#basically what i'm saying is i love people and i love art and i love you

[marsprincess889]

Yoni animal observations

I did something similar with nakshatras. This is them in a very simple way. This is based on traditional associations as well as my own observations of real life and art. 💕 The word "yoni", as well as meaning the female reproductive organ, also means "origin". Yoni animal represents the instinct of the nakshatra and ultimately, reveals its true core nature.

Also, disclaimer: it's very sad that I have to say this, and apologies if you're not one of those people, but if you're going to correct anything in this post by writing one or more long paragraphs of why you think I'm wrong, you might as well just start your own blog or make your own post about the subject. I've been observing yoni animals for years and I'm kind of sorry if any of this offends you, but I'm not trying to attack anyone personally, or even a specific placement (nakshatras in this case), cause that's just dumb. Of course, everyone is free to express their opinions but please do it politely and have some respect for the person who took their time to gain and share knowledge. It's very easy to correct others, it's very hard to be faultless yourself. So, factual corrections are always welcome(say someone got someone's chart placement wrong, or they have written a factually incorrect association, like if they were to write that Jyeshta is fierce as opposed to sharp/cruel in nature.), but, once again, everyone's view is different and so either respect mine or don't write anything at all.

With that being said, you can now enjoy this post💕

Horse yonis

Ashwini and Shatabhisha

Keywords: activity, simplicity, masculinity(solar/yang), independence, healing.

Straightforward people. They might tend to have black and white thinking, can be very blunt with their delivery and definitely prone to "deafness": not hearing others' views. Simple and utilitarian, goal-oriented. Their presence might not be really noticed until the moment they suddenly speak up about or act on something. Love to point stuff out. Either quiet or very precise while speaking. Not aggressive but can be combative. Most likely will oppose someone before making peace. Independence>sharing. Don't like anything "unnecessary", love to get to the point.

Elephant yonis

Bharani and Revati

Keywords: slow, authority, time, timelessness, strength, transitions, protection, completion, gentleness, complexity, depth.

Not revealing their innermost selves, only revealing it to a select group of people, if to anyone. They attach meaning to things based on their experiences. Protective and gentle with each other, closed off to most of the others. Very private. Not really concerned with trends. Observant but not quick to act. Can have many sides to them that some others might fail to understand. Have an air of wisdom, but not that of arrogance. Still, they are the most likely to knowingly take the high road but still protect their peace, making them very exclusive, although it's never for show. Defensive but quietly so. Accomodating to some degree on the outside, there's always more to them than what's obvious. See the bigger picture in every situation. They have a certain quiet strength and power. Nurture is important to them. Do not appreciate unnecessary aggression and try to dominate over anything they consider harsh/crude.

Sheep yonis

Krittika and Pushya

Keywords: precision, structure, minimalism, choosiness, contained.

Do not like excess in anything. They have a sense of balance, usually in almost everything. Prioritize sctructure and basics/essentials. Like clarity and clear-cut lines in their lives and around them. Can be snappy, but in a passive-aggressive way. Not harsh in a heavy/overwhelming way but still harsh about details. Have a soft demeanor with strangers and acquaintances, sometimes even people close to them in everyday life but can judge them quietly. Neutral to friendly on the outside, but if they have uncomfortable emotions they try hard to release them quietly/without much fuss. Might bottle up resentment in result. Very utilitarian and practical.

Snake yonis

Rohini and Mrigashira

Keywords: enjoyment, ease, materialism, basic awareness, growth, progress, sensory indulgence, instincts.

Very placid and calm. They focus mainly on material things but can live without luxuries, and can also share them, although privacy is very important to them. Very aware of their surroundings and their own presence. Attuned to their senses. Can get easily attached to people and things. Can exhibit selfish tendencies(or that's how it looks to others) when they feel like their desires are ignored, but Rohini and Mrigashira each do it differently.

Dog yonis

Ardra and Mula

Keywords: upheaval, critical point, rebelling, release, change, anchoring.

Tense but not frail. Might look tortured sometimes. Do not like to and probably even cannot focus on details, at least not how it's traditionally done(different to each situation). Like to display their individuality in one way or another. Dark humor or sassy comebacks. Either quiet or very loud, but either way, opinionated. If they're neutral then they're opinionated about being neutral. Can be kind of nihilistic but at peace with it. Contrarian and unapologetic. If they don't care about something you can't make them care. If they do care, they care intensely.

Cat yonis

Punarvasu and Ashlesha

Keywords: accumulation, buildup, purity, safety, protection, preservation, cycles.

Concerned with what influences them, not so much what they put out. Self-focused but also highly aware of others' needs. Can adapt to surroundings and can change their behavior based on what they need or really want. Not unkind but laser-focused on the boundaries. Always keep their cards close to their chest, not out of malice but simply to preserve their safety. Look more unnaproachable than they really are, and know more than they share with most.

Rat yonis

Magha and Purva Phalguni

Keywords: dispersion, creativity, planting seeds, the self.

Can be egocentric. Prideful and nonchalant. Love to show off. Might be aware of surroundings to some degree but even if they are, they rarely care. Getting what they want is the priority, along with self-expression. Not very moralistic, don't care much about labels. Sometimes they can be too detached. Will almost never catch them crying in front of others, although they can be dramatic if they want and can, without a problem, attract their dwsired attention. Their happiness is more warm and generous than loud and euphoric. Might have a poker face, they rarely show strong emotions. The strongest emotion I've seen them express is that of defensiveness, and that's not even an emotion. When they get defensive it's almost always because something has touched their pride or triggered their ego. Focused on what they can do.

Cow yonis

Uttara Phalguni and Uttara Bhadrapada

Keywords: stability, the long-term results, natural, softness, power/influence, unity, calm.

Stubborn. That's the only defense they have, because otherwise they're very soft. Naturally honest. They have an effortlessness about them that feels easy to be around, and they are pleasant to be around but not accepting of everyone. They avoid people they don't like from early on and stick to the ones they consider better. Not hesitant to defend themselves or people close to them, but not quick to waste that energy on just anyone, and when they do become defensive they still maintain "the high ground". Backing their allies and fighting proudly is natural for them. Again, very stubborn, so they rarely, if ever, give up on something important. Although they're tough, they're not sharp or cruel. They are mostly in a state calmness and assuredness rather than anxious defensiveness. Very fixed and comfortable in their ways.

Buffalo yonis

Hasta and Swati

Keywords: materialism, gain, comfort, strength, feminine(yin), ease.

More attached to material things than other yonis. Individuality is defined through connections and surroundings. Love comfort and ease. Interdependence>independence. Can be curiously neutral and accomodating. Self-focused but not selfish. Often phlegmatic and slow. Genuinely caring but can be cunning. Not the most direct people. They will let others know their views but won't push them aggressively on others. Almost everything about them is filtered through that neutrality.

Tiger yonis

Chitra and Vishakha

Keywords: building, gradual, defensive, expression, buildup.

The most defensive. Can look sweet on the outside but are not all soft. Can range from extremely forgiving to extremely vengeful. Aggression comes out while speaking. Rarely, if ever, present in a state of calm melancholy. They moreso go from happy/fun to agitated. Focused on development/building, and always look for more than what's natural for them. Witty but emotionally so. If they're highly agitated, it's very hard for them to exercise restraint in the moment. Not that direct in general but unfiltered during critical moments. It's easy for them to put on a mask, whether out of neccessity or just for fun. Can be very judgemental. If they're not aware, it can make them act in a "mean" way when they feel not their best.

Rabbit/Deer yonis

Anuradha and Jyeshta

Keywords: society, organization, status quo, responsibility, transpersonal, maturing.

Very non-aggressive on the inside, despite how they might look. Naturally have endurance and a sense of responsibility. Can be judgemental but also understanding. Love to give advice. Competitive but respectful. Can become arrogant. Love everything "classic" but want to establish their own, new structures. Choosy and sometimes exclusive. More warm than they appear, and capable of more emotions than how it seems. Often traditionally intelligent. Have a very civilized behavior.

Vanar yonis

Purva Ashadha and Shravana

Keywords: flow, alliances, connections, support, creation and preservation.

Good at reading between the lines, anything too structured is harsh for them. Otherworldly aura/mannerisms. Most likely to posses what others might consider as "quirks". Value their own individuality and uniqueness. Seeks to be different from what they consider boring, normal or basic. Not very reactive. When they get defensive, they get quiet. Can romatisize sadness and melancholy. Capable of seeing both sides but are often willingly biased.

Mongoose yoni

Uttara Ashadha

Keywords: independence, solitude, practicality, victory.

Truly neutral and unbothered. Value honesty and integrity. Not attached to material things at all. Easy to be around but their regal nature might put some people ill at ease. Naturally take on leadership positions. Might feel lonely but won't trade solitude for tiring/uninteresting company. Value practicality and simplicity, and are practical themselves. Surprsingly warm and feeling in certain moments, but can also be uncaring towards others.

Lion yonis

Dhanishta and Purva Bhadrapada

Keywords: notoriety, flashiness, power, aggression, pride.

Very unfiltered and loudly so. Unashamed and bold, proud. That pride and confidence fuels their calmness, but they can lack patience. In everyday interactions they can look very unreactive but if something "triggers" them, they will not hesitate to be a little(or not so little) aggressive. Love to spread their influence. Might strongly dislike anything that looks subtle and quiet to them, as it arises distrust in them. Rarely, if ever, use/appreciate sarcasm. They prefer directness. Can slip into being a bully, or can become a proud voice for others.

[ribstongrowback]

i mean, you can replace the word "good" by "fun" if you want, because that's basically what you're doing, but the fact remains that having fun roleplaying takes skill. it takes knowing how to do it, and especially when to do it.

i'm not saying that you have to get a degree in creative writing to be good at roleplaying, or that good roleplaying is some kind of high minded high art. heck, we're talking about toxic yuri here, which is more often than not a really trashy type of fiction (one i happen to love, but i'm stating facts here, loads of toxic yuri is. like. not bad, but not what i'd call high art). i'm saying that making toxic yuri happen is not easy, especially with games that provide no hooks for it. it's something you can elaborate yourself if you're good at creating characters that are good for that and if you're good at setting up situations where the toxic yuri happens but i'll guarantee you that for the toxic yuri to be fun and engaging for everyone at the table it'll take some amount of experience and communication that not everyone is capable of right out the gate.

genuinely, look up what bleed is, look up what kind of drama can arise around roleplay, and look up the thousands of people who talk about how they find it hard to speak up, or to engage with a story, or to create an interesting character, and you'll see the myriad of ways that role playing is not easy, and part of what makes a good game is providing hooks, framings, hints, nudges, occasions that will help people who struggle with roleplay create cool/good/fun/silly/interesting/sad/powerful scenes.

and hey, if being funny comes easy for you, if you and your friends always manage to make each other laugh, if your roleplay is always exactly how you want it to be and exactly as fun for everyone around the table, pat yourself on the back, because that's not as common as you'd think. genuinely, i'm happy for you. but my post was answering the question "why do you not seize the occasion to create toxic yuri" and the answer to that question is "because not everyone can do that easily and dnd makes it hard for you".

ok but what's the purpose of playing ttrpgs if you don't take the occasional chance to just sincerely commit to a character concept that's completely fucking out there

if you're not inventing a bunch of blorbos with your friends why are you even playing a ttrpg and not just a regular board game

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[ghost-bison]

It's no bloody secret I hate ai shit. One thing I'm glad about though, is that I've spent enough time on chat gpt -having it write crossover fics for my own use cause I didn't have the courage to do it myself- to learn about its patterns, its vocabulary (EVEN the premium version cause you get free trial every day).

So if you're out there, posting ai fiction without letting people know it's not an original work, I will know. Also know that while you think you're not hurting anyone when you post that stuff, "because I clearly state that it's written by ai" YES you are.

First and foremost, you are destroying the meaning of art. Art is art because there's someone's pain, someone's joy, someone's ugliness, someone's beauty, someone's experience, someone's talent or lack thereof, someone's flaws behind it. Doesn't matter that it's good or bad so long as someone put something into it and I understand that now. Ai forced me to understand that.

Secondly, know that ai uses a database of words, expressions, jokes, prompts, and sometimes full sentences stolen directly from someone else's work out there on the internet. That clever pun chat gpt came up with that you thought "oh, I love it, I might use that"? Look it up. You've never seen it anywhere because it's someone's clever joke whose work you've never read. If you use it, it's basically like the old and loathed "copy-pasting a paragraph of a fanfic you like into your own fanfic", but with added stupidity, laziness and ignorance.

Please, write your own stuff, draw your own things. I wasn't always as good as I am today at neither of the two. Hell, I used to write a terrible Teen Wolf fanfic on Wattpad where Derek Hale had a lost twin who was prince of France, ffs. 90 chapters of absolute, plotless nonsense. But you know what? The 90th chapter was way better than the 1st one. And quite recently, I spent a few days on a Doctor Who OS and made a few strangers cry.

So what I'm saying is, don't be lazy. Read real books and clever fanfictions, cause as Virginia Woolf said, "read a thousand books and your words will flow like a river."

[tiktowafel]

do you ever think about how all you used to draw when you were 10 was ponies and that you should still know how to do that, then get an idea and proceed to draw something like these in nearly one sitting and it turns out better than any drawing you've done in the entire past month

sooo anyway does anyone have cutie mark or pony name ideas for them?? lol

[docholligay]

I don't often share my morning long reads but this is both information worth reading and is funny as hell

[bumblingbabooshka]

[TUVOKTOBER: Day 12] Casual telepathic conversation. There are some things you can't discuss with non-Vulcans.

No text!

The lady Tuvok's talking to is a canon, unnamed background character:

She's ex-Maquis and appears in like two scenes where she doesn't speak.

[eskawrites]

not to get all up in my feelings about art and creativity but today (at work, not even as a fandom thing lmao) one of my friends went out of her way to tell me how much she liked a piece of my writing. and the thing is, i wasn't even that attached to this piece. it's small and written for a work thing and a lil clunky and a lil too personal and i almost didn't share it, but i decided to anyway because whatever

but after she told me that, the first thing i did was go back and re-read it, because i wanted to see what she saw in it. not in a self-deprecating, 'why do you even like this?' way, but just because it meant enough to her to say something about it, and i wanted to read it again through her eyes and wonder which phrases made her stop and think, or how the themes hit home, or what part made her like it enough to tell me about it

and i do that with my fanfic sometimes, too. when someone points out a certain detail or predicts what will happen next or even just says they read this at 2:30 in the morning with their cat on their lap. i read those comments, and i go back and look at this story i made, and i remember that i'm real and they're real and the things i create have changed the world in some tiny, ultimately insignificant way--but it was enough to affect what someone was doing or thinking in that moment

and something i've thought a lot about since covid happened and the vast majority of my social interactions started taking place online (it's a problem, i'm working on it, but it's true nonetheless) is that art really, truly is a love language. and not just when you gift it to people, or when you use it to show appreciation, or however else it can coincide with the traditional love languages. but because it's a way to share a little piece of yourself. and it might be silly and it might be sad and it might be fun and it might be meaningful but no matter what, it comes from you. a lot of the time, it comes from a part of us that we can't really effectively express otherwise. i mean, i can say 'i love x ship' in a thousand different ways but that's never going to compare to pouring my heart into stories or arts or edits exploring all my favorite things about those characters and their dynamic. that's why 'bad' art from writers or artists who don't really know what they're doing is still good--because if it comes from you, if it has meaning to you, it's special

but the thing about love languages is that there has to be a recipient. sometimes my writing is an act of love for myself, and that's good and lovely. but other times, when i share writing with friends or fandom or just strangers on the internet who have a thing or two in common with me, when you become the recipient, it really does transform the work. all these things that are so meaningful to me that i turned them into art are suddenly meaningful to you, too. it's like confessing a secret and having someone say yeah, me too. it's vulnerability and acceptance and kinship and community. it makes me see the things i create in a whole new light. it makes me see myself in a whole new light.

[art-of-wackylurker]

Alright so I've signed up for @starwars-arttrade-2023...

Ladies, Gentlemen, and other assorted Nobles, 767th Recon Division's finest for @mire-draws-things! Not sure if these bois have established armor markings soooooooo I've came up with something fun and unique for each of them (also haven't found if Charm has a specific design yet so I made him a standard trooper but with a septum ring, if he has, sorry xd)

Just a wholesome little piece, simple and cartoonish, but that's just what we need sometimes, you know

But hold up. There's something else under the cut >:)

And of course I couldn't leave Stardust out but since the first piece was already finished when he appeared... Well that's what came out

But anyways, I hope you like these aaaaannnnnnddd have a good day <3

[glindyupland]

I just think it’s silly that so many people complain about Villain Amaya as “wasted potential” and that “we were robbed” like-

My pals, post canon fan fiction is right there. The desire to free her husband is right there. Either by touching an evil book while being too eager to remember the obsidian oil, or being possessed by contact (ie what she believes is true loves kiss) when trying to reason with him in the dungeon.

We don’t need a rewrite, we can have a continuation. Both can be true. Amaya is a complex character, she can handle it.

[giantkillerjack]

Favorite part about Death Note is that Light gets the Note and IMMEDIATELY becomes a serial killer fascist with a god complex.

No build-up, no Fall From Grace, no slow corruption of a good boy gradually becoming a monster. Just-- SPEED RUN STRATS. And I love that for him.

Tbh, I think there are a lot of folks (especially boys) from my high school days who would have immediately become monsters if given the power of life and death over every person around them.

It's kind of like how when people have apparently casual ableist beliefs, and you push them to elaborate on that just a little bit, they'll often end up openly saying stuff like "well, some people are just too disabled to be worth the resources it takes to support them." - Which is... eugenics. It's just eugenics, justified by the myth of scarcity. Now these folks almost certainly won't call it eugenics, or even think of it that way. But that doesn't make it NOT a core belief of the Nazis.

In a similar way, Light seems like a nice and well-adjusted boy with strong beliefs. No harm in that.

But to paraphrase Lindsay Ellis in her analysis of the Game of Thrones ending, "Power doesn't necessarily corrupt. Power reveals." [I think she was quoting someone else when she said this. It was someone who wrote a biography on LBJ. Whatever. Lindsay said it and she's smart as hell and I recommend her videos.]

And 15 minutes into the Death Note musical, I'm already thinking about how so many beliefs "casually" held by well-adjusted, nice people immediately reveal their monstrousness when talked through to their natural conclusion.

And I wonder how many of those people, given the power of life and death over everyone around them - the power to take their ideas to their natural conclusions - would also immediately reveal how their lack of self-reflection has laid the groundwork for them to become monsters.

[musical-chick-13]

I'm once again wondering if I should just find a super-popular ship I can stomach writing, simply so I'll have Lots Of Interaction and therefore, a higher likelihood of Lots Of Validation. Surely this is a very healthy way to think about art, especially the kind I am doing as a fun side hobby :) :) :)

[carewyncromwell]

“Is it rude to say I’d volunteer  For a day of fun just once a year? I’d fly the coop, if only I could... But I've got a really bad case of being good! I’d go find trouble if there was some to get in: Ask a friend to play if I had one to let in... Nana’s rocker sawing through the floor -- Every day just like the one before --  We lock ourselves behind that door... Is it wrong to wish for something more?

~“Good Girl Winnie Foster” from Tuck Everlasting (musical)

x~x~x~x

Carewyn’s gingham dress based on this design // original photo used for the background, edited with Lunapic! 💚

x~x~x~x

If asked about her childhood, Carewyn Cromwell would always say that even if her family was poor and she had to wear a lot of second-hand dresses when she was growing up, she, her mother Lane, and her brother Jacob still were nonetheless able to manage all right. What Carewyn often did not talk about was at just how young of an age she was forced to start looking after herself -- something that many people would look at with quite a bit more dismay than Carewyn herself did, looking back at her own circumstances. 

Now to be clear, Lane Cromwell was a very loving and caring mother -- but with the abandonment of her husband Evan and the abrupt lack of financial income that came with it, Lane had to take on the role of both breadwinner and caregiver simultaneously. While Carewyn was a toddler, that forced Lane to do menial laundry and seamstressing work from home, as well borrow some money from her good friend Judy Castine to help make ends meet until Carewyn could start public school. Once Carewyn did start school, however, Lane still couldn’t afford childcare -- and so, after doing a lot of research and preparation, Lane made the difficult decision to teach her nearly-five-year-old daughter how to walk home from her new primary school. Understandably worried for Carewyn’s safety walking anywhere by herself, Lane used both magical and Muggle means to ensure she would know Carewyn’s location at all times, on her way coming home from school. Lane made contact with several trustworthy adults along Carewyn’s route, like the elderly owner of the local ice cream parlor, Mrs. Sackett, and introduced Carewyn to each of them, so that they could help Carewyn get home in case of an emergency or even call Lane if they didn’t see Carewyn walk by at a specific time. Lane also taught Carewyn about the Knight Bus, which she could always call by sticking her left hand out over the street, just in case anyone tried to hurt or grab her. Judy even gifted Lane a small Magical-Child-Monitor watch from Diagon Alley in preparation of Carewyn’s first year at school, which could always tell Lane whether Carewyn was at “school” or “home,” whether she was “traveling,” or even whether she was “lost” or “in distress.” (The last feature Judy customized to make the watch chirp loudly, just in case Lane didn’t notice it immediately. Lane kind of had wished she hadn’t, given how loud it was, but appreciated the sentiment.)

Most children about to turn five would’ve been petrified at the thought of walking anywhere by themselves. Carewyn, fortunately, had always been a rather brave and independent child -- and considering that she knew her mother needed to keep her job in order to provide for all of them, the little girl took the responsibility onto her tiny shoulders like a champ, walking home with her head held high every day with no sense of fear or resentment. She and Jacob were all their Mum had now, after all, and with Jacob away at school, Carewyn knew she had to do her best to help take care of Lane, just like Lane did her and Jacob. Jacob always made her promise to take care of their mother and flat before leaving for Hogwarts every year...and Carewyn would never break a promise to her brother. 

So every day, from the age of 4 all the way to 11, Carewyn Cromwell walked home from school every single day by herself, straight home to her mother’s and her flat, where she’d lock the door and stay safe inside until her mum came home. And to Lane’s relief, in that entire time, the single mother never heard her Magical-Child-Monitor watch chirp once -- for truly, Carewyn had always been a rather risk-adverse child. Her brother Jacob used to break into the kitchen cabinets and try to drink bleach as a baby, but Carewyn? Lane herself would often compare her daughter to a “little angel,” never starting trouble or getting into anything she shouldn’t. And because Carewyn knew Lane was working so hard trying to do well for her and Jacob, the last thing Carewyn wanted to do was make things more difficult for her mother -- so she stoically followed the same routine every day without complaint, going to school just for her classes and then heading straight home, all the while trying hard to not to let any accidental magic slip out that could make anyone side-eye Carewyn or her family any more than they already did. 

This didn’t mean that Carewyn didn’t ever quietly lament the arrangement, of course. What child wouldn’t? It was hard having to see other kids getting picked up by their parents in their cars when it was wet or snowing outside. It was hard to have to walk straight home when there was an exciting football match going on in the field near the local secondary school. It was hard to sit cooped-up inside when Carewyn could hear all the neighborhood kids riding their bikes on a sunny Friday afternoon. 

But hey, Carewyn told herself gloomily -- she didn’t even have a bike to ride on next to them anyway. And really, she thought more stubbornly, they’d probably just think she was a freak like everyone else did, which meant they’d only say nasty things that would make her upset and make her cast magic by accident anyway. And then she’d scare everyone, and the Ministry would have to come in and fix things...and her mother would worry. Carewyn couldn’t worry Lane...

And so Carewyn stayed inside dutifully, day after lonely day, soldiering through with no complaint. Because really, all of that silence was worth it, the moment Jacob would come home for a holiday break. As soon as he was home, Carewyn wouldn’t be alone, and with someone else around at home, it was safer to go outside without her mother. She and Jacob could walk to the park or the library -- to Mrs. Sackett’s ice cream parlor, or maybe even take a trip to the beach. Even being inside some of the time wasn’t so hard, when Carewyn didn’t always have to be by herself. And then once Lane was home too, they could all eat dinner together, the way Carewyn wished they could every night -- laughing and talking and sharing and bonding the way they all loved doing. And once Carewyn started at Hogwarts herself...well, then she’d be able to go wherever she wanted, whenever she wanted -- be the great witch she wanted to be, instead of the “freak” ginger that the Muggles in her neighborhood would never understand. She’d be able to play out every single wild daydream Jacob and Lane had sparked to life inside of her through all their stories about the magical school -- cast spells, brew potions, visit all the shops of Hogsmeade village...play Quidditch, sing for the Frog Choir...maybe even tame a real-life dragon! 

Carewyn held fast to this thought and never let go of it. Once she could go to Hogwarts and chase her dreams, Jacob and her mother rooting for her all the while...all those silent, cooped-up, lonely days of the past would be worth it. 

[welcometogrouchland]

Words cannot express how much I love the Gloucester brothers from King Lear

[evening-rose-309]

to not spoil it, they quietly killed off the ncr for absolutely no reason and made the BOS victors for some reason.

house is not dead, but for majority fucked over at the battle of the hoover dam. how it is not stated yet.

but you’re pretty much correct everything else, so real “let’s wipe the slate clean bullshit”.

Of course he lost the dam.

The NCR was the main force behind Hoover Dam's acquisition in the first place, wrenching it out from under Caesar at the last second when Hanlon and the Rangers pulled their hail mary.

Without the Bear of the West, the Three Families probably defected into Caesar or fell to the Legion or just straight up deserted House once they realized a couple hundred tanks on tricycles would never be able to stand up to the Several Thousand Trained Berserkers that make up Caesar's Legion by year 2277.

I'm just curious as to what the Tin Can Buffoons will do to him when they find him. Or if he's made contact with Boston yet as his own last stand hail mary, though that part's purely wishful thinking.

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)