#bamboozled by Jesus

[necrotic-nephilim]

What's so fun about BruJay as a ship is Jason's sheer obsessive devotion to Bruce. Jason is possessive over Bruce, to the point he doesn't care about the deaths of others so long as he has Bruce's attention. A part of the UTRH arc this isn't talked about enough is that Bludhaven fucking explodes mid-way and Jason won't let Bruce see if Dick is alive.

batman (1940) #650

A lot of discussion about UTRH paints Jason as this anger-driven cold, calculating machine up against Bruce when it's so clear that his love for Bruce is what drives him at his root, even if he won't acknowledge it. He says it himself, he would've done anything if it was Bruce who'd died instead of him and his anger is rooted in that possessive devotion not being reciprocated.

batman (194) #650

BruJay as a ship always to be, to some level, unrequited. Even if Bruce loves Jason back in that way, he'll never be that obsessed with Jason. Jason will always view Bruce's love for Dick or Tim to be a distraction, proof that Bruce isn't dedicated enough to him. Jason has the need to always have Bruce's attention, even when it could come at the cost of Bruce's other loved ones. Something something cannibalism as a metaphor for love in how Jason wants to consume Bruce's whole existence. He can't let Bruce leave him again, can't let Bruce love or grieve anyone else. Forcing Bruce to choose between Jason and the Joker isn't just about confronting Jason's killer, it's about confronting the other person who exists as this duality with Bruce and consumes so much of Bruce's life. That's the role Jason wants to fill, calling himself Red Hood and forcing Bruce to look at what he's become. But still loving Bruce and wanting more than anything for Bruce to reciprocate that love in the way that Jason understands. I just think it's good soup and rife with Dynamics that are underexplored with them.

[pinkberrypocky]

pmmm rewatch live notes: ep 1

ive been rewatching pmmm w my friends who haven't seen it before and have decided that i am incapable of being normal abt it so uhhh.... gonna dump the notes i took during ep 1 here. they are entirely incomprehensible ramblings of a madman but the goal is to synthesize some actual analysis once im done w the watch through. im convinced there is significant color symbolism related to the colors of the holy quintet but idk the exact symbolism for each color so there's a good amount of notes of just instances of those colors that i think could help me pin down the symbolism later on so there's that too a gift for u (or i guess a hurdle if u don't care abt color symbolism but honestly if u don't care abt color symbolism i don't understand u). idk i thought it might be silly for like maybe 1 other guy out there. also my friends bullied me into it (read: hyped me up about it until i relented)

ok buckle in folks this is solidly two pages on google docs

first scene happens bc madoka remembers it from another timeline 

spiraling time is it the future or the past does it even matter

brightest thing in intro is her hair ribbons bc they are what links madoka and homura across time and space 

everything else is desaturated

god madoka w her in the intro bc god madoka saves and treats all the magical girls like that when she saves them from their witch future 

hard to tell what the world is like bc does it even matter 

no matter what the setting is homura will fail to save madoka and madoka will sacrifice herself 

also adds to the eerie effect 

madoka’s mom tells her to use the red ribbon

madoka never chose her fate for herself, she’s always doing what others want and what she thinks is best for others 

the scenery has a weird juxtaposition of greenery and industrial things which mirrors the juxtaposition of the magical girl stereotype and the psychological horror reality 

the classrooms are like bird cages 

homura walks in like she’s not seeing everyone and not really there bc she’s living in the past which is also the future 

THE ANGLE WHEN HOMURA FIRST TALKS TO MADOKA

like idk what that loom w the dramatic lighting means but it means Something

the way homura doesn’t hide that she knows the way to the nurses office shows that she’s getting desperate and tired of this cycle

insisting that madoka call her homura even though they “just met” shows how important their relationship is and how much she yearns for their old dynamic 

when she confronts madoka in the hall she shows emotion for the first time showing how much she cares about this 

it seems cruel but in reality she is grasping at straws to protect madoka 

she doesn’t care if she has to be seen as cold as long as madoka is safe

homura knows the math so well bc it’s the same every single fucking time

the symbolism of kyubey with the spikey evil statue that’s all rusty and the shadow where it merges w him 

when madoka reveals she has seen homura in a dream and they brush it off bc haha we’re just middle schoolers this is a magical girl anime nothing weird would happen

red in the scene where homura tries to kill kyubey… kyoko’s color… what does red represent in this show?

kyubey reaches out to madoka asking to be saved bc he knows that’s her weak spot , that she will always jump into danger to save other regardless of her own well being 

when homura appears trying to kill kyubey there are chains what could this represent 

chained to her cycle, chained to kyubey, chained to madoka 

they form the shape of a cross bc homura is jesus, she takes the brunt of the harm and the blame in an effort to save the others 

use of collage in the witch labyrinths is disorienting and jarring it doesn’t fit and it’s confusing and creepy and unsettling 

language is similar to german at times maybe a reference to historical german witches 

sayaka protects madoka in a  hug like embrace when they first end up in the labyrinth symbolizing the way she is to the end a protector

mami makes sure to act unbothered and not scared when she meets them to keep her persona of a magical girl who saves ppl despite the horrors of the reality 

the fact that mami uses guns alludes to the horror of magical girls hidden just beneath the surface 

the use of the word contract also shows the severity and adult nature of what they are about to embark on

[hauntingblue]

I have connected two dots... yamato kaido and momo (and kinda shirahoshi with her top) have clouds above their shoulders... and luffy in gear fourth has them also.... I can see the signs

[dykedivorce]

if any other bitch in konoha had been gay apart from sasuke none of this would have happened to my son naruto.

[iscariotapologist]

why is the barnes & noble religion section SO unbelievably bleak

[fingertipsmp3]

That last post just reminded me of something honestly mind-boggling that that friend did

[joelmillersnumberoneapologist]

Me after the Bad Batch finale:

[romeowho]

i don't think i say it enough, but fuck brennan lee milligan

[dougielombax]

“How DARE you accuse me!” - That one fig tree after being yelled at randomly by Jesus.

“DID THAT TREE JUST FUCKING TALK?!”-Thomas.

This didn’t happen but I like to think it did.

[lokisaysbye]

I am bamboozled at how deep he’s going like sir?? I can almost *feel* her reaction myself Jesus Christ

[wormdebut]

WALK HIM LIKE A DOG

@hellion-child you did this. Inspired by this legendary post.

‘It’s not illegal to go to the dog park, just to hear hot dads say Good Girl.’

Rating: M CW: overusage of the term daddy and Eddie just being a horny bastard.

——

“You know, this is fucking insane, right?” Chrissy laughs while Eddie lounges on the park bench.

Yes. He’s aware.

He and Chrissy don’t even have a dog and yet—

“Chris. Look at all of these great pet parents, taking care of these little doggies. Look at em. Wonderful. Stunning, very normal.”

Chrissy levels him with a glare. Being on the wrong side of a Chrissy glare is a scary thing, but alas his dog park visits are worth it.

“No. Look, listen. You’ve got all of these doggy daddies taking their lovely pups out for runs and walks and what not and then daddy wraps up his run and takes the precious ones to this here dog park. Woof.”

It really was worth it to Eddie, alright? There is nothing wrong with going to a public dog park to maybe hear a hot sweaty man coo at his dog.

‘Good Boy’

‘Precious Girl’

Bark bark bark or whatever.

Would Eddie ever talk to any of them? Absolutely the fuck not, but a man could dream.

He was bummed though because none of the hot guys were out, today.

Damn.

He is busy scanning the area to see if he missed anyone, Chrissy yapping on and on about how they could just get a dog when someone slows their run to chat.

“Hi!” She says. This woman is tall, short hair messed up from running, she’s got a bright ass orange jacket on, and she is most certainly Chrissy’s type. Thats not fucking fair at all, now is it?

Chrissy’s complaining tapers off. “Hey.”

They smile at each other, and this is truly unfair, Eddie thinks. This whole dog park thing was for him and yet.

“I hope you don’t mind, but me and my best friend just moved to the area and honestly, I think you’re pretty so—I just thought I would say hi.” She hardly makes eye contact with Eddie. So it’s clear who she’s talking to.

Like recognizes like, he supposes.

He can respect the straight forwardness of it all. Chrissy is just kinda staring at her so he speaks up. “Well, I’m Eddie and this is Chrissy, and I can confidently say that she also thinks you’re pretty.”

Both woman turn to stare and him, Chrissy with big eyes and the other woman with a smirk. She speaks, “Well, it must be my lucky day.” She turns back to Chrissy, “I’m Robin.”

The two get talking and Eddie is happy for his best friend, he really is, but where are all the hot men?

He’s about ready to call it quits when he sees a fucking god, running with a ridiculously stunning dog.

Hot people own hot dogs, he supposes.

This guy is—fuck. He’s sweaty from running, and his hair is fucking gorgeous, even after activities. Thats a green flag. Eddie is just shocked.

This is the dog daddy of all dog daddies. He’s wearing tiny fucking red shorts that expose thighs for days and—

“Jesus fuckin’—see?” Eddie doesn’t even care that he is interrupting the girls conversation cause this guys is—god damn. “He could slap a collar on me and walk me like a dog.”

Chrissy balks. “Eddie. We are in the company of a new friend. Robin doesn’t deserves this.”

Eddie simply shrugs and Robin laughs, “No. I think it’s hilarious which guy caught your eye?”

Oh, he likes Robin. “I like her. Get her number—“ He smiles big at Chrissy, before gesturing towards the fucking Adonis in tiny little running shorts. “Anywhozle. That one, look at him. On my knees in a second.”

He ignores Chrissy’s eye roll, and watches as Robin takes in the guy, before busting out in a laugh. “Oh my god—Steve?”

Oh shit.

“I—do you—“ Abort mission. Abort abort.

“Oh yeah, remember that best friend I was telling you guys about?”

She is still laughing, and Chrissy joins her before handing Robin her phone.

Eddie feels like he just got bamboozled.

“Chrissy, babe, I’ll text you. Eddie? I’ll see what I can do.” She smiles at them both before running over to ‘Steve’ and his—their?— gorgeous dog.

“No wait I—“ Eddie tries but she’s already over with Steve who is listening intently to what Robin has to say.

Oh god, oh no. Oh god.

Chrissy is just laughing softly into her hand, which turns into full laughter quick because Steve turns to look at them, smiles and winks.

[httpsghostie]

I luv ur high maintenance s/o💗🫰

Take the cod boys to sephora and swatch every single color on their arms lmao.

Ghost completely flabbergasted, shook, bamboozled when he finds out the price of some of these items lol.

“WHY IS IT $45 for some chalky colors luv ?!?!?!”

“$30 for THAT?!?!?!”

*accidentally got lip plumper on his eyelids* “OH BLOODY JESUS ARSE IT BLOODY FUCKING STINGS GET IT OFF MEE!!!”

141 at sephora

first of all: thank youuu<33 had lots of fun writing this

warnings: none!

✧.* gaz:

"please, baby, I just need an eyeliner." you whined as you two were passing in front of the store, gaz shrugged and went along with you.

"just an eyeliner? mhmm, I know." he said with a smirk, but was happy to see you happy.

you went inside, going straight to where the eyeliners would be and he followed just behind you.

"$25 for a marker?" he widened his eyes and you chuckled. "that's overpriced."

"yeah but it's waterproof!" you said, swatching it on the back of your hand. 

"I can give you a permanent marker for less than half of that!" he laughed, looking at all the other products in the aisle. "damn, I didn't think makeup was this expensive."

"it is." you said, knowing well that there were cheaper products. "babe, what do you think about this color?" you asked, holding a liquid lipstick.

"y/n…" 

"please, it's just this one." you pouted.

"fine." he laughed, giving you a kiss on the forehead and going with you to check out. 

he ended up paying for you, getting all flustered to see you happy.

✧.* ghost:

"I just need to get a few things, I promise, it won't take long!" you dragged simon by the arm and he almost stumbled on the bags he carried.

"love, you just said that at the last store an hour ago." he chuckled.

"last one, I promise!" you mumbled, to which he could only sigh and follow you.

you stopped to see the eyeshadow palettes, swatching the colors on your arm and inspecting them. he just stood there with the bags in his hand, tired of having to be social all day, until his eyes met the price of stuff.

"bloody hell, darling, $50 for twelve colors? what's in them? the cure for cancer?" his eyes widened when you took the palette in your hands. "oh my god, $30 for that? are you kidding me? jesus, love, I'm going bankrupt."

you could only laugh at his reaction and the way his tired eyes followed you around the store as you picked more stuff, not even daring to ask the price of them. when you had finished shopping, you bet he stopped to get some tea on the way back home.

✧.* price:

"is this what you put on my skin that day, sweetheart? we should get this f' you. oh my god this is expensive, did you waste your expensive products on me?"

"I didn't waste them." you laughed, picking up some face masks. "I want you to have smooth skin just like me." 

he isn't used to the price of beauty products, but he's also not surprised that they're overpriced. it costs x for you to get your hair products and have the most soft hair ever? swipe his credit card. costs y to get skincare products just so your skin is smooth when he's caressing your face? swipe his credit card. 

usually ends up with a gigantic bill, but if you're happy he's happy.

stops by the perfumes when you're not looking to get you a new one, you have no clue how but he ended up getting your favorite.

✧.* soap:

"come here." you called him, grabbing a foundation, snatching his arm and swatching on it to see if it had enough coverage.

"jesus, what is this?" he sniffed, making you laugh.

"foundation." you inspected his arm, watching if the color would oxidate. "hm, I don't like it."

you'd leave him unattended for a minute and he would come back with a hand on his eye, complaining that it was hurting.

"lass, got something in my eye, ow, ow." 

"what did you do, johnny?" you tried to wipe it off, but it was glossy and you ended up smearing it even more.

"ow, I put that thing over there-" he pointed to a section of lip plumpers, and you could only take a glance at it before he started to be a lot more dramatic. "-in my eye, ow, help, please." 

you could barely breathe at how much you laughed, asking for a makeup wipe to try and get rid of the gloss. he was mumbling some things under his breath, cursing at you playfully for leaving him alone.

when you finally took it off, he still felt like his eye was burning, and you two had to leave the store due to how badly you two were laughing. not to mention that he was left with a swollen eye.

[hauntingblue]

I loved this movie about nami and her ex situationship reconciling and also anti capitalism

[anonymusbosch]

i finally encountered some of those dumbass fridge screens in real life.

- only clearly visible from close to perpendicular

- several not working

- claim to help you find what you want faster. what i want is to LOOKING at the DRINJKS

- the ones out of order, naturally, don't have the prices on paper inside so you just have to put your faith in jesus or something that the gatorade isn't $17

- have cameras.

- have WAVE TO SPEAK MICROPHONES?? what am I supposed to do? talk to the fucking refrigerator? I'm already talking to the refrigerator and telling it things like "I am hitting you with a beam of exploding" and "I wish I could crush you into fine smithereens"

- have ads for Artificial Reality Mini Game Dawn Dish Soap Cleaning Game. bitch. i can do the dishes in Real Reality Real Life Macro Game. you, a refrigerator, are advertising to me the opportunity to virtually do additional dishes? via a QR code? Upon what ground do you think you stand? You're a refrigerator. You don't even have hands. You've never cleaned a dish in your life

- reflections of the lights and of other goods haunt the flattened, two-D facsimiles of milk. like a specter. a specter haunting Europe.

- claims that Coca Cola bottles are Great Gifts to Go. Happy birthday, Mom. I got you a Singular bottle of Coca Cola. The fridge told me to. The fridge knows you better than I do. The fridge knows all. The fridge knows Coke is a gift. But it doesn't fucking know the price of Gatorade. Fuck.

anyway i feel very normal and cool about it. i love screens. i love refrigerator at the walgreens. i was born to achieve man's greatest calling: to crawl into the convenience store at nine pm begging for caffeine and arise triumphant over that sycophantic compressor. to dodge the slings and arrows of outrageous fortunes spent on bamboozling the masses with advertisements. to purchase a single bottled tea and escape with my life

[atopvisenyashill]

What are your thoughts on GRRM’s new notablog post on HOTD S2?

omg i'm sorry so i did not get notified that i had a few new asks, i didn't even see this until i logged in on desktop. tumblr eat shit smh.

ANYWAYS.

I actually agree with Xiran Jay Zhao, here, where they said this was a warning shot. It feels like a warning shot. Like a "hey I'm being nitpicky and pedantic now but if you think I won't go scroched earth you got another thing coming." I've seen so much "this is unprofessional" "this is annoying" "why is he complaining" and I think it is not only mind boggling to side with a corporation and the idiots running these shows (and we know I mostly like Condal and Hess, but come on Condal was the mastermind of Sansa Bolton why are we defending him right now!!), I think everyone is blowing his comments wildly out of proportion. He didn't take a dig at anyone but the writer's room and more specifically Ryan Condal, who he has had a working relationship with for well over a decade. He didn't shittalk any casting, he didn't shittalk any specific writers or directors except one of the main showrunners, he compliments the special effects, he has consistently had (and imo is careful) nothing but praise for the actors, even minor roles like Blood & Cheese. This was an incredibly milqtoast "please remember that every change has huge affects on the narrative later" critique and the people handwringing over his behavior are absolute losers, I'm sorry.

And beyond the fact that he didn't make any huge digs, I think this conversation also wildly ignores the way authors have no control over their own characters once they sign the rights over. They can be completely bamboozled by changes and they have no recourse to go "what the hell are you doing." And yet, signing your book's rights away (even if the production sits in developmental hell for decades) is usually what nets these author's the most money - GRRM surely makes a shitton off his books, but most authors get paid absolutely nothing even when they're wildly popular because of how book deals work now. Take, again, Xiran for example - Iron Widow was a huge runaway hit, a good and fresh take on this new boom of culturally based sff. And yet Xiran has talked about how they immediately set to work writing a middle grade novel because they desperately needed the money because they got paid 16k over two years for their runaway hit that made their publishers significantly more than 16k. I think George is not only mad for authors with less control than he has but also, obviously, for himself - I've said time and again, but I do think Dark Daenerys is where we are headed, and the fact that they completely botched showing it has got to smart. And if the ending for Dany is anything other than Jon killing her, that has got to smart too. So he watched these people fuck up his original series and push him completely out of that writer's room as they made more and more changes, and now he's watching s2 of HOTD and seeing some changes and getting some real bad vibes. It's not doomerism to think s3 is going to go massively off the rails when we have seasons 6-8 of the main show to show us just how off the rails it can go!

So anyways, that part of my rant over (and please believe me when I say I checked myself here because I could rant for hours about how it's genuinely so upsetting to see people call him unprofessional over this when not only did he write the fucking series, but he's lived in this series for three decades!!!!! this is his whole life, this is his legacy, of course he's feeling some type of way about how it's handled jesus christ on a cracker, there's people who have said worse about their mediocre nyt pushed bestsellers getting adapted badly!), when it comes to the actual meat of his post....I'm sorry idk how anyone is annoyed by this post because it was hilarious to me. He spent a whole blog post whinging about how Dead Baby #4 and Kingsguard Man #12 are gonna get cut out of the show. I think he framed it in that goofy way on purpose to hide how annoyed he is but you can see where the real annoyance lies - the changes to Helaena, losing one of his grisly death scenes, and being willfully mislead about potential changes to the plot. I think a lot of people missed those points but EYE am not a goofy ass like those people and I can guarantee you that Condal and HBO got the point too.

Of course, I do think he is also irked about Maelor and Ser Rickard's scenes being cut out. He wrote a long ass, highly meticulous, near unadaptable work, and I think when he handed the IP over he assumed he was giving it to people who would rise to the challenge and only make cuts when absolutely necessary. And that just clearly hasn't happened. Incredibly important characters get cut, main characters get their plots wildly changed for no reason, and people get personality transplants on a near constant basis for no other reason than D&D and Condal thought it would look cooler. I think if there was more dedication to keeping him in the loop and keeping true to the story, he wouldn't have bitched so much. But Hess is on record saying she doesn't feel loyal to the story and at a certain point, you reach your breaking point there and I think he has finally reached his. AND GOOD FOR HIM. LET THAT OLD MAN GO APESHIT THEY'VE COMPLETLEY FUCKED HIS WORLD UP!!!

[cartermagazine]

Today In History

Shelton Jackson “Spike” Lee, Oscar winning filmmaker was born in Atlanta, GA, on this date March 20, 1957.

His production company, 40 Acres and a Mule Filmworks, has produced more than 35 films since 1983, and they include: She’s Gotta Have It, School Daze, Do the Right Thing, Mo’ Better Blues, Jungle Fever, Malcolm X, Crooklyn, Clockers, Girl 6, Get on the Bus, He Got Game, Summer of Sam, Bamboozled, 25th Hour, She Hate Me, Inside Man, Miracle at St. Anna, Red Hook Summer, Da Sweet Blood of Jesus, Old Boy, Chi-Raq, BlacKkKlansman, and Da 5 Bloods.

Lee’s outstanding feature documentary work includes the double Emmy® Award-winning If God Is Willing and Da Creek Don’t Rise, a follow up to his HBO documentary film When the Levees Broke: A Requiem in Four Acts, 4 Little Girls, Michael Jackson’s Journey from Motown to Off the Wall, and the Peabody Award-winning A Huey P Newton Story.

He is also known for his legendary Air Jordan TV commercials and marketing campaigns with Michael Jordan for Nike. In 1997 he launched the advertising agency Spike DDB, a fully integrated agency with a focus on trendsetter, cross-cultural and millennial audiences.

In addition to his films, TV series and commercials, Spike Lee has Directed a number of music videos and shorts for artists such as Michael Jackson, Prince, Public Enemy, Branford Marsalis, Bruce Hornsby, Miles Davis and Anita Baker.

YA’ DIG, SHO NUFF.

CARTER™️ Magazine