#basically some of these are not representative of how i draw the characters now is what i’m saying

[cable-salamder]

I’m just gonna start posting batches of my favorite tiny expressions that I’ve drawn because like… look at them.

[r--kt]

Do you like Kakashi's dogs? Let's talk about why there are eight of them.

another example of naruto's ✨cultural code✨

contents | the eight dog warriors chronicles · legacy · eight confucian virtues. also look at the cuties love them sm

Naruto Vol. 10 CH 90

[ one dog is wonderful, I'm saying as the owner of a sweet little york terrier. two dogs are good, they won't be bored together. three dogs? yeah, cool! how are you going to walk them though? four? yes... look, maybe we have to draw the line h- wha- EIGHT? Excuse Me!? ]

surely, it's worth starting with the fact that eight is a lucky number in Japanese culture — everybody watched Hachi. of course, this is not the only cultural detail where the eight is mentioned. I want to pay special attention to a thing that I didn't know about until I googled it, and this is clearly what Kishimoto was doing homage to with Kakashi's eight ninken.

The Eight Dog Warriors Chronicles

Better known as Nansō Satomi Hakkenden. and it's not just some kind of book, it's a novel, consisting of 106 booklets written by Kyokutei Bakin in XIX century. Hakkenden is considered the largest novel in the history of Japanese Literature. this is one of the main representatives of the gesaku genre, which includes works of a frivolous, joking, silly nature. further I will emphasize a few more times how damn popular this work is and how often it is reflected in culture.

here are some illustrations for these books

now let's talk about the plot. It's weird, but it's weird at samurai-dogs-story level so stay here.

In brief, the story tells about the commander Satomi Yoshizane, whose native lands were attacked by the army of a man, whose forces surpassed those of Satomi, and the samurai in despair swore to a dog named Yatsufusa that the dog would get his beloved daughter Fuse as a wife if he chewed that man's throat. surprisingly, the dog not only understood the owner, but also fulfilled his wish! after that the commander refused to keep the promise. however, Fuse, true to her word of honor, went with Yatsufusa to the mountains and became his wife. upon learning that his daughter was pregnant, Satomi, in a rage, sent a samurai to kill Yatsufusa and bring Fuse home. she stood up for the dog anyways and died with him. at that moment, eight pearls with hieroglyphs that denoted the foundations of Confucian virtue burst out of her womb. (...cheers for mythology, I guess)

Soon, eight dog warriors who were Fuse's spiritual children were born in different parts of Awa province. after going through hardships, they got together and became vassals of the Satomi clan, then won the battle, and soon reached peace.

some more illustrations made by Utagawa Kuniyoshi. from left to right: Inukawa Sōsuke (the dog warrior), Inumura Daikaku (the dog warrior), Princess Fuse (their mother).

the novel mainly tells about each individual warrior dog and his shenanigans in a funny adventurous way. huge fame has led to excerpts from Hakkenden being staged at the Kabuki Theater and mentioned in the anime and manga, such as Inuyasha, Dragon Ball, as it turned out, Naruto and so on. there's also a lot of films and video games.

The eight virtues

these are loyalty, filial piety, benevolence, love, honesty, justice, harmony, and peace.

they relate more to Chinese culture, but basically Hakkenden was inspired by it too. since I did not read the whole novel, I would still like to mention at least the values on which it is based, and which were embedded in the symbolism of this story. It's quite interesting to apply this to Kakashi's dogs. gives them more weight and depth.

It is also interesting to note that the reason why Fuse gave birth to dogs was also that her father was cursed earlier in the story in a way that his descendants would become depraved like dogs. in Japanese culture, dogs embody the duality of character: the same mentioned filth and depravity, and devotion and bravery. so as samurai. but this is a different conversation, more related to Kakashi and his dog poetry.

Did you get here? Here's an additional discovery for you✨

Pakkun's name (パックン) is derived from the Japanese onomatopoeia “pakupaku” (パクパク) which reflects the sound of munching.

Kakashi, that's very sweet of you.

thank you for reading this to the end ♡

[sweetmage]

When I say I hate being black in this fandom, this is exactly why. The constant dismissal, exclusion, and judgement of the only black character is frustrating. The way some people treat those who are bothered by this is frankly disgusting.

Had someone reply to a post I reblogged about fandom racism the other day calling the OP delusional for being upset (op if you see this I'm so sorry someone did that from my blog).

Saw someone on twitter saying that them excluding Wyll from an artwork they labeled "full party" was fine because they drew a red girl and a green girl (because that is totally the same as black people /s) and then basically said they'll never draw Wyll again.

Seeing constant criticisms and judgements of Wyll for things other characters do and arent criticized for.

The white washing mods, the racist comments on his appearance, the fact that Larian reworked him to appeal to crybaby white gamers, etc. etc.

And now what just happened to Theo in the interview makes me livid. He deserves so much better than being shoved aside by both the fandom and the interviewer.

Y'all really need to examine your biases and behavior and do better. No one has to like Wyll or any other character, but some of y'all need to put some thought into how you behave about him and how you talk about and represent black characters and how you address BIPOC fans who are hurt.

[uva124]

THE MOMENT WE WERE ALL WAITING FOR, FINALLY FINISHED THE DESIGN OF ASTER YESSSSSS ✨✨✨✨✨✨❤❤

This design belongs to the Wish rewrite called "The kingdom of wishes" (Written by @annymation and soon illustrated by @emillyverse and me)

Sorry for the delay, but this guy had so many things to draw and I also had a thousand ideas that it took me a while to capture them all (4 drawings wow, even I'm surprised lol)

Now after this introduction I will tell you the procedure of its design :]

2D MODEL:

-Maybe some don't notice it, but for the 2D drawing of Aster I didn't add many shadows, because in the classic Disney movies the animation doesn't have many shadows if we look closely, this is for several reasons (at that time they had to inking FRAME BY FRAME, can you imagine how much longer it would have taken to add detailed shadows? I really have respect for the animators)

(Here are some examples of what I'm trying to explain)

-As I said before, I didn't detach myself much from the concept art of the movie, I just added some other details that occurred to me, Anny and Emy.

-We decided that his cape would have the constellations of the signs of the zodiac (It was Emy's idea), which in the final result are on the cape, the constellations are noticeable more or less depending on Aster's mood.

-In the Wish rewrite it is mentioned that Aster's hair is like a candle (Reference to Hades) so I decided not to add the lineart in that part

His hair changes depending on his emotions, but not only that, but also his lineart, the calmer he is, the cleaner his animation will be, however with strong emotions (anger, sadness, nervousness) his details will be more neglected, especially when He is REALLY angry, by the way I made his hair look like a flame to give more drama to his design and also make a reference to Ember from Elemental

And as a final detail, the star-shaped gem that she has as a brooch changes color, just like her earrings.

3D MODEL:

-When Aster disguises himself as a human, his details on his clothes would disappear and the shape of his accessories would change to ones without a star shape, also the tone of yellow would look duller, you know so as not to draw attention (although he is dressed like a prince with a giant cape, the boy doesn't know how to hide the truth very well lmao)

-In general, it's just that the design becomes simpler, the only thing that changes is her hair that is no longer a flame, her freckles that are no longer little stars, her clothes no longer have so many details and her mark on her eye disappears(￣▽￣) .

By the way, I wanted to thank @the-autistic-idiot for giving us the great idea of ​​Aster having a star-shaped mark on his eye :D.

-Also, I think that those who have seen my other Wish redesigns are wondering why it seems like I had spit a rainbow at Aster's 3D drawings, what happened is that when I was painting my neurons said ✨Change your coloring✨ and well, The drawing in the end came out like this, although I honestly like it better, it better represents how I draw in a traditional way

Yes, basically the coloring of my drawings is as if a unicorn had spit on them lol

FINAL COMMENTS:

-It was very fun to draw Aster! The boy really has a lot of changes, but thanks to him I already discovered my digital drawing style so I am satisfied.

-Again sorry for the delay, I know that for many Aster must be their favorite character so I hope your wait was worth it :]

See you next time!✨✨

[writers-potion]

How do I accurately include diversity, and not make it look like I’m just putting it in there for the sake of it?

Writing Diverse Characters - Things to Remember

Honestly, there's no definitive answer to this.

Your characters are people with clear goals, desires and a role to play in the plot. As long as they aren't just sitting there with little else but their race/gender/disability, etc. as their ONLY personality trait, at least you're on the right path.

As for representing a diverse character realistically, here are some things you can consider to get started.

Do's

RESEARCH. There are plenty of blogs/YT vids/websites that exist to help you! Meet people!

Get beta readers.

It doesn't have to be explicit. Racial identities become quite clear early on through the setting, name, and initial description(hair, eye/skin color, body shape, etc) without having to drum it into the readers each time. Gender diversity can be conveyed through the use of certain pronouns without awkward declarations.

Character first, diversity second. Please don't intentionally create a diverse character and then think about how you can push them into the cast. Have a working character, who happens to belong to a particular group.

Read works that have represented a group well. There are plenty of non-fiction works, movies and documentaries that capture the lives of people around the world with a good eye.

Use the correct terms/language

Include different types of diversity

Don'ts

Race/gender/diability is NOT a personality trait. Please. Telling me that you have a Korean girl tells me next to nothing about the character herself.

Using sterotypes. Now, it's all right if your character has a few sterotypical traits, but definitely not if sterotypes are the only thing they have.

Diversity is not a "shock factor". Suddenly revealing that a character is actually gay and has been in the closet all this time as a refresher so that it draws readers' attention? Not a good idea.

One diverse character does all. This can often be seen in female characters of slightly dated works where one woman will play the role of supportive mother, sister, femme fetale and sexy Barbie at the same time. Don't write a diverse character who basically does everything a diverse character can possibly be. All that it proves is that the writer is lazy.

Things I personally hate seeing:

Weird pronunciation of languages. As a Korean person, I always get turned off by works (mostly badly written fanfics, yes, I read those...) that try to transfer Korean dialogue directly onto the page without even checking for the correct way to spell them out. A similar example would be pinyin for Mandarin. Please, this makes the character sound stupid throughout...

Character sticking out almost painfully. If your character isn't from the region but have lived in it for a long time, what reason do they have not to blend in?

Relying on variety shows/dramas as reference. Media representation of diverse characters that are meant for entertainment is not the best source for authentic research. I die every time someone lists a number of Korean rom-coms they've watched for "research". IT DOES NOT COUNT.

As a last note, remember that there's no limit to the kind of characters a writer can writer. Accept that our job as writers is to step into other people's heads, not seeing things from one (our) perspective - and it is not going to be easy.

Hope this helps :)

[hazshit-hotel-hater]

“Excuse me sir! There must someone you’ve confused me for!”

Having Angel withdrawal again sorry guys :/ its time for some uhh… prologue stuff?? I think thats right. Anyway! As I mentioned in this lovely post, when sinners die the time it takes for them to wake up in hell and where they wake up depends on how they died. So for Angels case his body was formed in hell in a hospital bed cause thats where he died so theres like fibres and metal in his body from being formed around a hospital bed! This is also going to go into how regenerating and how injuries work so get ready! Basically whatever your body was originally formed and made out of regenerates eventually, you can have scars if theyre really big (uncommon since the injury usually kills you) but if you die again in hell they go away. Angel gets injured quite a lot and none of these injuries are permanent. That isn’t to say you can heal by killing yourself though! If you do die while injured there may actually be lasting complications since bodies in hell are typically made to regenerate while gravely wounded. Its kind of like a fucked up computer so if you have a broken leg and die by say snapping your neck the body may get confused and regenerate bones and such incorrectly. Or it may not! Its hell who knows! Ill likely figure out a more concrete plan and way that it works but at the moment I enjoy this aspect of hell to not have a random cheat code and instead include some body horror. Its hell so like some stuff is probably confusing right??

Back to Angel, later on around season 1 in the rewrite he also has throat surgery to remove his deformed inner fangs and those DO actually stay gone because certain hospitals in hell (usually expensive ones) have tools from sloth that have been permitted by Lucifer. Similar to how Stolas got that lust portal gem or whatever. Angels body wasn’t supposed to form like that and this is a common thing to happen with sinners that die “long-term” and that sounds confusing but it really just means sinners that die in comatose-esque ways like Angel. His body was dying over the course of months (December to March to be exact) so parts of his body formed over complicated or were underdeveloped like the aforementioned fangs (that were originally meant to form inside of his mouth and not his throat) that would randomly bare themselves and stab his own throat, paralyzing Angel temporarily. Other examples would be parts of his legs and smaller stomach.

This is the surgery Angel got by the way (expenses covered by Velvette but thats a whole other plot line)

On top of this I also wanted to draw Angel’s old markings (at least one of them). Prior to Valentino, Angel looked much similar marking-wise to his original comic designs where he was more purple and yellow with all the fun skulls and stripes. Though, with how contracts work in my rewrite, Angel loses the markings and they change into hearts after his contract and cannot return to normal after his contract is terminated. The same is true for Husker and Niffty. This whole piece is really just supposed to capture to horror of waking up after being comatose and you’re suddenly not yourself anymore and also not where you were for the past months and your entire anatomy is changed. Can you imagine waking up without bones??? In 1947??? Id have a breakdown personally!

I also wanted to use green for that sick gross feeling. Kind of the dread you feel before throwing up, but also to represent Angel’s later feelings of envy that I was unable to present in his design. I really like pink characters in green atmospheres if you can’t tell. If I think of more stuff to add to this post I will, but for now it’s just a lot of lore. Hopefully you all enjoy it!

[mauesartetc]

A while back I got a comment that demonstrated a misconception as to what the character design process actually entails, and I thought it had real "teachable moment" potential. So let me make this perfectly clear:

Drawing a character is NOT the same as designing one.

Let's say I wanted to draw a guy. No backstory, no defined personality traits or preferences, no details about his current life, just doodling some random, generic guy who popped into my head.

That's just a drawing.

But what if I decided to flesh him out more? What if I wanted his appearance to reflect his lifestyle and inner life as well? Here's where the note-taking comes in.

And now for the visual research:

I thought the bodybuilding angle would provide a fun contrast with this guy's profession. The mental image of a huge, burly dude working on a clock or watch with tiny, precise movements just makes me smile. Perhaps I could give him small, nimble hands that would suit his line of work.

Now that I have a better idea of how Mikhail's face and body will look, it's time to establish a pose.

Of course, I never expected to employ all the personality traits I started out with inside this single pose; those were just a jumping-off point. No one drawing will ever be able to encapsulate every single facet of a character, unless they're extraordinarily flat and generic (see also: random guy I doodled at the start of this post). If I wanted to write a story with this guy, I'd have to figure out how all the traits play off each other and how they'd cause him to react to different situations. There would be a lot more note-taking and development involved, but for the sake of keeping this post (somewhat) brief, let's just focus on visuals for now.

On to color!

I decided to give Mikhail a carnation in his pocket (for its round shape), specifically a red one, which represents deep love and an aching heart. Thus, the flower needed to maintain its red color for the symbolism to come through.

For some reason I initially pictured this guy wearing a pink shirt (perhaps as an offshoot of the "romantic" angle), but I wanted to try some different colors inspired by the 70s catalog pages I found. I ended up really liking the contrast of the cool blue shirt with the warm red pants, and that option made it into my top three as a result. I lined them up next to each other to compare them, and in the end, blue won out over pink. I think it also reflects the "colder", more cerebral, less-emotional parts of his personality well (namely "systematic", "stern", and "callous"- one from each column!). Just goes to show that you shouldn't get too attached to your first draft, as better ideas are just around the corner.

I then lightened the blue of the shirt so it wouldn't compete so much with the rest of the outfit, and wouldn't be quite as loud and "in your face". Mikhail strikes me as a bit of an introvert, so the calmer, quieter blue is a better fit. I added a darker belt and watchband and de-saturated the flower just a bit to make the values feel more balanced, and I think we've got it!

Let's see the final result!

Y'all, I was not expecting this process to make me emotional, but there's something special about fully realizing a little guy you've spent hours working on. All of a sudden you look at him and go, "Oh my god, there he is. That's him." This man wasn't even a twinkle in my eye a couple weeks ago and now I'd protect him with my life.

And the thing is, the only reason I'm calling this design "done" for now is that I basically just brought it into existence to make a point. But if this dude were attached to a larger story, he'd be nowhere near finished. I'd have to make a ton more iterations and go a lot more in depth with my research than I did (especially with the Armenian cultural stuff). Overall, though, I hope this quick project properly highlighted the difference between a single drawing and a more fleshed-out character.

Later!

[sir-davey]

King Saul’s evil spirit, also known as the Ruach Ra’ah

I want to show some of the characters from my Saul retelling, The Book of Saul, and one of the major ones that take part of Saul’s life is Ze’ev, who is King Saul’s evil spirit but personified as a spirit always taking the form of a wolf in Saul’s visions.

I have yet to properly introduce him, but I will now lol.

I draw him frequently with Saul and I have a lot planned for him. He’s his own character instead of simply being the vaguely mentioned evil spirit that attacks Saul in the Bible lol. In the story, there’s some heavy lore that Ze’ev carries, and when he first actively interacts with Saul (right after being rejected as king), he becomes Saul’s conscience, and a guide, as he twists truths for his own benefit and amusement.

To summarize Ze’ev’s character, Ze’ev can be interpreted in many ways. He is basically the essence of Saul’s subconscious containing his deepest fears and regrets. Saul’s mentality will be reflected on Ze’ev who guides Saul, seeking truths he desperately yearns for, through 7 seven visions. No matter how hard Saul tries, he cannot escape the spirit always appearing before him. And also, those 7 visions are basically Saul’s hell with different truths revealed to him. Ze’ev finds so much joy in watching him suffer, yet he is able to have Saul always running back to him for help. Ze’ev knows very well that Saul has absolutely no one to turn to as he takes advantage of his helplessness.

As for Ze’ev’s appearance, he is usually a wolf, and there are two reasons why Ze’ev appears as a wolf. One being the tribe symbol for Benjamin, the tribe Saul’s from, which is represented with a wolf, and in the past I had called Ze’ev the “Wolf of Benjamin”, but I ended up changing his name lol. But the second reason resonates with Saul more deeply, where in the story, Saul is terrified of wolves due to traumatic experiences with them, and it comes off basically as a phobia Saul has (I believe the phobia for wolves is called “lupophobia”, that’s what Saul would have oof). But ironically, Saul is from Benjamin, and he’d be surrounded by wolf symbols as a benjaminite king ruling the place. And plus, Ze’ev is almost always a wolf, and if you recall what I’ve said, Ze’ev is the essence of Saul’s mind made up of his darkest fears and regrets while appearing in Saul’s visions.

I could literally go on and on about the evil spirit Ze’ev, but I would be crossing spoiler territory if I do loll.

But some small things about him: Ze’ev shapeshifts a lot, and his form is always moving in place. And he has a HUGE tail that constantly flows.

But lastly, this one means a lot to me lmaoo, but hear me out on this. When it comes to Ze’ev’s voice, I usually either have him speak with both a male and a female voice that intermingles at the same time (for reference, it’s just like Satan’s voice from that creepy Mark Twain clay animation movie. Look it up if you’re curious lol). Or, Ze’ev speaks as a distorted version of Saul’s voice.

Butttt, I can’t help but headcanon his voice as Will Wood when it comes to visualizing him in my head. Ze’ev sings as well (he sometimes sings to lure Saul), and whenever he sings, all I can hear is Will Wood. Ack, Will Wood!!! 🔥 And I know I’m being biased because I LOVE Will Wood (pls if you’re a Will Wood fan you gotta let me know 😭). But outside of the book, I imagine Ze’ev’s voice as Will Wood’s lolllll.

I already have a bunch of Saul and Ze’ev animatics planned, but if I do make an animatic/animation with Ze’ev, it’s going to be a Will Wood song.

[phlurrii]

It’s finally time to introduce the secondary project I’ve been working on >;Dc

I’ve had this queued for sometime in June, did not check when, so hello on [random date in june] ;D

I’m also here to explain how I’ll be posting this stuff going forward! Everything will be posted here, on my main account before being reblogged over to Soul’s Anchor a side bog with the place holder title. Unless it deals with more adult/suggestive content or heavier topics, of which will be exclusively posted to Soul’s Anchor side blog. As I don’t want certain themes alongside AM! I’ll also be referring to this series as Anchor for short! I will encourage any and all Questions, Mentions, and Thoughts to be directed there for those interested and those who are not, dw! You’ll only see the initial posts here, no asks or follows up, but this is still my art account and I shall enjoy it as I please ;3

Brief Synopsis about the Story:

A queer love story following a cursed pirate and a cult refugee implanted with a god’s eye as they combat the reality of living in a world which was created solely to feed the gods that govern it. All whilst a sapphic couple attempt to help guide the pair along a path to to a better future, one that’s validity comes into question. A dark fantasy story that aims to represent the disabled community, the LGBTQIA+, and SA survivors written by fellow members of these communities.

Also brief disclaimer, I, Phlurrii, am simply an ally to the disabled community, my partner in crime writing alongside me, ArtJunco on Instagram, is our resident community member ;]

Anyways onto the meat of this!

Below is a collection of some, emphasis on some, of the concept art and processes I went through to develop and create one of the two main characters, Lumae.

Here are some of the earliest ideas, the basic thoughts I had in my brain when developing this goober after a 3 hours pacing in my kitchen at 1 am when that inspiration struck. His hair was the HARDEST bit for me to figure out. Which sucked as usually the hair is one of the first things I figure out because of how much I love it, so it was Agony while brainstorming that part.

I also briefly considered a goatee, however it was so cruelly shot down by my dear friend. So in stead we compromised that he may get one later down the line story wise… and see how we feel then. However, upon finally figuring out his hair I was bloody elated, still has some tweaks now and then, but the base is there.

As for this next concept, this was actually the FIRST thing created for Lumae and what started everything else about his character/design! His eyes! They are still my favourite but about him and something I adore whole heartedly! They are the core of his character ;3c

These next few are early refs and mock ups of his full design, testing our colours, experimenting with shading, getting used to drawing humans again, and general concepts I had for him as a character! Also a sneak peak at Ayric, our second main goober for this story! Who was lovingly designed and created by ArtJunco!

And finally his most recent WIP ref! The only thing currently bothering me about his design is the colour for his boot covers, I have no idea what to do with them so I’d you have suggestion or ideas, sincerely, feel free to shoot an ask to the Anchor blog! I’d genuinely love outside opinions!

As for the main curiosity of why I’m doing this, for those that missed the last post, I’ll give a brief explanation below ;3

To help with burnout so I can hop between fixations, help to avoid losing interest in AM in the future!

Keep up practicing humans and critters alike.

To take a break from story telling to do story building! Give the telling part of my brain a break, while still making cool stuff ;]

To have a more interactive blog with ya’ll! One where I’ll likely be asking advice and discussing a lot more hypotheticals, doodling asks, and general audience interaction given I am not bound by any updates! Purely just “ooo… shiny-“ and anyone is welcome to join me ;D

Last thing I request is to please read Anchor’s blog bio/description before you follow, as this story will deal with subjects not suited for all audiences posted/discussed exclusively on that blog.

Anywho, that’s all for now folks, hope you enjoyed this brief intermission to kickoff the second project being public!

[cripplecharacters]

Not sure if that would be overstepping as someone who is able-bodied:

Would it be okay to draw art of a character who canonically has scars over their face and their body, but is in canon just absolutely horrendous "representation", mask and shame and villain tropes and all, actually being happy and okay with their scars and smiling as a lover artfully highlights them with makeup?

Also not sure if this character even is salvageable like this or if it would be the more compassionate to not remind the community of this characters existence?

Hi!

I think it's doable, but a lot of the details will depend on your intent with this. If you want to write/draw/present an AU where all... this... isn't present and leave it at that, that's fine to do whenever, in my opinion. People do AUs for everything!

Now, if you want to do some sort of commentary or Educational Subversion, that's trickier but also completely doable - a lot of people with FDs do that in their own work. There is a lot of very influential works with disfiguremisic themes, plots, and motifs, and we as a community do enjoy reworking these. As an example, one of my mutuals (who is an actor) was recently really excited about the idea of playing Bond when the copyright expires. Why? Because the Bond movies are the staple of what we complain about in the community, right next to The Phantom of the Opera. They're awful and that's why we like getting our hands on these. We are aware of all these characters either way, if a fanart won't remind us then someone on the street or comment section will, it's kinda inescapable. With that said, to do commentary you need to know how to do it, and I think going with a sensitivity reader/consultant/[insert the equivalent for visual art] with experience in this would be the way to go.

Basically, I think it's better to rework it then pretend it doesn't exist. In the grand scheme of things, the character is still out there, and their portrayal in the original media still sucks. If the character isn't included in the fanfiction/fanart about the source material, that could mean basically anything (mostly absolutely nothing lol). However, having the character represented in a more thoughtful, kind way does make the reader/art perceiver think - "oh, maybe there is a reason behind this change". If you can make someone think that maybe people with facial differences are normal people with emotions and not just tropes on some sort of Evil Trait checklist, you will do us more good than all the major fictional works that have been released since Dirty God circa 2019. Either way, good luck :-)

mod Sasza

[jojo-schmo]

I’m looking into making my own Kirbysona. I was wondering if you have any tips??

you don’t have to answer! Also I love your art and your AU is awesome :)

Hello! Thank you so much for the kind words! <3 I'd be happy to share some of my thought process behind creating my bubble-blowing baby, Ripple Fairy Kirbysona! I will always cheer on the existence of more Kirbysonas! :D

I had a Kirbysona in childhood that was just a little puffball, like Kirby- and she looked like this :D I loved the Star Rod, the Beam Kirby hat was my favorite, I just finished playing Kirby 64 so I added some Crystal Shards to the hat, and I slapped on my favorite colors. Bam! I'd draw her in the margins of my notebooks, interacting with other Kirby characters in little stories I'd write... Great fun!

But now as an adult posting my work online, I wanted something that felt more like "me," as opposed to an OC that felt like someone else. A direct extension of myself to interact with the characters I love, as well as characters and sonas of other creators in our Kirby corner over here! Like a gaming avatar! But in a series with so many different species and characters, where to start?!

Step 1: THERE ARE NO RULES. BE CRINGE AND BE FREE!!

The important thing is to have fun! You can choose to confine yourself to the rules of the Kirby universe, or just make something up! The important part is that a sona represents you!

These are the thoughts that went through my head, but it's not the only way to make a sona! If you follow what your heart is saying and not what you think others want to see, you'll find a design that feels like you!

Step 2: Ask some basic questions to establish a design direction.

These are the questions I asked myself during the creation process, but your questions can be different! This is just how I set up my rough plan of creation.

Sonas don't need to look like you or be named after you irl if you don't want! But in order to feel like "me," I decided on something that shared a lot of my actual physical traits. For me personally, if the sona didn't look a lot like me, I would always have a disconnect with it. I also settled on the name "Jojo" quickly because that's my actual nickname, part of my username, and I respond quickly to it.

From there, answering the other design questions I had came quickly after that!

Step 3: Settle on a species.

I went with a Ripple Star Fairy in the end because 1) They're adorable and I love their cute wings, hair ribbons/accessories, 2) They're shown as adults, which is perfect because I am one lol, 3) Look human enough for me to relate to while still having a lot of freedom to make up powers, lore, and design traits, and 4) Ripple Fairies deserve some love hahaha

Side note: if you can't decide on a species, throw the rules out the window! Be a shapeshifter. Or have multiple forms for no reason. Be a combination penguin/puffball knight/human/waddle dee born from the cosmos!! Refer to step 1, there are no rules! Hit your sona with a Waddle Dee beam whenever you want!!

Step 4: Design yourself, superstar!!

I brainstormed with a page of sketches and tried a bunch of different variations of a Ripple Fairy with different hairstyles and outfits, (I need to find that sketch page) but I eventually settled on these concepts!

I wear braids almost every day, so I added that. Ripple Fairies in canon all have cute hair accessories, so I made sure to tie off the braid with a little ribbon!

Also my hair in real life does this "devil horn thing" that is one of my favorite things about myself. Like I have these baby hairs on the sides of my head that love to curl upwards on their own, so I kept the "devil horn" silhouette with the braid's bangs :D

ALSO, I LOVE BOW TIES. SO MUCH. I love shirts, dresses, anything with a bow on the collar. So I added that.

I have this black coat with a sailor-like collar IRL that I love. I feel SUPER DUPER AWESOME when I wear it, so I added the collar with the bow tie.

I added buttons, a stripe along the bottom of the dress and sleeves, and gauntlets because a lot of canon Ripple Fairies have them. My college marching band uniform also had big gauntlets that I felt really cool wearing, so I shaped mine like that! And clothes with scalloped hems are my favorites, so I added one as a unique twist to my dress!

Now for the fun magic stuff. I wanted my powers to be connected to bubbles because I just think bubbles are neat!!! Simple as that haha.

So how am I going to blow bubbles, then? I'll need a bubble wand! How about a weapon that can change forms to be pocket-sized and functional, AND a super cool staff? Because I think staffs are SICK. I'd carry one around all the time if I could.

I got a little sentimental with my design too, borrowing some elements from my childhood Kirbysona like the Star Rod, stripes, ribbons, and diamond shapes. It's one of my favorite details because I like paying homage to the baby Jojo I once was as often as I can.

I added a little bit of red to the IRL brown color that my hair and eyes are (added more red to my eyes because I always felt like my brown eyes were boring lol). I finished off the theme with my favorite color blue, a little bit of yellow to complement, and BAM! There I am, Gary! There I am!!

Jojo The Schmo was born! She is me, and I am her, haha. Everything about the design has aspects that mean something special to me. I wanted to keep things unique and fun, but simple enough to draw over and over, while still representing me. And that's why I love my sona so so much!!

Hope this could provide some helpful insight! Go forth and create your unique and wonderful sonas!! When you're done we should all have a picnic together in Dreamland. <3

[sulky-cabbage]

I'm convinced Kashimo is supposed to be the representative of gojo's inner feelings and thoughts.

For a number of reasons..

Reason number 1:

The similar appearance.

The fact that making two characters look similar is a very common way for mangakas to indicate that these characters have the same values and the same way of thinking or even a similar role (or a character arc).

An example that comes to mind is Bakugo and Kudo from my hero academy:

This happens A LOT in anime & manga and I'm pretty sure that gege wanted us to think of Gojo whenever we see Kashimo.

Interesting colors Gege👀

With blue eyes, and the the kanji for purple cloud in his surname

He even has the frog face

TWINS

Reason number 2:

I think Kashimo is basically Gojo but with more freedom, he can be feral whenever he wants and he even kills people.

And that's why he always ends up expressing what we know Gojo is thinking but isn't speaking out loud.

And once you see it you can't unsee it.

Here are some examples:

Gojo appears to be having such a great time, that Yuji wonders if he's thinking of Megumi at all. and Kashimo Starts acting as though he's relieving Satoru of the guilt of enjoying himself in this situation???

(This panel is actually what opened my third eye and made me theorize that maybe Kashimo is meant to tell us what Satoru isn't saying)

And I wasn't disappointed with the next chapters...

He's the only one that gets Satoru here.

Also there's this interesting thing here:

"Kashimo vs Sukuna!! Facing off in their true forms!!"

I find it interesting that Sukuna only turned into his true form after he killed Satoru...

It's like he only came forth after Satoru's "true" form (Kashimo) came out idk idk.

And the fact that he used the weapon Yorozu gave him on Kashimo. Hmmm

Reason number 3:

Gege always draws a connection between them.

Satoru's fight and Kashimo's are treated as one..

After Satoru died; the Kashimo fight starts immediately, and he gets killed in two chapters.

He gets to talk about love and loneliness with Sukuna after he died (we didn't get that with gojo it went to Kashimo)

The fight of the strongest is over.

We cut to Kenjaku's fight.

Gege literally made a character whose only goal was to fight Sukuna then he killed him in a single chapter.

That tells me gege only made him for that conversation about love 🤷‍♀️

The conclusion:

(This is what made me make this post in the first place 🤭)

If we accept that Kashimo is the representative of Gojo's inner self then...

We can safely assume that Gojo would've thought the following regarding Sukuna's true form:

(He's Using a special kind of visual prowess too...)

Think about it...

What Kashimo was saying about people being like dirt to him was kind of bad.

If that was truly how Gojo views people then I bet he was feeling guilty about it, no wonder he didn't say that shit to anyone.

He told Geto he views them as a flower. Satoru I love you T_T

(Gojo relating more to curses than humans walk with me) that's why he gets freaky with them.

But Viewing humans as nothing, and on top of that admiring the king of curses??? and calling him Perfection??? Beautiful even???

Nah.. Nanami was right this mf Satoru is a jujutsu pervert😭😭

Like.....

This is the conversation they were having after they saw him fight...

Gege Why are you bringing it up now indeed

Hmmmmmmmm

👀👀👀👀

[dismissivedestroyer]

Hi! So I want to make a Spooky Month OC but I suck at drawing, do you have any tips or advices about drawing characters in the Spooky Month artstyle?

Okay so, I might not be the right person for this, cause I also am not all that great at drawing in the Spooky Month artstyle, but I did some character design at school so I might be able to give a few tips! Please do take everything I say with a grain of salt tho!

Spooky Month's strong suit is definitely character design. It's SO expressive and well done it's genuinely unreal. You might want to know exactly what your character is gonna be doing, or how their personality is gonna be like, because character design in Spooky Month cares a lot about things like these. For example: Radford works at a cinema, so of course he's wearing 3D glasses, but also his HAIR IS LITERALLY SHAPED LIKE A POPCORN.

So maybe decide on a job for your character, and try to start from there, get crazy with shapes and have fun! Spooky Month characters have designs that are both extremely simple to draw, since they use mostly basic shapes, but also are extremely thought out and meaningful. Another example of great character design is Pump

Now, I have no idea if you already had an OC in mind, but make sure to choose the right shapes to represent it. Something I see around in the fandom is people making these OCs that are like, serial killers and dangerous people and stuff, but then give them the "Lila"-like oval head. And honestly, nothing wrong with that, that's a choice you can use! But still, shapes allow us to understand a lot about how a character is just by looking at them. So you might want to experiment around a bit!

Ovals in Spooky Month are the "good" shape, let's just say. Most character with an oval head are sweet, helpful, kind-natured! It's often paired with oval eyes, so it's mostly a shape that's used for not villainous characters.

Circles are a bit more complicated, because Spooky Month subvertes the Circle Characters. While yes, they're also used to draw children, such as Skid and Pump, so they may come off as unthreatening at first, most main villains, such as Eyes, Bob and Dexter Doll (which is meant to represent the likes of a child, so that's a nice contrast), are mostly circle-shaped.

There's a very wide range of Square characters in Spooky Month. Square characters are usually bulky, big and strong. They often come off as threatening (such as Moloch), but there are so many other fun things you can do with them. Like, take Frank. EVERYTHING in his design should alarm us, him being square-shaped, the black eyes, the wide smile. Yet, he has a shape of the eyes that's very relaxed and chill, so we end up trusting him. As for Dexter, he's a mix of circles and squares, so we can't really understand his intentions right away, because he's shaped in the most confusing way possible. He's just made to be unsettling and leaving us to wonder if he's a bad guy or just an oddball.

You can do SO MANY fun things by mixing up shapes of faces and eyes it's INSANE. Also, you can mix up other characters' features to create a new one, if you're planning to do a fankid or stuff like that. Look at Ross, he's literally a mixture of all his parents' features!

My main tips for drawing in the Spooky Month artstyle are mostly

1) Play around with shapes. Be as cartoony as possible.

2) Try to be consistent with proportions, because, based on personal experience, if you draw the pupils of the eyes slightly off it changes the whole character's expression drastically

3) don't worry too much about details, Spooky Month has a very simple artstyle. You don't have to draw a perfectly anatomically correct hand, just whip up some cartoony three-to-four fingers and you're good to go

4) try to redraw some pre-existing screenshots from the serie to get familiarity with the way Pelo draws expressions. It helps a bunch.

So yeah, that's all! Good luck with your oc :)

[oranjeleeuw]

hows the pacific rim au going ???? its such a neat idea and i need ppl to draw concept art for it

DO I HAVE NEWS FOR YOU MY FRIEND

First of all, life happened and happened for good, I couldn't write much before but Now. NOW is the time.

I planned and plotted a lot during the whole year I first came up with the idea and I have a kind of strong base for the AU. I also have a brilliant beta by my side, my dear friend Frog (@faramircaptainofgender), so hopefully during this summer this idea will be shared with you all outside our little friend group.

I'll take this opportunity and shamelessly turn my answer into a main post for the AU.

 ╔════════════════╗

the title:

Human within the Machine

[brief synopsis]

The Nations of the world developed a simulation where future Jaeger pilots can practice for in-action cases. Max Verstappen outshines every other contestants in the history of drifting, there's only one problem - he's no team player.

Charles Leclerc is determined to stop the Kaijus and end their reign, once and for all. He lost his parents due to kaiju attacks, now he feels responsible not only to avenge their deaths, but to bring a brighter future to his brothers.

Jaeger engineering is living its golden age, there is money in it and many enthusiastic contestants who are not entirely aware of the horror that awaits them out at the ocean.

[disclaimer]

There’s no main plot (as in: I am not planning on detailed world-building neither to save the world from kaijus, I am smaller than that), the endgame is to get Max into an active combat where he drifts with Charles and they’re in the Il Predestinato (the legendary Jaeger that has been out of service for a decade, waiting for the right co-pilots). Everything before and in between are just themes I desire to explore within the possibilities of this AU.

 ╔════════════════╗

I have a playlist that helps me to stay inspired, songs are not in order yet though, but as I said earlier, chapters are meant to be kind-of standalone scenes, existing in their own moods and settings.

Each chapter will have its own chosen background music linked to them. I also added many symphonic songs just to get in the mood for some combat scenes.

 ╔════════════════╗

[good to know]

Roles: In the case of HwtM we have active and passive characters in this story. Due to the fact that many scenes are set in drift-memories, where not everything is factual and we are in the mix of memories and feelings, some characters will only appear and speak through these moments. Therefore they fall into the passive category - they are the legends. I will talk about them in their own post but the gist of it is what I wrote above, they cannot speak for themselves so we will only see them through tilted lenses: idolised, villanised, or the mix of both.

Which also means another thing - everyone is an unreliable narrator.

Teams and Jaegers: Since this is the golden age of Jaeger engineering, we will have many-many Jaegers. So far I named only a few, but to stay true to the source material, I'm trying to make them just as cheesy yet compelling as the ones were in the movies. The constructor teams from real life are not so different from what they represent in HwtM, but I altered some of their names to fit more into the world (older names or older sounding names of some teams since the future that Pacific Rim has is basically our present. I was aiming for some retro-vibe).

Here, they are different detachments under the Pan Pacific Defense Corps, in the Jaeger Academy division. I’m planning on working with Merc, Ferrari, McLaren, Williams and of course Redbull.

Mercedes is called Benz

Ferrari is called Alfa Romeo

Red Bull is Toro Rosso

The other two stay under the same name.

Ships to look out for: it is a Lestappen-centered story (if I am really honest with you, it’s Max-centered first of all) but on the side-lines we will look into some depths of Carlando, Galex and Maxiel in…some way. Please-please keep in mind, that these won’t be fully developed romantic relationships in the fic, I’m reporting from the minds and souls of these boys, objectively perceived scenes between them will be rare and much more comrade-like.

 ╔════════════════╗

That is all I planned to share for starters. Feel free to ask about the process or anything really, that is related to this project, it’s my beloved child and can’t wait to share it all with others!

[major-wren]

I love the "ARK siblings" concept and I love cute lighthearted fanart of them being siblings but I feel like a lot of people forget that they literally canonically share a soul and that her death is, in my opinion, I think supposed to represent a part of one's self dying and that they're supposed to be, symbolically, a lot more than siblings.

I always saw Shadow's story as a symbolic way to express the way your inner child and innocence is sacrificed in order to survive complex childhood trauma. Maria's color scheme and the way she's written is, I think, clear to all of us how she's meant to represent innocence and youth. I mean, she doesn't really function very well as a stand-alone character or realistic depiction of a child, shes always been more of an.. idea.

I'm not sure if it was purposeful, but the moon's "Maria" are craters that formed from the moon repeatedly taking the hits of asteroids at it's points of gravity. These points of gravity attract asteroids and draws then away from the Earth. The craters are mostly on the side of the moon we see, so the dark side of the moon, or "shadowed" side is better protected because of that. I feel like this is an extension of Shadow and Maria's symbolism. She took the bullet for him, protecting him, the same way Maria takes the comets, and the same way your brain will sacrifice your inner child (or freeze/rush your mental development) in order to survive intense childhood abuse. I know it all sounds extreme lmao but at the end of the day characters and storytelling are used to explore and express hard emotions and I don't think this randomly tragic character sprung out of nowhere for the Sonic games, which, before that point, always had very lighthearted positive characters (except for the echidna extinction in the game right before Shadow's). Having a character that was easy to approach, yet could represent scarier concepts as a child-friendly stand-in, felt like a very important tool to me growing up. I just hope that that writing can be appreciated in his character, with an understanding of how messy production can be and how a character can get pulled between many different people and ideas. I do think this symbolism was intentional to some degree, especially when it gets to the blatant soul-sharing and how characters insist that Shadow can't be a weapon because Maria's soul (his inner child and true morals despite the damage done to him) makes him "good hearted."

There's other things that uphold this symbolism of Maria dying as representing his inner child being killed, like the rushed/suspended mental development in the face of trauma being illustrated by the fact that Shadow was forced into a dormant cyro slumber right after Maria's death, symbolizing the way he had to basically skip childhood or hit pause on development until he could escape the people controlling him. Much like how victims will have to pause everything and go on autopilot with only a goal of survival until they can escape their situation; only after they feel safe can they begin growing as a person and find their identity. In the Japanese language, there are different types of pronouns people can refer to themselves with instead of just "I" or "myself." In the Japanese dub of SA2, Shadow's creator said in an interview that he had been very insistent on Shadow using the pronouns reserved for young boys, despite Shadow's menacing villain role in the game, because he felt it was important to show Shadow's purity and his lack of experience in life so far. That "live and learn" theme.

And then in his self titled game, Shadow is searching for a way to reconnect with his past and to find the truth about this Maria person he keeps seeing in flashbacks, but in the end he throws away her picture and accepts himself as he is now, forever changed and stained by his past, but more than just a product of his situation. He is "all of him," including the negative impact he never asked for, and including the parts of himself he lost, but also the parts of himself he chose to become. Your environment and childhood shapes you even if you didn't want it to, but that doesnt mean you cant have control in your identity and recover your inherent nature once you've escaped the negative influence (nature vs nurture theme). He will never be the person he used to be, or could have been, (represented by Maria as a pure and untouched youth), but he still has a say in what that grows into.

I just feel like a lot of Shadow's identity issues and inner conflict stem from this whole soul sharing situation with Maria and that his character ends up inevitably being misunderstood if you water them down to just siblings. Especially considering that it was never answered if Shadow actually even ever met Maria or if they're just memories planted by Gerald or caused by the shared soul. In Sonic Battle, it's also said in Gerald's diary that not only do Maria and Shadow share identical souls, but that Gerald literally modeled Shadow after Maria out of his love for her. I'm not sure to what degree or in what ways, but Shadow is supposed to share purposeful similarities with Maria, likely through the content of her character and her morals. That's what makes them so much deeper than just psuedo siblings, he's not only made for her, but designed after her too. It can't really be compared to, for example, Sonic and Tails.

I also think its what makes Shadow's character so substantial and meaningful. His self titled game's entire theme was purity, morals, what is good and bad. This question of purity and morality spreads into his appearances in other stories too- This question that, if you were badly hurt in your youth and shaped by evil- does that leave you impure? Stained? Destined to continue that cycle of harm and cruelty? I think these insecurities feel very real and relatable, and that it's even more realistic that despite these insecurities, that hurt and damage is actually what fuels him to protect others. Just as he said in Sonic Battle, "There's no need to repeat past tragedies! Nobody else ever needs to go through the things that I have!"

Statistically (despite media portrayal) abuse victims RARELY become abusers, because they understand the pain on a deeper level and can't bring themselves to force someone else into experiencing that same pain, knowing the permanent damage it causes. However, childhood abuse leaves people socially stunted and conditioned to harshness, which causes them to accidentally hurt others without meaning to. Or they end up hurting people out of desperation if they feel endangered (like Shadow's "means to an end" approach where he'll prioritize violence if it means reducing the end-impact). Also, they are more susceptible to being abused again after escaping the first abuser, because they are so susceptible to manipulation- Just like how whenever Shadow does switch sides, its usually because someone manipulated him into it or literally brainwashed him. I think Shadow conveys all of this so well, and that Maria's true role is an integral part of it all that can't be ignored or misunderstood, or else Shadow ends up reading as unnecessarily violent or overly obsessed with her when you interpret her as just a sister-figure that he knew for... who knows how few years.

I think this symbolism runs deep with his writing. Just like Maria's meant to be that inherent purity and inner child, I think the black arms DNA is that stain that abuse or trauma can leave on you, that causes you to act out or feel like you're always holding back and trying to keep control over some darker part of yourself that was left behind in the damage done. Especially since they literally have a mind link with Shadow. In the Sonic Universe comic, they succeed in brainwashing Shadow and turn him against his friends. These mind-links, soul-sharing, and brain-washing from both Gerald and the black arms... To disregard the fact that he's deeply connected to these people on a metaphysical, identity altering level is to water down his character and leave it feeling as though his motives are too weak to justify his harsh actions. I've seen people poke fun at his amnesia or insecurity in his identity, as though his confusion isn't justified, and I think it's because people don't realize he has these... literal fragments of other people inside of him, that that's pretty much what he's made of, kind of franken-steined together between a little girl's hopes and morals, an alien race's hivemind greed, a weapon-hungry government and a revenge maddened scientist's painful grief, and even the chaos emeralds which we all know are spiritually whacky and potentially connected to another alien race's memories and energies (the ancients from sonic frontiers). With all of that going on, plus some amnesia mixed in and his memories having been altered by Gerald- I mean.. you'd be searching for the "truth" of your identity too, who you really are. And of course, prone to frustration and aggression, or even a "wish-washy inconsistency." I think there's always a constant tug of war inside of him and that his whole development was a game of tug of war between Gerald, G.U.N and the black arms too. "Am I a cure, am I a death-bringer, am I earth's protector, am I it's destroyer," etc etc

Idk I just think a lot of problems people have with Shadow's writing stems from not realizing how deep things go and what they symbolize. Not to say that something like his boom characterization is of good quality or anything, but I think it's unfair to call him inconsistent when a confusion in his own identity and purpose/goals is kind of the point. And I think people not realizing Maria's deeper, physiological connection to him and influence might be part of the problem.

[am-i-the-asshole-official]

Am I the asshole for blocking my friends who I suspect wrote mpreg about “me”?

I (21ftm) have two friends who have recently been writing a story together, I’ll call them O and S, O and S are both cis woman my age. They openly discuss the story on our friend groups discord server in a channel dedicated to this story. O draws the character designs while S primarily writes and they added a character into their story a few months ago who I believe was meant to be me, or at least inspired by me, they’ve done this in the past with other friends of ours who have side characters and cameos, I can usually tell because the character has a name similar to their real life counterpart and a design similar as well, such is the case with “my” character, he is a trans man who looks like me and his name is a shortened nickname of my chosen one.

I wouldn’t have an issue with a character inspired by me but they made him gay and began shipping him with a pre-existing male character which made me uncomfortable because I am very much not gay, the other characters inspired by our friends weren’t given love interests or anything so I can’t say they’ve changed the sexualities of those tribute characters. I don’t care if a character is gay, but this character is clearly meant to be representing me and I’m very uncomfortable with this. People assuming I’m attracted to men is a BIG dysphoria trigger to me and they KNOW this because I told them in the past and when they first wrote this in, all my life I’ve had people assuming I was into men because I was AFAB and I’ve dealt with a lot of “comphet” stuff, I’ve been harassed and haven’t been believed when I told people my actual sexuality, the expectation that I would one day get into a relationship with a man and have children with one was treated like an inevitability by the people around me and it scared the fuck out of younger me.

When they first wrote this relationship, i asked them to change it, i said that if they wanted to put this character into a relationship he could have one with a woman instead, they refused and said they liked the rep it gave, though there is already lots of gay rep in the story and I said that it would still be rep because the character is trans but they didn’t change it, so I then asked that this character could be changed so he wasn’t actually related to me in looks and name and they again refused, which made less sense to me because I didn’t (and still don’t) understand what they got out of writing someone who was basically me into a gay relationship. I gave up because I didn’t want to cause drama in the friend group and other the next weeks I spent less time on the friend groups server and never checked the stories channel because I was still extremely dysphoric and upset. It made me feel angry that they didn’t consider how I felt and dismissed my suggestions.

The next time I checked on that server was a month later and they were discussing the future of the story where some of the characters had children, among those characters that had children were the male character my tribute character was in a relationship with, I came into the chat and asked them how that character had kids, O posted a blushing emoji and said he had kids “the fun way”, I asked further and they said my character also had children and at this point I got really angry and just left the server and blocked them.

Later on one of the friend group J (22nb) dmed me saying that I was being dramatic and that I had no right to control what they put in their story, we had an argument and two of my other friends said I was “ruining the fun” and trying to censor their story and it wasn’t “explicitly clear that it was me”. I originally thought that if you are writing something inspired by someone and it’s making them upset you should stop right? But now I’m not so sure and I’m still feeling very down, I don’t know why they decided to write that in, and especially about someone meant to be a tribute to me, it feels like they’ve taken everything I told them about my dysphoria and distilled it down into something to hurt me.

Aita?

What are these acronyms?