#audio resources

[wangleline]

I just released a shitton of free stems for a bunch of my music.

Feel free to download them and have a blast!

[rjalker]

WIP post, but feel free to reblog at any time.

Free programs you can download to:

Convert video to audio: Freac.org

Make audio better: Audacityteam.org

Make digital music: Musescore.org

uhhh...

Feel free to add suggestions?

[opencommunion]

"The Global North’s political economy relies on the oppression of the Global South in general and of Palestine in particular.

As academic and writer Patrick Higgins noted in late October: 'We’re seeing a blow against the US-led world system. Since, really post-World War II, but especially post-1970 or so, Israel has been the linchpin, the basket into which most of the American chips are put, in order to sustain broader control of West Asia.'

This historical reality places a profound obligation on those in the Global North who would seek to be in solidarity to seriously consider what strategies and tactics Palestinians are calling for in the struggle for liberation, sovereignty and safety.

Such calls to action do not include that we opine on Palestinians’ methods of resistance.

They do include that we understand the history and actuality of that resistance, do all we can to stop the ongoing provision of arms to the occupation, engage in boycott, divestment and sanctions, and fight back against the criminalization of those who support Palestine’s liberation from Zionist settler colonialism.

As Virginia Tech’s Bikrum Gill exhorted: 'Show no fear, no surrender, as you oppose those who support the US-Israeli genocide of Palestinians. Bring your institutions to crisis if their functioning requires silence or complicity.'"

[doghart]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[thelaurenshippen]

you there! do you want to make audio drama? well have I got a deal for you!

hi, I'm Lauren, I made a handbook that walks you through how to make an audio drama and you can have it for free, plus it now comes with bonus! tumblr guide and I'd love for y'all to read that and then drag me on how I'm using tumblr wrong, okay love you bye

[blossoms-phan]

phrankfurt preshow recording

tweet

[glenthemes]

🎧 NPF audio player ⋆

On Tumblr's process of changing everything to NPF, staff has added metadata (details) to NPF audio inserts to reflect what was originally entered when it was posted. Unfortunately, they're unstyled for now, so I wrote a plugin that mimics the appearance of Tumblr's legacy audio player.

☆ Features:

functional play/pause buttons with customizable sizes and colors

[optional] preceding labels, e.g. "Track:" / "Artist:" / "Album"

[optional] placeholder text for empty fields, e.g. "Untitled Track"

shows album cover image if its comes with one, with customizable dimensions

customizable player padding and background color

☆ How to install:

https://gitlab.com/tmblr-npf-audio/s#preview

[vfdinthewild]

"The volunteer fire department, the ambulance squad as well, rely on contributions to their monthly pancake breakfast, to raise funds for a new engine."

-from Braiding Sweetgrass by Robin Wall Kimmerer, 6:47:15

[peaches2217]

Mario dreaming about Peach in Super Mario Odyssey: a comprehensive version because the only other version I've seen left out the three "amore" clips and those are arguably the best ones

[winn-wynn]

Rip Percy Weasley you would have loved Libby

[thisbluespirit]

How To Find Your (British Actor) Blorbo On The Radio: A Brief Guide

(Disclaimer: British, because the main tool I'm using is the BBC's Genome.)

If you want more of your fave actor, or you love full-cast drama podcasts/audios (and audiobooks/NF content too) here's a guide on how to get your hands on BBC Radio broadcasts.

The BBC have a great free resource called Genome, which has all the Radio Times listings from 1922 to the present day (plus some of the actual articles), and it's searchable. Up until its arrival, it was really hard to do that, so \o/

Not all actors do radio and not everything you find will be obtainable, but it's always worth a try! It's especially likely for actor-blorbos who do other audio work, or theatre (theatre tends not to pay so well, and radio is a handy extra thing that can be more easily slotted in between performances than TV/film.)

Go to Genome, and put your blorbo's name into the search box:

Press search, which will bring back a bunch of results from both radio and TV listings from 1922 up to the current year:

2. Filter down to "radio only" on the sidebar to avoid scrolling through all the TV. At the top of the page you can change the display order to First broadcast (or Availability, if you want it only to bring things currently available to stream on the BBC website), among other options.

I can also cut down on extraneous results by selecting a date range that only covers when my guy was active.

I scroll down until I find something that looks interesting, in this case a proper audio drama, called The Hornblower Story. It's from 1980 and is an adaptation of a well known book. The details give me enough info to search the wider internet, and see if I get lucky...

3. Search the internet and listen to your blorbo act in radio drama!

There are several ways to obtain radio drama online. If you use streaming sites like Audible and Spotify, it may be there, although usually only if it's had a commercial release.

The BBC still broadcast old programmes on the radio, so it might be currently available on their website to stream - and unlike TV, you can listen to BBC Radio anywhere in the world! (If you are in the UK, you can also download and use the BBC Sounds app.) The Genome will usually provide a link for you to go straight there, if that's the case.

However, obviously, most BBC Radio from past decades is not available commercially or being broadcast by the BBC now and some doesn't exist in the archives, or was never recorded (as with TV), but as methods of recording audio at home have been widely available since the 1950s and 60s, there are loads of off-air recordings of radio made by listeners/collectors, and some have freely shared their copies online. Some are in closed forums etc., but three good sites to try first are YouTube, RadioEchoes & the Internet Archive.

I usually start with a Google search - e.g. '"Title" radio' or radio bbc and if that doesn't give me anything add on first "Radio Echoes" and then "Internet archive" to the search.

And I'm in luck! Radio Echoes appear to have the adaptation I'm after. I need to check the broadcast dates to see if they match up & then I can stream or download for free - and hear my blorbo play a stern Admiral for 5 minutes or less, hurrah!

Clicking on the links takes you to a screen where you can press play to stream or right click on the play bar to download the mp3 file to your device. (Click the "Save audio as..." option).

These are archive off-air recordings, so the quality can vary, especially for older programmes.

4. Rinse and repeat with each new likely Genome discovery.

If you find a copy of what you're looking for on the Internet Archive instead, you'll get up a page with a play bar (like the one above), with episodes listed plus details (to varying degrees) below. If you want to stream, just click play and enjoy. If you want to download it, then click on the MP3 files line on the right-hand sidebar, which will then give you an "X no of files" button to click and you can download them to keep.

(You can download all the files, but I usually cut straight to the chase and just nab the MP3s.)

Sometimes the BBC have released a commercial audiobook. In those cases, if you already use audio/music streaming subscription sites like Audible or Spotify, you should be able to find it there.

If you don't, or you want to buy a download, I've found the best option (weirdly!) (for UK users, at any rate) is to get the audiobook up at Penguin Books, which links to various paid subscription streaming and download options, so you can find the best one for you (and you know it's been recced by a hopefully reputable source.)

Last year, I wanted to buy Vivat Rex, the BBC's landmark dramatisation of all the English history plays rolled into one giant starry-cast Jacobean audio serial, and successfully used this route. (I'm very old by internet terms and still like listening via MP3 files on my MP3 player, as long as it survives.)

Pretty much the only affordable download option I've found so far I got courtesy of Penguin's links to Hive. (But this may be a UK only option.)

If what you're looking for seems likely to exist even if you can't find it by any of these methods - keep trying! New things are being added daily to all these websites, and the BBC cycle round old shows all the time.

And if you want to go deeper, there are closed forums etc. for radio enthusiasts where you need to make an account, but you may then be able to torrent or download an even wider variety of things.

Of course, whether or not your blorbo has been in anything good or any radio at all will depend on them, but I hope this guide will help enable you to find out!

YouTube, Radio Echoes, the Internet Archive and Old Time Radio all have radio from other countries too. So while the BBC Genome can't help you with anywhere outside the UK, the other links here can be good places to look around and browse for things you might be interested in.

You can of course use the same methods to search for things like a favourite author, or particular plays, to see if the BBC have done any radio adaptations - BBC Radio have done heaps of things that have never been adapted on screen, so it's always worth a look for anything you'd be into.

Radio Echoes is browsable as well as searchable, and while Internet Archive is a bit less so, there are some excellent collections you can look through, like the Saturday Night Theatre collection, and the BBC Radio Shows listings.

[sibyl-of-space]

Hey, would you look at that. It's been over a year since I got a bullshit copyright strike on MuseScore for my transcription of To Zanarkand (exactly as it is heard in Final Fantasy X), which is a score you cannot find anywhere on the internet. It is a meticulous by-ear transcription that several people have referred to as "the most accurate transcription [they've] heard" based on the version in-game, which is compositionally distinct from any "official" sheet music sources published since the game came out.

So if you want the most accurate transcription of "To Zanarkand" you're probably ever going to find on the internet, here you go: mediafire link because fuck you musescore

this transcription got me into grad school for composition so. trust

[escapedaudios]

Omg guys, YuuriVoice endorsed Your Script Sucks (my audio roleplay script writing guide). What an awesome thing to wake up to!!!

[balkanradfem]

I started reading the book 'Pests' by Bethany Brookshire. I thought it would be a book filled with information on how to protect your garden without causing any harm to animals. I could not have been more wrong, but soon it didn't matter, because I was drawn in immediately. This book is written by a brilliant scientist, who presents to you, the history, the data, the results and the cultural context of pests all around the world. It starts with squirrels, but then goes on to talk about pythons, pigeons, cats, rats, mice, frogs, coyotes, wolves, elephants, dogs, raccoons, deer, bears – and how they've been seen as a pest, most often for no fault of their own.

I learned about the numerous ways people in the past have created a 'pest' problem for themselves, and how they went on resolving it, and honestly I was shocked  at the most of it. I did not know that human scientists developed specific plagues for animals in order to get rid of them. I also had no idea how quickly humans turned the perception of a certain animal from 'useful' to 'pest', without even realizing they're responsible for the behaviour of the animal in the first place. Also the number of times humans have attempted to introduce a predator in order to get rid of an invasive species – only to immediately cause a new invasive species, absolutely incredible.

I was surprised to find out that some specific animals could be pests at all, for example, elephants. Absorbing the information presented to me thus far, I thought elephants were nothing short of wonderful and welcome in anyone's life – but, the story describes them eating the entire fields worth of grain, in only one night. And due to their size, they're unstoppable. They've destroyed houses, and even killed people, as a result of trying to get to the food. The elephants are a protected species, so the locals have been forced to develop different way of co-existing, namely, to stop growing grain and try to find different ways of survival and sustenance. There have been numerous other attempts to protect the fields from them, but how would you protect anything from an elephant? The only thing they're scared of, are bees. And if there's food to be gained, they'll overcome the fear of the bees too.

Did you know that if mice multiply too much, they'll have a mice plague that will wipe them out, without human interference?  Mice and rats are described as the animals closest to us – because they live where we live, eat what we eat, and learn whatever it takes to find their way in the land of humans. And it seems, we have the same problems as well.

One of my favourite little piece of knowledge in this book: the scientists studying the snakes in a lab name the snakes after Slytherins – so they have Snape, Draco, Crabbe, Goyle, and Bellatrix. It was amazing to listen about Snape the snake.

The author of this book is incredibly unbiased, and shows her love for every animal mentioned, but also understanding and compassion for people who have felt wronged, violated, helpless and cornered by the animal, and how awful it feels to not be able to protect their homes and livelihoods from an animal invading their territory. In author's mind, the animals are not at fault, because all they've been trying to do is survive, get to the source of food, for them this is foraging. For us, it's nature taking from us what we intended for ourselves.

The problem of seeing animals as pests, comes often from the perception of us being the dominating species, and having the right to remove or introduce or change animals, by how convenient and pleasing we find them. She sourced the problems from negative experiences, loss, violation and danger, but also from culture, colonialism, religion, behaviours of the people around us. Most children have no concept of danger or pests – babies in a study would reach out curiously seeing a picture of snake. Perception of which animal is good and which one is bad, comes with culture, experience and the behaviour of everyone else around it. And our collective perception comes from whether the animal is rare, whether it lives close to us, if we have to adjust our lives because of it or not, if we have had negative experiences or not, whether it can hurt us, whether we have something the animal wants (food) and tries to get from us.

I recommend this book to anyone who'd like to know more about the history of humans trying to live alongside – or refusing to live alongside certain animals. And anyone dealing with any kind of pest, or just not understanding why animals act the way they do around humans.

I come out from reading this, feeling no more wise on how to keep the pests out – except for, don't leave the food outside the house where animals can get to it, that's the #1 reason for most scenarios – but feeling way more understanding and at ease about animals that are perceived as pests. I know solutions  that have been tried to deal with them, I know what didn't work, and I know how badly some collective solutions can become. I understand we need to find a way to live with them as our neighbours, not enemies, not violators of our property. And most often, just being responsible about where you leave your food, how much animals you tempt to come close to you, how you reward them for interacting with you, is more than a half of the solution.

[thelaurenshippen]

HI HELLO DO YOU LIKE AUDIO DRAMAS, WOULD YOU LIKE TO MAKE YOUR OWN AUDIO DRAMA well do I have news for you

for quite some time, I have been working on putting every bit of practical information I have about making a podcast into some kind of readable resource and I'm very happy to say that, by george, I think I've done it.

that link will take you to our resource page which has links to a 35-page handbook that takes you through every step of podcast production (on our merch page, but you can download for zero dollars! do it!) and a direct download of a 15-page pdf about how I take an idea from development through scripting.

this is by no means the be-all-end-all definitive correct guide on how to make an audio drama. as I emphasize many times throughout, this is just how I do things, but it's a pretty thorough rundown of how I do things. if you've been too overwhelmed to start your own show, I sincerely hope this helps you!

[starplanes]

Here’s a bunch of free tools I’ve used in the making of @sidequestingpod and other audio dramas!