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[withered--s0uls]

🍫 💎 :3

Zeistyyyyy :3

🍫 - "Chocolate or Cheese"

Mostly depends on the type of cheese and chocolate and on my mood that day.

But I guess, logically, I'd go with cheese. I like more types of cheese than chocolate, so if I suddenly only had the option to eat one of them, I'd have more varieties left with cheese :3

That being said, I do tend to get random cravings so sweets like chocolate, so theres that 😭

💎 - "Most Prized Posession"

There are many things I'd get genuinely sad if I were to lose them. But circling through them, I suppose any art/fic my friends ever made for me. When one of my friends wrote a oneshot about my Genshin ship kids a year ago I genuinely teared up (/pos) knowing someone liked my little babies enough to write about them.

I also still keep drawings that friends & followers, or even art fight opponents, made of my ocs and AUs all the way back to 2015, both physical ones and digital ones, if I can (I also keep commissions I requested, even if they were of fav charas instead of ocs!).

They mean a lot to me and it genuinely makes me so happy to look at them.

I know @k1tt1xruby always seems surprised when I say I still have the drawings she made for me all the way back to when we were 12-13 & 13-14, but I do really still have most of them (if not all). They mean the world to me, knowing that someone cared enough and liked my characters enough to draw them.

I do still have drawings from my amino days and back when I was on FNaF Oc Instagram years ago too, and I'm sad to admit for many of them I lost the credits to the artists as time went on due to deleted accounts, or even lost drawings because they were made before I compiled the folder on my phone. I obviously don't share any I no longer know the credits of, and even the ones I know the artists of I do not share their older art publicly out of respect.

Idk, I guess it just really makes me happy to keep them as a memory. Even if I lose touch with these people, I'll always have something to remember them by even a little bit.

These don't include the ones I own the physical drawing of & I'm pretty sure some of these I saved duplicates of (oops) plus some were lost before I made the folder, but regardless this is a folder I'll never clear out and that I probably should make a backup of eventually, in case something happens with my SD card. I also need to back up (my already backup) of my friends oneshot to my pc or a drive, in case google docs ever shuts down.

It just makes me really happy to look through it <3

You in particular may have noticed that one of my love languages is to draw my friends ocs or aus (or otherwise engage with them) :" so you can probably imagine how much it means to me if someone does the same for me.

[crow-enthusiast]

hey there’s something i haven’t seen people talking about in deadpool and wolverine

in the car fight the blood on logan’s face in this frame is from wades wounds above him. he’s smiling like that as wades blood drips into his mouth… which could mean nothing

[mokeonn]

I am trying to decide what I want to draw today so I think I'm gonna make the Mane 6 in the sims and see where it goes from there

[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[hinamie]

for @cherryys who (rightfully!) hcs lategame megumi as having a bunch of scars befitting his status as resident punching bag

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[lowrezbonuslevel]

normal rulers that can be trusted with physical and political power

day 5: royal (magolor and sectonia team-up would be fire. also they are bffs. to me)

They definitely give each other relationship advice too, because their love lives are the worst best in Dream Land

(rest of the comic under the cut)

master crown KNOWS this bastard isn't pulling

[pxltown]

🎇 morensong, tomarang

[red-dyed-sarumane]

idk how many of u were around for it so one of my favorite vocaP interactions has to be this one.

iyowa posted a blank tweet(which btw u need a special character input to do). hiiragi magnetite replied to it with! a blank tweet. to which iyowa replied with, yet again, a blank tweet

so in response to that hiiragi magnetite quote retweeted and left that blank

iyowa took it a step further by screenshotting the qrt and posting that in a blank post

and then hiiragi magnetite took a screenshot of that and posted their own blank tweet

so obviously the next logical step was for iyowa to print out that tweet and tape it to their wall providing very helpful alt text that's, as u may guess, blank

but it doesn't end there because hiiragi magnetite takes the pic of it taped to the wall and makes towel out of it (theres 2 more pics in a reply to it proving its real)

and to top it all off iyowa took the picture of the towel and made a puzzle out of it and, again, the alt text is blank

and so far that is where this exchange ends

[strangecowplant]

couple quick gothies for goth day 🖤

[a2zillustration]

The final day

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[rockpaperscissuhs]

HISPANIC HERITAGE MONTH + BAND OF BROTHERS:

JOSEPH "JOE" RAMIREZ

Born October 5th, 1921, in Nebraska

Died April 8th, 1988 (age 66), in Martinez, California

Joe Ramirez enlisted in September 1942 (age 20) in San Francisco, CA, and he trained with Easy Company at Toccoa. Holding the rank of Private, he served in Normandy, Holland, and Bastogne. He was hospitalized in January 1945, and discharged in July 1945. After the war, he was married for many years, and had children and grandchildren. When he passed away he was buried with his wife, who had passed away 11 years earlier. Further information about him is scarce, but the brief character profile in the Band of Brothers series bible describes him as Mexican-American, and his personality as "sensitive and nervous."

Appears in Episodes 1, 3-8, and 10; portrayed by actor Rene L. Moreno

Sources below

A million thanks to @bleedingcoffee42 for tracking down this info for me!

[caluupin]

Justice trio I never knew I wanted until now

[iindigoeyed]

i imagine felix explained to kagami that he was transmasc and she was like "you can do that? really?!" and then felix lent them his old binder and well, you get it.

bonus:

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[astrolotte]

I love the fact that ANW made Peri interested in dentistry. It's such a niche job (especially considering godparenting is so different) so it inherently adds a lot to his character because... why the fuck is he interested in dentistry as a magical fairy who can do anything. How did he discover this interest. Why did he pursue it enough to get offered a job and then pivot to godparenting. What's wrong with this guy. What's wrong with this guy in general.