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mbg159 · 5 hours ago

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One belief I've recently come to with regards to Crow is based on a video I saw once, which discussed a character who faced very similar circumstances... that is to say, Scrappy-Doo. (Bear with me, this is going somewhere.)

Now, usually, when people hear the name "Scrappy-Doo", they think "boy, I hate that little shit." But the thing was, that wasn't what people thought initially. When you watch those early episodes where he appears, there's really nothing particularly wrong with Scrappy in a vacuum. Yes, he can be annoying, but so can Scooby and Shaggy, and he's intentionally written as such. He changed up the formula somewhat, but the formula had gotten so stale that the writers were happy for it (Mark Evanier has a story about how they had to go over various monster ideas and sigh when they realized they'd already used them). If anything, ratings saw a very noticeable uptick when he showed up, to the point that he's credited as saving the show from cancellation.

The thing was, the executives looked at that ratings uptick, and decided to make a number of moves with the objective of trying to shake up the formula as much as possible in favor of what they thought people liked and what would save money. Six main characters? How about we cut it down to three main characters, two of whom are voiced by the same guy? Solving mysteries and always finding out it's a guy under the mask? That's boring; instead they should meet real monsters and fight them. Half-hour-long episodes? Too expensive. Make seven-minute shorts instead and lash them together into three segments.

Now, obviously these changes aren't necessarily Scrappy's fault, but the fact was, within a single year of his introduction, the show had turned into something almost unrecognizable as its former self. What was more, while other characters suffered as a result of these changes (most obviously, Fred, Velma, and Daphne being written out altogether), Scrappy was the character who outright reaped benefits from them. With those three gone, Scrappy was now the only person in the group who wasn't a bumbling coward, which resulted in him becoming, if you'll forgive me, a bit of a Mary Sue. Scooby and Shaggy became his idiot sidekicks while he set up traps and defeated monsters all by himself. Some episodes didn't even feature Scooby and Shaggy at all, and had Scrappy off on his own with his other uncle, Yabba-Doo, taking part in generic Western-themed adventures.

Essentially, Scrappy was a harbinger of an era where the series completely lost its identity, and during that era, he was front-and-center, and many decisions seemed to be made to give him primacy. He wasn't necessarily a bad character at any point (even at worst, it would be hard to call him a low point in whatever he was in), but it becomes difficult to separate him from the constant barrage of bad decisions that surrounded him. And it's equally hard to ignore that the series had truly gone all-in on Scrappy: if you weren't a fan of Scrappy when he first showed up, you certainly weren't a fan when you saw an episode about Scrappy and Scooby's hick brother meeting space aliens.

And nearly everything that I said of Scrappy is also true of Crow. (I don't know if he saved his series, but I've argued before that he was part of an attempt to do so.) It's not that he's a truly bad character at any point. I don't like him, but I can't deny that there are people who do, and I would say that any critique I can make of his writing is something I could probably make about characters that I do like. Johan in GX does a lot of the same things Crow does, and I mostly like him. But the thing is, it's impossible to extricate Crow from the fact that his prime years happened to be when the show became a bit of a mess--and really, that's by design, when the series spent that period going out of its way to broadcast his presence.

What is more, I said with Scrappy that the bad writing decisions of his era harmed other characters but benefited him. Crow is the same way. When you think about bad writing surrounding characters like Aki, Carly, the twins, and most other pre-Road to Freedom characters, you think of decisions that made them less important, less competent, and overall marginal. For Crow, meanwhile, most of the decisions people call "bad writing" (his abrupt introduction, the fridge thing, becoming a Signer, Black-Winged Dragon, the WRGP structure) were seemingly intended to push him into the spotlight.

The final duel with Sherry is a great example: I don't think it's a stretch to say that it's bad writing for a show to try to build an epic character conflict around two characters who have nothing in common and have never interacted. However, the alternative would be him having no investment or arc whatsoever in what's effectively going to be his final story. And for other characters (i.e. Ruka), the writers would probably be fine with that--but not Crow. And so Crow gets the internal struggle and the finishing blow and the big handshake at the end, and none of it really means anything, because the writers didn't really plan things out beyond "well, he has to do something, because he's our third main character," and treated that as an end unto itself.

Crow is a character where it would be silly to say it's his fault that the show started to come apart at the seams. There was a thousand reasons for that, and he honestly wasn't even that important, as you've pointed out. If you removed Crow, then the other characters would probably have suffered a similar fate of dwindling in the background as the writers struggled to find things for them to do. But at the same time, if there was a single character you could point to who represented that era... it would kind of have to be him.

Anyway, look forward to twenty years from now, when he gets turned into a villain in a weirdly adult film adaptation.

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

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divinekangaroo · 7 months ago

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I do really like the idea that Alfie and Tommy fucked and had their deep and meaningful connection in a world where Tommy also has all his on-screen deep and meaningful connections. And that they're happening at the same time, not as serial-monogamy. It's satisfyingly messy.

Tommy's intense mental comparmentation of his experiences as well as his transactional framing would certainly lend itself to him getting one thing from Alfie and another thing from Grace or Lizzie, as he does with Jessie, with sex workers, seeing no issue or conflict with how he feels for any of them at any point in time. Because they are not the same and do not intersect and won't even encounter each other in any way.

#it's not that i don't like the other 'grace didn't come back' type fics #or the ones where lizzie is practically a beard / front / lavender marriage 'for ruby only'#i just *like* complicated #one reason why i really like my charlie POV fic where alfie is gonna keep interrupting that realm #tommy most uncomfortable with this #'why are you sending my child birthday presents'#'does he like them better than the ones you give him?'#'...yes'#'wait til you see what i send your wife'#alfie happening at the same time as grace in particular really sings at me but alas i haven't the capacity to explore it #there's a certain time based thing in tommy's thinking as well as in:#he loves X 'at that point in time' and it's true and deep and then he has to walk out the door and kill someone and that's not a man who-#-can love someone right then so he switches it off #something else happens with diana but that's another story

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lesbian4lqg · 2 years ago

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one thing i really appreciate about svsss is that with anyone else in shen yuans role?

the system's lbh mood ring points (satisfaction, heartbreak, etc) would be considered an invasion of privacy more than the whole transmigration thing already is or at least a source of valuable insight but instead

its shen yuan. if anything the mood ring reveals make him more confused

#(wiping away tears) hes so stupid #no but really the ways in which mxtx crafts her narration to share info with/withhold info from her audience is SO fascinating #*are #and to do it w/out breaking suspension of disbelief! shes so talented!#like theres so many examples!#the systems mood ring points making many of lbhs feelings/motivations obvious #(or at least comprehensive enough to be follow-able)#to the audience while still portraying sy's obliviousness as genuine and understandable #all of the hints as to hua chengs identity that make you think youve figured it out long before xie lian only to discover that #1. hes known for ages and just didnt mention it even tho HES LITERALLY THE NARRATOR?#2. we as the audience arent even told when he figured it out. we find out that he knows at the same time hua cheng does #(<- this also happens a bit w nan feng and fu yao. we Know but does xie lian know? yes he just doesnt care.)#its like the jkr 'it wasnt mentioned bc it wasnt relevant to harrys story' thing but CLEVER AND TRUE AND ON PURPOSE #i havent read mdzs yet but based on what ive seen & on cql a similar thing is done w wwx&lwj solving a murder mystery #theyre revealing what happened while wwx was dead to the cultivation world and the audience but also much of what happened when he was alive #(tho most of what happened when he was alive the first time is only revealed to the audience)#like i know mxtx is hardly the first author to do this but like. i just enjoy it so much?#anyway thats all i love her #shen yuan #shen qingqiu #svsss #tgcf #cql #mdzs #mxtx #✌️

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open-sketchbook · 3 months ago

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an interesting thing that has happened to me the more i read is like

that whole 'people were just as smart in the past as they are now' thing is... it's useful to avoid thinking about the past as being being the domain of a universally inferior Other, but also like

i don't think people really appreciate the ways in which a lot of people living right now are way, way healthier than a lot of the people living in the past, in ways that have enormous effects on people's ability to think about stuff

the effect of iodized salt alone! and we don't put lead in everything anymore!

i'm saying this because its important to understand that a much much larger proportion of people in the past were regularly struggling with illnesses and deficiencies that today we think of as health emergencies

that's gonna affect things even before we get to questions of social technologies for learning and experimentation...

so like every once in a while when i see some shit in a history book and i'm like 'wait seriously' i remember the people they're talking about are largely illiterate, most of them experienced childhood malnutrition of some kind, and intellectual curiosity largely wasn't useful because in many cases answers better than 'idk ghosts' did not yet exist.

like, even the stuff they were experts on they still understood primarily through just-so stories because their society just straight up lacked the tools to examine the causes and effects more closely, right? if you don't know what nitrogen is but you do know what four-crop rotation is, you have to make up a story to explain it.

and if you believe that story is true, you might make decisions based on that story that go very poorly for you.

so like, people in the past weren't stupid, yes. but it's also important to recognize how people here in the future are smarter in ways you might not realize, and you gotta temper your despair about The State Of Misinformation Today or whatever with the recognition that we are, by and large, much much better equipped, physically socially and technologically, to deal with misinformation and find the truth than the majority of our ancestors

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sgt-tombstone · 1 month ago

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do you think the recruits make chuck norris type jokes about the 141?

lieutenant riley doesn't go hunting, because hunting implies the possibility of being unsuccessful. lieutenant riley goes killing.

one time sergeant mactavish threw a grenade and killed five enemies. and then it exploded.

sergeant garrick sleeps with a pillow under his gun.

captain price has a bear rug in his room. it's not dead, just scared like the rest of us.

oh my god, 100% yes

Everyone thinks it started with Ghost, but Price was the original hardcore spooky bastard (in a very Chuck Norris kind of way), especially after he got promoted to captain. All of the rookies who made those kind of jokes are gone now, though, so he hasn't heard a Norris joke in a while

Enter Simon Riley.

It starts out kinda small, just an exaggerated rumor every now and then (he wears a skull mask; no matter how terrifying he is, people are going to talk), but then someone brings back Ye Olde Chuck Norris Joke, just one, and the entire mess hall lights up

Everyone is SO CAREFUL not to let Ghost hear about it, especially not the rookie who originally brought it up. By the end of the week, every rookie on base is whispering them and giggling about it. They've gotten more and more outlandish, as jokes do, and because none of the 141 do themselves any favors, especially when they step off the plane from their most recent op covered head to toe in blood, guns little more than mangled pieces of metal, their gear nearly in tatters, but they're all smiling and laughing like they're out for a day at a theme park

Price loves it. It reminds him of his younger days, before he got strapped with so much desk duty, when he really struck fear in the hearts of friends and enemies alike. He's always been the monster in the dark for terrorists, but his years have softened him around allies. Hearing the rookies whisper wild jokes back and forth is incredibly nostalgic and very affirming for him

Gaz and Soap? They're in on it, 100%. They both heard about it almost immediately after it happened and all it took was a shared glance to decide to feed the flames. Whenever they have babysitting rookie training duty, they'll drop little tidbits of "lore", most of it fake but some of it true. They don't have to stretch the truth too much because they know the lunch break gossip the next day will have blown everything out of proportion anyway. Whenever they hear a rookie go, "well, I heard...", they'll always pipe up with, "that's not how it happened, here's what really happened..." and the rookies fall for it every time. They have a shared note where they keep their favorite jokes they hear around base

Ghost hates it. He's used to striking enough fear into the hearts of rookies that they stay approximately forty-seven feet away from him at all times because the very sight of him has them shaking in their boots, but as the jokes grew more bizarre, the fear has been replaced with amusement. It's an awed sort of amusement, but still. Every time he hears a rookie giggle behind his back, he can't help but feel a bit mocked. It's fine when he calls himself nothing but a tool in the army's hand, and he's gotten used to (and comfortable with) being seen as nothing more than a walking weapon, but there are enough true stories about him to garner fear and awe; he doesn't need people making up lies.

It all comes to a head when a rookie starts talking a little too loudly, probably unaware that Ghost is even in the room. It's something stupid, so stupid that it's not even funny, but then Soap butts into the conversation, and Ghost tenses. They meet each other's eyes and Soap keeps direct eye contact as he smirks and says, "In an average living room there are a thousand objects Ghost could use to kill you, including the room itself."

Which is, objectively, true. But there's a glint in Soap's eye, the sort of mischievousness that Ghost loves so much, and he realizes that Soap just gave him the perfect opportunity. Like bait in a perfectly hidden trap. Ghost steps close to the back of the unsuspecting rookie, surrounded by a gaggle of even more unsuspecting rookies, and leans down to whisper in his ear.

"And I'll use every last one of them on you if I ever hear another joke on base, Private."

God, he hopes he isn't a corporal.

Apparently he isn't because the man jumps almost two feet in the air, a choked-off scream escaping his lungs as he whips around to find Ghost standing far too close for comfort, staring him dead in the eyes.

"Me, sir?" He stutters out, and Ghost almost smiles at the fear in his voice. The other rookies shoot to their feet as well, already edging towards the exit but unwilling to take their eyes (or ears) off of the conversation.

"Yes, you," Ghost rumbles, deep and dangerous. "If I hear anyone make a Ghost joke, I will hunt you down and show you why they call me The Ghost."

The poor soldier stammers out an affirmative, or maybe an apology, but he and his friends are out the door before Ghost can really parse out the words, and then it's just him and Soap. Soap, who's grinning like a lottery winner, eyes ablaze.

"That was hot, sir."

"You're fucked up, MacTavish," Ghost grumbles, but he can't keep the smile off his face. Maybe he could have some fun with the 141 jokes after all...

#sorry this turned into a full thing lmao #I really meant to keep it short but it ran away from me #thanks for the ask!#I really love this idea and I enjoyed getting to play around with it!#call of duty #cod #simon ghost riley #john soap mactavish #ghoap #ghostsoap #soapghost #john price #kyle gaz garrick #tombstone's epitaphs

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marzipanandminutiae · 21 days ago

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Why I fucking hate "The Handmaid's Tale" comparisons to real life (ie "this means THT is going to come true!!!")

that was not an elected government in the story. it was a fringe group that slaughtered the entire US government and took control by force. which makes little sense if you think about it, but that's because it doesn't matter HOW the dystopia happened; it just had to be there for the fiction to make a comment upon the author's present.

Dystopia is never a future prediction. see above: it's always a comment on the present in which it's written

That is massively fucking insulting to women who have actually lived with systemic oppression. They don't have to take away your name or your ability to read and write or put you in a color-coded costume. That's not what violent systemic misogyny looks like, because we KNOW what it looks like.

Sarah Emerson (1762-1784) could absolutely read. Based on what was expected of wealthy girls in her era, she probably spoke at least two languages- English and some French -as well as having knowledge of household accounting, basic first aid, history, literature, drawing, music, etc. She was still married to a man in his twenties when she was fourteen, because he wanted the inheritance her parents had left her (property she owned because, yes, women COULD own property back then). His family disapproved- they called her "the child bride" -but it still happened.

Women in the 19th century who couldn't vote, were discouraged strongly from public speaking (as in, speeches, not conversation), who sometimes had no control over that property they could in fact own, if they married, did normal things. They laughed and cried and petted cute animals. They spoke their minds. They wore what they wanted, albeit with societal constraints. They had names and voices and they still had so few rights under the law.

Women who died from backalley abortions as late as the 1960s could read and write. They had jobs. They dressed in ways we wouldn't consider remarkable today. They voted. They had access to the fucking pill, for gods' sakes. And yet that still happened to them. And yet they still died because the government didn't care about their lives as much as clumps of cells inside them.

Shirley Jackson (1916-1965) was a popular author with a rapier wit that she wasn't above using freely, living once again in a time we'd recognize many features of today. she married a Jewish man over the objections of...well, most of society back then, really. the nurse still wrote "housewife" for her career when she said "writer," during hospital admission to deliver her daughter Sarah

and that's all without getting into the double-damnations of women who aren't white, who aren't Christian, who aren't straight or cisgender. women in non-western countries where some of those things- like clothing laws or movement restrictions -have come to pass, but still not all and not in that way precisely

It doesn't have to be The Handmaid's Tale. In fact, it usually isn't, historically speaking. It's Call the Midwife. It's Harlots. It's Hidden Figures. it's Carol. It's astonishingly normal, among normal women living relatively normal- even happy lives, many of them.

Don't insult their memories by implying that it has to be speculative fiction to be real.

#long post #misogyny #systemic misogyny #abortion #and I even LIKE The Handmaid's Tale! I've been watching it a lot lately precisely because it's so fantastical that #it doesn't scare me #it's less realistic than something like (again) Call the Midwife which I have been avoiding like the plague

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lemotmo · 7 months ago

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I don't often do this, because I try to avoid discourse in fandom and sometimes you just don't vibe with a character. It happens.

But I keep seeing these horrible and, quite frankly, very wrong and disrespectful takes on Eddie Diaz' character. And I can't just sit here and ignore them anymore.

I cannot and will never understand why people don't like Eddie.

I've read some posts and comments earlier about people disliking Eddie and... really? Eddie is boring? He doesn't get interesting storylines? He's just a prop for Buck and his storylines?

Are we watching the same show here?

Eddie is, by far, one of the most interesting characters on 911. The man has had one trauma after the other piled up on him, but still he keeps going. Why? Because of the one thing that matters more to him than life itself: Christopher.

As a single mother myself, I can relate. The struggle to want to give your child everything, to do everything for them, even if it comes at the cost of your own mental and emotional well-being? It is very real. I cannot tell you how many times I end up crying to myself at night, blaming myself because I wasn't able to stop the outside world from hurting my son. And you have to do it all by yourself as well. There is no one there to share the burden with, to share the heartache with. It's tough and it's real.

Eddie's storylines are intricate and nuanced and based in reality. They aren't necessarily the biggest and loudest storylines, but they still matter to people who can relate to him. People like me.

Now, 911 is guilty of showing a lot of important Eddie moments from someone else's point of view. That is true. Especially Buck's POV. The shooting comes to mind, even a part of his breakdown and more recently Eddie's friendship with Tommy. He made a bro-friend and seemed so happy and carefree, but since we saw it from Buck's POV, we can't fully trust this image.

So, I think that is why some people see him as just a prop in Buck's story. But it's much more complex than that. Buck stepped inside Eddie's world without complaint. He helped him out from day one by introducing Eddie to Carla. For the first time, Eddie is no longer alone in life. There is someone there who understands him and his love for Chris. He can safely rest and trust that Buck will be there to step in if necessary. He actually went ahead and put it in his will. Eddie loves the way that Buck loves his son. And the show is still using that bond to date. We saw Buck and Eddie in conversation about Chris, Buck talking to Chris, Buck being jealous of Chris thinking Tommy was cool...

I don't know what the future will bring for Eddie, but I desperately want and need him to be happy. And yes, I do think the narrative will eventually lead him to Buck. His happiness has always been intricatelly linked to Christopher. The way they keep weaving in Christopher in Buck's storyline? The way Eddie keeps being inserted in Buck's bisexuality storyline? These are some of the many reasons that give me absolute certainty that Buddie is in the works.

In conclusion? Just stop hating on Eddie Diaz folks. It's not a good look on you.

#eddie diaz #buddie #christopher diaz #evan buckley #eddie is no one's storyline prop #he is his own person #and I'm very proud to say that he is my favourite 911 character

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pitchsidestories · 10 months ago

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Girlfriend Material II Jen Beattie x Reader

masterlist I word count: 3223

summary: in which Jen Beattie falls in love with a sports journalist who is also a single mother.

A/N: based off this request here. We hope you enjoy this one and we agree with you that Jen Beattie is really underrated. As always this is just fiction.

audio transcript of the interview with Jen Beattie for the bookproject

Jen: sips on her coffee So, how did you..?

Reader: laughs amused do I have to remind you Jen Beattie that I'm the person here asking the questions and it's about the Scottish Women’s national team?

Jen: I thought we weren’t starting yet!

Reader: You said you got your coffee in front of you and that we can start recording that conversation.

Jen: I didn’t know you meant immediately.

Reader: So now you know.

Jen: okay, sorry. I’ll let you talk now.

Reader: Thank you can see jen lifting her finger Yes?

Jen: No, sorry. I forgot I’m not allowed to ask questions.

Reader: Maybe you can ask a few so it feels more like a natural conversation? Maybe that works better for you too.

Jen: Okay, fine with me. How did you get the idea to write this?

Reader: Easy your team’s story is very intriguing and inspiring. I really wanted to cover more than a story, and, in a book, you get the chance to tell multiple of stories.

Jen: I like that. But I always think, we’re just Scotland, you know? There are more interesting teams to write about.

Reader: Yes, I get that but it might sound like a stupid reason, but I grew up in Edinburgh, so Scotland is very dear to my heart, also everyone loves the underdog.

Jen: I like that.

Reader: So, what I’m trying to say with this is you can trust me.

Jen: I do. Why would I not trust you with this topic?

Reader: Good point

Jen: See.

Reader: going back to our topic, when and how did you feel when you were getting your first call up for Scotland?

Jen: chuckles Oh that was a long time ago but as a football player you always dream of that call so as you can imagine I was very excited.

Reader: Do you remember that exact moment?

Jen: Yes, I do. I still played for Glasgow, and I almost missed the call because I started at the phone for too long.

Reader: You did?

Jen: Yes, I’m not sure what would have happened if I missed it.

Reader: I guess they would have tried it again.

Jen: Who knows, right?

Reader: I think it was meant to be.

Jen: It probably was. I’m glad I took the call though. It changed a lot for me.

Reader: This must have been a big step forward in your career.

Jen: It is. I don’t know if Arsenal would have wanted me if it hadn’t been for that call.

Reader: but Arsenal did want you. Lily entering the room Oh sorry this is my daughter Lily.

Jen: She’s adorable. Hi Lily.

Lily: Hello, are you mum’s new friend?

Reader: Actually, I’m interviewing Jen for my book.

Jen: But it’s almost something like that.

Reader: True. Can you give me five more minutes, Lil? And when we’ll go to the park to play football like I promised you earlier.

Lily: Okay.

Reader: Thanks love. Sorry, so where were we Jen?

Jen: Uhm.. oh, Arsenal.

Reader: Yes, right, you got the chance to play there.

Jen: I did. Together with my Scotland teammate.

Reader: So, you must have been very young when you made your move to London?

Jen: I was 18.

Reader: Right.

Jen: Kim was 18 too when she moved to London the year before, so I was glad to have her there too.

Reader: That’s really sweet.

Jen: We both were the youngest and now we’re the grandmas.

Reader: protests You’re not grandmas !

Jen: No but we like to joke about it.

Reader: I can see that.

Jen: With all the youngsters here.

Lily: wears a Scotland jersey Mum, I’m ready !

Reader: Shit, the five minutes are over.

Jen: You probably shouldn’t let her wait.

Reader: Sorry, that’s so unprofessional.

Jen: No worries. I understand that.

Reader: Thank you.

Jen: Have fun.

Lily: Do you want to play with us?

Jen: I would love to, but I have training. Another time, I promise.

Lily: Oh okay.

Jen: Lily?

Lily: Yes?

Jen: I mean it.

Lily: I trust you.

Jen: I’ll see you soon.

Reader: Goodbye, Jen. Thank you for taking your time.

Jen: Thank you for inviting me. And don’t forget to call me, so Lily and I can play some football.

Reader: I’ll call you. Promise.

Lily: whispers Mum, she likes you.

Reader: I think she likes you more.

Lily: But she likes you too!

Reader: Do you think so?

Lily: Yes!

Reader: When it must be true.

Lily: Its true.

The London Derby was about to start. The crowd at the Emirates was roaring with excitement. Amazed, you took in the atmosphere from the side of the pitch alongside some of the other jounalists.

Across the grass, you caught Jen’s gaze who was standing next to the tunnel in a big puffer jacket. She subtly waved at you which you answered with a small smile.

Kim Little appeared next to Jen, telling her something with a stern face. You knew the game was about to start so you turned back to your work.

“Has anyone seen Lily? Jen, you were supposed to look after the daughter of your girlfriend. “, Kim scolded Jen on the other side of the pitch. Reluctantly, Jen turned away from you and towards her teammate; “You said you would babysit.“ “After the match! I’m in the starting line up, remember?“, Kim replied, more amused than annoyed.

Laughing, Jen rolled her eyes; “Ugh, show-off.“ Her smaller team mate gave her playfully offended look; “Hey, you’re still talking to your captain here.“ “Yeh, sure. I’ll go find Lily.“, Jen answered with a grin and brushed past Kim into the dressing rooms. “Good!“, the Arsenal captain called after her.

Jen opened the door of the dressing room where the Arsenal players were just getting ready for the important game against Chelsea; “Lil?“ “Here!“, the voice of a child piped up. The little girl waved with one hand from her place between Alessia Russo and Kyra Cooney-Cross. In the other hand, she held a crumbly granola bar. Jen walked towards her, a big grin on her face; “What are you doing here? Having a snack?“

“Yes, Lessie gave me something. And Wally promised to do my hair.“, Lily nodded with pure joy. Jen ruffled her hair; “Lucky girl.“ “Comes from the one who only ever wears a bun on match days.“, Lia laughed while she pushed past Jen and took Kyras place.

Carefully, she started brushing Lilys hair. “It’s the least complicated and most effective hairstyle.“, the Scot defended herself with a shrug. Kim rolled her eyes; “And it makes you even taller than you are.“

With raised eyebrows, Jen made a point to look down at her captain; “How can you even tell that from down there?“ “Rude.“, she replied before turning towards the toddler whose hair was now in a high ponytail, “Lil?“ “Yes?“ “Tell her to stop making fun of small girls.“

Lily nodded determinedly, causing Lia to start over with braiding her little ponytail; “I’ll.“ “We’re done.“, Lia smiled a minute later, satisfied with her finished work. Lily happily jumped up on the bench, standing on her toes to eye her new hairstyle in a mirror. Laughing, Jen picked her up; “Good. Because these girls have to go out and play and important game now.“

“Good luck!”, Lily hummed. Gratefully Lia patted the shoulder of the little girl:” Thank you, Lily.” “Can you give me a hug as an extra motivation?”, Alessia asked her with a big smirk on her face. Enthusiastically Lily nodded, opening her arms up to hug the tall forward: “Of course.” That sight alone melted Jen’s heart in the blink of an eye.

In her bossy tone which was such a contrast to her relatively smallness Kim clapped motivated into her hands:” Alright girls, time to get out there.” While the playing footballers went on to the field Jen and the toddler took their seats on the bench.

Big eyed Lily pulled on the defender’s jacket: ”Jen?” “Yes?”, attentively the Scottish player put her little hand into hers. Deeply amazed Lily whispered: “This is huge.” “I know, right?”, Jen solemnly agreed. Not long into the game Beth Mead scored the first goal which made Lily jump from her seat shouting happily:” Yes, Meado!”

“Good job, Beth! She’ll be so happy about that girl.”, the defender commented with a satisfied smile. A bit less enthusiastic the girl added:” Mum told me she had a bad injury.” “Yes, she didn’t play football for almost one year.”, the Scottish Woman replied seriously.

Quite taken by that she mumbled: “ That’s forever.” “And her girlfriend Viv had the same injury.”, Jen explained the past situation to her. Moved by those words Lily observed: “That’s not fair.” “No but it happens in football.”, the defender reminded her.

The mood was lightened when the little girl was catching where the older woman’s eyes were wandering:” Jen, you keep staring at mum!” Caught of guard the Arsenal player’s cheek turned red:” I’m not I was just looking if she’s looking.” “Sure.”, Lily giggled.

After the match she ran to Alessia, telling her visibly very animated:” Lessi, your goals were soo cool!” “Thank you, Lily! You were our lucky charm today.”, the forward declared beaming.

After the live recording ended you greeted Jen with a huge grin, while she was wrapping her strong arms around you::” Hi love, did Lil behave?” “You know her of course she did. She’s too focused on the game in front of her.”, the Scottish woman answered cheerfully.

Glad about that news you changed the topic easily: “Good. Remind me, where are you taking me out tonight, again?” “You’ll see when we’re there.”, Jen smiled mysteriously. Excited about what the evening would contain you said: “I’ll be right back I’ll be just saying goodbye to Lily and tell her that it might get a bit later tonight, so she doesn’t need to try to stay awake until we’re back.” “Alright.”, with that word the Arsenal player let go of you for now.

A few minutes prior Kim wanted to know from the toddler:” Have you decided whose jersey you want, Lily?” “Can I have yours?”, she asked innocently. The captain was surprised by that wish:” Mine?” “Yes, please.”, Lily nodded quickly.

Flustered the older woman gave the little girl her jersey:” Oh, sure. Here you go.” “Thank you.”, the toddler gratefully pressed the shirt onto her. Trying not to show how touched she was Kim waved it off:” You’re welcome.”

Lily was already wearing the oversized jersey when you entered the dressing room. Your daughter happily ran into your arms. You wrapped her into a tight hug while you told her; “Hi Lily, I just wanted to say goodbye for now and that Jen and I’ll be back tonight. But I’m sure you’ll have a lot of fun with Kimmy.“

You shared a quick smile with Arsenals team captain. “Okay, have fun, Mum.“, Lily replied, obviously already distracted by what was happening around her in the dressing room. You pressed a quick kiss to her forehead before saying goodbye; “Love you, Lily.“ You could feel your daughters eyes on you while you caught up Jen outside.

Kim realized that Lily was confused by the situation so she kneeled down in front of the toddler; “Tell me, Lily, what do you want to eat now?“ “Can we eat pizza?“, the little girl asked with big eyes.

While Kim nodded, Leah Williamson joined the conversation; “Can we join the pizza party?“ “Please?“, Laura Wienroither added, her facial expression almost identical to Lilys. Kim nodded with a sigh before turning back the toddler; “Sure. How about we make our own pizzas, Lily?“ “Yes!“ “Alright, let’s go.“, the captain decided and got up to grab her bag. She took Lilys hand in hers while Leah and Laura followed them.

At Kims home, they immediately got to work, making small individual pizzas. “I’m jealous. Yours and Kims pizza looks so good.“, Leah complained, eyeing the ham and mozzarella pizza that Kim just took out of the oven. “It’s because Lily and I are a good team.“, she replied, holding up her hand for Lily to high-five. “True.“, the little girl agreed.

Laura laughed; “Not bad, Little team.“ “Thanks.“, Kim said, only partly annoyed by the pun. Excitedly, Leah took her pizza out of the oven next; “Time to eat our pizzas.“ But there was a loud bang that told everyone in the room that Leahs pizza did not even make it to the table. “Oh no.“ “Leah!“, Lily yelled, amused by the mess the tomato sauce and hot cheese made on the tile floor. “Yeah, I know, very funny.“, the defender sighed.

Kim immediately turned back to the kitchen table; “It’s okay, we can make a new one.“ “Lee, you can have a bit of mine.“, Lily offered, gently pushing a piece of pizza towards the defender. Gratefully, Leah picked it up and took a bite; “Thank you, Lily, you’re very sweet.“ “You don’t need to tell her that, she knows.“, Kim grinned while making more pizza. “Still. She shared her pizza with me!“

Finally, the captain admitted; “Yes, okay, it’s cute.“ “See, that’s adorable.“, Leah said. Laura disrupted their conversation, pointing towards the toddler; “Oh my god, girls. She fell asleep with her head next to her plate.“

A soft smile appeared on Kims lips as she watched the child sleep, a piece of pizza still in her tiny hand; “I think it was a long day for her. Winning against Chelsea is exhausting.“ “Very true.“, Leah agreed with a laugh. Carefully, Kim picked the girl up; “I’ll bring her to bed.“ “Good night, Lil.“, Laura whispered. Lily blinked tiredly and yawned against Kims shoulder; “Nighty.“

Meanwhile, you looked at your surroundings being in awe of the restaurant your girlfriend chose:” Jen, this is so fancy here.” “I told you; I’d take you somewhere nice.”, the Arsenal player replied with a warm smile. Proudly she kept holding your hand until you reached your table and took a seat each. “Yes, you weren’t lying about you.”, you had to admit delighted.

In an honest tone she stated: “As much as I love Lily, you also deserve to be treated to something nice.” “She loves you too, in her kindergarten she refers to you as her mum.”, you confessed, cheeks flushing. Surprised but flattered Jen asked:” She does?” “Yes.”, you nodded cautiously, unsure if this information was too much for your girlfriend.

The defender let out a shaky breath: “Wow.” “Sorry, if that was too much.”, you stammered an apology. Immediately she reassured you:” No, I like that.” “Anything you would recommend from the menu?”, you tried to lighten up the mood, but the football player was taking your hand meaning you to pause for a second.

Softly the Scottish woman said:” Love..” “Yes?”, you looked up to her, your free hand was nervously putting a loose string of your hair behind your ear. A deep sigh escaped Jen’s lips, before she confessed: “I want to be honest with you. I never wanted to be a mum; it just wasn’t one of my life goals like it is for other women. But I’d love nothing more than being Lily’s mum.”

“You’re already a great one.”, you confirmed visibly moved by her words. Equally touched Jen answered: “Thanks. That means a lot.” Because words couldn’t encompass how much her confession meant to you, you kissed her, hoping the kiss could encompass everything you felt in that moment. “I love you.”, the Arsenal player whispered. “I love you too.” Her voice was filled with gratitude:” I’m so glad you were writing that book.” “It’s coming out soon.”, you announced happily.

Hopefully Jen wanted to know: “Can I read it first?” “Of course, I’ll leave you a copy on your nightstand.”, you promised her excited. A bright grin was on your girlfriend’s face: “Thank you. I can’t wait to read it.” “I hope you and the team will like it.”, you bit your lip. “I’m sure we will.” From that on you two had a very pleasant date night.

After the dinner you gratefully greeted Kim in her home:” Hi Kim, thanks for watching after Lily.” “You’re welcome. She was really tired and already fell asleep at dinner.”, the Arsenal Captain told you. Understandingly you nodded:” To be fair it was a long, exciting day for her.” “That’s true. I hope you had a good date night.”, Kim smiled at you both. Beaming Jen replied:“ We did.” “That’s good.”, the midfielder seemed pleased by the happy faces in front of her.

“Mums?“, Lilys voice interrupted your small talk. The little girl stumbled into your direction, her eyes were barely open. “Yes?“, Jen answered. “You’re back.“, your daughter yawned. You crouched down, your arms outstretched and Lily let herself against your chest. “We are.“, you confirmed as you carefully picked her up. Jen reached over, ruffling the little girls hair; “Yes, and we’re going home now.“ “Okay.“, Lily mumbled, almost asleep again. Jen chuckled quietly; “She is so cute.“

You said your goodbyes to Kim and made your way back home. You placed the sleeping Lily in her bed, carefully tucking her in and placing a gentle kiss on her forehead; “Good night, Lil.“ “I think she had fun today.“, Jen commented from where she leaned on the door frame. You grinned; “Yes, they had pizzas together.“

“Oh, Kim just texted.“, Jen said in surprise. You watched her read something on her phone; “What did she write?“ “That she hopes we got Lily home without waking her up.“, your girlfriend summarized the message quickly. You shrugged; “Kind of. She’s asleep now.“

With a smile on your lips, you took Jens phone out of her hand to snap a photo of your daughter, fast asleep with her favourite plushie in her arm. Grinning, Jen followed up her message to Kim with the photo while you both left Lilys room. “She and the girls seem to like being aunties.“, Jen thought out loud. You nodded happily; “They do. Even though Kim always pretends to be annoyed when you ask her to babysit.“ “Yes, but she secretly loves it.“, Jen replied with a laugh. “Oh yes.“, you agreed while you both slipped into your bed.

Only as your head hit your pillow, you realized how tired you were. Yawning, Jen slipped an arm around your waist and gently kissed your neck once. Just before you two were about to fall asleep, Jens phone screen lit up again.

As she held up the phone and blinked against the brightness of the screen, you caught a glimpse of the message. It was from Kim, reading; “Haven’t seen you that happy in a long time. You deserve this, Jen.“ You could feel a smile spread on your face, similar to the one on your girlfriends and you couldn’t deny that you felt a little bit honoured by that message.

Jen put her phone back on the nightstand and pulled you closer to her. You both didn’t need any words to express how right it felt to be there in each others arms.

#jen beattie #jen beattie x reader #woso x reader #woso one shot #woso imagine #woso fanfics #woso community #woso #arsenal wfc #arsenal wfc x reader #arsenal wfc imagine #awfc #leah williamson #alessia russo #kim little #kyra cooney cross #jen beattie imagine #beth mead

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missshirophantom · 3 months ago

Note

I love your yandere Sebastian Solace so much <3 could you make a request on him having female reader in his shop after kidnapped the reader from her journey on getting the crystal to escape the place where she is forced to stayed in his shop- Where nothing but some noisy other prisoners/people could disturb his time with being with only your presence. When one of prisoners flashed him of the flashlight she took the opportunity to escape the shop without alerting Sebastian of her leaving due not wanting to risk getting caught (sorry if this doesn't make sense)

From the author : hello! I'm glad of that. It took a while, but it's done. I apologize if there is something wrong in the written request or if I misunderstood something. I hope you don't mind that I came up with the name of this one... Stories, yes. And I hope you don't mind the slight rigidity typical of yandex. content. I apologize also if this is short or a little concise, I was in a hurry when I wrote this, plus I was busy writing one story that I finally finished. Have a nice read :D

Warning : female reader, references to bondage (not really), mention of slight isolation, threat of fracture and amputation of a limb, possessive behavior, yandere.

Number of words : 1856

I Warned You

A lot of things have been happening in your life lately. The time before you were put in jail does not matter. Whether you were actually imprisoned for a crime or not. The important thing is that in the end you agreed to the offer of a certain company Urbanshade. All you wanted was to finally get out of this prison, especially when the woman was not living very well there.

However, you never even allowed the thought that this seemingly simple matter would turn out to be so dangerous.

Meetings with these... Creatures that have left you with nightmares. You didn't even think then that it could be worse than just being in jail. At least there was some respite, but here you're just in eternal fear for your life.

You weren't exactly sure what attracted one of these creatures named Sebastian, as he calls himself. Especially when you came to his store several times for, most often, a first-aid kit.

So that didn't explain why he kidnapped you and kept you in his store. It was especially frustrating that you were pretty close to that damn crystal and the long-awaited freedom. Literally a few steps away, and then you lost consciousness before you woke up in a man's store.

You were afraid to do anything. More precisely, you tried, but Sebastian's threats were sufficiently eloquently that you did not think of doing anything to his satisfaction.

Compared to what happened to you in prison before, being here is not a bad thing. If you think about it optimistically.

There was food, albeit mostly raw meat, and canned goods from the warehouses of this base. There was also a soft, very soft, place to sleep. And a little entertainment in the form of reading the documents that Sebastian allowed you to take and talking with him.

What you definitely didn't like, and even scared, was the almost constant attempts of a man to bite you. He also kept you wrapped up with his tail all the time when you were sleeping or "annoyed" him when he was busy. You didn't know what it was about, and even if you did, you wouldn't be able to do anything about it.

And you also hated when he used handcuffs to keep you in his "lair" while he went to get supplies. Even when you behaved well, he did it anyway, deliberately not believing you and mocking you. Which was true, but your wrists hurt because of the uncomfortable position and even turned a little red where the metal rubbed against your skin.

You reluctantly accepted it.

An attitude, but definitely not a position.

You were afraid of what Sebastian might do to you if you did run away, but damn. You were so eager to get out and finally get freedom, despite the fact that your last attempt was unsuccessful, and the scar on the back of your neck still hurt. A reminder of your "misconduct," as a man hissed in your ear during his bad days. And then there's the daily mockery...

Even his "good" attitude towards you does not cover what is here, especially with him, is unbearable.

But subconscious fear, as well as those memories of your past escape attempts, made you freeze in place when you stood next to the ventilation hole open to customers.

About the customers...

These are the days that allowed you to exhale a little, because it was at such moments that Sebastian's close attention and obsession were less, because he was distracted by the prisoners who bought things from him. And it also lifted your spirits a little, because you could talk a little with those prisoners who did not treat girls disgustingly.

It's good that your abductor did not interfere with this, even if he frowned and became more intrusive after the person left.

You fidgeted a little in your seat while you were sitting on one of the iron boxes, looking bored at the book in your hands, which you reread for the third time. Sebastian brought you this book from one of his outings. The plot was not bad and you even liked it, although after each re-reading, the book turned out to be quite boring. And not only because you already knew the story.

You listened out of the corner of your ear to the mumbling of a visiting prisoner who was fiddling with his research, greedily looking at some of the things being sold in Sebastian's bags.

As far as you remember, this person lacked literally several dozen studies to buy this. It could be seen that they were clearly in distress.

You put the book aside, raising your head.

Sweat broke out on the man's face as they rummaged in all their pockets, desperately looking for more research, but not finding it, began to sweat harder. At the time, Sebastian was looking at them maliciously, folding his two arms over his chest, clearly enjoying the discomfort of the prisoner.

You frowned quite a bit at this. Suddenly, a rather unexpected thought came to your mind: what if?..

It is at this second that the man pulls out a Flash Beacon and pulls the trigger, clearly hoping to steal the right thing in this way.

And at the same moment, when Sebastian's angry and painful scream rang out, you rushed to the vent and crawled through it.

You acted on pure instincts, moving as if your life depended on it. You could hear an even louder, angry scream as you ran out of the hallway, followed by the sound of a gunshot.

You didn't remember how long you ran like that, but you had to run as far as possible, especially when you acted so impulsively and did not report this action to Sebastian in any way... Although, if that had happened, he would have handcuffed you to a pipe or a staircase railing... But you just wanted to feel freedom at least for a short time, even without resuming the path to the crystal.

Your legs barely held you up and hurt a lot from the sudden and prolonged running, which almost made you stumble. You were breathing heavily, almost hoarsely, leaning against the wall. Gradually, as you catch your breath, you begin to fully realize what you have done.

Damn it, what have you done?

What is the chance that in this case Sebastian will not give you a very strong punishment? And then he will move with his magician to another place so that it will be harder for the prisoners to get to him, and also so that you are not familiar with the situation?..

Although it was not this that scared you more, but what kind of punishment a man would apply for your impulsiveness ...

You swallowed nervously, involuntarily looking down at your legs, which were trembling after running... Or maybe from fear of the unknown.

You started when you heard a noise in the next room and ran again, as if your life depended on it. Which was not far from the truth.

You heard a very familiar angry growl behind you, which caused you to accelerate, panicking, looking for a place where you could hide from danger. In the next room, you find a small overturned closet among other furniture scattered throughout the room, and hurry inside. You clamped your hands over your mouth, curled up in a trembling ball in the corner of the furniture.

You held your breath when you heard another crash and thud, but it was all in this room.

— Where are you, little fish? — The voice was full of growls and hisses, quite far from human speech and literally inhuman.

You squeezed your eyes shut, trying not to move a muscle, when you heard the sound of a body sliding on the floor, as well as the way the furniture moved, almost breaking under the force of the hybrid's claws.

— Do you remember I warned you not to run away? Or have you forgotten that?! — there was another sound of furniture moving, but this one, apparently, flew into the wall. Dangerously close to where you were— ah, I knew you were dumb, but to be so lovely?

You tried not to flinch or sob at his tone and noise as he broke furniture next to you, clearly venting his anger.

— Should I break you or amputate your leg so that you stop thinking about escaping, huh?!

You shuddered weakly, shrinking into a ball from his threat, barely breathing through the tears that silently flowed from your eyes. Of course, you guessed that something would be determined, but... No, no, no...

— If you come out now, I won't do anything to you, little fish, — the tone of the voice dropped, and the hissing was not heard so much now.

But for some reason it scared you even more, which is why the instincts in your body made you freeze in place. You've never felt so terrified, even when you almost ran away the last time. You felt like a real prey next to a large predator, ready to attack and eat right like that.

Because of fear, time seemed to freeze for you, as well as all the noise that began to move further and further away from you, indicating that Sebastian was moving away from your hiding place. You were still trembling, barely able to move for the first few seconds, when you realized he was gone.

It took about a few dozen minutes before you could move, when the paralyzing fear began to subside from you. By that time, all the noise had stopped and it was terribly quiet.

It bothered you a lot and you were afraid to open the closet door, but you couldn't sit here for a long time because of a little claustrophobia and fear that the hybrid might come back and find you.

You wiped the tears from your cheeks with a trembling hand, exhaling raggedly and hesitantly and very slowly unlocked the locker door.

At the same moment, your hand was intercepted and you were literally yanked out of hiding with your scream.

You saw your own frightened reflection in Sebastian's inhuman eyes. A sob escaped your lips, breaking the silence, then a terribly quiet voice was heard:

— I. Warned. You.

#pressure roblox #yandere sebastian solace x reader #pressure roblox x reader #roblox #sebastian solace x reader #yandere oneshot #request #requests #yandere requests

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shadowbriar · 11 months ago

Text

James Potter - Traitor

Pairing : James Potter x (she/her) Reader Word Count : 1.9k Warning : Cliffhanger (sort of). Not proofread as always. Synopsis : As gracious and angelic Lily Evans is, she couldn’t help but to see her as some villain who might steal him away. Notes : Inspired by this request and Olivia Rodrigo - Traitor. Pretty sort as I don't know if anon would like a happy or sad ending? If you like this story and would like to support me, please visit my kofi page and perhaps get me a coffee?☕ James Potter's Masterlist click here. Taglist : @jsjcue @ell0ra-br3kk3r @sofiacblair @coffeehurricanes @ineedmentalhelp123

She should’ve known better. She should’ve known that when he pulled that stunt at the Great Hall, proclaiming his feelings and just how desperate he’s been to get her attention, that it was only a projection of the words he wanted to confess to another. She should’ve known that when he looked at her with those eyes that were filled with love, it would never compare to the affection he hoards for another. She should’ve known that with every promise, every sweet nonsense he whispered to her ears, they were truly addressed for another.

The signs were laid bare for her to see. From the way he stopped holding her hands in the hallway to making up excuses and cancelling their dates. His kisses have turned into quick pecks before they’re gone altogether. The jokes he used to share have stopped coming. Dissipating into thin air with no warning.

Supposedly it was her fault. She should’ve said something, calling him out from the lack of effort he’s been showing but she knew she was pulling on a thin thread. Their relationship has always been based on a frail foundation. She knew that deep down there was no other woman that could topple his first love, so she kept quiet. Crying herself to sleep and praying to whoever might listen out there to help salvage their relationship. Anything to keep him just a little bit longer.

“Love, you left your hair tie in my room,” James says once he takes a seat, busying himself with the stack of pancakes in front of him.

She takes the unassuming item and examines it. This hair tie wasn’t hers. She doesn’t have bright orange hair ties, “This isn’t mine, James.”

“Oh,” He responded, taking the item and placing it in his pocket nonchalantly “Must be Lily’s then.”

“Lily?”

“Yeah, we had an impromptu study session last night after our rounds. She helped me with my potion essays.”

“But we promised to do that essay together,” She says, forcing a smile as she tries her best to conceal her disappointment and heartbreak “I waited for you to have some free time so we can work on it together.”

“Yes well, like I said, it was an impromptu session. We finished our rounds earlier than expected so we figured we could use the free time to do the assignment.” He explained, still oblivious to the harm done to her heart “Shouldn’t you be proud I’ve finally managed to finish an assignment earlier than due? This is a huge improvement for me, don’t you think?”

Her head nods, another pretend smile decorating her face. James looks happy and proud of his achievement. It was true. When else would you find James Potter diligently working his schoolwork? He’s always been one of those students who waits for the adrenaline rush of working everything at the last minute. He’s brilliant, perhaps too brilliant to ever spare an hour in revising his notes and making flashcards for the upcoming exams, so this certainly is a huge improvement to celebrate for. If only it wasn’t because of Lily.

“You’ve been spending more time with Lily, lately.” She points out. Her hands were shaking, knowing that the pool she’s stepping in might be deeper than it seems and she might not know how to swim to the shore but she needed to start somewhere. She needs to save their relationship somehow.

James’ brows furrow, a slight sign of disagreement, “Not really. Our rounds just happened to be scheduled together a lot this month.”

“Well, you also cancelled our study date last week for her.”

“Yeah, that’s because she needed my help with Divination.”

A rude laughter escapes her, “You’re the worst from our House in Divination, James. She doesn’t need your help.”

“Where are you going with this?” He finally snaps, turning to face her with evident annoyance in his eyes “I thought you would be happy with me finally trying to fix my grades.”

“I am. I just didn’t realise that needed to be done by increasing the amount of time you share with your ex-crush.”

“Oh, so you’re jealous?”

She was quiet now. Sure it was jealousy that plagued her mind the first time he began drifting away but these days, these days she’s only been insecure and worried for their sinking ship. Anxiety over the chance of her being replaced by someone who has always had his heart has been haunting her nights. As gracious and angelic Lily Evans is, she couldn’t help but to see her as some villain who might steal him away.

“You’re being paranoid, again.” James scoffs, turning completely blind and deaf to her silent agony “There’s nothing going on between me and Lily. I’m trying to fix my grades for me. She just happens to be a great teacher and companion to help me study.”

She's still quiet, weighing if she should believe his words.

"Please, I don't want to fight," James sighs, dropping the fork on his hand and taking hers to show his sincerity "She's just a friend, I promise."

There was truly nothing left for her to say that wouldn’t act as petrol to their burning bridge. James wasn’t listening. For a while now he hasn’t truly cared about a word she’s said and it was painful to finally understand this. That he might never have been as sincere as she thought him to be. Or perhaps he did, once, yet that feeling has died a long time ago with no chance of revival. His feelings for her have withered, faded into nothingness.

And it’s only a matter of time before the flame in her heart dies too.

—-

It was a nasty fall.

She couldn’t remember the last time she felt this much worry and cried so much from something Madam Promfrey claims as ‘nothing but a light nudge on the head’, but she was there when the bludger hit his head. She was there when James began losing balance of his broom and falling to the hard ground. She was there when the team crowd around their passed out captain.

Her eyes were getting heavy now. The watch on her wrist has shown that she has skipped dinner a few hours ago. Some of the lights on the hospital wing have been turned off, making the hall darker as night falls deeper. If it wasn’t for the boys coming to visit James half an hour ago, she would be left starving and secretly creeped out by the eerie feeling of the infirmary.

“You should get some rest, Love, you’ve been waiting here for hours.” Remus advises, giving her shoulder a slight squeeze.

“He should be up anytime soon, now,” She reasoned as she looked up to see the tall boy “I want to be there when he wakes up.”

“Trust me, Dove, knowing Prongs, he might just sleep in till tomorrow,” Sirius added “Besides, you won’t miss a thing. He’ll still be the same obnoxious Potter tomorrow morning.”

A small curl of smile tugs on her lips.

“Come on, I’ll walk you back to your dorm.” Peter offers this time.

“You don’t have to, Wormy. I’m fine—”

“Dove, please,” Sirius begs “You look awful. And I mean this in the most endearing way but you could really use a bath.”

“Thank you, Pads,” She rolls her eyes, finally standing from her seat and glaring at the raven haired boy “Your honesty is always something I could count on, even in the darkest time.”

Sirius grins, nodding, “I am a man of honour.”

“Let me know if anything happens? If he wakes up?”

“We will,” Remus reassures “Goodnight, Love.”

With a last bid of hug and ignoring the still awful churning feeling in her gut, she links arm with Peter and walks out of the hospital wing. It’s been hours since she’s waited for her boyfriend to wake up from his sleep and the fatigue plaguing her body has only been recognised as she takes further steps away from the infirmary. Perhaps the worry has amplified the soreness of her muscles. It’s never an easy life dating the Captain of Gryffindor team.

She hates to admit it, but she might really need that bath Sirius was talking about.

And just when they were about to exit the tower, her brain reminded her of her left satchel, “Shoot, I forgot something.” She groans, letting out a frustrated sigh “Give me ten minutes?”

“Is it that important?” Peter asks “We can just bring it to you later.”

“I’ll be quick, I promise. I have to finish my paper for the first period tomorrow, I need to get my satchel.”

Peter only nods at her as she begins running back to the ward. Truth be told, she’s finished the paper as she waited for James earlier. Leaving her satchel was completely by accident and she could’ve just continued walking back to her dormitory and ask the boys to bring it to her later, but why would she pass up a chance to see her boyfriend one last time?

“So did she come?”

A smile blooms on her face as she hears James’ voice echoes faintly. He’s up.

“Of course she did, she waited for you for hours.” Sirius answers “She’s your girlfriend, Prongs, she never left.”

“Oh,” James answered, the disappointment dripping from his tone slows down her steps “I was asking about Lily, actually.”

There was a pause. She could see Sirius and Remus exchanging a glance from behind their backs. If it wasn’t for the curtain blocking James’ view, he would’ve seen her coming.

“So did she come?” James asks again.

“No, Prongs. Why would she come?” Remus asks, his tone slightly rising in annoyance.

“I don’t know,” James answers “I thought we were getting closer. I just figured she’d want to check on me.”

“Well, she didn’t,” Sirius says this time, the same level of irritation evident in his tone “Why are you even thinking of her? You have a brilliant girlfriend who cares for you. Who literally spent hours sitting on that awful chair, worried about your bonked head, and the first thing you asked about when you woke up was Lily?”

“It was just a question, Pads. No need to get all worked up on me.”

“Well, your question is rubbish, Prongs.”

“Why are you—”

“Hey guys,” She says, finally showing herself from behind the curtain “Sorry, I left my satchel. Oh, hello James, you finally woke up.”

She could see the surprise on James’ eyes that he quickly blinked away with a sweet smile, “Hello, Darling.”

“I’m glad you’re up. Are you feeling okay?”

“Still dizzy, but I’ll live.” He says warmly “Will you stay with me tonight?”

“Uh, no, I need to finish my papers.” She says instead, fighting the loud ringing in her ears from the heartache “Besides, you need all the rest you could get. I wouldn’t want to bother you.”

“But you wouldn’t—”

“I really need to go. Peter is waiting for me,” She cuts in “Good night, James.”

She glances at Remus and Sirius for a brief moment. Staring at them for too long would make all the dam she’s trying to uphold break lose and the last thing she’d want to do tonight would be to cry in front of James. No, she would not give him that satisfaction. It is one thing to deny and avoid all of her questions and another to actually dismiss her presence. Perhaps it's time for her to accept that the heart James wears on his sleeve was never hers to begin with.

As she walks out of the infirmary for the second time tonight, she could hear Sirius’ curse faintly, “You’ve lost her for good now, Prongs.”

#james potter #james potter scenario #james potter scenarios #james potter imagine #james potter imagines #james potter fanfiction #james potter fanfic #james potter angst #james potter oneshot #james potter request #james potter x you #james potter x reader #james potter x y/n #james potter x oc

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aeithalian · 3 months ago

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What even are the ancient laws?

I've been meaning to get around to this one for ages.

Anyways! Good question, guys! Answer: nobody fucking knows. Sure, we have good ideas. The laws are mentioned every now and then as a "oh, no little mortal child I can't help you - that's against the ancient laws. But hey! You can help me."

Let's be honest: the ancient laws, while there might be legitimate reasons for some of them, have transformed into yet another way that the gods hold themselves as the high and mighty overlords of the world, and keep their mortal offspring below them at all costs. But... why? Are the demigods really that dangerous to the gods? The answer: yes, but not to the gods - to Zeus.

Let's start from the beginning and list out everything we know about the laws. I did the hard work, you're welcome:

1. Gods cannot steal each others' symbols of power.

2. A god cannot initiate a fight with a mortal.

3. No direct interference - gods are not allowed to interfere in the lives and ongoings of mortals or monsters.

4. No more than 3 people are allowed on a quest.

5. Harming the sacred animals of a god is forbidden.

And that's it. Those are the only true mentions of the Ancient Laws in the entirety of the Riordanverse (at least, the Greco-Roman books).

And I think we all know what the most important one is. Direct Interference is the only one we see Zeus actively enforcing (or at least attempting to). But why is that? Well, stealing another god's symbol of power and initiating a battle with a mortal are physically impossible for gods, and the ban on harming a sacred animal is very commonly accepted already, as it's a guaranteed way to get your ass whooped. And the rule about having 3 on a quest isn't really something Zeus is going to spare the effort to enforce - starting a quest with more than 3 will typically guarantee that you come home with only 3, if at all.

But Direct Interference is the most interesting law, simply because it's the one that our demigod narrators are affected by the most, either in the ways their godly parents violate it, or refuse to do so.

There's plenty of instances where this law has had quite a bit of impact on the story and relationships. For example, Hermes used this law as a major reason why he could not help Luke or prevent him from raising Kronos. But let's be honest: besides Zeus himself, Hermes might be one of the only gods that actually obey this rule, despite the fact that he wants to break it. Just off the top of my head, I can name an instance in the series where every single Olympian at least toed the line of violating Direct Interference, except for maybe Demeter. And I'm not sure Dionysus counts, since he has contact with his half-blood children because of his position at CHB.

But there's something interesting even about the ways these gods break the law of Direct Interference. In most instances, these interactions with mortals happen when the god is in disguise, or through dreams. And, based on how little it seems like the gods get punished for breaking Direct Interference, we can only assume that Zeus is not aware of when gods talk to demigods via dreams. I mean, he's probably aware that it happens: Apollo, Poseidon, Hephaestus, Aphrodite, Hera, Ares (who occasionally follows the rule, but only as an excuse to not help a demigod out), Artemis (although she is subject to exceptions due to her domain), Dionysus, Athena (I think?), and Hades all do it at least once in the RRverse. I mean, you could also argue that dreams are a more indirect means if interference, but I can also see how that's an iffy argument at best.

So, what does this mean? If there is one thing I know about laws and rules in general is that people tend to break laws if the direct consequences of their own actions don't directly apply to them. Gods would probably respect the law of Direct Interference more if there was an immediate negative effect on themselves, aside from just the punishment.

Think of a law or a rule that people break all the time. Littering, for example. People do it all the time, even though it's bad. But why is it bad? A person who doesn't have a lot of forethought will drop a piece of trash and say 'hey, that doesn't affect me. The planet will suffer and this will be a pain in the ass to clean up, but I'm not the one cleaning it up, so why do I care?' If you don't care about the planet or other people cleaning up your trash, the only reason you have to not litter is that you're afraid of the punishment.

I think the attitude towards Direct Interference is similar. The only reason a god would obey is if they're afraid of the punishment, or if they respect Zeus enough to follow his laws (which, clearly, is not the norm in godly society). And even then, what is a punishment to an immortal being? The only way Zeus punishes gods that really matters to them is turning them mortal - and that's a very rare occurrence.

By that logic, we can assume that a violation of Direct Interference does not actually negatively affect gods all that much. To be honest, it doesn't negatively affect mortals either. Maybe monsters have the short end of the stick, but monsters didn't write the law of Direct Interference - Zeus did. So... why? Why does it exist?

My first thought was the Fates and prophecy - if gods can interact in mortal life without recourse, then it might fuck with the way the Fates operate. But gods have been interfering for the entirety of civilization. If they really had a the power to alter the future just by dipping a toe in mortal life, don't you think it would have been obvious? Even in the RRverse, there are plenty of instances, as I've mentioned, that gods have interfered in a quest, and said quest wasn't severely fucked over because of that interference. Take, for instance, Percy's quest to save Artemis - Apollo intervened, but where were the consequences of that? Where were the earth-shattering effects?

So what gives? Also, I'd argue that the gods would actually obey the law more if they knew it had such a negative effect on the proper functioning of the Fates, especially Apollo since that's his domain. So I'm going to say that's not the case.

So we're back to the first question: why does the law against Direct Interference exist if it has no effect on the gods or the Fates? In all references to the law against Direct Interference in the Riordanverse, never once is it explained why this law exists. Why would Zeus create it if violating it doesn't have some major world-ending effect? Gods are gods: what could make this law so important that it's the only one Zeus makes a true effort to enforce?

Well, it makes sense to me that Zeus would create the law if he's the one who has to bear the immediate consequences of it. Which raises the question: what are the immediate consequences? What reason could Zeus possibly have to separate half-blood children from their godly parents? HMmmmmmmMMMM.

Well, there's another interesting thing about the Ancient Laws: some of them don't apply to mortals. Mortals can steal a god's symbol of power, and mortals can initiate battles with gods. Imagine with me a scenario in which your enemy has an army that is not subject to the same laws you are. Gods are (as far as I know) physically incapable of stealing symbols of power and starting battles with mortals, but what does that matter if they have half-blood children that reach the power of minor gods, like Percy, who can do that for you?

It's a terrifying premise, if you're Zeus. And before you start telling me that I'm going down yet another far-fetched rabbit hole (listen - I always make sense in the end), we've seen Zeus go down this line of thought before, all the way back in The Lightning Thief. Remember???

Chiron said that the reason Zeus blamed Percy for stealing the Master Bolt was because the mines the Cyclopes used to forge the bolts is close to Poseidon's domain, and he thinks Poseidon has it out for him. Now, there's a theory running around the TOA fandom that gods can control how much power they hand off to their children (as seen with Apollo's children, who rarely inherit the power of prophecy, which we're willing to bet is something Apollo is controlling from behind the scenes), and if Zeus knew that Poseidon had had a child, it's possible Zeus thought Poseidon was trying to create a super-child just for the sake of overthrowing him. I'm willing to bet that one of his greatest fears is that an über-powerful child of one of his brothers would be used to steal his symbol of power and then overthrow him. He views demigod children like weapons that his enemies can use because they could be inherently dangerous to the standard structure of godly society. His main fear is somebody with the motivation of Luke having the power of Percy. And what do paranoid kings do when presented with the idea of their greatest fears? Make laws against them.

The only way Zeus could be sure that Poseidon would never intentionally have a child like Percy, then bring him under his wing just in time to start a rebellion against him is to ban that kind of interaction at all.

Counterpoint: you could also say that the law against Direct Interference was a way to protect the mortals against the gods who might harm them or do them dirty. Like getting women pregnant while in the form of a swan. Ahem ahem. Do you get my point, though? It's not like Zeus has any real reason to protect the mortals in this way, since he was one of the main perpetrators anyways, but it is a damn good excuse if he also wanted a reason to prevent a potential revolution led by demigods.

Now, if you'll bear with me for a little bit longer, there is one more interesting thing I'd like to point out: In the entirety of Trials of Apollo, Apollo (a god, obviously) only mentions following the Ancient Laws once. Unsurprisingly, at the time he's mentioning the law against Direct Interference, he's also violating it - when he kills Commodus to save lives, Rome, and for his own peace of mind. So, to me this basically means that Apollo doesn't give two single shits about following laws against Direct Interference.

Connect that with everything else we know about Apollo post-trials: he loves his kids, doesn't want to see them hurt, and is trying to distance himself from Zeus and godly society. Even pre-trials, he doesn't have any trouble admitting that Zeus makes his rules and laws difficult to follow - nobody is good enough in Zeus' eyes. I truly believe, if there's any person who, given the proper means and motivation to overthrow at least some aspects of the Direct Interference law, he would.

Just saying. Feel free to add on if anybody else has more thoughts!

[a masterlist of my other metas]

#riordanverse #toa #trials of apollo #apollogists #pjo #lester papadopoulos #apollo #percy jackson #meta #theory #fan theory #ancient laws #pjo apollo #pjo zeus

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deliciousangelfestival · 3 months ago

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Another Ending - 3 | Bucky Barnes

Character: ex!Bucky Barnes x Female!Reader

Summary: It was supposed to be a short week watching over your niece, who loves romance books. She thought you were just a normal aunt, but it turns out you have secrets.

Tags: Spies, action, threat, offense, fight scene, violence, romance, comedy.

Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4 , Chapter 5 , Chapter 6 ,-

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

The three of you are seated inside the train, the gentle hum of the tracks filling the cabin. You’re holding ‘The Red Swan,’ the novel that both Lori and Bucky had mentioned earlier. As you flip through the pages, your brow furrows.

“Urgh.” You grunt irritably as you skim through yet another overly descriptive scene. The book wasn’t exactly what you expected.

You place your hand over your eyes, exasperated. “70% smut and the plot is only 30%,” you mutter, turning to Lori, who’s glaring at you with puffed cheeks and crossed arms, clearly offended by your critique of her favorite book.

Lori snatches the book from your hand, cradling it protectively. “I feel like you’re hurting my baby,” she says, her voice a mix of frustration and disbelief. “And you’re not even reading it properly!”

You let out a sigh, unable to summon the courage to continue reading. “Amusing. My sister actually lets you read this?” you ask, raising an eyebrow.

Lori flinches, her bravado slipping for a moment. She peeks at you with a guilty expression. “No,” she admits in a timid voice. She had to sneak it under her covers at bedtime. Suddenly, her eyes widen with realization. “Wait, does that mean the… intimate scenes are based on a true story?”

“No!” you exclaim, your voice firm. But before you can elaborate, Bucky chimes in, “A little part of it.”

You shoot him a sharp glare as Lori gasps in shock. “What about the character backgrounds? Are both of you special agents with super uniforms that make you strong? Do you have rooms full of weapons and fast cars with missiles? Oh, oh… what about the part where both of you fall from a high building?”

You chuckle at her enthusiasm. “You’re going to be disappointed, Lori.”

“Why?” she asks, her face falling slightly.

“Because the story exaggerates the characters a bit. The agency doesn’t have that kind of money. No super uniforms, and definitely no fast cars with missiles.” You notice her disappointed expression and can’t resist teasing her.

“But, young lady, the part about the female character being good at fighting—that’s true,” Bucky interjects.

Lori’s face lights up again. “What about you, Mr. B? Are you really that strong and athletic?”

“He’s not that strong,” you say with a playful smirk.

Bucky, amused by the exchange, crosses his arms and leans back. “At the beginning, yes. But what happened next… well, that’s the plot twist,” he says with a knowing grin, leaving Lori wide-eyed and eager to know more.

Here’s a revised version with improved grammar, added descriptions, and enhanced tension between the characters:

“Uhhh… What’s the plot twist?” Lori asked, her curiosity piqued as she looked between you and Bucky.

Bucky raised his eyebrows and smirked at you, the corners of his lips curling up in that infuriatingly confident way he had.

You rolled your eyes, unable to hide the exasperation in your voice. “I can’t believe I was ever worried about you. You fooled me.”

“Dear, that’s what we do. We lie,” Bucky replied smoothly, his tone carrying a hint of something darker, something that sent a shiver down your spine.

The tension between the two of you was palpable, hanging in the air like a storm waiting to break. Lori, oblivious to the undercurrents, watched with growing excitement, her eyes darting between you and Bucky as if she were witnessing a live scene from one of her romance novels. She clutched her book tighter, her face flushed with anticipation, clearly enjoying this drama unfolding before her.

Flashback Begins

Back at the security agency, the world was divided into field agents and analysts. You were one of the best field agents, always in the thick of the action, while Bucky was an exceptional analyst, the brain behind countless successful missions. Everyone in the agency worked under alias names, identities hidden even from each other.

Your alias was ‘Nightingale,’ and you quickly earned a reputation for being ruthless and efficient. Bucky, known as ‘Cipher,’ was the analytical genius. Whenever an agent was assigned to a mission with Bucky as the analyst, they knew success was almost guaranteed. Together, the two of you were unstoppable—a perfect combination of brains and brawn.

Despite his sharp mind and keen intellect, Bucky’s unassuming appearance as a nerdy analyst made you worry about him. He wore baggy shirts and glasses, and you often found yourself wondering if a strong gust of wind might just blow him over. You made it your unspoken duty to protect him, thinking he needed it.

But then, everything changed. The day you were gravely injured in the field, on what you thought would be your last mission, Bucky showed up. Not as the meek analyst you’d imagined, but as something else entirely.

He ripped off his shirt to reveal muscles that had been hidden beneath those baggy clothes, and with surprising strength, he pulled you out of harm’s way. He wasn’t just your analyst; he was a force to be reckoned with.

From that day forward, your attitude toward him shifted. The camaraderie between you deepened, but so did something else—something you tried desperately to ignore. In the world of espionage, there was no room for romance. It was dangerous, reckless. And what made it worse, far worse, was that you were a double agent.

But the thrill of the chase, the secrecy, the risk of being discovered—it all made your hidden relationship even more exhilarating. Every stolen glance, every touch in the dark, was fraught with danger. You were torn, constantly on edge, wondering if you should confess your secret to Bucky or bury it forever.

Then came the day when your worst fears were realized. The agency uncovered a mole within its ranks, and it all came crashing down during a mission codenamed ‘The Red Swan.’ The mission failed spectacularly, and in the aftermath, the truth emerged.

It wasn’t you. It was Bucky. He wasn’t just a double agent; he was a triple agent.

Flashback Ends

“That story is much better because it’s more realistic,” Lori declared with a satisfied grin. Then she turned to Bucky, her curiosity piqued. “What about the mission? Was that part real?”

Bucky gave her a half-smile, his voice low and serious. “Sorry, little girl, I can’t tell you about that. Or, well… you know.”

“Did you just threaten my niece?” You shot him a sharp look, protective instincts flaring.

“Just gave her a warning,” he replied, watching as Lori tensed up. A moment later, his expression softened slightly. “But the hotel part is true.”

Lori’s mood flipped instantly, her excitement bubbling up again. She squealed with glee, only to suddenly make a face and cover her eyes. “Ewww… My brain needs to stop projecting that image!”

‘Serves you right,’ you thought, amused by her reaction. You watched as she tried to shake off whatever wild imagination had conjured up.

Just then, an announcement echoed through the train, informing everyone that they had arrived at the station. The three of you gathered your things and stepped off the train, but Lori dragged her feet, her steps growing slower as she took in her surroundings. It was clear she didn’t want to leave this adventure behind.

You noticed her reluctance, but you knew that for her safety, it was best for her to be with your sister. Standing at the station entrance, you reached into your bag, pulled out another burner phone, and dialed your sister’s number. “Where are you?”

“I was waiting for your call. Have you arrived?” your sister replied, her tone far too casual for your liking.

“Yes, we’re here. Where are you? I told you to wait at the train station,” you said, glancing around the bustling platform.

“Well… I’m on a train,” she admitted, sounding sheepish.

A cold shiver ran down your spine as her words sank in. Panic rising, you bolted toward the nearest platform, ignoring the startled looks of other passengers. You leaped over the barrier, triggering the alarms as you skipped the ticket gate. Security guards shouted after you, but you kept running, your eyes locked on the approaching train.

You skidded to a halt just as the train pulled in, breathless and frantic, and peered through the windows. There, standing casually inside one of the cars, was your sister. She met your gaze, mouthed, “I’m sorry,” then, to your utter disbelief, lifted both middle fingers in your direction with a mischievous grin.

“You bitch!” you yelled, unable to contain your frustration as you mirrored the gesture.

As the train began to pull away from the platform, leaving you behind, you felt a flood of memories rush back. This was exactly why you chose to keep your distance from your sister. Every time you babysat Lori, she’d find a way to take advantage of the situation. And just like that, you were reminded of the chaos she could bring into your life.

You trudged back to the station entrance where Bucky and Lori were waiting. Bucky raised an eyebrow as you approached, sensing your irritation. “What happened?”

“Don’t ask,” you muttered, rubbing your temples as you tried to calm down.

Lori, on the other hand, seemed to recognize the familiar expression on your face—the one you always wore when her mom got under your skin. She jumped up and down with excitement, pumping her fists in the air. “Yes!”

Bucky still looked confused. “Does this mean she’s coming with us to find the author?”

Before you could respond, Lori was already trying to prove her worth. “Ow… ow… you need me! I know where she is. I follow all her social media accounts.”

🥀🥀🥀🥀

“🎵Road trip and adventure! So exciting!🎵” Lori sang from the backseat, her voice full of enthusiasm as the car sped along the highway.

Bucky focused on driving, steering the car toward the location where the author was supposed to be. Lori’s information seemed accurate—she’d been tracking the author’s every move with surprising precision. “From her story an hour ago, she was at the bookstore. Fifteen minutes later, she said she wanted to go to her favorite café, and now she’s got her favorite coffee.”

“Doesn’t anyone care about their privacy anymore?” Bucky muttered, his voice tinged with disbelief.

You glanced at him and shrugged. “Guess not. People are so eager to share their lives online that they forget who might be watching. Makes it easy for someone like Lori to keep tabs on them.”

Bucky nodded thoughtfully, his eyes flicking to the rearview mirror, where Lori sat humming to herself, lost in her world.

The car slowed to a stop in front of a cozy-looking café. The three of you peered through the large front window, zeroing in on a woman seated near it. She was engrossed in her laptop, her fingers flying across the keyboard.

There she was—Jill Krege, the author who had somehow captured fragments of your life in her book.

Jill was a woman in her mid-40s, with a calm, unassuming demeanor. She wore a hand-knitted cardigan, its intricate patterns hinting at a patient and thoughtful personality. Her hair, streaked with hints of silver, was loosely tied back, and she occasionally sipped from a steaming mug as she worked.

“She’s kinda…” you began, struggling to find the right words to describe the feeling that settled in your chest upon seeing her.

“You see it too?” Bucky finished for you, his voice low and slightly puzzled.

“Hm…” You nodded, your eyes narrowing as you tried to reconcile the ordinary appearance of the woman with the secrets she seemed to know.

Lori, sensing the tension but not quite understanding it, piped up from the backseat. “What… what am I missing?”

Bucky leaned back in his seat, still studying Jill. “She doesn’t seem like a spy or a diplomat.”

“But appearances can be deceiving. Just like you,” you added, turning to look at Bucky. Your words were edged with both admiration and a hint of old bitterness.

He smirked, his confidence shining through. “Well, dear, that’s because I’m the best.”

Bucky’s hand moved toward the door handle, his mind made up. “I should talk to her,” he said, already halfway out of the car.

“Stop!” Lori’s voice rang out, sharp and urgent.

Bucky paused, one foot on the pavement, and turned to face her with a questioning look.

“This is a once-in-a-lifetime chance for me to meet my favorite author. Let me talk to her,” Lori pleaded, her eyes wide with determination.

Bucky frowned. “Kid, this isn’t a game. We don’t know what we’re dealing with here.”

“She’ll think you’re an annoying fan or, worse, a stalker. But she’ll be comfortable talking to a 13-year-old girl,” Lori countered, crossing her arms with the certainty only a teenager could muster.

You exchanged a glance with Bucky, the logic of her argument sinking in. She did have a point—Jill was more likely to drop her guard around a harmless-looking child than a mysterious adult.

Bucky hesitated, clearly torn between protecting Lori and the necessity of getting information. His eyes flickered with concern as he looked at you, seeking your approval.

You sighed, considering Lori's suggestion. The idea made you a bit uneasy, but you couldn't deny that it might work. “Alright,” you finally agreed, giving her a cautious nod. “But be careful. We’ll be close by.”

Lori's eyes sparkled with excitement as she grinned. “I’ve got a better idea.”

You raised an eyebrow, bracing yourself for whatever she had in mind.

Lori leaned forward, her voice lowering as if she were about to share a secret. “We’ll act like a family!”

You blinked, taken aback by the suggestion. Lori’s enthusiasm was infectious, but the idea of playing house in front of the author who somehow knew so much about your life was a lot to take in. “A family?” you echoed, your tone a mix of skepticism and amusement.

Lori nodded vigorously, her ponytail bouncing with each movement. “Yes! Think about it. We go in there like we’re just a normal family out for some coffee. She won’t suspect a thing!”

Bucky, who had been quietly listening, crossed his arms and tilted his head slightly, considering the idea. “And how exactly do we pull that off?” he asked, his voice laced with both curiosity and a hint of sarcasm.

Lori didn’t miss a beat. “Simple! You’re the dad,” she said, pointing at Bucky. “You’re the mom,” she continued, turning to you. “And I’m the adorable daughter who’s super excited to meet her favorite author.”

You couldn’t help but laugh, the absurdity of the situation momentarily cutting through the tension. “Lori, that’s… quite the plan,” you said, shaking your head slightly.

But as you looked into her eager eyes, you could see how much she wanted this—how much she needed to feel like she was a part of something bigger, even if it was just an elaborate ruse.

Bucky smirked, his eyes meeting yours with a glint of amusement. “Well, ‘Mom,’ what do you say? Shall we give this a shot?”

You exhaled, still unsure but unable to deny Lori’s infectious excitement. “Alright, fine. We’ll play along. But remember, Lori, we’re here to get information, not just to have fun.”

Lori’s face lit up, and she practically bounced in her seat. “Got it! I’ll be on my best behavior, I promise!”

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