#at least in discussion

[tinartss]

just infuriating

[starmocha]

Love and Deepspace + Tumblr Text Post ↳ Sylus: No Defense Zone

[snapscube]

just wait until the nikki lore gets you. <guy who has seen the horrors

yeah yeah, the presence of dark lore and instances of character death in an otherwise cutesy or unassuming piece of media, we’ve all seen it

[221buckythesoldier]

in my humble lesbian opinion, in the case of yurified jayvik, viktor is the butch-est of the two of them. jayce fits piltover's expectations to a T, she'd have longgg hair and wear fancy dresses to galas and viktor'd be rolling into the lab looking the exact same as canon vik

[lucabyte]

Different standards

[mega-banette]

anyway i think the funniest way to hc teru as trans is to have him not know that there are trans people other than him. he woke up one day when he was 11 and was like oh of course i can be a boy i am the main character and most special person and then he just attacked anyone who said he couldn’t with his psychic powers.

[buqbite]

My thoughts here mainly revolve around YSA as the mary sue/female lead type character:

She goes from being this perfect woman to. just being a woman. And my idea is that the weight gain isn't there to make her "unconventionally attractive," or whatever other dumb phrase you wanna use to avoid calling someone ugly, but to make her conventionally attractive, yet realistic.

Instead of looking like a skinny waifu character, she looks like a skinny human woman. Her hair swaying in the nonexistent wind isn't as perfect, her magic blush is missing and she has eyebags. She's still hot, just more human.

[lurker2773]

Characterization for the Hex if the Operator were sent back instead of the Drifter

I like to think about what 1999 could have been if the Lotus sent the Operator back to follow Entrati and not the Drifter. I know it makes the most sense from a character development standpoint to send Drifter, but the Operator is a much more experienced and capable (lorewise) warframe combatant with countless years of practice under their belt - it'd have been equally pragmatic to send the Starchild to 1999 to make sure whatever needs to get done in there happens and have the drifter get trained up and acclimated to the Origin system where there are other tenno to rely on to make up for inexperience and general rookie-ness.

So instead of the Hex getting a grown-ass person with magic void powers from the future, they'd get to have a war veteran trauma child - bonus points if that child is nonverbal or refuses to speak directly to them, and the Hex have to interact with them through the KIM.

And also, consider that most players from a gameplay standpoint habitually keep their Operators cloaked to prevent them from getting shot once they leave their 'frames to do whatever - canonically, the Operator and Drifter don't have a time limit on cloak, I don't think. The Hex are basically never even going to see the kid, and that could be more terrifying. Imagine seeing a puppet version of what you could be, dangling from the strings of some invisible, intangible thing with superpowers and magic lasers coming out of their hands.

Imagine mid mission Arthur turns to look at the weird and mysterious time-travelling entity and just sees a collapsed Baruuk on it's knees or frozen completely still in a weird position before it suddenly zooms about thirty meters away midair and starts straightening itself back out again in ways that joints shouldn't move in before slamming into the ground and rushing headlong into a crowd of Scaldra to 'build melee combo,' whatever the hell the demon child means by that.

Here's the meat of the post, though - the Hex (and newcomers like Flare and Kaya) can play the Context(TM) game like they do with Drifter through KIM and slowly piece together that this is a magical child soldier with a bodycount larger than all the people they've ever collectively laid eyes on, and then react in interesting ways that would lend interesting characterization.

Eleanor and Arthur would be horrified, probably, and Arthur might start talking down to the Operator because it's 'just some kid' who's clearly in over their head. Most of it's concern, but I think some small amount would be bruised pride - how could some kid be better at killing than a trained soldier?

Aoi would be heartbroken at the revelation that their new ally is a child soldier - how could anyone let that happen to them? How sick do you have to be to make children kill whoever the government pointed at with techno-organic corpses?

And Quincy would definitely be fucked up in the head for a few days after he figures it out - that could open up some opportunities for more characterization given his soft spot for kids. Would he try to keep up his aloof act, like he does with the Drifter, or immediately discard it to try and comfort a child that has already made peace with their ridiculous capacity for murder?

Amir might do something similar to Arthur, but more patronizing than hostile - he means well, but this is a kid. If Amir himself feels out of his depth in the current situation and he's an adult, then surely a child would feel even worse than he does about killing a person.

I think Lettie would be the most chill of the original Hex, though. She's jaded enough that she'd be concerned, but would probably decide that it's not really any of her business - especially considering just how talented the Operator is at mass homicide.

Velimir and Minerva could also be really interesting. On the one hand, they could see little bits of Rusalka in the Operator, but that could also lead to coddling or 'replacement goldfish'-like behavior not unlike how I imagine Amir's reaction would have been.

Flare would have been the first to know. One wayward comment from Lizzie calling the Operator demon-child or something of the like, and they'd have put it together pretty quickly after that.

Kaya would just be glad there's someone else who understands being underestimated by older people just because they're younger.

[wardensantoineandevka]

every time anyone that's even slightly critical of C3 calmly writes a post that's longer than 750 words in an attempt to unpack what they feel is not working in the campaign or what's happening in the fandom, there's a rash of its defenders going "why are the haters always writing these long posts all the time, we don't need anyone to be writing novels, why is the post so long. it's so ridiculous that anyone is writing essays."

personally, especially if I was trying to position myself as having intelligent and complex opinions and capable of paying attention to episodes that are five hours long on a weekly basis, I would not admit I thought 1.5k words was dissertation length.

it's especially funny because many of the same people keep stamping their feet that critics never explain their perspectives or stances, then they're mockingly dismissive when doing so doesn't fit into a tweet.

not to make it sound grave, but it's anti-intellectual, it's simplistic. above all: it's juvenile, childish, asking to be treated as a child. wah, so silly anyone could possibly have a meaningful thought that requires enough space it doesn't fit on my phone screen at once.

[fresanita]

Angel Dust Turns Human pt6

"Alastor & Angels background 3"

Pg1 Pg2 Pg3 Pg4 Pg5

Originally this was part of pt5, but Tumblr doesn't allow more than 31 pics so☹️ Sorry it took awhile, I've been putting off positing this mainly cuz I've been busy w assignments and wanting to catch up w my hobbies💔 but I finally finished fall classes so YAYAYA🙂

Antoní is PLATONICALLY blushing bc he's flustered that someone would care enough to give him something in general🙂🫶!! He's thinking, 'Woah, a whole scarf! Omg, this is so sweet and kind!!' (NO ITS NOT IT'S THE BARE MINUMUM-). Also, sorry, Alastors shoulders kinda look less broad😓! Also, pg 15 (or 16?) Angel dust's cheeks look more pinchable than I remember lol🤭!

Anyways, we're finally kinda back to the present!😁 but uh-oh, Angel knows there'll be consequences eventually☹️ I feel like Alastor has only been saying Antoní, but I promise he'll have more dialogue in the next one😥!!! He just missed his little boy; he hasn't said that name in years!! Also, I should let it be known that Angel Dust's human form WILL be getting a haircut‼️ it may look aesthetically messy, but it's actually just clumped up hair!🤫

Again, sorry for the delay and hope you like pt6🙂🫶

Tag list: @diffidentphantom

[the-crooked-library]

I don’t think it’s a coincidence that Ellen’s sex scene with Thomas is weird, unsexy, frantic, fully clothed and disturbing, while Ellen’s sex scene with Orlok, literal corpse, is slow, detailed, sensual, and they are both naked. The juxtaposition.

exaaactlyyyy!! it's about the INTIMACY

regardless of how desperate both Ellen and Thomas may be to conform to their socially acceptable marriage (they're both distinctly queercoded, Ellen wants passion, Thomas cannot give it, both of them see each other as a duty), they still do not and cannot understand each other. Ellen, who comes from a wealthy but abusive home, cannot imagine prioritizing material success over love and connection; Thomas, who self-deprecatingly refers to himself as a "pauper," cannot imagine ostracizing himself so completely from the society that very easily jeopardizes the livelihood of anyone non-conforming. There is a distinct lack of intimacy between them, only partially breached by anger and confrontation; which is, indeed, illustrated by their fully clothed, aggressive scene. It is more of an argument than sex.

Ellen's death-wedding with Orlok is entirely different - as you said, slow, sensual, reverent; it centers their closeness above all. They cling to one another, both overcome with emotion (self-professed inability to love be damned), perfect living skin against rotting flesh; the visual implication here is that there is, quite literally, nothing between them. They know each other entirely, the flaws, the beauty, and that understanding is more important than their own life or death.

One is a sex scene that is actually a fight, the other is a lovemaking disguised as murder, and I am obsessed

[nonranghaes]

heads up: panic attack. vent for writer.

jisung knows how to take care of you now. he shuts your laptop, setting it aside as he quickly books it to the fridge and back to push a cold water bottle into your hands. you're getting overwhelmed, rambling up a storm about an assignment you did that now looks like you copied someone else who had the same idea. he tells you that it happens, that its normal, and to just email your professor about it... but he knows you. he knows himself. sometimes little things feel too big to handle, and they blow up like this. he holds his hands over your own, thumbs tracing alongside the inside of your wrists.

"it's okay," he says, keeping his voice as calm as he can. "it's gonna be okay. it's early enough. you haven't done any work yet. if she wants you to change it, it'll be okay. you're going to be fine."

you sniffle, tears streaming down your cheeks as you struggle to breathe as your chest grows tighter. you're babbling all over again: what if what if what if she gets mad at you what if she hasn't graded your assignment because she reached out to your advisors who's on vacation what if you're in the process of getting in major trouble for a misunderstanding and you just don't know it yet?

he kisses your forehead, gentle as can be, and his hands slide up to your biceps. "honey. i promise, it's going to be okay."

the water bottle slips from your hands, hitting the floor and rolling away as you move in to hold him. you squeeze your eyes shut, breathing growing more rapid as you try to hide. from what, you don't even know, but you bury your face in his chest and grab fistfuls of the back of his shirt. he embraces you, tracing circles on your back as you sob.

"it's okay," he says again. "just get it out..."

and you do. you sob into his shirt, losing yourself for a minute. two, five. you lose track. but you pull away, breathing a little more even, face stained with tears. and you meet his eyes after a moment, sniffling still.

"'m sorry..." you wipe at your face with your sleeve. "'m overreacting again--"

"it's okay," he cups your cheeks. "i'd panic, too. would i be overreacting?"

he knows the answer is yes. but he knows you'll say no, just because neither of you downplay each other's feelings in the moment even if you do sometimes laugh over the stupid things later on. he kisses your forehead again, wiping away some of your tears with his thumbs. he reaches down, scooping up the water bottle and offering it to you again. without a word, you accept it, twisting off the cap and taking a long sip of it before passing it back to him.

"better?" he says quietly. and when you nod, he sighs in relief. "i think... before you do your next assignment... we should do something silly."

you nod, and then reach for your laptop. "after i email her. will you--"

"yes." he kisses your cheek, always on the same wavelength as you when it comes to moments like these. "i'll read it before you send it. do you want a snack?" he stands, stretching, already ready to hunt in the kitchen for whatever will make you smile the most. "i'll grab us some snacks."

"yes, please." you open up your email, and wait a moment before turning to watch him go. "i love you."

he beams as he spins to face you one last time now, already making a heart with his arms, just to hear you laugh a little at him being silly for you. "i love you more!"

[tamethespaghetti]

I enjoyed these eccentric old skeletons very much.

[chronicsyd]

I'm gonna be so serious, y'all are remembering POWDER and Ekko and not JINX and Ekko when screaming about how much you "wanted Timebomb endgame over Caitvi"

shoving JINX in a relationship with her current mental state is not a good writing choice whatsoever, because Ekko literally had to keep rewinding time because she kept trying to kill herself. If Anything, That relationship would be rushed and fanservice because they would have jumped the gun in 2 episodes vs the 2 seasons it took for Caitvi and showing their ups and downs throughout their whole relationship.

The alternate universe works because Powder doesn't become Jinx and the two don't separate, unlike this universe where the two have been at odds for 7 years and almost kill each other back in Ep 7 of S1.

"But Cait never said sorry!" she didn't really have to, because Vi never stopped being in love with the girl that she Knows Cait is at heart, the Cocktail Molotov scene in Act 2 makes that VERY apparent. Cait saying that she was waiting for Vi to recover to address Jinx is the start of it because Act 1 Cait wouldn't have even Considered doing that, because she was so gung-ho about putting a bullet into Jinx that she Demanded Vi move out of the way for her to do so. She holds herself accountable with the mistakes she's made ("We can't erase our mistakes. None of us." that wasn't just a line targeted at Jinx to prove a point, there's deeper meaning behind it), and moving the guards out of the cell proving that she trusts Vi and her judgment on Jinx is that apology, Caitlyn has always been an "acts of service" kinda person over being a "verbal" kinda person; it's all over the place in S1 but Especially here in S2. But even after she takes Vi's shirt off, you could tell by her eyes and body language that she was most likely going to stop herself again to apologize for hitting her because the wound was in the same spot she initially hit, which was part of the lead up for This wound to even happen, but Vi's the one that just pulls her back in instead.

I'm also gonna add on that Vi thinks she made the wrong choice in trusting Jinx and thinking Jinx's changed because Jinx locked her in the cell and ran away again. So why in the Hell would Vi go chasing after her Again to be met with the same result time and time again? Vi isn't responsible for Jinx's mental health and y'all saying that are just weird. And I think it's apparent that Stillwater probably wasn't even in the top 10 things in her head being with Caitlyn, she was just running wild on emotions that she hasn't allowed herself to feel like-- Ever. And even if it Was Vi probably would have said she wasn't comfortable being in a jail cell of all places.

What was I talking about? Oh right, Timebomb.

Like Yes, it's shitty that Ekko doesn't get a happy ending considering he's the most unproblematic in the entire show. But people tend to forget that at the end of the day, Arcane is a TRADGEDY. It's not She-ra, it's not The Owl House, it wasn't going to be wrapped up in a neat little bow where everyone gets to smile and walk into the sunset with their loved ones, especially considering the fact that this season's being used as build ups to other stories, it's relatively clear that this isn't the last we're going to see of a lot of these characters. When they come back into play? well... who's to say?

But also, let's address that a lot of the Caitvi hate is just straight up homophobia at this point because a lot of people can understand Mel's admission to manipulating Jayce as an apology but Cait's actions we're suddenly braindead and need shit completely spelled out. like good lord I'm so tired of this. Y'all would NEVER have survived Catradora let me tell ya...

(My next post is gonna be a long winded rant about Maddie so stay tuned for that...)

[feelo-fick]

WHY has no one talked about these panels. fuck it its 12 am (at the time of me "finishing" (<- not even close) writing this, its nearly 2 am) im going to talk about them

ahem.

before i get to the Main Point i wanna discuss chils tendency to spiral into his thoughts

like, sure, yeah, he's a reasonable guy. real logical-- but he tends to rush through so many possibilities and in this scene even berates himself for his tiny mistake. every thought in this scene goes so fast to me here, just "snap snap snap, call for help, no thatll attract too much attention- wait is there a switch? crap its too far away- nevermind lets just wait for marcille- but can i trust her with that?? god im so stupid, am i just gonna be trapped here until morning???" and it takes a moment for him to stabilise and snap out of it

like... he even has a little pep talk about it

i guess you could take this as him merely being a quick thinker? but i highly doubt it -- look at this fucking guy.

anyways. hes always got to be eased out of it one way or another, whether that be complainerism (self-explanatory), strategising with another person (that way all the insecure thoughts get pushed to the back in favour of working together), reassuring himself (discussed above) or...

you. could.

distract him.

place a brick wall in front of that zooming train of thought and watch it crash and burn :)

he doesnt even respond in that first pic, by the way. in fact, he doesnt say anything for another 3 (and a bit) pages, and by then the topic has been safely switched (granted those three pages are just marcille and laios making the familiars, but i feel it still stands that there was no response at all, not even visually)

secondly, in that other instance -- see how his eyes go wide as saucers when contact is made? and how they turn into pinpricks once he looks back**? god. and. like.

oh. fuck. ive gottta continue this in a reblog since ive reached the picture limit on mobile -- i am not even a THIRD of a way through all my thoughts on this- we didnt even get to my footnote!! sit tight everyone :)

[crowleysgirl56]

Good Omens season 3 finale movie thought of the day:

What if Aziraphale falls in the finale? What if Crowley comforts him, says something along the lines of “We’ll fix this together Angel”. And maybe Aziraphale will respond, “I rather think that term isn’t so appropriate anymore”. And Crowley will get real quiet and duck his head down and take hold of Aziraphale’s hands, gently rub circles into the back of them, and softly replies, “That’s not the reason I call you that.”