#balanced development
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easterneyenews · 9 months ago
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hinamie · 3 months ago
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9 / 266
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turiyatitta · 1 year ago
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The Integral Journey
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ecto-stone · 6 months ago
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DannyMay-Day 2- WISH.
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theambitiouswoman · 1 year ago
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Living a soft life doesn't mean abandoning your ambition, goals, or your business pursuits. It's more about approaching these things with a sense of balance, mindfulness, and well being. Here's how you can create a healthy balance for both.
Set clear goals that align with your values and passions. This ensures that your pursuits bring genuine happiness and don't just serve external pressures or societal expectations for your life.
Prioritize time for relaxation, hobbies, and self care. Taking breaks can actually boost productivity and creativity in the long run. If you are not operating at 100 you can't produce 100.
Operate your business ethically and sustainably. This will lead to a deeper personal satisfaction and actual long term success.
While hard work is commendable and at times necessary, consistently overworking can lead to burnout. It's important to recognize when to push forward and when to rest.
Embrace a growth mindset. This means viewing challenges as opportunities to learn and grow, rather than as setbacks.
Set clear boundaries between work time and personal time.
Don't be afraid to ask for help or delegate tasks when needed. You can't do it all alone.
Celebrate small wins to stay motivated.
Be selective about the things you take on, the partnerships you form, and the way you market your products or services.
Even as you achieve success stay humble. As quickly as you make it, you can lose it.
Be open to change and adaptability. Being flexible allows you to navigate challenges more effectively.
It's entirely possible to be driven and successful while also prioritizing peace, joy, and a deep sense of purpose. The soft life isn't about doing nothing. It's about making healthy choices in how we live. It means finding a good balance between work and relaxation, being present in whatever we're doing, and valuing meaningful experiences over having a lot of them. It's about being kind to ourselves and others, making choices that are good for us and the world around us, and finding joy in simple things. Even when pursuing our goals, it's about doing so with purpose and happiness. In short, the soft life is about living in a balanced, genuine, and joyful way.
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journey-to-the-attic · 1 year ago
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happy fnaf movie (uk) release day!
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adviceformefromme · 10 months ago
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What no one tells you about self love...
You’ll often feel like you’re a pendulum swinging from one extreme to another. You go hard, you’re reading Atomic Habits, you’re eating the organic veggies for lunch AND dinner, the apartment is immaculate, you look and feel great…until…until quite literally the opposite. Washing your hair becomes a chore, you’re in a mood with the dog and your organised healthy eating has now become something you have to do, and in turn tastes like crappy vegetables with no soul or life. Why has self love become such an uphill effort?
This is because you’ve focused on the doing. The joy of self love has been missing, yes you can meditate for 40 days. Yes, you can go for runs throughout the week, but where is your joy? When is your inner child getting play? As important as the reading, the pilates classes, the podcasts are. You need joy. And this is why you rebel. You want to scroll on your phone instead of reading that book, you want to make something quick because you’re not in the mood to cook the Ottelenghi recipe or make the seed cycling crackers. Because adulting 247 is not fun. You need variety, play, laughter. When did life become so serious? Understand that you need a break from cooking, a takeout once a week is a healthy balance. Watching a movie during the week is not a sin, and it doesn’t need to be on Gaia. The self development books are great, but so is fiction and a little fantasy. Disciplined mornings are life changing, but so is sleeping in on Sunday, and having no set regiment. Balance is key, and not having balance is the reason why self love is starting to feel like a chore. So take some time to reflect on your ‘level up regiment’ and throw some balance in to the mix, adding some play, and a sprinkle of laughter. What you’ll start to see is that the swinging pendulum finds some middle ground and self love is really in the sweet spot called balance. 
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luxaofhesperides · 10 months ago
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For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?
He has no idea how his parents did it. 
Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 
Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.
That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 
This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 
So here they are. Standing in the empty living room of their new apartment in Gotham. 
Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 
Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.
It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?
Ellie smacks a small palm against his cheek and babbles lightly.
“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”
He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 
“Can you be good for five minutes?” he asks Ellie. 
She babbles again and smacks his shoulder.
“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”
Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 
He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 
This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 
He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.
He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.
Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 
“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.
It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 
A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 
It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 
Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 
Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 
Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.
He’s finally feeling more settled, energized from sleep and food.
In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 
. . .
Four months ago, Danny had hope. He was optimistic. 
Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.
He had just gotten Ellie to sleep. She was actually peacefully taking a nap.
And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.
They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 
“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 
Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 
“I know it was scary, but you’re alright. You’re always safe with me, El.”
Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.
The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 
“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”
“Hey, you alright?”
Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 
The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”
Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”
“I’m Duke, by the way. I don’t think I’ve seen you around here before.”
“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”
“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”
Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”
“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.
“I’m so sorry. That drive by woke her up and it’s really rattled her.”
“Hey, no need to apologize. I get it, Gotham is rough to kids.”
Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.
Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”
“Thanks. Um, actually, I might need help opening mine?”
Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 
“If I could just get my keys,” he starts.
“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 
Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 
“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”
Ellie babbles lightly, and Duke turns his head to futilely hide his grin.
He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 
“I can’t believe this. Betrayed by my own blood.”
Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”
“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”
“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”
“Family,” Danny says in a tired, fond tone.
“Family,” Duke agrees.
With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.
The key word being tries. 
Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.
“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”
Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 
She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 
“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.
Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”
“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”
“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”
“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”
Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 
As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 
It should make him nervous, but Duke is calm and easy going and kind. 
He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 
Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.
All he needs to do is take that first step, reach his hand out, ask Duke to stick around.
He can do this.
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tomatoart · 2 years ago
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to stay the same sad, sorry mother
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iwasbored777 · 1 year ago
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I think Branch has abandonment issues because of everything he went through and Poppy knows this.
Yes, both are true and I HAVE to talk about Poppy's behaviour in Trolls Band Together more cuz she doesn't get enough appreciation for her character development and for how much she loves her boyfriend.
At the beginning of the movie she wants him to give his brothers a second chance because she wants him to be with his family. He's not happy about it at first but later he is and she's super happy because she thinks everything is perfect just like he thought.
Until it wasn't. When they both learn at the same time that his brothers don't want to see each other again after rescuing Floyd he leaves and she realizes that this means to him way more than it means to them so she doesn't waste time arguing with them (Branch already did that) and she goes with Branch. She loves him, she doesn't need her favourite boy band to reunite anymore, her priority is making her boyfriend happy again and that can only be accomplished by saving Floyd. But when she finds Branch again he is cold because he's hurt and he doesn't want her help because he thinks that she will abandon him too just like they did. I can only imagine how much it hurt her when he said that, she thought that he believes her that she loves him because she really does. She was already betrayed by a guy she cared about in the past (remember Creek? Ugh I hate him). But instead of focusing on her feelings she's focusing on his because he needs reassurance now more than she does. She trusts Branch, she loves him, she knows he loves her and she tells him that she's with him and reminds him that they've always been there for each other.
She even put his feelings before her sister, when she had to choose. No one's saying that she would never come back to find Viva after the mission is done but she came here to help Branch and that's what she's gonna do above all.
Yes, Branch is an amazing boyfriend, and I'm so thankful that the writers made him this way. I'm not saying that he doesn't deserve the praise he gets, he really does. But I'm saying that Poppy deserves more praise in general. She's so amazing and so underrated.
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tiredandoptimistic · 15 days ago
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The key to Troy and Abed's plotline in "Urban Matrimony and the Sandwich Arts" in my opinion is the fact that it's Troy who can't handle being normal.
I know that Abed is the more overtly weird and autistic of the two, but he's also incredibly comfortable with masking. As he explains it, he's fine adopting different personas because it doesn't actually impact his perception of himself. It's not something he has to do, but it's a good tool for succeeding in certain interactions.
Troy though, he spent most of his life masking and he hates it. He's always been so focused on making other people happy that it took him until Greendale to get any idea of what he actually wants. He can't just slip into being normal, because for him that means destroying the sense of individuality he fought so hard for. Yeah, "Troy and Abed being normal" was a funny bit at first, but it stopped being fun so Troy called it off and that's great! He knows what he wants and it's to make a fool of himself in public with his best friend.
I love that the two of them never completely fit into the roles you might expect from them. Troy does often take a supporting role in their adventures, but it's because that's what he enjoys. He is still actively choosing to be a little freak with Abed, and when it comes down to it he's willing to take a stand for what makes him happy; even if it goes against his people-pleasing instincts. Troy may generally come across as the relatively normal one in their partnership, but he's far more dependent on being able to express weirdness because Abed carries it within himself but Troy feels as though it's something he can lose.
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raviollies · 3 months ago
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Inquisition kinda left me high and dry in terms of the world building for Well of Sorrows so my personal thoughts
> Inquisitor essentially becomes a vessel for Mythal, kind of like Flemmeth but not an active one. Post Tresspasser inquisitor can hear her voice vaguely from time to time, but more of a passive observer rather than an active force. Think a much more controlled version of what Anders had going on.
> Inquisitor can read ancient Elven without realizing
>The voices can occasionally get so loud that they can't hear what's going on or get jolted awake
> Mage Inquisitor has a much larger mana reserve and replenishes it much faster. They can almost entirely stop using Lyrium potions outside of isolated cases.
> Due to the presence of a spirit, Inquisitor becomes susceptible to magic that targets spirits despite being alive. Inquisitor can face issues with spiritual traps, areas with disrupted lyrium flow, and feels the effects of the veil much stronger. This does make communication with spirits much easier.
> As the Anchor is magical, post losing the arm, mage Inquisitor would have a much larger scar spreading up towards their shoulder and chest due to it using the natural magic flowing through their veins. The scar will follow along major blood vessels. It will be a much more prominent one as the disrupted flow of magic would make it resistant to magical healing.
> Inquisitor has an extended lifespan due to Mythals presence. Were Mythal to be exorcised from their body, their aging would resume as normal.
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idanit · 6 months ago
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a day off at some country estate or other
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nonbinary-corvid · 1 year ago
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Fizz pulling off his jester hat and showing his burned horns hit so hard for some reason. You can see how he actually feels about himself behind his cocky persona and it hurt. And then to watch Ozzy pick him back up after that... it's so impressive how this show manages to be as wholesome as it is sometimes. I'm so happy we got more Fizz character development.
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wizard-legs · 1 year ago
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Goofing around with my Taako design :P
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undead-moth · 4 months ago
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I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?
I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.
Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.
Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.
#The Bear#SydCarmy#I was like a casual fan of this show two days ago#and now seeing how little respect this show gets from it's fanbase I'm losing my mind#I mean I shipped SydCarmy before anyway but now it means so much to me#it means so much to see such a realistic and purposefully well paced romance take place#so many shows portray romantic relationships and their beginnings in ways that just don't really happen in real life#and this show very purposefully said no. These are characters who are strangers. who are working together. Who are in a tense environment#and each of them has problems - one of them the type of problems that makes developing new relationships pretty difficult#these two would not get together right away. It would take a long time. And there would be ups and downs.#And even when that's the case. Even if when it takes a long time and doesn't go smoothly and is hard -#it can still be beautiful. It can still be romantic. It can still happen and here's how#and I'm just so inspired genuinely. It is so difficult to write romance without being cliche and so difficult to write it in a way that#could actually happen in real life and I really do hope I can write something half as good some day#and then to know so many people have no appreciation for it at all#because they prefer the shows that have characters make eye contact a few times and then confess their love for each other like#it's just fucking sad. So sad that so few people have any appreciation for good writing especially the difficult of romance writing#like I really just don't even know what to tell you. In real life these two would not have confessed to each other yet. They would not have#kissed yet. They would not have even realized they have feelings for each other yet because those feelings would still be developing#and I also want to point out that given the disparity in power between Syd and Carmy in season 1 it wouldn't have been healthy for them to#get together much sooner. He was her boss. He was also her idol. Before they can even get together that needs to be balanced out.#And then on top of that don't you see the value in Carmy realizing the dream girl he's romanticized in his head - Claire - isn't actually#what he wants? Don't you see the beauty in him being disillusioned from that? And realizing that Syd is what he wants?#Don't you see the beauty in Syd having an idealized vision of what Carmy The Great Chef is like realizing she was wrong and that he's human#and flawed and then realizing - she loves him anyway? She loves him more for not being on a pedestal and for having his flaws?#Are you telling me that even thinking about this doesn't move you? Doesn't make your heart ache a little?#And again - ship and let ship - but what is Luca? What is Luca if not just what she was hoping Carmy would be when she wen to The Beef?#What is he if not just another man who she has not seen under pressure yet? Not seen reliving trauma yet? Not been her boss yet?#It's easy to look at him and think he's better than Carmy - and that's the point. That's the point The Bear is making.#It is easy to want someone you don't know. It's hard to want to someone you do know. But that's what love requires and that's the point
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