#at least i still have music
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1roentgen · 3 months ago
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gingermintpepper · 2 months ago
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Okay, let's finally talk about EPIC's Apollo
I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.
So really, what my problem with Epic's Apollo?
In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.
What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!
Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.
Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.
In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.
My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.
So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?
The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)
Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.
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chirpsythismorning · 5 months ago
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I’m sorry but nothing will ever beat Finn’s drive playlist that he made during s3 filming, with songs like Me and Michael, The Basement, Gay Thoughts and No Woman lmaoooo
#byler#stranger things#in all seriousness#finn has already confirmed he listens to music on the way to set to get in the zone for his character#millie and noah have said when asked that he’s the cast-member most likely to be listening to music on set#do I think every song on there is byler-coded? no#do I think he made it specifically for byler fans to witness and read into? no#but i do think there is a middle ground here#since byler is happening... yeah there are gonna be songs that get him in the zone for byler scenes#and yet there are also probably gonna be songs that he likes rn and wants to use to feel inspo for filming in general#aka plenty of songs just there for the way they sound/the vibes that get him more comfortable getting into character#but then again he also could have made the playlist private to avoid people reading into it#he’s known for years people have seen his playlists and hasn’t made those private either#so I don’t think he cares if ppl read into it#(at least for now...)#but fr that drive playlist still haunts me to this day#i remember when he mentioned listening to music to get in the zone for filming#he specifically mentioned that he listened to it when driving to set and ppl went crazy connecting it to his drive playlist lol#so i mean who knows#maybe he makes the names confusing/random but also sometimes with a hint of truth bc he knows people are gonna deny it or read into it#and he's playing with that possiblity#but i wouldn't die on that hill by any means.#but the drive playlist is why idrc if people read into the STurn one bc i mean....#yeah those songs that sound eerily like mike's emotions in regards to will probably are that way for a reason
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secondbeatsongs · 2 years ago
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“Cantina Band” with every second beat removed
may the 4th be with you, etc etc
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uniiiquehecrt · 3 months ago
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
#(i am incredibly passionate about this)#(and seeing celebrity voice actors in what should be a voice actor's role completely burns my buns it doesn't matter WHO it is)#(hemsworth as optimus? someone tell me one good reason why they couldn't get a good v/a to replace mr. cullen properly for the future)#(ben shwartz as sonic? dude literally isn't even a good voice actor OR actor anyways-)#(- A N D jason griffith AND my boy roger craig smith are still RIGHT HERE)#(jason griffith IN PARTICULAR would have pulled back SO many sonic fans that went to watch the film anyways. if not /more/.)#(and on top of that he has the same tonality and energy they tried to force this moshmo to try and emulate anyways so GET THE REAL THING)#(chris pratt as mario? i can at least defend /him/ and say that barring his failure to do a NY accent consistently he wasn't terrible)#(but mario's new voice actor could've been used instead and people would've clearly appreciated that WAY more)#(vanessa hudgens as sunny starscout in mlp g5's pilot movie? literally why. they replace her and hitch's va in the show.)#(don't even get me started on the concept of hiring celebrity singers to do musical theatre roles or not letting musical theatre singers-)#(-dub the celebrity voice actors you just HAD to hire for your film bc you're so worried about not getting enough clout to get ppl in seats#(that you're putting it all in this (1) big name hire bc turns out that you have no faith in your writing ability much less-)#(-animation as a medium.)#(and no before anyone says anything : no this is not me saying that ALL celebrity voice castings are bad.)#(there are some that aren't that bad and others that are actually pretty good.)#(i especially appreciate it when actors are damn well aware they aren't voice actors and try to LEARN from voice coaches-)#(-and/or their va predecessors if applicable.)#(that does not change the fact that the celebrity shouldn't have been hired just because the film wanted to have bragging clout-)#(-oh look at this FAMOUS PERSON we were able to hire — yeah ok. sure wendy. i want to know if this film is quality or not.)#(and 9/10 times the SECOND there is money spent on a non voice actor to voice the main character especially)#(that usually means somewhere along the way animation IS going to get shafted. if not w the animators themselves then in the way of-)#(-the actual animation itself and ESPECIALLY the screenwriting because it's especially been so dogshit lately even before the strike.)#(a celebrity being hired to fill a voice actor's role is such an immediate red flag to me and it is VERY rare that i get to be proven wrong
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coolnonsenseworld · 11 months ago
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Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰
linktr.ee/Mezzy
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ctrl-alt-deleting-yr-face · 3 months ago
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AU where Bedman gets revived by Asuka’s weird apprentice and is now full of anger and hatred at the fact that his situation has changed and he’s suddenly alive and awake. Oh and he plays the piano.
I would’ve drawn more for this but it’s almost 5am and also i’m. horrid at drawing quickly. Anyways feel free to ask about the AU! I’m much better at expressing my ideas through words than through art anyways ^^
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pansyfemme · 1 month ago
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for a looooong time now i’ve had this particular… thing? (i know it’s related to my psychosis/being schizospec bc. thats what my therapist says. but i don’t know what’s the right term..) everytime i wear headphones at night where i swear i can hear people i love talking badly about me but can’t quite make it out over the music but it completely disapears when i take them out. ive been dealing with it since middle school and it used to drive me fucking nuts but now it’s all just part of the music listening experience for me… hashtag i lov e music
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ashleyslorens · 1 year ago
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kissing vs no kissing shows
+ bonus
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moxyphinx · 3 months ago
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EDEN ESPINOSA & AMBER IMAN  "I Will Paint Her" LEMPICKA the musical
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schrodingerseurydice · 2 months ago
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odysseus the moment when, for the first time in 20 years, nobody is trying to kill him: whelp, guess it's time to kms
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ghostvibesonly · 4 months ago
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“deep down you hide a reason for shame”
Eurylochus shameful that he’s the one who opened the bag while Odysseus was asleep. Odysseus hiding the fact he knew what would happen in Scylla’s lair.
“deep down you know that we are the same”
Eurylochus wanting to escape Circe’s island with Odysseus and leave the rest of the crew behind, letting them die by being eaten as pigs. Odysseus leading six men to their deaths by intentionally handing out six torches. Scylla has six heads
“leaving them feeling betrayed, breaking the bonds that you’ve made”
Eurylochus betraying Odysseus as a second in command (and friend) by openly doubting him and opening the bag when expressly told not. Odysseus breaking Eurylochus’s trust as a captain by leading his crew to the lair and sacrificing six men, six friends, one of them being Eurylochus (until another member of the crew pushes him out of the way and sacrifices themself)
“there is no price we won’t pay”
Odysseus pays the price of Eurylochus choosing to mutinize (and kill the cow) in an attempt to save himself and the crew (the latter although reckless and basically an unintentional death sentence being done so they all wouldn’t starve). Eurylochus (and the crew) pays the price of Odysseus choosing to save himself when Zeus arrives.
“we both know what it takes to survive”
Interestingly, during the mutiny Eurylochus and the crew chose not to kill Odysseus (at least not in the moment) and even bandaged his wounds that they inflicted while he was unconscious to prevent him from bleeding out. In that moment, they chose to show mercy. However, there is no mercy on Odysseus’s end when Zeus tells him to make a choice. There is only ruthlessness done out of desperation, as the only person Odysseus chooses to show mercy to is himself.
Both know exactly what it takes to survive, as Odysseus voice shakes with despair knowing what he’s about to do while Eurylochus, soundly sadly resigned, accepts his fate. There is a brother’s final stand coming to its end and both know it. And they know only one of them will make it out alive
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thewhizzyhead · 14 days ago
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warriors 2024 and the art of giving meaning to struggle
alrighty ramble time: let's talk about luther and how he managed to fuck up NYC for good. if luther were like i dunno lex luthor, i'd say his move to destabilize gang relations in nyc is a very fucking calculated move because i really do have to give credit to him in actually achieving the goal he set out for himself because his decision to kill cyrus,,,,aka the one that organized the "Please No Gang Fighting" summit that aimed to unite everyone against the bigger baddies of NYC,,,essentially fucking killed any and all chance of such a peace summit and unity initiative from ever happening again. because, like, after seeing a beloved and seemingly untouchable leader be murdered in front of all of you despite explicit instructions to Not Bring Weapons, would you even risk witnessing that chaos again in another summit? would you trust that forming a united force work after such a tragedy? is there even a possibility of finding trust among other NYC gangs if someone among their number killed your very hope? so yea knowing how the movie ends with just the gramercy riffs saying that the warriors (with two dead people and one arrestee in tow) are off the hook because someone else witnessed luther killing cyrus,,,the original ending is actually quite hopeless when you think about it in their shoes. in the words of movie swan himself in the movie, is what they end up with all their night of sleepless fighting and struggle is worth? hence, i now really see why warriors (2024) decided to make what I consider to be the 2nd biggest diversion outside of the genderswap: making cleon live - because otherwise, the warriors' struggles surviving the night can be said to be struggle for solely struggle's sake.
in the musical, cleon is an astute believer in cyrus and the future cyrus envisions for all of NYC - thus, she becomes the harbinger of cyrus' hope in the form of still breathin' and somewhere in the city. her being alive doesn't detract from the widespread tragedy faced by the NYC gangs - i still really believe that no matter what, luther effectively killed their one shot at true unity and trust - but in cleon's own words: "What do you do when they kill everything you believe in? Give it meanin." the decision to keep cleon alive is warriors (2024) counteractive measure at the absolute shithole luther placed NYC in because in her message of keeping the dream alive despite situations that are, realistically speaking, impossible to wholly recover from, gives their struggle meaning, purpose, and direction - the end goal being hope. that theme of hope despite and in spite of adversity now becomes evident on as to why we are made to be invested in the warriors' journey home and their subsequent growth. in mercy's decision to leave the orphans for a place of belonging and pride that can make her finally hold her head up high. in ajax's and fox's decisions to retaliate against their pursuants among sleazy old men in blue. in swan's persistence in getting the rest of her crew home alive despite still reeling from the loss of her leader and her fellow warriors. all attribute their own reasons to why they resist and rebel because they ultimately hope for something fucking better. ultimately, warriors (2024) exists because of the want to give more meaning to struggle in the form of hope amidst hopelessness. in the movie, the warriors find their meaning in the sweet simple bliss of survival - in making to coney island's sunrise. but in the album, another meaning is emphasized among not just the warriors, but the marginalized communities of NYC in general: their meaning of struggle goes beyond surviving the night - because they carry on and carry forth the dream of one day having a city where they all come home alive. because after all, isn't the formation of grassroots rooted in resistance - and isn't resistance born out of the want and hope for something better?
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bisupergirl · 4 months ago
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"Guess I just bring out the best in people. 'Stick with me, kid, and you'll go places…'" "Yes. I think I might."
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thatonecrookedsmile · 7 months ago
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I would say that, considering his history, he's not that wrong, but even I have doubts as to whether that would be right. But at the end of the day, this is just a joke that's been in my head for a while, sooooo…eh.
Oh hey, an attempt at a comic? Made by me? That I didn't give up during the process or lost all motivation? What was my only attempt at this, 2019? Damn, it's been a long time.
I thought about leaving this here without editing or any colors, just the natural ones from the paper and pencil. But something in my head said "HAHAHA, no" so I went back to work. I had to put this idea down on paper this time (literally). If another year passes without me being able to execute this idea, I would lose my mind.
This scenario was inspired by this video by Jehtt, inspired by the original meme by Windii. Credits to both of them.
For a long time I wanted to joke - especially on the anniversary - that I wanted Sammy to only have less than 5 seconds in the next game (or in other words, take his screen time in DR, and shorten it even more). You know, just for the funnies (unless..?) But,thanks to the news released at the beginning of January this year about The Cage, I legally can't do this joke anymore…this year. Don't worry, after that comes out (and finally gives Sam the screen time he wants,hopefully) and we start to crawl into the Bendy 3 production era, I'll make this joke when I can.
Anyway, happy birthday Sammy Lawrence. You may not be my favorite character in this franchise, but there are some things I can actually appreciate about you. Plus, you made me laugh a few moments before (you know what I'm talking about) so there's that.
And happy 7 years to Chapter 2, and by extension, Susie, Norman, Alice, the Searchers, (Johnny????), and Beta Ink Bendy. (I would mention Jack too, but he was only introduced with the release of CH4, so technically it's not his birthday yet, but I'll consider him here).
And now? May I be able to do something for CH4's anniversary. Wish me luck,cus I'll need it.
(it might be really late now, but it's still the 18th where I live, so it's still his birthday, so I still won)
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proto-language · 9 months ago
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Do you love the colour of the Mozart, l'Opéra Rock?
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