be to your taste. Be warned.

tags: #nsfweds (Not safe for wednesdays)

Sylus' Play:

Handcuff/ rope play: It doesn't matter which one, but Sylus' more turned on if he's receiving it. He knows he can get himself unbound in the blink of an eye, but he likes seeing you take charge. Adds more to it when he's unaware that you're tying him up; He gets pleasantly surprised upon waking up after a nap and seeing that he can't move away from the bed frame. But we both know he's more than capable of escaping.

Blindfolds: Adding more to the thrill is when he can't see anything. This will heighten his sense of hearing, and his touch, matched with the handcuff, he'll be popping a boner quicker than he can make you come.

Manhandling: He knows how rough he can go and thankfully knows how to control it; after moving on with the handcuff and blindfold play, you'll be at his mercy from now on. Needless to say, you'll be bruised up and sore when you wake up the next day.

Zayne's Play:

Lingerie: Something about you anticipating what's going to happen always turns him on. Wearing any color or lingerie underneath your outfit, you always turn him on— even more so when you let him take a peek. It doesn't matter what outfit you wear: as long as you're wearing a lingerie underneath, he takes it as a sign that you'll both be having a long and fun night.

Stockings: It was rare for you to wear it out of formal events, so when you visit him wearing formal attire and stickings, you best bet that it will never see the light of day. It will be stripped off of you; if not, it'll be torn apart. It's sexy seeing a thin mesh of cloth hugs your supple, meaty thighs. He loses all reason when he's in between your legs, pounding you senseless while grazing his fingertips on that ripped, thin fabric.

Size difference: When he has the chance to look at you properly, he likes to take it slow, but rough. He likes it when he sees his large dick making a bulge on your stomach. He likes touching the bump, pointing to you about it before making you come quickly— but he doesn't stop. One orgasm after the other, he keeps pounding and pounding until you beg him to stop. He will eventually slow down, but that doesn't mean he'll stop.

Xavier's Play:

Consensual Somnophilia: It doesn't matter 'when' in particular, but every time you wake up, he's always in between your legs, greeting your pussy a good morning and hearing you respond with a moan. He likes it when he sees you groggy, only to process that you're in the middle of doing it with him. He likes it when he sees you on the bed, looking cute and comfy before unraveling to become a moaning and helpless mess.

Spontaneous quickies around the house: You don't know what turns him on, but you've done it practically everywhere with him. You would be cooking dinner, and he'd press his bulge against you, and the next thing you know, you're gripping onto the counter for dear life. Folding clothes on the sofa? You're on his lap, being denied an orgasm because you teased him a minute ago. In the bathroom? You'll be having mirror sex because 'who was it that invited him'?.

Begging: He is gentle with his words with you, often singing praises in your names, but if there is a downside to this— he is absolutely relentless. He begs you to keep going, and even after saying enough, he'll keep begging and distracting you until he eventually gets his way. "Please? One more? This is the last time, I promise. I'll be good, Yes?" His never-ending stamina makes you pass out; if not, you're making a mess of the floor or the bed by squirting a lot.

Rafayel's Play:

Teasing: He likes it when you get his hopes up. He likes the slow yet unfathomable shift of his calm self to the more intoxicated version of himself. For you, riling him up is absolutely fucking adorable— Seeing that flush in his ears and the barely visible hitch of his breath. No matter what he says or whispers to you, in the end, he'll almost always give in to his frustrations and fucks you against any surface. Thanks to this, he's slowly thinking that he's developed something for having public sex.

Taking pictures and videos: He does it with your consent and keeps it in the most secure corners of his phone. There was something about those amateur clips taken in your dark bedroom that made for a fascinating resource. He keeps it all to himself and uses it as his side dish for some of his solo times. Still, he likes seeing your body in mid-act, at its peak, or hearing your cries late at night through the video. He knows he gets too caught up in the moment, but being the artist that he is, he's the type to want to look back and admire the more…finer details.

Voyeurism: He's an artist— and a part of being an artist is the observation of natural phenomena, and a natural phenomenon may count as life and death or a human seeking pleasure. To him, watching you relieve yourself while oblivious to his gaze will more than likely turn him on. You being naughty and him being patient and resisting always gave him the impression that he had the upper hand with you. You, being utterly vulnerable under his gaze, have his inside churning like a hungry wolf, igniting his desires like a pyro maniac.

Author footnotes: Zayne denies and says he likes things vanilla and Xavier just goes silent when you ask.

Layout by me, using Canva premium | Do not repost | Dividers by @/cafekitsune

[fangisms]

hiii i loved „spring breaks loose”!!🤍 could i request another something for theodore, where the reader is quite bubbly and loves talking and he, the quiet guy he is, just likes to listen? and maybe the reader is worried that she talks too much and it could be annoying to him but he’s just so in love that he’s obsessed with all her rabling😭😭 sorry if thats too specific

darling socialite

A/N: um i love this because if someone let me chat their ear off, i would fall in love. i love a chatter and i love a listener 🩷 gif creds: @perfectlyfuckingcivils

Pairings: Theodore Nott x Fem!Reader

Summary: You are talkative as all hell, and Theo has dubbed himself your devoted listener. 1.3k words

Warnings: i be cursing, fluff, mild self-consciousness, two dummies in LOVE, mattheo being a perv (boy moment), kissing…, pansy being a slight bitch (lovingly)

Everyday, you look forward to telling Theo anything and everything. Sometimes, you'll get so excited to tell him something that you'll jot it down on the nearest surface. Most of the time, that surface is your hand. Who can blame you; you can't resist the gory details.

Everyday, Theo looks forward to hearing anything and everything from you. You're his favorite news source, his sweetest messenger, his darling socialite, and he is your devoted subscriber. He's worried one day you'll run out of things to tell him, but according to the ink splotches across your skin, there's a slim chance that'll happen.

"Hi, teddy!" you chirp, and he turns to welcome you into the seat beside him. "You will not believe what I saw in the courtyard on my way here: a willow tit!"

Mattheo chokes on a gulp of juice, sputtering in his seat and looking over at you. "Pardon?"

"Don't be crude, Matty. I'm talking about birds."

"Yeah, I got that, I just never realized you’re playing for the other team—"

"Mattheo!" you holler, glaring at him in utter disbelief, "you complete idiot! Birds, as in real birds. As in those things that fly around and chirp and eat berries!"

"Let me get this straight, we're not talking about some bird's tits? Suddenly, I'm uninterested," he says, earning a pointed glare from Theo.

"Anyway," you say, rolling your eyes and facing Theo, "You hardly see them anymore, they're very rare, but I saw one, and it was the cutest creature I've ever seen on campus! It was so round, I could have died. He must've liked all the rain we got over the weekend. I hope he survives the winter and has lots of little tit babies in the spring!"

Theo could not be more head over heels for you while you babble about round tits and babies. He thinks if he ever opens his mouth to respond, he’ll screw it up in an instant. Thank Merlin, he's naturally quiet and content to listen to you all day. And thank Merlin, you never ask for anything more from him.

If only you knew how much he truly adores you and your ramblings. He holds your company in his highest regard and considers every time you choose him a blessing.

You never think too much of Theo's tight-lippedness. You figure if he was completely sick of it, he'd just get up and walk away. Or maybe that's not like him, and maybe you are a bother.

It doesn't help when Pansy skips up to you in the hall and says, "I'm really impressed you're able to hold Theo's attention as long as you do."

"What are you talking about, P?" you say.

"Well... don't you ever worry he's, like... bored with you? I mean, when was the last time he actually contributed to your 'conversations'. I just don't want you to get your hopes up, you know?" —she shrugs it off like it's not an unforgivable curse to the gut—"If I were you, I'd find a more attentive playmate. You can always talk to me!"

"Thanks, Pansy," you say.

"Just looking out for a friend! See ya!"

You nod and wait by the bottom of the stairs as she hops her way up. You didn't think you were getting your hopes up, necessarily. You thought Theo was just a good listener. And sure, he's not super responsive, but he's just shy. That's not his fault.

…

There's a rapping of knuckles at the door, and Mattheo hurdles his bed and reaches for the knob.

"Why, good evening, dearest birdwatcher"—Theo perks up from where he's rifling through his trunk.

"I could say the same to you, perv," you tease, "Is Theo around? I need—"

"To talk to him? Figures. He's just hiding his softcore stash—"

"Shut up!" Theo hollers, popping up and hurrying to the door, a little flushed to find you looking at him, "he's just joking."

Mattheo chuckles, "No, he's right, Theo would never have so much fun"—he dodges the jab to his side—"Alright, I'll leave you two lovebirds to your tits and whatnot. Try not to make too much noise, we have downstairs neighbors." He winks and makes his way down the boys dormitories stairwell.

And suddenly, Theo can't remember the last time he was truly alone with you. No onlookers or eavesdroppers, no Pansy and no Mattheo. Just the two of you. His sweaty palms and your rapid heartbeat.

"I need to ask you something," you finally blurt. He looked so nervous you thought he might throw up over the railing, so you put him out of his misery before he has the chance.

"Yes, yeah, anything," he huffs.

"Well," you say, "I was thinking—just... ruminating, really, because it was suggested that I bore you with my chattiness"—you cross your arms over your chest and look to the floor—"and not that I'm begging for pity or even a response, I just wanted to know how you feel because I realized maybe I don't ask about you enough. You know, like I'm always worried about me, or something, but I do worry about you, too! I just wasn't sure if that's something—if you maybe wanted to talk about it more. Because I can be a good listener! I'd be happy to hear whatever you have to say!"

Theo leans his shoulder against the doorframe, adjusting the bottom of his sweater as it clings to his hips. How could he let you believe you're too much for him. How could he let you believe yourself to be some kind of social burden to him. All because he'd much rather listen to you than contribute his own two cents.

"See! Merlin, even now, I've just talked your ear off while trying to apologize for constantly talking your ear off! And I haven't even apologized, yet! I'm so sorry, Theo, I know it's a problem, and I didn't mean to take advantage of your politeness."

You scuff your sole on the landing with a whine, and he leans to the side to watch you look over the edge. It's so quiet for a moment, he can hear your soft breathing if he focuses on it.

"It's not a problem," Theo says. You look over, lips parted at the smug look on his face. "And if I was the one who suggested otherwise, I couldn't be more apologetic."

It makes you smile. He's just said two very thoughtful things to you. Out loud. To your face. You could crumble.

"No! No, teddy, it wasn't you, it was... doesn't matter. You really don't mind?"

He shakes his head, a little amused, honestly. How could he mind? You’re the greatest thing since dark chocolate, and he’d still give that up. You’d go just as well with his afternoon tea.

“Well, then,” you huff, warmer under his gaze, determined to get this damned apology across.

“Alright,” Theo says. Apology accepted. Apology not even necessary. But still accepted.

“Okay. But next time you catch me rambling, you better just shut me up! Tell me to ‘shush’ or something! It’s a problem, and I give you full permission to—”

He kisses you. He leans down, smug with his fingers under your chin, and he kisses you! Shuts you right up like you’re still some gullible first year completely wooed by his boyish charms! Oh, but he’s kissing you very sweetly. And when your knees go a tad wobbly, he rushes to cradle your elbow.

“Like that?” he says.

“That’s no way to treat a lady, Theodore. You should be completely ashamed of yourself for ever thinkin—”

He kisses you again. More sure and much quicker. Like a reflex. A knee jerk reaction without the kneeing or the jerking. Just his stupidly soft lips.

“Yeah,” you whisper, “that works… but you can’t just kiss me every time you want to shut me up.”

“No”—he pecks your lips, fingers gentle at your cheek—“I plan on kissing you much more often than that.”

masterlist

[xinganhao]

🎸 vernon dates rockstar!reader.

anon → "vernon x rockstar!reader who’s a foreigner in an international rock band"

⌗ ┆ anon are u kidding meee. vernon dating a rockstar?!?! my bread & butter (｡･`ω´･)ﾉ hope this is to your liking!

‧₊˚✩彡 includes: international rockstar!reader, f!reader, long distance relationship, established relationship, pet names, fluff, can be read not in order + headcanons under the cut.

🎸 headcanons .ᐟ

— prologue.

vernon was never really a big believer in long-distance relationships. or relationships in general, if he's being honest. they take a lot of work, a lot of energy, a lot of effort. his life is already hectic as it is. why rope somebody in to the life of dating an idol? why be with someone if he can't give them his 100%?

it makes sense, then, that when vernon does find someone, it's someone who runs similar circles. someone who knows what it's like to constantly be on the road, to be in the public eye more often than not.

vernon has been a casual listener of your band for a while now. it's the type of sound that fits right in to his playlists. and, okay, fine. he thinks you're attractive. sue him. but he swears he's there for the music— most of the time. there is a part of him that's there for the performance videos of you shredding your guitar, or the ones where you're screaming in to the microphone.

alright. vernon concedes: he may have a little crush on you.

so you can imagine vernon's surprise when he finds out the two of you are in the same line-up for some american music festival. it's a rare thing, for vernon to ask his managers for anything specific, but he absolutely cannot pass this chance up. he tries to be discreet about it, too. "i really like this band," he sheepishly admits to his manager. "do you think— i don't know, i could just say 'hi' to them or something?"

that's how you and vernon meet. on the sidelines of a music festival, where he's so cool about the whole thing. he's more on the soft-spoken side as he tells you that he thinks you're a great performer and that he can't wait to see you live. you'll think he's cute, and you'll thank him for going out of his way tell you personally.

you'll take a photo together. he'll give you a signed copy of the group's latest album, and you promise to give it a listen. (prior to vernon, you might have not really known too much about k-pop. that's something the two of you briefly discuss— the differences in your industries.) but, as he starts to bid goodbye, you can't resist.

"tell me," you say, small smile in place. "how would a k-pop idol react to having a rockstar slide in to their dm's?"

vernon's brain short-circuits. your words steal every single thought out of his head, and he's reminded, yet again, of small cultural differences. how much more forward americans can be when they want to. he's about to respond when his manager clears their throat, and vernon remembers his place. he flounders through some lame response.

you apologize for putting vernon on the spot, feeling a bit bad yourself. you hadn't wanted to get him in trouble. there's a little more chit-chat, and then— "quick," vernon breathes while his manager's distracted with a phone call. "got a pen on you?"

he scribbles his phone number on the corner of the album he'd just given you. "dm's don't always work for idols. but this might," vernon will say with a smirk that's not quite a smirk, and oh. you know this is going to be fun.

it takes a while for vernon and you to agree that a relationship is something you want to attempt. it will happen after months of back-and-forth via text, months of 'will they? won't they?' flirtations. it's going to be long distance in more ways than one. there's thousands of kilometers between you, a thirteen hour time difference, opposite ends of the entertainment industry.

you two agree to give it a shot anyway, because what's there to lose? no hard feelings if it doesn't work out. that's your constant refrain. you'll try. you'll do your best. and if things fall apart— well, that's just how it is.

— the texts.

except vernon finds it increasingly difficult, as times go on, to imagine a life without you. it's hard to do long distance. of course it's hard. he just thought it'd be harder, but surprisingly, it isn't.

'catch ya when i can' becomes something exchanged as often as 'i love you'. the windows of time wherein the two of you can actually talk— especially when you're both busy— are small, and so it's a bit of a game. vernon races against his busy schedule to 'catch' you, and it always feels like the biggest win in the world. even if it's just a couple of minutes where the two of you are both online, where the texts don't have hours in between each of them? he'll take 'em.

facetime can be a bit of a luxury but it's something the two of you try to do at least thrice a week. a lot of it is quiet snapshots of your daily lives. vernon eats dinner as you go through your morning routine. you get ready for bed as he tells you his plans for the day. it's the epitome of long-distance, how he says 'good morning' and you respond with 'good night.'

there's the fact that it's secret, too. no one can know that the two of you are dating. occasionally, you're linked to other people in the business. it's a grace that vernon is so secure in your relationship that he doesn't really mind. he trusts you, after all, and sees no need to blow things out of proportion. every so often, he'll feel a twinge of envy. but he knows that it's him that you'll text at the end of every day, so it's okay. that makes it okay.

that's why vernon compensates as best as he can. there's a lot of red-eye flights, from incheon to jfk and vice versa. it's easier for you to be the one to come visit him, since your fans don't keep track of you the same way that k-pop fans do. when vernon does make the flights abroad, though, he's always careful to cover up his tracks. to come up with some story of spending time abroad to visit family, to work on 'projects' he never publicly reveals.

vernon goes to your shows when he can. mostly, he watches from side stage so he's away from the view of the public. he likes it that way, really— likes being the person you make a beeline for once you've taken your in-ears out. he'll laugh as you bear hug him. he'll keep an arm around your shoulders as he assures you that you did well. "you were so hot up there," he'll tease you. "how am i supposed to function now, huh?"

a cute little thing that vernon and you establish about midway in to your relationship is a 'couple' instagram account, except it's private and it's just for the two of you to see. @11203km (referencing the distance between you two) is a way for you to dump your thoughts/every day lives without flooding your text thread. when it's 🎸 posting, then maybe it's a carousel of your latest practice sessions or snaps of your recent attempts at cooking. when it's 🐻‍❄️'s posts, it's likely vernon's tiktok outtakes or his misadventures with the rest of the boys.

vernon had always thought that being in a relationship entailed giving your 100% all of the time. being with you has taught him otherwise. if some days, all he can give is 40%, then he can count on you to put in the rest of the 60%. the same goes for you: if you have weeks where all you can put in is 30%, then he'll step up with 70%. any relationship is work, but if it's you, then vernon is convinced that it isn't hard work. not at all.

— extra!

chwebacca 🤟 think i can join ur band now? ㅋㅋㅋ

📷 fansite photos from @Flechazo_0218.

[zyafics]

HIII!!! I love ur writing sm <3 If you're taking requests, I was wondering if you could do one about a reporter reader who used to date Rafe but they broke up and now she has to interview him??? Set in college if possible! Thank you so much! I hope you're having a good day 🥰

hi baby! yes, i do take requests and i absolutely love this one 🥰 i made reader work for a network company but she's still in college and he plays basketball! (but fair warning, i know absolutely nothing about basketball so if i got the terminologies wrong, look away!!) i hope you enjoy <3 this is angsty as fuck

ALL FOR THE GAME | Rafe Cameron

MASTERLIST (Oneshot) | College Basketball Player x Ex!Reporter!Female Reader .ᐟ

Content — college au, athlete/reporter, prior breakup, heavy angst, hurt/no comfort

Word Count — 4.2K

You couldn't believe it.

It's considered lucky. For someone in your position—having received this entry-level job a couple of weeks ago—to have the opportunity to interview an athlete. In fact, many people would call it a great honor.

And it is. Under normal circumstances, you would be more than happy to oblige—elated, even—because people at this stage in your career rarely get such an opening. Especially since you're in college, fully prepared for this internship to be nothing more than grunt work.

Yet, this? This would allow you to advance your career at an expedited rate only offered to nepotism. You should be thrilled, overcome with joy, jumping at your feet and thanking whatever deity you believed in for such a chance.

But you don't.

Because the person to interview is Rafe.

Rafe Cameron, the top prospect of the NBA draft picks.

Rafe Cameron, your ex-boyfriend.

Your boss waits for an answer. He proposed the question a few moments ago, about covering the press conference for the last game of the season. Because of a sick reporter who called out at the last minute, your objective is to build a profile on Rafe Cameron. Since he's the leading prospect, with scouts all over the country looking at him, many people want to know more about the rising all-star who's done nothing but dominate the court.

This proposal, however, was done more out of common courtesy. No one would be stupid enough to say no, and when your boss raises a brow, signifying his manifesting annoyance from your silence and lack of celebratory cheers—you stammer.

"Um, um," you say.

"Um, what?" He prompts. "Will you be doing it or not?"

You shouldn't. There are many reasons why you shouldn't attend Rafe's basketball games. There's resentment because when you step back into that arena, back onto that court, you're reminded of how Rafe picked it over you. There's lingering sadness, residing heavily against the back of your heart, dulled from the passage of time, but not completely forgotten. And lastly, there's anger, because sometimes, all you want to do is scream, cry, and yell at the man who shattered your heart into a billion different pieces.

But that doesn't matter, does it?

Romance has no place in a reporter's life because you're nothing more but a projection for the audience, a vessel for the readers to learn about something else. You don't have feelings; you're a prop. And, certainly, it doesn't matter to your boss, who's only asking you because you're the last choice.

"Well?"

Seconds away from retracting the offer, something in your chest tightens. Logically, you know the choice to make. But your heart doesn't agree. It still hurts, aches, and burns at all of the past memories. It wants nothing more than to bury itself in a hole and pretend that such a critical part of your history does not exist.

But you can't. Life only moves forward. So, all you do is move with it.

"I'll do it."

By the time you arrive at the stadium, all you want to do is run. Anxiety pricks at your spine and your palms grow clammy by your side. Everything inside you is blaring like a warning, cautioning that this is a mistake, that you aren't ready, and that you should turn back.

Despite the badge dangling around your neck, you almost listen. Put your career on hold for a man who hasn't given a single thought about you since the breakup. You can't let him win, and with that reminder, you move with the mob, flocking to their seats.

The atmosphere is charged with exhilaration, and you're reminded of everything before. It's automatic. How easy it is for you to return to old patterns, to follow them, and to find yourself trickling down the steps and towards the courtside seats reserved for family and friends of the team.

Until a hand is placed on your lower back, and a security guard guides you to the press box instead.

It's quieter. The enclosure of the room dulls the energy of the crowd, with a thick sheet of glass separating you from the rest of the people, and reminding you of your purpose.

You take a seat on a cushioned chair, reserved for your network, and look around the place. You're among the most seasoned reporters in their field, chatting with one another, familiarity engulfing the air that somewhat alienates you. They pay you little mind—saved for a curious-yet-judgmental glance at how you wore a jersey compared to their formal suits and pencil skirts. When you follow their line of vision, you realize it wasn't an ordinary merch of the UNC team but Rafe's.

"Fuck," you mumble. You hadn't realized you picked out his jersey; it was left in the back of your closet and you couldn't see yourself attending your college's game without a visual form of support. This probably appears to the rest of the journalists that you're nothing more than a superfan who managed to weasel their way into their network.

It makes your stomach flips with nausea. You want to separate Rafe from you as much as possible, and with a quick run to the bathroom, you change out of the merch and throw it over your tote, straightening out your blouse underneath. When you return, the players are slowly filling out to court.

The visitors' team enters first; UNC follows. You count each player that exits the locker room, watching their expressions as they grin and absorb the energy of their home stadium, as they walk down the length of the bench, as they talk among themselves and share playful jests and banter. You didn't even know you were holding your breath until Rafe stepped out last, to the loudest cheer of the crowd, with a solemn look on his face.

You watch as Rafe searches the stands. Not in the same manner as his teammates, where they're acknowledging fans, or sending flirtatious winks to pretty girls sitting front row. It's different— with purpose. He's searching for something—someone—and your heart clenches in your chest at the thought of Rafe having found your replacement.

But it's been months, hasn't it? It should be more than fair game for him to date whatever he wants. You can still act professionally with this developing news, but it's striking down at your armor.

However, whoever he's looking for, he doesn't find. Rafe goes to huddle with the rest of his team as their Coach gives a final motivational speech before releasing them.

The game starts with a tip-off, and once the referee throws the ball in the air, Rafe takes it into his possession.

He sprints across the court, slicing through the opponent players, and scoring points on the board. Rafe is powerful, knowing exactly when to exchange his hands and pass to his teammates, where exactly to cut through, and when to commit to a play. Commentary heard from the built-in speakers can attest to it, as their primary focus is on how Rafe is taking the last game of the season by storm.

But, while everyone's eyes are glued to the game, as much as you try not to, you can't do anything but stare at Rafe.

He's just as incredible as he was when you were dating him; if not, more. In some way, it makes your heart tighten, knowing that this validates his reason for the breakup. You just wish he felt some semblance of the pain you feel. But as much as you hate it, you're also proud. Rafe has come so far, and trained so hard, to make it to where he is. If he secures a win for the last game, it will be nothing but a guaranteed track to the NBA and luxuries and fame ahead.

All without you.

By the time the game ended, Rafe scored the last shot in a close game, delivering the end of the conference with a secured UNC victory. Everyone in the press box stands from their seats, heading to the media room where they'll be meeting a panel of UNC athletes for questions.

Yet, you linger. You step up to the glass, watching as the erupted cheers of the audience surround the entire stadium, much to the glee of the UNC team, while Rafe stands in the middle of the court for a few seconds, soaking everything in. His eyes pan across the bleachers again, in search for something, before his expression falls and he retreats to the locker room.

When you enter the room of journalists, you slip into a seat. It'll be a while before the players come shuffling in, and you take each second to rehearse and calm your nerves. In one hand, is a tape recorder, while the other is a notepad of the written questions you plan to ask.

UNC's Publicist steps out first to provide an official statement and give a brief overview of the conduct of this press conference. She'll be the moderator, giving everyone enough time to ask all of their questions, and she'll be selecting the networks to her own accord. After everyone comes to the general consensus, the door opens and the Coach steps out with his players.

You watch with bated breath as Rafe is the last to enter, freshly showered and changed into grey sweatpants with a matching UNC zip-up jacket. His headphones dangles around his neck, while his expression exudes nothing but boredom and reluctance. Rafe has always hated interviews, especially post-games, during your relationship. At least that's the one thing that hasn't changed.

You drop your gaze to your lap, swallowing hard as you calm your racing heartbeat. It's been months, yet you still feel the same emotions coursing through you as if no time has passed—longing, hurt, sadness. You whisper positive affirmations, reminding yourself that it's just a job, and that'll be short and simple. You won't even have to speak to Rafe, because your boss may have said to find out more about Rafe Cameron for your profile, nowhere did he say you have to ask him specifically.

When Rafe sits on his chair, he lazily scans the room, a habit of his to pass the time, before he spots you among the crowd. In the third row, second seat; your favorite choice to sit. You don't see it, but a corner smile lifts to his face, demeanor changing, and he straightens up in his seat.

Throughout the conference, the publicist hands the microphone off to whoever she selects. They often direct their questions at Rafe, to which he gives monosyllabic and deadpanned answers. Then, when they try to seek more clarification, Rafe gives them nothing, much to their grimness.

You keep your head low, writing down notes, and drawing doodles on the edge of your notepad. Anything to avoid making accidental eye contact with Rafe. But, regardless, you feel him. The heat of his stare remains on you the entire time, especially when the publicist approach you and hands you the microphone.

It’s time.

With trembling hands, you stand from your seat. You turn your attention to the front of the panel, introducing yourself, your network, and your job. Smiles spread across Rafe's teammates as they recognize you, and you offer a polite one of your own.

Beginning at the furthest player at the end of the table, you ask, "How would you describe Mr. Cameron as a teammate?"

He grins as if he was prepared for this. "Rafe's an incredible teammate and captain. He's a capable leader, who's strong on the court, but also strong on having his teammates' back. You saw it back there—" That earns a small laugh from the reporters. "But, yeah. Rafe's one of my favorite teammates, if I'm being honest."

You tilt your head at that conclusion, because, if you remember correctly, in freshman year, he often rivaled with Rafe and got into fights over minor things. Regardless, you nod, thanking him for his response, and moving on to the next player with the next question.

"What do you think about Mr. Cameron's plays throughout the season?"

"Is that all you got for me, Mrs?" The second player teases playfully, causing heat to warm your cheeks. "Whatever, I got this. Well, let me think. Rafe's always had solid stats. He's one of the hardest-working players on and off the court, and he always keeps his head focused. Even when he had a bit of a bump a couple of months back, he adjusted his plays and bounced back. That’s his resilience."

Your breath hitches at the implication. You try your hardest not to sneak a glance at Rafe, but you can't help yourself. Turning to your side, you discover Rafe watching you, his expression grimacing at the confession of his teammate.

Months ago. The only thing that changed was your breakup. Does this mean he was as affected as you were?

You try not to think too much about that. Thanking the player again, you move to the next, asking more about Rafe's character—his prospects for the NBA, and his experience managing a student-athlete. You didn't ask just about Rafe, you asked about the games and conferences too, but most of the players always return their answers to Rafe. Positively. As if they had this unspoken agreement behind the scenes to hype Rafe up to his ex-girlfriend.

Time goes on, and you start to immerse yourself in the role. It wasn't as difficult as you expected, especially because you're entertaining a team who've known you all throughout their collegiate career. They answered the questions with enthusiasm and a playfulness that can only be recognized by years of familiarity. You can feel the energy from the reporters shift, stewed with envy, because of how the players are showing favoritism to a novice reporter who barely has her foot in the door.

Rafe watches you the entire time. How truly riveting you are in your role. How you command the room with your questions, how you captivate the players, and how you grow more comfortable as you talk to your teammates. He waits patiently as you make your way down the table, for his chance to talk to you.

But just as he's about to be next, you return the microphone to the moderator. You were going to leave him hanging. Before you can fully hand off the mic, a voice commands the room.

"What about me?"

It was Rafe. You lift your head to find him leaning against his own microphone propped on the table, his blue eyes pinned on you, his expression full of want. Your lips part, but no words fall through. The publicist doesn't take back the microphone.

You stammer. "What about you?"

"Don't you have any questions for me?" He questions, as the crowd murmurs with surprise. On any other day, Rafe would've gladly taken the lack of questions aimed at his face. You've done your research; you've seen his previous interviews.

"I..." You can't seem to answer him. All eyes—from the Coach, to the players (who are smiling their head off), to the reporters—turn to you. "I've asked all my questions."

"I'm sure you can think of one more," he declares, his eyes not once straying from your face. As if he's taking the time to memorize all of your features, to absorb any changes. "Come on, hit me."

Everyone waits. Eagerly. With jealousy. The media room stills with a palpable silence, and you can't do anything but retract your arm, holding the microphone back up to your lips.

You blink, racking your brain for any questions. You truly did ask all of them, and there's nothing appropriate enough to ask in front of a room full of people who are recording and monitoring your moves. So, you settle on something safe.

"How did you feel scoring that winning shot?"

Rafe takes a deliberate moment to consider his answer. His silence tells it all. Before he leans down against the mic, his lips centimeters from the pop filter, and he says, "Empty."

Flashes of the camera go off, and hushed whispers are heard throughout the room. But none of that matters to you. Your eyes remain on Rafe, your heart skipping beats from his confession, and you tame enough of your voice before asking a follow-up. "Can you explain why?"

He nods. "Basketball is great and all, and I'm grateful for everything that has happened, and all I have accomplished. Hell, I'm even grateful for this team right here that's been such a hardass on me since day one," he gestures to his teammates on the panel, and they all grin and laugh. One even blows him a kiss. "But, at the end of the day, it's just a game. Without the people you love by your side, it's meaningless."

You truly feel like all the air has been sucked out of your lungs and tears crowd your waterline. When his words finally deliver through, it's almost a straight shot to your chest. This was the admission you'd been waiting for, but it didn't feel satisfactory whatsoever. It's painful, all of the old wounds opening by their stitches, and grief comes crawling up your throat, demanding to be felt.

You don't answer him. You can't. Rafe watches you carefully, trying to gauge your reaction, trying to see if his words had any impact, but you hide them well. For now. With tears stinging your vision, and seconds from unraveling at the seams, you drop the microphone onto the chair and leave the room in a rush.

That's when he realizes he fucked up.

Rafe stands from his seat, ready to follow after you, but his Coach commands him to sit down. His gaze remains on you until you exit the room, but with direct orders, he can do nothing but slump back into his chair.

When Rafe finishes the rest of his interviews, with more reluctance than he had before, he wants nothing more than to go back to campus to search for you. But he doesn't know if that's such a good idea. Clearing out, Rafe steps out of the doors.

To where you were waiting.

"You had no right," you snap, as Rafe heads to the exit of the stadium. He whips around at the sound of your voice, finding you leaning against the wall. As much as he knows he fucked up, he can't explain the happiness he feels at seeing you still here.

"For what?" Rafe prompts with an easygoing smile, "Talking? I'm pretty sure that's what the press conference is about."

But you don't take it so easy.

"You know exactly what I'm talking about," you huff, "You used my words against me."

During the breakup, Rafe had said something along the lines of focusing on his basketball career. You had rebutted that basketball can't be the one thing in his life. At the time, he disagreed, prompting the necessity of the breakup further. It had hurt to hear your words twisted and used against you.

"It was friendly," he reassures. "Just like the rest of my teammates. Talking like we're friends."

"We're not friends and you know that."

He frowns. "We said we would be."

"No, you said that," you hiss, clenching your hands by your side, memories slapping you and prickling your skin. "To rid yourself of the guilt, or to make it seem like permanent. I don't know. But it doesn't work that way with me, Rafe. We aren't friends."

His brows pinch together, and agitation flares through his hard features. "So, that's what it's gonna be like? You come to my games and you interview my entire team but you ignore me because we broke up? That's unprofessional."

You falter. "That's not fair."

"It isn't?" He challenges, stepping closer into your space. "How do you think I felt when you were interviewing every single one of my teammates about me, but refusing to talk to me? To look at me? What does that suggest?"

"That I got everything I needed from your teammates."

"You could've gotten it directly from the source."

"I didn't need to,"

"You could've,"

"Why are you so adamant about me talking to you?"

"Because you're acting like a vindictive bitch."

You stagger back as if he struck you, and Rafe instantly regretted the words that left his mouth. But he can't take them back. Your lips part, and you stare at him in disbelief, but you come up with nothing to defend yourself.

With the hardest glare you can muster, you proclaim, "Fuck you, Rafe."

And you turn to leave.

Rafe quickly follows after you. "Wait—that's not—I didn't mean that."

"I don't want to talk to you anymore."

"Just like you didn't want to talk to me in the conference room?"

"You broke up with me!" You snap, stopping in your tracks with such abruptness, that Rafe almost ran into you. Turning back around to face him, you say, "You were the love of my life, and you left me, and you expect me to keep it professional?"

Rafe says nothing.

"I'm trying," you croak, tears crowding your vision again, and you hate how vulnerable and pathetic you feel in his presence. Like it was back to that night in the car, where Rafe said it was over. "I'm trying to do this right."

Rafe watches your face with anguish, but he can't say anything. You're trying hard to keep your composure, and regain some semblance of stability, you say with a even voice, "I'm glad everything is working out the way you want it to. I'm glad you get this bigshot career and you're about to make it in the NBA, and I'm glad you found it so easy to move on but that's not how it worked with me." Your voice cracks. "I loved you. I can't just forget about it like it's nothing."

His voice is small when he answers. "I didn't."

"You didn't?" You repeat with disbelief. "Rafe, you're thriving. You barely look like our breakup had any impact on you. You're about to secure one of the biggest deals in NBA history. What else could you possibly be missing?"

"You."

His dark eyes connect with yours in utmost vulnerability and it cripples you. All your aggression and anger, all your pent-up frustration—it makes you upset that Rafe manage to disarm you with one word.

"No," you step back, shaking your head, "You can't do that."

"It's the truth."

"It's too late."

Rafe looks pained at your declaration. "Don't say that."

"Don't say what?" You sniffle, your vision blurring with hot tears. "My truth? Did you expect me to wait around for you to come to your senses? To beg for you to take me back?"

"I didn't..." Rafe stammers, searching your face for any indication that it isn't too late. That he still had a chance. But he doesn't find any. "I was honest back there. Any win without you feels empty."

"Stop,"

"I made a mistake."

"Rafe—" You shake your head again, sucking in a deep breath, and needing him to listen and step back. "I'm not here to talk about that. I don't want to talk about that."

"But I do,"

"But I don't," you declare firmly. "I just... I need you to understand. You can't do that. I'm trying to move on with my life. And I understand that we're going to be seeing each other, no matter how I don't want to. But I'll get used to it. I'll numb that pain. But you can't do that. Here; back there. It wasn't fair to me."

Your words sound too permanent. Too real. Rafe can't stand it.

With desperation, he pleads, "Can we talk?"

"We're already talking."

"No, I'm talking about us," Rafe says, taking a step forward. Only for you to take one back. "Please."

"There's nothing to talk about it."

"There's so much to say."

"Name one."

"I miss you."

"Rafe," you cry, tears streaming down your face that you can no longer contain. He hates seeing you cry. He hates it more to be the reason. All he wants is to pull you into his arms and apologize, over and over, to soothe the pain, but it looks as if it would hurt worse if he tried to touch you. "Please stop. You're breaking my heart again."

He made a mistake. There are so many times he can say that. When he saw you in the media room, for the first time in months, it came rushing back to what he's missing. How much he's losing you. He wanted to ask you so much—about how you're doing, to learn how you got the job, to uncover more about how close you are to achieving your dreams.

But he was barricaded. By responsibilities, obligations, and duties. He couldn't ask you in a room full of people. He couldn't help you when his father pressured him to break up with you for his career. He couldn't do anything, then. But he wants to do better now.

He says your name, so defeated, in a last-ditch effort. But you shake your head.

You need to leave this place with whatever is left of your pride and dignity. So, you straighten your spine, take out his jersey from your tote, and hand him the last remnant of your relationship. "Congratulations on your win, Mr. Cameron. I wish you the best in your career."

And when you turn to leave this time, he doesn't stop you.

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[hughiecampbelle]

The Boys Preference: Wearing Something Tight/Skimpy

Requested: heyy! can i request a The Boys preference where (during early relationship) they see reader in more tight fitting clothes for the very first time (reader usually wears baggy jeans and oversized shirts, but now for once wears shorts and a tight fitting tanktop or smth) tysm! - @yinorathedragontamer

A/N: Screaming I love this! As someone who loves baggy clothing, there's nothing better than showing off the ✨️goods✨️ when I feel like it lol. This was super fun to imagine! I hope you like it! Feedback is always appreciated 💜💜💜

Butcher is pretty shocked. Whereas you usually lean towards oversized shirts and big pants, you were dressed in something revealing, tight. You tried to look casual, secure, but underneath you were full of insecurities. You think I look stupid, you say, following his gaze up and down your body. Stupid is the last word he'd ever use. Butcher wears this wicked smile, telling you exactly what he thinks. You laugh, telling him to shut up before he's saying anything else. He loves what he sees. Because your relationship is still new, he's trying to be on his best behavior, but you know how his mind works. You throw your sweatshirt over your outfit, calling him ridiculous, laughing at him. Now that he knows what's underneath those oversized layers, he can't keep his thoughts or hands off you.

Hughie is all giggles and smiles. He hadn't realized you'd kept one of your suits from your time at The Seven. This suit, however, was different from the one you regularly wore. This was tighter, more exposing, showing off every curve and contour of your body. It was the only one you were allowed to take with you and there was a reason you rarely put it on. He wasn't used to seeing you like this. You wore big sweatshirts and wide pants. He never thought he'd be as surprised as he was when he finally saw you, but he was. Your body was. . . wow. He tries to hide his excitement, but he can't. Seeing this, you do a little spin for him, growing self-conscious. Do I look stupid? You ask. He's quick to tell you you look amazing. Because your relationship is still new, he doesn't want to sound too excited, but to him, you look amazing. He's glad he got to see you like this.

Annie wants to show you off to everyone. She knows now is not the time nor place: you've put on your old Supe suit to make a point against those in favor of Homelander. It's serious and important and dangerous given his fans would do anything to get a piece of you, anything to tear you down. But she can't help it, she can't take her eyes off you. She's never seen you in your suit before. You quit The Seven before your promo pictures could come out, after you'd been introduced. You took the suit with you. By then, you'd had a sort of a cult following, people interested in your story before you had the spotlight shown on you. It helped that you and Annie were newly together. She hadn't realized you'd kept your suit so when you showed up at Starlight House wearing it, she was speechless. She'd never seen your body like that before. She couldn't take her eyes off you.

M.M. is speechless. You got all dressed up for a date. Before this, your dates had always been casual, spur of the moment, low key. Tonight Marvin went all out for reservations at a fancy place you'd never even heard of. You figured you'd pull out your best clothes which just so happened to be a little tighter and more revealing that your typical wardrobe. He picks you up at your place, not recognizing you at first. You're self-conscious, making a joke about your appearance before anyone else has the chance. He wouldn't though. He thinks you look amazing. He was always more than a little curious as to what exactly you were hiding under big t-shirts and baggy pants, but your relationship was new and so he felt a little shy wondering. Now he was glad he had waited: you were breath taking.

Frenchie is obsessed. Mon Couer, where have you been hiding all this?! It definitely makes you laugh and a little embarrassed. He's never minded your usual clothes. He's all for oversized sweatshirts and comfort and the overall aesthetic. He thinks you look adorable in your usual clothes, but this? Wow. Just wow. You jokingly tell him to pick is jaw off the floor. You and Kimiko are going undercover as a wealthy couple. She's all dressed up and waiting for you. Not only are your clothes expensive looking, but they fit like a glove. He's never seen so much of your body. It drives him wild. You get compliments from everyone, but Frenchie, your new boyfriend, can't get enough of you. If this mission weren't so important and time sensitive, he would have spent the whole night telling you just how sexy you looked.

Kimiko has never seen this much of you all at once. Together you're going undercover. She's wearing a dress with her hair and makeup done. It makes her feel like a clown. Still, she does it because she has to. And you do, too. You lose the baggy pants and big shirts for something a lot more tight and way more revealing. The rest of The Boys have a lot to say, all of it you laugh at and tell them to shut up. Kimiko hopes it's too dark to see that she's blushing, watching you step out of the car. If she spoke she would have been speechless. Instead she plays it off cool, telling you you look great, before going in. In any chance she can get though she stares you up and down, taking you in, smiling to herself. She doesn't get distracted about anything, but you? Oh you're all she can think about.

Bonus! Homelander doesn't really think about your body, or anyone's body. It's more of a want more than anything else and it typically involves milk. Still, when you come out and show everyone your suit, he's pretty speechless. Your civilian clothes and fashion are oversized, baggy, and comfortable. He's never really seen your body before, no one has. Your PR team wanted to fix that though. You're not so sure about your suit: it leaves little to the imagination. When you step out you're embarrassed, wishing for your sweatshirt. Homelander never compliments anyone unless it's backhanded, but he really does like what he sees. It's kind of a throw away line, one that seems innocent and nonchalant, but for him it's a huge deal. He can't stop thinking about you. Even when you put on the other variations, he has final say. Everyone is too scared to say no to him. He liked the first one so you wear the first one.

Bonus! Soldier Boy is practically drooling. The moment he sees you his jaw is on the floor. He's never minded your usual fashion: baggy clothes were comfortable and cute. He would have minded had he known you were hiding *all that* beneath oversized sweatshirts/sweaters/t-shirts and baggy pants. He can't help himself (not that he ever held anything back usually) when he makes remarks and jokes and innuendos. It comes out so fast it's almost compulsive, he's barely breathing between words. The Boys think it's hilarious how much attention you're getting from him considering they've grown used to these switch ups between clothes. He practically begs you for an ounce of attention, affection, and you use it as leverage. As long as you're wearing as little as possible, Soldier Boy will do anything you want.

[palmettoshenanigans]

Is this an unpopular opinion? Is this a hot take??? I don't know if it is but I'm going to say it anyway,

I've read several AU!AFTG fics where writers try to mimic Neil's cut throat tongue lashings. They try to create their own "You know, I get it moment" whether with existing characters or OCs or whatever

Rarely do they pull it off. In fact, most miss the mark by a mile.

And it's not because they're bad at writing insults, they aren't. They can craft insults just like the rest of us, with varying degrees of success and scathing derogatory language. It's that the insults they use are generally applicable to most people and get their punch by being rife with curse words.

That's not how Neil does it.

Neil's insults are bespoke!!! (A bespoke suit is one where fabric isn't even cut until we know your exact measurements, this suit is for you, so let me write down every tidbit of relevant information about you and your body before I even start picking out thread)

Neil basically psychoanalyzed someone, noticed all their strengths, weaknesses, fears, hopes and dreams, complexes and traumas that he could get his little hands on, and honed the perfect sentence to bypass all their surface layer feelings and find their Inner Child like a fucking sniper and shot that crying baby in the forehead

That's why it hurts!!! Neil wouldn't call some one ugly as an insult even though that's an insult that has a wide AOE - it'll hit lots of folks. Neil would only call some ugly if it would strike home at their inner most traumatic childhood issues - Neil would call you ugly if he knew your mother called you ugly since birth and told you your only chance at earning love is by becoming hot and your dad told you you were so unskilled you couldn't even make a supermodel pretty if you tried giving them a makeover cus you're just that useless at making change. Yeah, Neil would call you ugly at that point.

Kevin didn't try to strangle Neil cus he called him a slur for disabled people, it pissed him off but it didn't really strike a nerve.

Kevin tried to strangle Neil cus he called him a "deadweight has been" and that struck all his nerves.

If you wanna write your own "You know, I get it" you can't just be insulting. You gotta be traumatizing. You can't just be mean to an adult being an asshole. You gotta be mean to a little kid who's already crying.

Only a couple of fic writers have pulled it off as far as I've read.