#b project translations

[ribbons-in-autumn]

Sekai no 4koma #205 "Not merely cute"

"Over here, Squinori*... Ah, wait...!"

Follow this link to go to the original comic on Twitter.

Maybe I'll go back to clean the funny sfx later, but unlikely. Also, *the original pun was "Minorisu", with 'risu' meaning 'squirrel'.

[tsuchinokoroyale]

Quickish brush test I did today for fun ft. My fave misguided, misunderstood baby boy from Lies of P

“I’m glad you came back, buddy”

[stary-teller]

Dear - Fudo Akane Romaji Lyrics

Song: Dear

Artist: Fudo Akane (CV: Chiba Shōya)

---

Dokomade mo tobesou na kimochi dayo ima

Ashita e hirogeteru tsubasa nara

Sotto kimi ga oshite kureta

Boku no senaka ni hora

Mabushi sugiru masshiro na kumo

Kirameku yume ga fuwari ukabu mitai ni

Boku no mune ni sukitooru omoi

Katachi mo nai kedo ima kimi ni tsutaetakutte

Sukoshi mayoi sou na hi mo

(Sukoshi me wo tojiteru hi mo)

Boku no chiisana sekai ni yobikakeru koe

Aa itsudemo aozora ga matteta ne

Taisetsu na mono ga mune ni afureteiru

Onaji kisetsu no naka isshoni ite

Boku wa motto tsuyoku nareru

Kono negai ga yuuki ni naru kara

Kasaneaeru omoi mo mamori nukitai

Kizuita yasashisa mo tokimeki mo

Yume no soba ni todoku you ni

Tsunaideiku yo Dear

Donna toki mo mabushii hizashi wo

Tonari ni kanjiru kara ureshii kurai

Itsuka kimi ni yakusoku shitai na

Kimi to mitetai keshiki

Zutto egaiteru yo

Kaze ni fukarateru hi demo

(Kaze ni yurareteru hi demo)

Yuugure no kaerimichi naranderu kage

Aa mirai e

Massugu ni nobiteiru

Bokura no negai utsushite

Karappo na tenohira ni

Kirameki wo atsume nagara

Miageteru ano sora ni itsumade mo

Uta wo utatte

Yume no haruka made mo aruite ikou yo

Ashita e tsudzuiteru kono michi ni

Hitotsu hitotsu haru no hana ga

Saku mitai ni egao de iyou ne

Sagasa nakutatte soba ni aru kiseki wo

Mata boku wa shiru kara nando demo

Ima no tsudzuki kagayakasete

Kimi ni thanks my dear

Aeta kimi ni

[tooboredtothinkofaname]

I'm the autistic person who gets negative points on writing exams for writing too much, too good.

[alyssamonah]

Exquisite Opulence: Embracing Modern Luxury House Design in Sydney

Sydney, a city renowned for its captivating landscapes and architectural marvels, offers many possibilities for custom home design. Creating a home that reflects your unique style, preferences, and aspirations requires the expertise of a skilled custom home designer. In this article, we will delve into the world of custom home design in Sydney, exploring the benefits of working with a professional modern luxury house design in Sydney and guiding you in choosing the perfect custom home designer to bring your vision to life.

Custom Home Design: Elevating Personal Expression: Custom home design is an art form that goes beyond conventional housing. It allows homeowners to personalize every aspect of their living space, from layout and materials to intricate design details. In Sydney, custom home designers embrace the opportunity to transform visions into reality, crafting homes that embody luxury, functionality, and individuality.

The Role of a Custom Home Designer: A custom home designer is a key collaborator in the realization of your dream home. They possess the knowledge, experience, and artistic vision to translate your ideas into architectural marvels. From conceptualization to construction, a skilled custom home designer in Sydney will work closely with you, merging aesthetics with functionality and guiding you through the entire design journey.

Factors to Consider When Selecting a Custom Home Designer: a) Design Expertise and Style: Evaluate the designer's portfolio to gauge their design sensibilities and versatility. Look for a designer whose style resonates with your vision, whether it be sleek modernism, classic elegance, or a fusion of architectural influences. b) Experience and Track Record: Research the designer's experience and previous projects to ensure they have a proven track record of delivering exceptional custom homes. Consider their ability to handle complex designs, site-specific challenges, and budget constraints. c) Client Satisfaction and Testimonials: Seek feedback from previous clients to gain insights into the designer's professionalism, communication skills, and ability to meet deadlines and exceed expectations. d) Collaboration and Communication: Effective communication and a collaborative approach are crucial for a successful custom home design project. Choose a designer who actively listens to your ideas, understands your lifestyle needs, and encourages open dialogue throughout the process. e) Quality Craftsmanship and Attention to Detail: Look for a designer who prioritizes quality craftsmanship and pays meticulous attention to detail. This ensures your custom home will be built to the highest standards, resulting in a refined and enduring living space.

The Advantages of Custom Home Design in Sydney: a) Unparalleled Personalization: Custom home design allows you to tailor every aspect of your home to your specific preferences and requirements, resulting in a truly unique and personalized living space. b) Integration of Luxurious Features: Working with a custom home designer in Sydney allows you to incorporate luxurious features and amenities that enhance your lifestyle, such as state-of-the-art technology, spa-like bathrooms, and expansive outdoor entertaining areas. c) Seamless Blend of Indoor and Outdoor Living: With Sydney's mild climate and breathtaking scenery, custom home designers can create seamless transitions between indoor and outdoor spaces, maximizing the enjoyment of the surrounding natural beauty. d) Enhanced Resale Value: A thoughtfully designed custom home that showcases quality craftsmanship and exquisite design details often commands a higher resale value in the Sydney real estate market, making it a sound long-term investment.

Conclusion: The possibilities are limitless in the realm of custom modern duplex house design. By enlisting the services of a skilled custom home designer, you can transform your dream of a luxurious, tailor-made residence into a stunning reality. With careful consideration of a designer's expertise, style, and track record, you can embark on a collaborative journey resulting in a home that truly reflects your personality and desires.

[cheltranslations]

B. League Season @Nonaka Miki (24.10.03)

[spacey-xannabelle]

[Major Outer Wilds/EOTE spoilers below the cut!]

HUOHKAY, After chipping away at this for over a month, my Outer Wilds comic is finally done!!

Initially I wanted to do this in two parts, like how many other versions of this beloved Undertale quote have done. But in the middle of thumbnailing the sketch, I thought why not illustrate Hatchling's journey too and I further expanded this project, by a lot hfjdjg

Outer Wilds is such a fantastic game and truly one of a kind, I only hope I did the game justice with this comic I made

----

Some artist notes below, if you're interested in reading all of it!

I began this project around early August!

I separated each page to their own canvases so I don't have a ridiculously huge file size. And each canvas has a different name. From the first to the last, their names go: It's you > Nova > Loop > Lonely > Glade > Despite everything.

Glade was actually a really long canvas that I split into two, bc I wanted to experiment with like a vertical scroll thing. So the Glade pages were split into Glade A and Glade B

My favourite page to work on was page 2, the supernova was fun to make, especially with the pointilism brush that CSP had which made it way easier.

Page 4 initially had a way different layout before I settled with this one. As shown below here:

But when I did a second pass, I rearranged the panels and instead decided to illustrate scenes that Hatchling had with the two.

With Solanum, it's learning and translating her texts on the QM. With Prisoner, it's when you discover the truth and after the vision…

For the Gabbro and Hatchling panel, I changed it so that both are at a distance and facing away from the viewer. As like a sort of way to show that Hatchling is having the reality of the situation dawn on them and try to cope with it. I did name this canvas "lonely" for a reason ::)

My Hatchling's name is Pyrite, or Pyre ::)

[mywitchyblog]

Reality Shifting and Age Changing Explained: A Deep Dive into the "Controversial" Practice

Introduction: Reality Shifting, the mind-bending practice of moving your consciousness/awareness to another reality (known as a Desired Reality or DR), has sparked intense debates within the community. One of the hottest topics? Age changing – the act of shifting to a different age in your DR. This shit has caused so many arguments, especially about ethics and what's "allowed". Let's break down why age changing isn't as fucked up as some people make it out to be, and why those who say otherwise might need to reconsider their stance. I will Mostly talk about agin yourself down since that is what is making the biggest noise

Taglist of various people who i think would be interested in this post (i will update it progresively) :

@shiftersroom You wanted my opinion ? Here is it /pos

@norumis I saw that post of yours

@evangelineshifts and @reiashiftsrealities Talked my project on your discord lol.

@jolynesmom Loved your post about it btw

Warning : READ IT FULLY BEFORE JUMPING TO CONCLUSIONS THANK YEW

My Race Chaging Post

Masterlist

Part I: Why Age Changing Isn't Bad

a. The Maturity Conundrum: When you look at the source of this controversy, you'll realize it revolves around the maturity gap between the shifter and their DR . Critics argue that age changing either doesn't alter your maturity (meaning if you're a teen in your DR, you still have the maturity of your Original Reality (OR), essentially making you an adult in a minor's body) or that it's inherently problematic. But here's the thing: when you shift, you fully take on the age and mindset of your DR self. You're not just playing pretend; you actually become that age. If you can get your DR self's memories, abilities, skills, and personality, why the fuck is it so far-fetched to think you can have their maturity as well?

Let's break this down scientifically. Maturity is dependent on brain development, more precisely, the coordinated functioning of four distinct zones:

Prefrontal Cortex (PFC): The "CEO" responsible for planning, decision-making, impulse control, and emotional regulation.

Limbic System: The "Marketing & Sales" team that influences emotions, motivation, and memory, shaping how we perceive situations and respond.

Basal Ganglia: The "Operations" department that controls habits and translates plans into action.

Temporal Lobes: "Customer Service & Public Relations" that processes social cues and guides our interactions with others.

This neurological ensemble shows that maturity is something physical, related to the brain development of an individual. It's been established in the shifting community that you cannot bring physical things across realities, so what makes you think you can bring your CR brain with you?

If that were the case, scripting a different personality, skills, and knowledge would be impossible. This means your DR self has its own cognitive and emotional frameworks developed in that reality. Your experiences and maturity are context-specific (in that case reality specific), so when you shift back to your OR, you regain your OR maturity. Shifting isn't like a permanent personality change; it's more like fully immersing yourself in a different role or life. Which is exactly what happens.

b. Debunking Anti-Aging Arguments:

"If you age yourself down, that means you're attracted to minors/you're a pedophile": This argument is complete bullshit. If there are gay people shifting to be heterosexual, lesbian shifters shifting for men, aro/ace people shifting to experience romantic/sexual attraction they never do in this reality, then aging yourself down and potentially having romantic and/or sexual relationships as a minor with another minor doesn't mean you're attracted to minors as an adult in another reality. This take is a "Hasty Generalization" fallacy – making a broad generalization based on a small or unrepresentative sample.

"Why in this reality are you thinking about dating minors??": This type of take is not what you think it is, baby girl. It's called a fallacy, more specifically the Straw Man fallacy. It occurs when someone misrepresents or oversimplifies an opponent's argument to make it easier to attack or refute. In our case, they're trying to oversimplify something as complex and nuanced as reality shifting, not taking into account valid instances where one would age themselves down.

"Even if you are the same age, you still have the awareness of being an adult, which means you're a predator": And again, another fallacious argument. Seriously, aren't y'all sick and tired of bouncing on my wood all day long? That's not how shifting works, and you know it. We aren't even sure awareness works like this. It's just a theory, plus I can tell that a lot of people with this stupid-ass take haven't shifted at all.When you shift – and let me tell you because I did shift, so I know how awareness works – when you shift to a reality, you don't even realize you've shifted at first because for you, existing, waking up, just living in this reality is something normal, not extraordinary at all. Then something will trigger the fact that you know you've shifted, and from the perspective of you in your DR, you don't feel as if you "originate" from a specific reality. For you, your DR becomes your CR, and subsequently,so does your awareness. You just know there's another reality, another version of you that exists and that you're an adult there. Your existence/consciousness/awareness is like a circle: no beginning, no end, no origin.Plus, according to the concept of infinite realities and possibilities, you can change via scripting how your awareness works. I haven't done that; that's how I and thousand of shifters WHO DID ACTUALLY SHIFT personally experienced/perceived our awareness while in our DR.

"Using shifting to age yourself down to date a minor while being an adult hereand saying 'oh well according to multiverse I AM this age, it doesn't matter ifI'm an adult in a different reality' is similar to trying to pursue someone thesecond they are of legal age when that shit varies in other countries/states": Nah, seriously, do some of y'all have actual arguments to defend your point of view except fallacious ones that have as much value as my nonexistent heterosexuality? The statement equates aging down in a Desired Reality to the practice of pursuing someone as soon as they reach the legal age in this reality, which is a "false equivalence" fallacy. These scenarios are fundamentally different in nature and intent. In reality shifting, the individual adopts the full cognitive and emotional framework of their DR self, becoming that version of them entirely. This is not comparable to someone in this reality deliberately targeting individuals based on legal age thresholds. The intent and context are distinct. Do some of you people realise that an actual predator/creep/pedophile would not age themselves down once they realized they could strike a chord as an adult in their DR without any consequences?

c. Valid Reasons for Age Changing:

Exploration and Nostalgia: Some people age down to relive experiences or explore stages of life they missed in their OR. It's like getting a second chance at living life. Maybe you want to experience high school without the anxiety, or have a childhood free from trauma. This shit can be healing as fuck and the best therapy there is in the multiverse.

Healing and Fulfillment: Shifting to a younger age can help heal from missed opportunities or trauma, like experiencing a fulfilling teenage romance or a carefree childhood. It's a way to rewrite parts of your life that were painful or unfulfilled.Imagine being able to have loving parents if you didn't in your OR,or getting to pursue that dream you gave up on as a kid.

Non-Sexual Intentions: Many shifters change their age without any sexual motives, focusing more on friendships, adventures, or just being in a different stage of life. It's about experiencing life from a different perspective, not about fetishizing youth. You might want to join a high school club, go to prom, or just enjoy the simpler responsibilities of being younger.

Tried to shift since being a minor: A lot of shifters discovered shifting when they were still minors and made DRs whose age corresponded to the one they had in their OR at the time and tried to shift again and again despite the years. Are you telling me that you're going to tell those people to discard those realities the moment they turn 18? Bitch, make it make sense and you cant.

Part II: Examining the Discourse Within the Reality Shifting Community

a. Teenage Shifters : Double standards and hypocrisy. Teenage Shifters need to acknowledge the hypocrisy of them shifting to a DR where they are a married adult with kids one day and then deciding to shift to a reality where they are 15 and dating another 15-year-old the next. This inconsistency becomes even more problematic when they complain about their "maturity" being affected upon returning to their original reality. Furthermore, these same shifters often label adult shifters as "predatory" for shifting to realities where they interact with high schoolers, failing to recognize the double standard in their own behavior.

This hypocrisy extends to their attitudes towards sexual content and relationships. Teenage shifters often defend scripting mature content in their desired realities, arguing that teens naturally have such desires. However, they become outraged when adult shifters express a desire to experience young love again through shifting. This inconsistency is further highlighted by their willingness to engage in adult behaviors with older partners in one reality while simultaneously pursuing teenage relationships in another.

This hypocrisy extends to their attitudes towards sexual content and relationships. Teenage shifters often defend scripting mature content in their desired realities, arguing that teens naturally have such desires. However, they become outraged when adult shifters express a desire to experience young love again (or expereince young love they never did) through shifting. This inconsistency is further highlighted by their willingness to engage in adult behaviors with older partners in one reality while simultaneously pursuing teenage relationships in another.

Moreover, the logic applied to adult shifters - that having a teenage love interest in a desired reality implies attraction to minors in the original reality - is not consistently applied to teenage shifters who frequently shift between adult and teenage experiences. This disparity in reasoning further underscores the bias within the community.

Lastly, the pressure to shift before reaching adulthood in the original reality is a concerning trend. The community's belief that minor-aged shifters can shift to any age creates an implicit urgency to experience various realities before becoming an adult, after which such experiences might be viewed as pedophilic fantasies by the wider community.

Many Shifters who are minors (I do not say that all shifters that are minors are like this, just a huge amount) have a very odd understanding of what shifting is. They often treat it like cosplay, which is not what true shifting is about. They accuse adults who age down of being predatory, yet they:

Age themselves up to be with adults.

Age down adults to be with them.

Have pornstar or stripper DRs, which is ironic considering their criticisms.

This double standard reveals a lack of understanding about the true nature of shifting and the subjective experience of each shifter. It's like they're playing by different rules depending on what suits them at the moment.

Consider this mind-fuck: A 17-year-old shifts to another reality, lives there for 40 years, then comes back and dates someone who's 17 in their CR. By their logic, this makes them predatory because they've lived for 57 years. Conversely, if they return to their CR as a 17-year-old and date a 57-year-old because they're "57 in shifting age," it's still seen as wrong. This highlights the inconsistency in their arguments and the subjective nature of age and experience across realities.

It's like trying to apply the rules of chess to a game of poker – it just doesn't work. Each reality has its own context, and trying to apply blanket rules across all of them is an exercise in futility.

b. The Hypocrisy of shiftok : Oppresive and unfounded dogma, lack of empathy and Cultish Tendencies

The TikTok reality shifting community, colloquially known as "Shiftok," often displays a concerning lack of empathy and nuanced understanding when discussing complex issues surrounding shifting experiences. This is exemplified by the interaction shown in the image below :

In the first comment, an individual expresses feeling emotionally and mentally stunted due to missing formative experiences while growing up(which is true a lack of expereince can stunt someone s well being and developement). They view shifting as a potential way to have those experiences and achieve personal growth. This perspective highlights the therapeutic potential some see in reality shifting. However, the response to this vulnerable admission is harsh and dismissive: "Just bc your childhood got fcked up does not give you the right to fck up another child's." This reply demonstrates the judgmental attitude prevalent in the Shiftok community, where complex motivations are often reduced to simplistic, moralistic condemnations.

This interaction illustrates several problematic aspects of the Shiftok discourse:

Lack of empathy: The responder shows no compassion for the original commenter's expressed trauma and stunted development.

Misinterpretation of intentions: The reply assumes malicious intent, ignoring the therapeutic or self-exploratory motivations expressed.

Imposing rigid moral standards: The response applies a single moral framework without considering the subjective nature of ethics across different realities.

Oversimplification of complex issues: The nuanced topic of personal growth through shifting is reduced to a binary "right" or "wrong" judgment.

Hypocrisy: While condemning certain shifting practices, the community often overlooks similar ethical concerns in other contexts, such as minors scripting adult relationships.

This example shows perfectly the need for more thoughtful, empathetic discourse within the shifting community. Rather than rush to judgment, shiftokers should strive to understand diverse perspectives and the complex reasons one would shift to a specific DR of theirs.Otherwise people will keep thinking that we are nothing more than a cult that seeks to exploit the mental health of broken teenagers and prey on their desperationf for fame and money.

c.The "holier than thou" attitude: The "holier than thou" attitude, also known as moral superiority or self-righteousness, is a mindset where individuals or groups believe their moral standards, beliefs, or practices are superior to those of others. This attitude often manifests as judgmental behavior, condescension, and a lack of empathy towards differing viewpoints or experiences.

In the context of Shiftok, the TikTok reality shifting community, this "holier than thou" attitude is particularly evident and problematic. It applies to Shiftok in several ways:

Moral Absolutism: Shiftokers often apply rigid moral standards derived from their original reality (OR) to all desired realities (DRs), ignoring the concept of subjective morality across infinite realities.

Selective Condemnation: The community tends to harshly judge certain practices (like adults shifting to younger ages) while overlooking potentially problematic behaviors by minors (such as scripting adult relationships in their DRs) or people scripting in trauma abuse or that people get SA ed or are in relationship with problematoc people such as murderers and villains.

Lack of Empathy: As demonstrated in the image, there's often a dismissive attitude towards individuals expressing personal struggles or complex motivations for their shifting practices.

Oversimplification of Complex Issues: Nuanced topics are frequently reduced to simplistic "right" or "wrong" judgments, disregarding the multifaceted nature of personal experiences and ethical considerations in shifting. Shiting at its core is complex, nuanced and multifaceted, no black and white its gray.

Assumption of Expertise: Despite many members potentially lacking deep understanding or personal experience with shifting, there's a tendency to speak authoritatively on what is or isn't acceptable in shifting practices. It's always those who either have never shifted or minishifted who yap the most about shifting like they know it all . Honey you don't , you know nothing you have nothing to talk about shut up and try to shift before opening your mouth on a subject you do not have an expertise about.

Gatekeeping: Some members of the community may attempt to dictate who can or cannot engage in certain shifting practices based on arbitrary criteria or personal biases.

Dismissal of Therapeutic Potential: The community often overlooks or dismisses the potential therapeutic or personal growth aspects of shifting, focusing instead on enforcing their perceived moral standards.

This "holier than thou" attitude in Shiftok creates an environment that suppresses open dialogue, discourages the sharing of diverse experiences, and potentially alienates individuals seeking support or understanding within the community. It contradicts the very essence of reality shifting, which is about exploring different perspectives and experiences across infinite realities.

And also the most concerning consequence of this effect, this hypocrisy, this lack of empathy makes shiftok look like a cult in the eyes of other spiritual communities. I do know and disagree when antishifters make the statement that shifting is a cult but I understand and come to agree with them when they say that shiftok is a cult.

This community that is supposed to help one another is just oppressing bullying and suppressing people when they have an opinion that differs from the dogma big shiftokers imposed on the rest of the community thinking that their word is law and they get to write the rules of a practice that is the antithesis of that .Shifting is the epitome of breaking the chains the constraints of this world and its rules. Plus do some of you lot realise that those people that you worship do not give a flying fuck about you ? These people pray on your desperation to keep you on their page.

Shiftok is nothing more than a living sack of horse shit. All the knowledge and tips are just poorly regurgitated from amino and other shifting spaces that existed far before 2020. They immediately closed themselves to outsiders when they saw the damage shiftok did to the community as a whole. When a cultist, shiftoker claims to have this groundbreaking solution /information about shifting keep in mind that 100% of the time it was already known elsewhere.Just not on shiftok and now they are the new shifting Messiah lmao.

Shiftokers sometimes (more like always tbh) ignore the fact that shifting involves complete immersion in the new reality. If it's possible to gain your DR self's memories and personality, then obviously, you'll also become their age mentally as well. You're not just dropped into that life with no context; you fully integrate into that age and lifestyle. When you shift to your DR, that's your new CR. This reality becomes a DR. This reality is not the baseline for anything.

Some people say their memories of their OR feel far away while their DR memories are front and center, making their DR life feel like their primary existence. This means you won't feel like an imposter, no matter how different your DR is from your OR.

In ancient times, gaining spiritual knowledge like shifting required understanding that you are a soul or consciousness having a human experience. Modern cultists shiftokers often skip this step, leading to judgment and misunderstanding. Shifting should be a tool for self-discovery and growth, not just entertainment. This lack of spiritual foundation often leads to a superficial understanding of shifting. It's not just about living out fantasies; it's about expanding consciousness and understanding the nature of reality itself. By focusing solely on the surface-level aspects of shifting, many miss out on the profound insights and personal growth that can come from this practice. Because of the damage shiftok did on the reputation of the practise it is nearly or impossible to break free of the stereotype of shifter being a bunch of mentally ill schoolgirls shifting to be with the wizard version of Nazis (looking at you girlies that shift for Draco Malfoy or Tom Riddle).

Honestly that is the thing that makes me cackle. The most about shiftok i keep hearing and seeing videos from these cultists shiftokers asking and wondering themselves why is the platform dying and why theres no active discussions like sharing tips story times etc...

Bombastic Side Eye-Do you fuckers realised it is all your fault ? You try and silence people when their opinion differs than the one you have.They experienced something you did not you shame and burn them at the stake for it no wonder why people leave that ghetto ass platform and im scared just like a lot of us here of the massive exodus of shiftokers that will happen once tiktok is banned in the US.

Conclusion:

Age changing in shifting isn't inherently bad. It lets people explore different life stages, fulfill desires, and grow personally. The real issue comes when age changing is done for fetishizing purposes, turning ages into objects for sexual gratification. As long as shifters are respectful, consensual, and not exploitative, age changing can be a valid and enriching part of the shifting experience.

Remember, shifting is about expanding your consciousness and experiencing the infinite possibilities of existence. Don't let narrow-minded judgments hold you back from exploring the full potential of this practice. Stay open, stay curious, and most importantly, stay true to your own journey of self-discovery through shifting.

[empty-movement]

Revolutionary Girl Utena Storyboards! Now on the Internet Archive!!

Hi! Vanna here! Did you know we have scanned copies of the production storyboards for a whole SEVEN out of 39 episodes of Utena? Not bad, I think!!! Most were donated kindly by cscratch, with me buying a couple myself.

I have uploaded all seven as PDFs to the Internet Archive, and you can grab them here. For now, a gallery tour!!! PART 1!

Episode 3: On the Night of the Ball, storyboarded by Kazuhisa Takenouchi

Known largely for his work on Dragonball, this is the only time Takenouchi works on Revolutionary Girl Utena. Episode 3 is notoriously one of the 'b-side' episodes in terms of animation quality, and was probably done out of house so to speak. It does include the banked opening fairy tale, which is incredible to see, as well as a lot of crossed out shots and dialogue. Lots to unpack on that.

Episode 6: Nanami-sama, Take Care!, storyboarded by Jun Matsumoto

Matsumoto will go on to storyboard several episodes, especially Nanami ones! The storyboard is titled episode 8, because these two episodes' releases were switched due to the speedier production of this episode. Originally, the curry episode was episode 6, with this being part of, starting with 8, an increasing focus on Touga and the people surrounding him and how they view him. I can definitely see how the flow would have been incredible if preserved this way, alas!! His storyboards are very clean, and tight. They appear to need little revision.

Episode 9, The Castle Said to Hold Eternity, storyboarded by Juugo Kazeyama, an alias of Takuya Igarashi

Kazeyama often works with Yoji Enokido on projects, and will continue to work on Utena throughout its run, and will even write episode 19, Song of the Fallen Kingdom. We have an interview with him that was published in The Art of Utena artbook translated to English, even! Check it out! We have him to thank for the tea on Akio Ohtori's intended age. ;D

Cool! I hope you liked! I ran out of time before break is over though, so you can catch the rest of our storyboards next time, or check them out yourself, again, either via the gallery, or the IA!

[ribbons-in-autumn]

Sekai no 4koma #212 "Class 2-B's presenter"

"Yay! Yay! It's Shiho-chan's birthday!"

Follow this link to go to the original comic on Twitter.

Sorry I was late by one day, but you know why it took me so long for this one.

[queerpunktomatoes]

Project 2025 for the Conservatives in Your Life

Look, I know we can't get everyone to vote blue. But all we have to do is create genuine doubt. Someone who opts out of voting instead of voting for Trump is still a win.

From the mouth of Trump's team themselves, here are some policies from Project 2025 that even conservatives raise their eyes at.

Page 97 "Senior acquisition leaders should design a system that allows decision-makers to stay within the law but bypass unnecessary departmental regulations that are not in the best interest of the government and hamper the acquisition of capabilities that warfighters require." Translation: Reduce workplace safety regulations in the interest of making more money.

Page 285 "The department [of education] is a convenient one-stop shop for the woke education cartel, which—as the COVID era showed—is not particularly concerned with children’s education. Schools should be responsive to parents, rather than to leftist advocates intent on indoctrination—and the more the federal government is involved in education, the less responsive to parents the public schools will be. This department is an example of federal intrusion into a traditionally state and local realm. For the sake of American children, Congress should shutter it and return control of education to the states." Translation: The Department of Education should be eliminated.

Page 320-322 "In July of that year, President Lyndon B. Johnson signed into law the Civil Rights Act of 1964, after Congress reached a consensus that the mistreatment of [B]lack Americans was no longer tolerable and merited a federal response... In 1973, [Congress] passed the Rehabilitation Act, and, in 1975, the Individuals with Disabilities Education Act... The next Administration will need a plan to redistribute the various congressionally approved federal education programs across the government, eliminate those that are ineffective or duplicative, and then eliminate the unproductive red tape and rules by entrusting states and districts with flexible, formula-driven block grants." Translation: Repeal the Civil Rights Act of 1964.

Page 372 "The U.S. nuclear arsenal needs to be updated and reinvigorated... Fund the design, development, and deployment of new nuclear warheads, including the production of plutonium pits in quantity. Expand the U.S. Navy and develop new nuclear naval reactors to ensure that the Navy has the nuclear propulsion it needs to secure America’s strategic interests. End ineffective and counterproductive nonproliferation activities like those involving Iran and the United Nations." Translation: Withdraw from "let's not use nuclear weapons" agreements, build more nuclear weapons, and resume nuclear weapons testing.

Page 482 "Eliminate the Head Start program." Translation: Remove free education/health programs for low-income families.

Page 524 "Rescind the Biden rules and reinstate the Trump rules regarding... The Endangered Species Act rules defining Critical Habitat and Critical Habitat Exclusions."Translation: Remove protections for endangered animals.

Page 587 "The Working Families Flexibility Act would allow employees in the private sector the ability to choose between receiving time-and-a-half pay or accumulating time-and-a-half paid time off." Translation: Employers are not required to pay extra for overtime.

Page 664 "The National Oceanographic and Atmospheric Administration (NOAA) should be dismantled and many of its functions eliminated, sent to other agencies, privatized, or placed under the control of states and territories." Translation: Americans should not get free extreme weather warnings. We should have to pay for it, and watch commercials between segments.

Remember, quality over quantity.

Only use the talking points you think will really stick with that conservative person. We do not want to give them more reasons to support Trump.

For example, do not tell a conservative homeschool mother that Trump wants to get rid of the Department of Education. It will backfire.

And importantly, Trump is lying about not endorsing Project 2025. His press secretary stars in the recruitment ads and he is mentioned over 300 times by name in it.

Learn this stuff so you can back your arguments and talk to the conservatives in your life about what their vote might contribute to.

[stary-teller]

Hot Milk - Ashu Yuta Romaji Lyrics

Title: Hot Milk

Artist: Ashu Yuta (CV: Hanae Natsuki)

---

Knock knock my door

Knock knock my door

Nakitakunattara

Itsudatte

Kimi no moto e kaketsukeru yo

Egao tori modoshite

Tell me what you want baby

Tell me what you want baby

Te to te tsunaide you

Itsudatte

Kimi no subete ari no mama wo

Dakishimeru yo good night

Hotto miruku nonde

Nemuru made hanashite iyou yo

Afuredashita omoi wa kitto

Gaman shinakute iinda

Mata mae ni susumu tame

Arai zarai kokoro no shawaa

Daijoubu tte iu toki wa

Daijoubu janai yo ne

Kuuki yonjau kimi dakara

Bokura chiguhagu feeling good

Atarashii yume sae egakeru

Issho nara muteki da

Take it take it easy

Take it take it easy

Toki ni wa ii yo ne maritozzo

Kata no chikara nuite futari amai kaori heaven

I can make you love me

I can make you love me

Umaku ikanai toki datte

Hekomi nagara susumu kimi wa

Totemo kirei da ne

Kimi no sugata ni

Boku mo shigeki sareterunda

Yorikakaktte hoshiinda motto

Boku ni dake misete yo

Mujaki de muboubi na kimi wo

Esukooto sasete yo

Daijoubu sa igai to hora

Chikara mochina rabu pawaa

Kimi dake wo mamoru tame nara

Ocha no ko sai sai sa

Demo ne jitsu wa boku no hou ga

Kimi ni happii moratteru

Love me Love you

Donna toki datte

Boku wa kimi no

Hotto miruku sa!

Afuredashita omoi wa kitto

Gaman shinakute iinda

Mata mae ni susumu tame

Arai zarai kokoro no shawaa

Daijoubu tte iu toki wa

Daijoubu janai yo ne

Kuuki yonjau kimi dakara

Bokura chiguhagu feeling good

Atarashii yume sae egakeru

Issho nara muteki da

[finishwhatyoustarted-event]

Finish What You Started 2024 - Event Rules

[ID copied from alt: Event Rules on a blue background. ⬒ No new projects ◨ Any medium and any fandom welcome ⬓ NSFW inclusive, warnings must be tagged ◧ Tag #FinishWhatYouStarted2024; boosting/retweeting starts September 13th ◼ Event ends October 31st, 2024]

The goal of this event is to get things done that you’ve already started. We all have unfinished projects whose incomplete status haunts us. Those are what we want to tackle!

The structure is loose, as this is a multimedia event. While primarily aimed at writers, this event is open to any kind of creative fanwork. Fics, translations, podfics, fanart, animations, cosplay - if you started it and never got it done, it qualifies. There is no sign-up required. I will not assign beta readers for writers, but I can boost requests for those who want them! And I can boost messages of those who would like to beta read.

The mod is a danmei fan mainly, but your work can be any fandom. Maybe something you started before your current fandom excitement took over, or one you keep putting off in favor of compelling new ideas.

Feel free to pass this event info along! The more the merrier!

Further rules and clarifications:

Alt text is very encouraged, especially for boost posts or artwork!

If your work is NSFW, I will only boost it if it has appropriate content warnings. Spoilering images is recommended but not required as long as it’s tagged. Do not letter-swap or abbreviate content warnings. These are so people can mute them as needed. Example: "gore" not "g0re"

Remember Tumblr can mute phrases, but each warning should be its own tag as well as in the body.

Please use genderbend or genderswap for characters depicted not as canon genders. Example: "#NSFW #genderbend #gore”

Please use Omegaverse or A/O/B for that content. The original letter order is a slur against Aboriginal peoples and will not be tolerated here, even with the slashes. It, like other racial or identity-based slurs, fall under hate speech and are thus not permitted.

This account will post weekly morale-boosting messages and helpful resources. Every Friday, starting September 13th, will be Finished It Friday. All the completed works posted that week will be boosted together in a big thread, so we can celebrate your accomplishment!

Halfway-point check-in is October 1st. Final event deadline is October 31st. The last Finished It Friday is November 1st.

FAQ:

Q: Are original works acceptable?

A: This is primarily a fanwork-focused event. If original work is the only WIP you have to work on, it's certainly fine to work on it during the time frame of the event. If it is posted publicly when finished, you may tag it for boosting.

Q: Are there any restrictions on topics?

A: No, so long as your event # post is properly & fully tagged for content (see rules about tagging above). "Dead Dove" topics are allowed. Some submissions will be 18+. For me, this is less about the content and more about finishing it. 

The usual restrictions based on laws and Community Guidelines of course apply, so you may need to tailor how you post to which event space your interacting with. Twitter, Tumblr, and Discord all have their own rules. There are also some topics that are in poor taste to make fanworks around. The event organizer and mods reserve the right to not boost your work if they decide it is rage-baiting or trolling. They are not responsible for negative reactions to your works. Please be respectful of those you share a digital space with. 

Keep in mind that when I link to your finished work during a Finished It Friday, it may reach a wider audience than you may be used to.

Q: Are there any restrictions on media that can be submitted?

A: Machine Generated or "AI" images and writing are not permitted. If you are found in violation of this rule, you will be removed from the event. All images, writing, or other works must be your own.

This is a positive, shared space. Do not belittle other creators' medium of choice. Please no fandom/character/ship/creator bashing, and don't berate artists or authors for not being done with something, even if they don't finish by the end of the event. Also, please don't passive-aggressively send this event to the author of an unfinished fic you want to see done faster. 😥 Be cool, respect each other, and keep any interpersonal disagreements to your own tumblrsphere.

All posts and boosts will be crossposted to the event Twitter (finishwatustart) and Discord. Expanded rules, explanations, and Dead Dove guidelines can also be found on the Discord. (invite link in pinned post) 

Fics can be posted to the AO3 collection (archiveofourown(dot)org /collections /FinishWhatYouStarted2024_Fall)

Work-in-progress posts should be tagged #FinishWhatYouStarted2024 . If you complete a wip within the event, tag it #IFinishedWhatIStarted2024 for boosting so we can all celebrate!

Find more information and community on the Discord, if you want! Joining the Discord is not required for the event. As always, if you have questions, don't hesitate to reach out!

[omaano]

SW Hades AU September Update

Links and previous updates: May - June - July - August - everything else in this AU

For the month of September I have for you a finished character illustration for not only one but two characters for the Hades AU! One boon giver in the form of Shaak Ti,

and Obi-wan, this grumpy old desert hermit who is still missing shading from his dusty surroundings.

AND below the cut I will show you the designs for all the keepsakes I sketched out for the characters this month :3

But - before I go into some ramblings - let's have another poll:

(I know it's a lot like the last poll, but I'm really trying to work on drawings of the boon giver characters while I still remember all the layer settings I need for their glow and radiant spikes ^^;)

And now on for the ramblings and thoughts behind the process of the art I've created this month:

One last rant about me and replicating the Hades art style

I have touched on my struggles with how I translate the Hades art style into my project in the previous update, and unfortunately the perfectionist in me refuses to let it go... so I'll muse on that a bit more in this one as well. Last time, I promise. I've come to the necessary conclusions that I'll let the topic go once I typed these out.

I found this very interesting video that I wish I'd seen before I started this project.

It is a very interesting breakdown of the Hades art style. Now I have to admit that I am very very bad at observation. Therefore I heavily rely on others pointing out patterns and defining characteristics before I can consciously start building on those on my own. For example: when I started more seriously working on this Hades AU project my main objective was to get better at lineart. The way I saw it Hades artworks had very clean and solid linearts with lots of black (thanks to another video that pointed that out as one of the 3 major definig features of the style) but if I look at it more closely the lines and shading are a lot looser, and more confident than what I ended up using.

I quite enjoy doing it, don't get me wrong, but there is an up- and downside to hunting down single pixels that are out of order (b it for lineart or shading) and 100% zoom in... which is silly and unnecessary, since I have to scale down my art quite a bit before posting anyway, so who would see anyway?

Also at this point I'm very much facing the dilemma of how much I can change in my approach to this style to still keep this entire project coherent. I'm more in favour of coherency at this point, so I'm just trying to soak up these lessons for future references.

One of these lessons was another point that was very fascinating in this video (aside from how this video picks a multiply layer approach to shading... which I had abandoned after Boba and Cobb for whatever reason?) was to point out the one dominant, more saturated colour in a character art, and how all the rest are desaturated to support that dominating character.

Shaak Ti and my babies

And I actually was very consciously trying to apply that with Shaak Ti! (I'm so proud of myself, finally incorporating a lesson into my work, look at me go!) It didn't exactly go as I'd planned, in a great deal because initially I wanted the red of her skin to be the more dominant and defining colour. But as I went about colouring in the baby clones as well I realized that the blue of her montrals and lekku would be a much better choice, and have the other redish and warmer tones of her robe and clothes, and the skin tone of the cadets to play the supporting colour role. Yet again, half my screens keep eating away the hue and saturation of my reds, but I think that this approach worked out just fine in the end. The blue-purple of her stripes, her eyes and lips look nice and pretty, and the blue in the cadet uniforms tie the entire composition of all these characters nicely together.

I'd also switched up the gem sparkle highlight colours for this one (and Obi-wan too, since they worked so well with Shaak Ti) from the very limiting base 6 fully saturated colours on others (that don't really show up in print anyways...).

And lastly why they are little ghosties in the alternate version:

Ahead of that however a brief introduction is in order. From left to right they are Ray (depicted here the last time he was biggest of the bunch), Slider (my anxious little field medic), and Goldie (my silly little goldfish who claimed the name before it could stick to Slider). For the record they all grow up just fine to join the war effort.

In this case they are more of a stand-in for all the clone cadets on Kamino, especially those who didn't get to grow up, the training of whom Shaak Ti ended up overseeing. (I don't remember if canonically there had been any of them on Kamino when the Empire destroyed their facilities.... but I'd bet that there must have been.) They deserve someone to look after them too, after all.

Also I wanted to see if I can make the Hades shade design work for me. The answer is.... eh, jury's still out, but no, not really. Luckily however, before I have to figure out if I stubbornly would want to change that, it seems like I'm done with my semi-transparent or shade clones. Wolffe is gonna be just fine, solid and grumpy as you can imagine.

Obi-wan

I don't have much to say about the grouchy old man, except that he was surprisingly easy to finish once I got over worrying about the pressure I'd put on myself because of this character illustration.

I fear to say this, but I'm pretty sure I should draw another version of him... like how Patroclus stands up from his hunched over pose and stands tall and strong and matching Achilles with his own spear once you reunite them in the game. And call on them for assistance. So I guess it would be cool if he could stand back-to-back with Cody, with his lightsaber back in his hand, and looking like someone who (allegedly) has his life together XD

Oh! There is one thing. It was a last minute change but I'm so pleased with the stained glass pieces of his teacup! It's his keepsake as well :))

Keepsakes

These speak for themselves, I believe. Special thanks to Quatre for brainstorming a few of these with me <3 Funnily enough Cody's snapped of antennae is the one I feel least sure about now that I have the whole lineup. They feel very in character for Cody (and how he gets his entertainment out of trolling Din in this AU) but it feels a little silly, you know? Especially with how little they look like antennae X"D

Cody - antenna from his armor, Rex - one of his DC-17 blasters, Wolffe - a tooth with "Plo's bros" carved into it, Bo-Katan - a medal/locket with the pattern of the throne of Mandalore, Cobb - his scarf, Boba - a black melon surrounded by stained glass and a fistful of sand, Echo and Fives - a domino

Omega - a clone trooper doll, Kit - a shell and pearl, Paz - a nesting doll with a Pantoran on the inside and a Mandalorian on the outside, Shaak Ti - akul teeth, Satine - a calla lily brooch like she wears in her hair, Ahsoka - a glowing feather from Morai, Leia - Lola

Obi-wan - a fancy teacup, Quinlan - whatever is the Star Wars equivalent of a pendrive, Fennec - a handful of bullets, Sabine - airbrush, Ezra - a tooka brooch made of pebbles and snail shell, Maul - Talisman of finding (the one Savege used to find him)

Anakin - multitools, Mythosaur - a mythosaur pendant, Aphra - Spice Dice used for a variant of Sabacc, Luke - toy ship, The Armorer - her hammer

It's a bit wild to see all of them laid out like this i'm not gonna lie :D

So that's it for now. As for the next month I'm hoping to surprise-finish Aphra (like I did with Obi-wan), maybe do something about the surpirse I can maybe do for Fives and Echo and why they haven't gotten their character interaction yet, sketch out a new character and maybe start lining Bo-Katan and her gang. It should be doable, right? XD Also I promise that this was my last rant about my relationship to how I've given up replicating the game's style as close as possible. Cross my heart and all that.

Taglist of anyone who wants to be pinged once a month for these updates <3 If you want to be added to the list send me a message, or just reply to this post (a 👀 would do, nothing fancy required ;))

@elwinged @yeehawgeek @velsayshi @lionsaint

If you want to be taken off the list just message me and I'll take you off, no hard feelings :)

[royalarchivist]

Quackity: This project is not over and I’ll do everything necessary to strengthen it day by day. It is a process. Step by step, and it will take time. But I’m taking care of it. [...] I have a personal conviction with this project and I’ll keep working to improve it.

This video is also available on Quackity's VOD YouTube channel, and will include English translations very soon. Please take a moment to read through the transcript of his stream in the meantime; I think it will help a lot of people feel a little bit better.

Translations provided by @QuackitySubs.

[ Full Transcript ↓ ]

—

Quackity: I turned on stream to give an announcement regarding what’s happening with the QSMP structure. I know there’s people with many doubts about lots of things so I hope this helps you all understand a little bit more. I’ll be saying all of this in Spanish because I find it easier to express myself in it since it’s my first language. I wanted to make that clear.

I want to give, and explain, a little bit of the context of everything, ok? These past three weeks have been very turbulent regarding many aspects. The restructuring process that’s going on for the project has not been easy at all. Before I involved myself, and I said it before, there was people who damaged the project in very harmful ways, administrative and financially wise. I addressed this before. But I haven’t given any updates or anything of that nature because the only updates I’ve had are all inner and of legal matter. Therefore, there are no visible changes, but they’re important ones that need to be done.

I’m telling you: people with ill intent have been removed from the project, and I’m still in the process with people that have caused a lot of this harm since the beginning. That has been one of the main focuses of this restructuring that’s being carried out. Guys, I want to make something very clear: during this process, the actions that are being made have to be done with extreme care.

Recently, I’ve wanted to give many updates both inside and outside, but we’re facing a very critical issue that’s leaked information. I don’t know if the people who leaked information and announcements from the inside knew this was going on. But when I gave inside information and it leaked where it shouldn’t have; that affected the process that was needed to take care of many things. And the people who affected me administratively and financially, which I already talked about in a past stream, found out about matters that they shouldn’t have known about and used this information to twist it and affect the process. This complicated to a great extent many things. This is why I haven’t given any announcements. This is why I’m not able to talk freely as much I’d like to, and I’m not ignoring or evading but a very, very delicate process is being carried out.

Since the beginning it was known, within my involvement, that to achieve a complete change we had to start with the people who affected me, the project, and that were the cause of many issues that have been going on this whole year. With that being said, what happened was we started looking for a financial strategy for the project because the costs are very high. The project was going to shut down, I already talked about this. And as soon as I could define through different strategies, if there was a way to support the project, the next step was going to reestablish the many QSMP parts that did not longer exist. And I want to make something very clear; given the financial circumstances of the server, I did not want to make anybody a promise that not even I knew could be fulfilled. For this reason, this element was still present- the financial element, and I could not give any more inner updates because I was working on a very important part of the financial element of the server.

It is my understanding that the lack of communication has been notorious, and I reiterate, it’s not on purpose. There are many matters behind the scenes that I’ve been meaning to address, but I’ve had to be very, very careful. I understand if there are people who do not agree with the approach of the process, and if you don’t trust the project neither the process that’s being carried out, don’t worry. I don’t have an issue if you stop consuming the project. I understand that completely. I said I had a personal conviction with the project and it will stay that way.

I’ve been working arduously, and I’m going to do everything in my power for the project to continue but with the best conditions possible, and something I want to make very clear is that this process takes time. That is something I want to make very clear. This process takes time.

Guys, there’s people who have parted ways with the project and that will continue leaving on their own will and I understand that fully. I don’t have a problem with whoever took or will take this decision and I wish them the absolute best. In fact, I made an inner announcement where I let them know that a restructure would take time to be implemented. And there’s people that, for reasons, no longer want to be a part of this project, and I completely understand it because it’s not easy to be in adjustment stages, so I understand. Something I announced from the beginning was that my main goal would be that the project would go back to normal, but with the best conditions possible. This can be achieved following the right dynamics and the right setting for every person contributing to the project and this cannot be done within three weeks. This entire process continues.

Having given a little bit of context behind many aspects regarding the project, I ask of everyone that would like to stay, their utmost patient. I don’t want to make any promises and I don’t want to sugarcoat it. I want to make concrete actions. And that’s what I’ve been doing, whether you can see it or not, that’s what I’ve been doing step by step.

Guys, the changes that I’m doing are in the project’s best interest and I’ll say this openly: These changes are in the project’s best interest and for the people who love it, people who have been impacted by it, people who follow and love what this project means. These people are my motivation and the inspiration for which I started the project, for which I’m still doing the project and for which I’ll keep doing the QSMP. I am not doing this, and I want to make it very clear, I am not doing this for the people who, for a very long time, want to see the project torn down through efforts that show the complete opposite of having love for the project. Be it non-constructive comments, malicious actions, ill intentions wishes upon me, the team, and any community that consumes the QSMP, and the project in general. To me, that all of these ill-intentioned people stop consuming the project does not bother me in the slightest. I want that very, very clear.

Guys, let’s not forget about something very important: it is very difficult to build something but it very easy to destroy it. To everyone who would like to join us in this building process, you’re welcome. For those who seek to destroy it maliciously… this project, since the beginning, wasn’t and it is not made for you.

Lastly, I’d like to say that these past days I’ve been getting many calls, emails and messages from people all around the world expressing what QSMP means for them. This is why, and I’m saying it as it is, this project is not over and I’ll do everything necessary to strengthen it day by day. It is a process. Step by step, and it will take time. But I’m taking care of it.

I want to thank everyone for putting their trust in me beforehand, and I reiterate my personal commitment to strengthen this project. I hope this clarified some doubts and gave context that to many people it was necessary. I reiterate, I have a personal conviction with this project and I’ll keep working to improve it.

[elodieunderglass]

Hey there, I read your first chapter of Moby Dick in modern idiom and I’ve been thinking about it pushing it at people for days. IN THEORY, have you considered writing the whole thing? They said, knowing full well the awful project they were proposing.

In reference to the Moby Dick post: https://www.tumblr.com/elodieunderglass/761181987124969473

You’re so kind to ask, and I couldn’t be more flattered by the question. I’ve answered the question recently here: https://www.tumblr.com/elodieunderglass/761216179802161152/do-you-have-more-moby-dick-modern-translation

Boils down to:

After a banger of a first chapter that really sets Ishmael up as an energetic and unusual literary character, Moby Dick goes on to have some tricky pieces, involving things like unsavoury racial stereotypes from Ishmael POV, which don’t feel right to playfully translate into insufferable modern idiom, even for educational purposes; and I’d hate to put my name to it on the piss-on-the-poor website, because a) unsavoury and b) not an expert and wouldn’t want to be fighting on so many fronts of “well actually”.

I’m a moderately quick-witted biologist who is broken enough to want to be perceived as “funny,” so likes regularly being told they’re funny on Tumblr; I’m eminently not an experienced 1800s historical fiction academic who passionately wants to communicate nuanced racial and political analysis to a thoughtful public. And again, it would probably involve so many people going “well actually” at me, pointing out how I’m not an experienced 1800s historical fiction academic qualified to properly interpret a problematic work etc. And, knowing myself, I’d probably start biting people in the notes.

And there are two immediate chapters about an interminable church sermon that I think are stupid and would skip. I don’t feel I’d like to tackle this for fun. It’s homework-coded and I’m not being paid or graded or trained in any way so my brain goes “humph” and picks daisies instead.

So I’ve considered it and I’m grateful to be asked! and I will definitely tell you if I ever do it! But for now it’s low down on the list, after finishing some commissions, a big fanfic that currently makes me very sad, and apparently writing my own story about weasels.

And of course I don’t own the work, so if anyone else wants to tackle it I’d be delighted to signal-boost and so on.