#bcs why not?

[mildewewe]

Something something Kim Dokja in a cheongsam outfit

+

Bonus doodles

[hauntingrabbits]

comic

[theofficialuriel]

summary of act 1

[inkskinned]

it's extremely critical that you see the photo of the perp walk for luigi mangione as being propaganda. i've seen so many people wave it off and instead fawn over his looks. and trust me, i know it ended up being kind of pathetic and weird - but please don't brush it off as a "modelling opportunity" for him. it's a fucking terrifying message the police are sending.

i want to make a few comparisons here, in case you're not from the US or familiar with why the perp walk thing is something to pay attention to. just to set the groundwork for why this is a purposeful, unusual, and cruel act by the nyc police - for why this is not a common occurrence and for why that matters.

the prosecution alleges the show of force is due to the charge of "terrorism." for comparison, in june 2015, tsarnaev was found guilty for the boston marathon bombing, which killed 3 people and injured hundreds. his actions are considered to be an act of domestic terrorism. i have spent the last hour looking through google for pictures of similar to mangione's perp walk - and so far, i have found zero. i also just do not personally remember a moment like that, despite living in boston at the time.

they allege that luigi is a stone-cold killer who carried out a longterm plan, making him particularly dangerous. again for comparison: in nyc, recently cory martin was found guilty of the killing of brandy odom. the murder was planned and premeditated to steal insurance money. and yet no staged perp walk. why didn't her life matter enough for a "show of force"?

but mangione gets paraded by a veritable army of police officers as if he is a rabid animal. for a single citizen who allegedly killed one other single citizen, the "largest perp walk ever" occurs.

so what is the "strong message" that the mayor and the police were trying to send here? the mayor speaks as if mangione is already convicted of terrorism. there is a very thin number of people who feel threatened by the CEO's death. none of us felt like mangione needs to be under massive armed guard.

the message is that you shouldn't resist. they are trying to "make an example" of him - that if you behave badly and kill a single rich person, you'll be treated as if you killed hundreds of people. you will be treated worse than a man who was found guilty of terrorism. you will be considered guilty without trial. the message is that the rich are a protected class, and you cannot touch them without massive punishment. they are trying to prevent a revolution by showing dominance and force against you.

the message is that the police are a puppet of the wealthy and that the law is not equally applied across class disparity. it is "some are more equal than others." it is "one life is more precious than another."

the show of force wasn't for luigi. it was for us. it was a warning. they are trying to remind us who is really in control.

[clickityweasel]

had a real life "and everybody clapped" moment and im still reeling. spent the rest of the ride comparing butterfly pics with the old lady next to me trying to identify it

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[obsesssedblerd]

You look up from your book to see your husband standing over the bassinet with his arms crossed, his brow raising as he looks down inside of it with a tiny scowl. He stays like that for about a minute. You sit up in your shared bed, then call out to him. “Ryo.” 

“Hm.” He doesn’t look up. 

“May I ask what you are doing?” 

“The little brat is staring,” Sukuna says matter-of-factly. “I am simply staring at her in return.” 

Inside of the bassinet, your baby daughter coos. Her scarlet eyes—exactly like her father’s—glitter with interest. You hear her giggle, and you scoff lightly and return your gaze to your book. “She thinks you’re playing a game.” 

“I am doing no such thing.” 

You flip a page. “Put a hand over your face for a few seconds.” He doesn’t respond, but you know he listens. “M’kay, now lift.” There’s silence for a few seconds, then your daughter bursts into a fit of giggles. 

Sukuna rolls his eyes. “I do not understand what is so entertaining about that.” When you look up again, you see that he’s covering his face again, then revealing himself to get the same reaction from the baby.

“It’s called peek-a-boo. It’s a game most babies love to play.” 

The little princess babbles as she lifts her arms up, and Sukuna tilts his head. “I have no idea what you’re talking about.” 

You snicker. “One: You’ll figure out what she’s saying the more you talk with her. Two: She wants you to pick her up.” 

He sighs dramatically, then reaches into the bassinet to pick up the small girl. Though she has her father’s eyes, she has your hair, the shape of your nose, and your ears. She also has your fearlessness, because she smiles directly in the face of the king of curses. Now at his eye level, she reaches her arms towards him excitedly. “What is it now, you brat? I’m already carrying you.” 

He looks over at you in question, and your smile grows. “She wants to touch your face,” you say. 

“Why?” 

“Because she’s a baby, and she’s curious.” 

Sukuna pulls her closer, and once in range, his daughter lays her tiny hands against his marked face. She giggles more, and you can see his eyes soften. “Hmph. You have your mother’s smile.” 

— — — —

The next morning, you walk into the kitchen where you hear Sukuna speaking with someone. When he turns to the side, you see your daughter nestled in the crook of one of his muscular arms, staring up at him as he concluded whatever story he was telling her. 

“...At the end of the battle, only I remained. Victory was mine.” 

The baby babbles excitedly, and Sukuna scoffs. “Ha, you will do no such thing. How do you expect to join me in battle when you aren’t even a year old, brat?” 

Her face scrunches in what looks like annoyance, and she repeats to him what he taught her the night before. “Hmph.” 

You burst into laughter, and Sukuna raises a brow at the little girl in his arms. “Great. Your mother’s smile, and her attitude.”

[bakedbananners]

it cracks me up that tatsu wanted dandadan to strictly have just a girl main character but he eventually caved and was like. fine I’ll put a boy. but I’m taking his balls away.

[donnieisaprettyboy]

can we stop pretending like it’s so super easy for trans men to pass. “oh just put on a baggy shirt and cut your hair-“ it literally doesn’t work like that and I refuse to believe you actually think it’s that easy

[yakityyaku]

very funny (irritating) to me that everyone whined and yelled about stupid rainbow capitalism and how performative wokeness/allyship is a net bad we should all refuse to support and now like.

tumblr is doing nothing for pride and target isn't selling much (if any) of their pride collection offline except at certain stores (in democratic areas, basically) and build a bear has a much tinier collection than normal and all the actual pride stuff is on their "adult" website (not sure if it's in stores, but pride = adult is a hell of a message)

there are genuinely good criticisms for performative allyship in all its applications. it shouldn't be the only thing we expect from people and companies. but if all the shit I see being called performative stopped tomorrow then in terms of the LGBTQ+ community especially we just. wouldn't talk about queerness or queer issues or celebrate pride or do anything.

open your fucking eyes. we are very close politically to having gay marriage rolled back. now companies are basically being let off the hook to even make a miniscule effort (which matters to the people who don't have access to any other kind of support in their communities! which normalizes the community in public spaces!) because the only reaction they have gotten over the last few years are negative ones from BOTH sides.

we are so entrenched in discourse at all times for the sake of our OWN performance of who is the wokest and who is REALLY an ally or a good community member that we have basically handed over all the work of activists of the last several decades to the other side because we'd rather scream at each other over fucking chicken restaurants and shit than the real life backsliding that's happening.

and this goes for other shit too. feminism, poc rights, all of it.

also. trans rights aren't discourse and aren't just culture war arguments. in case any terfs think they can spin this to be antitrans.

[despazito]

Adult website and period tracker

[phanfuckingtasmal]

im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[gunstellations]

[inkskinned]

the tradwife movement is the same as it has always been - back in the kitchen, back to breeding - it just has better branding.

when i was younger, i hated pink. i was not like other girls. this is now something i'm embarrassed of - this was not me being a "girl's girl."

but it was expressing something many of us felt at the time: i literally wasn't what girlhood was supposed to be. this is a hard thing to explain, but you know when you're not performing girlhood correctly. it isn't as easy as "i liked x when girls liked y" - because there were other girls that liked x, too - but i never figured out exactly the correct way to like x, or to be interested in y.

now there is the divine feminine. this is the same rhetoric it has always been: women are biologically driven to like pink and ribbons and submitting to our husbands.

the problem is that the patriarchy found a better PR team. because yes, actually, i want every woman to have the choice to be a homemaker. i also want her taken seriously for her legitimate home-making labor. i want her to be recognized as also having a job, just unpaid. i want men to have this opportunity, too.

but it is no longer "i made this choice and I love it." instead it is a sixteen-paragraph rant about how selfish it is that my generation isn't having kids. instead it's long videos about how if you feed your children processed foods, you're going to kill them. instead it is "this is what womanhood is supposed to be. i feel bad for any other choices you're making."

the shame spiral is just prettier. it is large houses devoid of personality. it is the implication: if you don't have this, you aren't happy. the solid, everlasting assurance: women are actually supposed to be submitting. this is the default. this is the natural state of things. all other attempts inflict suffering.

but you can no longer say i'm not like other girls. you can no longer reject this image completely. you cannot find it revolting, even if you know that the underbelly is toxic and festering. sure, it is the same repackaged patriarchy. but the internet does not have shades of grey. you should support and reward other women! your disgust is actually internalized misogyny. not because you are seeing a vision of yourself the way they're trying to train you to be. not because you feel her ghost pass within an inch of your earlobe. not because your father will eventually ask you - why can't you be like her?

because they figured out how to make it beautiful: women will sell other women on this idea, and we will find the singular loophole in feminism. sure, she's shaming you in most of her videos. sure, she implies that a different life is obscene. but she just wants you to be happy! you'd be happier if you were listening!

and the whole time you're sitting there thinking: i'd actually just be happier if i had that kind of money.

[shepscapades]

Insanely normal Freudian slip