#at this point I don’t even know what canon is

[valenteal]

Okay I actually really hate this take I’m sorry. Anakin was not possessive or selfish and that’s not what the Jedi taught him.

The way I think of it is that Jedi pursue inner peace by disconnecting themselves emotionally from situations, they feel empathy in a very detached way. That’s what having no attachments means. It’s in the word. The Jedi are Detached from reality as it is perceived by humans.

The Force gives Jedi a glimpse of what it is to be a 4th dimensional entity with consciousness no trapped in a single moment in time. So to a certain extent they don’t actually perceive time linearly and thus do not feel they’ve lost something because it still exists in the past.

So now that we’ve established that yes Jedi are detached from the present let’s move onto the more problematic statement about selfishness and possessiveness.

It is not selfish to want unconditional love. That’s basic human nature. Anakin, a person who clearly suffers from borderline personality disorder which comes with symptoms such as fear of abandonment, an unstable view of the self, devaluing or overvaluing relationships to the point placing of one’s self-worth entirely in another person’s hands, and more, literally needs unconditional love and support. And he developed this disorder in large part because of the Jedi order and the way they treated him. He was simultaneously considered the “chosen one” and considered a burden or a problem. He had to change everything about the way he thought to fit the prescribed mold of what a Jedi should be, and he was held to higher standards because of his perceived “chosen one” status and people were disappointed when he failed to meet them. I know from experience how truly awful it is to be told “i know you can do better” in a disappointed voice when you’re honestly trying your best.

And that’s not even touching on how in Phantom Menace he created strong bonds with both Qui-Gon and Padmé only to have both of the ripped away right after he’d left behind everything he knew and loved. After the movie he was around nothing familiar or comfortable. He didn’t know Obi-Wan and he knew that Obi-Wan hadn’t actually wanted him as an apprentice or even in the Jedi order. So he was surrounded by a bunch of people who all thought he didn’t belong and only let him stay because of a dead man’s wishes. He was NINE and being told that everything he ever learned was wrong and backwards and leads to being evil and that he needs to be perfect for anyone else to think he belonged because even the smallest mistake would just confirm their preconceived beliefs about him.

And that’s not even mention Sidious’s manipulation. Anakin never would have become anything like Vader without Sidious leading him.

Also! There is a difference between possessive and protective! Anakin is protective! He has lost so much he’s clinging desperately to what he has! He wants to protect the one good thing in his life. He doesn’t try to control Padmé, they actually have a very healthy relationship, it’s the situation that’s toxic. Anakin doesn’t view Padmé as a possession, I don’t know why anyone would think that. Oh wait the Clovis arcs. Right. Those exist and other people actually consider them canon. That’s a whole ‘nother rant about writing that I’m not going to get into here. But let’s make this one thing clear, Clone Wars Anakin and movie Anakin are 2 totally different characters psychologically because of the awful reception of the prequel trilogy when it came out.

"no attachments" in SW literally just means "don't be selfish and possessive". that's it. that's all there is. doesn't mean jedi can't have friends and loved ones. they can. just. don't be possessive and selfish about it. don't murder thousands of people in an effort to save one.

[woofs-silly-ships]

Oh. Oh holy hell

HEAVY WARNING FOR THE HAZBIN LEAKS. PLEASE FOR THE LOVE OF GOD DO NOT BE MAD AT ME IF YOU WILLINGLY CLICK ON THIS AND GET SPOILED.

Tw: Mentions of Poison/Angel Dust’s abuse, Aphobia (from Viv and Hazbin, not me. Frick Aphobes or any kind of queerphobe /srs)

This is almost certainly real and that makes me

I think I feel worse than when the Poison leaks happened

And that was bad

Yet I think this might be worse… because at least some survivors do relate to and find comfort in Poison and Angel as a whole. At least people knew he was suffering from and dealing with this abuse. This… people couldn’t have seen this coming.

Alastor and Rosie’s relationship was one of the few actually well written ones in this freaking show. And they just screwed it the hell up

Alastor being owned by/selling his soul to Lilith made so much sense. Of course Lilith would care about his child’s dream, of course she would hide him away in heaven after a (likely) bad fight with Vox, of course if he was in heaven nobody could find him, of course he’d be so fearful of the literal Queen of hell.

If Alastor is owned by Rosie, why the hell would he actually be genuinely comfortable around her as shown in season one? Rosie wouldn’t give a shit about the hotel as well, I’m sorry but like huh??? She has 0 relation to the founders or guests besides Al??? Also there’s no freaking way that Rosie would be able to hide Alastor IN HELL FOR 7 FREAKING YEARS AND AVOID ALL DETECTION. If Vox’s cameras didn’t catch him in a HEAVILY POPULATED TOWN, there’s literally no way some random diner didn’t catch a glimpse of him or something??? And Al is probably on the level below Rosie power wise, there’s no way he wouldn’t have rebelled at some point, even if he lost???

But yeah, I’m beating around the bush here. Elephant in the room time.

The whole song and animation and everything leans WAYYYY too into the aspect of Alastor being Rosie’s pet, and that creeps me out so much. Because it again feels fetishized. Way too reminiscent of pet play and such, which I already don’t like on its own but I’m not getting into that. I wouldn’t even have an issue with it if

1. Rosie was portrayed as an actual big bad and not “secretly silly”, same issue as Val

2. ALASTOR WASNT FREAKING ASEXUAL. AND ROSIE WAS LITERALLY THE ONE TO CONFIRM THAT IN CANON (the “ace in the hole” scene was one of my favorites and now it’s ruined for me. Of course.)

I know k!nky asexuals exist and are completely valid and yall are awesome, and I’d be fine seeing that represented if, you know, ALASTOR WASNT SHOWN TO BE FREAKING SEX REPULSED?? HAVE WE FORGOTTEN ABOUT THE FREAKING

^^^ THIS???

AND GOING BACK TO WHAT I SAID BEFORE: AT LEAST SURVIVORS WHO RELATE TO ANGEL KNEW THAT HE WAS A VICTIM LONG BEFORE THE RELEASE OF POISON AND S1. MANY FELT BETRAYED BY IT AND THATS VERY VERY VALID, BUT IT COULD HAVE BEEN FAR WORSE (as in, Addict could’ve never existed, Angel fans including survivors could’ve had no idea of what he was going through before being thrown into the mess that is Poison). THERE WAS ABSOLUTELY NO FORESHADOWING OF THIS WITH ALASTOR. IVE SEEN SO MANY ASEXUALS LOVE AND RELATE TO AL AND TAKE WHAT LITTLE REPRESENTATION THEY GET IN STRIDE, AND IM SO SCARED TO SEE THEM DEAL WITH THE FETISHIZATION OF THEIR SEXUALITY. THAT WILL HURT ME MORE THAN WHATEVER THE PLOT DOES. IF YOU ARE ASEXUAL AND RELATE TO AL THEN I AM SO FREAKING SORRY FOR YOU, ESPECIALLY IF THIS ENDS UP HURTING YOU AS MUCH AS IT DOES ME /GEN

ALSO, APPARENTLY VIV IS DOUBLJNG DOWN FROM POISON BECAUSE THERE’S SOME CHEERY UPBEAT AH MUSIC BEING SUNG ABOUT ALASTOR BASICALLY BEING CHAINED AND ABUSED FOR THE MAJORITY OF HIS AFTERLIFE AND ALSO BASICALLY BEING SHOVED INTO A PET-PLAY KINK LIKE THING AS AN UNWILLING AND UNCOMFORTABLE (AND ASEXUAL) PARTICIPANT

Urghhh, I’m sorry I just really needed to get that out. Posting this on my selfship blog since it’s more contained and I have 2 Hazbin f/os anyway

Since I’m here anyway, yeah my Hellaverse AU won’t have any of this crap. Alastor will be owned by either Lilith or Roo, whichever one makes more sense when S2 comes out and we see more of Lilith and see if Roo was scrapped or not. Right now he’s owned by Lilith in the AU and his relationship with Rosie is exactly like in S1: genuine and comfortable. I’m sorry but I’m not letting Vic’s awful plot direction here ruin one of the few good relationships in the show.

And I’m sorry if any of this is exaggerated by accident, I’m just, er, very passionate about minorities being disrespected this badly and this is kinda just me dumping my thoughts and rage into writing /gen

On a small but light note, the other clip is actually really cool!! Makes sense for Heaven to have Goitia as well as Hell, and as long as this bird doesn’t turn out Stolas then I’m pretty happy with this :D

[wings-of-fire-confessions]

“Riptide is so plain and/or boring!”

You know what? I genuinely don’t give a f***.

He’s a caring and nice character, that I like and even enjoy, and I think it’s quite neat that Tsunami had someone else she could rely on when she was having troubles within the SeaWing palace while living with freaking Queen Coral and - three moons - Whirlpool.

Plus, Riptide is NOT as plain as some people view him - or at least, he has the potential to be (seen as) a interesting character, but unfortunately wasn’t as explored and/or developed upon unlike some other characters within the series.

Riptide had a rather bad and traumatic past. Webs left him when he was 2 years old - about the current age of Anemone and MINK - in order to take Tsunami’s egg to the the Talons of Peace so he can raise her to be within the prophecy. His mother was indirectly KILLED by Coral by her purposefully putting his mom in the front lines of the war, due to her helping Webs take Tsunami’s egg. 

Due to this, Riptide probably became a literal ORPHAN as a very young dragonet, while living under a violent Queen who HATES his guts.

And due to Webs taking Tsunami’s egg, Coral unrightfully viewed Riptide to be an awful dragon, due to him being related to Webs. Because of this, Riptide is hated and discriminated by Queen Coral and her relatives, and he has a bad and low reputation within his Kingdom based off of crimes he DIDN’T EVEN COMMIT. With this reputation being something that he lived with through the MAJORITY of his life. Which includes him being given the lowest ranking job and duty within the SeaWing kingdom.

Heck, I wouldn’t be surprised that the reason why Riptide seems so ‘plain’ and/or ‘boring’ because he literally HAD to act that way around others - with him placing that part within himself and ingrained it within his personality and/or behavior - in order to NOT stand out and grab the attention of others who actively hate him, and would harm & even KILL him. Especially from how much he’s canonically hated by Coral.

Because if Riptide was noticed to be against Coral’s actions or beliefs, and/or was seen doing something that (majorly) upsets Coral, there’s a good chance - heck, a HIGH chance - that Coral would instantly brutally harm and/or kill him on the spot.

Riptide is one of the characters within the series that, despite the awful treatment and trauma he experienced throughout his life, is STILL a kind, caring, and/or empathetic dragon, who does his best to helps others that he cares about - including Tsunami.

He’s a dragon who cares about his tribe to the point he fought the SkyWings for them instead of fleeing away from the Summer Palace with Webs and Tsunami (and Tsunami’s friends), despite the awful treatment Riptide experienced for the majority of his life under his tribe’s royalty.

Who’s also a dragon who still wanted to form a connection with his father, who left him and hasn’t seen Riptide for a long time. One who is the only potential dragon who would love and/or care for Riptide for who he is.

A father that Riptide then learned later with TLH that Webs was a enabler of the abuse that Tsunami and her friends experienced from Kestrels and Dune, due to Webs not stopping them from being harmed until Queen Scarlet tried to imprison them in her arena.

Plus, when knowing about Riptide’s trauma and how much he experienced prejudice from others, his relationship and interactions with Tsunami honestly are more interesting than they seem to be.

How Riptide INSTANTLY rushed towards Tsunami in order to embrace her after she unintentionally flirted with him.

How Tsunami is probably the first dragon he’s known in a long while who respects, appreciates, and even enjoys his presence and existence.

That Riptide followed and watched over Tsunami while she was at the SeaWing Kingdom, probably due to him being worried about her being with Coral.

That Riptide selflessly helped and hanged out with Tsunami despite Coral potentially punishing and/or harming him for doing so.

How Riptide hid the fact that he was related to Webs, and that he’s a member of the Talons of Peace, probably in fear that Tsunami - the only dragon he has a positive bond with in TLH - would be angry at him, & dislike and/or hate him, possibly similarly how other dragons (including her relatives) hate him.

But despite this, he cared about being honest with Tsunami that he had the mental maturity and/or mental strength to tell Tsunami that he joined the Talons of Peace in order to know more about his father.

So yeah - Riptide is quite a nice character, who’s even pretty interesting, or at least is when you really think about him.

But he unfortunately isn’t viewed that way and/or isn’t even appreciated by multiple parts of the WoF fandom, due to him not having an prominent and/or strong personality compared to other love interests within the series.

.

[clairescotcoutts]

So, about The Veilguard.

This post is:

Long.

Spoiler full.

Read at your peril.

So.

The fact that I devoured the game in virtually less than three days should speak for itself; I was worried about the playing style, I was unsure about the combo system, and having only two companions travel alongside the MC felt a little alien to me and also added to my anxiety. (Yes, I’ve played Mass Effect, yes, I’ve been in a fighting trio before, but never in Dragon Age.) I thought, “There’s only three of us?! We’re gonna die so much and so hard.”

Turns out I didn’t die so many times as I’d expected, so yay me.

I had refused to watch anything that had to do with the plot, with the exception of the trailers, because I wanted my experience to be fresh and untainted by expectations. Of course, I had hopes — but other than that, I dove in blind and without any sense of direction.

As you know, the depths of the ocean hold both horror and beauty, so here are mine; I shall start with the horrors so all the bad air is cleared out first.

My primary horror is that, save a few points, the game very clearly follows BioWare’s own canon, in which the Hero of Ferelden must have died to stop the Fifth Blight, and thus there is no Kieran. Morrigan plays a pivotal role yet again, but her presence implies that the decisions made in previous games are… well, your own, but not the world’s own. So, no Kieran, and it is heavily suggested that it was Morrigan who drank from the Vir’Abelasan. Even if she hadn’t, turns out she ends up with a piece of Mythal inside her anyway, granted by a regretful (and finally gone) Flemeth.

Story-telling wise, well, I don’t know if it was the best choice— I just know it bummed me out a bit to find some of my decisions discarded, not considered at all.

My second horror is the absence of either Hawke or Stroud. The events at Amaranthine are mentioned, but (unless I missed a codex entry) there’s no word on what happened to the brave soul left in the Fade to fight that giant monster demon. Since I always leave Stroud behind (because Alistair is and always will be a king to me), I can’t say I’m suffering to know his fate, but it would’ve been nice to confirm something. 

At the end of Inquisition, Morrigan narrates that should Hawke live, they go to Weisshaupt, but soon all news from there ends. What happened?! Am I missing something found only in the comics or books?

Also what happened to the rest of the companions? What about the woman made Divine in Inquisition? Whether it’s Leliana, Cassandra or Vivienne, you’d think the Divine would have something to say about two ancient elven gods turning the world tits up.

What about the Qunari who are not part of the Antaam? Are they in agreement with Elgar’nan and Ghilan’nain? Is Seheron torn asunder like Minrathous?

Why is nobody remarking on the fact that the Crows buy (or used to buy) people?! I love the Antivan Crows, I do, but one cannot forget Zevran and all he told us about them.

Those are my particular points of horror. 

Now, to the rest.

Veilguard is a game that doesn’t hold back. It’s out to punch you in the guts and kick you in the feelings, and boy does it do it brilliantly. The sacrifices are real. The choices are heavy and carry weight on them that slumps you down (especially if you’re extra sensitive, like me) throughout the game. The dilemma and problems your companions face are heart wrenching, and you want them all to thrive. Yes, even the one who was hardened because you can’t bloody be in two places at once. These companions are well fleshed-out, they’re alive, they’re complex and they are so beautiful to live and travel with. The emotional moments they have, I felt them, I suffered with them, I cried. I /cried/, which had never happened to me with a videogame before. And not just because this companion is my favourite or that topic hits a bit close to home— not just that. It’s because they’re amazingly written and acted out. They feel so real.

The locations are gorgeous (I especially fell in love with Treviso), and I love how much you’re able to explore. I love that you can pet animals. I love that you can interact with the world in front of you. I /love/ that you don't miss dialogue even if you get into a fight because the companions re-start conversations now.

The NPCs? My children. Isabela is fire, as always; Antoine, Evka, Viago and Teia have my whole heart. The Mourn Watch is fascinating and the Shadow Dragons are bold, united and righteous. I really like that the Veil Jumpers don’t diss on the Dalish just because they know more— they understand that, as a people, they are one. And they’re accepting of everyone, not just elves!

I simply adore Rook as a protagonist. Not just because they give purple Hawke, and I love Hawke, but because again, they feel human and real. They know this is well above their paygrade, and they’re in way over their heads, but they still step up and lead because damn, someone has to. Iron Bull would be so proud. They are fun, they are caring, they are talkative and they know they’re drowning, but can’t afford to stop swimming.

Both in Origins and Inquisition it felt as though we were The Chosen One, even if in the latter one tried to swear it off and deny any possible divine intervention, but in DA: 2 and here, we are just people trying their best with the worst circumstances, and to me, that’s beautiful. Rook is a delightful protagonist.

The game allows you to choose who you’re going to be and /how/ you’re going to be thus. You can be cis, you can be trans, you can be neither and you can be both. No limits now.

Which leads me to another point I simply adored: how the questions of gender are treated. It’s really big to have an NB character go through their own acceptance process before our very eyes. While in Origins (and a bit in Inquisition too) you have the choice to be shocked that there are people who like their same gender, this game is Thedas saying “The world is big, the world is complex, and people everywhere are not defined by your expectations or rules. It’s not even an option. Deal with it.”

Regarding the magic, I’m not even mad it looks and feels different. After all, Dorian used to say that “the South is so charming and rustic”, and now I see that’s because what he saw in Ferelden and Orlais was not what he is used to. Even in Absolution we see that the way Tevinter used magic is distinctly unique and not how it is done south of Arlathan. I understand it. I like it. It’s not as if there had been no changes in the designs of demons and darkspawn before, and now that’s what they look like. It’s fine. Time has passed and people are allowed to make different creative choices.

Now, to Solas… Solas. Oh, Solas. I understand you so much better now.

Veilguard really helps put into perspective some bits of dialogue from previous games. Why does this 8-ball care so much about spirits and the Fade? Gods, because he /is/ them, and the Fade used to be his home. Every time he has to hear that spirits are monsters or unreal he takes it personally, and how could he not? People are saying he’s a monster, he’s not real, and nobody knows any better because they wouldn’t believe him anyway. Now I understand why he gets so worked up if you make Cole more human—you’re doing to him what Mythal did to Solas himself. You’re forcing him to be something else and Solas knows it hurts. (Also, Cole is happier as a spirit— “Thank you for helping me find this again. For believing in me. You don't know what it means”, he says, and now it hits so differently.)

I have to remark on some things I’ve read that have shocked me— first of all being the interpretation of Solas and Mythal’s relationship. Like Taash, you can assume “they were doing it”, however, I don’t think they ever loved each other like that. Their bond, to me, is that of a queen and her most loyal knight, a “king and lionheart” sort of situation if you will. Solas knows her better than anyone else, certainly, but the way I see it, that right there is his commander, inspiration and also, his heaviest shackle.

Their relationship merits another post altogether, I believe, as does Solas and Lavellan’s.

All in all, the good, to me, far outweights the bad.

Give the Veilguard a chance before you discard them, enjoy the appearance of some of the characters you love, enjoy getting to know the new heroes. Give yourself the option of having an informed opinion before you love or hate.

Also, petition for Solas to let his hair grow out again.

That's it, for now.

[neverenoughmarauders]

Hi! what are your thoughts on the ever present fanon idea that James repeatedly asks Lily to date him before she finally concedes (he pesters her tbh)?

I feel like this throws a lot of people off of Jily as it just adds a bit of creepiness to the ship and makes it weirder for Lily to get with James considering this behaviour, after what must’ve been a fair amount of reckoning since he tormented her childhood best friend for years. Like even if Lily hated Snape at this point I don’t think she’d forget how James treated him easily and let James off the hook without a proper reckoning so adding pestering behaviour to that dynamic just makes their relationship more unlikely ya know. Honestly just tryna find reasons why fandom in general dislike Jily more than jegulus atp.

Hi anon

This idea that James repeatedly asked Lily out I think far precedes Jegulus. In my youth, the few fics I engaged with (often because my best friend kindly helped translate them) seemed to position it as a very cute thing - although it always annoyed me even then, because it has no basis in canon. The day and age where James persistently asking Lily out was seen as cute are over, and now this fanon idea is presented in favour of Jegulus or Snily.

Actually, as an aside, in general the marauders' story is one that has aged poorly... You can't really view the marauders without the lens of it being the 70s and during a wizarding world war - but people do and it completely changes everything.

How do I feel about it?

I feel the same way about this as I do with all fanon ideas that get presented as evidence. It drives me up the wall no end. We all get carried away with our own interpretations and that's fine, but if people cannot separate canon from interpretation of canon /headcanon from fanon, how can we have an informed debate?

Canon:

"Why are you so obsessed with them anyway? Why do you care what they’re doing at night?” “I’m just trying to show you they’re not as wonderful as everyone seems to think they are.” ... “I didn’t mean — I just don’t want to see you made a fool of — He fancies you, James Potter fancies you!” The words seemed wrenched from him against his will. “And he’s not ... everyone thinks ... big Quidditch hero — ” Snape’s bitterness and dislike were rendering him incoherent, and Lily’s eyebrows were traveling farther and farther up her forehead.

My interpretation of canon:

The conversation between Snape and Lily to me indicates that it is a relatively new development (which means sometimes not long before/after the whomping willow incident). At this point I think it's hard to argue that James has asked Lily out - why on earth would Snape feel the need to point out that James fancies her if this be the case.

Canon:

“I will if you go out with me, Evans,” said James quickly. “Go on ... Go out with me, and I’ll never lay a wand on old Snivelly again.” ... “I wouldn’t go out with you if it was a choice between you and the giant squid,” said Lily. “Bad luck, Prongs,” said Sirius briskly, turning back to Snape. ... “There you go,” he said, as Snape struggled to his feet again, “you’re lucky Evans was here, Snivellus — ” “I don’t need help from filthy little Mudbloods like her!” Lily blinked. “Fine,” she said coolly. “I won’t bother in future. And I’d wash your pants if I were you, Snivellus.” ... “What is it with her?” said James, trying and failing to look as though this was a throwaway question of no real importance to him. “Reading between the lines, I’d say she thinks you’re a bit conceited, mate,” said Sirius. “Right,” said James, who looked furious now, “right"

Also canon: Lily found James attractive at this point, despite not liking him very much. It was confirmed in an interview, in response to whether or not Lily hated James, but as we know even from the source text:

“How come she married him?” Harry asked miserably. “She hated him!” “Nah, she didn’t,” said Sirius.

My interpretation of canon:

James is being an immature d***. That aside, nothing about this dialogue suggests to me that James has ever asked Lily out before. Why? James looks FURIOUS at the rejection, he does not give off the vibes of someone who has routinely been rejected by Lily.

There's also the small stuff which doesn't by itself mean anything but which adds up, such as Sirius' and Snape's reaction. Sirius doesn't come across as someone who has seen this a hundred times. He's obviously far less affected or surprised by the outcome, but that's not the same thing. Snape completely loses it with Lily - why? It's not the first time James and Sirius has bullied him, but if it's the first time Snape has listened to James ask her out - worse still, use him to ask her out, he might be furious. He told her so, didn't he? James Potter fancied her.

My headcanon:

We know Lily found James attractive, and that James is shocked to be rejected. We also know Snape is nervous that Lily might be falling for James: 'I’m just trying to show you they’re not as wonderful as everyone seems to think they are' Why? Probably because by now Lily and James have flirted a little on and off. If Lily spoke the way she spoke to James by the lake - if James routinely asked Lily out - then the conversation between Severus and Lily makes no sense.

If people want to like Jegulus, they can. Personally, I think Jily holds everything I want from an "enemies" to lovers trope, and if I want another trope it's usually best friends to lovers, and I've got prongsfoot for that. Or if I am feeling like I want both, there's always Jilypad <3

[foodtruckery]

y’all i’m thinking about stan’s hearing aid and i have FEELINGS.

yeah, yeah, yeah, i know it shows up exactly once and is pretty clearly written off simply as “old man has hearing aid” because that isn’t unusual at all at stan’s age. and sure, if we consider that filbrick, caryn, and ford are never shown with any hearing devices, we can assume this isn’t hereditary hearing loss.

BUT WHAT IF IT WAS. stan is only 17 when he gets kicked out, and we don’t have canonical ages for filbrick and caryn. so it’s very possible that if hearing loss does run in one of their families, it may not be showing up noticeably yet, or it might not be obvious enough that’s what’s happening. it's really easy to just think "ma is loud" or "pa doesn't pay attention" and that's that.

so i’m thinking about a stan who doesn’t know he’s at risk of losing his hearing early. stan who has so much more to worry about than something like that and who probably wouldn’t even notice it was happening until it got bad enough. stan who gets really fucking good at reading body language and facial expressions so he can grin and saying the right thing at the right time or redirect a conversation where he wants it to go because he can’t admit that he has no idea what the fuck someone said to him. stan who’s so goddamn loud all the time, and sure that’s partially his personality, but that’s also what happens when your hearing starts to go — you get loud and you don’t even realize you are until people start pointing it out.

stan who already has to look over his shoulder all the time being woken up in the middle of the night by a sound like a foghorn that makes him think oh, fuck, rico’s goons found me, they’re outside, i’m fucked, i’m fucked. only to slowly realize….the foghorn isn’t outside, it’s not some guy’s truck. in his head. it’s a horrible sort of tinnitus he didn’t know could sound like that. and it scares the shit out of him every time it happens, cause it’ll keep happening, completely at random, for years.

stan who i refuse to believe has insurance, and even if he did, do you have any idea how expensive hearing aids are??? this motherfucker won’t go and get his vision rx updated, and that’s not difficult insurance to come by, generally speaking. meanwhile, hearing aids aren’t even covered by a lot of plans, and these bastards cost several thousand dollars each. so where the fuck did he get his hearing aid?? is it even programmed for his hearing loss???? and if by some miracle it was, originally, when the hell was the last time he had a test done to get the settings adjusted?? we only see him wearing one — does he only NEED one or is that all he could afford??

when i think of stan and ford out at sea together i always think about stan’s fucking hearing aid. you can’t get that fucker wet, they aren’t waterproof! if he has a battery operated model, how many batteries did he bring with them?? you’d be appalled how often you have to change out a hearing aid battery, and that’s assuming you actually take it out and open the battery door every night — would stan??? or would he try and sleep with the thing in more often than not because even after all these years he can’t stand the idea of not hearing someone coming to hurt him while he’s got it out.

did you know that hearing loss can fuck with your brain if you were a hearing person? if you go too long without being able to make out/understand sounds like speech, your brain can eventually stop trying to parse it. that can increase your risk of things like iterations of dementia. do y'all ever think about how stan’s hearing loss might exacerbate the effects of the memory gun??????

[verecunda]

I personally see that "torture" conversation again as gaslighting from Annatars side, to be honest. Because (I double checked again to make sure i am not mistaken) "Never in Tolkien's lore does Morgoth torture Sauron. Some moments could imply such an act, such as in The Silmarillion where it is mentioned that Morgoth would have, if victorious, destroyed even the beings that followed him" - So to me it has that even ... Crueler twist of Annatar just trying to gaslight Celebrimbor again. Maybe that is just me though! And maybe in the series Morgoth really did unimaginable to Mairon. WHO KNOWS

Hi, Anon! This got long-winded, so bear with me here. XD

That is certainly a viable reading of the scene, and I definitely think we should never take Sauron at his word because, well, he’s Sauron. But honestly, I think it’s much more interesting, much more horrifying, if he is being honest here.

First, to get the lore stuff out of the way: agreed, nowhere in the books are we told Morgoth ever tortured him. But at the same time, we’re never told he didn’t. Sauron was obviously his most valuable and trusted servant, but he still was that - a servant, an underling, subject to his master’s caprices. And we don’t have any scenes of them interacting directly that allow us to gauge their relationship; we just have a handful of references that can be extrapolated in multiple ways. (For full disclosure: I’m an enthusiastic Angbang shipper, and I tend to view their relationship as more or less positive, one of the only good things they have going for them, but I try to keep an open mind on what canon does/doesn’t tell me.)

Most notably, take the scene where Sauron is defeated by Lúthien and Huan. She tells him she’ll send his spirit back to Angband : “There everlastingly thy naked self shall endure the torment of his scorn, pierced by his eyes.” Whereupon Sauron flees, and we hear nothing more of him till after the War of Wrath. We don’t know anything that he does in the meantime; we don’t even know if he returns to Morgoth’s service (the Lay of Leithian does suggest it, but the published Silmarillion gives us nothing either way). Whether or not Morgoth would actually punish him for his failure is probably beside the point: the point is that Sauron clearly believes punishment is a likely outcome. There are other ways you could parse this bit (and I do have Feelings about it!!) but the most obvious reading is that it’s terror of his master’s likely response that sends Sauron into hiding. So overall, it’s an ambiguous scenario, but there is certainly room to interpret a darker take on their relationship, and even allowing for deliberate ambiguity, it does seem to me that the show creators have chosen to explore that darker take.

To return to this particular scene, I don’t think he’s trying to deceive Celebrimbor any more - now that his true identity is revealed, outright deception is no longer going to work, because why would Celebrimbor believe anything else he says? Better to reel him back in with the truth. In that scene, I think Sauron is actually trying to make him understand his grand vision for the “healing” of Middle-earth. We already know he believes that's what he's doing. I don’t think he views Celebrimbor as an equal, no way, but I think he does consider that Celebrimbor’s ambitions chime with his own.

But crucially, his failure here is that in baring his soul and talking about the genuine suffering he’s gone through, he inadvertently reveals just how warped and ultimately irredeemable his own mindset has become. We actually saw this first with Galadriel at the end of s1: Sauron reveals his relief at Morgoth’s defeat, his feeling that a “great, clenched fist” had been released from about his neck - yet just a couple of minutes after that, he repels her because he admits that he sees saving Middle-earth and ruling it as the same thing.

It’s the same in the tower scene. Revealing his torture by Morgoth does engage Celebrimbor’s sympathy, but he loses it almost at once when he starts talking about his pain being a triumph of his own willpower, then especially when he breaks out all the textbook abuser lines about how Celebrimbor has “forced” him to hurt and deceive him. I don't think he would have said all that if he was just lying. All that self-justification strikes me as the response of someone who has suffered, but has never found a healthy way to process any of it, and who has ultimately gone on to continue the cycle of abuse. And when Celebrimbor demolishes all these self-justifications - “You can deceive even yourself” - I think Sauron's expression there speaks volumes. That’s the look of a Maia who has just been hit where it hurts, because rather than being taken in, Celebrimbor has just confronted him with exactly how damaged and fucked up he really is.

[rhiannonsknife]

oh i am OBSESSED with that detective!r and rhiannon fic... if you don't mind i have Thoughts about it

it's a little different from what you proposed but detective!r who doesn't know rhiannon but rhiannon knows you... she always comes back to the scene of the crime and lately she's been noticing this pesky little detective sticking your nose where you don't belong

so, she does some research. and by god, she's obsessed with you

she's stopped killing people for her own personal reasons - she's completely consumed with killing to see your reaction, the way you curse out the killer under your breath every time you see a new body

when she starts writing your name in blood at the scene, you know that you're in far too deep to go back

to make it even better, you've tried interrogating her. she was one of your most pleasant witnesses and she even offered to take you out to get coffee. the whole time you were there with her, she was so sweet and so kind, offering to pay for both of your orders. she couldn't have anything to do with it; she was just an innocent girl who was caught in the crosshairs of this gruesome serial killer. right? right?

need her so effing bad UGHHH -🪐

— warnings: canon typical violence/dark content. obsessive!rhiannon & possessive!rhiannon. gn!reader. some suggestive content. didn’t beta read (as always).

— a/n: this ask had me thinking omfg.

rhiannon who gets obsessed with you the moment she first sees you.

it all starts the moment she first sees you at the scene of her latest kill. she tends to linger, to watch from afar to see how the investigation is coming along. it’s not like people tend to pay attention to rhiannon’s presence anyway, so she’s comfortable to stay and see what’ll happen. you’re different from the other detectives, she instantly senses that. and, oh, how she hates it -at first. you’re clearly underestimated by your colleagues, despite the fact that you’re much better and smarter than all of them combined. you catch details others are unaware of until you point them out with an intensity rhiannon hadn’t expected. for the first time ever, she feels a thrill from something other than killing.

that night, she spends hours researching all that she can find out about you.

sprawled out on her couch, rhiannon spends hours combing through your social media, any public records, and every small mention of your life she can find online. by the end of it, she knows your favorite coffee shop, the route you take to work, and even the way you laugh, thanks to an obscure interview clip she found buried online. she imagines what it would be like to meet you in a “normal” setting. just two strangers talking over coffee. she imagines all sorts of scenarios, picturing countless ways of how she could get you to notice her. but that’s not enough. she needs more.

rhiannon who starts killing for you.

before she 'met' you, she'd been killing for her own satisfaction the most of all: murdering people who wronged her, people who continue to underestimate her, who pretend like she's not there at all 90% of the time. that is until she meets you. once she has gathered enough information about you and has learned that you are the one who's taking over the investigation of her murder case, she makes it her mission for you to see her. she's consumed by the idea of murdering for you.

obviously, you can't figure out that it's her. but she can still very much get your attention:

when you start to find your name scrawled in blood at multiple crime scenes, your stomach twists. you don’t know if it’s taunting or a bizarre kind of flirtation, but you can’t shake the feeling that this killer has an extremely personal fixation on you. rhiannon finds a sick satisfaction in knowing that she’s the only one who truly understands you. and that soon, you’ll understand her, too.

rhiannon, whose obsession only gets worse.

she starts following you around, whether it's by walking after you at a safe distance or by driving her dad's truck. only being in your presence thrills her. she can't think of anything that's not the next kill and what she can leave behind for you at the crime scene this time. after a while, you start to receive anonymous letters at your home. they’re handwritten, sweet, and yet filled with hints that leave a chill down your spine: each one contains personal details only someone very close (or very obsessed) would know. you start to dread going home alone each night, wondering if the killer is watching even then.

and, still, you're determined to catch this killer.

it's almost like you're just as obsessed with solving this case: you work relentlessly and stay in for much longer than anyone would ever know, sometimes running on no sleep at all just to try and connect the dots that are scattered all across your hometown in from of bloody crime scenes. once, while working late, you glance up from your desk to find somebody outside the station, watching through the window. it's just a silhouette that waves and, before you can react, turns and disappears into the shadows.

she makes watching you from afar a habit she can't seem to shake off:

hidden in plain sight, she watches you work a scene, observing your expressions as you piece together clues she’s laid just for you. the way you curse under your breath or tense at a particularly dark detail excites her; it’s like she’s guiding you through a personal maze, she’s drawing you closer with every carefully crafted move.

rhiannon, who even goes as far as to leave gifts for you right at your doorstep.

they’re seemingly innocent items: flowers, trinkets, chocolates...always with notes like “you looked tired today” or “thought you’d like this.” but you know better. there’s nothing innocent about these gestures; they’re reminders that she’s closer than you think. in one of her letters, she writes: “every kill is for you.” the revelation is twisted, sick even, but the obsessive way she describes her admiration for you leaves you feeling trapped in her gaze. you start to wonder if this chase will end only when she’s taken everything from you. or if you’ll end up her final victim.

at this rate, she catches feelings for you before she even knows what's happening to her:

she follows you on a night out, intrigued by how you relax away from work. when you laugh with friends, she feels a strange jealousy toward anyone who’s close to you. to rhiannon, this outing feels like an unofficial date, watching you from a corner as if she’s already a part of your life. later, she imagines herself sitting beside you, whispering her secrets in your ear, knowing she could charm you if given the chance.

rhiannon, whose obsession which was originally supposed to be a cat-and-mouse game that she was in control over, turns into a sense of possessiveness.

alone in her room, she whispers your name just to hear the sound of it aloud. she fantasizes about how you’d react if you knew she’d been studying you so closely if you knew that every kill from here on out was a twisted attempt to draw you closer. rhiannon, who somehow steals something from you, whether it is by sneaking into your home whilst you're out or by reaching into your purse in passing. either way, she uses it, later that same night, when she's home alone and dares to touch herself to the thought of you. she finds herself almost longing for you to figure it out, to see her completely. she’s begun to view each kill as a love letter, a message only you can fully understand, and in some dark corner of her mind, she starts to believe you might actually feel the same way.

but even that is not enough for her. she wants you to know her. to look at her, without the slightest clue who's really in front of you.

so, rhiannon plays the role of the clueless witness: after a particularly grisly scene, she shows up at the station, pretending to have seen something, and strikes up a surprisingly casual conversation with you. she even convinces you to take a break for coffee: she offers to buy, her voice light and friendly, as if she’s not the very person keeping you up at night.

rhiannon, who starts accidentally running into you.

she begins appearing in unexpected places: your favorite bookstore, the cafe near your precinct, and even outside the gym. she plays it off like coincidence, but you can’t shake the feeling she’s watching you. every “chance” encounter leaves you more on edge, especially as her excuses get flimsier, her curiosity too intense for a stranger. her gaze lingers just a bit too long, and she throws out casual details she should never know about you. but then again, there's no way this innocent woman could ever be responsible for all these gruesome crimes, right...?

you brush off these suspicions, not really believing that rhiannon could be capable of these murders.

and still, during another coffee date (which become a habit between the two of you) she drops a casual line, mentioning a detail about your personal life you never told her: maybe the nickname your family used or an obscure detail about your childhood. when you press her about it, she insists that she read it somewhere or “just remembered” from one of your conversations. but her gaze lingers, enjoying how much she’s unsettling you.

rhiannon, who starts acting possessive over you without really noticing it herself.

out in public, she lets her fingers brush against yours. she’ll throw an arm around you casually, especially when she notices other people noticing. to rhiannon, it’s a game of establishing her claim, marking her territory.

after some time, she finally invites you to her place, claiming she wants to “return the favor” of all your coffee dates.

when you arrive, the atmosphere is too perfect, too staged, with dim lighting and chillingly specific music playing softly. every word she says feels more like a veiled confession, every look a taunt as she watches you grapple with the tension between attraction and horror. it’s not until you see a framed newspaper clipping of one of her murders in the hall that you realize she wanted you here for more than a simple dinner...

[glisten-inthedark]

“But then we have him trying to convince Eleven of a straight up lie and I start to think that maybe it was subconscious lmao.”

(Same anon) This is why I’m conflicted too!! The way he’s trying to gaslight (sorry Mike) El and also himself makes it seem like it’s subconscious or at the very least extreme denial because he’s afraid to hurt El or afraid of having to admit that maybe the reason he doesn’t love El is because he’s gay

But it’s so hard to believe that in a year he never noticed that he was only signing “from” especially since we have Max writing letters in the same season and she signs her letter to Billy as “love, your shitty little sister Max” and I bet you she signed ALL her letters as “love” because Max doesn’t have any sort of internal conflict regarding identifying different types of love

So you could argue that if it was subconscious for Mike, it makes more sense for him to sign it “love” without thinking/on autopilot because he knows that’s what he’s “supposed” to do but also because he’d do that for his friends too. I don’t think Lucas or Dustin would bat an eye if Mike was living in a different state and signed his letters to him “love,” — they might tease him and call him a sap but I think they’d recognize it was platonic and not be weirded out.

So I think Mike must consciously realize that “love” to El will be interpreted as romantic love and it makes him feel conflicted and guilty so he tries to bypass that feeling and avoid confronting it by signing things, “From”

And if lettergate is real…….i think that’s another point to it being conscious because it’s hard for me to imagine Mike signing a letter to Will as “love Mike” and not having a moment where he freezes and questions and realizes. Especially because I think if lettergate is real, I think he would’ve only sent the letters that said “From” and not the “Love” ones because:

1. It’d need to be a reveal and if it’s a reveal than either Will or El has to see the letters and if Will is used to Mike’s letters saying “Love” then he won’t understand

2. If El at any point asked Will to read to her Mike’s letters to him, she would’ve heard the “love” and would’ve probably brought it up to Mike like, “you can tell Will “love Mike” but you can’t even tell me? Your girlfriend?”

Anyway this is all over the place but I hope it makes some amount of sense lmao

Hi again!

Oh I agree with all of this!

I feel like Mike already knows he can't write ir, and he may have an inkling as to why that is, but from what we gathered in season 4, he's extremely worried about being honest with El, so he may have wrote as "from" as a way to bypass the guilt he feels for not loving her like she wants.

And that whole scene is why I feel like lettergate has such a huge potential in canon, because they made such a big deal of it that it feels like it wasn't only meant to let us know he can't even write he loves El, but that in the future people will know there's someone he wrote it to.

[zeroakun27]

Jimmy is an egotistical, delusional, and narcissistic person who wasn't capable to be a leader and a manipulative person as well. He r-word anya, literally make Curly not being able to do anything and literally the reason why Daisuke and Swansea died

Sunny is a child, he pushed Mari out of stress and fear, he suffered a lot due to the traumatic incident he had to witness plus the grief and guilty due to the consequences of his actions

Honestly, I am baffled as to how you think this two characters are the same, you probably need to seek a brain specialist and check your neurons, I'm sure God gave you a wrong patterns recognition. And hey maybe you can test your IQ in there and have some advice to get smarter.

Also, a friend of mine decided to come up with rebuttal

First of all, his murder of his sister was not an impulsive decision. The game doesn't indicate that Mari physically restrained him to stop him from running away. This means that instead of reacting like a realistic 12 yo child and running away to someplace safer - either his bedroom or the bathroom, which both were on the same floor they were having their argument on - Sunny consciously employed physical force.

Yes, but as we are both entitled to using non canon materials (the album captions are considered non-canon), I shall use mine:

This video: timestamp 0:35 Mari screams “Where do you think you’re going?”

Anyone with reasonable deductive skills can see what she means by this. The timeline was as follows:

Pre 0:35: Sunny attempts to get away. There would be no reason for him to pull his sister as he’s getting away, so there’s no contact, 0:35: Mari screams “Where do you think you’re going”, 0:37: Mari falls down the stairs.

Now in those 2 seconds, who is more likely to make first contact? The angry one or the one getting away.

Bingo.

Mari grabbed Sunny, closing the distance between them, and Sunny having a flight or fight response (normal for a human being, by the way) and shoving her off him, thus down the stairs.

Voila.

consistent pattern of being an ass.

Let me address each argument for you.

(Apparently) was aware of Aubrey's troubled situation at home, wasn't shown doing anything of note to help and/or support her

What can a ten to twelve year old do other than talk to their friend and make sure they’re okay? (Which Sunny did do a lot with Aubrey by the way, shown through the video montage of “Duet”).

Whined about having to help his friends build their treehouse

What twelve year old wouldn’t complain MENTALLY? It’s not being an ass, if he was, he would’ve outwardly said all those things. It’s just that mentally he doesn’t want to do it. But he does because he knows it's only fair to the others. That’s called respecting other people and compromising for them.

Threw a tantrum that resulted in the death of his sister because he couldn't watch cartoons for as long as he'd have liked

Once again, I am allowed to point at non canon as you have.

0:04: Sunny says “Gosh, you-”

0:05-0:014: Unintelligible

0:15: The violin crashes

Firstly, no one screams “Gosh, you-” without the other having not done anything.

Secondly: Do you really think Mari stayed silent for those 9 seconds of unintelligible noise?

Was throwing the violin down the stairs the best option? No. Do I think it was just caused because he didn’t get to watch cartoons? No. Mari obviously said something to provoke it.

Blamed Mari for the argument as if she forced him to practice even though he himself begged her to let him join her

Something tells me you don’t have younger siblings tbh. It’s very normal for kids to want something at first, but change their minds later after they realise the work that has to be put in. (E.g: Wanting to go to school when they’re younger but hating it as soon as they start) Also, you’re disregarding Sunny’s motive: He never wanted to do violin because he loved the violin. He just wanted to spend more time with Mari.

Also to address “ as if she forced him to practice “

You think a 15 year old whose parents booked a venue for their recital wouldn’t be pressured and in turn pressure their younger sibling into making it PERFECT? Just food for thought.

Chose to resolve his argument with Mari by violence even though he had the option to run away instead

Already addressed this :) 

Was relieved that he got away with accidentally killing his sister

For someone who has a brain and must scream, it sure seems otherwise. Do read what it says. “For a moment, you feel at peace. You hate yourself for feeling this way.” He was relieved, sure. But he hated himself for that. Because he didn’t want to feel relief.

Chose to lie to his friends by omission and let them believe they had somehow failed Mari due of the assumed nature of her death as a suicide, irreversibly scarring them

Chose to let Basil take the fall for blacking out Mari's photos in the photo album, which entailed Basil becoming the target of Aubrey's bullying and wore Basil's mental health down to near-psychosis by the time of the game's events*

Half of the game is just showing the consequences to Sunny doing that though. It's portrayed as a bad thing. It’s also realistic to those experiencing PTSD or shock. I don’t want to make this too long (it’s already 800 ish words) so just read it here https://www.mayoclinic.org/diseases-conditions/post-traumatic-stress-disorder/symptoms-causes/syc-2035596

Walked out on Basil - his best friend - when the latter had a mental breakdown despite Basil begging him to stay

Considered leaving Basil to his death as a legitimate option, twice

Seems to have been content with thinking of doing nice things for Basil (e.g. watering Basil's plants in his dream world) as opposed to actually trying to support him in the real world

Walked out on Hero after seeing him crying over the piano

Again, just read up on the link I sent earlier. Specifically avoidance. It’s not morally correct but that doesn’t mean it’s in his control either.

Wasn't shown to feel any guilt or shame from having a picnic with the people he lied to near his dead sister's grave

I don’t know if you’ve played the game, but you like to bring up “Sunny and the player aren’t separate” so… Have you ever thought that maybe, just maybe the reason Sunny doesn’t show any guilt in-game is because he’s discovering the truth as much as we, the player are? Just food for thought

Twisted the supportive words of the people he lied to to alleviate his own self-loathing over committing manslaughter

This is just a wrong interpretation entirely lmfao. The battle against OMORI isn’t a battle against self loathing. It’s a battle against the denial that kept him from telling the truth to begin with. Sunny doesn’t kill himself in the bad ending because he hates himself. He kills himself in the bad ending because he wants to hide the truth and knows he can’t do it for much longer. Why do you think he doesn’t end up killing himself in a majority of the hikikomori routes even though OMORI has taken over?

Told his friends the truth shortly before having to move town, thus avoiding the direct consequences of his confession and leaving Basil behind again to face them alone

Not exactly his choice as I’ve said earlier.

Is only concerned with how his friends' pain affects himself at the end of the day

Can’t say much about it (I’m a little stupid  and can’t be bothered to spend over an hour doing this) other than I wanna see an analysis of My Time next. Sure it's not made for the game, but it was chosen for a reason.

What Sunny did was the fault of an irrational mindset

What Sunny did was the fault of him being a child witnessing a traumatic incident being led by another child who witnessed the same incident and then the rest are just the effects of PTSD. A majority of the reason the incident took place the way it did can be explained by: Sunny’s in worse shock than Basil due to him having to process that he was the one who killed his sister, and Basil just wants to protect him. If anything, Basil's at fault.

”Lol I just got off the hook”

Lol I explained this already. You used the same point twice.

Sunny is forgivable because he was a child who was not in a good rational mindset and made an impulsive decision with much more dire consequences than anticipated

Jimmy is not forgivable because he was an adult who had to make several conscious decisions to do what he did and does nothing but repeat his horrible behaviour

Both games are about forgiveness but two completely different ends of that spectrum. Omori is about how forgiveness can be healing and help those recover, and mouthwashing is about how sometimes forgiveness does nothing but enable horrible people to continue their abusive behaviour

[suja-janee]

Recent doodles!

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.

Bireena child stuff ->

[rose-tries-to-write]

Things I’ve learned about Danny Phantom after finally watching it as a person who avoided watching it for months and read fanfiction instead. 👍🏻✨

Spoiler warning, just in case!

They call themselves the Phandom. (Super cute, I love it, 10/10)

Everything, and I mean Absolutely Everything I’ve learned, is a fucking Lie. (Not fun. I have to rewrite my entire understanding. I feel betrayed. Offended. Gobsmacked. My flabbers are mf gasted. -5/10)

The show is actually really funny. (I enjoyed my experience. 9/10)

Fuck Phantom Planet. (What the fuck was that shit? Um, rewind, redo, no thx, give me back the ghostie boy please. I genuinely didn’t even finish the episode, I got to where he un-died and had to turn it off. I refuse to watch it now. 0/10)

The Phandom was right to steal canon and make it our bitch. (Trans Danny? More Dani/Ellie screen time? Actual plot and lore for the show? Actual in-depth thought to ghosts and their culture? Um, yes please. 1000/10)

Frostbite actually is a doctor. (I don’t know why, but I thought it was another thing the Phandom made up. Love to see it, 10/10)

Wes Weston deserves his own episode. (What do you mean he doesn’t actually exist. What do you mean I don’t get my LGBTQ+ undertones. This is homophobic /j. -10/10)

How do you tell when a ghost is intangible, invisible, or both?? (The show doesn’t have a differentiator between the two, so I’m always confused if people can just see him floating through walls. 3/10)

Guys in White literally do nothing but be annoying. (Another case of the Phandom Lying to us. I love it though, they make really good antagonists. 7/10)

The Fentons are stupid and mildly aggressive, but they do love their kids. (I read a lot of vivisection, child neglect, and general Bad Parents fics so excuse me on that front. 8/10)

Danny didn’t actually beat Pariah Dark? (I love the Ghost King Danny fics, so to find out all he did was shove him into a sarcophagus was a bit of a bummer. He struggles more with Undergrowth than the actual king, like?? 6/10)

He can reach inside himself to take things out. (He ate a spoon in one ep and just reached inside himself to take it out. Pretty cool. 9/10)

Is he actually dead? (Phantom Planet makes it seem as if he just got a bit too high a dose of ectoplasm in his system and it fucked him up, how else could he have just undone the damage? But, most of the Phandom says he legit died in the portal, in which case he could not have gone in and just un-killed himself like he did in Phantom Planet. I think he died, personally. More trauma and angst for my writing. ??/10)

Clockwork appears a lot less than I thought he would. So does Frostbite. (I thought with how much they appear in the Phandom, they must have really important and constant roles, but no. They appear very rarely. Sad face. 5/10)

Vlad sucks. (Vlad fucking sucks. 0/10)

Dani/Ellie is much younger in appearance than I thought. (I looked her up for reference when I first started reading the fics, but she looked 14-15. She actually looks 6-7 years old in show. They literally call her a kid. 8/10)

Dani is what she chose to be called, not a funny joke the Phandom played on itself. (I though it was a silly little haha moment. Nope. The show just… named her that. I think Ellie is the Phandoms choice in calling her?? 8/10)

Why is Danny obsessed with Paulina even while crushing on Sam? (He is actively blushing and flirting with Sam and then they’ll turn around and he’s jumping at the chance to talk to Paulina?? Hate it. 0/10)

Danny and Dash don’t actually date. (I saw this circle around the Phandom a bit, thought it was cute if a bit weird, and then it didn’t happen? 6/10)

No obsessions, no cores, no real reason for the ghosts to be terrorizing Amity Park. (I legit thought it was real in-verse stuff, I’m so disappointed in the lack of it in the show. It could have been so good. 3/10)

Danny doesn’t actually become friends with his ghosts. (They don’t really get along, ever. They don’t talk outside of fighting, except for those who actually like him. Missed opportunity. 4/10)

His Space obsession is actually just a few mentions of him wanting to be an astronaut? (I thought he genuinely had an obsession with the stars and we’d see a lot of him stargazing or word-vomiting about his hyper fixation, but no. Sad. 4/10)

He does go stargazing (maybe?) and flies around when he’s not fighting. (We see him going off as Phantom in the episode where Jazz finds out about him. There are no battles and he looks like he’s having fun flying around. 10/10)

He was called Inviso-Bill?? (Hilarious, I love it, why did no one ever tell me this. 7/10)

He says “Going Ghost!” every time he transforms. Every fucking time. (It’s annoying, it’s ugly, I hate it. I am so glad no fics mentioned this or used it, I think I’d go insane. -1000/10)

That’s all I got for today, and probably for a while. I just wanted to write it down for fun, but I might post more like this eventually.

[seagreenstardust]

I know I’m so lasered in on bkdk that I don’t often talk about togachako, but one of the things I’ve noticed this time around is how often Toga will lump Izuku and Ochako together when she’s talking about the people she loves. As far as Toga is concerned the two of them are interchangeable nearly from the beginning. If she means she loves Izuku romantically (as much as she’s able to understand it), then she’s also saying she loves Ochako romantically.

And it will never not floor me that Toga straight up compares Izuku and Ochako’s relationship to her own with Jin, then says immediately after how Jin was like a brother to her. In canon someone compared izu*cha to a sibling relationship. I’ve said it before and I’ll say it again: the way bkdk and togachako are written feels incredibly intentional. If they haven’t been building up to an eventual canon ending then this is the cruelest longest running fake out of all time

[blueikeproductions]

Hasbro has always had a terrible ability to read the room, nor have they ever really truly cared about their IP that much.

The Marvel team submitted a fake script where half the cast died horribly by sheep droids just to see if Hasbro was paying attention. Their suspicions were confirmed when Hasbro didn’t bat an eye at the ludicrous script and just submitted some casual notes.

Hasbro REALLY wanted Optimus to die in the 80’s film, despite being warned multiple times not to do that. And naturally they were shocked when killing Optimus traumatized so many children, and had no choice but to bring Optimus back.

Hasbro couldn’t make up their minds on whether they wanted to renew Beast Wars and RiD15, so each series had their own way of referencing that. Beast Wars would have their cliffhanger endings end with “The End?” or “To Be Continued…?” because had the series been canceled in S2 specifically, …Megatron won. He hands down won even if he made the time stream swiss cheese at that point.

RiD15 wrote each season to be self contained, having a final bad guy they’d defeat and then ride off into the sunset. RiD15 didn’t commit to anything that big like Prime did probably for this reason. RiD15 was also bragged about by Hasbro in particular how well it did at the time, as like it or not, RiD was very successful with its target audience, and even the grumpiest veteran fan had to admit the monster Decepticons were cool, with Steeljaw being very popular. The popularity of Decepticons like Bisk and Springload are why they got toys at all, as Hasbro initially didn’t want to make toys of certain characters.

They were incredibly unhelpful in the development of Netflix WFC, forcing the writers to make all their outlandish ideas work. One such idea they insisted on before backing off was trying to make WFC canon to the 80’s cartoon… when absolutely nothing the show was trying to do made sense for the 80’s cartoon. It’s also pretty apparent the original intent for the toys was to adapt the movie and season three, but at the last minute they threw in Beast Wars, which is why you confusingly have Rodimus and Cyclonus in a Beast Wars line, but not including them in the cartoon at all despite using Galvatron… Beast Wars also wasn’t supposed to factor in the show was it was originally supposed to end with the Transformers awakening on Earth in the 80’s.

Hasbro really wanted a Legacy cartoon on Netflix, as they were happy with WFC… despite fans rejecting the show hard during Earthrise and the ratings in the toilet. Netflix understandably passed on making more since the other show didn’t do them favors.

So Hasbro reps being brain dead about the clear apathy and disinterest in EarthSpark from audiences since day one doesn’t surprise me. Even fans of ES have turned their back on the show to the point some TF YouTubers point this out when discussing the very abrupt transition from ES to CyberWorld and Wild King, that’s how bad it’s gotten. Like you don’t immediately fast track CyberWorld if EarthSpark was doing well, and Takara finally just going “Up yours, we’re doing our own thing” after years of failures post Animated.

I don’t buy for an instant EarthSpark is continuing on into 2026 alongside CyberWorld as the old planning document states, like do fans not understand plans change on a dime? I sooner see some final episodes already in the tank trickling out next year to coincide with what has been stated to be a last minute small extension to ES. Cyber Glow Megatron screams final power up in that context, but ES isn’t very great at advertising its toy gimmicks so who’s to say. But I think ES having a last minute extension sounds like they’re largely intending to abandon it after Cosmos and Scareglow Megs comes out. We already know they’re working on CyberWorld with new toys ready to go, the same with Takara working on Wild King, so any chance of guys like Terratronus, the Insecticons and Hardtop getting proper toys are next to none in their own cartoon’s toy line.

Age of the Primes is probably the only place these guys get something, at least some of the Terrans would make sense for Quintus’ toy. Though with how much Thrash and Twitch toys I see on clearance I’m skeptical.

So there was an interview posted today with Hasbro Entertainment president Olivier Dumont. Looks like more ES episodes are still coming:

Here's the article if anyone wants to read it. I have to say that ES being mentioned like an afterthought after Peppa Pig of all things is pretty damning considering how Hasbro has been treating ES lately.

[whoblewboobear]

Even after the plan fails, Jace offers to do god/worshipper roleplay with Porter who definitely thinks it’s cheesy at first, but then gets so into that it rewires some shit in his brain.

He has to sit down afterwards and reevaluate how much of the plan was fueled just by how horny he got when Jace called him a god.

[soullessjack]

idk i just think it’s a little weird that almost every character who gets the “innocent baby” / “little ray of sunshine” treatment usually ends up just having neurodivergent traits and actual negative traits in the show that nobody pays attention to. like idk man it just feels like diet infantilization to me and it’s a teeny weeny bit uncomfortable to see all the time