#barry's extras

[trainquokka-barry]

Extras:

[201] (Barry's room)

Uuugh... why in Gaia's name is Gadget so... so cute! And pretty! And handsome! And... ugh!

And it's worse! 'Cause it looks like they already have a boyfriend! That... Fintieni! He's so cool looking, and handsome, and pretty too!

Oh my Chaos I would have a chance in hell with either of them, even if they weren't dating! Even if I... wouldn't mind being between th...

Stop! Stop. Stop being a perv for your neighbors, Barry, that's not a good thing.

----------------------------

[203] (Gadget and "Fin's" room)

Sooo... whaddaya think of the new neighbor?

Alright, I guess. I haven't seen enough of them to judge though.

Okay, Mr. "my full name is Fintieni."

Shut up, Gadge. What else was I gonna my legal name? "Infinite" was definitely not what I was gonna go with a couple months after it happened.

Yeah, so of course you just switched around the letters.

The fuck was I gonna call myself then?!

You could've just put down "Fin." Like how I was calling you. And am still calling you.

S-shut up!

----------------------------

[202] (Surf's room)

...

i hope they get along...

[bet-on-me-13]

The Timeline Shifted, and Sam is conflicted...

So! A Timeline Shift occurs one day (thanks Barry) while Team Phantom are in the Ghost Zone helping Clockwork with a few things. As they are going back to the Human World, Clockwork gives them another cryptic piece of advice.

"Unfortunately the world will not be the same as it once was. Samantha, you will find this especially Jarring, but keep an open mind."

Before they can ask what happened, he shoves them through their own respective Portals, and Sam lands in an Alleyway in Gotham.

She is confused, but a green glowing sticky note appears in front of her telling her 'go to the nearby park, you will see what I was talking about'

She walks over, and sees a lady with Green Skin tending to some flowers. Her head is covered by a Hat, so Sam can't see her face.

They strike up a Conversation, and Sam finds that this Lady is great. She loves taking care of Plants, she hates it when Companies pollute the Earth, and she even has Plant Powers just like Sam!

It occurs to her that she never asked for the Lady's name, so she asks and the lady lifts her Hat to reveal her face. And Sam freezes.

"Oh, sorry for not introducing myself. My name is Pamela Isley."

Thats her Mom's Maiden Name.

This lady has her Mom's Name.

This is her Mom.

Oooooooohhhhhhhhhh shit.

...

Read the tags for extra context

[myfandomprompts]

"Or sorry... are you with friends? No, they just left."

EWAN MITCHELL as Michael Gavey - Saltburn (2023)

[deathbypufferfish]

Happy Valentine's Day from mom and dad (and barry)

[nrdmssgs]

[justhereforsomethingnice]

Random thought: how much do the bat family shit, or the arrows, or any other non superpowered family. Or even superpowered like the Flash family, famous for their fast metabolism. They have to eat so much to keep up with their life style, it has to come out.

How many times does poor Alfred have to unclog toilets? Does Iris think that’s the worst about dating a Flash? Do I want to know?

[simpel-is]

ranting abt moonlight again bc holy FUCK THIS FILM IS SO SMART AND SO GOOD WITH ITS COLOR

this hyperfixation will drag me into the ground and i will happily go along

spoilers for the movie (if u havent seen it go watch it mf its pride month) also discussion about religion (kind of), homophobia, black masculinity identity and culture, ect ect

no because how tarell mccraney and barry jenkins used the color blue as a symbolism in this movie is SO FUCKING GOOD i feel like in almost every scene u can see a color being used in a symbolic way

in my interpretation at least, blue here represents both vulnerability, security with one's identity but also masculinity (in the sense how blue is used in society to represent men and masculine gender roles, the expectations that come along), and which meaning of the blue is used is colored (ha get it) by the context of the scenes

at the end we reach the conclusion that masculinity and vulnerability can co-exist without contradicting each other in the final sequence of little in blue moonlight but WE WILL GET TO THAT IN A BIT

in the beginning chase sequence little is getting bullied and chased while he wears a blue backpack -> the blue here represents the vulnerability, and how it paints a target on chiron to get bullied by other kids

even in subtle details like how juan drives a blue car but doesn't wear blue on himself, how teresa wears blue through-out the movie, how there's hints of blue in juan and teresa's home (in that scene where juan has little sitting with his front to the door but back to the blue, but we the audience can see it, smth tells me its supposed to be how juan is trying to put up a front to act as a reliable older figure for little which GUH JUST SHOWS HOW MUCH HE CARES), his house's walls and mother wore blue at the beginning scenes which shows when he was younger he could feel and project vulnerability into his own home at one point

during the little section, after the chase sequence little is shown wearing a red shirt while other kids, including kevin, wear white and blue. white here is sort of used as a neutral color of uncertainty and perhaps innocence, while red is the opposite of blue; it's invulnerability, but also insecurity and femininity (which lines up with how chiron's mother wears red in the scene she yells at him), and it shows how chiron is outcasted with the kids, bc of his quiet nature

during the chiron section, the bully wears red and black, contrasting against chiron's mainly light colored outfits. i thought a long time for what the yellow could stand for, and maybe it's there to represent whenever chiron feels love towards another character (teresa, kevin, in specific scenes with his mother) or that sense of escapism (when he was running to the beach at night), his shirt for 80% of this section is a plaid shirt with yellow blue and white sort of mixed up together and a blank white shirt inside

before and during the betrayal scene, he wears a white shirt with blue lines, no yellow anymore bc it felt like he doesn't need to imagine kevin's love for him only exists in dreams. it's reality now, and it makes things more clear for him and his identity (THEIR SHIRTS EVEN MATCH LIKE THEY COMPLETE EACH OTHER IM GONNA CRY.)

also it might be to distinguish when its masculinity or vulnerability but the shade of blue used during the revenge scene is a more teal blue while the moonlight blue is like a natural real blue without a tint of green (i could yap on abt how green is used but this is getting too much)

now during the black section of the film, yellow is first used to represent anxiety for chiron when he wakes up from the nightmare; that escapism and affection he felt for kevin and his mother now reminds him of what happened years ago. it still haunts him. and it also haunts kevin shown in the scene when he calls chiron to apologize (but at the center the lighting is blue. he calls in vulnerability)

as black travels back to confront his past and familiar ties, his mother now wears light blue which is contrasted against chiron's darker shade of blue shirt in the forgiveness scene (they're on different ends of the spectrum, but they're slowly healing, both on the same page of what they wanna do; heal from the past)

as the movie continues, the yellow in scenes slowly turns to represent familiarity and affection instead of anxiety, but the yellow doesn't look warm or as bright as before; there's still tension, things left unsaid. but at the centre, the focus point of these scenes, there's blue, and it isn't tinted by another color (the car drive scene, how blue light peeks in through the diner scene, when kevin changes into a blue shirt)

and the scene where black fucking says "you're the only man who's ever touched me." good fucking god.

he looks at kevin's shirt. he wants the blue. he wants to share the vulnerability with kevin.

when kevin holds chiron, the lighting is dark, and the yellow now is warmer, it represents familiarity and affection again. a lot of things are still a mystery to them, a lot still left unsaid, but everything feels familiar again in a new way, in a more intimate way.

and that fucking scene where little looks back in the blue moonlight, showing how chiron's vulnerability and masculinity don't have to contradict one another; he reaches security with his child self. he finally heals.

this movie is so, so beautiful.

[scrunglepaws]

No thoughts, head empty doodles while I was on a long phone conversation with someone. I got sick of the go-to mindless Tailses, so I zooped through some pics I have saved on my phone for ideas and Barry+Sparks ended up being the chosen ones.

[hansolosyou]

I sketched these in class :3

Feeding the few extras (or just Steve) fans left in this little corner… here ygs go… some scraps before I decide to make fleshed out fully colored Steve art some day

[island-in-the-shadows]

Ok look...this is a sculpture of a body. Like damn. I'm not immune to the fact it's aesthetically pleasing.

I love the absolutely madness (and fun) of this dance.

I love that he's so clearly still in love with Felix that he has that framed picture of them and blows it a kiss.

I love that he can't actually cope sober and has to do drugs.

I love that this isn't a victory, it's a funereal celebration.

I love that the last thing he chooses to touch is the stone with Felix's name on it. The stone he dunked in the lake for...because he'll never let the ghost go.

I love this fucking movie

[redkelpfish]

We put too much focus on reverse Robins when true heroes would shoot for the stars. There are literally three founders with perfect counterparts right there.

I'd like to submit my evidence to the jury:

The OG:

Bart came back earlier in the timeline than usual. Yes, he finds being older than Wally just as strange as you do.

Jon’s mother was a refugee on Krypton when she fell in love with a man of the house of El. She (not Kryptonian, just living there), under no illusion of pride in the planet, sent him off upon Krypton’s destruction in a last-ditch attempt to save her child. Much like Clark, Ma and Pa Kent take him in.

Cassie was a demigod’s daughter who, just like we all know, fucked around and found out. Considered an Amazon by everyone involved, including Themyscira. Proceeded to make it everyone else’s problem.

The protégés:

Wally really just vibing. Bart raised him, along with a chaotic collection of uncles and aunts. He fucked around with the specific intention of finding out, and he did.

Kon is a clone of Jon and Lex, but Jon immediately and unconditionally adopted him as his brother and named him right then and there. Creativity is clearly not Jon's strong suit.

Donna was Diana’s protector, created from her image to guard her. Hippolyta had a vision of Diana going out into the world of man, and so Donna set out ahead to make the world of man safe for her charge. She entered man's world a literal teenager and already despairing about what her much younger charge is going to be able to get up to here. She's correct.

The babies:

Barry is Wally’s poor baby nephew that was at the wrong place at the wrong time in Wally’s lab. Moment of silence for this boy's sleep schedule.

Clark is the result of another hero or villain fucking with the fabric of reality, creating a bunch of consequences, one of which is a Jon’s full Kryptonian infant father finding himself on Earth. Jon gives him to his own parents, Ma and Pa, to raise.

Diana predictably snuck off Themyscira at a young age. She's exactly the same amount of feral as she is in canon, there's just not enough hero worship to disguise it.

[ofdamnation]

muse(s)  : arleigh madison , 25 , bisexual . plot  :  the please please please music video and lyrics . possible  connections  : m / f / nb  .

' you know , we could just stay in . we don't always have to go out in public , right ? ' such good idea , though it may be more to do with the fact that she's sick of the other embarrassing her all the time .

[themarionette-theporcelaindoll]

all my 4 core shows are knocking the wind out of me this year

[ib3li3v3you]

Whats happening here babygirl

[ftl-faster-than-life]

Eobard has the most specific dysphoria you've ever seen.

[danothan]

i can’t believe hal didn’t grow up poor, i’m gonna be sick