#bear in area

[merciawintersageposting]

….i’ll see myself out

[sephirthoughts]

found hanging on reeve’s office door

[knight-in-sour-armor]

[starsteemer]

watch out

[the44thpilot]

the bear

There he is

[macksartblock]

familiarity breeds discontent

[shakingparadigm]

HAPPY BIRTHDAY TILL

[indigonite]

Back when the first mario movie trailer dropped I spent a few days consumed by what I’ve called “bowser thoughts”. that’s the kind of power a single dad raising a child can have on your mind

anyway human bowser

[skeletoninthemelonland]

[fatedroses]

He is here to stare into his soul.

[greenerteacups]

What do you think of jkr as a writer? I for one has always felt like she didn’t treat her female characters well. It felt strange, being critical of her when she was god queen of the earth, and also being 10

I think most of the problems in her books can be chalked up to genre hopping. Books 1-3 are perfectly good and serviceable children's books — great children's books, even! They have compelling, relatable characters and juicy mystery plots. They have problems, sure, but for the first three books someone's ever written — especially someone with little or no background in creative writing — they're really fucking good. So: there's her flowers.

The last four books pivot sharply into much more emotionally complicated and sociopolitically loaded territory, because they're describing a war. And it's hard to write children's books about war. I would venture you can't really do it, at least without dramatically misrepresenting what war is! And so Rowling makes the executive decision somewhere during the writing of Book 4 that she's not going to flinch away from that, she's going to go for dramatic realism, and she kills Cedric Diggory to let us know. People had died in Harry Potter before, of course — Quirrell gets sent to the fucking shadow realm, for example. But children haven't. (It also gives parents who are reading these books with their children a warning shot: shit is about to get significantly more real, think twice before you buy the next one of these for your 10-year-old.) After that, Rowling starts leaning much more into dramatic realism, and the fast-paced mystery-novel plotting of the first few books is replaced by a slow, simmering political conflict that unfurls over the course of about a million words.

The problem — besides the fact that she's picking one of the hardest things to write about, like, in all of literature, war is really insanely complicated and emotionally intense and hard to portray well — is that she's now trying to use characters, plot points, and technologies she developed for a children's series to enact a sprawling war drama among teenagers and adults. So Hermione, who was a reasonably precocious snobby eleven-year-old, becomes this sort of encyclopedic all-knowing savant of the wizarding world, who somehow remains functional and mostly even-headed despite her identity being the chief target of a prolifically murderous terrorist group. Draco Malfoy, a schoolyard bully whose primary tools included 1. namecalling and 2. telling teacher, JOINS said terrorist group (and admittedly does react reasonably, i.e., has a total crashout and takes to sobbing in a girls' bathroom whenever he gets a free minute). Dumbledore, who starts out as "whimsical friendly winky-wink trustworthy grandfather type", ends up being Magical Winston Churchill in a violent game of spycraft and espionage, eventually revealing he's only been keeping Harry at all these seven years because he wants to KILL him! And like, maybe really good technical writing could smooth out these transitions and make the first-order dramatic choices seem more natural, but Rowling is like, a Fine Writer, technically speaking. meaning she's reasonably consistent in characterization, her plotting is well-paced and believable, she has a clear authorial voice, and her prose is readable. personally, that's not enough to get me to buy into some of the changes that happen in the later books, and because she stuffs these things so full with new elements every installment, a lot of stuff ends up getting glossed over.

And like, I still love the books. I think they're wonderful, and they taught me how to read. but i can say that and also say that Rowling probably did herself a disservice by trying to write four giant war novels as sequels to her first three mystery children's books.

[barksbog]

he got to see some bears today

[sappsorrow]

You're kinda acting like a saltine, you know that? I'm not a saltine. You're acting like a saltine. Why? Why? What's going on with you? I know there's something, just tell me. Come on, Carm, I'm right here, what's going on? I gotta drag it out of you?

[ambeauty]

Thoughts on Magic

As I’m sure many of my fellow Bearitos have pointed out one of the main themes this season was Legerdemain/Sleight of Hand/Magic Tricks.

Rewatching legacy made me think of how this show is a magic trick in and of itself. With all the discourse about whether or not the bear is a comedy. I realized that the bear as a television show is a magic trick. Although it was premiered to the world as a comedy. It has shown to be so much more. I still consider it comedic to an extent and in certain instances but I thought that was a pretty interesting idea. That’s not what this is about.

Then I looked up what The Prestige means. Being the Nolan girlie that I am I remember that being the final act of the magic trick. I need the prestige for the bear to be the final reveal that it was a love story all along.

There’s a quote in 309 about telling the viewer you have deceived them up front. So since the beginning cast and crew has told us no romance, no romance no romance. That’s the blatant deception because as we continue to watch we see romance EVERYWHERE. Back to my googling of the prestige. I came across an article about the 3 steps of magic:

Here’s what I think the steps of magic of the bear are. Think of Sydney as the dove and also as the symbol of a love interest. That’s not diminishing her but that’s just what she is especially for this essay lmao. This is great because doves symbolize peace and all that. Show starts with the dove being introduced (classic meet cute). Sydney’s introduction and even the final scene of s1 where she comes back makes her The Pledge.

The Turn: Sydney does something extraordinary. She practically builds the entire restaurant by herself in s2 while Carmy disappears. This also takes us into s3, where Sydney starts to disappear as well. This is not what we expected from her or him at this point. Some of us thought we were at the prestige. But this is when the show became a lot more blatantly romantic. There were definitive love interests introduced, but to me Claire is like the closet(or fridge) the magician puts the dove inside of. To hide the trick!!!!

I hope this shit is making sense 😭

Now we don’t know whether s4 is the final season or not. I’m going to go with the notion that it’s not. However we are nearing the time for The Prestige. I believe at some point in the final act it will be revealed that this show was centered around the building of the romantic relationship of Sydney and Carmy the entire time. There’s lot of meta and evidence for this. And it’s not an unusual occurrence in modern media at all to be deceived by productions all the time.

So I say all of this to say just sit back and relax, enjoy the magic of this television show and wait for the prestige 🤭

[a-witch-in-a-dumpster]

So I've seen people in the fandom do it for their country, I loved so much the idea I did the same (i'm very influencable).

(Based on the lore/maps of the webcomic "Stand Still Stay Silent")

Even if I did know it could not fit the canon, I tried my best to do the more accurate (non-canon) lore for french territory.

I will maybe do a part 2 but not now, I will talk more about the infected and the Basques language.

The Tarasques are the french equivalent of the Trolls, I didn't have the energy to add other pages of information. (one day maybe)

I also wanted to mention the Dahu in the type of infected beast. (Yes there are Dahus, and that's is the best thing to know about infected beast, THERE ARE DAHUS INFECTED BEAST PEOPLE.)

______________________________________________________________

(Also can't spell in english so that's not very well written lol)

(Please note I'm just doing this for fun and it's a very rough/sketchy idea and I didn't take time to well adapt everything or even have a stylise coherence)

[badninken]

Law somehow getting blamed for Luffy blowing everyone's cover to the big big bad guys by announcing his presence with a sumo wrestling tournament, roaring proclamations of his arrival and intent to kick everyone's ass as well as putting a huge target on the civilian population by storing all the recently stolen goods in their village. Law was mostly busy dealing with polar bear diarrhea at the time.

It's sorted out 🙏

The alliance is going great 👍

I have no idea why Sanji decided or assumed it was Law's fault that a giant dragon is coming to get them, but I kinda love that he did, and that he changed his mind as soon as Nami and Chopper correctly point out it's probably Luffy's fault, because that makes more sense. Why did Sanji pick a fight with Law about this? It's so funny. Sanji-understanders, let me know his reasoning. I'm intrigued.