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frindoka · 1 year ago

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my art timeline :-)

hi! i’m making this because i was inspired by maxpawb’s post i saw on toyhouse , which then led me to look at all my own art that is still somehow intact in my storage. this only details stuff from when i started posting online, not from when i started drawing traditionally as a wee lad. partially because my sketchbooks are lost and partially because i never really wrote down dates on my art to begin with.

a lot of dates are lost, due to the aforementioned problem of me not writing things down.. and also i have awful dissociative memory problems so there’s way too many gaps in my life. but i really did want to do this to see how much i could find & how much i could recollect.

content warning for VERY brief mentions of grooming, as well as minor mentions of real shitty friends

everything is under the cut! there might be another rb if or when i hit the image limit. curse you, tumblr.

date: ??? , i had to be around like. 11 at the time

this was when i joined warriors amino and i deleted my account because i got in trouble for having social media, LMAO. i eventually came back with a new one though. this is probably one of the only surviving art pieces from when i was THIS YOUNG, everything’s on an ipad that’s so broken it won’t even charge

i learned how to use the smudge tool on ibispaint at this time and thought i was the coolest bitch on the block for my blending

may 2019, i was like 12

my return to amino (and brief period on deviantart, which i never used again lmao) i was specifically on wings of fire amino + warriors amino. i was obsessed with airbrush shading.

this is one of my first fursonas which was a wings of fire fanflight called kitsunewings or smth. and also my first species character (he predated the dragon), a bayfox, which was drawn in krita. i never used krita again after this. coincidentally, i was also never active in bayfoxes after submitting him.

i crawled back to ibispaint no matter how many new free programs i tried.. (also tried firealpaca once. i couldn’t even figure out how to draw a line…)

may 2019, 12

the rise of my longest lasting fursona. she got stolen on a shitty app called anime maker once. i can’t remember if she’s older than the dragon, andromeda, but her older iterations definitelt are. this character was just the FIRST first fursona that i actually called that, since i didn’t even really know what a furry was at first

june 2019, 12

my first commission that i sold for like 30 deviantart points (i only used the site for commission purposes, as mentioned before i never really used it lmao)

also i tried to make a closed species on wings of fire amino. second image. it was terribly stressful ; this was around the time i met my longest lasting group of friends (hi freak bin! 5 years <3) and.. some of the worst people i’ve ever met in my life at the same time, LMAOOO

also here’s this kokichi ouma dog i made before i even knew what danganronpa was. i would find out much later, unfortunately

march 2020, still 12 (cause of my august birthday 😒)

there’s a really big gap in my files here. sad! my art kicks into gear at this point tbh, i like how i did the lines. wish i had the energy for such clean lineart still :-(

i think around this time i lost contact with the people who were my groomers (which i would realize later) and i’m thankful that i don’t even remember what their names are.

april 2020 - july 2020, 12

okay these aren’t awful actually. HOW WAS MY ART SO DETAILED. i admire baby frets power, jesus christ

i also did a design raffle when i hit 500 amino followers which is still the most i’ve ever gotten as a following. pretty crazy, i wonder who owns this dude now, i still think they’re cute

august 2020, 13

wow i’m 13 now look at that. i had to go digging for this one, only one i could find that was remotely close to my birthday (it’s the 25th!) this was a drawing for my friend bea lol

was still friends with some pretty shitty people from wings of fire amino, and it was really taking a toll on me. i don’t remember drawing as often as i used to during that time because of all of that.

december 2020, 13

i wish i could still draw backgrounds.. i need more practice

january 2021, 13

okay honestly these are really cute. i don’t know wtf kind of motivation i had for this much detail. the shading is pretty damn good

april 2021, 13

still going strong with the shading and backgrounds. not much to say around this time either lol. the first one is an older design of mine, but they’re pretty damn cute.. i wonder what happens to the desgins i lose track of? but ik this guy has a toyhouse profile i just refuse to look through my like. 200 pages of character designs on there…

july 2021, 13

PUDDLE! PUDDLE OH HOW I MISS YOU. my original favorite oc, i got so much art of him & drew him so much he reached 100 pieces in less than a month. i also met my best friend through this dude.

my art got.. blocky? here? idk what i was doing with all of that but it lasts for a while. lol

october 2021, 14

one year older and i got neo twewy for my birthday and it changed my life permanently. in several ways. anyhow, here’s frindoka furries.. they live in my files forever and will never b drawn again because they got redesigned several more times LOLLLLL

this is the month after i broke off permanently from my shitty old friends, with support of some other friends of mine. thank you guys… i did proceed to get harassed and made paranoid over my text messages by the shitty friends cause they were mad i got one of them banned from a furry adopts server for being literally dangerous. i do know it was them bc it was admitted to & they were some of the only people i gave my phone number to. i was kind of dumb for that

i was happy after my birthday because 13 was one of the worst years of my life. literal constant spirals and breakdowns because this is when i realize i was, in fact, groomed. i’m well and handling it better now.

january 2022, 14

my first d&d character, the mark of my eventual spiral into heath insanity… shadow how i miss you. i ended up redesigning them later on

march 2022, 14

i got into a pokemon arpg around this time and it took over my life for MONTHSSSS. kind of a shitty community in it though, but i appreciate how it improved my artwork. i’m back at the backgrounds! it’s shut down indefinitely now. rip eeveemporium

april 2022, 14

I FOT BACK INTO WAKFUUUU😭😭😭 also got pretty comfortable in my identity as a transgender nonbinary person, but i would get MORE comfortable about my identity later on :-)

this is going to be continued in a reblog because i did, in fact, hit the image limit. oopsie daisies

#my art #art timeline

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rolypoly-rose · 2 years ago

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Imma give this a go!

1 - I used to have FireAlpaca and PaintToolSAI, never used SAI much, was more of a FireAlpaca girl until I got used to the ClipStudio that came with my drawing tablet!

2 - Forward is the easiest for me, followed by facing left!

3 - I'm one of those people who still keeps their childhood OCs with them, namely one of my main ones which got revamped way too many times lmao.

4 - Real people or characters drawn in a pretty style. I always feel like I can't match them, especially if I find them pretty!

5 - I'm counting wips, studies and doodles here so about a 40/60 on posted/personal art. I wish I had more time to draw ahhh :'3 soon.

6 - Anything I think looks cool subconsciously is translated in the way I draw, or into my perspective of what something "looking right" is.

7 - Sculpture, pottery, WATERCOLOURS! So pretty!

8 - Many OCs in the past (when I really like a show or idea I usually make an OC for it lmao), but also many stories, which is why today I write way less.

9 - Whatever describes the drawing best while being as short as possible, sometimes character nicknames.

10 - GIVE ME POOFY SHIRTS I LOVE SOME LOOSE CLOTHING AAAAAA CROPPED JACKETS YES PLEASEEEE

11 - I listen to music and sometimes gameplay videos I don't feel the need to watch. So mostly GTLive or GameGrumps lol

12 - None. :') (if we're getting REALLY specific tho I'll say it's the shoulders, I love drawing deltoid muscles and making them apparent every time I can).

13 - People who draw hyperrealism. I don't really fancy it, visually speaking. But they have tremendous skill and their meticulousness is maddening! The techniques they invent to replicate textures and looks is fascinating!

14 - I love including five and four-pointed stars in my drawings, I just love the shape way too much.

15 - At home, at uni when I was a student and currently at my dad's office!

16 - Talking to people... I know this isn't art related but as you can probably tell, I love talking. Way too much. The problem is that when I meet new people I can never go between talking too much and not saying enough, and when someone suddenly approached me speaking English, which I'm fluent in (as a second language), it's like my whole vocabulary evaporates on the spot. It sucks :')

17 - ...Water... and that's it? jkfsgwejeg usually I don't eat anything WHILE drawing, I get up, go get a snack, eat it then resume drawing.

18 - More like how many I've had broken by people haha... Anyway, I don't think I've ever broken art supplies aside from when I was really stressed and broken a pencil in half in two separate occasions. I also recall a mechanical pencil that suddenly stopped working (half the class had that problem, it probably had to do with the brand at the time because we all used the same one) and my history of having colored pencils with shattered lead straight out of the box. Aside from that I usually take good care of my supplies!

nevermind i just remembered i had geometry in high school and managed to break two set squares and have a drawing compass get so loose it wouldn't draw a single circle right... welp.

19 - I honestly don't know, because I usually only draw humans and animals! Inanimate objects and vegetation is still a struggle. So from what I've drawn I'll say my favourite are foods, shoes and crystals (raw and cut/polished)!

20 - I'm not great at it but I do like drawing hands! They can be so expressive that it's fun to find a good pose for them!

21 - Comic book style like modern DC, the Spectacular Spider-Man cartoon, extremely painterly styles with visible strokes and lots of texture, gritty, more realistic manga styles (Berserk, Vagabond).

22 - Because I stay seated for a logn time I usually stretch my back and crack/roll my wrists, and wiggle my fingers a lot. I also do this while drawing!

23 - Yes! Mainly multiply, hard light and color! I like making lots of light effects lol

24 - Of course they do lmao, sometimes I stitch multiple together to get the pose I need.

25 - I can't remember what it was compared to unfortunately, but I do remember that I had definitely NOT been inspired by it and I barely knew it. xD it happens

26 - THAT ONE TIME I WAS TABLING AT A CON AND HAD A STICKER OF IZUKU'S FACE BETWEEN A TODOROKI AND A BAKUGOU, ALL THREE UNDER A BNHA LOGO I PRINTED, AND A GIRL EXCITEDLY POINTED TO IT AND ASKED IF IT WAS JUMIN HAN FROM MYSTIC MESSENGER (┬┬﹏┬┬) it's funny tbh because I can't imagine how she didn't see the other characters at first, SINCE SHE KNEW THEM, AND HAD THE LOGO ON TOP OF THEM. Fun times tho, I pointed her to a booth that actually DID sell MM merch.

27 - I usually don't warm up before a drawing, but I decompress during it. I doodle on the side, make other drawings, play around with colours etc, to let my brain take a break from the Big Scary Piece.

28 - I sign up for conventions and art markets as often as I can! I have also, while I was still in highschool, made drawings for local projects like a book on the native species of our town!

29 - I'm not the right person to answer this because I'm extremely passionate and curious about LOTS of things and almost all of them translate over to my art. Maybe cooking I guess? Culinary art is still art, right?

30 - Every single one, by myself, because I compare myself to everyone else way too much lol.

Weirdly Specific Artist Ask Game

Didn’t see a lot of artist ask games, wanted to make a silly one.

(I wrote this while sick out of my mind last year and it’s been collecting dust in my drafts, I might as well let it run free) 1. Art programs you have but don’t use

2. Is it easier to draw someone facing left or right (or forward even)

3. What ideas come from when you were little

4. Fav character/subject that’s a bitch to draw

5. Estimate of how much of your art you post online vs. the art you keep for yourself

6. Anything that might inspire you subconsciously (i.e. this horse wasn’t supposed to look like the Last Unicorn but I see it)

7. A medium of art you don’t work in but appreciate

8. What’s an old project idea that you’ve lost interest in

9. What are your file name conventions

10. Favorite piece of clothing to draw

11. Do you listen to anything while drawing? If so, what

12. Easiest part of body to draw

13. A creator who you admire but whose work isn’t your thing

14. Any favorite motifs

15. *Where* do you draw (don’t drop your ip address this just means do you doodle at a park or smth)

16. Something you are good at but don’t really have fun doing

17. Do you eat/drink when drawing? if so, what

18. An estimate of how much art supplies you’ve broken

19. Favorite inanimate objects to draw (food, nature, etc.)

20. Something everyone else finds hard to draw but you enjoy

21. Art styles nothing like your own but you like anyways

22. What physical exercises do you do before drawing, if any

23. Do you use different layer modes

24. Do your references include stock images

25. Something your art has been compared to that you were NOT inspired by

26. What’s a piece that got a wildly different interpretation from what you intended

27. Do you warm up before getting to the good stuff? If so, what is it you draw to warm up with

28. Any art events you have participated in the past (like zines)

29. Media you love, but doesn’t inspire you artistically

30. What piece of yours do you think is underrated

#ask game #art ask game #art asks

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foosybit · 9 days ago

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Ok im probably not the best person to ask this because ive been using krita for YEARSSS. like. last time I used firealpaca was 2018 which is... 6 years ago TT_TT but i did a brief pass-over of what firealpaca looks like now and it seems like the things i personally didn't like about it from 2018 are still present. and also the only computer drawing programs ive used are firealpaca, krita, and a really old pirated version of paint tool sai that was so bad it didn't even have a circle tool. absolutely abysmal for my eddsworld phase. but ya i do really like krita a lot tho. explanation under cut cuz its long

First one's pretty minor, but firealpaca does give you a popup immediately lol. i know it's easy to get used to, but its one of those small things where i'd rather not be asked to buy something or update my fully updated software every time i open the program. Firealpaca also just opens you up to the drawing ui, and krita opens you up to a specific launch ui that i really like

it shows all your recently opened files with a thumbnail too so you don't really have to go rummaging through your files every time you wanna draw which is super convenient. and as you can see i literally just never enabled news LOL which would probably tell me about any new krita updates idfk i never enabled it.

Another one that's more major to me is that the firealpaca animation system is actually ass omfg. they say like "wowww you can do onion skin !!!" but thats literally it. and i like to animate from time to time so that's a no-go for me. firealpacas animation system is manged through YOUR LAYERS???? AND MAYBE A FOLDER???? jail. awful. and you have to wait for firealpaca to render a preview. if you ever decide to animate, krita is way better. it actually has a proper timeline and hold frames and real-time previews. it might not be the super best professional animation software cuz it does fight with me a little bit, but for someone who just makes small gifs every once in a while, it's wayyy more useful than firealpaca without being overwhelming which i like. heres what the animation workspace looks like:

the final real qualm i remember having is that the blending on firealpaca was just..... not great. I downloaded it again breifly to check how it's looking and it's still not looking too hot. For the examples I just used my mouse with no pressure sensitivity mostly because i was too lazy to set up my drawing tablet, but also it shows what one consistent opacity/pressure sensitivity looks like

the transparent bg one is firealpaca and the tan bg one is krita. it seems like the difference in opacity of the brush doesn't affect the blending strength of the brush at all in firealpaca. 1 and 2 are the flat watercolor brush and the blending on that one just looks ugly 2 me sorry. 1 is at 50% opacity and 2 is at 100%. 3 is the fluffy watercolor brush at 50% opacity and 4 is the same brush at 100% opacity. it blends to the same amount regardless of opacity, so it seems like the same brush calculations are happening, just literally at a lower opacity. For the krita one, i used the wet paint brush and 5 is 100% opacity and 6 is 50% opacity. It gives you a lot of variety and control for the amount of blending you want based on pressure sensitivity which is super handy to me; i would not have been able to do those crazy digital paintings i used to do years ago without it (pre-mysn days cuz my style has since changed, but u can find it in my pixiv).

Also idk if im stupid or what but i can't find any method to change the blending mode of your brush in firealpaca. it's a neat feature that lets you just do a few brushstrokes with a multiply blending mode (or whatever blending mode) without having to make a new layer and merge it.

But yeah I'm sure firealpaca has its pros. I saw a bunch of cool pattern brushes on their site which seem like they'd be super cool to use, it's just that for my personal tastes i remember thinking that moving to krita was a huge improvement. the only thing that takes a bit of getting used to is that krita doesn't have a clipping function, you just have to alpha-lock a layer within a folder, but you get used to it (theres a "create clipping group" option that does this for you).

Bonus for if u ever get krita:

this is my favorite drawing brush in the entire world i can't draw without it. just a basic toothy brush but it's my life blood. and you should totally download the ballpoint pen brush. just search up krita ballpoint pen brush. its not like i use it all the time or anything but it's super fun and i like it and if u use krita i think u should mess around with it at least once X3

#foosys not art tag

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the-random-phan · 4 years ago

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Great selfie opportunity! Even if his phone broke right after he got the picture.

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elsa12tmnt-creates · 3 years ago

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I’ve been in a humongous art block/rut that made it near impossible to make anything. I got myself out of it, however, by going back to basics in a sense. Mouse-only art (no scanned lines done on paper nor lines drawn with a pen tablet) always makes me feel a little safer and more comforted? I don’t know how to explain in, but it’s a strong suit of mine. And MS Paint doesn’t put pressure on me for things to look good, so the combination is very good :D

I will say, while the sketch, coloring, and first phase of line art (the part where I put lines over the sketch) was done completely in MS Paint, I did jump to FireAlpaca for the second phase of the line art. Transform and line tools are very nice and speed up the process of cleaning up/making pretty lines, but tbh the main reason for the jump was because MS Paint limits how far you can zoom in :’) and that wasn’t cutting it for me. I did keep the blocky line art style however, mostly because coloring in MS Paint does not work if your lines have anti-aliasing. Oh, I also used FireAlpaca to quickly make the palette that I used for coloring. It was just quicker that way.

I’m not entirely sure what “my version” of Becky and the other WG characters are gonna look like. I had done some studies on her, but I hated them as much as I hated everything else coming out of my hands. I did put that knowledge to use though, and that plus the two reference images I used got me where I needed to be. (Heck, I wasn’t even originally intending for this to be a finished piece!) This art is pretty faithful to the show’s style (notice that I let Becky keep her eyelashes even though I have a not-so-secret anti-eyelash agenda, lol) and I embraced that. I don’t know if I’ll continue to do this.

Re: the hair; this is a technique I’ve been thinking about in theory for a while. So it’s not technically new, but this is my first time trying it in a way that like, makes sense. I mixed my usual MS Paint shading/blending technique with what I used for my drawing of Nurse and my drawing of Fae.

WiP shots under the cut!

Original sketch (and the first reference image, I had it lying around from a meme)

Tracing the sketch for the lineart

The sketch was removed and it was time to pretty up the lines

Pulled out this second reference image

Comparison after working with the lines and making the palette in FireAlpaca

Flats done (and how I set up my canvas in MS Paint for coloring)

Only the hair shaded

#she drew #becky botsford #wordgirl #wordgirl art #microsoft paint #ms paint #firealpaca #artwork #art wips #work-in-progress shots #wip shots

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not-xpr-art · 4 years ago

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Art Advice #4 - A Beginner’s Guide to Digital Art

Hi all!

This weeks entry into my Art Advice tag, where I offer various advice for artists of any skill level, is about digital art! Now, I am by no means an expert at digital (I’ve been doing it for nearly 8 years at this point and that is almost entirely self taught), but I have picked up a few pointers in that time which will hopefully help anyone just starting out!

(this blogpost is a little over 2000 words long btw)

A Beginner’s Guide to Digital Art

I know that the world of digital art has changed drastically in the 8 odd years since I started, but I’d still say that some of the options I started out with will be just as good for anyone who’s starting out now!

As always, I’ll be splitting this into sections to make it easier for you to navigate this post!

Part 1 - Equipment/Hardware

There are a lot of drawing tablet options on the market at the moment, and I’m not going to pretend that I know anything about half of them lol. But I think for a beginner, don’t worry about going for the most expensive option, even if the reviews are really good or your favourite artist uses it, especially if it is way above your budget!

An important thing to know is that there are two types of tablet. One is the plug-in kind. These are essentially a pad which you plug into your laptop or computer and draw on that whilst looking at the screen (they basically work the same way as a plug in mouse works). The other kind is the screen variety, which is a lot more like what most of us know as ‘tablets’ nowadays. And you draw directly onto the screen.

(a plug-in vs on screen tablet, both from Wacom)

Now, as for choosing between these, it is honestly a personal choice. But I’d say if you’re just wanting to try digital and you’re on a budget, a plug-in tablet can be really useful since it gets you used to the mechanics of what digital is like, and they are often significantly cheaper than the screen alternatives. I would say that plug-in tablets are a big learning curve, especially if you’re used to doing traditional stuff, but I do know a lot of professional artists who still use this kind of tablet when doing their work, so if it’s something you can get used to I would definitely consider it! Also, they’re often a lot more portable than some screen tablets! The first one I had was a Huion (a model so old that I can’t even find a link to it now lol), and I also know that Wacom are a well known brand that do some decent plug-in tablet. I’d recommend you do your own research on other brands and options, though!

Screen tablets are often a lot more expensive, but if you’re used to traditional art, they are a lot easier to get a handle of! But I know if you already have something like an iPad, or other general use tablets, then they offer apps that you can use to draw on (as well as things like the Apple pen, or other stylus’). The big difference between using these general tablets and ones specifically designed for drawing is pretty much purely a personal choice. I personally prefer the bigger screen of my XP-Pen tablet, along with a special screen protector that removes the shininess of the tablet screen and makes it feel more like ‘paper’ over when I used a general use tablet it draw. But if you already have an iPad, or something similar, then it’s honestly a really great starting point!

I think it’s important for me to mention that you don’t need fancy equipment to be an artist. The incredible Elicia Donze has revealed countless times how she has very basic equipment but still manages to produce the most stunning artworks! All you really need is some kind of drawing apparatus and a lot of patience lol! Getting good at any kind of art takes a lot of time and effort, but I would definitely say it’s worth it when you’re able to look back at your progress!

Part 2 - Software/Drawing Programs

Much like with the hardware discussion, choosing which program to use is entirely down to personal preference. I personally have never really liked Photoshop purely because it’s really complicated, but I know so many artists swear by it.

I think the main aspect to consider when you’re starting out is whether you want to pay for a program. Software like Photoshop, Clip Studio Paint and Procreate are some of the popular ones I hear about a lot of people using, but all require you to purchase or subscribe to them. So if you’re young or on a very tight budget, I’d honestly recommend the free alternative versions of these, such as Krita (Krita is quite a large program, but it has a lot of really awesome features and is very similar to Photoshop!), Gimp (this one is similar to Krita, but has slightly less options, I’d honestly recommend Gimp for anyone who does photo editing though!) or FireAlpaca (this is the one I use, by the way and it’s a pretty simple program, but has a lot of fantastic features and is perfect for how I work!). These don’t have as many features as some of the paid alternatives, but I honestly think all you really need to start digital art is some kind of ‘canvas’ and set of brushes!

Another great free program for beginners I’d recommend is MyPaint, which is great for doodling and just getting used to how digital art feels in comparison to traditional! It also has a bunch of ‘traditional style’ brushes, to make it look like charcoal or watercolour (which I’m sure the paid alternatives have too, but it’s always better when it’s free, I find lol...)

(this is an example of a drawing I did on MyPaint using the ‘charcoal’ effect brush!)

Most of the sites are pretty self explanatory, with sections dedicated to different brushes (I’ll go into the types of brushes later on in this post btw!), adjusting brush size, shape and opacity, a colour wheel, etc. You also have a section dedicated to ‘layers’ (another thing I’ll go into more detail later), and various ‘filters’ and editing options and effects you can add to your work to make it more interesting!

I’d really just recommend playing around with programs until you find your one!

Part 3 - The Pros of Digital Art!

I realise this section should probably earlier in this blog post lol, but I kinda wanted to go into what digital art can achieve in comparison to traditional art, and how beginner artists can utilise this!

I definitely didn’t take advantage of certain aspects of digital art when I first got into it, and they’re things that would have definitely made my life a whole lot easier lol!

Digital art allows you to tweak drawings as you do them. So if you accidentally drew the eye too far to the right, then you can easily move it to the right place. (I usually do this by selecting whichever area is wrong, cutting it out and then pasting it into a new area... And yes, there is probably a better and quick way of doing this but...I haven’t found that way yet lol...). And I honestly think that this has allowed me to look a lot more at a reference image in order to figure out where I’ve gone wrong with a drawing! Whereas with traditional art, I usually spend so long trying to get an eye right, that even if it’s slightly in the wrong place, I don’t want to completely redo that section. Digital allows you to completely rub out sections without leaving indents, which is honestly such a saving grace!

Another pro of digital is the Undo/Ctrl Z function! This means you can easily go back to before you made a major mistake with just a click of Ctrl Z... Though I have to say that this function has honestly ruined traditional art for me... Oh what wouldn’t I give for a real life Ctrl Z... But yeah, this is a great part of digital art and definitely something you will grow to love lol!

Another great thing about digital is that it allows you to flip and turn a canvas as you’re drawing on it. I spent a lot of time trying to turn my tablet around in order to draw certain parts of a piece before I realised you can turn the canvas itself without having to move yourself or your tablet!

Layers are another part of digital that can be super useful, and I have to be honest but I don’t really use them a lot. I know a lot of artists create layers for every section of their artworks (so, one for the linework, one for colouring, a separate one for the background, etc etc...). And there’s something really great about being able to paint without worrying about smudging into a previous section of the painting. This works well for my work since I do a lot of bright backgrounds. I also often create a lot of ‘versions’ of my works, so it’s useful to be able to change the background without affecting the main figure of the piece! (I have to say that I often work in one big layer when I’m doing paintings, just because I like how it feels more like ‘traditional’ art that way, but layers are such a brilliant tool, and definitely something you should play around with!)

The eyedropper tool is another one that is really useful! Although I never colour pick from my reference photos, I know some artists find this useful when they were just starting out (especially if you’re not sure what colour to make shadows or how to mix skin tones, etc etc). The eyedropper basically means you don’t need to mix your colours every time

Part 4 - Just some other things I wish I had known about when I was starting out lol...

This last section is just dedicated to a few things that I would have liked to have known when I was just starting out all those years ago.

First one is fluffy/textured brushes!

I spent most of my art life from 2013 until 2016 using ‘round’ brushes which are notoriously hard to blend with, so I’d recommend either downloading some fluffy/textured brushes (DeviantArt was where I got mine from a few years back, but there are probably other places you can get them for free too!) to your program of choice, since most of the programs I’ve used haven’t had fluffy/textured brushes as pre-set.

I may make another post about how I blend in my artworks if that’s something people would be interested in?

(this is an example of textured brush blending vs round brush blending... I usually opt for round brushes for rougher blending styles and the textured brushes for more smooth and ‘realistic’ blending... for a lot of pieces, though, I use both brushes (the round brushes are good for details!) in the same way that you use different sized brushes for real paintings!)

The next thing I wish I’d discovered earlier is the Brush Stabiliser option. Some programs may do this automatically, but the one I use (FireAlpaca) requires you to manually change the amount of stabilising you have on your brush. This is particularly useful if you want to draw neat lines or straight lines (the stabiliser essentially slows down the ‘ink’ as you’re drawing). I only recently started using the stabiliser, and although I still like having it mostly turned ‘off’ for doing sketchy work, it does make doing line work a lot easier, and also gives pieces a more polished look!

Next advice is to explore all the options you can in whatever program you use!

I feel like with certain programs, you can get overwhelmed by choice and you end up just using a few of the functions. But I’d really recommend just playing around with these programs, trying all the filters and editing options to get used to how the program works. You can often find interesting ways to adjust your artworks this way! In a way I’d recommend this way of working more than finding tutorials made by other people... Unless there’s a specific function you want to learn how to do, just having fun with digital art is a major part of it’s appeal to me!

There are probably a lot of other options I could go into, but this is already over 2000 words long, so I’ll leave it here for now lol! (I may do a part 2 though so... keep a look out for that!)

As always, if you have any questions to things I’ve said here, or are just looking for more advice, don’t hesitate to message me!

And if you like my work on here (art & blog posts) feel free to support me on my Ko-Fi! <3

#art advice #digital art #art advice for beginners #digital art for beginners #artist advice #digital art tips #artists on tumblr #just want to say again that i am not an expert at this at ALL lol #i just want to offer some really basic advice to anyone interested in starting out with digital!

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imorphemi · 2 years ago

Note

Do you have any WIPs you've been wanting to share?

Do I???

(under the cut because i have a feeling this is gonna get image heavy)

This was a practice design sketch for a vampire Pearl request on the daily doodle blog, I was having a hard time finding a way to clearly portray her as a vampire in the context of double life. I was planning to finish this but uh lost motivation :P

The original filename is also ‘i think pearl should slay in a skirt’

this one got pretty far, until i think firealpaca crashed and i forgot about it for a bit. uhhh i should really finish this one im really proud of it so far

I was planning to record this one to turn it into a speedpaint, but i havent found the time yet ;;;; I’m very proud of how the bees look tho. it’s basically just my farmer guy marcus who uh works in my wheat farm with like eight bees he works for me 24/7 and he also has no rights /ref

this one also got pretty far, im surprised by the lack of watchersonas in this fandom lol. The lighter wings are starling wings and the darker ones are crow wings, because i used to watch Philza a lot

This is a sort of concept design sketch for a hermitcraft mother 3 au because i will not let it go XD Pearl is Lucas, Grian is Claus, Gem and Impulse are Kumatora and Duster, Im debating between Tilly and Nugget as Boney. iunno who the other characters would be yet. Honestly hermitcraft doesnt fit a mother 3 au very well because mother 3 is highly centered around family and specifically parental love, which if keeping that in context makes any character in Flint or Hinawa’s place a bit odd. im thinking a lot about it

finally a tiny pearl for you :D

#rambles #ask #:DDD

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boku-no-obsessedwiththisshow · 3 years ago

Text

red on red, nothing on everything - world maps

Hello hello! Welcome to the first reveal of the world of red on red, nothing on everything, my ongoing Kacchako A/B/O fantasy fanfiction. Last chapter, I asked readers if they wanted a map of the world to help visualize things, and one (1) whole person said yes, which was all the excuse I needed to clean up my already half-made maps and post ‘em.

If you’re not reading the fic, none of what’s below will make sense. But if you’re sticking around for shits and giggles anyway, all the better - hope you enjoy! ;)

I conceptualized the world long before I made any drawings, but I have little artistic skill so I wanted a software or online tool that could make really detailed, highly customizable maps. I found and used this really cool fantasy map generator for the base; it’s probably the most complicated, but also the most effective, worldbuilding tool I’ve ever come across; and while it’s not perfect, it has some really powerful functionality especially for the physical characteristics of maps. In addition, for my own clarity I added modifications, including the colouring and political delineations of the different regions, in FireAlpaca on my own by working on top of the baseline from the map generator.

PLEASE CLICK THE PICTURES FOR BETTER QUALITY.

Map #1 - Big Picture, “The Land”

This world of this story does not have a name (at least not yet; I’m not sure it ever will). There are different regions that have been referred to in the story. Clans, essentially noble families, have settled down and split the territories by grouping themselves according to bloodlines. There are multiple clans within a given bloodline region; some are made up of fewer, like Lightning, while others, like Dawn, have numerous clans. The current regions of the world include: Fire, Ice, Wind, Dawn, Stone, Lightning Dust, and Twilight Bloodlines.

Black lines indicate bloodline borders; dark grey lines indicate a current clan border; light grey lines indicate former clan borders (for clans that do not exist at present); finally, red lines indicate the current borders of No Man’s Land, the disputed region in which outlaws and bandits thrive.

No Man’s Land stretches all the way from the north to the south, and forms the border region between the two groupings of allies in this world: Dust, led by King Shigaraki, allied with Lightning, Twilight, and Stone; and Fire, led by Todoroki Clan, (much more loosely) allied with Ice, Wind, and as of the current story moment, potentially Dawn.

The scale in the bottom indicates what two hundred miles is like on the map, but to be quite honest I might have changed this in the meantime and I’m really not sure if it’s accurate anymore.

I’ve been approximating The Land as a whole to be about the same size as the US state of Texas.

Now, zooming in somewhat where the action takes place.

Map #2 - Major Clans

These are all of the clans that have so far been named in the story. From west to east:

Fire - Todoroki Clan; Dawn - Utsushimi, Jirou, Yamada, Uraraka, Yaoyorozu Clans; Lightning - Kaminari, Tesura Clans; Stone - Kirishima, Imasuji Clans; Dust - Shigaraki Clan.

(Not Pictured is Twilight - Chisaki Clan; but it is visible in the first map in dark purple in the south-east, next to its allies in lilac).

Capital letters indicate that that clan is the Master Clan of that particular bloodline. These clans are considered the most powerful and important, and act as leaders (or in worse cases, controllers) for the rest. At the moment, Todoroki Clan is the Master Clan of the Fire Bloodline; Kaminari Clan for Lightning; Imasuji Clan for Stone; and Shigaraki Clan for dust. (Chisaki Clan for Twilight, but it doesn’t fit on this map). Dawn is a splintered region and has no clear Master Clan.

Getting a bit closer, we can also see that No Man’s Land eats much more into the territory of Shigaraki-allied regions than it does into the territory of his enemies. Lightning and Stone in particular have large swathes of disputed territory.

Next, looking at the relief.

Map #3 - Major Locations and Natural Features

Starting with the major locations, we can find the cities/towns that have so far been named in the story.

Starting in the west: Musutafu, the capital and seat of power of Todoroki Clan, the location of Castle Endeavour; Aichi, the largest city in Jirou Clan; Rozaryu, the largest city in Uraraka Clan; Shizuoka, the largest city in Yaoyorozu Clan. The Midoriya home sits on the border between Yaoyorozu and Uraraka Clans, and neither really knows to which the cottage belongs. Esuha is the largest city and capital of Kirishima Clan; Gunga is this for Kaminari Clan. Kamino (now destroyed), the city where the Bakugou Summer Estate was located. Deika, the capital and seat of power of Shigaraki Clan, where King Shigaraki and his Blackwitch reside in their castle.

Datsugoku is the capital of Imasuji Clan. It has been referred to in the story, but has not been named (you get a freebie if you’re reading this). The name is literally just Japanese for Muscular’s second villain name (Jailbreaker); I picked it because the man has no named notable locations associated with him and I got a little desperate. Plus it sounds kind of cool. Pretend it doesn’t mean anything in the context of the story lol.

In addition to these major cities, on the map we can see the shitty town in the south of Dawn where Katsuki and his pack first spy the undercover caravan that they end up ambushing in Chapter 1. It is located in Yamada Clan, and as mentioned in the most recent chapter (7), it is where Hawks intercepted Aizawa as well. We can also see the seedy town in Tesura Clan that was mentioned in Chapter 6; this is where Dabi missed a contract, but ended up having a wonderful evening with a barmaid and bartender who skipped out on their work to get in his pants.

The mountains are also labelled on the map. Yes, all of these names are taken from canon DnD material. They sound cool and that’s all that matters.

The majority of our action so far takes place in the Storm Horns, which curve around in Lightning territory. The three overpasses are also labelled; the eastern and western ones are well-known, while the central is not. In addition to these, several other mountain ranges are mentioned in the most recent chapter. In the far north we have the Spine of the World. Both that range and the Sword Mountains in Stone extend beyond what is visible on the map. The Star Mounts are also present in the mid-eastern region of Dust, and the Greypeaks and Cloud Peaks are in the south, going through Lightning, part of Dust, and Twilight.

Finally, I thought it might be useful to take a look at where the characters have moved thus far.

Map #4 - Major Locations and Character Movement

I’ve split this into different sections, as labelled on the map. It might be a bit hard to see, but click for better quality.

Part 1 (white) - Ochaco travels from Rozaryu to Musutafu for her wedding to Shouto, a trip of just over 200 miles, escorted by Aizawa and a caravan of Todoroki Clan fighters. She passes through Aichi (Jirou Clan) and several other Dawn Clans.

Part 2 (red) - The Todoroki caravan is intercepted around the halfway point with a night ambush by Shigaraki fighters. Ochaco is taken. They swing south and end up in the shitty town in the south of Dawn (Yamada Clan), where katsuki and his pack spot them. This is roughly 130 miles.

Part 3 (red and white) - Katsuki and his pack move ahead on the road, crossing into Lightning Territory (Kaminari Clan) to set up an ambush for the Shigaraki caravan. It’s about 30 miles of travel, which is also traversed shortly after by the Shigaraki caravan itself. The ambush goes well, they take the caravan, and move.

Part 4 (white) - Katsuki and the pack discover Ochaco in the caravan. They decide to move up the mountains for added safety, stopping halfway up the Storm Horns. This is roughly another 30 miles, part of which is mountainous ascent. They interrogate Ochaco, and at that point Imasuji Gouto and his warriors attack.

Part 5 (dashed red) - After surviving the attack and spending some time separated on the mountainside, Katsuki and Ochaco meet and agree to travel together to follow the pack. Katsuki proposes they take the central overpass, move very quickly and cut the pack off on the road they will take back to Datsugoku (labeled as Planned Ambush). This would be approximately 60 miles.

Part 6 (dashed cyan) - The path Katsuki deduces Imasuji will take. Imasuji will double back, take the eastern overpass, and head straight north to Datsugoku, allowing Katsuki and Ochaco to ambush them on the way if all goes according to plan.

Of course, all does not go according to plan.

And that’s it! I had a lot of fun worldbuilding for this story, almost as much as doing the actual writing, and I’m glad I got to share even a part of it with you guys. My ask box is always open to answer any questions about it!

And of course (ha!), you can find red on red, nothing on everything right here on AO3.

If you’ve made it this far, thanks for reading! :)

#my writing #nothing on everything tag #kacchako #kacchako a/b/o #kacchako fanfiction #bnha fanfiction #bnha

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oversimplify-it · 4 years ago

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Story Process Tag by @herpixels

I was tagged by @dynastiasimss - Thank you so much for tagging me!! 😊💖💗 This will most definitely get a bit wordy because I’m terrible at explaining things concisely! 😂 Also, I’ll mostly be talking about my process for 2.B.A Grandmaster but I’ll touch on my process for Erin in San Myshuno too!

I’m also going to get tags out of the way up here so that no one has to scroll all the way through this ... absolute novel that is under the cut LMAO so I tag: @cyansimblr @x-simss @matchacake and any other simblrs who wanna do this!! and feel free to skip if you want!

1. Your writing process My writing process is very, very chaotic, and changes with the wind... Erin in San Myshuno doesn’t really have a process, I just play the game and then put in some dialogue based on the events. None of it is guided by my hand at all though! 2.B.A Grandmaster on the other hand is written in part based on what happens in game and in part by my own creative vision. Most of the time, I let stuff happen, and then fill in the blanks in between events. I go in game, play Sims as I normally would (skill build, take care of needs, go out to venues, etc.) and then watch what weird and interesting things happen. For example, Augusta’s meeting with Xavier in the beginning was completely the game’s doing! He was the only one to show up for the Welcome Wagon event, so I rolled with that. Scenes like Kaitlin’s meeting with Maverick and those sort of things are planned by me, as they’re necessary to create a more full narrative! It’s like collaborative storytelling, but my “partner” is a game that is weird and random and crazy. 😂 After stuff happens in game and I get screenshots, I then actually write for it. I chose to write novel style for the series because - as some of my long-term followers may remember - I had another story that was just screenshots with dialogue on them? And it was very hard, LOL, it didn’t suit my workflow very well and I ended up dropping it after a month or so. I wanted 2.B.A Grandmaster to be something I could post consistently, and so I opted for a style that I was more familiar and experienced with!

2. Scene building For the most part, I just work with what sims gives me, but as I mentioned above, some scenes I actually go to the trouble of setting up. For those, I still use the sims animations mostly (I’ve used poses about 3 times in 2.B.A Grandmaster so far) but I do usher my sims around the "set” as I see fit. I build a lot of my own lots and locations for 2.B.A GM because I tend to get a vision in my mind of what I want and refuse to settle for less. 😂 One such case is the scene where Maverick meets up with Octavia--

I made the alleyway we see here - it’s two entirely empty buildings sandwiched side by side on an otherwise empty lot in Oasis Springs. The only part I bothered to decorate was the alley itself because I knew I wasn’t going to use the rest of the area, but maybe we’ll revisit it sometime and I’ll finish the two buildings! I actually loved making this set and like how it turned out, LOL~

Then I just have whatever sims are involved in a scene interact with each other for ages until I feel like I have enough screenshots to make a scene. I usually have a vague idea of what’s going to be said in any given scene - especially the ones I actually planned out beforehand - but I get some excess screenshots to be safe. I try lots of different interactions and pause like every few frames to get interesting expressions and stuff, LOL. Lots of “Complain about Cold Weather” and “Give fake bad news” ...

3. CC/Pose making I don’t actually make my own CC for 2.B.A GM specifically (I’ve made a couple eyeshadows but I don’t use them super frequently) but there is a scene coming up in the future that I plan to make poses for. I have a very clear image in my mind that includes a lot of subtle expressions and very specific things that I doubt I could find poses for, so I’m gonna have to brave the terrifying landscape of blender in order to make it a reality. 😧

4. Getting in the zone I don’t have any sort of “ok, show time” ritual like some people do but I wish I did, because my motivation waxes and wanes so unpredictably. Some days I just don’t feel like doing anything, and other days I edit and write for 5 posts in a row! I am always listening to something though, usually music, every once in a blue moon a video with lots of talking. 5. Screenshot folder

UGH...

6. Captions I don’t do captions on 2.B.A GM posts, but for my city living gameplay I do! I keep them simple, because I don’t want to make it too much work for myself. Erin in San Myshuno’s style of editing is 100% based around ease, because I wanted something to post often that didn’t put too much of a strain on me. Verdana in white, typically 35-40 px, with a gradient border. Each sim we encounter has a different gradient color, usually based on their outfit or just the ~vibe~ I get from them. Erin’s gradient is Hot pink to ... gee, what would you call it. Sonic the Hedgehog Blue LMAO-- I chose that gradient because that’s the color of the overlay, which I’ll talk more about in the next section!

7. Editing My two ‘series’ - and I use that term loosely LMAO - have different editing processes, so I’ll try to summarize them both. Basically, for 2.B.A Grandmaster, I touch up the saturation and brightness depending on the scene. If it’s evening in the shots, I usually won’t touch brightness, and if it’s night, I might even lower it a bit for more accurate lighting! Once that’s done, I blur everything but relevant elements of a scene, usually the character we’re following or who is speaking. I have to select the character from the background manually which takes a bit, but other than that it’s very minimal.

My shots aren’t super glamorous, but I prefer simple screenshots and actually being able to keep up with a story schedule as opposed to what happened with my last story. 😬 As for Erin in San Myshuno, barring captions which I only do when I feel it’s necessary, it’s literally just an overlay on otherwise untouched screenshots. 😭 I would do more, but again, it’s supposed to be an easy downtime sort of series for me so~

This goes over top all screenshots on the “Add” setting at 20% opacity. It brightens things up and softens them, as well as making the colors slightly more harmonious! If anyone wants me to go more in depth on editing, or maybe captions, please let me know! I’m happy to talk about it if it’ll help anyone, and I know that a lot of tutorials cover how to do stuff in Photoshop, whereas I use FireAlpaca (which is 100% free btw! It’s more of an art program, but not bad for editing) 8. Throwback!

Oh boy, so this is one of my first posts on simblr. For starters, I didn’t know about camera mode at the time, so that’s the first thing I would change obviously LOL. 😬 The framing I did at the time was ... cute, but it makes the pictures feel kind of cramped and small in my opinion, so I did away with that for all of my later stories. Also, Amy and Gemma aren’t very well centered in this picture! Other than that, this isn’t actually terrible I don’t think, so aside from maybe blurring the background as I do on 2.B.A GM now, I wouldn’t change too much! Thankfully, I had observed other people’s stories before making my own on here for a little bit, so I wasn’t starting with absolutely no idea what to do, but I still think I’ve improved since I made these. 😊

This was a ton of fun!! If anyone has questions or wants more info on anything I covered in here, absolutely feel free to ask, and thank you so much if you actually read through all of this - I know I rambled for quite a while!! 🙏

#tag #extras: 2.B.A Grandmaster

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collisiondiscourse · 4 years ago

Note

YOUR NEW ART PIECE IS MWAH. CHEFS KISS

Also for the question: do you have a specific method for choosing your colors?? I’m rlly bad at picking colors that work well with one another 😔

!!! HI AUSSIE MWAH I LOVE U N KISSA U ON THE CHEEK

i dont really have a specific method per se on choosing my colors? except i tend to stay on the warmer parts of the color spectrum!! i use a LOT of subtle gradients and overlay layers on all of my art, and i tend to stick to complementary colors for lighting!! (specifically yellow and purple)

now, just a reminder that i am FULLY self-taught with the exception of some online tutorial videos, so take my words with a grain of salt since im not a professional :D coloring guide under the cut !

the thing with coloring things digitally is that you rarely ever actually stick with the colors you first put down! its important to keep note that the best thing about digital coloring is that nothing is ever uneditable and you can always adjust the hue, saturation, and brightness of any layer. (for reference, i use FireAlpaca to do art :3 )

now, if youre familiar with my art, my drawings tend to be on the more vibrant colored side! i like colorful and light looking drawings for the most part and all my lighting/shading tends to be either very soft or colored.

one thing i almost NEVER do is shade with direct black.

Now, why is this so? Black is the color of shadows in real life anyway, and its much easier to just shade everything with black and fiddle with the opacity! by all means, black as shading makes the most logical sense.

But the reason i don’t shade things in black or even just move the color of the flat towards the darker end of the spectrum is because the tendency of the shading is that it ends up looking very... dirty. and grimy. and i dont really like that/have the ability to pull it off. so what i do is i use color theory (or, well, a butchered version of it.)

now, before we get into that--on the point of black shading looking grimy & dirty, im certain that there are some styles that can pull it off (like julia lepetit, a drawfee host and a content creator i absolutely adore!). but it really all depends on what kind of mood you want your drawing to evoke. If youre like me and use coloring to express the emotions of a piece and like very eye catching coloring methods, then its important to know that RGB SUCKS.

(For me at least.)

using rgb as your coloring reference tends to create a lot darker or muddier pieces which can be nice depending on your target/intention, but for the most part is terribly annoying. The solution to this (again, which works for me but not everyone) is that i choose to color with CMYK aka Cyan, Magenta, Yellow, Black. THIS is the color model i work with when coloring my flats.

Now theres a whole explanation for why CMYK and RGB are different and why CMYK appears better digitally and for printing things, but im a stem student and im tired as hell of hearing about waves and optics so yall can google that if youd like.

But basically! Yes. I use CMYK in most circumstances to make sense of coloring. Going further from there however, the way i choose what colors to shade/highlight with has everything to do with contrast and color theory. The common understanding i have is that yellow tends to be more adjacent to light while purple is closer to shadows.

NOW.

the basic system i have for coloring goes like this:

if the flats are warm, the shading and the highlighting is cooler. if the flats are cool, the shading and the highlighting is warmer.

for example: (flat color - shading - highlighting)

orange/skin tone - purple - yellow

green - blue - pink

yellow - orange - light blue

THEN i go a little more complex with midtones and what not in order to blend colors!! like with skin for example, i shade it with purple and ease the transition with red midtones. sometimes for fun i add some (subtle) cooler shades for a more painter-like effect.

Colors tend to reflect off of one another too, so i add soft gradients and airbrush very subtle colors unto different components. When im drawing a person for example, i airbrush some of the skintone very lightly unto the hair that frames the face to bring the piece together a little bit more!!

for final touches, i add things like yellow to purple gradients, the side of the light source being where the yellow begins. I also love fiddling with layer settings and setting things to overlay etc. because it unites all the colors a little bit more. I try to also adjust the colored layers to have less contrast between them so that its less of a rainbow eyesore lol

hope this answers a lot of questions!! if anyone wants a more detailed explanation ig, you can always hit up my kofi ;)

#codi gives advice #codi.txt #asks #isaustraliaathing #collisioncomrades

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icewindandboringhorror · 5 years ago

Photo

Another set of responding to asks lol.. As usual I have them numbered and will also write out the ask in the text, especially since the screencaps are all blurry and taken at various times/compiled together badly and probably hard to read ghghhggh..... answers under the read more ~

-------------------------

1. "Hi I don't mean to bother you at all, but I was wondering where you get your rocking horse shoes? (I think thats what they're called) I've been looking everywhere and I can't seem to find any :(( "

I don’t entirely remember, since I got them like 6 or 7 years ago.. I think maybe at some point that place ‘bodyline’ or something had some cheap ones? But I don’t see them on the site anymore, they were like $50 or $60. Now when I google it I can only find these insane like $600 ones from vivian westwood or whoever, or ones that are platform shoes but not necessarily the same type. Maybe you could find some on aliexpress or ebay or something? Usually you have to use weirdly specific search terms and look for a while, but you can often find stuff like that on those sites. Sorry I couldn’t be of more help!!!

2. "I've been sick for over a month and my doctor tested me - everything came back fine. After some discussion it appears that my ptsd symptoms came back and the stress on my body is making me fatigued, sick and dizzy. I don't want to say that this could be similar to you situation, but if you have a therapist or someone to talk to about any stresses/your sickness, it might help relieve the pressure a bit. Good luck, I'm so sorry you feel so unwell"

Thank you for sharing! Yeah, I think stress definitely plays a part in why I feel sick so often. Currently I’m not still having the same problem I was having a few months ago when you sent this, so that’s good at least!!

3. “Hi! Do you plan to ever have more sculptures for sale? Or would you do commissions? I haven't seen any in a while but wanted to buy one! :-O”

I have plenty that I want to sell, I guess it’s just hard for me to get set up. Since so much of the reason I procrastinate selling stuff is because I hate the stress of deciding on a price, I’ve thought for a while now that maybe I can just auction them (so I just set a base price, but people bid whatever they feel is fair and I don’t have to decide myself). But I’m just not sure of a good way to do that.. Ebay has auctions, but I don’t want random strangers buying them, I’d rather stick to just the pool of people who follow my art blog and are already familiar with my sculptures or etc. I could do them on here ?? (like, ‘reply to this post to bid, bids close 8am EST, whoever said the highest number sends the money through paypal and then I send the sculpture’ sort of thing???) But I’m not sure if it’s legal to sell stuff through tumblr, or if there could be any other problems with doing it so ‘unofficially’ like that.. I don’t know, I have a vague idea, I’m just having trouble deciding the best way to set up something! I do want to sell some soon though, if I live through the pandemic and anything ever goes back to normal, of course (I wouldn’t want to be having to leave the house to ship stuff in the mail right now).

As for commissions, I have actually done sculpture commissions for friends a few times, so I feel confident-ish that I’d be able to do something like that, but I also wouldn’t want to get overwhelmed since it takes a lot of work. Custom sculptures may also be more expensive, and again.. I always feel guilty and strange about pricing. I’ve thought about doing very limited sculpture commissions though (like, maybe just one at a time, first come first serve or something..?). If it seems like there’s actual interest in that sort of thing, I could definitely consider doing it in the future!

4. " *picks up that smol blue kid and throws them across the room* "

ghgh .. the smallness is an advantage... they could just skitter back down your arm like a tiny squirrel the second you tried to pick them up.. Ythrili survival strategy is to be too small to catch in the first place

(also forgive every sketch in this post, my screen that you can draw on broke, so I’m either drawing stuff in ms paint with a mouse, or drawing stuff on paper and coloring it in firealpaca also with a mouse ghghh.. not going to look Good)

5. "it sounds like you feel pressure to only post good content on the internet, and so you end up psyching yourself out of posting at all. Am I on the right track? "

Not necessarily, like I mentioned in the tags I think it’s more just that everything is complicated by my brain. I can’t just do something effortlessly. Whether it’s for an audience or not, I get caught up on every little detail and adding so much complexity to everything that all tasks take me longer than they take other people lol. I think I just tend to take everything very seriously??

Like for example, I’m often accused of ‘turning things into a discussion’ when someone was just intending to make an off-handed remark, because if someone is bringing up a topic to discuss, I end up engaging with it 100% and putting full effort into it, and it’s hard for me to be ‘’casual’’ about pretty much anything (so if someone was like ‘My day yesterday was a bit weird’ I wouldn’t be able to just respond ‘aw man, that sucks’, I would just be like ‘Weird how? what happened? what made it weird? Are you okay now? Are things still weird? Have you found a solution?’ etc. etc.). I was also bad at essays/open answer questions in school (despite usually being great at the class otherwise), because no matter how hard I tried to filter my speech and cut things out, I was always far too long-winded and would get almost too engaged with the topic and lose the clear cut thought organization and focus that you’re supposed to have I guess. Even like, playing video games or something that’s supposed to be relaxing, I can’t just ‘jump into them’ and do whatever, usually any game I play (large ones at least, small 25 minute point and click adventure games don’t count of course), I have 7 - 10 pages of notes, do hours of research, look up most of the main spoilers, plan out and organize exactly how I’m going to play it and this and that, etc. lol...

So, that personality trait carries over into posting things online as well, I can’t just type something out quickly and hit ‘post’ without a second thought. Social media is hard for me because you’re supposed to use it casually, but I spend a long time re-reading drafted posts, thinking about them, etc. etc., and end up never actually getting around to posting anything. It’s not that I’m perfectionist about it and want it to be ‘good’ or appear a certain way, it’s just that my mind becomes preoccupied with things I guess. I’m a natural information gatherer, part of my natural way of processing things is to learn everything possible before acting, and I want to make sure I’ve fully thought about everything always, and know as much as I can (so I wouldn’t want to publicly say something without giving it a lot of consideration first, or post a picture without really thinking about if I want to post it, what my reasons behind posting it are (like if I’m posting something just for a validation of a certain aspect of myself VS. genuinely because I like it, etc.), if a few months from now I’ll still like that I posted it, etc. lol.. even with like silly cat photos or something, I have to analyze it and be like ‘hmm.. will I still stand by this picture in 4 months? why am I posting it publicly vs, just keeping it privately to myself on my computer? what’s important about it?’ etc. etc. ghgjhgjh.. like.. shut up lol.)

ANYWAY, yeah, I don’t know if it’s about wanting online content to be “good”, as much as it’s just like... I take everything way too seriously and am detail-oriented, contemplative, and analytical to a fault, which means it just takes me 10x longer to do basic ‘’simple’’ things that it would for other people. Though I can still be quite quick-thinking and decisive (I don’t often waver back and forth between things too long), it’s usually because I have years of thinking about the same exact things behind me, so I already am very clear on my opinions on stuff, to a point. But when it’s new things I’m less familiar with (like playing a new game, or posting regularly online), I’m still in a phase where I guess I have to give it a lot of thought. I just process things in a different way than other people I guess? Or have some inherent inability to be brief/concise/careless? If you’ve ever read any of my worldbuilding posts (where I usually start off wanting to explain one thing but then have to derail into 400 other misc. details and explanations and it ends up being a novel), then maybe it’s more evident what I mean, where it’s just like... my natural manner of speaking is Too Much.. I guess? Even this answer is winding and rambly, and I feel like other people could have answered this ask in only a few sentences lol..

If any of that makes sense? I don’t know how to describe how I am lol.. I just know it's hard to me to use social media in this ~~casual effortless~~ way most people seem to, since my brain is just inherently incapable of anything ‘’casual’’ or ‘’effortless’’ lol.. T u T ;;

6. " Hi! I hope this isn't weird to say, I'm designing a race for my DND campaign and some of the aesthetics are a little bit inspired by some of your costumes and makeup designs. You're awesome and your art is awesome so thanks : ) "

Thanks so much, I appreciate it! It’s always cool to hear I can inspire people~

(I usually don’t include many compliments in these ask compilation posts, but I always try to include a few, just to let people know that even if I don’t respond to all of them I do see them, and appreciate it!)

7. ???

I ended up cropping out this ask and not answering because some of the content was questionable (the reason WHY/how they wanted to make the character) in a way that I didn’t feel like getting into a long thing about, but part of it was relevant to making OCs in my world, so I will just make a quick comment:

I do state that this is a closed world, so I don’t want anyone making OCs of my species or etc. at least not at this point. Once my game is finished (if ever lol), or I write a few books or something, then I feel it would be understandable if people like, made up a background story for their player character and thus maybe could have some form of OC in my world and etc.. So I may be more relaxed on this in the future as I create content that people naturally would want to engage with , but for now, I’m still a very tiny creator with a closed world and it just doesn’t feel the same as like.. making an oc based on some thing in a big TV series or something. My worldbuliding and etc. is still very personal to me. Unless we’re directly collaborating on things (like mentioned here (link) a bit), or you’re a personal friend of mine who’s gotten involved in the world with my own guidance (meaning I could tell you lore things you’d need to know to make it accurate, etc.), then I don’t feel it’s appropriate for strangers to do at this point.

Especially since I don’t even have enough world info out for people to be able to reference (most species have half-complete guides, I’ve only ever talked about like, one continent, etc.). There are so many necessary details which I have only in my head and have never typed out, so again, idk, it’d just be weird. I’m not okay with it until I have a lot more lore published, and maybe a few actual works out there that people can reference/stories/games/basis for OCs to exist in the first place. If that makes sense?

8. "Hey, is it ok to use your outfit posts as inspiration for a dnd character? I love them so much, you have such a unique way of combining crazy patterns and fabrics into something that gives off a good vibe”

Yes, that would be fine! Thank you for asking, and I appreciate the compliments~ Hopefully I can get back to posting that sort of thing more often lol.. I’ve gotten WAY off my routine and haven’t done many outfits lately.. aaa

9. "hi Luca! i just wanted to say i really love all of your costumes and fashions and dress ups, its all so cool and pretty and interesting. i actually wanna dress up for fun for myself, and now that i know about the bins i think i'll try to convince my mom to take me to similar places for cheap clothing pieces, since my mom is worried about how much all this costume stuff costs. anyway, please keep posting your cool and beautiful stuff! "

Thank you so much! I wish you luck with your costumes! Yeah, I think there’s a common idea in a lot of fashion communities (like with makeup, costumes, etc.) that you have to always have high quality things to look nice, and even if sometimes you can do more with a little extra money, really you can make anything look good with what you have if you just combine it right. As I’ve always been quite low income, being into fashion and stuff has be discouraging at times, that I couldn’t afford certain materials or items, but you just have to find a niche where what you’re able to do works. For example, a lot of even ‘cheap’ lolita style clothings are too expensive for me (like $30 - $50 for a dress??? then the more pricey ones can be over $100???) lol.. BUT, then stuff like mori kei, cult party kei, fantasy costumes, etc. you can do with nearly any fabric you can find, and it’s still just as fun and creative. Most of the outfits I take pictures of probably cost me no more than $1 - $10 for every single item combined. Obviously it depends on location - I have better access now that I live near a place like the bins, which I understand there may not be similar resources in small towns or etc. But even with generic thrift stores (which may not be as cheap as the bins), you can still find pretty good alternatives to all the money it costs to buy things brand new. There’s still some stuff I legit just can’t do because I don’t have access to the materials, but for the most part I can manage everything I’d like with $3 eye-shadows and 15 cent tattered curtain fabrics lol. You can still do really cool stuff on a pretty nonexistent budget!

10. “do you have any tips on growing your hair long? is it expensive to up keep? i wanna grow mine out but it grows so slow!”

Well, I know nothing about hair and am not a hair stylist or etc. so I really don’t have any tips lol?? And I think hair maintenance depends a lot on the type of hair you have, not everyone’s is the same. I assume we must have similar hair (my natural hair is thick kind of coarse very dark brown/black hair, which is a bit wavy in some parts but mostly straight, but most of my hair currently (aside from the overgrown roots at the top) is altered because of damage from bleaching and etc., it’s more brittle. so that’s what I’ll be referencing) if you’re asking me this instead of someone else, but just know that whatever I say may not apply to you.

Anyway, I really don’t do anything to my hair to make it grow or etc., it’s just that I’ve gone a long time without cutting it lol. I used to cut it all the time or change styles, and now I’ve kind of just left it for 5 or 6 years or so. Because of my mental illness I have trouble maintaining personal care and etc., so I do sometimes go a week or more without washing it, even though I’m trying to work that into my schedule more (luckily I don’t have stinky head, I’ve heard some people’s scalp oils and stuff can smell weird if left for too long, I have the privilege of being able to like.. skip on hygiene a lot without it severely impacting my ability to do things or etc. since it’s usually not obvious if I haven’t bathed in a week or two).

My cat also EATS HUMAN HAIR for some reason, so I have to keep it up all the time, so that when I shed it doesn’t actually just fall loose onto the ground lol. Literally all I do to my hair is just keep it in two braids at all times and wash it with normal shampoo and conditioner occasionally, when I can. I really only think it’s gotten long because I’ve been leaving it alone and not messing with it, not really because of anything I’ve done (like I don’t use fancy products on it or etc.) And because of that, no, it’s not really expensive! It absolutely WOULD be if I were like..a normal functioning person and I regularly bleached it and dyed it and put products on it and styled it and used shampoo and conditioner every 1-3 days on it and etc. lol.. But I guess because I don’t do anything to it to maintain it, I’m not spending money on hairspray or dye or shampoo or etc. I used to bleach it a lot and straighten it and use hairspray and stuff on it, and it seems healthier (at least on the new top parts) now that I’m just ... ignoring it basically lol. But I don’t really know what to do to make it grow faster! I’m bad at self-care, and even if I do costumes and stuff, I really am not into beauty and hair and nails and makeup and stuff, so I’m probably the wrong person to ask hghjhb.. My upkeep routine is just... eat and sleep. wash face with water daily.. do extra stuff if you can manage to despite your functioning issues, etc. I’m definitely not a Beauty Advice person, I barely brush my hair even once a week lol

11. "Maybe you should reduce the number of races if it's too overwhelming? A world can still be immersive with only a few races in it."

(sidenote - Not to be nitpicky, but I make a specific point that the groups of fantasy creatures I create are species, not ‘’races’’, even though it is a commonly used term in fantasy worldbuilding, I think it’s inaccurate/weird )

I know I don’t have to make so many different groups, but, I guess I just really want it to be a broad setting. Part of the point in creating Nanyevimi (aside from worldbuilding just being extremely fun and a hobby greatly suited to someone with my personality traits lol) is to have an established world that I can do anything within, a framework already built where it'd be super easy to just drop a character anywhere on the map and already have an idea of what their culture, background, experiences, etc. would be based on pre-existing details about that portion of the world, etc. But I also want it to be broad, and varied, where every area kind of has it’s own dynamics going on there, so if you’re in a different place, you get a different kind of story. (like in an elven alliance city, you’d be better suited to tell an adventure story centering around complicated local politics, or city life, or etc.. whereas out in some isolated mountains in the south, it’d be more suited for a mystery story about stumbling across ancient ruins, or running into a mysterious traveler, etc.)

Which I guess doesn’t matter much, since I'm better at setting, world design, character design, planning, and details than I am at plot, so I probably won’t actually ever do anything with it (god forbid I tried to write a book or something with my utter inability to be concise/brief in any imaginable way). I can craft settings/characters/history/world-details all day endlessly, never losing inspiration or etc, but my weak point is actually telling stories within those settings and formulating a solid plan, organizing plot structures long term and etc.. Setting up everything for something to happen/creating a place where many interesting premises could occur is fine, but then actually thinking of how those things should OCCUR, or how the set up should play out, is where I get kind of lost. I guess the ideal at some point would be to have people working with me, helping when writing stories in my world/outlining games/etc, to add more cohesion/structure and reign in the unfocused stream of ideas, but that’s very unlikely since I don’t have any close friends that are good at organizing or plotting either, etc. BUT anyway, even if I can’t ever manage to do anything with it, the whole “having a setting I can use for anything I want if anything ever comes up, which is already established and thus makes it much easier to formulate ideas because all the background work is already done for myself” thing is at least a nice goal.. in concept...theoretically lol..

And, it’s not really too overwhelming, I think the overwhelming part is actually just formatting and producing those ideas in a consumable form. It’s not hard for me to keep track of 20 different groups and make backgrounds and every imaginable detail for them, but it IS hard to actually take all that information that exists in my head, type it out as a worldbuilding post, format and organize it, draw pictures to go with it, etc. If I could just post long stream of consciousness style 300,000 word long posts with no paragraph breaks, 4000 typos, barely any punctuation, etc., then I’d have A LOT more world-building info publicly available (since that’s what all the initial documents on my computer look like lol), but that’s just so inaccessible it’d be pointless to have public in the first place. The hard part isn’t really coming up with or managing the information, it’s just... organizing it all, and finding a way to share it.

12. "oh PLEASE tell me what boing peach beverage the elf looks like"

a quick sketch of them.. mysterious peach (and other produce) salesman

13. "fun question: what are ur fashion pet-peeves?"

Well, basically none because I hate when people are rigid over Fashion Rules or etc. Like, people who take pictures of others in public because they “look weird” , or who constantly trash on what people are allowed to wear, what patterns can be mixed with others, etc. etc. I get that some stuff can look kind of bad sometimes, and it’s not that I think nobody is allowed to criticize fashion trends or etc. (especially if they’re legitimately problematic, like of course someone wearing a homophobic t-shirt or doing blackface should be criticized), but I mean just like... that sort of trivial bitter criticism that doesn’t do anything but make people feel bad about the way they look or make them afraid to dress in ways they feel comfortable. Like taking a picture of someone and posting it online to make fun of them because they wore socks with sandals, or bullying 14 year olds who just started doing makeup and haven’t totally gotten their look sorted out yet, etc. etc. (ESPECIALLY since this can often intersect with classism, racism, etc. if you really examine what people mock as 'ugly' or 'unacceptable' styles, it's often stuff like men wearing dresses/makeup, women not shaving, clothing associated with poverty (like wearing “”cheap”” clothes), physical traits commonly associated with poc, making fun of people who look a certain way likely due to mental illness (like fidgeting, dirty mismatched clothing, carrying stuffed animals or comfort items in public etc.), etc. etc.

I find costumes and makeup and outfits to be a very cool and fun way to express myself. So when people are complete freaks about it and set out to just relentlessly make others feel bad for no good reason, it’s like... obnoxious... How can you take something with so much potential and limit it and close others off and turn it into this rigid hateful thing, when it should be something that everyone is able to be passionate about and appreciate?? Outside appearance isn't everything, but it's a tool of expression for so many people and can relate to who they are as a person, people should never feel uncomfortable to be who they are or look how they look just because some dumbass rich person writing for a style magazine has the gall to declare some random thing to be 'Unfashionable' despite not having a genuinely creative bone in their body, or some bigot thinks that certain things are ‘ugly’ or ‘unprofessional’ due to their own mental associations, etc.

But anyway, I guess if I had to choose a few things that I just think look kind of odd to me personally/are generally off-putting...

--- the overdrawing lips thing when you can see the persons actual lip-line and it almost looks like they have two mouths or something? (if not done intentionally for costume makeup). It can look a little strange to me sometimes, like an optical illusion where you see multiple mouth lines at once?? idk like this?

--- freckles that are just round circles and really heavy and don’t look realistic (though again, I also realize this could just be the person’s first time drawing them on or something and I’m not mocking for lack of skill, etc. I just mean that it’s a little strange to look at, not actually BAD though) (and it can also be intentional, like for a cartoony costume look) ---- People adopting cutesy/childlike fashion and clothing and sexualizing it or using it as part of their sex/kink stuff.. I just feel like anything associated with children should not be sexualized..? If the first thing someone thinks when seeing children's school uniforms or frilly little girl’s doll dresses or whatever is that it could be a Hot Thing then hhh... like why is your brain making those connections lol.. People can dress how they want for whatever reasons they want, but that’s always personally creeped me out a little. Similar to our culture’s obsession with looking young being ‘hot’ (like a grown man wanting someone who’s a legal adult but still “looks 16″ or etc.), where it’s like.. okay, I guess yeah outwardly you can make that choice, and maybe aren’t directly causing harm, but.. the underlying tones of it and etc. still make it very unsettling to witness lol... ---- anything appropriated obviously, as well as fetishization or bastardization of cultures, like t-shirts with Japanese writing on them Just For Aesthetic, or taking certain culturally or religiously significant symbols or etc. and adopting them as ‘just a silly fashion’ thing when you’re actually being disrespectful, etc. ---- those shorts or whatever that go up extremely high on the hipbones always look a little weird to me lol, like they give a person funny proportions,

(you may have to right click open image in new window and zoom to see the text, but it’s like.. the blank space makes it look kind of weird to me? Like there’s too much where there’s just nothing going on? idk. That’s just my personal preference though, obviously I tend to lean towards busy designs lol)

That’s all I can think of though, like I said, I’m really not picky or judgy about fashion since I think people should be able to do whatever they want for the most part. I’m not like a “omg stripes should NEVER be worn with plaid!!” type person or something lol.

14. "Hey Luca! I love when you post about your world. Do you have a favorite species you've made up so far? Also, I hope you're holding up well during the crisis!"

AAaa thanks! I’m okay mostly. It’s distressing since because of my particular mental illness I already have constant paranoia and obsessions about health, so of course hearing about so much illness can be really triggering constantly and I’m preoccupied in never-ending anxiety spirals about mortality and etc. etc. etc. , but situationally, I’m just very thankful that nobody in my household has gotten sick yet and I desperately wish that will continue to be the case. *** *** ***

(ignore the *** *** *** , this is a text version of a physical compulsion (a hand movement) that I have to do when I mention certain topics lol.. the little man in my brain that controls my obsessive compulsive disorder says I must do certain things after saying or thinking certain things,, You Know How It Is )

And I really love worldbuilding questions, so thank you so much!!!!! Hghgh maybe it seems weird to favor any over the others, but of course I really like the Avirre'thel. Conceptually, I think their origin story and connection to ancient elves and their abilities and etc. put them in a really unique position in the broader world (some of the only truly immortal people to exist, the only people who can still decipher ancient elven texts in a way that makes sense, etc. etc.). Since Nanyevimi (my world) is really just a setting being built so that in the future I can set things within it (games, short stories, etc.), I think I'm drawn to the aspects of it that have the most potential to make interesting characters, and there are definitely a lot of pre-established dynamics with the Avirre'thel/in Navyete (their home country) as a whole that would make it an good place to set certain things, or a good group for a main character to be from, etc.

I do really like the Jhevona as a species overall too, even if I haven't developed them as much, they also kind of stand out as having some fairly unique features that put them in an interesting position in the world (being one of the most magically capable groups that exists but that also having downsides (health issues and infertility from magic exposure, etc.), how the necessity to keep control over their magic influences their culture, being some of the only natural shape-shifters, etc.). Within that, I REALLY love the Thastanri (a subspecies of Jhevona), like their connection to dreams, the Imkasyn, being one of the last few peoples in contact with real dragons, etc. etc. There are a lot of complex things going on in their area, so there’d be a lot of potential to tell a variety of stories or have interesting characters from that group.

AND, though it's supposed to be Unknown in the world so I won't talk about it just in case I ever write a book one day or something and need to preserve at least a FEW mysteries that I don't just outright explain in worldbuilding posts, Jhevona do have the most interesting origins of any species in my opinion. There are some things from before the timeline break sort of thing (where all recorded history was seemingly wiped and everyone had a big memory loss about 50,000 yrs ago) that people aren't aware of anymore... but Jhevona used to have a cool backstory and quite interesting function in society prior to that. There are some remnants in the genetics of the species and how their magic works (at least for certain groups) that kind of hint at how ancient Jhevona used to look and what they used to do, even though in the modern day things are very different.

15. "Top 10 songs you've been listening to lately?"

I don’t have a top 10 since I listen to everything for different reasons, and don’t have as deep a relationship with music the way some people do (like I don’t really have a favorite band or group I have a connection with that’s “gotten me through hard times”, or music I cry to/any songs that are specifically personally emotionally meaningful to me, etc., etc.), but here’s a quick playlist of a few favorite-ish things I’ve had in my head a lot recently -

https://www.youtube.com/playlist?list=PLPmQ4SZdFFHNkgKo7nAiEMgVvLcycX5Qc

the last song on the list specifically I’ve been replaying a lot for some reason, I guess since it’s good background music as there’s no words. Particularly the part that starts around like 38 seconds in, something about that melody reminds me of something distant, in a dreamlike way. The past few days I mostly alternate between that song, Outstanding, and And The Beat Goes On lol

16. " Do you ever sell sculptures? I really like that little fawn!"

Yeah, I hope to eventually! Like I mentioned in question number three, if I can set up some sort of way to do auctions or etc, then maybe I can sell that one!

17 & 18 : '"aaa yay!! i missed your outfits!!!" / "can I just say love ur outfits! They're so cool and inspire me to draw my ocs with new outfits > o < and I love your cat too, please give him a big ol pat!"

Thank you!!!! more compliments posted just to show I appreciate them lol, even if I don’t publicly respond to every one~ And, the Boyes appreciate the pats.. here is them.. big babbeys...

#it bothers me still that I didn't take all the screenshots the same way and there's different colors of nu #mbers and etc. lol.... but some of those are from 4 months ago or more and I had already deleted the original ask #from my inbox so I can't go rescreencap it to match the others..#this is the issue inherent in taking so long to answer things that I just respond in large batches lol #replies #okay also I know it's been months but... one of you has to like this post or at least show you read/interacted with my #response somehow because I cannot spend like 4-5 hours typing stuff for others if nobody will read it ghghg #( i know i make it take longer by being rambly and etc. but.. still...)#I'm sorry they sat in my inbox a long time and etc. but... also..... my pwecious time and effort #i hope at least one of the people I'm responding to sees that i did indeed reply to them lol

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