#be around more often and engage more with the community

[yeleltaan]

//One thing I’ve never explored in depth is the possibility of Cayin entering the Hunter’s Nightmare as he seeks further information on the events leading up to Yharnam’s current situation. I imagine it to be a significantly harder place to reach than the main game’s Yharnam, so Cayin (not able to afford the luxury of having an amygdala grab this sneaky spy) would need to take some special measures to get there.

It’s definitely something that I’d like to explore sooner than later, since it would open up potential characters for him to interact with (well, I’ve always been open to him interacting with muses from the DLC but I think a more concrete idea of how he gets there and what he’s looking for would help when plotting those interactions).

[agentc0rn]

⦿ Help Zygarde end the clash between Xerneas and Yveltal and restore order.

[aroaceleovaldez]

i mean it when i say we've gotta bring back askblogs. bring back making character chat posts with poor choice text colors over random backgrounds. bring back blogs dedicated to what outfits you think characters would wear.

fandom is an ecosystem, not a numbers game. these types of blogs/posts/etc still exist in concept, because people still want to make them and they're a great way to get your thoughts of an idea out in a simple format, but most people make them on like tiktok or instagram reels and that's where the problem lies. Those videos don't go anywhere. The format doesn't allow for the discussion to spread through the community and they're less likely to be engaged with in general. And to make them most people have to either show their face or figure out editing software, so the barrier to entry is higher (editing) and/or they have to forfeit an amount of privacy.

those types of posts/blogs are the first rung of the ecosystem. they're the perfect environment for younger members of the fandom to begin safely interacting with the larger community and putting their own thoughts and ideas out there. roleplay is the other major spot for that and those communities are diminishing as well, honestly (if you know of an rp forum board site, cherish it. and if you can make one, make one). they allow younger fans to begin engaging with the source material on a different/deeper level, but still at a very low barrier to entry, and begin conversations with other fans, which also helps them build skills which in turn may encourage them to pursue other avenues within the fandom (fic writing, other formats of askblog - which itself usually leads to art, cosplay, also fic writing, etc). Without those places to build those skills, they might feel discouraged from trying to begin when surrounded by curated people who have built their skills up for years.

And those conversations they foster also in turn help the community, by offering ideas to artists or fic writers to extrapolate on or building community jokes. And that text/blog format specifically is extremely beneficial, because it allows younger members of the fandom to remain anonymous and keep their privacy without concerning themselves with having any platform or having anything attached to them (very important for young fans figuring themselves out and navigating online community spaces for the first time, since they can remove themselves from spaces easily if they decide they don't like it and they're protected, rather than PUTTING THEIR FACE ON THE INTERNET). And those posts they make will spread a lot more into the community since they're in a significantly easier format to be reposted (few people are gonna be reposting tons of random short-form videos versus spamming their instagrams with reposts of 10 random fandom images yoinked from tumblr, or reposting to pinterest or something). Like, don't repost art, at the VERY least don't repost without credit, but also I am not ignorant to the fact that my art is not just the first google image result for "pjo pride" and related searches, but also the 4th, the 6th, the 9th, the 10th, the 11th, etc etc., and pops up in the search results before the official ReadRiordan does simply because people reposted my work more (most with credit, thankfully).

For fandom to be a community, it needs to perpetuate itself. There needs to be engagement with one another and conversation. If that bottom rung is cut off, then new fans won't be able to grow into the other niches of the fandom, and the fandom will be solely reliant on the source material and die out extremely quickly, and there won't be a community. There's no conversation! There's no reason to stay beyond the original material! But if you don't have points of entry for new fans, they won't have any way to build the skills needed to move into those niches, or engage with the community in a healthy way.

tl;dr: Bring back askblogs and character-based text post blogs. They are vital to fandom ecosystem.

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[mercymaker]

chilling vibing getting stuff done and then suddenly getting hit by 'why do you try so hard to make something new and good and bend yourself backwards pushing for quality when that stuff is mostly discouraged and low effort quantity-over-quality stuff is constantly rewarded'

[staff]

Tumblr’s Core Product Strategy

Here at Tumblr, we’ve been working hard on reorganizing how we work in a bid to gain more users. A larger user base means a more sustainable company, and means we get to stick around and do this thing with you all a bit longer. What follows is the strategy we're using to accomplish the goal of user growth. The @labs group has published a bit already, but this is bigger. We’re publishing it publicly for the first time, in an effort to work more transparently with all of you in the Tumblr community. This strategy provides guidance amid limited resources, allowing our teams to focus on specific key areas to ensure Tumblr’s future.

The Diagnosis

In order for Tumblr to grow, we need to fix the core experience that makes Tumblr a useful place for users. The underlying problem is that Tumblr is not easy to use. Historically, we have expected users to curate their feeds and lean into curating their experience. But this expectation introduces friction to the user experience and only serves a small portion of our audience. 

Tumblr’s competitive advantage lies in its unique content and vibrant communities. As the forerunner of internet culture, Tumblr encompasses a wide range of interests, such as entertainment, art, gaming, fandom, fashion, and music. People come to Tumblr to immerse themselves in this culture, making it essential for us to ensure a seamless connection between people and content. 

To guarantee Tumblr’s continued success, we’ve got to prioritize fostering that seamless connection between people and content. This involves attracting and retaining new users and creators, nurturing their growth, and encouraging frequent engagement with the platform.

Our Guiding Principles

To enhance Tumblr’s usability, we must address these core guiding principles.

Expand the ways new users can discover and sign up for Tumblr.

Provide high-quality content with every app launch.

Facilitate easier user participation in conversations.

Retain and grow our creator base.

Create patterns that encourage users to keep returning to Tumblr.

Improve the platform’s performance, stability, and quality.

Below is a deep dive into each of these principles.

Principle 1: Expand the ways new users can discover and sign up for Tumblr.

Tumblr has a “top of the funnel” issue in converting non-users into engaged logged-in users. We also have not invested in industry standard SEO practices to ensure a robust top of the funnel. The referral traffic that we do get from external sources is dispersed across different pages with inconsistent user experiences, which results in a missed opportunity to convert these users into regular Tumblr users. For example, users from search engines often land on pages within the blog network and blog view—where there isn’t much of a reason to sign up. 

We need to experiment with logged-out tumblr.com to ensure we are capturing the highest potential conversion rate for visitors into sign-ups and log-ins. We might want to explore showing the potential future user the full breadth of content that Tumblr has to offer on our logged-out pages. We want people to be able to easily understand the potential behind Tumblr without having to navigate multiple tabs and pages to figure it out. Our current logged-out explore page does very little to help users understand “what is Tumblr.” which is a missed opportunity to get people excited about joining the site.

Actions & Next Steps

Improving Tumblr’s search engine optimization (SEO) practices to be in line with industry standards.

Experiment with logged out tumblr.com to achieve the highest conversion rate for sign-ups and log-ins, explore ways for visitors to “get” Tumblr and entice them to sign up.

Principle 2: Provide high-quality content with every app launch.

We need to ensure the highest quality user experience by presenting fresh and relevant content tailored to the user’s diverse interests during each session. If the user has a bad content experience, the fault lies with the product.

The default position should always be that the user does not know how to navigate the application. Additionally, we need to ensure that when people search for content related to their interests, it is easily accessible without any confusing limitations or unexpected roadblocks in their journey.

Being a 15-year-old brand is tough because the brand carries the baggage of a person’s preconceived impressions of Tumblr. On average, a user only sees 25 posts per session, so the first 25 posts have to convey the value of Tumblr: it is a vibrant community with lots of untapped potential. We never want to leave the user believing that Tumblr is a place that is stale and not relevant. 

Actions & Next Steps

Deliver great content each time the app is opened.

Make it easier for users to understand where the vibrant communities on Tumblr are. 

Improve our algorithmic ranking capabilities across all feeds. 

Principle 3: Facilitate easier user participation in conversations.

Part of Tumblr’s charm lies in its capacity to showcase the evolution of conversations and the clever remarks found within reblog chains and replies. Engaging in these discussions should be enjoyable and effortless.

Unfortunately, the current way that conversations work on Tumblr across replies and reblogs is confusing for new users. The limitations around engaging with individual reblogs, replies only applying to the original post, and the inability to easily follow threaded conversations make it difficult for users to join the conversation.

Actions & Next Steps

Address the confusion within replies and reblogs.

Improve the conversational posting features around replies and reblogs. 

Allow engagements on individual replies and reblogs.

Make it easier for users to follow the various conversation paths within a reblog thread. 

Remove clutter in the conversation by collapsing reblog threads. 

Explore the feasibility of removing duplicate reblogs within a user’s Following feed. 

Principle 4: Retain and grow our creator base.

Creators are essential to the Tumblr community. However, we haven’t always had a consistent and coordinated effort around retaining, nurturing, and growing our creator base.  

Being a new creator on Tumblr can be intimidating, with a high likelihood of leaving or disappointment upon sharing creations without receiving engagement or feedback. We need to ensure that we have the expected creator tools and foster the rewarding feedback loops that keep creators around and enable them to thrive.

The lack of feedback stems from the outdated decision to only show content from followed blogs on the main dashboard feed (“Following”), perpetuating a cycle where popular blogs continue to gain more visibility at the expense of helping new creators. To address this, we need to prioritize supporting and nurturing the growth of new creators on the platform.

It is also imperative that creators, like everyone on Tumblr, feel safe and in control of their experience. Whether it be an ask from the community or engagement on a post, being successful on Tumblr should never feel like a punishing experience.

Actions & Next Steps

Get creators’ new content in front of people who are interested in it. 

Improve the feedback loop for creators, incentivizing them to continue posting.

Build mechanisms to protect creators from being spammed by notifications when they go viral.

Expand ways to co-create content, such as by adding the capability to embed Tumblr links in posts.

Principle 5: Create patterns that encourage users to keep returning to Tumblr.

Push notifications and emails are essential tools to increase user engagement, improve user retention, and facilitate content discovery. Our strategy of reaching out to you, the user, should be well-coordinated across product, commercial, and marketing teams.

Our messaging strategy needs to be personalized and adapt to a user’s shifting interests. Our messages should keep users in the know on the latest activity in their community, as well as keeping Tumblr top of mind as the place to go for witty takes and remixes of the latest shows and real-life events.  

Most importantly, our messages should be thoughtful and should never come across as spammy.  

Actions & Next Steps

Conduct an audit of our messaging strategy.

Address the issue of notifications getting too noisy; throttle, collapse or mute notifications where necessary.  

Identify opportunities for personalization within our email messages. 

Test what the right daily push notification limit is. 

Send emails when a user has push notifications switched off.

Principle 6: Performance, stability and quality.

The stability and performance of our mobile apps have declined. There is a large backlog of production issues, with more bugs created than resolved over the last 300 days. If this continues, roughly one new unresolved production issue will be created every two days. Apps and backend systems that work well and don't crash are the foundation of a great Tumblr experience. Improving performance, stability, and quality will help us achieve sustainable operations for Tumblr.

Improve performance and stability: deliver crash-free, responsive, and fast-loading apps on Android, iOS, and web.

Improve quality: deliver the highest quality Tumblr experience to our users. 

Move faster: provide APIs and services to unblock core product initiatives and launch new features coming out of Labs.

Conclusion

Our mission has always been to empower the world’s creators. We are wholly committed to ensuring Tumblr evolves in a way that supports our current users while improving areas that attract new creators, artists, and users. You deserve a digital home that works for you. You deserve the best tools and features to connect with your communities on a platform that prioritizes the easy discoverability of high-quality content. This is an invigorating time for Tumblr, and we couldn’t be more excited about our current strategy.

[lilies-of-the-fields]

I just need people to know that direct action does NOT mean signing petitions.

[mortalityplays]

Unprintable: Artists Against Authority

I am absolutely beside myself with excitement to announce the launch of Unprintable.

Unprintable is an online free shop, where original artwork and arts resources are released into the public domain.

Everything listed here is free to use, copy and remix any way you like. You can print off hi-res artwork to decorate your apartment, or to use in your own projects. You can use the writing in your own zines, anthologies or performances. You can put it on a t-shirt. You can read it on the radio. You can paint it on a truck. It's up to you, entirely and forever.

The collection will be updated continuously, on an unfixed schedule, with contributions from a wide range of named and anonymous artists and activists. You can read the FAQ for a full rundown of what Unprintable is and why it exists, but these are the really important parts:

Can I download/print/use the work listed here? Yes. Can I use it for [X]? You can do whatever you want with it forever. But what if I want to [Y]? You can do whatever you want with it forever. Why do this? A few reasons: 1. We want a space to just share things, no strings attached. We recognise that copyright is an irrational system that was designed to protect the profit interests of publishing middlemen and IP hoarders. In fact, copyright is often weaponised against the creators it pretends to protect. As long as it exists, we are unlikely to win any other form of protection for our work, and we are profoundly limited from engaging in the kind of communal artistic and storytelling practices that were the norm around the world for thousands of years. 2. Radical art is often unprintable. Profit motives make people cautious. A lot of print-on-demand or local print shop services will refuse artwork with controversial, sensitive or political content. This is very frustrating when these themes are the focus of so much of our work (and indeed our lives). Rather than waste any more breath trying to explain why a trans artist might want to print the word ‘faggot’, we can give our work away for free. Got a printer? It’s yours. 3. It feels good. Sharing is joyful. It’s the reason we love making things in the first place. We don’t write poems because we look forward to filleting them for consumption, or layer colours so that we can sell a canvas by the ounce. We have only ever wanted to be able to support ourselves so that we can make, but that relationship is deeply dysfunctional under capitalism. We made these things, and we want you to have them. It doesn’t need to be complicated.

I'll write up some more posts introducing the launch collection soon. In the meantime...be free, enjoy, explore, have fun!

https://free.mortalityplays.com

[amberautumnfaebrooke]

i think i could design a better death arena for children than those hunger games amateurs.

the whole premise of the games is all pageantry. every year you get a crop of 24 candidates around whom the entire state media apparatus dedicates an entire year to building celebrity narratives. this candidate is the younger sibling of last year's winner - these candidates are young lovers forced to compete - he's smart - she's fast - root for them, care about them, watch them, form opinions on them, bet on them. and then they stick them all in an arena to kill each other, which is a great entertainment premise, except that they make the arenas themselves really boring and generic. ooo, they're in...a forest.

it's not even an interestingly designed forest. imagine if the game designers treated their arena like an actual video game designer treats level design. discrete zones with multiple paths between each room, creative use of lighting to guide players to points of interest, points of interest scattered across the map, discoverable resources hidden to encourage exploration. instead they just have a generic outdoors location and if you get too close to the edge they throw a random fireball at you.

the 75th games are especially bad about this. the arena is laid out radially into 12 wedges, and each hour one wedge becomes especially dangerous in a 12-hour loop. as a mechanic, this is genius. it forces everyone to keep moving, making "survival by hiding" an engaging and tense viewing experience instead of someone sitting in a tree for three days. plus, it encourages players to return to the center of the arena, where travel time between wedges is short, which creates a high-value zone for players to regularly return to and conflict over. in other words, it's a mechanic which incentives players to adopt dramatic, dynamic, exciting behaviors which are entertaining to watch (not to mention it communicates geography to the audience well). but it only incentives those behaviors if the players understand what's happening, and they go out of their way not to tell the players anything! when they figure out what's going on, the showrunners spin the arena to disorient the players, like they're intentionally trying to get them to just. randomly wander the jungle instead.

this isn't even to mention how often they create undramatic, boring deaths. they plant poison berries around the arena. they supply no fresh water and no way to get it. they roll poison clouds over sleeping victims. these happen to work out in the books themselves but you have to imagine that extremely often these just result in players dying unexciting deaths.

the cardinal sin though, of course, is that nothing is done to personalize the arena for the crop of contestants that year. if i'm designing the 75th hunger games and two of my most beloved contestants famously had to cancel their wedding because of a return to the games, i would OBVIOUSLY give them a trail of, i don't know, wild game which conveniently leads directly past a well defended wedding chapel. will they hole up there for a while? hold a mock ceremony for themselves? do or receive ironic violence here? stare wistfully and move on? any of it is better television than getting attacked by generic attack monkeys. you should have a dozen of these things on the map for every single candidate. but the game makers are more interested in doing the same thing every other game has done than in telling a compelling story.

it makes me second guess enjoying the children's murder arenas at all.

[jaythes1mp]

This is my first official post, and idk how to feel about it. So any and all comments & reblogs are really appreciated. If it’s bad please comment so I know I have to delete it🙏

Your secrets are ours, Kid

Yandere BatFam x Reader — CH1 -> CH2 -> CH3 -> CH4 -> CH5 -> CH6 -> CH7 -> CH8 -> CH9 -> CH10

Nightwing, who’s known for his impressive acrobatic skills and crime-fighting abilities, has become a prominent figure in the city of Blüdhaven. Renowned for his fearless approach to taking down criminals and has gained a notable reputation among the superhero community.

The guy's identity is a complete mystery, though. Nightwing works alone, leaving many of us to wonder who the man behind the mask really is. — Some say he has connections to Gotham City’s own famous vigilante, Batman.

When the young hero is seen in action, he can be often spotted leaping from rooftops and engaging in daring acts of superheroism, leaving criminals and citizens alike in awe of his skill and courage. Some question if he's a human or something more, while others simply look on in admiration. Despite the secrecy surrounding his identity, Nightwing's reputation seems to grow endlessly.

Then there’s Red Hood, the dark and brooding vigilante of Gotham City, a fearsome sight to behold. His red mask and signature pistols make him easily recognizable, and his actions leave criminals trembling in terror.

Some have speculated him being a former criminal reforming his ways while I believe that he too has ties to our one and only Batman. Despite his dark demeanor and ruthless tactics, it seems clear to me that there is a connection between the two. There has been a lot of evidence submitted for their collaboration, even if they choose to deny it publicly. Though, Batman, known for his strict code of ethics, would not typically associate himself with someone as morally ambiguous as Red Hood. But the circumstantial evidence is too compelling to ignore.

Regardless, Red Hood's impact on the criminal underworld is undeniable. He uses violence and intimidation to enforce his own brand of justice, which is rather admirable, yet causing many to question his brutal methods.

Next up is our one and only Batman himself, the dark knight of Gotham City. He’s a mystery in itself. His tall, imposing stature is enough to strike fear into the hearts of criminals, and his reputation as a master detective and fighter only enhances his mystique.

I have been trying to piece together the puzzle that is Batman's identity. Who is the man under the mask? What drives him to take on Gotham's criminals with such determination?

Though the billionaire Bruce Wayne has long been suspected as the man behind the mask, no concrete evidence has ever been presented. His true identity remains a puzzle, something that adds to his allure and intrigue. Every lead I follow seems to hit a dead end. The playboy is too obvious, too niche. What would motivate a Wayne, someone brought up into filthy wealth, who wastes his money on grand galas and prostitutes, into defending this city? The theory is too far reached.

Next are Red Robin and Robin. Batman’s sidekick-associates. Their partnership with Batman has been evident in their actions and fighting style. However, a rumour has been running around, theorising that the newer Robin was a young child when he had first joined Batman at his side.

Would our beloved hero really force a minor into sighting the dark dangerous streets of Gotham? Would he_

As you sat uncomfortably at the countertop of your kitchen, typing away on your laptop, you were suddenly interrupted by the unexpected sound of someone clearing their throat. You look up from the bright screen to see your roommate standing in the doorway, arms crossed. You raise an amused brow, a grin tugging at your lips at the sight of the other male in pyjamas rather than the usual broody black clothes and leather jacket. You click save and shut off the computer, turning fully to face him. “Yes, Jayson dear?”

Jason’s nose scrunches at the name, even as he stands in the doorway wearing nothing but a thin, well-worn shirt and pants. He looks like a child, which is somehow more than a little endearing. His eyes flickering up and down your frame as he appraises you. Despite the relaxed state his attire provides, his expression is as serious as ever. His hands are stuffed in the pockets of the worn flannel pants he’s sporting, but it does little to make him look anything other than intimidating.

He raises a brow, tilting his head as he looks at you, watching you save your work and then turn to face him. “Don’t ‘yes, Jayson dear’ me, smartass.”

You snort, moving off of the chair and stretching out, the cracks in your back loud enough for him to purse his lips at. “Well aren’t you sour this fine morning.”

Jason scoffs, narrowing his eyes. “It’s four am.” He mutters, crossing the kitchen to get to the coffee pot. He doesn’t really need the caffeine, but he likes the routine. He grabs a mug from one of the cabinets, filling it up with black coffee. He’d just snuck back in after his patrol, not expecting to see you up.

“And I’m not sour,” he says a bit petulantly, taking a sip of the coffee before setting it aside. “I’m concerned.”

Your brow raises higher, turning to the worn down clock practically glued to the wall from all the times you’ve both hit it to get the ticking sound to shut off. It’s a digital, why does it need to make such an annoying sound? “Huh. I guess it is.”

He rolls his eyes, not at all surprise that you would lose track of time so easily when you got lost in your writing. “Yeah, you do that sometimes,” he grumbles, taking another sip of coffee.

He looks you over, studying you intently as he crosses his arms. “How long have you been working?”

You hum, looking out the window into the polluted skies of Gotham. The sun had risen. “What answer will make you the least angry?”

“None of them,” Jason says, a scoff escaping his lips. His jaw twitches slightly as he watches you stare out the window, and he can’t help noticing how tired you look. He’s seen you like this before, pushing yourself to the brink just to finish a project, just to get everything perfect.

“How long?” he asks again, his voice a little softer this time.

“...” you sigh, looking away from the window to face him once more. “All night.” Before he can open his mouth to reprimand you, you cut in. “But! My project is due today. And Tim will decapitate me if I’m late on another assignment...” You rub the side of your face tiredly, displaying an uneven smile.

Jason’s annoyance melts away into concern as you speak. He can tell you’re exhausted, and the thought of you pushing yourself so hard for so long makes him want to wrap you up in a blanket and force you to take a nap.

But he can’t do that. Not when you’re an adult, not when you’re not actually his little sibling. Yet. He settles for crossing the kitchen and putting a hand on your shoulder. “You need to take care of yourself,” he says firmly. “You won’t be any good to your professor if you pass out from exhaustion.”

You grin softly and give a tired nod, fishing out your phone to check the university’s time table. “I only have to go in at nine forty.”

“And then you only have to endure a full day of classes,” Jason says dryly, narrowing his eyes. He gently takes your phone out of your hand and tucks it into his pocket. “No more work until then.”

Your eyes widen at the action, quickly scrambling to get the device back. “You– Jay!” You huff, leaning back against the hard counter. His gaze set sternly on you. You feel small under his gaze, as if he’s your father disappointed in you for stealing a tenner.

Jason crosses his arms once more, his eyes never leaving your face. Looking like the definition of a disapproving older brother. “No,” he says firmly, his voice stern. “You need to rest. I can’t have you passing out in the middle of class.”

He takes a step closer, looming over you as he stares you down. “You’re gonna take a nap, and then you’re gonna eat a proper breakfast. Got it?”

You can do nothing but glare. Cursing under your breath and walking past him. You’ll have to complain to Tim about this later.

He watches you stalk past him, a smirk on his face. He can practically hear you swearing at him in your head. He takes a moment to finish off his coffee before following you into the living room.

“What, no clever comeback? No witty remark?” he teases, leaning against the wall and watching you storm into the living room. “Are you actually listening to me for once?”

You make a show of laying down on his red beanbag, tugging the blanket off of the couch to drape over your form and throwing up the middle finger at him.

Jason can’t help but chuckle at your childish display. He moves towards you slowly, stopping when he’s close enough to look down at your face. He crouches down beside you, a smirk on his lips. He places your laptop on the table opposite you and your phone next to it.

“Real mature, kid.” He says, his voice dripping with sarcasm. He ruffles your hair then stands, descending back into the kitchen. “I’ll wake you up an hour before you gotta leave, don’t worry.”

You sigh, mimicking him in an exaggeratedly high pitched voice. “I’ll wake you up an hour before you have to leave, mehmeheh.”

No use of y/n, currently gn leaning towards male.

Things to note: reader is unaware that the Batfamily members are related yet, age is young adult (19-20), everyone is aged up.

Any questions or feedback is appreciated.

[keefechambers]

I wanna be blunt about this ongoing James somerton suicide threat issue but I don't want to connect it to my IRL Twitter to comment on the dogshit takes I'm seeing there or the good and well meaning but maybe too kind takes I'm seeing here.

Obviously, I hope that this is a false alarm cry for help fake threat. Yes, it would reinforce that Somerton is a self-centered egomaniac who can't handle consequences but that's preferable to dead.

But I work in local news and let me tell you something. I've covered half a dozen family annihilating murder suicides and heard hundreds of men making suicide threats over police scanners and a huge swath of these don't happen because they're depressed or because people are mean to them on the Internet. They're punishment. A person with an enormous amount of entitlement towards people around them gets backed into a corner and they punish the people closest to them by killing themselves or threatening to kill themselves.

No one wants to talk about this feature of suicide because...you want to help people who are struggling and guide them away from this path and being blunt about the fact that sometimes people die of suicide as a consequence of their own shittiness towards the world does not really help actively suicidal people. But suicide rates are higher in men not just because they have higher rates of untreated mental illness (a societal issue we must address for the sake of all) but because some people, often men, use suicide (but more often the threat of suicide) as a tool of abuse and control.

I'm not saying somerton is like, an icky abuser bad guy, he's just a run of the mill grifter scumbag, but his actions in the past show a clear pattern of escalating behavior that aligns with this.

Somerton gets called out -> somerton alleges physical threats of violence against himself and his fans rally around him supportively -> Harry calls somerton out in a bigger way -> Somerton says he's hospitalized but there are inconsistencies with the story but no one wants to talk about that because you wanna be nice-ish about a guy who just tried to kill himself and now he's trying to be framed as tragic but it doesn't really stick -> somerton apologizes again but his apology is rightly called out for lies and manipulative framing as well as his continuing attempts to profit off the community he betrayed -> James posts a suicide note publicly putting the onus of his own suicide on the loss of his friend Nick who he repeatedly threw under the bus and now everyone is rallying to say nice-ish shit and wring their hands in concern over poor james -> indefinitely repeat this vicious cycle forever until he actually does die or finally gives up and gets real, intensive therapy and a day job.

Thats not to say anyone's concern is misplaced, it's 100% better for him to be a living scumbag than a dead one. He deserves the chance to grow and learn and have a life outside of youtube.

But you don't have to portray this as the action of a sad depressed man who got bullied off the Internet. It's manipulation, whether he intended to go through with it or not and whether someone intervened or not. Not denying that internet bullying is a thing, I'm sure there were some people who were shitty directly to James but he made the choice to not unplug from this and to try and keep being a public figure rather than taking care of himself. He could have deleted Twitter, blocked anyone who was an asshole, gone to therapy and tried to move on with his life but if he'd deleted his channel he'd have lost monetization... Can't have that, right? So he posts some apology videos so his channel stays active and then complains about how ruinous this is while never trying to take real accountability.

But the reality is that people would have forgotten about him so quickly and maybe his job prospects would've been impacted but...that's on him, and that's for him to figure out but it's not actually life ruining. He chose to continue to engage knowing he'd get backlash and hate and he'd feel worse and worse and things would never get better without the time and space for people to forget.

He made the choice to make a public spectacle of his own alleged suicide. That is the action of someone who wants to put the weight of their suicide on someone else's shoulders and is morally wrong. He can be held to account for that, alive or dead.

[cyberclouddream]

The Sun through the Houses

The Sun represents what motivates us and how we want to be recognized. It’s also tied to paternal influences, consequences from the past, our ability to command respect, and how we replenish energy levels.

Sun in the 1st House:

- often naturally attract followers or admirers due to their commanding presence

- have a good understanding of their personal goals

- may be deeply involved in physical health or activities

- may feel called to follow the same path as a paternal figure

- desire to leave a mark in the world can result in activism or social movements

- may suffer from identity crisis because of expectations

Sun in the 2nd House:

- fixated on [ and creative at ] making money and accumulating possessions

- have strong personal values that guide their choices

- feel pressure to meet family financial expectations

- may secretly crave more meaning then wealth

- hoarding behaviors

Sun in the 3rd House:

- can be a good public speaker, writer, or journalist

- attract sibling rivalry or support

- often feel drawn to engage in their community

- often derive their self-worth from being seen as knowledgeable or articulate

- obsessed with how they’re perceived in conversation

- often feel restless or dissatisfied

Sun in the 4th House:

- their life seems to revolve around family matters more than anything

- family matters seem to be full of drama

- deeply tied to their heritage, or traumatic past

- may be a real estate junkie

- emotional rollercoaster that stems from childhood trauma

- lots of pressure from parents or family expectations

Sun in the 5th House:

- often crave the spotlight when it comes their talents

- love experiencing romantic affairs, especially dramatic and fantastical ones

- childlike spirit

- challenges with how they’re perceived in parenthood

- their ego is tied to their hobbies

- come off attention-seeking

Sun in the 6th House:

- type to arrive first and leave last for work

- may go overboard on diets and health regimens

- taken for granted for being too focused on helping others

- perfectionist tendencies

- power struggles with bosses or colleagues

- hypochondriac or health anxieties

Sun in the 7th House:

- tie their worth to their relationships; dependency issues

- may attract partners who are passionate but prone to conflict

- have strong negotiation skills

- strong focus on marriage and commitments, with potential for idealizing and romanticizing

- partners can shape how others perceive you

- may struggle with committing due to fear of losing independence

Sun in the 8th House:

- drawn to situations that challenge your limits

- fascination with mysteries, the occult, or taboo topics

- drawn to power struggles in relationships

- inheritances, shared resources, or joint finances play a significant role in their life

- obsessive tendencies

- potential to be good at healing others through deep emotional work, like therapy

Sun in the 9th House:

- obsessed with introspection and learning, like diving into philosophy and spirituality

- addicted to traveling; romanticize adventure

- self-proclaimed guru with stubborn beliefs

- attract people from different cultures

- chronic dissatisfaction

- get caught up in superficial aspects of spirituality

Sun in the 10th House:

- obsessed with career and public image

- crave validation and recognition for achievements

- often feel overshadowed or overly rebellious when it comes to authority figures

- may feel imposter syndrome

- pressure to succeed can cause paralyzing fear

- workaholic tendencies

- relationships can struggle because too focused on professional goals

Sun in the 11th House:

- thrive best in friendships and social connections, often using them to achieve goals

- may have unrealistic ideas when it comes to aspirations, causes, and friendships

- self-worth is tied to feeling accepted and received by social circles

- friendships over family

- network over authenticity; tend to groupthink

Sun in the 12th House:

- true self often feels buried or misunderstood

- strong inclination towards introspection, preferring solitary activities like writing or meditation

- drawn to spirituality and mysteries of life

- opportunities often slip because they feel like they don’t deserve them

- may be very sensitive to the emotional presence of others

- may often feel creative blocks

- escape reality through daydreaming

[yuveenti-blog]

🤫🤔🫢🫦🧠🗣️ Your Communication Issues Based on Your Rising Sign 🤫🤔🫢🫦🧠🗣️

Disclaimer: If it don’t apply, let it fly ☺️😌

Aries Rising:

* Speaking aggressively even when calm.

* Noticeable anxiety when they speak ( voice getting louder, shaky voice, stuttering, mumbling).

* Struggle to listen as their minds are fired up.

* Changing their opinion frequently and playing devils advocate.

* Easily able to manipulate others, watch out for their convincing ways especially when they want something.

* Can come across as judgmental and can make people uncomfortable with this aspect.

Taurus Rising:

* Can be hard to know how they truly feel, they can play off just how emotional they are, closed off.

* Reserved and private, hard to get these people to open up.

* They can tell people what they want to hear, instead of choosing to be honest.

* They can retreat into their own world especially to deal with their emotions, hard to reach.

* If they feel a certain way towards someone they can be stubborn, defensive, and take things personally.

* Can hold a lot of their real feelings in.

Gemini Rising:

* Needs an audience or some form of validation to be talkative and social or they will be quiet.

* A lot of pride over their opinions and perspective.

* They can dish it, but they cannot take it.

* Can struggle to allow others to shine, they want to be the brains, beauty, and more.

* Selectively choosing to engage with those who give their ego a boost.

* Saying things just so people can like them.

* Telling lies.

Cancer Rising:

* Categorizing people into boxes before getting to know them.

* Indirect communication style. ( skimming around topics, avoiding certain conversations, not allowing anyone in, passive aggressive).

* Not being authentic in their communication, saying what they believe the other wants to hear.

* Can become detached and emotionally distant when sorting through their own issues.

* Difficulty expressing their feelings, but can be a therapist for other people.

* Criticizing the way they speak too much, over analyzing their communication.

* Can be a complainer.

Leo Rising:

* Perfectionist about your social image.

* Feeling a sense of importance amongst others that can come off as a superiority complex.

* Easily see the flaws of others, but can have a hard time being forthright and transparent about their flaws.

* Always trying to make everyone happy and feel good, but struggling with their own insecurities.

* Being superficial and caring about outward appearance too much, constant criticizing people’s appearance.

* Have a big ego and feel slighted and personally offended fast.

* Wants to be popular so will people please to fit in with the in crowd.

* Can be avoidant or disappear when issues come up.

* Can gossip about people behind their back.

Virgo Rising:

* Can be detached due to their introspective and analytical nature.

* Withdraw a lot and need a lot of time to themselves to process their experiences.

* Intensely introverted and retreats a lot into their own world.

* Going through extremes of isolated and constantly socializing and talking.

* Either dead silent or chatter box’s.

* Scrutinizing themselves too much so others feel awkward around them.

* If not scrutinizing around others, mentally doing it in a conversation and then feeling the need to be quiet.

* Psychoanalyzing and probing others but get uncomfortable when people do this to them.

* Speaking intensely.

Libra Rising:

* There is an excessive need to appear positive, bordering toxic positivity.

* Head in the clouds

* A tendency to overpromise or overextend theirselves to others.

* An issue with instilling boundaries.

* Do things just to keep the peace.

* Will run away at the sight of any issue or problems.

* Friends with people they outgrew but just keep thinking things will get better.

* Can be naive in conversations.

Scorpio Rising:

* Negative, pessimistic, cynical mindset which can often undermine their communication.

* Chronic complainers.

* Feels restricted in speaking freely. Feels they need to speak when spoken to or with people they are close to.

* Reserved and timid.

* Can have a mindset that nothing matters so can a bit dry responding to people’s issues.

* Or may take on other people’s issues as their own and act like a therapist.

* They can probe and psychoanalyze others but keep a lot of their personality and business hidden.

* Need to have control when communicating with others. Control and power dynamics are apparent in their communication.

* May feel more mature than others, so constantly feeling they have to dumb theirselves down or parent others.

* Can be grammar and pronunciation police.

* Judgmental of how people present themselves. May think everyone should be like them.

* Usually ends up trauma bonding or attracting people who vent a lot of their emotions on them.

Sagittarius Rising:

* Has big ideas that often are not yet accepted or people deem crazy, unrealistic, or wishful.

* Want others to join along their ideas, and may deal with pushback from more conservative individuals.

* Interrupts mid conversation cause they have something they have to just get out.

* Doesn’t listen well when people talk to them about things that aren’t interesting.

* Challenges others beliefs which can come off as personal attacks.

* Detached and insensitive when engrossed in a new idea, project, or interests.

* Unpredictable communication.

* Can have random outbursts or random moments where they are super happy and social.

* High energy which can be overwhelming to some. Talks a lot and then distant.

Capricorn Rising:

* Feeling restricted in communication. Wanting to express themselves freely but feeling that they have to control a lot of what they say.

* A sensitive soul with a hard exterior.

* Finding that people project a lot onto them.

* Feeling you they cant be themselves , so choosing to stay silent.

* Being deceitful or lying.

* Having to hold in a secret that weighs heavy on them.

* Needing someone to stimulate a conversation with them or else they don’t know what to say.

* Unclear on how to assert themselves. May come off passive aggressive.

* Off into their own world, withdrawn from the world.

Aquarius Rising:

* Can come across as less emotional and detached. Can say things bluntly and outright that shock or upset others.

* If someone isn’t being forthright and honest you can become irritated easily.

* Needing space to do their own thing. Can feel smothered by too much interaction.

* Unexpected communication. They might go weeks without talking to someone and then call them.

* On the other hand they can attract abrupt personalities where communication is spontaneous.

* Controversial opinions.

* Some of the ways they talk can be strange or odd.

* Females might carry a masculine theme to them that can intimidate others.

Pisces Rising:

* Withdrawn and uncommunicative.

* These people are sensitive and will retreat if they sense an issue or conflict.

* These people struggle to initiate conversation.

* Stubborn towards other people’s ideas.

* Can lie and fabricate things.

* Masters at deflecting and gaslighting.

* Can rationalize their feelings or at times make it seem their feelings are insignificant. They can also do this others.

* Rose colored glasses and can come across as delusional.

* May refuse to take any criticism.

[genderqueerdykes]

for people who are often in need of food and/or find themselves in a food emergency, it's more than okay to utilize your food bank. there are no requirements, it doesn't matter if you're totally homeless, on disability, disabled with little/no income, working under the table, a parent in need of help, working but poor, working and barely making ends meet, mentally ill, neurodivergent, or other situations where food is difficult to keep on the table, you are more than welcome to show up and get some food

some food banks require you to have proof of address (i know, it sucks) but in some cities some homeless shelters have the option for homeless folk to get their mail sent to the shelter's P.O. boxes, which will give you the "proof of address" they need, which is usually just some form of mail received at an address. always check with your local food bank to see what documents they require, if any, when possible

some food banks don't require any of that. some do require that you have a car so you can drive through and get boxes, but many do on-foot distribution. some even have delivery options. one of my food banks here does deliveries. it's worth looking into whatever you have going on in your local area if you struggle to keep food in your home. especially fresh fruits and vegetables. i can finally keep a steady supply of vegetables because i'm able to walk to a distribution a block away that happens every friday. it's been a blessing now that i have to cook all of my meals COMPLETELY from scratch to ensure i dont encounter trigger foods

engagement helps these types of programs stay afloat. the more people who show up, the more resources they will get. the government or whatever body runs these organizations need to know the community wants/needs these services in order to continue operating. don't feel bad if you stop by and grab some things if you're genuinely struggling to buy food and keep it around. it's okay to utilize these programs, that's what they're there for.

[aroallo-corvid]

Aroallo is not an "adult" sexuality

[plain text: Aroallo is not an "adult" sexuality]

I am aromantic and allosexual. I am also (as of writing this) a minor. TLDR at the end because I rambled on a bit.

There's a view in society that sexuality and sex are topics that are entirely irrelevant to children and should not be discussed around/with children because it is inappropriate/predatory. And to an extent, there is a point to that, and any discussions of sex and sexuality should be age-appropriate (e.g. an eleven year old would not receive the same sex ed as a sixteen year old because there is a vast difference in experience)

However, thinking like this leads to teenagers not being given proper sex education because they are "too young", which is wildly ignorant of the fact that a decent proportion of teenagers older than sixteen are sexually active. I live in the UK where the age of consent is 16, and I know plenty of people who were in relationships aged 14/15 were having sex. (Whether they weer mature enough to is another matter, but it's important to acknowledge that it does happen so there is no point ignoring this).

This rhetoric also leads to the belief that teens (and younger kids) shouldn't be coming out as gay/lesbian/bisexual/asexual/aromantic/etc. because they are too young to be thinking about sexuality and sexual attractiveness, which just.... isn't true. Many young people have crushes, and as the majority of people are allosexual, this does often involve sexual attraction as people mature through puberty.

Within the queer community, people have said that it is perfectly fine and normal and common for teenagers to come out as gay, lesbian, bisexual, asexual - Because if a teen can be straight, they can also be queer. These arguments are all set out beautifully and the points well made.

Yet.

Some people exclude aroallo people from that. They say that teens can be asexual, because they can know they aren't experience sexual attraction like their peers, and teens can be aromantic as well as asexual because they can realise they also aren't experiencing romantic attraction. But when a teenager says they are on the aromantic spectrum but still allosexual, often the same people who defend teens' rights to be (for example) bisexual turn around and say "you're too young for that".

Why?

Honestly, it comes down to sex-negative views that sex is inherently impure/disgusting, and of course children are the perfect example of purity and innocence, so they shouldn't be thinking about such "dirty" topics.

Of course a teenager can be asexual, that distances them from icky gross sex & means they would likely to be only engaging in chaste, pure, wonderful romance. Of course a teenager can be aroace, that makes them little cinnamon infantile babies, safe from all sexuality. (/sarcasm) (Also completely ignores the existence of sex-favourable aces and aroaces)

It comes off as very hypocritical though, because a teenager identifying as bisexual but not aromantic (so biromantic, but that distinction isn't typically made) is seen as acceptable, when they are expressing the same sexual desires as a teenager who is bisexual and aromantic. The only difference is that the first teenagers' sexuality is seen to be "balanced out" by the presence of nice wholesome romance.

tldr: if teenagers can identify as bisexual/gay/lesbian/pansexual/etc. whilst being alloromantic, it is hypocritical to say a teenager cannot identify as one of the above sexualities whilst being aromantic, because romance is not inherently more pure than sex and sex is not inherently impure.

[spanktony]

MISSED OPPORTUNITIES - maddy perez

summary: you can paired up with maddy for a project, little do you know there’s some lingering feelings in the air.

words: 3.8k

warnings: 18+, riding, g!p reader, reader being oblivious, rue, elliot & reader talk abt pegging and b*ssy 😭

notes: might be ooc maddy or bad dialogue, haven’t wrote for my baby in a while! sorry!

navigation. request.

"Maddy and Y/N."

Maddy didn't exactly know you, but yes, she's seen you. She had noticed you from a distance, watching as you'd come to school on your skateboard nearly every day, and on the days you didn't, you'd gotten a ride from Elliot.

Then you'd proceed to come into fifth period with baggy pants, a beanie on your head, and a nonchalant attitude.

Maddy wondered what it would be like to strike up a conversation with you. But, Maddy couldn't gather the courage to approach you, fearing rejection or awkwardness.

Maddy often found herself stealing glances at you during class, watching you bop your head to the music playing through your earphones.

Maddy couldn't help but wonder what kind of music you were listening to and if you'd ever consider sharing your playlist with her.

You take your wired airpod out of your ear, making sure you heard your teacher correctly. You glance around the classroom, catching Maddy's eye. She quickly looks away, blushing slightly.

"So! Now to go over your assignment." You lean back in your chair, listening to the instructions your teacher is giving. "As we all know, spring break is coming up, and I'm sure many of you have exciting plans. Although, the school wants to do something fun to celebrate the break. We thought it would be a great idea for you guys to come up with an event-type fundraiser for the school. It could be anything from a bake sale to a talent show, as long as it's creative and engaging."

Your teacher pauses, scanning the room for reactions. "Then, once you finish your assignment, the school will vote for the best event idea, and we will make it happen during spring break. This way, you will not only have a chance to showcase your creativity but also contribute to the school community in a meaningful way. So, let's brainstorm and come up with some amazing event ideas that will make this spring break even more memorable!"

Your teacher claps, encouraging the class to get up and start sharing their event ideas with their partner. The class gets up, except for you. You hesitate for a moment, feeling a bit unsure about Maddy being your partner.

Now, you didn't know Maddy personally, but you had heard some rumors about her, and you knew her boyfriend, Nate, a dickhead who'd often cause trouble. One time, Nate chased you with her truck, nearly running you over as you frantically tried to escape on your skateboard.

You never talked to Nate nor even looked his way, but he had always given you menacing looks whenever you crossed paths, along with the rest of the football team. It was tiring, annoying, and made you feel constantly on edge whenever you were near them.

You're knocked out of your thoughts when Maddy appears in front of your sight, a slight smile on her lips. "Y/N, right?" You nod, sitting up in your seat. "Yeah..." Maddy chuckles and nods, her smile widening.

"Were you gonna keep thinking about the great depression or come over to my desk so we can discuss this project?" You crack a smile at Maddy's playful comment and quickly gather your belongings, making your way over to her desk.

-

You're at Maddy's house. It's been a week since you've been working on the project together. Maddy had a completely different personality from her boyfriend. She was inviting but at the same time closed off, she'd open up about her interests and passions but rarely talked about her personal life or emotions.

You move to the edge of the bed, taking your notebook with you. "So...uh, so far we have a spring dance, a photography exhibit, and a...twerk party? Did you add that one?"

Maddy giggles, hiding her face behind her hands. "No, that one was all you," she says, her laughter contagious. "I swear I didn't write that." You can't help but smile at Maddy's infectious laughter. It's refreshing to see her so carefree and playful, even if she still keeps certain aspects of herself guarded.

Maddy crawls to the edge of the bed, leaning in to read the notebook. You hold in your breath, her being so close to you, sending a rush of warmth through your body. "You can add karaoke, that sounds fun," Maddy suggests, you nod, taking the pencil from behind your ear and jotting down her suggestion in the notebook.

Maddy bites down on her lip, watching you with a smile. "What...?" You whisper, confused and intrigued by her sudden change in demeanor. She leans in closer, her eyes dancing across your face.

"Do you always ride your skateboard to school? I've been meaning to ask." You feel a flutter of excitement at Maddy's interest in your daily routine. "Yeah, I've been skateboarding to school for a while now. I have a car, but it's more fun, to be honest," you reply, fiddling with the pencil in your hands.

Maddy's eyes fall to your skateboard propped on her wall before falling back on you. "You look hot when you ride it too." Her compliment catches you off guard, and a blush creeps up on your cheeks. "Thanks, Maddy," you say with a shy smile.

"We can take a break," Maddy suggests, taking the notebook out of your lap and setting it aside. You lay back against Maddy's bed, and she does the same, turning her head towards you.

"Any more ideas?" You ask, turning your head towards her. Maddy smiles, "Girl, what part of a break don't you understand?" You chuckle at Maddy's response, your face heating up. "Sorry."

"It's okay," Maddy reassures you, her eyes twinkling with amusement. You turn on your side, propping your head up with your hand. Maddy does the same, jokingly mocking you. "You know, I was thinking we should totally have a secret handshake. Something so ridiculous, only we'd get it."

You laugh at Maddy's suggestion, imagining the two of you coming up with a silly secret handshake. "Like what?"

Maddy sits up, sitting on her feet. You sit up as well, sitting criss-cross apple sauce. Maddy softly takes your hand, "We could dap up..." She moves your hand to the side and starts doing a series of intricate hand movements, "then do a link our pinkies...and seal it with a kiss."

You watch in awe as Maddy effortlessly demonstrates the complex sequence of hand movements. The idea of sealing the secret handshake with a kiss makes you blush, feeling as if you were floating on cloud nine.

"Ready?" Maddy asks, her eyes filled with excitement. You nod eagerly, beginning the intricate hand movements. As you mirror Maddy's movements, your fingers fumble at first, but with each repetition, you start to gain confidence and precision, sealing it with a kiss every time.

"Maddy!" Someone shouts from behind, interrupting your secret handshake. Startled, you quickly break away, turning around to see Maddy's mom at the door. "Dinners ready."

You exchange a sheepish glance with Maddy. "I should probably get going." You say to Maddy, glancing at her door, her mom now gone. Maddy nods understandingly, a hint of disappointment in her eyes. "Yeah, I guess we can finish practicing our handshake later," she says with a small smile.

You reluctantly leave, and you can't help but feel a sense of anticipation for the next time you see Maddy.

-

You lean against Rue's locker, watching the students pass by in the bustling hallway. Thoughts of Maddy replay in your mind making you smile to yourself. Maybe there's something more between you two than just friendship.

But your smile fades, remembering Nate Jacobs. We're they still together? How bad would it be if you did try to pursue Maddy?

Regardless of the bad thoughts running through your head, you can't deny the growing connection you feel towards her, leaving you torn between taking a chance or playing it safe.

You take out your airpod, glancing between Elliot and Rue. "Guys...am I attractive?" Elliot and Rue stop their conversation, exchanging puzzled looks. "Yes," Elliot simply says.

"I'd say so, yes," Rue adds, nodding her head.

Their affirmations boost your confidence, but a part of you still questions if their opinions are biased. Nevertheless, their words provide a small glimmer of hope that pursuing something with Maddy might not be as complicated as you initially thought.

"Let's say...there's this girl, right?" They both nod, and you continue. "And...she's like...giving... I want you, but I don't know if you want me vibes, you know?" Elliot raises an eyebrow while Rue stares at you, waiting for you to elaborate.

"Like! I know she likes likes me, but I don't know how to let her know I like like her." You pause for a moment, trying to find the right words to convey your dilemma. "It's like we're both playing this game and we're afraid to make the first move because we don't want to get rejected or ruin our friendship."

Rue shrugs. "Sounds like you both need a little push," she suggests. "Maybe stop being a little bitch and make a move?" You chuckle nervously at Rue's straightforward advice, appreciating her bluntness. "I guess you're right," you reply.

Elliot puts his hands on his hips. "But are you not curious as to who she's talking about?" Elliot asks Rue, raising an eyebrow.

"It's probably BB." You grimace, "That's not funny, Rue." Elliot tilts his head, confused. "BB? Like, the vape addict, BB?" Rue nods at Elliot, confirming his suspicions.

"You're gross..." He mutters, frowning at you. You make a blank face, "It's not BB, bro."

Elliot puts a hand over his heart. "Oh, thank god." "Who is it then?" Elliot asks, his curiosity piqued. You pause for a moment, debating whether or not to reveal the truth. "Uh..."

Just then, Maddy walks up to you, smiling slightly. "Hey, Y/N." You smile, giving the girl a small wave. "Hey, Rue and Elliot," Maddy adds, earning tight-lipped smiles and nods from the two.

Maddy then holds out her hand, and you're surprised she'd wanna do the handshake in front of Elliot and Rue. You quickly glance at them before reluctantly taking Maddy's hand and reciprocating the handshake, indeed ending it with a kiss.

While you release your grip, you notice a flicker of confusion in Elliot's eyes, but he remains silent. Rue, on the other hand, seems unfazed and continues to observe the interaction with a calm expression.

"Walk me to class?" Maddy asks. You hesitate for a moment, aware of the potential consequences of being seen together, but ultimately decide to go along with it. "Sure," you respond, offering her a small smile as the two of you start walking towards her class.

As expected, Nate Jacobs passed the two of you without acknowledging your presence. He keeps his gaze straight ahead, seemingly lost in his own thoughts. You turn around to see if he's still watching, but he's already disappeared into the crowd of students. You feel a sense of relief, grateful that he didn't make a scene or confront you about being with Maddy.

-

Elliot takes a hit of his cigarette, exhaling a cloud of smoke into the air. Rue lets out a sigh. "I can't believe a community service event won against your and Maddy's spring dance."

You shrug. "I don't really care. I still got the A." Elliot nods. "So, do you and Maddy still talk? Or have you been talking during the break?"

You hum, "Yeah, we'll Facetime a bit and hang out every now and then." Elliot raises an eyebrow. "Interesting. Are you two just friends, or is there something more going on?"

"Just friends." You confirm. Rue cuts in, "Because you're a little bitchhhh..." You roll your eyes at Rue's comment. "Aren't you the one who nearly skipped town with Jules?"

"Yeah, well, that's different. Jules and I have a deeper connection," Rue retorts defensively. You shake your head, not wanting to get into an argument with Rue. "Whatever."

You glance at Elliot, hoping to change the subject. "So, Elliot, what about you? Are you seeing anyone special?" Elliot chuckles and shakes his head. "Nope, just enjoying the single life for now."

"I think he secretly wants to have a threesome with Jules and me." You and Elliot burst into laughter at Rue's comment, finding it amusing but also slightly uncomfortable. "I think you and Jules want me to want to have a threesome with you guys so you can feel good about yourselves."

Rue raises an eyebrow playfully. "Oh, is that what you think? You're totally wrong."

"What if we had a threesome?" Elliot suggests, jokingly. Rue laughs. "Yeah, and we just pegged Elliot the entire time." Elliot joins in on the laughter but quickly interjects, "Woah, woah! Why me?"

Rue smirks mischievously. "Well, you did bring up the idea, didn't you? It's only fair that you take the spotlight." Elliot's face turns slightly red as he stammers, "I-I was just kidding! I didn't actually mean it!"

You grimace, "Enough about pegging! I just got reminded of Silento."

"Silento? What does he have to do with this conversation?" Rue asks, raising an eyebrow.

Elliot mouths, "Bussy," and Rue frowns, fake gagging.

Your phone vibrates in your pocket, distracting you from the strange conversation. You quickly pull it out to see a message from Maddy, smiling at the message.

maddy - wyd

"Maddy just texted me, what am I doing?" Rue lets out a dramatic gasp. "She's a wyd warrior? Brace yourself, Y/N." You chuckle at Rue's dramatic reaction.

you - nm, u?

maddy - home alone and extremely bored

maddy - you wanna come over?

"Holy shit." Elliot is nearly breaking his neck to look at your phone screen. "Maddy wants you to come over? She def wants to fuck." You raise an eyebrow at Elliot's assumption and shake your head.

"No she doesn't." You look at Elliot who stares at you with a raised eyebrow. "She doesn't!"

Rue joins in, "Then she would've asked for Cassie. Not you." Elliot nods in agreement. "And she's home alone."

You consider their points for a moment, realizing that they may have a valid argument. Anyway, you still believe that Maddy's intention is simply to alleviate her boredom. "Well, maybe she just feels more comfortable hanging out with me," you suggest.

"Why are you plotting your own downfall?" Rue raises an eyebrow, questioning your reasoning. Elliot chimes in, "If Maddy wanted company, she could have invited anyone else. It seems weird that she specifically asked for you."

you - omw

You get up from the bed and say, "See you guys later."

Rue yells after you, "Don't be a little bitch!"

-

"Why are your parents out?" You ask Maddy, plopping down on her bed. Maddy shrugs and replies, "They went out for dinner. My dad finally found a job."

You raise an eyebrow at Maddy's response and ask, "So why did you specifically want me to come over tonight?" Maddy hesitates for a moment before saying, "I just thought it would be nice to have some company."

You sense there's something more to Maddy's invitation, but you decide not to push further. Instead, you lean back on her bed and let out a contented sigh. Maddy sits on her feet before lying down beside you.

"You smell like cigarettes." You glance at Maddy, slightly surprised by her comment. "Oh, sorry about that," you say, realizing that the faint smell of cigarettes must have clung to your clothes from earlier. "I was hanging out with some friends earlier, and they were smoking."

Maddy stares at your face, and you feel yourself becoming self-conscious under her gaze. "I am so jealous of your eyebrows," her thumb begins, tracing the shape of your brow.

"They're so perfectly arched," she continues, a small smile playing on her lips. You feel a blush creeping up your cheeks as you thank her for the compliment, appreciating her attention to detail.

Maddy's eyes leave your eyebrows and fall to your lips. You notice a flicker of curiosity in her gaze as she leans in slightly. You clench your jaw, frozen in place, you were nervous as fuck. Your heart pounds in your chest, unsure of what might happen next.

Maddy pauses for a moment, her eyes searching yours for any sign of hesitation or discomfort. Sensing your unease, she leans back slightly, giving you space.

Shit...did you just blow it? You watch Maddy's reaction, you try to gather your thoughts and find the right words to salvage the moment. The silence hangs heavy in the air, and you swallow hard, feeling the weight of the missed opportunity.

-

"No fucking way," Elliot mumbles as you finish your sentence. He shakes his head in disbelief. "You fumbled badly."

You run a hand down your face, "I know." Elliot pats you on the back, "Have fun dealing with that one. I gotta get to class."

You narrow your eyes, "Since when did you start going to class?"

Elliot chuckles, "Since I realized that I might not be getting my diploma." You give him a playful shove, "Well, good luck with that. Maybe I'll see you at graduation."

Elliot raises an eyebrow, "Don't hold your breath." He turns and walks away, leaving you alone to ponder the consequences of your missed kiss with Maddy.

You lean against your locker, scrolling through your playlists before landing on the one you made for Maddy. Well, she didn't know you did because you hadn't shown her yet.

You press play, and the familiar melodies fill your ears, but suddenly your headphones get snatched from your ear. You lift your head to see one of the footballers, Tyler, smirking down at you. "Who the hell still wears wires?"

You roll your eyes, annoyed by Tyler's interruption, reaching out to grab them back. Tyler chuckles and shrugs, moving them before you can reach them. "You should upgrade to wireless, man. It's the future," he says with a teasing tone.

"You're so fucking annoying." You mumble, exasperated by Tyler's teasing. "What the fuck did you just say to me?" Tyler's smirk fades as he hears your response, his playful demeanor turning more serious.

He leans in closer, his voice lowering as he confronts you. "You better watch your mouth, or you'll regret it."

"This isn't some Disney show, dude. Can I just have my headphones back?" You ask, trying to diffuse the tension. Tyler's eyes narrow as he considers your request, his grip on your headphones tightening. "Maybe I'll give them back if you apologize," he proposes, a hint of superiority in his voice.

"Nah, man. I can always buy another pair." You say, attempting to walk away from the escalating situation. But before you can take a step, Tyler slams you back against the locker, throwing your headphones on the ground before stomping on them.

"Why? They're right there." He smirks, pointing at the broken headphones. He pats your shoulder before walking away, leaving you stunned and seething with anger. You stand there, anger boiling inside you.

He was a dickhead who obviously craved attention because he lacks it at home.

"What the hell happened to you?" You turn around to see Maddy approaching with a concerned look on her face. You take a deep breath, "Nothing, but I'm about to leave school."

Maddy's concern deepens as she notices the anger in your voice. "Are you sure you're okay? You hesitate for a moment, contemplating whether or not to confide in her about Tyler's actions. You nod, picking up your broken headphones.

"You wanna come with?" Maddy hesitates for a moment, unsure of how to respond. She finally nods and says, "Yeah, I'll come with you." You smile gratefully at her.

-

The sun has now set, and you're in your car in a secluded area. Maddy smiles, the last song on the playlist you made from her finishing. "Send me that now!"

You laugh, "I will, swear."

You feel a sense of relief knowing that Maddy enjoyed the playlist you made for her. You meet Maddy's gaze, and your heart swells with gratitude for her presence and the connection you share.

Rue's words echo in your mind, "Don't be a little bitch."

You take a deep breath, letting Rue's words motivate you to push through any fear or hesitation. You softly place a hand on Maddy's cheek, pulling her into a gentle kiss. Maddy sinks in the kiss, leaning forward to deepen the kiss.

The kiss deepens, and you can feel Maddy's nails lightly graze the back of your neck, sending shivers down your spine. Without hesitating, you pull the Latina into your lap with slightly shaking hands.

You pull away in a desperate need for air, but Maddy takes this as a chance to attack your neck, nipping and sucking on your sensitive skin, while grinding in your lap.

You let out a low groan, grasping her hips tightly as you surrender to the energy between you. Maddy's lips trail to your neck, to your jaw, and then back in an intense kiss, her hands roaming over your body.

The kiss becomes messy, her tongue sliding against yours, making your head swim with lust.  Your hands lift her skirt up, feeling the heat and smoothness of her thighs beneath your fingertips.

Maddy's breath hitches, pulling away from the kiss. You think you've done something wrong, but then you see the hunger in her eyes and the way her chest rises and falls rapidly. She leans in close, whispering in your ear, "I wanna ride you so bad."

Heat pools in your lower abdomen as you imagine Maddy straddling you, her body pressed against yours, moving in sync with your every touch. You bring Maddy into another kiss, she begins to grind on your hard-on, her movements becoming more urgent and desperate.

You lift Maddy up slightly, pulling down your pants with one hand while supporting her with the other. You reach back into her skirt, moving her underwear aside, before sliding into her wetness. 

Maddy moans softly, her nails digging into your shoulder as she begins to move her hips in rhythm with your thrusts.

The eye contact is strong, fueling the intensity between you both. Maddy's gasps become louder, her body arching against yours in, "Mm..fuck! You feel so good, baby."

You let out a small groan, throwing your head back against your seat as the pleasure builds. Maddy's moans fill the confined space of the car, encouraging you to increase the pace, lost in the passionate moment.

Your hands grip her waist tighter, guiding her movements as the desire between you escalates.  The car rocks with each thrust, the sound of skin against skin echoing in the enclosed space. The intensity reaches its peak, and with one final gasp, Maddy explodes into a state of euphoria, holding onto you tightly.

"Y/N!!" You hold onto her, her body trembling in your arms as she catches her breath. You gently stroke her hair, whispering words of comfort and affection as you both bask in the afterglow.